954:
193:. He also stayed in London at the time and his works in the genre were highly popular. Haydn also wrote symphonies with long soloist parts, especially early in his career, such as the "Time of Day" symphonies 6–8. These are, however, rightfully considered symphonies rather than sinfonie concertanti. Other examples from the era are
478:
wrote two works in this genre: Sinfonia
Concertante for Two Orchestras, H. 219 (1932) and Sinfonia Concertante No. 2 in B-flat major for Violin, Cello, Oboe, Bassoon and Orchestra with Piano, H. 322 (1949). In fact, all but one of the composer's symphonies feature a piano, as do most of his
69:
genres, a concerto in that soloists are on prominent display, and a symphony in that the soloists are nonetheless discernibly a part of the total ensemble and not preeminent. Sinfonia concertante is the ancestor of the double and triple concerti of the
151:, who likely heard the early Sinfonia concertantes of Bologne, was also acquainted with the Mannheim school from 1777 and probably aware of J.C. Bach's publications. He put considerable effort into attempts to produce convincing
168:
108:
wrote "concertos" which did not highlight individual soloists and which were stylistically more or less indistinguishable from his "sinfonias." The
Baroque genre that comes closest to the Classical
258:
275:
that is partially immersed in the orchestral sound, but also has several distinct solo passages. The second half of this work also features a semi-soloistic part for piano four hands.
254:
50:) is an orchestral work, normally in several movements, in which one or more solo instruments contrast with the full orchestra. It emerged as a musical form during the
534:
differs from the sinfonia concertante in that concertos for orchestra have no soloist or group of soloists that remains the same throughout the composition.
160:
443:
also composed a sinfonia concertante (for solo piano and orchestra), also known as his
Symphony No. 4 "Symphonie-Concertante." Other examples include
131:
had disappeared altogether. In the second half of the 18th century, this led to attempts to combine the two genres, such as those by composers of the
521:
produced a spoof "Sinfonia
Concertante" utilizing lute, balalaika, double reed slide music stand, ocarina, left-handed sewer flute, and bagpipes.
866:
382:
378:
917:
897:
395:, containing five movements, lasting over an hour and even finishing with a male choir, that can be considered a sinfonia concertante.
907:
902:
127:
During the
Classical period (roughly 1750–1800), both the symphony and the concerto had acquired more definite meanings, and the
499:, stressing its serious symphonic character, in contrast to the light character of the Classical period sinfonia concertante.
479:
orchestral works, but the two afore-mentioned works were the only two in his output which he labelled concertante symphonies.
796:
687:
801:
912:
588:
335:
537:
979:
278:
By the end of the 19th century, several French composers had started using the sinfonia concertante technique in
486:
268:
660:
439:, more reminiscent of the classical works with multiple soloists, features a piano, a harpsichord, and a harp.
310:(1897) uses several soloists to depict the main characters, namely cello, viola, bass clarinet and tenor tuba.
202:
284:
496:
436:
181:
243:
17:
198:
710:
504:
346:
51:
147:
in Paris from the early 1770s on, as was Joseph
Bologne, the 'famous Chevalier de Saint-Georges'.
786:
680:
412:
392:
148:
715:
531:
164:(the only one Mozart is actually considered to have finished that exists in an authentic copy).
121:
482:
264:
306:
140:
136:
821:
791:
508:
460:
234:
511:'s Symphony No. 2 also showcase a solo cello within the context of a full-scale symphony.
8:
989:
841:
318:
294:
475:
984:
957:
851:
811:
766:
673:
646:
622:
601:
428:
363:
861:
781:
656:
584:
440:
330:
250:
117:
489:, which lasts over one hour and is one of the longest piano concertos ever written.
933:
871:
856:
826:
771:
735:
500:
492:
456:
388:
373:
357:
223:
194:
42:
881:
750:
730:
720:
514:
420:
342:
301:
132:
113:
105:
58:
313:
289:
197:
Sinfonia
Concertante in E flat major for mandolin, trumpet, double-bass, piano,
876:
846:
836:
806:
776:
424:
408:
279:
218:
71:
554:
For example, in the explanatory notes from the booklet to the CD "BEETHOVEN –
973:
831:
816:
745:
725:
518:
444:
416:
404:
329:
A work in the same vein, but with the piano taking the "concertante" part is
272:
83:
55:
169:
Sinfonia
Concertante for Oboe, Clarinet, Horn, Bassoon and Orchestra K. 297b
468:
190:
176:
349:, the last of his four concertos, is effectively a sinfonia concertante.
938:
28:
352:
355:
explored the boundaries of the solistic and symphonic genres in the
696:
101:
92:
87:
66:
62:
455:(Symphony No. 4), for flute, harp and small string orchestra by
205:
Symphonie
Concertante in B flat major for Clarinet and Bassoon.
27:"Concertante" redirects here. For the style characteristic, see
323:
186:
540:, reviving some of the "Sinfonia concertante" characteristics.
96:(also "symphony") were initially not all that clear. The word
368:
228:
665:
347:
concerto for violin, cello and orchestra in a minor, Op. 102
217:
after the classical music era. However, some works such as
161:
Sinfonia
Concertante for Violin, Viola and Orchestra K. 364
201:
Symphonie Concertante for Violin and Cello in D major and
182:
Sinfonia Concertante for Violin, Cello, Oboe and Bassoon
74:
period corresponding approximately to the 19th century.
253:
wrote two concertos for two pianos and orchestra: one
487:
Symphonic Concerto for Piano and Orchestra in B minor
383:
concerto for two pianos and orchestra in A-flat minor
379:
concerto for clarinet, viola and orchestra in E minor
562:" (Capriccio Classic Productions No. 180240, 1988).
385:, which are both equal to a sinfonia concertante.
261:, which can both be seen as sinfonie concertanti.
172:(known from an arrangement, possibly inauthentic).
139:(the so-called "London Bach" and youngest son of
971:
655:, William Collins Sons & Company Ltd., 1976
583:, William Collins Sons & Company Ltd., 1976
189:, as a friendly challenge to his former student
100:would, for example, be used as the name for an
213:Few composers still called their compositions
116:; among the most famous of these are those by
867:Triple concertos for violin, cello, and piano
681:
403:In the 20th century, some composers such as
282:, for example, Saint-Saëns uses a violin in
573:
688:
674:
155:. His most successful are the following:
495:called his work for cello and orchestra
471:, timpani and string orchestra of 1982.
322:, is in fact a sinfonia concertante for
237:did not write anything designated as a
61:. Sinfonia concertante encompasses the
14:
972:
247:qualifies for inclusion in the genre.
669:
451:, Op. 81, with an organ soloist, the
41:
797:Double concerto for violin and cello
550:
24:
377:(violin soloist). He also wrote a
231:and orchestra approach the genre.
25:
1001:
336:Symphony on a French Mountain Air
43:[siɱfoˈniːakontʃerˈtante]
953:
952:
538:Concerto for Group and Orchestra
77:
398:
208:
615:
594:
13:
1:
695:
566:
86:, the differences between a
7:
524:
10:
1006:
640:
54:of Western music from the
26:
947:
926:
890:
759:
703:
625:. Encyclopædia Britannica
604:. Encyclopædia Britannica
393:piano concerto in C major
241:, although some feel his
544:
435:for their compositions.
316:'s best known work, the
787:Concerto for solo piano
647:Encyclopædia Britannica
623:"Symphonie concertante"
602:"Symphonie concertante"
145:symphonies concertantes
980:Concertante symphonies
716:Concerto for orchestra
532:Concerto for Orchestra
485:completed in 1937 his
122:George Frideric Handel
802:English horn concerto
653:Encyclopedia of Music
581:Encyclopedia of Music
459:written in 1973, and
449:Symphonie Concertante
137:Johann Christian Bach
48:symphonie concertante
822:Harpsichord concerto
792:Double bass concerto
741:Sinfonia concertante
509:Ellen Taaffe Zwilich
465:Sinfonia Concertante
461:Peter Maxwell Davies
453:Sinfonia Concertante
433:sinfonia concertante
431:again used the name
239:sinfonia concertante
235:Ludwig van Beethoven
215:sinfonia concertante
185:during his visit to
153:sinfonie concertanti
110:sinfonia concertante
35:Sinfonia concertante
842:Percussion concerto
483:Wilhelm Furtwängler
474:The Czech composer
319:Symphonie espagnole
852:Saxophone concerto
812:Harmonica concerto
767:Accordion concerto
429:Malcolm Williamson
391:wrote an enormous
361:(violin soloist),
967:
966:
862:Trombone concerto
782:Clarinet concerto
497:Symphony-Concerto
441:Karol Szymanowski
251:Felix Mendelssohn
143:) was publishing
118:Arcangelo Corelli
104:to a stage work.
16:(Redirected from
997:
956:
955:
934:Chorale concerto
872:Trumpet concerto
857:Timpani concerto
827:Marimba concerto
772:Bassoon concerto
736:Ripieno concerto
690:
683:
676:
667:
666:
634:
633:
631:
630:
619:
613:
612:
610:
609:
598:
592:
577:
553:
501:Benjamin Britten
493:Sergei Prokofiev
476:Bohuslav Martinů
457:Andrzej Panufnik
389:Ferruccio Busoni
358:Scottish Fantasy
224:Harold en Italie
141:Johann Sebastian
52:Classical period
45:
40:
21:
1005:
1004:
1000:
999:
998:
996:
995:
994:
970:
969:
968:
963:
943:
922:
886:
882:Violin concerto
755:
751:Triple concerto
731:Double concerto
721:Concerto grosso
699:
694:
643:
638:
637:
628:
626:
621:
620:
616:
607:
605:
600:
599:
595:
578:
574:
569:
560:Choral Fantasia
556:Triple Concerto
547:
527:
515:Peter Schickele
421:Florent Schmitt
401:
326:and orchestra.
302:Richard Strauss
280:symphonic poems
259:in A-flat major
244:Triple Concerto
211:
133:Mannheim school
129:concerto grosso
114:concerto grosso
106:Antonio Vivaldi
80:
59:concerto grosso
38:
32:
23:
22:
15:
12:
11:
5:
1003:
993:
992:
987:
982:
965:
964:
962:
961:
948:
945:
944:
942:
941:
936:
930:
928:
924:
923:
921:
920:
915:
910:
905:
900:
894:
892:
888:
887:
885:
884:
879:
877:Viola concerto
874:
869:
864:
859:
854:
849:
847:Piano concerto
844:
839:
837:Organ concerto
834:
829:
824:
819:
814:
809:
807:Flute concerto
804:
799:
794:
789:
784:
779:
777:Cello concerto
774:
769:
763:
761:
757:
756:
754:
753:
748:
743:
738:
733:
728:
723:
718:
713:
707:
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701:
700:
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692:
685:
678:
670:
664:
663:
649:
642:
639:
636:
635:
614:
593:
571:
570:
568:
565:
564:
563:
546:
543:
542:
541:
535:
526:
523:
505:Cello Symphony
425:William Walton
409:Darius Milhaud
400:
397:
371:soloist), and
269:Symphony No. 3
210:
207:
174:
173:
165:
84:Baroque period
79:
76:
46:; also called
9:
6:
4:
3:
2:
1002:
991:
988:
986:
983:
981:
978:
977:
975:
960:
959:
950:
949:
946:
940:
937:
935:
932:
931:
929:
927:Miscellaneous
925:
919:
916:
914:
911:
909:
906:
904:
901:
899:
896:
895:
893:
889:
883:
880:
878:
875:
873:
870:
868:
865:
863:
860:
858:
855:
853:
850:
848:
845:
843:
840:
838:
835:
833:
832:Oboe concerto
830:
828:
825:
823:
820:
818:
817:Harp concerto
815:
813:
810:
808:
805:
803:
800:
798:
795:
793:
790:
788:
785:
783:
780:
778:
775:
773:
770:
768:
765:
764:
762:
760:By instrument
758:
752:
749:
747:
746:Solo concerto
744:
742:
739:
737:
734:
732:
729:
727:
726:Concert piece
724:
722:
719:
717:
714:
712:
709:
708:
706:
702:
698:
691:
686:
684:
679:
677:
672:
671:
668:
662:
658:
654:
650:
648:
645:
644:
624:
618:
603:
597:
590:
589:0-00-434331-X
586:
582:
576:
572:
561:
557:
552:
549:
548:
539:
536:
533:
529:
528:
522:
520:
519:P. D. Q. Bach
516:
512:
510:
506:
502:
498:
494:
490:
488:
484:
480:
477:
472:
470:
466:
462:
458:
454:
450:
446:
445:Joseph Jongen
442:
438:
437:Martin's work
434:
430:
426:
422:
418:
417:Edmund Rubbra
414:
410:
406:
405:George Enescu
396:
394:
390:
386:
384:
380:
376:
375:
370:
366:
365:
360:
359:
354:
350:
348:
344:
340:
338:
337:
332:
327:
325:
321:
320:
315:
311:
309:
308:
303:
299:
297:
296:
291:
287:
286:
285:Danse macabre
281:
276:
274:
270:
266:
262:
260:
256:
252:
248:
246:
245:
240:
236:
232:
230:
226:
225:
220:
216:
206:
204:
200:
196:
192:
188:
184:
183:
179:also wrote a
178:
171:
170:
166:
163:
162:
158:
157:
156:
154:
150:
146:
142:
138:
134:
130:
125:
123:
119:
115:
111:
107:
103:
99:
95:
94:
89:
85:
78:Classical era
75:
73:
68:
64:
60:
57:
53:
49:
44:
36:
30:
19:
951:
740:
652:
627:. Retrieved
617:
606:. Retrieved
596:
580:
575:
559:
555:
551:
513:
491:
481:
473:
469:wind quintet
464:
452:
448:
432:
413:Frank Martin
402:
399:20th century
387:
372:
362:
356:
351:
341:
334:
328:
317:
312:
305:
300:
293:
283:
277:
271:features an
263:
249:
242:
238:
233:
222:
214:
212:
209:Romantic era
191:Ignaz Pleyel
180:
177:Joseph Haydn
175:
167:
159:
152:
144:
128:
126:
109:
97:
91:
81:
47:
34:
33:
891:By composer
307:Don Quixote
292:a piano in
265:Saint-Saëns
18:Concertante
990:Symphonies
974:Categories
939:Concertato
711:Concertino
661:000434331X
629:2017-06-23
608:2017-06-23
567:References
364:Kol Nidrei
295:Les Djinns
255:in E major
203:Gresnick's
195:Kozeluch's
29:concertato
985:Concertos
697:Concertos
651:Collins:
579:Collins:
958:Category
908:Graupner
525:See also
447:'s 1926
381:, and a
374:Serenade
257:and one
199:Gossec's
102:overture
98:sinfonia
93:sinfonia
88:concerto
72:Romantic
67:concerto
65:and the
63:symphony
903:Corelli
641:Sources
591:504. o.
219:Berlioz
112:is the
82:In the
56:Baroque
918:Mozart
659:
587:
343:Brahms
331:d'Indy
324:violin
290:Franck
288:, and
227:, for
187:London
149:Mozart
90:and a
913:Haydn
704:Types
545:Notes
369:cello
353:Bruch
273:organ
229:viola
898:Bach
657:ISBN
585:ISBN
530:The
507:and
467:for
427:and
314:Lalo
120:and
39:IPA:
517:as
503:'s
463:'s
345:'s
339:.
333:'s
304:'s
221:'s
976::
423:,
419:,
415:,
411:,
407:,
298:.
267:'
135:.
124:.
689:e
682:t
675:v
632:.
611:.
558:/
367:(
37:(
31:.
20:)
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