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directly, praise the divine omnipotence of the
Olympians. Finally, they remind the gods of the already established relationship between the supplicant and the divine in an effort to deem themselves worthy of their god's attention. The characters are now ready to verbally announce their noble wish to be granted and proceed to offer mostly in form of a sacrifice an act of submission.
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comments upon the power of prayer, saying that "the very immortals can be moved; their virtue and honor and strength are greater than ours are, and yet with sacrifices and offerings for endearment, with libations and with savor men turn back even the immortals in supplication, when any man does wrong
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Homeric prayers, which often signal moments at which the fictional characters face extreme threats, determine the events of the plot. In these situations, the gods may literally grant a prayer by interceding on behalf of the mortal. This can include sending a plague to erode an invading army's morale
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Formal Greek prayer in the epic poems attributed to Homer is ritualized and consists of four basic stages: cleansing, prayer, sacrifice and libation. First, a mortal washes their hands, purifying themselves. They then attain an appropriate posture, lifting their arms. They address their gods
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seems to mechanically carry out the ritual without realizing the significance of its constituent stages, which diminishes the spirituality of her actions. She is about to offer "honey sweet wine, to pour out a libation to father Zeus and the other immortals"
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208:, washes his hands and lifts them prior to requesting fulfillment of his wish. He admits his lower status in relation to the god, "who set your power about Chryse and Killa the sacrosanct, who are lord in strength over Tenedos" (
254:, who had not previously been cleansed. Offering is encountered in the form of a material gift, a robe, to Athene. The priestess lifts the hands to the sky, home of gods, and exalts Athena as "shining among the goddesses".
155:, gods are portrayed as coexisting and often interfering with the world of the human characters, who often communicate with the gods through prayer. Gods usually hear, often react to and sometimes grant human prayers.
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forces, (XVI, 533) prays on the battlefield, requesting healing of his wounds to “fight for
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Morrison, James V. (1991). "The
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372:"Ei Pote: A Note on Homeric Phraseology"
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143:. In the
43:and help
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267:Odysseus
217:Achilles
206:Anatolia
149:and the
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