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Annetta
Hoffnung recalled in 2009, "His new overture posed a problem, because, as well as full orchestra and organ, it called for three vacuum cleaners, a floor polisher and four rifles. The vacuum cleaners had to be in B flat and the floor polisher in G, and Gerard and Malcolm spent days trying to
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Among
Hoffnung's other well-known subjects were his supposedly helpful advice to tourists in London ("Have you tried the famous echo in the Reading Room of the British Museum?") and allegedly genuine letters in fallible English from continental hoteliers ("There is a French widow in every bedroom
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Much of
Hoffnung's humour centred on the world of music, particularly the various instruments of the orchestra with which he was fascinated. He published a series of books of cartoons poking gentle fun at conductors and orchestral instrumentalists. Examples include the drawing of a musician being
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After training at two art colleges, Hoffnung taught for a few years, and then turned to drawing, on the staff of
English and American publications, and later as a freelance. He published a series of cartoons on musical themes, and illustrated the works of novelists and poets.
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viewers throughout
Britain. The success of this concert led to two more Hoffnung Festivals, the second in 1958 and the third in 1961, presented as a tribute after his death. They featured contributions from distinguished musicians.
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In 1956 Hoffnung mounted the first of his "Hoffnung
Festivals" in London, at which classical music was spoofed for comic effect, with contributions from many eminent musicians. As a broadcaster he appeared on
574:(University of New Haven, Volume XXI, 10/1992), "Hoffnung's outlook on race relations, homosexuality, nuclear disarmament, the treatment of animals (especially hunting) and, for that matter, the music of
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Probably the best-known example of
Hoffnung as a humorous speaker is an account of a bricklayer's misfortunes when raising some bricks in a barrel to the top of a building. It was part of a speech to the
634:, a prison visitor and a mime. It is usual to say that a man has left behind a gap that cannot be filled. For Gerard Hoffnung there would be needed a handful of men, all of them greatly gifted.
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in a serious concert at the
Festival Hall, and was an active participant in Morley College Orchestra, a respected amateur ensemble in London. He also played in the premiere of Malcolm Arnold's
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in 1940 as a letter from a naval officer who had supposedly received it from an enlisted man explaining his late return from leave. Hoffnung first saw the story in
459:. He took up the idea, and presented a similar, but larger-scale, concert at the Festival Hall in November the same year, in which Spiegl joined him. The 1956 "
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Born in Berlin, and named
Gerhard, Hoffnung was the only child of Jewish parents, Hildegard and Ludwig Hoffnung. He was sent to England, where he attended
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and was recorded by the BBC. The tale itself was not, Ingrams comments, especially funny, but " manner and delivery reduced his audience to hysterics".
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192:, where, according to one biographer, he was "remembered for his anarchic spirit". Among the artists he most admired when he was growing up was
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524:: the word "Slain!" shouted by the chorus. After Hoffnung's death, similar concerts were promoted by his widow, Annetta, and collaborators.
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Posthumous exhibitions of
Hoffnung's work include those at the Berlin Festival (1964); the Brighton and Edinburgh festivals (1968); the
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A Hoffnung Festival, given at the Festival Hall in 1988, was preserved on CD: Decca 425 401-2 DH2, re-issued in 1996 as 444 921-2 DF2
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Bennett; they had two children, Ben (Benedict) and Emily who became, respectively, a timpanist and a sculptor. Hoffnung's uncle was
380:. In these performances he perfected the timing before the Oxford Union speech. The story was part of his speech in a debate called
281:. He mainly drew with a mapping pen and Indian ink, and also used watercolours and wax crayons. His illustrations in colour for
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in 1955 and was active in their prisoner visiting scheme. According to a biographical sketch by Joel Marks, first published in
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in 1957; the version printed there is identical with the text used by Hoffnung, except for the location, which he changed from
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1110:, Who Was Who, A & C Black, 1920–2008; online edition, Oxford University Press, December 2007. Retrieved 17 March 2013
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In addition to his public persona as an eccentric and wit, Hoffnung had a deeply serious and moral side. He joined the
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These drawings were displayed at the Festival Hall to coincide with the first English performance of the opera, under
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on 4 December 1958. The derivation of the story is confused, but it first arises in the 1930s. It was published in
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133:(22 March 1925 – 28 September 1959) was an artist and musician, best known for his humorous works.
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to enter the family's banking business. Gerard went with his mother to London, where she rented a house in
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liberal and impassioned." A week before he died he took part in a show at the Festival Hall in aid of the
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magazine. Hoffnung had his first cartoon published in the same publication while he was still at school.
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he is trying to play; another shows a singer whose waistcoat buttons are control knobs labelled On/off,
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to Golders Green. Hoffnung used the piece to warm up the audience before each recording session of
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in New York in 1950, and otherwise pursued a career as a freelance cartoonist. He contributed to
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1090:, Grove Music Online, Oxford Music Online, Oxford University Press. Retrieved 17 March 2013
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Hoffnung was among other things an artist, a musician, a linguist, a raconteur, a Quaker, a
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by Pat Cooksey, versions of which were popularized by several other performers including
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and nineteen others. Hoffnung's widow published a biography of him in 1988. In 2009,
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developed a distinctive style which owed something to the German illustrator
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Young Hoffnung – the early drawings of Gerard Hoffnung, 5 to 18 years (1984)
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In 1956 Hoffnung took part in one of the popular "April Fool's" concerts in
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Hoffnung learned to play the tuba well enough to play the solo part in the
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as Annetta, with a cameo appearance by the real Annetta Hoffnung. In 1996
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The six volumes were reissued as a uniform set in 2002 with forewords by
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140:. Over the next two decades in England, he became known as a cartoonist,
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Raised in Germany, Hoffnung was brought to London as a boy to escape the
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It was Hoffnung's practice to assert that he was born at the age of two.
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Hoffnung, unnumbered page in "The Hoffnung Symphony Orchestra" section
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Interview with Charles Richardson, BBC Radio Collection CD (2002),
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Hoffnung collapsed at his home on 25 September 1959, and died of a
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Hoffnung, unnumbered page in "The Hoffnung Music Festival" section
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panel games, most notably 'One Minute Please' (the forerunner of '
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in 1938. In 1939, his parents left Germany; his father went to
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1040:, special souvenir supplement, 4 February 2011, p. 11
983:, Oxford University Press, 2004. Retrieved 17 March 2013
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In 1950 Hoffnung began a career as a broadcaster for the
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Jewish emigrants from Nazi Germany to the United Kingdom
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Other drawings, and posthumously published collections
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was published in 1960 and included contributions from
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for BBC Audiobooks, written by Judith Liddell-King.
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Gerard Hoffnung addressing the Oxford Union in 1958
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Hoffnung at the Oxford Union. Decca DFE 8682 (1968)
506:featured a battle between the soloist, playing the
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723:The Hoffnung Interplanetary Music Festival (1958)
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729:The Hoffnung Astronomical Music Festival (1961)
1319:"Still a blast: the brassy humour of Hoffnung"
869:Reigning Cats and Dogs (by Stanley Penn, 1959)
622:at the age of thirty-four. The obituarist in
518:conducted a one-note excerpt from his cantata
1467:Gerard Hoffnung website created by his widow
1065:Kitchen, Myfanwy. "Hoffnung's Imagination",
1052:"Mr Gerard Hoffnung – Artist and Musician",
205:After leaving Highgate, Hoffnung studied at
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876:, 1964 – Hoffnung's 1951 illustrations for
551:In 1952 Hoffnung married Annetta Perceval,
720:The Hoffnung Music Festival Concert (1956)
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432:The tale was later cast into music as
217:(1945–46) and assistant art master at
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1221:"Hoovers fill a Proms comedy vacuum"
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415:Excerpt from The Bricklayer – 266 kb
144:player, impresario, broadcaster and
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1413:, WorldCat. Retrieved 17 March 2013
1401:, WorldCat. Retrieved 17 March 2013
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726:Hoffnung at the Oxford Union (1960)
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1562:People educated at Stamford School
1557:People educated at Highgate School
1411:" Gerard Hoffnung – his biography"
1305:Malcolm Arnold: A Bio-bibliography
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1032:Bellew,Lesley. "Anna's children",
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825:Hoffnung's Constant Readers (1962)
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774:The Hoffnung Music Festival (1956)
448:affording delightful prospects").
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584:Campaign for Nuclear Disarmament
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494:, and dedicated to US President
423:Problems playing this file? See
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308:, Wobble, and Sobs. He depicted
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1251:"Another Evening of Hoffnung",
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269:In the words of his biographer
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831:Hoffnung's Happy Hamper (2002)
753:Hoffnung: A Last Encore (2002)
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822:Hoffnung's Little Ones (1961)
819:Birds, Bees and Storks (1960)
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650:, Twickenham, London (1992).
401:Excerpt from "The Bricklayer"
1472:Lambiek Comiclopedia article
1264:"Wit That Makes You Think",
987:UK public library membership
763:Drawings on musical subjects
7:
1497:British radio personalities
783:Hoffnung's Acoustics (1959)
744:The Best of Hoffnung (1974)
572:Essays in Arts and Sciences
490:, scored for orchestra and
227:. He was a staff artist to
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1447:. Harmondsworth: Penguin.
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1389:, 20 September 1959, p. 24
1056:, 29 September 1959, p. 17
937:find just the right ones."
878:L'enfant et les sortilèges
872:The Boy and the Magic (by
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292:L'enfant et les sortilèges
1517:English classical tubists
1443:Hoffnung, Gerard (1963).
1268:, 29 November 1961, p. 15
1069:, 15 September 1959, p. 6
687:Hoffnung – Drawn to Music
324:in the television series
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1542:Humor in classical music
1527:Jewish English musicians
1242:, 14 November 1956, p. 3
1122:"The Bad-Tempered Boy",
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735:Timeless Hoffnung (1970)
1207:, 30 October 1956, p. 3
1175:The Manchester Guardian
1124:The Manchester Guardian
1112:(subscription required)
1092:(subscription required)
910:Hoffnung, according to
848:Points for Parents (by
841:The Right Playmate (by
715:Hoffnung Music Festival
642:, New York (1970); the
488:A Grand, Grand Overture
461:Hoffnung Music Festival
369:The Manchester Guardian
332:Broadcasts and concerts
196:, long associated with
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1255:11 February 1963, p. 5
1203:"Caricature Concert",
1173:"Miscellany – Stoic",
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207:Hornsey College of Art
1502:Converts to Quakerism
862:The Isle of Cats (by
855:Bouverie Ballads (by
816:Ho Ho Hoffnung (1958)
648:Orleans House Gallery
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543:on 28 November 1957.
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346:, the predecessor of
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100:Illustrator, musician
1587:20th-century Quakers
1512:Jewish caricaturists
1445:The Penguin Hoffnung
1422:Mahoney, Elizabeth.
1177:, 11 June 1957, p. 5
885:Notes and references
653:A memorial tribute,
614:three days later in
612:cerebral haemorrhage
508:Grieg Piano Concerto
229:Cowles Magazines Inc
211:Harrow School of Art
1572:Musicians from Kent
1567:Artists from Berlin
1507:English cartoonists
1430:, 29 September 2009
1303:Craggs, Stewart R.
1293:, 31 May 1958, p. 2
1238:"A Musical Purge",
1229:, 10 September 2009
1226:The Daily Telegraph
1126:, 9 June 1951, p. 4
644:Royal Festival Hall
326:Tales from Hoffnung
318:Halas and Batchelor
259:Royal Festival Hall
240:The Strand Magazine
1186:Shifrin, Malcolm.
1108:"Hoffnung, Gerard"
1088:"Hoffnung, Gerard"
850:Elizabeth Longford
768:The Maestro (1953)
699:Humphrey Lyttelton
521:Belshazzar's Feast
516:Sir William Walton
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378:One Minute, Please
178:Bunce Court School
1522:English humorists
1399:"O Rare Hoffnung"
1360:Emily, Hoffnung.
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703:Hoffnung At Large
675:Gerald Priestland
504:Concerto Popolare
500:Franz Reizenstein
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382:Life Begins at 38
343:One Minute Please
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1084:Spiegl, Fritz
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1055:
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1019:9780563536758
1016:
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857:Percy Cudlipp
854:
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844:
840:
839:
830:
827:
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815:
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801:Harry Enfield
798:
797:Ronald Searle
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793:Peter Ustinov
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586:, along with
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547:Personal life
544:
542:
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529:Tuba Concerto
525:
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442:The Dubliners
439:
435:
434:The Sick Note
428:
426:
402:
385:
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379:
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371:
370:
365:
364:
359:
353:
351:
350:
349:Just a Minute
345:
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329:
327:
323:
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315:
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307:
303:
296:
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219:Harrow School
216:
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169:
167:
163:
162:Just a Minute
159:
153:
149:
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139:
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120:
117:
114:
110:
107:
103:
99:
97:Occupation(s)
95:
90:
86:
76:
72:
67:
62:22 March 1925
50:
46:
42:
37:
30:
27:
19:
1444:
1428:The Guardian
1427:
1418:
1406:
1394:
1387:The Observer
1386:
1381:
1369:. Retrieved
1365:
1355:
1343:. Retrieved
1341:. March 2020
1338:
1330:
1322:
1313:
1307:(1998), p 39
1304:
1298:
1290:
1289:"Concerts",
1273:
1265:
1260:
1252:
1247:
1239:
1234:
1224:
1204:
1199:
1192:The Guardian
1191:
1182:
1174:
1169:
1152:
1131:
1123:
1118:
1067:The Guardian
1066:
1061:
1053:
1038:Blitz Spirit
1037:
1033:
1009:
980:
932:
919:
912:The Guardian
911:
906:
897:
877:
864:John Symonds
786:
702:
686:
679:Donald Swann
671:Ian Messiter
667:William Mann
654:
652:
646:(1984); and
637:
631:
629:
623:
609:
602:and others.
596:C. Day Lewis
571:
565:
552:
550:
537:Toy Symphony
526:
519:
503:
487:
477:
470:Donald Swann
457:Fritz Spiegl
450:
446:
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431:
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381:
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367:
361:
358:Oxford Union
354:
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341:
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244:
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232:
224:Evening News
222:
204:
197:
194:Walter Trier
175:
166:Oxford Union
154:
150:
135:
130:
129:
105:
79:(1959-09-28)
26:
1492:1959 deaths
1487:1925 births
1371:10 November
1345:10 November
836:Illustrator
683:BBC Radio 4
626:concluded:
557:Bruno Adler
541:Savoy Hotel
512:Tchaikovsky
438:Seán Cannon
273:, Hoffnung
172:Early years
1481:Categories
944:References
805:Ian Hislop
713:See also:
709:Recordings
695:Gina McKee
691:Matt Lucas
685:broadcast
632:bon viveur
580:Schoenberg
425:media help
246:The Tatler
112:Instrument
58:1925-03-22
1323:The Times
1291:The Times
1266:The Times
1253:The Times
1240:The Times
1205:The Times
1054:The Times
989:required)
624:The Times
620:Hampstead
453:Liverpool
289:'s opera
182:Palestine
168:in 1958.
146:raconteur
91:, England
85:Hampstead
68:, Germany
1453:68600959
927:in 1951.
479:Surprise
472:revised
374:Barbados
328:(1965).
255:Guinness
199:Lilliput
18:Hoffnung
1437:Sources
1163:YouTube
874:Colette
866:, 1955)
859:, 1955)
852:, 1954)
845:, 1951)
568:Quakers
539:at the
306:ppp/fff
302:serpent
283:Colette
251:Kia-Ora
1451:
1017:
576:Bartók
496:Hoover
486:wrote
89:London
66:Berlin
890:Notes
758:Books
474:Haydn
287:Ravel
234:Punch
138:Nazis
1449:OCLC
1373:2020
1347:2020
1015:ISBN
578:and
476:'s
440:and
243:and
142:tuba
116:Tuba
74:Died
48:Born
1161:on
618:in
561:BBC
553:née
531:by
502:'s
465:BBC
338:BBC
312:as
158:BBC
1483::
1426:,
1364:.
1321:,
1282:^
1223:,
1212:^
1190:,
1140:^
1098:^
1086:,
1074:^
1045:^
1036:,
1025:^
995:^
979:,
975:.
951:^
803:,
799:,
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791:,
677:,
673:,
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665:,
661:,
598:,
594:,
590:,
563:.
514:.
498:.
444:.
253:,
237:,
148:.
87:,
1455:.
1375:.
1349:.
880:)
427:.
60:)
56:(
20:)
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