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language that condenses vowels and consonants between stressed syllables, while hexameter relies on the regular timing of the phonetic sounds. Languages having the latter properties (i.e., languages that are not stress-timed) include
Ancient Greek, Latin, Lithuanian and Hungarian.
165:), or both. Spaces between words are not counted in syllabification, so for instance "cat" is a long syllable in isolation, but "cat attack" would be syllabified as short-short-long: "ca", "ta", "tack" (υ υ –).
161:
A short syllable (υ) is a syllable with a short vowel and no consonant at the end. A long syllable (–) is a syllable that either has a long vowel, one or more consonants at the end (or a
295:
264:. The iambic six-foot line has also been used occasionally, and an accentual six-foot line has been used by translators from the Latin and many poets.
404:
Translation by W.H.S. Jones, Litt.D., and H.A. Ormerod, M.A. (Cambridge, MA: Harvard
University Press; London: William Heinemann Ltd., 1918).
458:
421:
172:(logical full stops within the line) are essential in avoiding what may otherwise be a monotonous sing-song effect.
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While the above classical hexameter has never enjoyed much popularity in
English, where the standard metre is
196:. There are numerous examples from the 16th century and a few from the 17th; the most prominent of these is
451:
245:
180:
Although the rules seem simple, it is hard to use classical hexameter in
English, because English is a
17:
206:(1612) in couplets of iambic hexameter. An example from Drayton (marking the six feet on each line):
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lines. In the 20th century a loose ballad-like six-foot line with a strong medial pause was used by
657:
411:
Translated by John
Bostock, M.D., F.R.S. H.T. Riley, Esq., B.A. (London: Taylor and Francis, 1855).
444:
272:
253:
305:(1893–1962) used a natural form of hexameter in his translation of some verses from Homer's
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68:). It was the standard epic metre in classical Greek and Latin literature, such as in the
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157:). Exceptions can occur when a polysyllabic (especially Greek) name ends a verse.
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433:, practice scanning lines of dactylic hexameter from a variety of Latin authors
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is considered the most successful hexameter text in
Lithuanian as yet.
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Variations of the sequence from line to line, as well as the use of
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Several attempts were made in the 19th century to naturalise the
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The fifth is almost always a dactyl, and last must be a spondee/
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44:(a "foot" here is the pulse, or major accent, of words in an
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In the late 18th century the hexameter was adapted to the
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In classical hexameter, the six feet follow these rules:
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In the 17th century the iambic hexameter, also called
252:, and others — none of them particularly successful.
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So rich / and fair / a vale / in for/tuning / to wed.
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A foot can be made up of two long syllables (– –), a
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The first four feet can contain either one of them.
210:Nor a/ny o/ther wold / like Cot/swold e/ver sped,
86:. Its use in other genres of composition include
649:
192:, English poems have frequently been written in
256:wrote many of his poems in six-foot iambic and
27:Metrical line of verses consisting of six feet
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424:, a tutorial on Latin dactylic hexameter at
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395:The Norton Anthology of English Literature
64:, but describes various combinations of
397:, volume D, 9th edition (Norton, 2012).
139:; or a long and two short syllables, a
101:and the Hymns of Orpheus. According to
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221:, was used as a substitution in the
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284:For dactylic hexameter poetry in
402:Description of Greece, Vol. IV.
290:Dactylic hexameter#In Hungarian
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371:"Bärndütsch isch Chärndütsch"
105:, hexameter was invented by
40:of verses consisting of six
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393:Stephen Greenblatt et al.
309:into the Swiss dialect of
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273:Kristijonas Donelaitis
360:Pliny the Elder, 7.57
278:"Metai" (The Seasons)
254:Gerard Manley Hopkins
153:(together forming an
409:The Natural History.
262:William Butler Yeats
577:Trochaic tetrameter
269:Lithuanian language
121:Classical hexameter
60:a "foot" is not an
582:Trochaic octameter
565:Dactylic hexameter
323:Dactylic hexameter
286:Hungarian language
250:Arthur Hugh Clough
242:dactylic hexameter
127:Dactylic hexameter
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553:Iambic heptameter
548:Iambic pentameter
543:Iambic tetrameter
407:Pliny the Elder.
351:Pausanias, 10.5.7
190:iambic pentameter
16:(Redirected from
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572:Trochee/Trochaic
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333:Poetic meter
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90:'s satires,
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422:Hexametrica
400:Pausanias.
299: [
275:. His poem
219:alexandrine
203:Poly-Olbion
176:Application
117:of Delphi.
528:Meters by
514:Heptameter
504:Pentameter
499:Tetrameter
388:References
376:2024-09-08
18:Hexameters
617:Mutaqārib
519:Octameter
509:Hexameter
484:Monometer
66:syllables
31:Hexameter
652:Category
494:Trimeter
317:See also
229:odes of
227:Pindaric
143:(– υ υ).
107:Phemonoe
48:line of
35:metrical
489:Dimeter
307:Odyssey
170:caesura
151:trochee
137:spondee
77:Odyssey
46:English
560:Dactyl
288:, see
235:Dryden
231:Cowley
155:adonic
141:dactyl
115:Pythia
111:Apollo
88:Horace
83:Aeneid
62:accent
50:poetry
637:Wāfir
632:Tawīl
627:Rajaz
622:Madīd
612:Kāmil
607:Hazaj
602:Basīṭ
476:Meter
339:Notes
303:]
71:Iliad
58:Latin
54:Greek
52:; in
33:is a
538:Iamb
311:Bern
233:and
92:Ovid
80:and
42:feet
38:line
271:by
200:'s
94:'s
654::
313:.
301:de
292:.
248:,
237:.
74:,
460:e
453:t
446:v
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99:,
20:)
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