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The play bids the audience to despise respectability and admire independence. But the representative of each side is far from being an acceptable champion. Magda's father fails to recognize the difference between a child with duties and a human being with rights, and Magda reveals no conception of
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156:— in the person of the Pastor Heffterdingk — mediates between Magda and her father, and debates with each the problems presented by the situation of a
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the fact that duty is only in part a social obligation and is in its innermost essence an obligation of self-respect.
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It has been translated into
English by C. E. A. Winslow (Boston 1896), and edited by F. G. G. Schmidt (Boston 1909).
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it contains a number of picturesque episodes and amusing characters, and is distinguished for animated dialogue
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that states a
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its theme of revolt against paternal tyranny is one to which the times were sympathetic
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Its success in the 19th century is traceable to at least four causes:
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daughter who returns home after a life of moral irregularity but
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its heroine is an unconventional, self-assertive, and emotional "
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This article incorporates text from a publication now in the
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In 1917, the play was adapted into the
American silent film
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personal reflection, personal essay, or argumentative essay
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its construction is skillful and in every sense theatrical
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Incorrectly dates the original release of the work.
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303:(1st ed.). New York: Dodd, Mead.
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251:introducing
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282:References
172:Adaptation
154:raisonneur
150:Dumas fils
138:naturalism
164:success.
130:New Woman
259:May 2013
199:Editions
162:operatic
158:prodigal
42:Analysis
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247:improve
68:Please
462:(1917)
452:(1908)
442:(1894)
432:(1889)
422:(1887)
401:(1900)
391:(1893)
388:Heimat
381:(1889)
378:Honour
188:Heimat
30:German
21:Heimat
410:Prose
369:Drama
232:, or
207:Notes
179:Magda
142:Ibsen
35:Magda
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
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