17:
87:, written in both Quechua and Spanish, although the hymn itself is in Quechua only without translation. The music is arranged for four voices. When published, the score appeared on pages 708 (tiple, tenor) and 709 (alto, baxo) with the first verse written underneath, while the remaining verses follow on pages 710–712. There are detractors who say that the lack of
91:
in the music, for instance, suggests a mistake so basic that someone of
Bocanegra's standing would never have made, being an editor of choral works, and have suggested that there may have possibly been another author, or even that it might have been the work of a local native. It could also quite
138:), although what he meant by this is unclear. Each verse is made up of five eight-syllable lines and a closing four-syllable phrase, which in the original print copy appeared in italics. Often an epithet, this phrase sometimes links to the next verse. The twenty verses are set
695:
Ritual, formulario, e instituciĂłn de curas para administrar a los naturales de este reyno, los santos sacramentos del baptismo, confirmacion, eucaristia, y viatico, penitencia, extremauncion, y matrimonio: con aduertencias muy
104:
Since the entire book contains his name throughout it seems highly unlikely the hymn was written by anyone else other than
Bocanegra, who also happened to be the Chief Examiner of native languages for the Archdiocese of Cuzco.
102:, in honour of the Immaculate Virgin: the music is composed for four voices such that cantors may sing it for processions, upon entering into the church, and on days dedicated to Our Lady and on her feast days."
195:
both an orthodox
Catholic way and as a continuation of traditional religious practices, with neither interpretation dominant. Surprisingly, two terms relating to the
172:
sacred music. The rhythm, dividing neatly into 3+3+4+3+3+4, with lilting syncopations in mm. 7, 11, and 14. Its character is close to that of the
92:
simply have been a transcription error or typesetting omission prior to publishing. On page 707 of the 'Ritual' Bocanegra specifically states
633:
120:) issued the first full version in 2007, divided into four sections and using varying arrangements. There are 20 verses in total.
575:
176:, a native dance, suggesting a slow procession. It is considered to be the musical counterpart of the paintings of the
373:
720:
484:
751:
736:
716:
112:
below). Many modern performances use only a few of the verses to avoid excessive repetition. However,
217:', is conspicuously absent. Since the Pleiades symbolized fecundity, a major theme of this song, '
746:
108:
The piece has been recorded extensively since the early 1990s by groups all over the world (see
47:
741:
597:
352:
8:
619:
José Quezada
Macchiavello, "FormaciĂłn de la cultura musical en la Colonia-Siglo XVI," in
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533:, ed. Elizabeth Hill Boone and Tom Cummins, 383–420 (Dumbarton Oaks, 1998), 388.
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188:
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but in a largely
European sacred music style. Composed by an Inca student of
223:' may have been deliberately avoided to distance the song from those of the
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381:
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554:(Berkeley and Los Angeles: University of California Press, 1968), 280–281.
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De la musique des
Conquistadores au livre d'orgue des indiens Chiquitos
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59:
487:/Cappella Mediterranea/Chœur de Chambre de Namur/Ensemble Clematis,
501:
425:
196:
165:
173:
187:, containing many metaphors about love and nature grounded in
58:
making it the earliest work of vocal polyphony printed in the
328:
Gala del DĂa (Day's
Splendor): Choral Music from the Americas
154:
321:
Pérou-Guatémala, Musiques Des Cathédrales Latino-Américaines
342:
150:
357:
Nueva Espana: Close
Encounters in the New World, 1590–1690
623:, 73–80 (Lima: FilarmonĂa, 2007), pp. 76–78.
563:
468:
Fire burning in snow: Baroque Music from Latin
America
450:
New World Symphonies: Baroque Music From Latin America
564:
Olsen, edited by Dale A.; Sheehy, Daniel E. (2008).
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Coro Exaudi de La Habana, dir. MarĂa Felicia PĂ©rez,
168:style, with a harmonic structure characteristic of
570:(2nd ed.). New York: Routledge. p. 441.
82:
728:
333:Cristina Garcia Banegas, Norberto Broggini, and
191:. The epithets given to Mary can be interpreted
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474:, 2007) (claims to be first complete version)
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243:
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206:
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567:The Garland handbook of Latin American music
436:A La Xácara!: The Jungle Book of the Baroque
81:friar Juan PĂ©rez Bocanegra in 1631 entitled
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531:Native Traditions in the Postconquest World
145:Musically, it is set for four male voices:
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529:Bruce Mannheim, "A Nation Surrounded," in
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613:
611:
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434:Ensemble Villancico, dir. Peter Pontvik,
128:Bocanegra identifies the poetic form as '
84:Ritual, formulario e instituciĂłn de curas
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94:"The prayer that follows I did write in
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729:
717:Free scores of Hanacpachap cussicuinin
604:
525:
523:
521:
519:
517:
20:First page of the original edition of
698:. Lima: Geronymo de Contreras, 1631.
287:a thousand times shall we praise you.
557:
289:O tree bearing thrice-blessed fruit,
706:. (This piece appears on page 708.)
514:
13:
366:Camerata Renacentista de Caracas,
73:appears for the first time in the
14:
763:
710:
552:Music in Aztec and Inca Territory
302:Beautiful iris, yellow and white,
300:O column of ivory, Mother of God!
54:priest, published in 1631 in the
308:show us the Fruit of your womb.
38:) is a processional hymn to the
304:receive this song we offer you;
109:
674:
665:
626:
368:Baroque Music of Latin America
123:
1:
386:Villancicos y Danzas Criollas
374:La Capella Reial de Catalunya
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183:The lyrics are an ode to the
721:Choral Public Domain Library
231:Text (first two verses only)
7:
495:
477:Savae, dir. Eric Casillas,
247:Huaran cacta muchas caiqui.
10:
768:
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264:Diospa rampan Diospamaman
253:Callpannacpa quemicuinin,
65:
409:Cusco Polyphonic Chorus,
326:Americas Vocal Ensemble,
270:Huahuaiquiman suyuscaita
268:Yupascalla, collpascaita
50:between 1620 and 1631, a
680:Mannheim, 400–401.
507:
400:El Gran Barroco del PerĂş
266:Yurac tocto hamancaiman
245:Hanacpachap cussicuinin,
485:Leonardo GarcĂa AlarcĂłn
395:(Musica Rediviva, 2011)
306:come to our assistance,
249:Yupairuru pucocmallqui,
83:
71:Hanacpachap cussicuinin
48:Juan PĂ©rez de Bocanegra
35:Hanaq pachap kusikuynin
29:Hanacpachap cussicuinin
22:Hanacpachap cussicuinin
693:Juan PĂ©rez Bocanegra.
634:Latin American Baroque
261:
251:Runa cunap suyacuinin.
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219:
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24:
642:Advance access, 2011.
632:David R. M. Irving, "
393:Old and New Christmas
262:Uyarihuai muchascaita
32:(modern orthography:
19:
659:Fire burning in snow
621:La MĂşsica en el PerĂş
298:Attend to our pleas,
291:O hope of humankind,
662:at Hyperion website
548:Robert M. Stevenson
391:Convivium Musicum,
330:(North/South, 2002)
319:AgrupaciĂłn Musica,
293:helper of the weak.
211:', while a third, '
56:Viceroyalty of Peru
752:17th-century hymns
737:Quechuan languages
656:Jeffrey Skidmore,
596:has generic name (
481:(Iago Music, 1996)
411:Christmas in Cuzco
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77:published by the
759:
704:Internet Archive
700:Online facsimile
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491:(Ricercar, 2013)
464:Jeffrey Skidmore
446:Jeffrey Skidmore
388:(Alia Vox, 2004)
335:Francis Chapelet
295:hear our prayer!
274:
257:
222:
216:
210:
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199:are prominent, '
193:syncretistically
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118:Jeffrey Skidmore
100:Quechua language
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44:Quechua language
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747:Peruvian songs
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711:External links
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671:Mannheim, 398.
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577:978-0203934548
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489:Carmina Latina
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417:Ensemble Elyma
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370:(Dorian, 2000)
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742:1631 in music
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378:Hespèrion XXI
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285:Heaven's joy!
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255:Huaciascaita.
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429:Pan Classics
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382:Jordi Savall
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272:Ricuchillai.
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178:Cuzco School
163:homorhythmic
144:
140:strophically
131:verso sáfico
127:
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93:
70:
69:
28:
27:
26:
21:
696:necessarias
639:Early Music
460:Ex Cathedra
442:Ex Cathedra
323:(ARB, 1991)
208:qatachillay
185:Virgin Mary
170:Renaissance
124:Description
114:Ex Cathedra
40:Virgin Mary
731:Categories
404:Jade Music
353:Joel Cohen
314:Recordings
227:movement.
225:Taki Unquy
79:Franciscan
52:Franciscan
586:cite book
98:, in the
60:New World
502:Ollantay
496:See also
472:Hyperion
454:Hyperion
197:Pleiades
166:syllabic
719:at the
702:at the
688:Edition
462:, dir.
456:, 2002)
444:, dir.
431:, 1991)
419:, dir.
406:, 2000)
380:, dir.
363:, 1994)
351:, dir.
345:, 1999)
280:English
238:Quechua
205:' and '
134:', or (
89:picardy
66:History
42:in the
574:
202:qullqa
174:cachua
116:(dir.
75:Ritual
508:Notes
361:Erato
220:unquy
214:unquy
161:in a
155:Tenor
147:Tiple
598:help
572:ISBN
376:and
343:K617
159:Baxo
157:and
151:Alto
110:list
636:,"
142:.
733::
647:^
606:^
590::
588:}}
584:{{
550:,
538:^
516:^
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359:(
341:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
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