197:, which served as his main inspiration. He slowed the film down to half its original playback speed to allow a full album to be written around the twenty-five-minute film. With complete creative control over the album, Moore was free to experiment, sometimes writing music "not necessarily to always match the images on the screen, but to sometimes play against it." The deluxe edition of the album contains the film in its full length, played at half speed, with the album as a soundtrack in place of the original audio.
400:. "I thought that it would be good for the first show to be sort of small and comfortable... so I thought we just have a hundred people," Moore said. "Everybody can see, everybody can be comfortable and sort of enjoy themselves. And if something goes horribly wrong, it only happens in front of a hundred people." Moore hoped the show would form the basis of more elaborate, longer shows. He planned on playing more shows in Turkey, before touring Europe and the rest of the world.
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sort of way... and at others is dark and meditative". He noted that there were some "traditional" songs on the album, singling out "Sad Sad Movie", which he described as "gorgeous". Koolen considered "Human Love" and "Andrew Was
Drowning His Stepfather" to be the "weirdest songs... which can hardly be described as music".
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Unlike in a traditional film soundtrack, Moore often wrote music "not necessarily to always match the images on the screen, but to sometimes play against it." Moore explained that a traditional soundtrack needs to convey the mood of the scene and advance the film's storyline, but that he did not have
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as the most enjoyable project he had worked on up to that point. "I never felt like 'Oh fuck I have to finish this record, I have to do one more song, I have to do something to this song to make it better,'" Moore said. He described the process of making the album as feeling "more like I was playing
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Rachel
Jablonski of Stream of Consciousness described the overall feel of the album as "somewhat calm and bleak. Yet throughout, a distant brightness prevails whether via musical tone or mental imagery in a very subtle way." Anderson said that the music "at times is funky in a glitchy, herky-jerky
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as an enhancement to the music. "Listening to the album stand alone for the first time you may not be much impressed," she said. "The music is solemn and somewhat confusing as the tracks run from one to another without much build and in seemingly senseless patterns... Having previously seen or
342:, recording short song ideas. "I would place inside a theme in the film, just sort of audition things that might work, and something would click and I would develop the idea," Moore said. In contrast to Moore's original plan to record an "organic, and less digital" album, all of the sounds on
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362:'s not around". "I thought, well what would it be like if I did a totally different kind of mood than this scene is trying to convey? When you put that music with that scene what happens there? Sometimes it's kind of interesting what happens," Moore explained.
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is not necessarily an enjoyable film to watch... but viewing it with the Chroma Key soundtrack makes an odd experience even odder yet wholly compelling, with a mysterious filmstrip allure that freezes a bygone era." Conversely, Jablonski considered
385:, but nothing materialized. In a 2005 interview, Moore said he was still trying to organize a tour. He was optimistic that he would play "at least a couple shows", but noted that getting the funding to tour made the process "a constant battle".
318:, who performed on one track. Moore noted that none of the music was technically demanding, "it's just more of a feel that we’re going for so it was just a matter of getting comfortable and getting in the mood and playing stuff together."
271:. "They've been really great supporting this; they sent me out to Turkey when I told them I wanted to record out there, basically supporting the whole process," he said. The first project Moore worked on after he moved to Istanbul was
635:, you may consider multi-instrumentalist Kevin Moore a small-time genius." Popke speculated that if Moore created more albums based on obscure films, "he might just alter the face of the genre." Martien Koolen of DPRP described
240:. When Moore stopped working on Chroma Key material, he had already recorded two songs. "The big difference with the new is that there are more real instruments," Moore said. "I've hooked up with a bunch of friends that made
627:, Michael Popke noted that "If you listen to Graveyard Mountain Home as a stand-alone piece of music... you probably won't be overly impressed. If, however, you hear this sophisticated mix of dark, ambient
181:. Enjoying the experience of writing music to film, Moore scrapped his previous plans for the third Chroma Key album, instead writing an album as an alternate soundtrack to an already-existing film.
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slowed down to half its original playback speed. This allowed him to write an album's worth of music around the twenty-five minute film and "made flow better". Moore primarily worked alone in his
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When deciding on musicians to perform on the album, Moore said that he "picked people who were around". His girlfriend, Bige
Akdeniz, performed vocals, Theron Patterson did
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influences whatsoever... Kevin Moore mixes dark ambient, post-rock and psychedelic music to create Chroma Key’s music." He compared the album's sound to that of
204:
was generally positive. Critics noted that the album was a departure from Moore's previous works, and that it was best experienced as an alternate soundtrack to
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Popke noted that although he saw little connection between the music and the film, Moore "expresses the mood of each scene brilliantly." He found that watching
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and everything is really beautiful, kind of surreal," Moore said. The film served as Moore's main inspiration and source of audio samples.
283:. Moore enjoyed the experience and decided to write the third Chroma Key album as an alternate soundtrack to an already-existing film.
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and
Patterson's drum teacher, Utku Ünal, performed the drums. The only musician Moore actively sought out was guitarist
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to find a film which matched the mood he wanted for the Chroma Key album. One of the first films he found was the
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live for the first time in a small club in
Istanbul in 2007, and planned to tour more extensively in the future.
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as "a typical album for dark, wintry afternoons," although conceded that "it is not cup of tea."
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regarded the album as "a surprisingly affecting and powerful work." Writing for
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on March 23, 2007. The hour-long show consisted primarily of material from
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with this film and I was playing against it so it felt easy somehow".
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than anything else you're likely to hear on the InsideOut label."
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Koolen described the music as having "absolutely no connection or
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and psychedelic sounds while viewing the 1955 public-domain film
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Theron
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and invited Moore to visit. Moore, who had been living in
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Theron
Patterson – programming on tracks 2, 8, and 14;
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Moore performed his first solo show at a small club in
1089:"Chroma Key: Graveyard Mountain Home Special Edition"
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Bige
Akdeniz – additional vocals on tracks 9 and 13
1160:(Television production) (in Turkish and English).
290:to avoid any rights issues. He looked through the
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230:album, but had put it aside to work on the first
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695:most definitely would help the listener along."
1353:: CS1 maint: others in cite AV media (notes) (
1274:"Review: "Chroma Key: Graveyard Mountain Home""
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619:was generally well received. Rick Anderson of
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149:. It was released on November 8, 2004 by
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1017:"OSI > Prog Rock's Strategizers"
932:Bob Nekrasov – monologue on track 8
286:Moore decided to use a film in the
16:2004 studio album by Chroma Key
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982:Jablonski, Rachel (2005-02-12).
873:"Again Today" (Moore, Patterson)
862:"True and Lost" (Akdeniz, Moore)
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807:"Human Love" (Moore, Patterson)
938:– additional guitar on track 3
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1:
1584:Office of Strategic Influence
1272:Popke, Michael (2005-01-07).
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237:Office of Strategic Influence
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175:, the soundtrack to the film
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1371:Official Chroma Key website
1122:Moore, Kevin (2007-03-29).
1015:Perri, David (2003-12-18).
10:
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210:. Moore played songs from
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161:album. He then moved to
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1667:Inside Out Music albums
1514:Graveyard Mountain Home
1445:Music Meant to Be Heard
1333:Graveyard Mountain Home
1308:Stream of Consciousness
988:Stream of Consciousness
679:Graveyard Mountain Home
637:Graveyard Mountain Home
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323:Graveyard Mountain Home
212:Graveyard Mountain Home
202:Graveyard Mountain Home
138:Graveyard Mountain Home
120:Graveyard Mountain Home
22:Graveyard Mountain Home
1343:. 2004. SPV 089-40550.
707:, except where noted.
200:Critical reception of
1171:on September 27, 2007
366:Release and promotion
334:Moore wrote music to
1101:on November 16, 2008
796:"Before You Started"
409:Professional ratings
296:social guidance film
186:social guidance film
1549:Live at the Marquee
1493:Dead Air for Radios
1451:This is a Recording
1349:cite AV media notes
1302:Jablonski, Rachel.
1124:"First Show Report"
1070:on February 5, 2005
410:
1278:Sea of Tranquility
625:Sea of Tranquility
522:Sea of Tranquility
408:
292:Prelinger Archives
195:Prelinger Archives
1672:Chroma Key albums
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1612:Fire Make Thunder
1238:Koolen, Martien.
1128:Chroma Key – News
936:Erdem Helvacıoğlu
920:Utku Ünal – drums
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650:, Millenia Nova,
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269:InsideOut Records
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1316:. Retrieved
1312:the original
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1281:. Retrieved
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1068:the original
1064:Prog4you.com
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996:. Retrieved
992:the original
987:
752:"White Robe"
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37:Studio album
1662:2004 albums
1431:Kevin Moore
916:programming
900:Kevin Moore
785:"Salvation"
705:Kevin Moore
664:Muslimgauze
660:Gábor Csupó
340:home studio
330:Composition
312:programming
246:didgeridoos
224:Kevin Moore
155:electronica
147:Kevin Moore
91:Kevin Moore
1656:Categories
1507:You Go Now
1500:Colorblind
1484:Chroma Key
1465:Ghost Book
1337:Chroma Key
1318:2010-07-17
1283:2010-07-17
1249:2010-07-17
1213:2010-07-17
1175:2010-08-02
1162:MTV Turkey
1138:2010-08-02
1105:2010-08-02
1074:2010-07-16
1031:2010-07-16
998:2010-07-16
943:References
656:Pink Floyd
654:and early
274:Ghost Book
265:Costa Rica
242:hand drums
228:Chroma Key
218:Background
172:Ghost Book
143:Chroma Key
111:You Go Now
100:chronology
98:Chroma Key
42:Chroma Key
912:keyboards
894:Personnel
741:"Give Up"
652:Sigur Rós
629:post-rock
404:Reception
1385:part two
1381:Part one
1207:Allmusic
648:Tortoise
621:Allmusic
428:Allmusic
390:Istanbul
360:director
257:Istanbul
163:Istanbul
86:Producer
49:Released
39: by
1598:re:free
1393:at the
1373:at the
908:guitars
348:digital
234:album,
193:in the
124:(2004)
115:(2000)
1390:Age 13
904:vocals
722:Length
693:Age 13
688:Age 13
683:Age 13
675:Age 13
633:Age 13
422:Rating
419:Source
398:Age 13
379:Age 13
336:Age 13
300:Age 13
261:Turkey
207:Age 13
190:Age 13
167:Turkey
57:Length
1622:Other
1605:Blood
1563:Awake
1472:Shine
1169:(mp4)
886:53:20
730:"YYY"
719:Title
677:with
74:Label
1591:Free
1383:and
1355:link
1244:DPRP
925:bass
876:4:45
865:2:30
854:5:38
843:2:12
832:2:08
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799:4:24
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766:4:15
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744:4:04
733:2:11
662:and
463:DPRP
346:are
280:Okul
244:and
178:Okul
1575:OSI
1387:of
870:14.
859:13.
848:12.
837:11.
826:10.
715:No.
232:OSI
159:OSI
1658::
1634:ON
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