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Chroma Key

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created specifically for Chroma Key and future releases. In response to a question of whether or not he would tour to support the release Moore explained that after three years with the material he was ready to "just move on", but stated that touring would be more likely "after the next album." Moore denied a "dark" vibe to the album, and preferred to describe it as "emotional or thoughtful". Furthermore he went on to elaborate that the "result of the mood I was in during the period after I left Dream Theater and before I knew what the hell I was going to do with my life.... I don't really think of it as a dark time, but certainly a thoughtful time anyway. I think that kind of shows up on the album."
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in December 2003, but postponed work on more material due to the next OSI album. By this time he had completed two new songs. Moore commented on the sound of the album stating ""The big difference with the new is that there are more real instruments...This new Chroma Key is going to be more organic,
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was written and recorded in Los Angeles, right before another move to Costa Rica, where Moore lived for three years. In Costa Rica, he began writing and recording ideas for a new Chroma Key album, during the day producing a bi-weekly, activist, musical radio program for Radio for Peace International,
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was written and recorded. The first four songs to be recorded were: "Even the Waves", "S.O.S.", "On the Page" and "Mouse" which include excerpts of interviews conducted by Moore of people he had met in Santa Fe. Dead Air for Radios was the first release on Moore's newly formed Fight Evil Records,
220:, Turkey. After two weeks he decided to settle down and record the third Chroma Key album. Moore decided to model the album as a soundtrack to a movie. He chose to use a film within the public domain to avoid copyright issues. Searching the 599: 192:. Moore released a compilation of the program—a mix of original music and politically volatile spoken word recordings—as a downloadable album on 161:
After more than eight years with the band Moore left Dream Theater in June 1994 in pursuit of his own musical direction. By fall of 1994 Moore relocated to
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and less digital." Moore left Costa Rica at the invitation of former classmate at California Institute of the Arts, Theron Patterson to visit him in
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All Chroma Key releases have been self-produced and recorded in Moore's home studios, the locations of which have changed from album to album.
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Chroma Key's music is a mix of psychedelia, electronica and ambient, with detailed keyboard sounds and a slightly dark mood.
1004: 890: 664: 133:. Although primarily a solo project, several other musicians have recorded as part of the band such as bassist 834: 400: 703: 897: 193: 728: 806: 749: 869: 848: 483: 358: 551: 189: 999: 315: 574: 742: 225: 162: 8: 827: 342: 167: 221: 517: 946: 939: 635: 319: 973: 925: 876: 260: 152: 604: 303: 298:. Moreover Moore has also recognized such varied artists, bands and composers as 283: 236: 988: 963: 860: 792: 461: 427: 291: 275: 130: 53: 299: 295: 287: 279: 765: 138: 122: 92: 49: 909: 841: 799: 350: 126: 22: 428:"Log for The Artist Shop IRC Chat with Kevin Moore on August 26, 1998" 968: 672: 311: 268: 248: 134: 78: 307: 264: 217: 57: 932: 228: 734: 322:
and Japanese band Acid Undertones as influences to his music.
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as his " and most basic influences" and early influences as
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Chroma Key has been loosely described by Kevin Moore as
107: 203: 600:"Chroma Key: Graveyard Mountain Home Special Edition" 986: 696:"Interview with Kevin Moore (O.S.I./Chroma Key)" 254: 750: 629: 627: 251:, collecting crowdfunding for song releases. 658: 656: 757: 743: 624: 566: 544:"Interview with Chroma Key – Kevin Moore" 541: 175: 653: 165:, where much of the first album, 1998's 665:"Chroma Key: The Return Of Kevin Moore" 542:Jablonski, Rachel (February 12, 2005). 21:For the post-processing technique, see 987: 693: 687: 501: 422: 420: 418: 738: 662: 633: 575:"Artist interview – with Kevin Moore" 537: 535: 507: 454:"How To Use Green Screen Chroma Key" 235:was released on November 8, 2004 by 125:, known for his work with the bands 995:Musicians from Santa Fe, New Mexico 592: 510:"OSI > Prog Rock's Strategizers" 415: 13: 532: 508:Perri, David (December 18, 2003). 242: 14: 1016: 722: 634:Perri, David (December 1, 2000). 153:Departure from Dream Theater and 636:"CHROMA KEY - KEVIN SPEAKS OUT!" 572: 141:, and guitarist Jason Anderson. 891:Images and Words: Live in Tokyo 764: 373:Music Meant to Be Heard (Demos) 274:Moore has identified vocalists 211:Moore originally began work on 476: 446: 380:This is a Recording: 1994–1997 325: 188:a short wave station based in 16:Musical project of Kevin Moore 1: 919:Office of Strategic Influence 408: 255:Musical style and influences 247:Since 2015, Moore has had a 7: 249:Patreon page for Chroma Key 10: 1021: 484:"Chroma Key - Memory Hole" 147: 20: 956: 907: 858: 816: 772: 694:Koggie (April 15, 2003). 663:Tinta, Mark (July 1998). 102: 98: 88: 84: 73: 63: 45: 37: 30: 1005:Inside Out Music artists 870:When Dream and Day Unite 849:Graveyard Mountain Home 780:Music Meant to Be Heard 548:Stream of Consciousness 359:Graveyard Mountain Home 233:Graveyard Mountain Home 213:Graveyard Mountain Home 205:Graveyard Mountain Home 316:Karlheinz Stockhausen 612:on November 16, 2008 520:on December 18, 2003 226:social guidance film 163:Santa Fe, New Mexico 884:Live at the Marquee 828:Dead Air for Radios 786:This is a Recording 343:Dead Air for Radios 168:Dead Air for Radios 155:Dead Air for Radios 224:he happened upon 222:Prelinger Archives 982: 981: 947:Fire Make Thunder 706:on April 11, 2016 488:www.shinesfox.com 458:www.shinesfox.com 434:. 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Index

Chroma key
Electronica
ambient
trip hop
InsideOut
Kevin Moore
chromakey.com
Kevin Moore
OSI
Dream Theater
Joey Vera
Mark Zonder
Santa Fe, New Mexico
Dead Air for Radios
San José
his official site
Istanbul
Prelinger Archives
social guidance film
Age 13
InsideOut Music
Patreon page for Chroma Key
electronic
trip hop
pop
Peter Gabriel
Roger Waters
Laurie Anderson
Rick Wakeman
Keith Emerson

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