59:
20:
117:
Sam Samore, and Aron Ranen. In collaboration, referring to the event as Art in Space, the artists hosted a rocket launch in which artworks were micro-processed into a microchip and placed inside a rocket to be launched in
Potrero del Sol Park in San Francisco. She continued her space-themed art and participated in Stellar at the
116:
and
National Endowment for the Arts (NEA), Lloyd worked with the International Space Hall of Fame creating a multimedia performance including a talking computer, lasers and a bank of video monitors. In 1984, Lloyd was involved with a project called Space: The Frontier Gallery with artists Mike Mages,
248:
Ginny has been teaching since her early computer graphics classes at Ohlone
College in Fremont, California (1987–1988). Her copy art workshops have been held at UC Berkeley, Hayward, and SF State University. Also Jan Van Eyck Academie, Academie Aki in The Netherlands, and Jaffe Center for Book Arts.
165:
In 1980, over 100 international artists (many affiliated with mail art) participated in a copy art exhibition Lloyd curated in San
Francisco. In the gallery was a store and access to free copy machines. It later traveled to The Netherlands, Germany, San Jose and Japan. It was for that show she made
203:
activities her Gina Lotta Post
Artistamp Museum and Archive grew into one of the largest comprehensive collections of original artistamps online. It includes historical documents of official recognition, exhibits and events, books, catalogs, correspondence and articles about artistamp creators. It
136:
was published by
Kretschmer & Grossmann in Frankfurt Germany in English and German, with introductions by Judith Hoffberg, Carl Loeffler, and Hal Fisher. For the project, Lloyd photographed and published interviews with 54 artists working across a variety of formats and media including many of
216:
In 1984 she organized the successful Inter DADA 84, a one-week DADA event throughout the city of San
Francisco’s art spaces. Local and international artists attended and participated. It was the largest gathering of mail artists at the time. It included performances, art shows, films, open mike
70:
Ginny began exhibiting her photography during the 1970s when she obtained a Nikon camera and learned darkroom printing. She used models in surreal compositions and environments, gaining recognition with awards and magazine coverage. Many were in a large format, hand tinted series. She became
79:. In late 1979 and the early 1980s she became an expert in the use of copy machines to make art (Let’s Make Copy Art workbook). In 1982 she used a Gravitronics system which led to larger opportunities such as: a space center residency, teaching
196:’s Blood Campaign, an early artistamp exhibit, Gaglione’s first rubber stamp store, Hollywood Confidential James Dean Mail Art show, Buster Cleveland paintings, copy art React/Reagieren project, and the Daily Mail art exhibit are just a few.
184:
Upon her return to San
Francisco she created the Storefront, a one-year living art project; holding art events and installations in a storefront window. Local and international guest artists collaborated in the project. Each month a new
94:), Director position at the Macintosh Business Training Center, and a career developing training for employees and customers of numerous startups and corporations in the Silicon Valley/San Francisco Bay Area corridor through 2007.
208:, a book that evolved out of the collection chronicles 30 women artists. The collection’s contents are displayed in a six-volume publication supplementing the online showcase, making the contents available for public view.
260:, researching and providing imagery as examples of mail art. Ginny has also served as copy art advisor to the Xerox Corporation Historical Archives, and archive consultant for San Francisco’s 100 Year DADA Fair (2016).
50:
in 1980 with programming devoted to promoting xerography. Her work was included in the exhibition, From
Bonnard to Baselitz: A Decade of Acquisitions by the Prints Collection 1978–1988 and listed annually since 1992 in
166:
her first copy art billboard, and developed
European contacts for her Tour ’81 project, visiting many artists in the mail art community in Western and Eastern Europe. While in Europe she tended the
217:
events, dinner, parade, and more. She obtained sponsorship from the Goethe Institute, San Francisco Arts Commission, Italian Museum, Canadian Consulate, and private grants.
741:
256:
created by the European mail artists. She served as mail art archive advisor at the JES Archive in San Francisco from 1982 to 1984. She provided advice on the book
249:
She was a recent guest panelist at Ex Postal Facto held in 2014 at the San Francisco Library and presenter at the Martin County Cultural Center in Stuart, Florida.
684:
333:
was library-wide in October, 2010 Carbon Alternative review. This included her copy art, books, and other mail art pieces from her collection and in the Jaffe.
189:, exhibition, and/or performance, lived in the space, compiled writings and resulting art into a book. From this space artists launched several projects i.e.:
388:
Museum of Contemporary Art and Lithuanian Museum, Textile 11 / Kaunas Biennale - George Maciunas and Beyond: Fluxus Never Stops, Chicago, and LITHUANIA, 2011
340:
book store sponsored the Most DADA Thing exhibit of her Inter DADA 84 collection at the San Francisco Library’s History Center during the DADA World Fair.
1056:
97:
As a visiting artist in 1981, Lloyd worked at the Image Resource Center in Cleveland to create the first color Xerox billboard art assisted by the
285:
Umbrella Magazine – Vol 5, #4. Los Angeles, CA. Lloyd, Ginny. “The Mail Art Community in Europe”. Umbrella Magazine – Vol 5, #1. Los Angeles, CA
468:
121:
and in Revolutions at Endeavor Arts Gallery in CANADA. Her prints were included in the subsequent crewed Space Mission STS-133 (2011) and the
781:“A Site A Live.” San Francisco Art Institute Exhibition 2014: Several of the performances previously held at the Storefront were reenacted.
105:
copiers in large formats. She continued to produce billboards nationally participating in The Art Billboard Project documented in her book
294:
Newsletter M.Y.A. 2016 #3. Edited by Vittore Baroni / Archive E.O.N. and Claudio Romeo / DodoDada. "A Collector's Thoughts". Feb 5, 2017.
476:
75:
using technology themes in her art production in the 1970s, having learned programming languages while earning a graduate degree at
1041:
472:
228:
performances by artists Reid Wood, Reed Altemus, Bibiana Maltos, and Keith Buchholz in Florida. Performances took place at the
615:
928:
687:(2011) was a NASA-organized exhibit of photos of people from around the world taken to the space station in a crewed flight.
1061:
955:
696:
745:
507:
240:, and other Florida locations. The Jaffe published a special edition of scores written by the artists titled FLUXUS.
652:
Zimbardo, Tanya. December 29, 2012 "Receipt of Delivery: Art in Space Launch '84”. SF Museum of Modern Art tribute.
977:
1036:
204:
has grown to over 5,000 artistamp sheets from 250+ international artists; seen by over 118,500 visitors to date.
716:
118:
288:
L'ère du copie-art. Lloyd, Ginny 1981. L'ère du copie-art. 2e éd. Copy Art article for catalog, Quebec, CANADA
424:
Moeglin-Delcroix, Anne. Livres d'artistes.: Centre Georges Pompidou/B.P.I,s.l. Herscher, Paris, FRANCE, 1985
904:
330:
782:
98:
711: : 54 artists of our era portrayed and questioned. Frankfurt: Kretschmer & Grossmann. 1983.
445:
Nelson Gallery of Art at the Atkins Museum of Fine Arts – Repeated Exposure. Kansas City, MO, 1982
101:
printmaking faculty, Alexander Aitken. This was her third copy art billboard exploring the use of
569:
276:
News. Lloyd, Ginny. “Women and the Copy Machine”. Women Artists News. - 7 (6):11-12 (Summer 1982)
406:
Stamp Art Gallery - The First International Female Artistamp Exhibition, San Francisco, CA, 1997
229:
1066:
1051:
282:
Umbrella Magazine. Lloyd, Ginny. 1982 “Copy Art: Europe and San Francisco”. San Francisco, CA.
270:
Popular Photography Lloyd, Ginny. 2008. “Montana Trek Recap”. Popular Photography New York, NY
267:
Popular Photography. Lloyd, Ginny. 2006. “Best of Everglades” Popular Photography New York, NY
653:
337:
852:
A major exhibit of artistamps was held during the conference and was the topic of the panel.
221:
contains memoirs, reports, and photos/art of events from many of the participating artists.
1046:
403:
San Francisco Main Library - Bay Area Dada: Before Punk and Zines, San Francisco, CA, 1998
237:
233:
157:. The book has been used as a foundation reference by subsequent mail art interview books.
877:
Several conversations and resource materials from Inter DADA 84 were used by the organizer
521:. Bibliothèque nationale de France|Bibliothèque Nationale in Paris, France. 1992. Page 262
291:
The Monthly: An Irregular Periodical Vol 1 - 4. San Francisco, CA. Lloyd Productions. 1980
8:
76:
91:
740:
Chuck Welch. FOCUS V | Global Network Zines: “The Public Face of Mail Art 1970-1985.”
463:
Lloyd's artworks are held in the collections of the National Gallery of Australia, at
944:
875:
863:
Correspondence Art: Source Book for the Network of International Postal Art Activity.
712:
611:
519:
From Bonnard to Baselitz: A Decade of Acquisitions by the Prints Collection 1978-1988
503:
80:
258:
Correspondence Art: Source Book for the Network of International Postal Art Activity
150:
200:
186:
72:
940:
480:
224:
Ginny also organized the Inter Florida Fluxus Tour (2010), a performance tour of
39:
966:
142:
84:
1030:
329:
The Carbon Alternative an exhibit organized by the Jaffe Book Arts Center at
298:
More recently she has written several books about projects and marginal art.
273:
193:
146:
112:
In 1983, as part of the New Mexico Artist in Residence Program, supported by
47:
992:
816:
Held, John. #18, Nov/Dec 1984. “On the Road with John Held: Inter DADA 84.”
675:
A multi-media space-themed exhibit. The Endeavor Arts Gallery is now closed.
58:
174:
170:
989:
Ginny Lloyd's Blitzkunst: 54 artists of our era portrayed and questioned.
803:
Ross, Janice. August 26, 1984 “A gleefully rebellious festival of Dada”.
627:
McClellan, Doug. 1983. “Space Center is palette for performance artist.”
178:
167:
154:
138:
43:
30:(born 1945, Maryland, US) is an American artist, noted for her work with
840:
Fluxus scores. Jaffe Center for the Book Arts. Boca Raton, Florida. 2010
792:
939:“Most DADA Thing” exhibit. San Francisco Library’s History Center's SF
850:
279:
Art Com Magazine. Lloyd, Ginny. ” 5cents A Page”. Art Com Magazine - #4
126:
829:
543:
Canavor, Natalie. August 1979. “Shows We’ve Seen: New Photographics”.
19:
664:
570:
Gravitronics was a robust color system; samples are online at Artpool
464:
88:
35:
919:, September 22, 2010. ″The Carbon Alternative Exhibition″, Miami, FL
349:
Bongiani Ophen Art Museum di Salerno - Room 43. Salerno, ITALY. 2013
1007:
471:, Joan Flasch Artist Book Collection at the Flaxman Library at the
253:
31:
400:
Budapest Museum of Fine Arts – Parastamps. Budapest, HUNGARY, 2007
181:
to curate items made by West Coast artists for the store project.
534:. Oxford University Press. 1992 – 2016 Retrieved 26 February 2016
109:. She currently advises artists on the art of making billboards.
134:
Blitzkunst : 54 artists of our era portrayed and questioned
943:
Archive and Book Arts & Special Collections. November 2016
394:
Museum of Contemporary Art – AUSTRALIA. Sydney, AUSTRALIA, 2011
379:
Minnesota Center for Book Arts – Fluxjob, Minneapolis, MN, 2014
225:
190:
418:
2nd Triennale International De Gravure, Barcelona, SPAIN, 1986
1021:
415:
Museum of Fine Arts - World Art Post. Budapest, HUNGARY, 1982
252:
During her travels in Europe, Tour ’81, she visited numerous
122:
102:
382:
NY Art Book Fair - Printed Matter at MOMA PS1, NYC, NY, 2013
978:
Otis Art Institute of Parsons School of Design, Los Angeles
367:
Electro Arts Gallery at Studio 718, San Francisco, CA, 1980
113:
698:“NASA Invites Public to Send Artwork to an Asteroid.” 2016
421:
San Jose Institute of Contemporary Art, San Jose, CA, 1985
755:
Zelevansky, Lynn. 1982. “Documenta: Art for Art’s Sake.”
352:
San Francisco Camerawork Gallery, San Francisco, CA, 1985
727:
Cushman, Barbara. “Copy Art: San Francisco revolution”
326:
and was used on the covers of subsequent translations.
397:
Art Museum of the Canton of Thurgen, SWITZERLAND, 2011
391:
National Museum of Contemporary Art. Seoul, KOREA 2011
454:
Colorado Photographic Arts Gallery, Denver, CO, 1979
306:
Her photography has appeared on the cover of books,
243:
137:the mail artists she corresponded with including
1028:
593:Tidyman, John. August 1981. “News and Reviews".
385:Davidson Galleries – Exlibris, Seattle, WA, 2012
343:
1006:| Beinecke Rare Book & Manuscript Library.
318:and most recently with the best selling memoir
469:Otis Art Institute of Parsons School of Design
433:Long Beach Museum of Art, Long Beach, CA, 1983
828:Inter Florida Fluxus Tour blog is located at
582:Link: The Cleveland Institute of Art Magazine
322:. The cover photo received rave reviews from
793:Gina Lotta Post Artistamp Museum and Archive
665:Stellar was a group show of space themed art
409:National Gallery, Ottawa, CANADA, 1988, 1987
477:Beinecke Rare Book & Manuscript Library
373:
358:Ken Damy Photogallery, Brescia. ITALY, 1982
46:. She organized the Copy Art Exhibition in
500:Dream Streets: Art in Wilmington 1970–1990
448:Galerie Motivation, Montreal, CANADA, 1981
364:Image Resource Center, Cleveland, OH, 1981
458:
355:Space Hall of Fame, Alamogordo, NM, 1983
57:
18:
1057:Artists from the San Francisco Bay Area
430:Dallas Museum of Art, Dallas, TX., 1985
173:of New York store upon invitation from
1029:
991:Joan Flasch Artists' Book Collection.
473:School of the Art Institute of Chicago
439:Biennale de Paris, Paris, FRANCE, 1982
610:. TropiChaCha Press. Jupiter. 2013.
442:Kentucky Museum, Lexington, KY, 1982
361:Fokus Gallery, Berlin, GERMANY, 1982
219:Inter DADA 84: True DADA Confessions
830:https://floridafluxus.blogspot.com/
412:Fresno Art Museum, Fresno, CA, 1987
87:in Fremont, CA (CAD, PC paint, and
13:
436:Artforum, Frankfurt, GERMANY, 1983
14:
1078:
1015:
929:The Carbon Alternative Exhibition
580:"Faculty and Staff Notes" (PDF).
427:Postmachina. Bologna, ITALY, 1985
314:, two issues of San Francisco's
206:Women in the Artistamp Spotlight
23:3D color copy art by Ginny Lloyd
997:
982:
971:
960:
948:
933:
922:
909:
893:
880:
868:
861:Crane, Mike and Mary Stoflett.
855:
843:
834:
822:
810:
797:
786:
775:
762:
749:
734:
721:
701:
690:
678:
669:
658:
646:
634:
621:
467:Museum of Artpool in Budapest,
263:She has written articles for:
600:
587:
574:
563:
550:
537:
524:
512:
502:. Delaware Art Museum. p. 52.
492:
244:Teaching, advising and writing
236:, Jaffe Center for Book Arts,
119:Minnesota Center for Book Arts
1:
1042:American contemporary artists
532:Benezit Dictionary of Artists
486:
344:Other select solo exhibitions
199:As an outgrowth of her early
53:Benezit Dictionary of Artists
545:Popular Photography Magazine
7:
1062:21st-century American women
967:Artistamp Museum of Artpool
641:Alamogordo (NM) Daily News.
331:Florida Atlantic University
301:
160:
10:
1083:
1022:http://www.ginnyonline.com
890:. Davis Publications.1989.
498:Winslow, Margaret (2015).
99:Cleveland Institute of Art
211:
65:
560:"Collection 1”. Page 48.
451:ASUC, Berkeley, CA, 1981
374:Select group exhibitions
954:NGA Collection Search.
768:Gunderloy, Mike. 1989.
757:International Flash Art
742:Lomholt Mailart Archive
1037:American women artists
849:Ex Post Facto website
558:Progresso Fotographico
62:
24:
1009:Retrieved 2016-02-26.
685:Space Mission STS-133
459:Permanent collections
61:
22:
1004:Copying for pleasure
994:Retrieved 2018-10-02
655:Retrieved 2016-02-26
238:Burt Reynolds Museum
234:Kennedy Space Center
230:Salvador DalĂ Museum
957:Retrieved 2016-02-2
888:The Creative Camera
874:Archive Consultant
818:Rubberstamp Madness
308:The Creative Camera
129:spacecraft (2016).
77:Syracuse University
595:Northern OHIO Live
92:desktop publishing
63:
25:
616:978-0-9836070-7-6
556:Damy, Ken. 1982.
153:, Cavellini, and
125:Space Mission on
81:computer graphics
1074:
1010:
1001:
995:
986:
980:
975:
969:
964:
958:
952:
946:
937:
931:
926:
920:
915:Thomoson, John.
913:
907:
899:Abbott, Alysia.
897:
891:
884:
878:
872:
866:
865:La Mamelle. 1984
859:
853:
847:
841:
838:
832:
826:
820:
814:
808:
801:
795:
790:
784:
779:
773:
766:
760:
753:
747:
738:
732:
725:
719:
705:
699:
694:
688:
682:
676:
673:
667:
662:
656:
650:
644:
638:
632:
625:
619:
604:
598:
591:
585:
578:
572:
567:
561:
554:
548:
541:
535:
530:"LLOYD, Ginny".
528:
522:
516:
510:
496:
201:stamp collecting
187:installation art
73:computer imagery
1082:
1081:
1077:
1076:
1075:
1073:
1072:
1071:
1027:
1026:
1018:
1013:
1002:
998:
987:
983:
976:
972:
965:
961:
953:
949:
938:
934:
927:
923:
914:
910:
898:
894:
886:Howell, Nancy.
885:
881:
873:
869:
860:
856:
848:
844:
839:
835:
827:
823:
815:
811:
802:
798:
791:
787:
780:
776:
767:
763:
754:
750:
739:
735:
726:
722:
706:
702:
695:
691:
683:
679:
674:
670:
663:
659:
651:
647:
639:
635:
626:
622:
605:
601:
592:
588:
579:
575:
568:
564:
555:
551:
542:
538:
529:
525:
517:
513:
497:
493:
489:
481:Yale University
461:
376:
346:
324:The New Yorker,
304:
246:
214:
163:
68:
40:performance art
17:
16:American artist
12:
11:
5:
1080:
1070:
1069:
1064:
1059:
1054:
1049:
1044:
1039:
1025:
1024:
1017:
1016:External links
1014:
1012:
1011:
996:
981:
970:
959:
947:
932:
921:
908:
892:
879:
867:
854:
842:
833:
821:
809:
796:
785:
774:
761:
748:
733:
720:
707:Lloyd, Ginny.
700:
689:
677:
668:
657:
645:
633:
620:
606:Lloyd, Ginny.
599:
586:
573:
562:
549:
536:
523:
511:
490:
488:
485:
460:
457:
456:
455:
452:
449:
446:
443:
440:
437:
434:
431:
428:
425:
422:
419:
416:
413:
410:
407:
404:
401:
398:
395:
392:
389:
386:
383:
380:
375:
372:
371:
370:
368:
365:
362:
359:
356:
353:
350:
345:
342:
316:Music Calendar
303:
300:
296:
295:
292:
289:
286:
283:
280:
277:
271:
268:
245:
242:
213:
210:
162:
159:
151:Ulises CarriĂłn
143:Vittore Baroni
85:Ohlone College
71:interested in
67:
64:
15:
9:
6:
4:
3:
2:
1079:
1068:
1067:Xerox artists
1065:
1063:
1060:
1058:
1055:
1053:
1052:Living people
1050:
1048:
1045:
1043:
1040:
1038:
1035:
1034:
1032:
1023:
1020:
1019:
1008:
1005:
1000:
993:
990:
985:
979:
974:
968:
963:
956:
951:
945:
942:
936:
930:
925:
918:
912:
906:
902:
896:
889:
883:
876:
871:
864:
858:
851:
846:
837:
831:
825:
819:
813:
806:
800:
794:
789:
783:
778:
771:
770:Factshed Five
765:
758:
752:
746:
743:
737:
730:
724:
718:
714:
710:
704:
697:
693:
686:
681:
672:
666:
661:
654:
649:
642:
637:
630:
629:El Paso Times
624:
617:
613:
609:
608:Billboard Art
603:
596:
590:
583:
577:
571:
566:
559:
553:
546:
540:
533:
527:
520:
515:
509:
508:9780996067621
505:
501:
495:
491:
484:
482:
478:
474:
470:
466:
453:
450:
447:
444:
441:
438:
435:
432:
429:
426:
423:
420:
417:
414:
411:
408:
405:
402:
399:
396:
393:
390:
387:
384:
381:
378:
377:
369:
366:
363:
360:
357:
354:
351:
348:
347:
341:
339:
334:
332:
327:
325:
321:
317:
313:
309:
299:
293:
290:
287:
284:
281:
278:
275:
274:Women Artists
272:
269:
266:
265:
264:
261:
259:
255:
250:
241:
239:
235:
231:
227:
222:
220:
209:
207:
202:
197:
195:
194:Monty Cantsin
192:
188:
182:
180:
176:
172:
169:
158:
156:
152:
148:
147:Monty Cantsin
144:
140:
135:
130:
128:
124:
120:
115:
110:
108:
107:Billboard Art
104:
100:
95:
93:
90:
86:
82:
78:
74:
60:
56:
54:
49:
48:San Francisco
45:
41:
37:
36:photocopy art
33:
29:
21:
1003:
999:
988:
984:
973:
962:
950:
935:
924:
916:
911:
900:
895:
887:
882:
870:
862:
857:
845:
836:
824:
817:
812:
804:
799:
788:
777:
772:.#36 page 81
769:
764:
756:
751:
736:
728:
723:
708:
703:
692:
680:
671:
660:
648:
640:
636:
628:
623:
607:
602:
594:
589:
581:
576:
565:
557:
552:
544:
539:
531:
526:
518:
514:
499:
494:
462:
335:
328:
323:
319:
315:
311:
307:
305:
297:
262:
257:
251:
247:
223:
218:
215:
205:
198:
183:
175:Jenny Holzer
171:Fashion Moda
164:
133:
131:
111:
106:
96:
69:
52:
27:
26:
1047:1945 births
584:. Fall 1981
338:City Lights
232:, Artpool,
179:Stefan Eins
168:Documenta 7
155:Stefan Eins
139:Anna Banana
44:photography
28:Ginny Lloyd
1031:Categories
807:. Oakland.
731:Vol 5, #4.
717:3923205341
709:Blitzkunst
547:. Page 130
487:References
127:OSIRIS-REx
903:. Norton
901:Fairyland
643:June 1983
465:Artistamp
320:Fairyland
132:In 1983,
89:Macintosh
729:Umbrella
336:In 2016
302:Exhibits
254:archives
161:Curating
32:mail art
917:Tribune
805:Tribune
715:
614:
506:
475:, and
226:Fluxus
212:Events
191:Neoist
66:Career
759:. 109
123:BENNU
103:Xerox
941:Punk
905:2013
713:ISBN
612:ISBN
504:ISBN
312:Soup
177:and
114:NASA
42:and
479:at
83:at
1033::
483:.
310:,
149:,
145:,
141:,
55:.
38:,
34:,
744:.
631:.
618:.
597:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
