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696:, personal printer and color photocopier have served to democratize the means of production of artistamps. It is no coincidence that the early 1980s explosion in artistamp creation paralleled the development and widespread use of color photocopiers, and that a similar surge followed the ubiquity of personal computers and inexpensive color printers. Still, the lack of workable, widely available, cheap and accessible perforators have limited the number of artists who can create convincing simulacra of traditional perforated stamps.
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Machinery Co. Rosback also produced table-top perforators, but surviving models are exceedingly rare. Other methods for perforating paper to resemble stamp sheets have generally proven unsatisfactory. Such alternative methods used include using sewing machines, sewing pounces, leather punches, modified veterinary needles, and speciality scissors. Some owners of pedal-operated or motorized perforators sell pre-perforated paper and offer perforating services for a fee.
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597:'s Glass Curtain Gallery. According to Carol Ann Brown, director of the gallery, the agents were most interested in the work entitled "Patriot Act" by Chicago-based artist Al Brandtner. The work depicts a revolver pointed at the head of then President George W. Bush. Secret Service spokesman Tom Mazur stated, "We need to ensure ... that this is nothing more than artwork with a political statement."
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but to call into question the right to design things. The focus in the exhibition will therefore be the artist’s stamp as an expression of independence and self-determination. Thus the title, Lick me!, is not only an invitation to “remain glued” to this exhibition, rather it also exemplifies the stance of a self-confident genre.
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from the museum were on exhibit at the Jaffe Center for the Book Arts in Boca Raton, Florida, from July 15 to
October 27, 2010. Artists stamps by Harley, Jurgen Olbrich, Reed Altemus, Rockola, Picasso Gaglione, Buz Blurr, Vitore Baroni, and Ginny Lloyd were featured as part of the "Carbon Alternative" exhibit.
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campus on
September 15, 2005, university chancellor Bruce Shepard directed the removal of Brandtner's work from the gallery. In a letter to faculty and staff, Shepard said "in a society all too violence prone, using these or other venues to appear to advocate or suggest assassination is not something
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From 2019-2024, mail artist Adam
Roussopoulos has compiled contemporary artistampers from all over the world in his publication- The Artistamp Review. The review included some of the prominent works by artists like John Held Jr., The Sticker Dude (Joel Cohen), Vittore Baroni, Ruggero Maggi, the late
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The Gina Lotta Post
Artistamp Museum, curated by Ginny Lloyd, opened in May 2010. Currently located in Jupiter, Florida, the museum collection began in the late 1970s and exhibits over 4,200 works by more than 200 international artistamp creators. Selections from the museum can be seen online. Items
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on an (art) letter is one of the special features of this form of expression. A further facet of this small-format art is its challenging the mail monopoly by laying claim to the perforated and gummed miniature works of art. The stamps the artists create are not meant to swindle the postal service,
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In 2005 and 2006, a machinist operating under the name "Dr. Arcane" (Adrian West) manufactured and sold about 20 "Whizbang" perforators. These table-top devices worked well, but were reportedly fragile. In 2020, ten updated versions of the
Whizbang perforator were offered by Dr. Arcane for sale on
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In 1994, an exhibition sponsored by the Swiss Posts was held in the PTT-Museum in Berne, resulting in the publication of a book and four sheets of artists' stamps (one of the few printed at the costs of an official postal service!). More than 60 artists participated. The word "Artistamps" does not
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opened at The Nexus
Gallery, Philadelphia in March 2005, and later traveled to Chicago and Green Bay, Wisconsin. Curated by Chicago-based artist Michael Hernandez de Luna, the exhibit featured 127 works by 47 stamp artists from 11 countries. It originated with the publication of the book Axis of
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was held at The
International Museum Exhibition Centre in Moscow from July 11 to 21, 2002. The event was curated by Natalie Lamanova, Alexander Kholopv and Jas Felter. Presented there were works by 44 artists from Russia, Canada, Germany, New Zealand, Spain, Korea, Italy, Japan, The Netherlands,
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in 1982, and in 1987 the first arstistamp exhibition to be held in a renowned museum. Upon his death, Bidner's friend
Rosemary Gahlinger-Beaune, undertook Bidner's vision and began to catalogue, using philatelic standards, artistamps from over 200 artists from 29 countries, documenting more than
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and subversion of governmental authority are frequent characteristics of artistamps. Artists may leverage the expectation of official endorsement that necessarily inheres in governmentally-issued postage for the purpose of shocking or subverting viewers' expectations, with such actions typically
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Artists working in the stamp art medium often employ fixed-line perforators as part of the creation process. Most functional and sought-after of these machines are cast-iron, pedal-operated devices manufactured beginning in the 1880s by bindery equipment makers like F.P Rosback Co. and Latham
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to produce an "artist’s stamp" is open to interpretation. It did not take many years after the introduction of postage stamps before UK commercial photographers saw a market in personalised stamp photographs incorporating an individual's portrait within a stamp-like printed border, printed in
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Artistamp creators often include their work on legitimate mail, alongside valid postage stamps, in order to decorate the envelope with their art. In many countries this practice is legal, provided the artistamp is not passed off as or likely to be mistaken for a genuine postage stamp. When so
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was held in Moscow in
December 1998, as part of International Art Fair XX. The event was curated by Natalie Lamanova, Alexander Kholopv and Jas Felter. This event gave rise to the "Moscow Artistamp Collection" which presently includes more than 700 works of 83 artists from 19 countries.
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487:, H.R. Fricker, Ryosuke Cohen, Ginny Lloyd, and Al Brandtner. "The new function artistamp has in this exhibition is to convey the explosively changing worldview at the turn of the millennium," said Galántai in an interview. The show ran from March 23 to June 24, 2007.
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printer. While the method of production is entirely the choice of the artist, creators who exclusively or primarily use rubber stamps are occasionally held in contempt by members of the artistamp community, some of whom refer to such producers as "bunny-stampers."
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Despite the exhibitions, history, number of artists and global sweep of the artistamp movement, the medium had long been ignored by major institutions and derided by the arts establishment: before his death in 1989, Bidner attempted to
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In 2004, the
International Brotherhood of Perforator Workers (IBPW), an organization based in Washington, D.C., was established to represent the interests of artists owning and/or operating perforators in the creation of stamp art.
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exhibition comprising stamps depicting British servicemen and women killed in Iraq. The exhibition was hosted at the Scottish National Gallery of Modern Art in Edinburgh between December 3, 2008, and February 15, 2009.
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curated by John Held, Jr., from May 19 - June 1, 2010. It featured works by Robert Watts, Donald Evans, Harley, Dogfish, Picasso Gaglione, Michael Thompson, Al Ackerman, Darlene Altschul, Mike Dickau and John Ringer.
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representing a specific political and artistic motive. Other practitioners are content to depict more homey subjects like kittens and family members. Some artists use the form to create fantasy stamps for their own
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exhibition. The show included artistamp sheets from Natalia Lamanova, Alexander Kholopov of Russia, Vittore Baroni, Clemente Padin, Jose Carlos Soto, Pere Sousa and Donald Evans. PBS documented this exhibit.
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Kata Bodor, “Interview with György Galántai, the curator of the Parastamp exhibition,” in Parastamp: Four Decades of Artistamps, from Fluxus to the Internet (Budapest: Szépművészeti Múzeum , 2007) -
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10,000 artistamp images. In 1999, Gahlinger-Beaune and Bianchini released a CD entitled "The World of Artistamps", the most comprehensive database of artistamps of the time.
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In December 2000, an exhibit featuring artistamps from around the world was displayed at the E. Max von Isser Gallery of Art at Elgin Community College, Elgin, Illinois.
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the International Union of Mail-Artists (IUOMA) forum. The new perforator has a solid metal frame that replaced the wooden frame designs of the 2005 and 2006 versions.
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On November 10, 2012, the exhibition, AARPEX (the Artistamp Reunion and Philatelic Expo), was held in Seattle. AARPEX was organized by Carl Chew and Robert Rudine.
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has seen the development of the concept of the so-called cyberstamp, a digital-only stamp-like image designed primarily to be viewed online and often sent with
242:, who made his life's work the cataloguing of all then-known artist's stamps, coined the word "artistamp" in 1982. It quickly became the term of choice amongst
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group, became the first artist to create a full sheet of postage stamps within a fine art context when he produced a perforated block of 15 stamps combining
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In November 2012, The Museum of Artistamps opened in Seattle. The museum is curated by Robert Rudine (Dogfish), working in collaboration with James Felter.
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started her Gina Lotta Post series in 1979 and by 1982 had produced some of the first computer-generated imagery used in artists stamps. On a visit to
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artist-in-residence funded in part by the National Endowment for the Arts in the United States. Her project for the residency culminated with
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Techniques for the creation of artistamps may include perforating the paper to resemble a traditional perforated stamp, as well as applying
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at University of California, Berkeley - San Francisco Extension. The exhibit presented works of about 170 artists from around the world.
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his definitive collection to several major Canadian institutions but was turned down by every one. The collection eventually went to
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David Krueger's series of pseudo-stamps critiquing the Bush administration, begun in 2001, was on view at the CUE Art Foundation in
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In 2018, postage stamp designer and mail art aficionado Niko Courtelis launched The Portland Stamp Company with his partners in
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margins of postage stamp sheets, using coloured inks. Jas Felter asserts that this 1941 series, which illustrated life in a
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at the S’ART Gallery in Moscow. The show presented stamps of famous people tagged with letters from the Russian alphabet.
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February - March 2000: Moscow artists Ivan Kolesnikov and Sergei Denisov presented a joint Artistamp project entitled
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In 1989, Felter curated the first of three International Biannual Exhibitions of Artistamps at Davidson Galleries in
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described The Portland Stamp Company's work as making stamps "the old-fashioned way - with perfs and glued backs."
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combined (and sometimes, less strictly speaking, even when not so) the artistamp may be considered part of the
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stamp form) from the late 1800s, but none appear to have worked with the format outside the commercial or
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for the next ten years, led to an explosion in the number of artists using stamps as an artistic format.
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with a decorative or inclusive border; in booklets; or any combination/size/shape the artist chooses.
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is a Complete and Return project that originated from the same residency, becoming available in 2011.
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at which a rocket containing artistamps on a microchip was launched. In 1986, the artist received a
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a series of artistamps bound into a book and includes a set of postcards. A second book
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paper is also used. The image represented on the stamp may be hand-drawn or painted,
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E.F. Higgins III and H.R. Fricker to name a few. The project expanded to 40 issues.
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in April 2003. The show including the work of 50 artists from 15 countries.
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Artistamps have been recognized in mainstream stamp publications, such as
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on artistamp issues. In 1984, Lloyd co-organized an Art in Space event in
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who organized World Art Post, the first big scale artistamp exhibition in
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ParaStamp: Four Decades of Artistamps, from Fluxus to the Internet
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Evil: Perforated Praeter Naturam, published by Qualiatica Press.
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Turner Prize-winning artist and Academy Award-winning filmmaker
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appear in the book, but on one of the stamps, by E.F. Higgins.
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in that they are not valid for postage, but they differ from
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Thomas Michael Bidner (1944-1989): A Commemorative Exhibition
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The JAY Gallery in Seoul, Korea, sponsored the exhibition,
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by Ginny Lloyd and György Galántai in Artpool's collection
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Robert Watts: The Complete Postage Stamp Sheets, 1961-1986
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any subject its creator chooses. Artistamps are a form of
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Multiplicity/Multiplicidad: Mailart & Artistamp Show
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Adam Roussopoulos project for new artistamps (2019-2024)
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Leck mich! - KĂĽnstlerbriefmarken seit den 1960er Jahren
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Leck mich! - KĂĽnstlerbriefmarken seit den 1960er Jahren
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in that typically the creator has no intent to defraud
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The Blighted State of America by Twine Workshop (2005)
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Stamp Artists Exhibit Interpret Sin for 21st Century
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330:curated an
267:Oscar Wilde
237:philatelist
153:advertising
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42:commemorate
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1166:Categories
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332:exhibition
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