1109:, and has used them as source material for her work since 2004. Other paintings depict confessions or letters from prisoners of all kinds and their families (parents pleading that the Army discharge rather than court-martial their sons); autopsy and interrogation reports; or exchanges concerning torture, as well as prisoners’ handprints and maps of Baghdad. The censor's marks are unmodified and the large sections of obscured text leave only sentence fragments or single words, echoes of the original content. Holzer concentrates on documents that have been partially or almost completely redacted with censor's marks.
475:(Syrian American). As of 2010, Holzer's work has been focused on government documents, concerning Iraq and the Middle East. Using texts from a very different context, more recent projects have involved the use of redacted government documents and passages from declassified U.S. Army documents from the war in Iraq. For example, a large LED work presents excerpts from the minutes of interrogations of American soldiers accused of committing human rights violations and war crimes in Abu Ghraib prison — making what was once secret public and exposing the "military-commercial-entertainment complex."
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293:(1977–79), are among her best-known. They first appeared as anonymous broadsheets that she printed in black italic script in capital letters on white paper and wheat-pasted to buildings, walls and fences in and around Manhattan. These one-liners are a distillation of an erudite reading list from the Whitney Independent Study Program, where she was a student. She printed other
573:, the titular refrain is written in metal foil and outlined with phosphorescent paint. Phrases written on the car's side-pods are "You are so complex, you don't respond to danger" and "The unattainable is invariably attractive". The car's rear wing reads "Lack of charisma can be fatal" and "Monomania is a prerequisite of success". The car was withdrawn from the
605:, curated by Rachel K. Ward and featuring the work of 18 artists. Holzer's work was displayed electronically on the terminal's original departures-arrivals board. She had wanted the work projected onto the building's exterior, but airport officials denied the request, saying the projection could interfere with runway operations.
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I'm an artist, and a person who is political; I make some separation here. I do not represent that art is as straightforward and immediately effective as voting or doing community work, and I don't think art always can or should be pragmatic and utilitarian. At times, however, art can fuse a dreadful
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Critic Samito
Jalbuena has written that the artist's public use of language and ideas often creates shocking juxtapositions — commenting on sexual identity and gender relations (“Sex Differences Are Here To Stay”) on an unassuming New York movie theater marquee, for example — and sometimes extends to
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Holzer's work often concerns violence, oppression, sexuality, feminism, power, war and death; the artist often utilizes the rhetoric of modern information systems to address the politics of discourse. Her main aim is to enlighten, illuminating something thought in silence and meant to remain hidden.
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by simplifying them for public consumption and applying them to her phrases. This series not only provokes thought in her audience through the constant reminder of death and sorrow but also exposes them to sources they normally wouldn't come across. In an interview Holzer mentions that she uses the
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The subject of Holzer's work often relates to feminism and sexism. Her work discusses heavy subjects such as sexual assault against women. She has said that she gravitates towards subjects such as this due to family dysfunction she has experienced and because she claims “we don't need work on joy.”
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series, compiled in 1983-85, speak to the great pain, delight, and ridiculousness of living in contemporary society. She began working with stone in 1986; for her exhibition that year at the
Barbara Gladstone Gallery in New York, Holzer introduced a total environment where viewers were confronted
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series, taking the title from the German word meaning "sex murder". Holzer created the series as a response of the
Bosnian War, specifically the widespread rape and murder of women. The work feature three poems that retell sex crimes from the perspective of the victim, the observer, and the
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was the first, shown posthumously in 1972). At the 44th
Biennale in 1990, her LED signboards and marble benches occupied a solemn and austere exhibition space in the American Pavilion; she also designed posters, hats, and T-shirts to be sold in the streets of Venice. The installation,
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Jenny gave a voice to 13 different dead individuals, to say everything they might not have gotten the opportunity to while alive. She touches on topics like motherhood, violation, pain, torture, and even death on a personal level to these 13 individuals
214:. Text-based light projections have been central to Holzer's practice since 1996. From 2010, her LED signs started becoming more sculptural. Holzer is no longer the author of her texts, and in the ensuing years, she returned to her roots by painting.
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the artist was commissioned to redesign a memorial to the fallen of
Germany's three previous wars, including World War II. Next to the existing monolithic monument, she designed a circular garden consisting of concentric rings of plantings and
197:(also known as text art.). The public dimension is integral to Holzer's work. Her large-scale installations have included advertising billboards, projections on buildings and other architectural structures, and illuminated electronic displays.
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in 2007, Holzer presented a series of mixed media silk-screen prints; each of the 15 same-size, medium-large canvases, stained purple or brown, bears an all-black, silk-screened reproduction of a PowerPoint diagram used in 2002 to brief
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signs have become her most visible medium, although her diverse practice incorporates a wide array of media including street posters, painted signs, stone benches, paintings, photographs, sound, video, projections, the
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1439:(MOCA). The annual award – recognizing women for their leadership and innovation in the visual arts, dance, music, and literature – is a bronze plaque originally designed by the artist in 1994, featuring one of her
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While Holzer wrote the texts for the bulk of her work between 1977 and 2001, since 1993, she has mainly been using texts written by others, including literary texts from such authors as Polish Nobel laureate
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Holzer belongs to the feminist branch of a generation of artists that emerged around 1980, looking for new ways to make narrative or commentary an implicit part of visual objects. She was an active member of
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Holzer only uses capital letters in her work and frequently words or phrases are italicized. She has stated before that this is because she wants to “show some sense of urgency and to speak a bit loudly."
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495:(1979-82), an installation comprising texts and manifestos, which were originally printed on colored paper and wheat-pasted around the streets of New York City in the late 1970s and early 1980s.
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in New York; this installation consisted of columns of colored lights and carved marble and granite tops that made up the laments. Holzer uses the passages she had read while being a part of the
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Exhibition catalogue published in conjunction with show held
November 14 - December 21, 1980. Text by Lucy R. Lippard and Margaret Harrison. Published by Institute of Contemporary Arts, 1980.
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The medium of modern computer systems became an important component in Holzer's work in 1982, when the artist installed her first large electronic sign on the
Spectacolor board in New York's
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825:(1997) Permanent Installation, located off the main room of the Guggenheim Bilbao, with tall LED columns of text in English (red, on the front side) and Basque (blue, on the back side)
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series addressed the necessities of daily life: eating, breathing, sleeping, and human relationships. Her bland, short instructions were accompanied by paintings by
American artist
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was a work consisting of posters Holzer created from 1979 to 1982 and put up throughout New York. The statements on the posters were influenced by political figures including
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858:; Portuguese inscription: NUM SONHO VOCE ENCONTROU UM JEITO DE SOBREVIVER E SE ENCHEU DE ALEGRIA. (IN A DREAM YOU SAW A WAY TO SURVIVE AND YOU WERE FULL OF JOY.)
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with the relentless visual buzz of a horizontal LED sign and stone benches leading up to an electronic altar. Continuing this practice, her installation at the
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on posters, T-shirts and stickers, and carved them into stone benches. In late 1980, Holzer's mail art and street leaflets were included in the exhibition
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exhibition at the Museum of
Contemporary Art Antwerp in Belgium which explored the New York art scene in the eighties. In 2018, Holzer had the exhibition
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927:(1999), a collection of statements on law, justice, and truth gathered from various sources and inscribed on 99 paving stones on the ground floor of the
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Table, a series of different bones of the body laid on a wooden table, with silver bands wrapped around them, engraved with the text of the three poems.
694:(2007), Holzer's first cylindrical column of light and text, created from white electronic LEDs and featuring texts from four of the artist's series —
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first person “I” simply to give the impression that a dead person is speaking and therefore make the installation more interesting to her audience. In
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181:'s independent study program and began her first work with language, installation and public art. She also was an active member of the artists group
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consisting of a 16 ½ -foot long and 4-foot wide stone table and four benches, the surfaces of which have been sandblasted with 715 unique molecules
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a series of large-scale light projections on Silo no 5, one of Montréal's most iconic architectural structures., created in conjunction with the
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at Cheim & Read in
Chelsea, New York which exemplified her use of government documents as a source for her work. In 2015 she was in
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Holzer is known as a neo-conceptual artist. Most of her work is presented in public spaces and includes words and ideas, in the form of
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979:(2005), Holzer's largest LED project in the United States boasting 688 feet of blue LED tubes attached to two edges of the roof of the
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Untitled (Selections from Truisms, Inflammatory Essays, The Living Series, The Survival Series, Under a Rock, Laments, and Child Text)
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354:; Lorde wrote, "My version of a white rose — THE APOCALYPSE WILL BLOSSOM — an excerpt from the greatest of all time, jenny holzer."
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campus consisting of twenty backless and armless granite benches, inscribed with the poetry of alumna and Pulitzer Prize-winner
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IT TAKES A WHILE BEFORE YOU CAN STEP OVER INERT BODIES AND GO AHEAD WITH WHAT YOU WERE TRYING TO DO. From The Living Series
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focuses mostly on the darkness of humanity and the tragedies we face daily there is also hidden optimism in the 13 laments.
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at the Workhouse Arts Center in Lorton, Virginia, on view from January 2017 to April 2017; her work was shown alongside
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series, printed on aluminum and bronze plaques, the presentation format used by medical and government buildings. The
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or wonderful reality with dreadful or wonderful representation so that people realize and feel what is, and then act.
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3162:"2018 Ceremonial Exhibition: Work by New Members and Recipients of Awards – American Academy of Arts and Letters"
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2001:"Jenny Holzer, the feminist artist behind Lorde's Grammys gown message, isn't a stranger to the fashion world"
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for her work at the 1990 Venice Biennale, Holzer has received several other prestigious awards, including the
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exhibition at the Skarstedt Gallery in Chelsea, New York. Also, in the summer of 2016, Holzer was included in
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in Venice, Italy. Then in the winter of 2016-17 at Alden Projects in New York, Holzer had the solo exhibition
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3191:"You Call This Art? Artist Jenny Holzer Wants to Talk to Real People about Important Things in a Direct Way"
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515:(1986), a series juxtaposing electronic messages with poetic phrases etched on stone benches and sarcophagi.
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After taking a break from the art world, Holzer returned with controversy in 1993. Holzer came out with her
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selections on permanent LED displays and carved into stone benches outside of Gordy Hall on the campus of
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1443:: “It is in your self-interest to find a way to be very tender.” Holzer also holds honorary degrees from
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There is a permanent LED sign along the top of the Telenor building in Oslo, Norway, installed in 2002.
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flights of formal outrage (such as “Abuse Of Power Comes As No Surprise” in lights over Times Square).
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1970:"'Rejoice! Our times are Intolerable'. Jenny Holzer and her '15 Inflammatory Essays' 1979-82 – SOCKS"
1253:, Gateshead (2010), and DHC/ART Foundation for Contemporary Art (2010). She has also participated in
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801:(1995), outdoor installation with texts memorializing lives lost and peace gained in World War II in
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1382:(nine galleries) from March 22 to September 9, 2019 for "Zera deskribaezina" (It is irreversible).
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2400:, The Solomon R Guggenheim Foundation, New York, in association with Harry N Abrams, Incorporated.
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has taken many different forms from texts written in blue, black, and red ink on the skin, to the
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in Los Angeles California from November 2016 to March 2017. In February 2017 she was also in the
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157:. Originally aspiring to become an abstract painter, her studies included general art courses at
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841:(1997), 138 electronic LED signs with red diodes over 47.6 meters, permanently installed at the
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in 1989 featured a 163-meter-long sign forming a continuous circle spiraling up a parapet wall.
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3219:"Bargain and sale deed dated July 21, 1997, document ID FT_1360005799136 (reel 2507, p. 1100)"
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In 1989, Holzer became the second female artist chosen to represent the United States at the
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684:*, (2007), Oil-on-linen transcriptions of torture documents from the Iraq War; part of the
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MOCA AWARD TO DISTINGUISHED WOMEN IN THE ARTS HONORS CELEBRATED VISUAL ARTIST JENNY HOLZER
2847:"Jenny Holzer on the creation of the New York City AIDS Memorial | art | Agenda | Phaidon"
1002:(2006), permanent LED installation in the 65-foot-wide, 14-foot-high wall in the lobby of
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Holzer had several solo exhibitions in the past several years. In 2014 her work was in
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in Buffalo, the organizing institution for the American Pavilion at the 1990 Biennale.
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883:(1999), permanent installation composed of 10 stone benches with engraved quotes from
611:(2005), nighttime projections of declassified government documents on the exterior of
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720:(2008), reproducing declassified memos, with much of the text blacked out by censors.
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Jenny Holzer: Da wo Frauen sterben bin ich hellwach, November 16 – December 12, 1993
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1435:(2011). In 2010, Holzer received the Distinguished Women in the Arts Award from the
902:(1999), 4-sided electronic LED sign with amber diodes, permanently installed at the
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1101:. Holzer found these documents at the Web site of the independent, nongovernmental
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Series of 8 benches) (1997), bench made of green marble at the Faulconer Gallery,
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Rubin, Edward; Holzer, Jenny (March 2010). "Art Newspaper" – via Interview.
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of a generation of artists that emerged around 1980, and was an active member of
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906:, Berlin; the piece displays a selection of speeches given in the Reichstag and
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is on view at the Solomon R. Guggenheim Museum from May 17–September 29, 2024.
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2658:"Telenor Art Collection > Architecturally Integrated Art > Jenny Holzer"
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369:(LEDs) allowed Holzer to reach a larger audience. The texts in her subsequent
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Solo exhibitions of Holzer's work have been held in institutions such as the
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REJOICE! OUR TIMES ARE INTOLERABLE: Jenny Holzer's Street Posters, 1977-1982
509:(early 1980s), using monumental media such as bronze plaques and billboards.
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Heartney, Eleanor; Posner, Helaine; Princenthal, Nancy; Scott, Sue (2013).
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Based on a declassified report on US special forces' activity at a base in
1021:(2007), permanent LED installation on the façade of the Copley Building at
947:(2002), electronic LED sign with blue diodes, permanently installed at the
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2284:"At the Whitney Museum, a Retrospective on a Career of Sounding the Alarm"
2074:"I Want to Go to the Future Please: Jenny Holzer and the End of a Century"
755:(1989), twenty-eight white granite benches with inscriptions, part of the
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2513:. Designobvserver.com, Tom Vanderbilt, January 14, 2005. Archived from
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Holzer's first dance project was in 1985, “Holzer Duet … Truisms” with
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Jenny Holzer's Granite Ode to Elizabeth Bishop Honors Vassar President
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Holzer, Jenny; Hauser & Wirth Somerset (Bruton, Somerset) (2015).
1483:. She sold the loft in the late 1990s but still maintains a studio in
1061:(2016), granite pavers with lines from Walt Whitman's "Song of Myself"
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Installation for the U.S. Courthouse and Federal Building, Sacramento
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2485:. Municipal Art Society New York, February 9th, 2004. Archived from
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exhibition at Ikon, Ltd., in Santa Monica alongside artists such as
778:(1992), a large granite picnic table with inscriptions, part of the
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Gardens: Profiles of Contemporary European Landscape Architecture.
2483:"TWA Terminal Named as One of the Nation's Most Endangered Places"
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in Manhattan This work has been cited as a significant example of
173:, Athens, Ohio (1972). In 1974, Holzer took summer courses at the
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Welcome to Hoosick, N.Y. … Holzer has lived here about six years.
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Jenny Holzer Makes Light of Poems and Beats Swords Into Paintings
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Vectors Journal of Culture and Technology in a Dynamic Vernacular
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Jenny Holzer: THE FUTURE PLEASE, September 13 - November 3, 2012
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in Randers, Denmark. Holzer was also featured in the exhibition
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was an exhibition on view from February 2017 to May 2017 at the
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diploma of Chevalier from the French government (2002) and the
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535:(1993), cover photograph and portfolio in edition number 46 of
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2531:. The Architects Newspaper, September 21, 2004. Archived from
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1942:"Jenny Holzer - Biography & Art - The Art History Archive"
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Issue: Social strategies by women artists : an exhibition
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877:(1999), installation for Isla de Esculturas, Pontevedra, Spain
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Holzer is one of six artist-curators who made selections for
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After the Revolution: Women Who Transformed Contemporary Art
3278:"Blue light special of a different kind tells a good story"
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3248:"Jenny Holzer on a Life of Turning Public Spaces Into Art"
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1664:. Larass, Petra., Klier, Melanie, 1970-. Munich: Prestel.
2871:"Art Installations Unveiled at Comcast Technology Center"
2564:'For the Capitol': Illuminated Reflections on the Potomac
1362:. From January 2017 through February 2017 she was in the
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New York City Automated City Register Information System
3069:"ARTIST ROOMS: Jenny Holzer – Exhibition at Tate Modern"
3050:"Events & Exhibits of Jenny Holzer (American, 1950)"
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Artistic License: Six Takes on the Guggenheim Collection
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Jenny Holzer, "Xenon" from The National Security Archive
3343:. Whitney Museum of American Art. March 12–May 31, 2009
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Ms. Wright Remembers: Barnard Alumna Donates Her Holzer
2576:""Meanwhile, In Baghdad..." at the Renaissance Society"
2215:"Jenny Holzer's Lustmord - Everything you need to know"
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651:(2007), nighttime projections of quotes by Presidents
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Members of the European Academy of Sciences and Arts
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Fellows of the American Academy of Arts and Sciences
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Heresies: A Feminist Publication on Art and Politics
2344:"Hello, men of Asia, meet Jenny Holzer in Singapore"
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for Installation (1994); the Crystal Award from the
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Members of the American Academy of Arts and Letters
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Jenny Holzer: softer targets : education guide
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series) (1995), United States Courthouse, Allentown
1697:"Word Art: Text-based Painting, Prints, Sculpture"
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1459:. In 2018 she was selected as a new member of the
3426:Replica of the Truisms signage shown at Dismaland
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2114:. Bruton, Somerset: Hauser & Wirth Somerset.
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937:(2002), inscriptions on stones on the grounds of
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1958:
1292:(MAM) of SĂŁo Paulo in Brazil in 2014 as well as
1273:(2012). According to the website for the 2015 '
910:, and plays for 12 days without repeating itself
3184:
3182:
1998:
1967:
1859:
1853:
1750:"Celebrating the Provocative Power of Text Art"
1487:. Her private art collection includes works by
1269:, New York. Holzer will participate in the 9th
1132:. In 2010, she collaborated with choreographer
2959:
2373:"Inflammatory Essays • Pérez Art Museum Miami"
1834:
1832:
1622:
1620:
1378:in London. She has the entire second floor of
226:during this time, participating in the famous
139:during this time, participating in the famous
3446:
3241:
3239:
2899:
2836:Williams College Museum of Art, Williamstown.
1724:"13 Artists Who Highlight the Power of Words"
1640:Colab [Collaborative Projects, Inc.].
823:Installation for the Guggenheim Museum Bilbao
577:race, but saw active competition in the 2000
126:projections on buildings and other structures
3533:Elizabeth A. Sackler Center for Feminist Art
3179:
3124:: CS1 maint: multiple names: authors list (
2949:Her Words, His Movement, Their Collaboration
2040:Thyssen-Bornemisza Art Contemporary, Vienna.
1393:from May 24, 2019 through January 12, 2020.
1075:
547:(1995), an interactive work created for the
499:is included in the permanent collections of
3711:Why Have There Been No Great Women Artists?
3511:New York School of Applied Design for Women
2132:
1994:
1992:
1990:
1829:
1799:
1655:
1617:
1601:
1599:
1597:
1595:
1593:
1591:
1471:In the early 1980s Holzer bought a farm in
1281:, Holzer contributed works to the project.
1221:, Chicago (2008). Other solo shows include
148:
3462:Feminist art movement in the United States
3453:
3439:
3236:
3188:
2637:"Ohio University Showcases Work Of Artist"
521:(1989), a multi-media installation at the
29:
3312:Art:21 -- Art in the Twenty-First Century
2827:Williams Installs Artwork by Jenny Holzer
2801:Sharon Elizabeth Samuel (April 8, 2011),
2505:
2503:
2414:Flashing Aphorisms By Jenny Holzer at Dia
2139:Columbia: A Journal of Literature and Art
1691:
1689:
1143:
1011:(2006/07), permanent LED installation at
929:Robert T. Matsui United States Courthouse
688:2007 group show, "Meanwhile, In Baghdad…"
3499:American Association of University Women
2341:
1987:
1588:
1575:Art History Archive: Biography & Art
1082:Massachusetts Museum of Contemporary Art
555:, incorporating several of the artist's
278:
270:
259:
188:
3395:. Prestel Publishing Ltd. p. 351.
3331:." Sunday Arts program. New York City:
3246:Marin, Hugo Huerta (October 25, 2021).
3149:Museum of Contemporary Art, Los Angeles
2613:"Jenny Holzer : For Leonard Cohen"
2071:
1437:Museum of Contemporary Art, Los Angeles
989:(2006), permanent outdoor work for the
738:The installation featured phrases from
471:(Palestine), Khawla Dunia (Syria), and
128:, and illuminated electronic displays.
3932:
3091:
2747:: CS1 maint: archived copy as title (
2500:
2398:Jenny Holzer: Catalog of an exhibition
1843:Sounding the Alarm, in Words and Light
1747:
1715:
1686:
1364:Fischl, Holzer, Prince, Salle, Sherman
1067:(2018), permanent installation at the
736:Leonard Cohen – A Crack in Everything.
669:Kennedy Center for the Performing Arts
533:Da wo Frauen sterben, bin ich hellwach
232:. Other female contemporaries include
4025:Honorary members of the Royal Academy
3658:WACK! Art and the Feminist Revolution
3505:National Association of Women Artists
3434:
3245:
3092:Linda., Buchholz, Elke (2003-01-01).
3044:
3042:
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1138:Institute of Contemporary Art, Boston
1051:(2011), commissioned installation at
770:Ludwig Forum fĂĽr Internationale Kunst
746:
599:John F. Kennedy International Airport
581:in the U.S., finishing fifth overall.
565:, the 15th work commissioned for the
3965:Rhode Island School of Design alumni
3599:The Women's Building (San Francisco)
3558:National Museum of Women in the Arts
3211:
2924:Paintings honour dead Afghan soldier
2922:Gareth Harris (September 12, 2014),
2475:
2169:"Jenny Holzer's Untitled | Analysis"
2072:Breslin, David Conrad (2013-03-18).
1748:Benson, Louise (11 September 2018).
1646:24 Feb 2010. Retrieved 8 March 2015.
1461:American Academy of Arts and Letters
1023:Museum of Contemporary Art San Diego
153:Holzer was born on July 29, 1950 in
108:(born July 29, 1950) is an American
4030:21st-century American women artists
4015:20th-century American women artists
3189:Montgomery, David (July 14, 1991).
3001:"ROUNDTABLE announces participants"
2511:"A Review of a Show You Cannot See"
2133:COHEN, SETH; Holzer, Jenny (1990).
1999:Lesley McKenzie (30 January 2018).
1605:Edward Lewine (December 16, 2009),
981:David L. Lawrence Convention Center
784:University of California, San Diego
782:of public art on the campus of the
732:Montreal Museum of Contemporary Art
625:New York Public Library Main Branch
381:In 1989, Jenny Holzer released the
13:
3589:Women's Art Resources of Minnesota
3271:
3039:
2947:Claudia La Rocco (July 23, 2010),
2319:"Phillips: NY010510, Jenny Holzer"
2249:
1972:. Socks-studio.com. Archived from
1790:
1368:THE EIGHTIES: A Decade of Extremes
1342:, among others, in the exhibition
1251:BALTIC Centre for Contemporary Art
791:(1995), permanent installation at
299:Social Strategies by Women Artists
14:
4051:
3955:American women conceptual artists
3921:Feminist movements and ideologies
3410:
3381:"Now Showing | Jenny Holzer"
2887:Ken Johnson (December 26, 2007),
2692:University of Southern California
1563:
1261:, Den Bosch, The Nederlands, the
891:University of Southern California
619:, and poetry on the exteriors of
486:
391:Whitney Independent Study Program
4000:Performance art in New York City
3066:
2529:"Now Boarding: Destination, JFK"
2135:"An Interview with Jenny Holzer"
1778:, September 26–December 31, 2008
1660:50 women artists you should know
1466:
601:hosted an art exhibition called
3563:New York Feminist Art Institute
3325:. Solomon R. Guggenheim Museum.
3154:
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2600:Smithsonian American Art Museum
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2342:Jalbuena, Samito (2014-01-28).
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1722:Cohen, Alina (5 January 2019).
1656:Christiane., Weidemann (2008).
1095:United States Central Command's
868:, Athens, Ohio, installed 1998
712:Smithsonian American Art Museum
589:— In October 2004, the dormant
287:Holzer's initial public works,
3910:Women in the art history field
3594:Woman's Building (Los Angeles)
3329:"Jenny Holzer: Protect Protect
2779:"San Diego's shock of the new"
1968:fosco lucarelli (2016-04-28).
1864:. Phaidon Press. p. 192.
1767:
1649:
1632:
1402:
1223:Institute of Contemporary Arts
1215:Whitney Museum of American Art
1204:
312:In 1981, Holzer initiated the
303:Institute of Contemporary Arts
1:
4035:Artists from New York (state)
4010:People from Hoosick, New York
3578:Washington Women's Art Center
3340:Jenny Holzer: Protect Protect
3303:designboom.com. January 2005.
2777:Baker, Kenneth (2007-02-10).
2282:Smith, Roberta (2009-03-12).
1556:
1449:Rhode Island School of Design
1286:Jenny Holzer: Projecto Parede
1136:for the Co-Lab series at the
175:Rhode Island School of Design
169:before completing her BFA at
80:Rhode Island School of Design
3980:People from Gallipolis, Ohio
3618:Exhibitions or installations
3288:"Ground Zero's Saving Grace"
2990:Skarstedt Gallery, New York.
2547:"JENNY HOLZER: FOR THE CITY"
1787:Guggenheim Museum, New York.
1433:Barnard Medal of Distinction
1391:Solomon R. Guggenheim Museum
1298:Jenny Holzer: Softer Targets
1294:Jenny Holzer: Dust Paintings
795:, Amsterdam, the Netherlands
757:Minneapolis Sculpture Garden
275:Detail of 7 WTC installation
7:
3985:American multimedia artists
3950:American conceptual artists
3743:Women Artists in Revolution
3583:Women Artists in Revolution
1546:SprĂĽth Magers Berlin London
1519:
1415:'s Blair Award (1982); the
1407:In addition to winning the
1217:, New York (2009), and the
1059:New York City AIDS Memorial
969:(2003), a site work at the
682:I Was In Baghdad Ochre Fade
563:Protect Me From What I Want
538:SĂĽddeutsche Zeitung Magazin
10:
4056:
3022:"Artists | Dismaland"
2913:L&M Arts, Los Angeles.
1783:September 1, 2011, at the
1372:Artist Rooms: Jenny Holzer
1277:' art installation led by
1263:National Gallery of Canada
1219:Museum of Contemporary Art
1107:Freedom of Information Act
971:University of Pennsylvania
793:Amsterdam Airport Schiphol
768:and other series) (1991),
659:about the role of art and
16:American conceptual artist
3975:American feminist artists
3918:
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2707:Boston: Birkhäuser, 2005.
1946:www.arthistoryarchive.com
1506:In a 2021 interview with
1429:Order of Arts and Letters
1103:National Security Archive
1076:Mixed media screen prints
1069:Comcast Technology Center
829:Oskar Maria Graf Memorial
789:Installation for Schiphol
425:Albright-Knox Art Gallery
264:Installation in lobby at
90:
62:
37:
28:
21:
4020:Franklin Furnace artists
3905:List of feminist artists
3703:The Feminist Art Journal
3364:"Project 'Declassified'"
3096:. Prestel. p. 118.
1860:Phaidon Editors (2019).
1629:Tate Collection, London.
1413:Art Institute of Chicago
1397:Jenny Holzer: Light Line
1380:Guggenheim Museum Bilbao
1213:in Riehen/Basel and the
1164:(with Peter Nadin, 1980)
1123:
1041:(2011), marble bench at
1033:Aria Resort & Casino
957:(2002), installation at
916:Black Garden of Nordhorn
889:located in front of the
675:and Roosevelt Island in
575:1999 24 Hours of Le Mans
255:
149:Early life and education
3609:Women's Studio Workshop
3604:Women's Interart Center
3521:Venues or organizations
3307:Jenny Holzer biography.
1816:Jenny Holzer: Interview
1427:fellowship (2000); the
1245:, Berlin (2001, 2011);
1192:The Venice Installation
762:Installation for Aachen
641:on the occasion of the
3970:Ohio University alumni
3748:Women's Caucus for Art
3669:Films or documentaries
3543:Feminist Art Coalition
2978:Guggenheim Collection.
2377:PĂ©rez Art Museum Miami
2089:Cite journal requires
1911:Guggenheim Collection.
1703:. Visual-Arts-Cork.com
1517:
1237:, Minneapolis (1991);
1198:Die Macht des Wortes =
1144:Publications by Holzer
1015:HQ, Basel, Switzerland
710:; commissioned by the
637:(2006), projection on
501:PĂ©rez Art Museum Miami
284:
276:
268:
131:Holzer belongs to the
3677:!Women Art Revolution
3478:Feminist art movement
3383:. The New York Times
3357:Please Change Beliefs
2193:"Preview unavailable"
1512:
1344:Creature at The Broad
1290:Museu de Arte Moderna
1180:Eating Through Living
811:(Selections from the
799:Erlauf Peace Monument
764:(Selections from the
667:. Projected from the
545:Please Change Beliefs
367:light-emitting diodes
282:
274:
263:
229:The Times Square Show
210:, and a race car for
189:Style, form and media
167:University of Chicago
142:The Times Square Show
67:University of Chicago
3323:Jenny Holzer Exhibit
3296:Metropolis Magazine.
3292:7 World Trade Center
2535:on December 6, 2010.
2469:adaweb.walkerart.org
2451:adaweb.walkerart.org
1421:World Economic Forum
1267:Museum of Modern Art
1247:Barbican Art Gallery
1243:Neue Nationalgalerie
1239:Hamburger Kunsthalle
1004:7 World Trade Center
895:Fisher Museum of Art
843:Hamburger Kunsthalle
639:City Hall, Singapore
597:(now Jetblue T5) at
365:program, the use of
3809:Helen Frankenthaler
3553:Lesbian Art Project
2465:"äda 'web, welcome"
2240:"Poems of Lustmord"
1862:Great women artists
1328:Randers Kunstmuseum
1233:, New York (1989);
1229:, New York (1989);
1071:, Philadelphia, PA
961:, Gimlemoen, Norway
959:University of Agder
941:, Knislinge, Sweden
900:Historical Speeches
718:Redaction Paintings
686:Renaissance Society
613:New York University
567:BMW Art Car Project
525:featuring 13 stone
497:Inflammatory Essays
493:Inflammatory Essays
361:. Sponsored by the
328:Inflammatory Essays
3874:Carolee Schneemann
3634:Three Weeks in May
3379:Walleston, Amiee.
3369:2021-03-01 at the
3290:. Installation at
3166:artsandletters.org
3144:2013-10-29 at the
2974:2012-04-03 at the
2929:2014-09-13 at the
2832:2012-04-15 at the
2808:2011-04-11 at the
2703:Udo Weilacher, In
2687:2014-03-30 at the
2602:, Washington, D.C.
2412:(March 10, 1989),
2288:The New York Times
2055:2018-12-04 at the
2036:2012-04-15 at the
1890:has generic name (
1841:(March 12, 2009),
1819:, 29 November 2017
1776:For the Guggenheim
1644:Grove Art Online.
1526:Art & Language
1348:Palm Springs Popup
1302:Hauser & Wirth
1265:, Ottawa, and the
1241:, Hamburg (2000);
1227:Dia Art Foundation
1186:Truisms and Essays
1182:(with Nadin, 1981)
1176:(with Nadin, 1981)
1170:(with Nadin, 1980)
1150:A Little Knowledge
1093:and others on the
931:in Sacramento, CA.
747:Permanent displays
657:Theodore Roosevelt
643:Singapore Biennale
621:Rockefeller Center
523:Dia Art Foundation
449:Wislawa Szymborska
387:Dia Art Foundation
352:Time's Up movement
285:
277:
269:
242:Sarah Charlesworth
4005:Artists from Ohio
3927:
3926:
3799:Mary Beth Edelson
3794:Elaine de Kooning
3642:The Sister Chapel
3402:978-3-7913-4755-4
2935:The Art Newspaper
2814:New York Observer
2582:on July 20, 2011.
2005:Los Angeles Times
1551:Robert Montgomery
1389:, on view at the
1322:Christian Lemmerz
1320:Jenny Holzer and
1249:, London (2006);
1235:Walker Art Center
1231:Guggenheim Museum
1225:, London (1988);
1211:Fondation Beyeler
1000:For 7 World Trade
886:The Hollywood Ten
809:Allentown Benches
780:Stuart Collection
772:, Aachen, Germany
724:For Leonard Cohen
706:(selections) and
595:TWA Flight Center
376:Guggenheim Museum
112:artist, based in
103:
102:
4047:
3869:Rachel Rosenthal
3844:Georgia O'Keeffe
3779:Louise Bourgeois
3650:The Dinner Party
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3419:Official website
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1445:Williams College
1271:Gwangju Biennale
1259:Stedelijk Museum
1134:Miguel Gutierrez
1065:For Philadelphia
1053:Williams College
995:Elizabeth Bishop
856:Grinnell College
677:Washington, D.C.
665:American society
461:Fadhil Al Azzawi
457:Elfriede Jelinek
421:Mother and Child
155:Gallipolis, Ohio
98:Contemporary art
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1207:
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1091:Donald Rumsfeld
1078:
1043:Barnard College
866:Ohio University
749:
653:John F. Kennedy
649:For the Capitol
569:. Painted on a
489:
469:Mahmoud Darwish
412:Venice Biennale
363:Public Art Fund
258:
206:, T-shirts for
191:
171:Ohio University
159:Duke University
151:
133:feminist branch
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2880:
2877:on 2020-03-21.
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2794:
2769:
2765:Vassar College
2754:
2709:
2696:
2694:, Los Angeles.
2678:Jenny Holzer,
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2593:Jenny Holzer,
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1905:Jenny Holzer,
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1774:Jenny Holzer,
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1571:"Jenny Holzer"
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487:Selected works
485:
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385:series to the
336:Vladimir Lenin
257:
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234:Barbara Kruger
190:
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110:neo-conceptual
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3762:Notable women
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3360:. Walker Art.
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3301:Jenny Holzer.
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3028:on 2015-08-21
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2730:on 2016-03-05
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2660:. Telenor.com
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50:(age 74)
48:July 29, 1950
40:
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20:
3834:Jane Kaufman
3819:Nancy Graves
3814:Mary Garrard
3789:Judy Chicago
3784:Norma Broude
3701:
3693:
3687:Publications
3675:
3656:
3648:
3640:
3632:
3624:
3548:Hera Gallery
3473:Feminist art
3392:
3384:
3373:
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3347:Jenny Holzer
3339:
3332:
3310:
3295:
3281:
3257:. Retrieved
3253:Literary Hub
3251:
3226:. Retrieved
3222:
3213:
3205:
3198:. Retrieved
3195:Buffalo News
3194:
3169:. Retrieved
3165:
3156:
3134:
3093:
3087:
3076:. Retrieved
3072:
3062:
3053:
3030:. Retrieved
3026:the original
3016:
3005:. Retrieved
2995:
2988:Jenny Holzer
2983:
2969:Jenny Holzer
2951:
2943:
2933:
2918:
2891:
2883:
2875:the original
2865:
2854:. Retrieved
2850:
2841:
2822:
2812:
2797:
2786:. Retrieved
2782:
2772:
2757:
2732:. Retrieved
2725:the original
2712:
2704:
2699:
2679:
2673:
2662:. Retrieved
2652:
2641:. Retrieved
2631:
2620:. Retrieved
2617:MAC Montréal
2616:
2607:
2594:
2588:
2580:the original
2570:
2559:
2550:
2541:
2533:the original
2523:
2515:the original
2491:. Retrieved
2487:the original
2477:
2468:
2459:
2450:
2441:
2426:
2416:
2405:
2397:
2391:
2380:. Retrieved
2376:
2367:
2356:. Retrieved
2352:the original
2347:
2337:
2326:. Retrieved
2322:
2299:. Retrieved
2287:
2277:
2267:
2265:Jenny Holzer
2263:(May 2012),
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3940:1950 births
3884:Alma Thomas
3839:Lee Krasner
3829:Lila Katzen
3804:Suzi Ferrer
3753:Where We At
3706:(1972–1977)
3698:(1977–1992)
3645:(1974–1978)
2447:"TRUISM 35"
2062:, Grinnell.
1497:Nancy Spero
1409:Golden Lion
1403:Recognition
1376:Tate Modern
1336:Andy Warhol
1255:Documenta 8
1205:Exhibitions
1035:, Las Vegas
776:Green Table
571:BMW V12 LMR
459:(Austria),
416:Diane Arbus
322:Peter Nadin
208:Willi Smith
3934:Categories
3889:June Wayne
3626:Womanhouse
3492:Precursors
3385:TMagazine.
3376:Issue #20.
3103:3791329677
3078:2018-12-23
3054:Mutual Art
3032:2015-08-20
3007:2013-06-10
2856:2022-02-28
2788:2022-01-24
2734:2015-09-17
2664:2018-01-31
2643:2018-01-31
2639:. Ohio.edu
2622:2019-03-03
2493:2009-08-12
2382:2023-08-23
2358:2017-02-17
2328:2018-03-24
2301:2017-02-03
2261:Kiki Smith
2225:2020-03-04
2178:2021-04-09
2120:1089249045
2010:2018-01-31
1980:2018-01-31
1951:2017-02-03
1929:090526309X
1823:2022-09-17
1557:References
1493:Kiki Smith
1489:Alice Neel
1156:Black Book
945:Serpentine
935:WanĂĄs Wall
850:(From the
603:Terminal 5
593:-designed
586:Terminal 5
527:sarcophagi
473:Mohja Kahf
467:(Israel),
453:Henri Cole
414:in Italy (
122:billboards
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3960:Aphorists
3824:Eva Hesse
3259:March 11,
3120:cite book
3112:875628482
2680:Blacklist
2436:, Munich.
2296:0362-4331
2269:Interview
2201:427132409
2147:0161-486X
1880:cite book
1680:195744889
1607:Art House
1481:Manhattan
1332:Woman Now
1275:Dismaland
1097:plan for
1019:For MCASD
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921:pathways.
908:Bundestag
904:Reichstag
881:Blacklist
805:, Austria
671:onto the
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3859:Yoko Ono
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2972:Archived
2927:Archived
2830:Archived
2806:Archived
2743:cite web
2685:Archived
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2323:Phillips
2197:ProQuest
2155:41807056
2053:Archived
2034:Archived
2029:Untitled
1781:Archived
1754:Elephant
1580:April 5,
1520:See also
1485:Brooklyn
1477:New York
1025:Downtown
1013:Novartis
955:Untitled
875:Untitled
852:Survival
835:, Munich
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817:Survival
704:Survival
692:For SAAM
629:word art
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551:gallery
463:(Iraq),
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432:Lustmord
371:Survival
204:Internet
195:word art
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1473:Hoosick
1441:Truisms
1300:at the
1288:at the
1188:(1983)
1080:At the
951:, Osaka
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766:Truisms
696:Truisms
661:culture
557:Truisms
519:Laments
455:(USA),
405:Laments
396:Laments
383:Laments
348:Grammys
295:Truisms
290:Truisms
114:Hoosick
3721:Groups
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3653:(1979)
3637:(1977)
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2783:SFGATE
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318:Living
314:Living
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3898:Lists
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3309:from
3228:1 May
3200:1 May
2728:(PDF)
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1029:VEGAS
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266:7 WTC
256:Works
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3397:ISBN
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3230:2020
3202:2020
3173:2018
3126:link
3108:OCLC
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