367:
352:
385:
198:
332:
In 1936 his wife died. A year later, he married Orpha Demets (born
November 1911). George Morren died in his home in Brussels on 21 November 1941 during his preparation for a new retrospective at the Palace of Fine Arts in Brussels. This took place in April 1942. It was overshadowed by the German
325:. If some form of Impressionism occasionally appeared in the landscapes, it showed less glimmer. Color was increasingly used independently of the play of light and shadows disappeared. More emphasis was placed on the aesthetics of the transient with constantly changing color variations (
244:. He became one of the most eager admirers of the French Impressionists. After three years in Paris he returned to Antwerp where he participated in several avant-garde groups, particularly Als ik Kan, L’Association pour l’Art,
224:, both advocates of applied art, he took part between 1893 and 1900 in the creation of jewelry, articles of daily use, wallpaper, etc. During this time, he also completed his artistic training in Paris. He was active in the
283:
whom he visited several times where he spent most of his time. Towards 1913, he entered a new creative period. The colors in his new works were more subdued. He used grated rough
366:
170:, where he frequented the studios of Alfred Roll, Pierre Puvis de Chavannes and Eugène Carrière. He began working in an Impressionist style. In 1889 Morren was acquainted with
186:. Under the influence of Henry van de Velde, Morren made some works between 1890 and 1892, featuring closely and regularly spaced dots of contrasting color, conforming to
267:
In 1897 he married
Juliette Melges. The couple lived in Antwerp for ten years before moving to Brussels in 1910. He also acquired a property in France, near the town
306:
He returned to
Belgium in 1926 exhibiting works from his entire creative period in the Galerie Georges Giroux in Brussels. The press unanimously praised the
303:, 1919), landscapes and portraits. His palette became darker and his paintings developed a solemnity and clarity of expression ('Le sommeil', 1922).
159:
who taught him and his brothers several times a week served as his first mentor. In 1888 Claus convinced Arthur Morren to enter his son at the
589:
213:
664:
609:
143:
George Morren, third child of Anna
Henrica Van den Wouwer, and Arthur Morren, a wealthy merchant of grain in Antwerp, was born in
654:
565:
518:
376:
629:
248:
and
Eenigen. In the latter he was a founder-member in 1902. Morren created light-flooded paintings, exhibited at the fairs
649:
311:
321:) he turned to a smooth painting style. The lacquer layer used is thin and distributed over a large area similar to a
317:
In a letter of 1934 he wrote that he had destroyed or altered some of his earlier works. In his last creative period (
252:
in
Brussels, the 'Vie et Lumière', and at numerous international exhibitions between 1895 and 1913. Contributing to
351:
212:, he began to work in a more spontaneous manner, creating more space for emotions. Influenced by the ideas of the
659:
639:
624:
384:
160:
644:
614:
237:
253:
291:. Morren remained faithful to impressionist ideals and did not participate in new trends, such as
249:
245:
268:
179:
148:
155:
family. His upbringing included an artistic education. The painter and friend of the family
669:
634:
604:
233:
229:
310:
but it drew less attention from the public. In 1931 a new retrospective took place at the
299:. He dealt with the scenes of everyday life ('La pergola', 1929), interiors, still lifes (
208:
In the summer of 1892, eschewing the shortened painting process which was associated with
174:. Thanks to van de Velde, he attended the trade fairs in Brussels, the exhibitions of the
8:
280:
619:
171:
104:
271:. It was in this idyllic environment, not far from the estates of the French painters
561:
557:
George Morren 1868-1941: monographie générale suivie du catalogue raisonné de l'œuvre
514:
209:
108:
334:
584:
555:
538:
256:
he reached the summit of his second major artistic period between 1904 and 1907 (
197:
276:
217:
191:
314:. This time the exhibition was a great success and attracted a wide audience.
598:
307:
296:
272:
132:
241:
221:
163:
but he left after a short time, disliking the conformist teaching methods.
489:
261:
187:
156:
152:
112:
547:
322:
183:
536:
532:
530:
284:
128:
82:
62:
590:
Royal
Museums of Fine Arts of Belgium - Jeune fille Ă la toilette
527:
288:
225:
505:
503:
501:
499:
292:
175:
144:
43:
167:
496:
178:, the art exhibitions of the freelance painters in Paris (
147:, the northern district of Antwerp, during the reign of
470:A still life of a vase of summer flowers, a teapot
596:
553:
585:Indianapolis Museum of Art - Sunday Afternoon
182:) and the Belgian and foreign artists of the
214:United Kingdom of Great Britain and Ireland
537:Charles Bernard (Critique d'art.) (1950).
127:(20 July 1868 – 21 November 1941†) was a
196:
490:"Netherlands Institute for Art History"
597:
377:Royal Museums of Fine Arts of Belgium
340:
13:
482:
312:Palais des Beaux-Arts de Bruxelles
14:
681:
665:19th-century Belgian male artists
578:
513:. Oxford University Press. 2010.
383:
365:
350:
260:) which ended on the eve of the
151:. He grew up in a bourgeois and
610:Flemish sculptors (before 1830)
190:theories of the French painter
1:
655:19th-century Belgian painters
511:Benezit Dictionary of Artists
475:
429:La jeune femme Ă sa toilette
543:. A l'enseigne de la sirène.
398:
373:La jeune femme Ă sa toilette
161:Artesis Hogeschool Antwerpen
7:
630:Post-impressionist painters
435:Le mois des roses et L'été
258:Le mois des roses et L'été
10:
686:
650:Belgian landscape painters
238:Pierre Puvis de Chavannes
138:
100:
88:
78:
70:
51:
25:
18:
554:Tony Calabrese (2000).
411:Les perches Ă haricots
333:occupation during the
205:
660:Belgian male painters
269:Saint-Germain-en-Laye
200:
180:Third French Republic
166:In 1888, he moved to
640:Artists from Antwerp
319:période de synthèse
230:Alfred Philippe Roll
625:Painters from Paris
250:La Libre Esthétique
246:La Libre Esthétique
228:of French painters
131:painter, sculptor,
645:People from Ekeren
459:Le bâton de rouge
453:Le Pâton de rouge
327:Le bâton de rouge
206:
172:Henry van de Velde
105:Post-Impressionism
567:978-90-5325-138-6
520:978-0-19-977378-7
417:Sunday Afternoon
341:Works (selection)
210:Neo-Impressionism
176:Société des Vingt
118:
117:
109:neo-impressionism
677:
615:Belgian painters
572:
571:
551:
545:
544:
534:
525:
524:
507:
494:
493:
486:
423:Corando a Roupa
387:
369:
354:
335:Second World War
281:Édouard Vuillard
95:Sunday Afternoon
91:
58:
55:21 November 1941
39:
37:
16:
15:
685:
684:
680:
679:
678:
676:
675:
674:
595:
594:
581:
576:
575:
568:
552:
548:
535:
528:
521:
509:
508:
497:
488:
487:
483:
478:
465:Le Basin de N.
447:Rue de village
401:
394:
388:
379:
370:
361:
358:Corando a Roupa
355:
343:
234:Eugène Carrière
149:King Leopold II
141:
89:
66:
60:
56:
47:
41:
35:
33:
32:
31:
21:
12:
11:
5:
683:
673:
672:
667:
662:
657:
652:
647:
642:
637:
632:
627:
622:
617:
612:
607:
593:
592:
587:
580:
579:External links
577:
574:
573:
566:
546:
526:
519:
495:
480:
479:
477:
474:
473:
472:
467:
462:
456:
450:
444:
438:
432:
426:
420:
414:
408:
400:
397:
396:
395:
389:
382:
380:
371:
364:
362:
356:
349:
342:
339:
277:Pierre Bonnard
218:William Morris
192:Georges Seurat
140:
137:
135:and engraver.
125:Georges Morren
116:
115:
102:
98:
97:
92:
86:
85:
80:
79:Known for
76:
75:
72:
68:
67:
61:
59:(aged 73)
53:
49:
48:
42:
29:
27:
23:
22:
19:
9:
6:
4:
3:
2:
682:
671:
668:
666:
663:
661:
658:
656:
653:
651:
648:
646:
643:
641:
638:
636:
633:
631:
628:
626:
623:
621:
618:
616:
613:
611:
608:
606:
603:
602:
600:
591:
588:
586:
583:
582:
569:
563:
559:
558:
550:
542:
541:
540:George Morren
533:
531:
522:
516:
512:
506:
504:
502:
500:
491:
485:
481:
471:
468:
466:
463:
460:
457:
454:
451:
448:
445:
442:
439:
436:
433:
430:
427:
424:
421:
418:
415:
412:
409:
406:
405:Le Renouveau
403:
402:
392:
386:
381:
378:
374:
368:
363:
359:
353:
348:
347:
346:
338:
336:
330:
328:
324:
320:
315:
313:
309:
308:retrospective
304:
302:
298:
297:Expressionism
294:
290:
286:
282:
278:
274:
273:Maurice Denis
270:
265:
263:
259:
255:
251:
247:
243:
239:
235:
231:
227:
223:
219:
215:
211:
203:
199:
195:
193:
189:
185:
181:
177:
173:
169:
164:
162:
158:
154:
150:
146:
136:
134:
133:Impressionist
130:
126:
122:
121:George Morren
114:
110:
106:
103:
99:
96:
93:
87:
84:
81:
77:
73:
69:
64:
54:
50:
45:
30:George Morren
28:
24:
20:George Morren
17:
556:
549:
539:
510:
484:
469:
464:
458:
452:
446:
440:
434:
428:
422:
416:
410:
404:
390:
372:
357:
344:
331:
326:
318:
316:
305:
300:
266:
257:
242:Henri Gervex
222:Walter Crane
207:
202:Le Renouveau
201:
165:
142:
124:
120:
119:
94:
90:Notable work
57:(1941-11-21)
40:20 July 1868
670:Pointillism
635:1868 births
605:1941 deaths
560:. Pandora.
441:Renoncules
437:, 1904-1907
262:World War I
188:pointillist
157:Emile Claus
153:Francophile
113:Pointillism
71:Nationality
599:Categories
476:References
391:Renoncules
375:, (1903),
323:watercolor
184:Avantgarde
36:1868-07-20
620:Modernism
399:Paintings
329:, 1941).
301:Pivoines
216:painters
65:, Belgium
46:, Belgium
393:, (1907)
360:, (1894)
345:Source:
254:Luminism
101:Movement
83:Painting
63:Brussels
289:pastels
285:pigment
226:Atelier
129:Belgian
74:Belgian
564:
517:
461:, 1941
455:, 1941
449:, 1914
443:, 1907
431:, 1903
425:, 1894
419:, 1892
413:, 1892
407:, 1892
293:Cubism
204:(1892)
145:Ekeren
139:Career
44:Ekeren
168:Paris
562:ISBN
515:ISBN
287:and
279:and
240:and
220:and
52:Died
26:Born
295:or
123:or
601::
529:^
498:^
337:.
275:,
264:.
236:,
232:,
194:.
111:,
107:,
570:.
523:.
492:.
38:)
34:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
