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716:(1867), which cites Chevreul's work. Blanc's book was directed at artists and art connoisseurs. Because of colour's emotional significance to him, he made explicit recommendations that were close to the theories later adopted by the Neo-Impressionists. He said that colour should not be based on the "judgment of taste", but rather it should be close to what we experience in reality. Blanc did not want artists to use equal intensities of colour, but to consciously plan and understand the role of each hue in creating a whole.
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366:, and followed a conventional academic training, drawing from casts of antique sculpture and copying drawings by old masters. Seurat's studies resulted in a well-considered and fertile theory of contrasts: a theory to which all his work was thereafter subjected. His formal artistic education came to an end in November 1879, when he left the École des Beaux-Arts for a year of military service.
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844:"With the advent of monochromatic Cubism in 1910–1911," writes art historian Robert Herbert, "questions of form displaced color in the artists' attention, and for these Seurat was more relevant. Thanks to several exhibitions, his paintings and drawings were easily seen in Paris, and reproductions of his major compositions circulated widely among the Cubists.
418:, a monumental work showing young men relaxing by the Seine in a working-class suburb of Paris. Although influenced in its use of color and light tone by Impressionism, the painting with its smooth, simplified textures and carefully outlined, rather sculptural figures, shows the continuing impact of his neoclassical training; the critic
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The concept was well established among the French artists that painting could be expressed mathematically, in terms of both color and form; and this mathematical expression resulted in an independent and compelling "objective truth", perhaps more so than the objective truth of the object represented.
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Seurat's theories can be summarized as follows: The emotion of gaiety can be achieved by the domination of luminous hues, by the predominance of warm colours, and by the use of lines directed upward. Calm is achieved through an equivalence/balance of the use of the light and the dark, by the balance
798:
In a letter to the writer
Maurice Beaubourg in 1890 he wrote: "Art is Harmony. Harmony is the analogy of the contrary and of similar elements of tone, of colour and of line. In tone, lighter against darker. In colour, the complementary, red-green, orange-blue, yellow-violet. In line, those that form
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and variation to create harmony in music. He theorized that the scientific application of colour was like any other natural law, and he was driven to prove this conjecture. He thought that the knowledge of perception and optical laws could be used to create a new language of art based on its own set
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persistence. Neo-Impressionist painters interested in the interplay of colours made extensive use of complementary colors in their paintings. In his works, Chevreul advised artists to think and paint not just the colour of the central object, but to add colours and make appropriate adjustments to
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The painting shows members of each of the social classes participating in various park activities. The tiny juxtaposed dots of multi-colored paint allow the viewer's eye to blend colors optically, rather than having the colors physically blended on the canvas. It took Seurat two years to complete
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red, green and blue-violet. Like
Chevreul, he said that if two colours are placed next to each other, from a distance they look like a third distinctive colour. He also pointed out that the juxtaposition of primary hues next to each other would create a far more intense and pleasing colour, when
693:. Chevreul discovered that two colours juxtaposed, slightly overlapping or very close together, would have the effect of another colour when seen from a distance. The discovery of this phenomenon became the basis for the pointillist technique of the Neo-Impressionist painters.
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Seurat's artistic personality combined qualities that are usually thought of as opposed and incompatible: on the one hand, his extreme and delicate sensibility, on the other, a passion for logical abstraction and an almost mathematical precision of mind. His large-scale work
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perceived by the eye and mind, than the corresponding color made simply by mixing paint. Rood advised artists to be aware of the difference between additive and subtractive qualities of colour, since material pigments and optical pigments (light) do not mix in the same way:
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from 1911. Seurat in his few years of activity, was able, with his observations on irradiation and the effects of contrast, to create afresh without any guiding tradition, to complete an esthetic system with a new technical method perfectly adapted to its expression.
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was rejected by the Paris Salon, and instead he showed it at the Groupe des
Artistes Indépendants in May 1884. Soon, however, disillusioned by the poor organization of the Indépendants, Seurat and some other artists he had met through the group – including
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Seurat was born on 2 December 1859 in Paris, at 60 rue de Bondy (now rue René Boulanger). The Seurat family moved to 136 boulevard de
Magenta (now 110 boulevard de Magenta) in 1862 or 1863. His father, Antoine Chrysostome Seurat, originally from
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a right-angle. The frame is in a harmony that opposes those of the tones, colours and lines of the picture, these aspects are considered according to their dominance and under the influence of light, in gay, calm or sad combinations".
350:, was a former legal official who had become wealthy from speculating in property, and his mother, Ernestine Faivre, was from Paris. Georges had a brother, Émile Augustin, and a sister, Marie-Berthe, both older. His father lived in
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While
Chevreul based his theories on Newton's thoughts on the mixing of light, Ogden Rood based his writings on the work of Helmholtz. He analyzed the effects of mixing and juxtaposing material pigments. Rood valued as
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When
Madeleine became pregnant, the couple moved to a studio at 39 passage de l'Élysée-des-Beaux-Arts (now rue André Antoine). There she gave birth to their son, who was named Pierre-Georges, on 16 February 1890.
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Seurat took to heart the colour theorists' notion of a scientific approach to painting. He believed that a painter could use colour to create harmony and emotion in art in the same way that a musician uses
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Georges Seurat first studied art at the École
Municipale de Sculpture et Dessin, near his family's home in the boulevard Magenta, which was run by the sculptor Justin Lequien. In 1878, he moved on to the
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this 10-foot-wide (3.0 m) painting, much of which he spent in the park sketching in preparation for the work. There are about 60 studies for the large painting, including a smaller version,
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It is not clear whether Seurat read all of
Chevreul's book on colour contrast, published in 1859, but he did copy out several paragraphs from the chapter on painting, and he had read
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Chevreul was perhaps the most important influence on artists at the time; his great contribution was producing a colour wheel of primary and intermediary hues. Chevreul was a French
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377:, while also renting a small apartment at 16 rue de Chabrol. For the next two years, he worked at mastering the art of monochrome drawing. His first exhibited work, shown at the
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426:". Seurat also departed from the Impressionist ideal by preparing for the work with a number of drawings and oil sketches before starting on the canvas in his studio.
700:). For example: After looking at a red object, one may see a cyan echo/halo of the original object. This complementary colour (as an example, cyan for red) is due to
744:(1880), in which he wrote that "the laws of harmony can be learned as one learns the laws of harmony and music". He heard lectures in the 1880s by the mathematician
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Seurat died in Paris in his parents' home on 29 March 1891 at the age of 31. The cause of his death is uncertain, and has been variously attributed to a form of
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Indeed, the Neo-Impressionists had succeeded in establishing an objective scientific basis in the domain of color (Seurat addresses both problems in
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Seurat concealed his relationship with
Madeleine Knobloch (or Madeleine Knoblock, 1868–1903), an artist's model whom he portrayed in his painting
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of warm and cold colours, and by lines that are horizontal. Sadness is achieved by using dark and cold colours and by lines pointing downward.
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properties and symbolic meaning of lines and colour. There remains controversy over the extent to which Henry's ideas were adopted by Seurat.
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achieve a harmony among colours. It seems that the harmony
Chevreul wrote about is what Seurat came to call "emotion".
1759:; Grout, Rachel; Roy, Ashok; White, Raymond (2003). "Seurat's painting Practice: Theory, Development and Technology".
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Chevreul also realized that the "halo" that one sees after looking at a colour is the opposing colour (also known as
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and he set out to show this language using lines, colour intensity and colour schema. Seurat called this language
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At the time of Seurat's death, Madeleine was pregnant with a second child who died during or shortly after birth.
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Solomon R. Guggenheim Collection of Non-Objective Paintings, South Carolina, 1938, Gibbes Memorial Art Gallery
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2240:"Google Doodle goes neo-impressionist to celebrate the anniversary of artist Georges Seurat's 162nd birthday"
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into a form accessible to laypeople. Artists followed new discoveries in perception with great interest.
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were to have an especially strong influence on Signac, who subsequently painted in the same idiom.
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Agence Photographique de la Réunion des musées nationaux et du Grand Palais des Champs-Elysées
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in Brussels, the eighth Impressionist exhibition, and other exhibitions in France and abroad.
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was called by André Salmon 'one of the great icons of the new devotion', and both it and the
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501:. The full work is also part of the permanent collection of the Art Institute of Chicago.
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He spent 1883 working on his first major painting – a large canvas titled
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The Genesis of Modernism: Seurat, Gauguin, Van Gogh & French Symbolism in the 1880s
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Ruhrberg, Karl; Honnef, Klaus; Fricke, Christiane; Schneckenburger, Manfred (2000).
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562:. In 1889, she moved in with Seurat in his studio on the seventh floor of 128 bis
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381:, of 1883, was a Conté crayon drawing of Aman-Jean. He also studied the works of
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832:'s work had been greatly influential during the highly expressionistic phase of
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603:. His son died two weeks later from the same disease. His last ambitious work,
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State of the Modern Art World, The Essence of Cubism and its Evolution in Time
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and visited his wife and children once a week at boulevard de Magenta.
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19:"Seurat" redirects here. For the surname and other people with it, see
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give a true black when mixed; Red, Yellow and Blue generally do not.)
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2214:"Who was Georges Seurat? Google Doodle honours Frenchman's birthday"
1941:"John Hughes video explains 'Ferris Bueller' scene at Art Institute"
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L'Écho, study for Une Baignade, Asnières (Bathing Place, Asnières)
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Salon des Indépendants, Paris, 10 December 1884 – 17 January 1885
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Seurat: Correspondences, témoignages, notes inédites, critiques
2354:" (nº 108). Paris: Gallimard/Réunion des musées nationaux, 1991
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Tweede Jaarlijksche Tentoonstelling der Nederlandsche Etsclub,
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1873:"Sunday in the Park with George – Chicago Shakespeare Theater"
2488:, ed., Hélène Seyrès, Paris: Acropole, 1991 (NYU ND 553.S5A3)
1915:"New Line Theatre 2003–2004 – Sunday in the Park with George"
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Study for A Sunday Afternoon on the Island of La Grande Jatte
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Jooren, Marieke; Veldink, Suzanne; Berger, Helewise (2014).
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From 1883 until his death, Seurat exhibited his work at the
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Félix Fénéon: Aesthete and Anarchist in Fin-de-Siècle Paris
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2428:, 2nd ed., Bloomington, IN: Indiana University Press, 1971
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Salon des Indépendants, Paris, 21 August–21 September 1886
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Gage, John T., "The Technique of Seurat: A Reappraisal,"
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Salon des Indépendants, Paris, 3 September–4 October 1889
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On 30 March 1891 a commemorative service was held in the
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Letter to the writer Maurice Beaubourg, 28 August 1890,
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The American Heritage Dictionary of the English Language
583:, as well as eight oil panels, and made a few drawings.
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Hôtel Drouot, Paris, 1–3 March 1888 (sales exhibition)
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Works in Oil and Pastel by the Impressionists of Paris
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Essay, 'The Dial', Camden, New Jersey, September 1926
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Salon des Indépendants, Paris, 20 March–27 April 1891
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Salon des Indépendants, Paris, 20 March–27 April 1890
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Galerie Martinet, Paris, December 1886 – January 1887
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Impressionist exhibition, Paris, 15 May–15 June 1886
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artist. He devised the painting techniques known as
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A Sunday Afternoon on the Island of La Grande Jatte
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A Sunday Afternoon on the Island of La Grande Jatte
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A Sunday Afternoon on the Island of La Grande Jatte
650:During the 19th century, scientist-writers such as
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A Sunday Afternoon on the Island of La Grande Jatte
476:, 1884–1886, oil on canvas, 207.5 × 308.1 cm,
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A Sunday Afternoon on the Island of La Grande Jatte
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A Sunday Afternoon on the Island of La Grande Jatte
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A Sunday Afternoon on the Island of La Grande Jatte
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A Sunday Afternoon on the Island of La Grande Jatte
2456:, 3rd ed., revised, NY: Museum of Modern Art, 1978
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2050:, New York, Solomon R. Guggenheim Foundation, 1968
1361:Salon des Indépendants, Paris, 22 March–3 May 1888
1335:Salon des Indépendants, Paris, 26 March–3 May 1887
1280:Salon des Indépendants, Paris, 15 May–30 June 1884
549:), 1888–1890, oil on canvas, 95.5 x 79.5 cm,
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1314:Un dimanche après-midi à l'Île de la Grande Jatte
882:On 2 December 2021, Google honored Seurat with a
736:Optical / Light : Red + Green + Blue = White
729:Material pigments: Red + Yellow + Blue = Black (
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609:, was left unfinished at the time of his death.
573:Seurat spent the summer of 1890 on the coast at
276:; 2 December 1859 – 29 March 1891) was a French
497:(1884–1885), which is now in the collection of
2647:The Channel of Gravelines, Petit Fort Philippe
2544:in the MoMA Online Collection (requires Flash)
2303:. New York: Metropolitan Museum of Art. 1991.
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580:The Channel of Gravelines, Petit Fort Philippe
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2727:
2563:
2390:, ed., J. U. Halperin, 2v, Geneva: Droz, 1970
2150:
2148:
2146:
1726:
1540:(18th ed.). Cambridge University Press.
1355:, La Revue indépendante, Paris, February 1888
385:carefully, making notes on his use of color.
6142:
6131:
3332:
3321:
3275:
3264:
2506:, New Haven, CT: Yale University Press, 1997
2414:, New Haven, CT: Yale University Press, 1988
2179:
1649:Random House Webster's Unabridged Dictionary
1349:, La Revue indépendante, Paris, January 1888
658:and David Sutter wrote treatises on colour,
292:for drawings on paper with a rough surface.
3403:
2499:, Englewood Cliffs, NJ: Prentice-Hall, 1978
2468:Seurat and the Evolution of La Grande Jatte
1750:
1748:
1746:
1744:
646:(1889) showing pointillism and color theory
577:, where he painted four canvases including
3234:
3220:
2734:
2720:
2570:
2556:
2481:, (1965) London: Thames & Hudson, 1985
2143:
1963:
1961:
1061:The Seine and la Grande Jatte – Springtime
666:. They adapted the scientific research of
518:and played a significant symbolic role in
404:, 1884, oil on canvas, 201 × 301 cm,
38:
1589:
1400:Les XX, Brussels, 7 February–8 March 1891
1741:
1701:
1699:
1697:
1537:Cambridge English Pronouncing Dictionary
1242:
1129:California Palace of the Legion of Honor
860:, 'almost belong to Synthetic Cubism'."
810:
763:
635:
535:
466:
394:
321:
1958:
740:Seurat was also influenced by Sutter's
616:. Seurat was interred 31 March 1891 at
340:
6466:
2741:
2535:Port-en-Bessin, Entrance to the Harbor
2263:Works exhibited by Georges Seurat. In
2257:
2059:
1938:
388:
6068:Six Characters in Search of an Author
3215:
2715:
2551:
2237:
2176:, Camden, New Jersey, September 1926.
1694:
1518:
1490:
1343:Works by Seurat, Signac and van Gogh.
1341:, Paris, November 1887 – January 1888
1273:The Salon showed Seurat's drawing of
1065:Royal Museums of Fine Arts of Belgium
987:, 1883, Musée d'art moderne de Troyes
856:, Musée d'Orsay, Paris, according to
759:
631:
504:The painting was the inspiration for
483:In summer 1884, Seurat began work on
302:(1884–1886) altered the direction of
271:
6519:Infectious disease deaths in France
1761:National Gallery Technical Bulletin
1415:and four paintings from Gravelines.
1151:Seated Nude, Study for Une Baignade
896:List of paintings by Georges Seurat
13:
6509:French Post-impressionist painters
5270:Nude Descending a Staircase, No. 2
2577:
2474:, 1935), NY: Greenwood Press, 1969
2419:Seurat and the Science of Painting
2337:
1939:Judkis, Maura (16 November 2011).
817:Circus Sideshow (Parade de Cirque)
643:Circus Sideshow (Parade de Cirque)
14:
6540:
6524:Burials at Père Lachaise Cemetery
2673:Société des Artistes Indépendants
2510:
2238:Musil, Steven (2 December 2021).
2211:
2187:"Georges Seurat's 162nd Birthday"
1860:Heilbrunn Timeline of Art History
451:Société des Artistes Indépendants
449:– set up a new organization, the
6529:19th-century French male artists
6450:
6449:
2421:, Cambridge, MA: MIT Press, 1964
2348:Seurat: Le rêve de l'art-science
1496:Longman Pronunciation Dictionary
1453:
1441:
1271:Salon, Paris, 1 May–20 June 1883
1220:
1197:
1179:
1161:
1143:
1114:
1096:
1071:
1053:
1034:
1011:
992:
977:
959:
940:
921:
902:
626:
235:
192:
167:
2270:
2231:
2205:
2163:
2130:
2093:
2053:
2011:
1985:
1932:
1907:
1890:
1865:
1853:
1786:
1381:Les XX, Brussels, February 1889
1332:Les XX, Brussels, February 1887
1301:, New York, April and May 1886.
614:church of Saint-Vincent-de-Paul
332:, oil on canvas, 170 x 141 cm,
6217:Grosvenor School of Modern Art
6210:Fourth dimension in literature
2694:Sunday in the Park with George
2522:Seurat, Georges, Musée d'Orsay
1980:Georges Seurat, 1859–1891 1991
1904:Playbill.com, 3 September 2004
1900:Sunday in the Park with George
1848:Georges Seurat, 1859–1891 1991
1833:Georges Seurat, 1859–1891 1991
1821:Georges Seurat, 1859–1891 1991
1806:Georges Seurat, 1859–1891 1991
1794:Brief Survey, in Revue Blanche
1781:Georges Seurat, 1859–1891 1991
1721:Georges Seurat, 1859–1891 1991
1668:
1656:
1639:
1624:Merriam-Webster.com Dictionary
1611:
1583:
1554:
1512:
1484:
1238:
828:Where the dialectic nature of
532:Later career and personal life
515:Sunday in the Park with George
1:
3241:
2631:Young Woman Powdering Herself
2538:in the MoMA Online Collection
2461:Studies in Post-Impressionism
2358:Everdell, William R. (1998).
1599:(5th ed.). HarperCollins
1473:
971:Musée d'art moderne de Troyes
547:Young Woman Powdering Herself
310:, and is one of the icons of
6489:19th-century French painters
2212:K, Disha (2 December 2021).
1191:Solomon R. Guggenheim Museum
889:
879:would do so with color too.
806:
714:Grammaire des arts du dessin
499:The Art Institute of Chicago
317:
7:
6514:École des Beaux-Arts alumni
6310:List of avant-garde artists
5294:The Cabinet of Dr. Caligari
2542:George Seurat: The Drawings
2472:University of Chicago Press
2463:, NY: Harry N. Abrams, 1986
2449:, NY: Harry N. Abrams, 1986
2435:, new ed., NY: Abrams, 1986
2370:University of Chicago Press
2140:Phaidon Press, London, 1965
1678:. Artic.edu. Archived from
1427:
1173:Yale University Art Gallery
1136:
1104:Gray weather, Grande Jatte,
10:
6545:
6168:Classical Hollywood cinema
2504:Seurat and the Avant-Garde
2388:Oeuvres-plus-que-complètes
2291:
2063:(1992). "Georges Seurat".
1898:"McDonald-LuPone-Cerveris
1676:"Art Institute of Chicago"
1215:, 1887, private collection
1108:Philadelphia Museum of Art
915:Metropolitan Museum of Art
893:
822:Metropolitan Museum of Art
618:Cimetière du Père-Lachaise
551:Courtauld Institute of Art
312:late 19th-century painting
18:
16:French painter (1859–1891)
6431:
6109:
5950:
5818:
5658:
5414:
5403:
5246:Les Demoiselles d'Avignon
5200:
5026:
4586:
4069:
4060:
3937:
3721:
3463:
3454:
3249:
3178:
3157:
3096:
2990:
2952:
2909:Henri de Toulouse-Lautrec
2806:
2751:
2665:
2585:
2410:Halperin, Joan Ungersma,
2322:. Kröller-Müller Museum.
2300:Georges Seurat, 1859–1891
1755:Kirby, Jo; Stonor, Kate;
1498:(3rd ed.). Longman.
1317:shown for the first time.
1251:, shown at the 1883 Salon
1155:Scottish National Gallery
599:, infectious angina, and
326:Georges Seurat, 1889–90,
175:
166:
161:
157:
149:
141:
123:
99:
91:
75:
49:
37:
30:
4031:The Master and Margarita
2447:Studies in Impressionism
2317:
2264:
2017:
1999:. Cdc.gov. 14 April 2011
1967:
1735:
1705:
1562:"Seurat, Georges Pierre"
1478:
1419:Posthumous exhibitions:
1299:American Art Association
1228:Study after "The Models"
1027:Art Institute of Chicago
731:Magenta, Yellow and Cyan
586:
525:Ferris Bueller's Day Off
478:Art Institute of Chicago
453:. Seurat's new ideas on
422:described it as a "faux
6317:List of modernist poets
6203:Fourth dimension in art
5386:Meshes of the Afternoon
2400:' Camden, NJ Sept. 1926
2104:Art of the 20th Century
1862:Retrieved 25 April 2010
1573:Oxford University Press
1395:Jeune femme se poudrant
1232:National Gallery of Art
1004:National Gallery of Art
911:Landscape at Saint-Ouen
886:on his 162nd birthday.
559:Jeune femme se poudrant
542:Jeune femme se poudrant
362:where he was taught by
6401:Second Viennese School
6143:
6132:
4043:The Sound and the Fury
3947:In Search of Lost Time
3404:
3333:
3322:
3276:
3265:
3139:Salon des Indépendants
3119:Le Barc de Boutteville
3073:Robert Antoine Pinchon
2417:Homer, William Innes,
1406:and 6 other paintings.
1368:, Amsterdam, June 1888
1285:Une Baignade, Asnières
1261:Salon des Indépendants
1252:
825:
778:
652:Michel Eugène Chevreul
647:
553:
480:
409:
371:Brest Military Academy
337:
273:[ʒɔʁʒpjɛʁsœʁa]
6380:Reactionary modernism
6303:List of art movements
3104:Artistes Indépendants
3033:Karl Schmidt-Rottluff
3028:Ernst Ludwig Kirchner
2934:Théo van Rysselberghe
2497:Seurat in Perspective
2466:Rich, Daniel Catton,
2352:Découvertes Gallimard
1569:UK English Dictionary
1353:Exposition de Février
1347:Exposition de Janvier
1246:
858:Guillaume Apollinaire
814:
767:
668:Hermann von Helmholtz
639:
539:
470:
398:
334:Kröller-Müller Museum
325:
182:Georges Pierre Seurat
54:Georges-Pierre Seurat
6499:Divisionist painters
6494:French male painters
6224:Hanshinkan Modernism
6080:The Threepenny Opera
5996:Pelléas et Mélisande
2527:1 April 2019 at the
2046:Herbert, Robert L.,
1877:Theatreinchicago.com
1324:Les impressionnistes
985:Fishing in The Seine
953:Dallas Museum of Art
752:, who discussed the
443:Albert Dubois-Pillet
369:After a year at the
360:École des Beaux-Arts
341:Family and education
6484:Painters from Paris
6282:International Style
6032:Afternoon of a Faun
5318:Battleship Potemkin
5222:Mont Sainte-Victoir
3149:Salon des Tuileries
3124:La Libre Esthétique
2889:René Schützenberger
2869:Hippolyte Petitjean
2599:Bathers at Asnières
2407:69:3 (87 September)
2278:"Guggenheim Museum"
1945:The Washington Post
1579:on 2 December 2021.
1468:History of painting
1042:View of Fort Samson
742:Phenomena of Vision
698:complementary color
564:Boulevard de Clichy
430:Bathers at Asnières
415:Bathers at Asnières
401:Bathers at Asnières
390:Bathers at Asnières
113:Bathers at Asnières
6161:Buddhist modernism
6118:American modernism
6044:The Rite of Spring
4019:The Sun Also Rises
3995:The Magic Mountain
3114:Volpini Exhibition
2849:Henri-Edmond Cross
2744:Post-Impressionism
2454:Post-Impressionism
2442:, NY: Abrams, 1990
1919:Newlinetheatre.com
1850:, pp. 147–48.
1397:and 9 other works.
1253:
1205:Joueur de trombone
826:
779:
760:Language of colour
648:
632:Contemporary ideas
554:
481:
439:Henri-Edmond Cross
424:Puvis de Chavannes
410:
338:
278:post-Impressionist
145:Madeleine Knobloch
128:Post-Impressionism
6461:
6460:
6189:Experimental film
6105:
6104:
6092:Waiting for Godot
5399:
5398:
4056:
4055:
3959:The Metamorphosis
3209:
3208:
3038:Wassily Kandinsky
2761:Neo-Impressionism
2709:
2708:
2688:Neo-Impressionism
2593:List of paintings
2484:Seurat, Georges,
2363:The First Moderns
2344:Cachin, Françoise
2193:. 2 December 2021
2155:Alex Mittelmann,
2048:Neo-impressionism
1627:. Merriam-Webster
1547:978-0-521-15255-6
1505:978-1-4058-8118-0
1366:Arti et Amicitiae
1089:Barnes Foundation
951:, oil on canvas,
932:, oil on canvas,
930:Flowers in a vase
909:Seurat, 1879–80,
308:Neo-Impressionism
179:
178:
132:Neo-Impressionism
118:List of paintings
6536:
6453:
6452:
6424:
6422:Vulgar modernism
6417:
6415:Underground film
6410:
6403:
6396:
6389:
6382:
6375:
6368:
6361:
6354:
6347:
6340:
6333:
6326:
6319:
6312:
6305:
6298:
6291:
6284:
6277:
6268:
6261:
6254:
6247:
6240:
6238:Hippie modernism
6233:
6226:
6219:
6212:
6205:
6198:
6191:
6184:
6177:
6170:
6163:
6156:
6154:Bloomsbury Group
6149:
6148:
6138:
6137:
6127:
6120:
6098:
6097:
6086:
6085:
6074:
6073:
6062:
6061:
6050:
6049:
6038:
6037:
6026:
6025:
6014:
6013:
6002:
6001:
5990:
5989:
5978:
5977:
5966:
5965:
5943:
5936:
5929:
5922:
5915:
5908:
5901:
5894:
5887:
5880:
5873:
5866:
5859:
5852:
5845:
5838:
5831:
5811:
5804:
5797:
5790:
5783:
5776:
5769:
5762:
5755:
5748:
5741:
5734:
5727:
5720:
5713:
5706:
5699:
5692:
5685:
5678:
5671:
5651:
5644:
5637:
5630:
5623:
5616:
5609:
5602:
5595:
5588:
5581:
5574:
5567:
5560:
5553:
5546:
5539:
5532:
5525:
5518:
5511:
5504:
5497:
5490:
5483:
5476:
5469:
5462:
5455:
5448:
5441:
5434:
5427:
5412:
5411:
5392:
5391:
5380:
5379:
5368:
5367:
5358:
5357:
5348:
5347:
5342:Un Chien Andalou
5336:
5335:
5324:
5323:
5312:
5311:
5306:Ballet Mécanique
5300:
5299:
5288:
5287:
5276:
5275:
5264:
5263:
5252:
5251:
5240:
5239:
5234:The Starry Night
5228:
5227:
5216:
5215:
5193:
5186:
5179:
5172:
5165:
5158:
5151:
5144:
5137:
5130:
5123:
5116:
5109:
5102:
5095:
5088:
5081:
5074:
5067:
5060:
5053:
5046:
5039:
5019:
5012:
5005:
4998:
4991:
4984:
4977:
4970:
4963:
4956:
4949:
4942:
4935:
4928:
4921:
4914:
4907:
4900:
4893:
4886:
4879:
4872:
4865:
4858:
4851:
4844:
4837:
4830:
4823:
4816:
4809:
4802:
4795:
4788:
4781:
4774:
4767:
4760:
4753:
4746:
4739:
4732:
4725:
4718:
4711:
4704:
4697:
4690:
4683:
4676:
4669:
4662:
4655:
4648:
4641:
4634:
4627:
4620:
4613:
4606:
4599:
4579:
4572:
4565:
4563:Toulouse-Lautrec
4558:
4551:
4544:
4537:
4530:
4523:
4516:
4509:
4502:
4495:
4488:
4481:
4474:
4467:
4460:
4453:
4446:
4439:
4432:
4425:
4418:
4411:
4404:
4397:
4390:
4383:
4376:
4369:
4362:
4355:
4348:
4341:
4334:
4327:
4320:
4313:
4306:
4299:
4292:
4285:
4278:
4271:
4264:
4257:
4250:
4243:
4236:
4229:
4222:
4215:
4208:
4201:
4194:
4187:
4180:
4173:
4166:
4159:
4152:
4145:
4138:
4131:
4124:
4117:
4110:
4103:
4096:
4089:
4082:
4067:
4066:
4049:
4048:
4037:
4036:
4025:
4024:
4013:
4012:
4001:
4000:
3989:
3988:
3977:
3976:
3965:
3964:
3953:
3952:
3930:
3923:
3916:
3909:
3902:
3895:
3888:
3881:
3874:
3867:
3860:
3853:
3846:
3839:
3832:
3825:
3818:
3811:
3804:
3797:
3790:
3783:
3776:
3769:
3762:
3755:
3748:
3741:
3734:
3714:
3707:
3700:
3693:
3686:
3679:
3672:
3665:
3658:
3651:
3644:
3637:
3630:
3623:
3616:
3609:
3602:
3595:
3588:
3581:
3574:
3567:
3560:
3553:
3546:
3539:
3532:
3525:
3518:
3511:
3504:
3497:
3490:
3483:
3476:
3461:
3460:
3447:
3440:
3433:
3426:
3419:
3410:
3409:
3399:
3392:
3385:
3378:
3369:
3362:
3355:
3346:
3339:
3338:
3328:
3327:
3324:Der Blaue Reiter
3317:
3310:
3303:
3296:
3289:
3282:
3281:
3271:
3270:
3260:
3236:
3229:
3222:
3213:
3212:
3129:Ambroise Vollard
3078:Henriette Tirman
2972:Der Blaue Reiter
2944:Édouard Vuillard
2929:Vincent van Gogh
2859:Georges Dufrénoy
2745:
2736:
2729:
2722:
2713:
2712:
2623:Parade de cirque
2572:
2565:
2558:
2549:
2548:
2383:
2367:
2333:
2314:
2286:
2285:
2274:
2268:
2261:
2255:
2254:
2252:
2250:
2235:
2229:
2228:
2226:
2224:
2209:
2203:
2202:
2200:
2198:
2183:
2177:
2167:
2161:
2152:
2141:
2134:
2128:
2127:
2125:
2123:
2097:
2091:
2090:
2070:
2057:
2051:
2044:
2021:
2015:
2009:
2008:
2006:
2004:
1989:
1983:
1977:
1971:
1965:
1956:
1955:
1953:
1951:
1936:
1930:
1929:
1927:
1925:
1911:
1905:
1894:
1888:
1887:
1885:
1883:
1869:
1863:
1857:
1851:
1845:
1836:
1830:
1824:
1818:
1809:
1803:
1797:
1790:
1784:
1778:
1769:
1768:
1757:Burnstock, Aviva
1752:
1739:
1733:
1724:
1718:
1709:
1703:
1692:
1691:
1689:
1687:
1672:
1666:
1660:
1654:
1653:
1643:
1637:
1636:
1634:
1632:
1615:
1609:
1608:
1606:
1604:
1587:
1581:
1580:
1575:. Archived from
1558:
1552:
1551:
1516:
1510:
1509:
1488:
1458:
1457:
1456:
1446:
1445:
1437:
1305:Paul Durand-Ruel
1275:Edmond Aman-Jean
1249:Edmond Aman-Jean
1224:
1211:Parade de cirque
1201:
1183:
1165:
1147:
1118:
1100:
1075:
1057:
1048:, St. Petersburg
1046:Hermitage Museum
1038:
1015:
996:
981:
963:
944:
925:
913:, oil on panel,
906:
793:Chromoluminarism
510:Stephen Sondheim
406:National Gallery
383:Eugène Delacroix
282:chromoluminarism
275:
270:
264:
258:
257:
254:
253:
250:
247:
244:
241:
234:
223:
218:
217:
214:
213:
208:
207:
204:
201:
198:
191:
171:
102:
82:
63:
61:
42:
28:
27:
21:Seurat (surname)
6544:
6543:
6539:
6538:
6537:
6535:
6534:
6533:
6464:
6463:
6462:
6457:
6448:
6440:
6427:
6420:
6413:
6408:Structural film
6406:
6399:
6392:
6385:
6378:
6371:
6364:
6359:New Objectivity
6357:
6350:
6345:Neo-romanticism
6343:
6338:Neo-primitivism
6336:
6329:
6322:
6315:
6308:
6301:
6294:
6287:
6280:
6273:
6264:
6257:
6250:
6243:
6236:
6229:
6222:
6215:
6208:
6201:
6194:
6187:
6180:
6173:
6166:
6159:
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6141:
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6077:
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6053:
6047:
6041:
6035:
6029:
6023:
6017:
6011:
6005:
5999:
5993:
5987:
5984:Verklärte Nacht
5981:
5975:
5969:
5963:
5957:
5946:
5939:
5932:
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5897:
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3962:
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3950:
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3926:
3919:
3912:
3905:
3898:
3891:
3884:
3877:
3870:
3863:
3856:
3849:
3842:
3837:Lowell (Robert)
3835:
3828:
3821:
3814:
3807:
3800:
3793:
3786:
3779:
3772:
3765:
3758:
3751:
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3500:
3493:
3486:
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3472:
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3402:
3395:
3388:
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3374:
3365:
3358:
3351:
3342:
3331:
3320:
3313:
3306:
3299:
3292:
3285:
3274:
3263:
3256:
3245:
3240:
3210:
3205:
3174:
3153:
3134:Salon d'Automne
3092:
3063:Francis Picabia
2986:
2954:
2948:
2939:Félix Vallotton
2924:Maximilien Luce
2839:Marius Borgeaud
2819:Charles Angrand
2802:
2753:
2747:
2743:
2740:
2710:
2705:
2661:
2581:
2576:
2529:Wayback Machine
2513:
2477:Russell, John,
2424:Lövgren, Sven,
2386:Fénéon, Félix,
2380:
2340:
2338:Further reading
2330:
2311:
2294:
2289:
2276:
2275:
2271:
2262:
2258:
2248:
2246:
2236:
2232:
2222:
2220:
2210:
2206:
2196:
2194:
2185:
2184:
2180:
2168:
2164:
2153:
2144:
2135:
2131:
2121:
2119:
2117:
2106:, Karl Ruhrberg
2098:
2094:
2087:
2073:Harry N. Abrams
2058:
2054:
2045:
2024:
2016:
2012:
2002:
2000:
1995:Death of Seurat
1991:
1990:
1986:
1978:
1974:
1966:
1959:
1949:
1947:
1937:
1933:
1923:
1921:
1913:
1912:
1908:
1902:Begins Sept. 3"
1895:
1891:
1881:
1879:
1871:
1870:
1866:
1858:
1854:
1846:
1839:
1831:
1827:
1819:
1812:
1804:
1800:
1791:
1787:
1779:
1772:
1753:
1742:
1734:
1727:
1719:
1712:
1704:
1695:
1685:
1683:
1674:
1673:
1669:
1661:
1657:
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1640:
1630:
1628:
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1612:
1602:
1600:
1588:
1584:
1560:
1559:
1555:
1548:
1517:
1513:
1506:
1489:
1485:
1481:
1476:
1464:
1454:
1452:
1440:
1432:
1430:
1410:
1401:
1388:
1372:Au café concert
1369:
1342:
1311:
1302:
1281:
1272:
1241:
1234:
1225:
1216:
1202:
1193:
1187:Child in White,
1184:
1175:
1166:
1157:
1148:
1139:
1132:
1131:, San Francisco
1119:
1110:
1101:
1092:
1076:
1067:
1058:
1049:
1039:
1030:
1016:
1007:
1006:Washington, DC.
997:
988:
982:
973:
964:
955:
949:Overgrown slope
945:
936:
926:
917:
907:
898:
892:
853:Cirque (Circus)
809:
762:
634:
629:
589:
534:
465:
435:Charles Angrand
393:
343:
320:
268:
262:
238:
229:
228:
221:
210:
195:
186:
185:
116:
110:
100:
87:
84:
80:
71:
65:
64:2 December 1859
59:
57:
56:
55:
45:
33:
24:
17:
12:
11:
5:
6542:
6532:
6531:
6526:
6521:
6516:
6511:
6506:
6501:
6496:
6491:
6486:
6481:
6476:
6459:
6458:
6441:
6433:
6432:
6429:
6428:
6426:
6425:
6418:
6411:
6404:
6397:
6390:
6383:
6376:
6369:
6366:Poetic realism
6362:
6355:
6348:
6341:
6334:
6327:
6320:
6313:
6306:
6299:
6296:Late modernity
6292:
6289:Late modernism
6285:
6278:
6271:
6270:
6269:
6262:
6255:
6241:
6234:
6231:High modernism
6227:
6220:
6213:
6206:
6199:
6192:
6185:
6178:
6175:Degenerate art
6171:
6164:
6157:
6150:
6145:Ballets Russes
6139:
6128:
6121:
6113:
6111:
6107:
6106:
6103:
6102:
6100:
6099:
6087:
6075:
6063:
6051:
6039:
6027:
6015:
6003:
5991:
5979:
5967:
5954:
5952:
5948:
5947:
5945:
5944:
5937:
5930:
5923:
5916:
5909:
5902:
5895:
5888:
5881:
5874:
5867:
5860:
5853:
5846:
5839:
5832:
5824:
5822:
5816:
5815:
5813:
5812:
5805:
5798:
5791:
5784:
5777:
5770:
5763:
5756:
5749:
5742:
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5728:
5721:
5714:
5707:
5700:
5693:
5686:
5679:
5672:
5664:
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5638:
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5603:
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5575:
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5561:
5554:
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5505:
5498:
5491:
5484:
5477:
5470:
5463:
5456:
5449:
5442:
5435:
5428:
5420:
5418:
5409:
5401:
5400:
5397:
5396:
5394:
5393:
5381:
5369:
5359:
5349:
5337:
5325:
5313:
5301:
5289:
5277:
5265:
5253:
5241:
5229:
5217:
5204:
5202:
5198:
5197:
5195:
5194:
5187:
5180:
5173:
5166:
5159:
5152:
5145:
5138:
5131:
5124:
5117:
5110:
5103:
5096:
5089:
5082:
5075:
5068:
5061:
5054:
5047:
5040:
5032:
5030:
5024:
5023:
5021:
5020:
5013:
5006:
4999:
4992:
4985:
4978:
4971:
4964:
4957:
4950:
4943:
4936:
4929:
4922:
4915:
4908:
4901:
4898:Ray (Satyajit)
4894:
4891:Ray (Nicholas)
4887:
4880:
4873:
4866:
4859:
4852:
4845:
4838:
4831:
4824:
4817:
4810:
4803:
4796:
4789:
4782:
4775:
4768:
4761:
4754:
4747:
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4733:
4726:
4719:
4712:
4705:
4698:
4691:
4684:
4677:
4670:
4663:
4656:
4649:
4642:
4635:
4628:
4621:
4614:
4607:
4600:
4592:
4590:
4584:
4583:
4581:
4580:
4573:
4566:
4559:
4552:
4545:
4538:
4531:
4524:
4517:
4510:
4503:
4496:
4489:
4482:
4475:
4468:
4461:
4454:
4447:
4440:
4433:
4426:
4419:
4412:
4405:
4398:
4391:
4384:
4377:
4370:
4363:
4356:
4349:
4342:
4335:
4328:
4321:
4314:
4307:
4300:
4293:
4286:
4279:
4272:
4265:
4258:
4251:
4244:
4237:
4230:
4223:
4216:
4209:
4202:
4195:
4188:
4181:
4174:
4167:
4160:
4153:
4146:
4139:
4132:
4125:
4118:
4111:
4104:
4097:
4090:
4083:
4075:
4073:
4064:
4058:
4057:
4054:
4053:
4051:
4050:
4038:
4026:
4014:
4002:
3990:
3983:The Waste Land
3978:
3966:
3954:
3941:
3939:
3935:
3934:
3932:
3931:
3924:
3917:
3910:
3903:
3896:
3889:
3882:
3875:
3868:
3861:
3854:
3847:
3840:
3833:
3826:
3819:
3812:
3805:
3798:
3791:
3784:
3777:
3770:
3763:
3756:
3749:
3742:
3735:
3727:
3725:
3719:
3718:
3716:
3715:
3708:
3701:
3694:
3687:
3680:
3673:
3666:
3659:
3652:
3645:
3638:
3631:
3624:
3617:
3610:
3603:
3596:
3589:
3582:
3575:
3568:
3561:
3554:
3547:
3540:
3533:
3526:
3519:
3512:
3505:
3498:
3491:
3484:
3477:
3469:
3467:
3458:
3452:
3451:
3449:
3448:
3441:
3434:
3427:
3420:
3413:
3412:
3411:
3393:
3386:
3379:
3372:
3371:
3370:
3356:
3349:
3348:
3347:
3340:
3329:
3311:
3304:
3297:
3294:Constructivism
3290:
3283:
3272:
3261:
3253:
3251:
3247:
3246:
3239:
3238:
3231:
3224:
3216:
3207:
3206:
3204:
3203:
3198:
3193:
3188:
3182:
3180:
3176:
3175:
3173:
3172:
3167:
3161:
3159:
3155:
3154:
3152:
3151:
3146:
3144:Salon des Cent
3141:
3136:
3131:
3126:
3121:
3116:
3111:
3106:
3100:
3098:
3094:
3093:
3091:
3090:
3085:
3080:
3075:
3070:
3065:
3060:
3055:
3053:Jean Metzinger
3050:
3045:
3043:Sonia Lewitska
3040:
3035:
3030:
3025:
3023:Albert Gleizes
3020:
3015:
3010:
3005:
3003:Charles Camoin
3000:
2998:Georges Braque
2994:
2992:
2988:
2987:
2985:
2984:
2979:
2974:
2969:
2964:
2958:
2956:
2950:
2949:
2947:
2946:
2941:
2936:
2931:
2926:
2921:
2919:Georges Lemmen
2916:
2911:
2906:
2901:
2899:Georges Seurat
2896:
2891:
2886:
2884:Henri Rousseau
2881:
2876:
2871:
2866:
2861:
2856:
2851:
2846:
2841:
2836:
2834:Pierre Bonnard
2831:
2826:
2821:
2816:
2810:
2808:
2804:
2803:
2801:
2800:
2795:
2790:
2785:
2778:
2773:
2768:
2763:
2757:
2755:
2749:
2748:
2739:
2738:
2731:
2724:
2716:
2707:
2706:
2704:
2703:
2698:
2697:(1984 musical)
2690:
2685:
2680:
2675:
2669:
2667:
2663:
2662:
2660:
2659:
2651:
2643:
2635:
2627:
2619:
2611:
2603:
2595:
2589:
2587:
2583:
2582:
2579:Georges Seurat
2575:
2574:
2567:
2560:
2552:
2546:
2545:
2539:
2531:
2519:
2512:
2511:External links
2509:
2508:
2507:
2500:
2489:
2482:
2475:
2464:
2457:
2450:
2443:
2436:
2431:Rewald, John,
2429:
2422:
2415:
2408:
2401:
2391:
2384:
2378:
2355:
2350:, collection "
2339:
2336:
2335:
2334:
2328:
2315:
2309:
2293:
2290:
2288:
2287:
2282:guggenheim.org
2269:
2267:, pp. 121–130.
2256:
2230:
2204:
2191:www.google.com
2178:
2162:
2142:
2129:
2115:
2092:
2085:
2052:
2022:
2010:
1984:
1982:, p. 360.
1972:
1957:
1931:
1906:
1896:Gans, Andrew.
1889:
1864:
1852:
1837:
1835:, p. 150.
1825:
1823:, p. 148.
1810:
1798:
1785:
1770:
1740:
1725:
1710:
1693:
1682:on 4 June 2018
1667:
1655:
1638:
1610:
1582:
1553:
1546:
1511:
1504:
1492:Wells, John C.
1482:
1480:
1477:
1475:
1472:
1471:
1470:
1463:
1462:
1450:
1429:
1426:
1425:
1424:
1417:
1416:
1407:
1398:
1385:
1382:
1379:
1362:
1359:
1356:
1350:
1344:
1336:
1333:
1330:
1327:
1321:
1318:
1308:
1292:
1289:
1282:Seurat showed
1278:
1240:
1237:
1236:
1235:
1226:
1219:
1217:
1203:
1196:
1194:
1185:
1178:
1176:
1167:
1160:
1158:
1149:
1142:
1138:
1135:
1134:
1133:
1120:
1113:
1111:
1102:
1095:
1093:
1091:, Philadelphia
1087:), 1886–1888,
1077:
1070:
1068:
1059:
1052:
1050:
1040:
1033:
1031:
1017:
1010:
1008:
998:
991:
989:
983:
976:
974:
965:
958:
956:
947:Seurat, 1881,
946:
939:
937:
928:Seurat, 1879,
927:
920:
918:
908:
901:
894:Main article:
891:
888:
808:
805:
761:
758:
738:
737:
734:
722:primary colors
633:
630:
628:
625:
588:
585:
533:
530:
464:
459:
392:
387:
342:
339:
319:
316:
306:by initiating
224:-ah, -ə
177:
176:
173:
172:
164:
163:
159:
158:
155:
154:
151:
147:
146:
143:
139:
138:
125:
121:
120:
103:
97:
96:
93:
92:Known for
89:
88:
85:
83:(aged 31)
77:
73:
72:
66:
53:
51:
47:
46:
44:Seurat in 1888
43:
35:
34:
32:Georges Seurat
31:
15:
9:
6:
4:
3:
2:
6541:
6530:
6527:
6525:
6522:
6520:
6517:
6515:
6512:
6510:
6507:
6505:
6502:
6500:
6497:
6495:
6492:
6490:
6487:
6485:
6482:
6480:
6477:
6475:
6472:
6471:
6469:
6456:
6446:
6445:
6444:Postmodernism
6439:
6438:
6430:
6423:
6419:
6416:
6412:
6409:
6405:
6402:
6398:
6395:
6391:
6388:
6387:Metamodernism
6384:
6381:
6377:
6374:
6370:
6367:
6363:
6360:
6356:
6353:
6352:New Hollywood
6349:
6346:
6342:
6339:
6335:
6332:
6328:
6325:
6321:
6318:
6314:
6311:
6307:
6304:
6300:
6297:
6293:
6290:
6286:
6283:
6279:
6276:
6272:
6267:
6263:
6260:
6256:
6253:
6249:
6248:
6246:
6245:Impressionism
6242:
6239:
6235:
6232:
6228:
6225:
6221:
6218:
6214:
6211:
6207:
6204:
6200:
6197:
6193:
6190:
6186:
6183:
6179:
6176:
6172:
6169:
6165:
6162:
6158:
6155:
6151:
6147:
6146:
6140:
6136:
6135:
6129:
6126:
6122:
6119:
6115:
6114:
6112:
6108:
6094:
6093:
6088:
6082:
6081:
6076:
6070:
6069:
6064:
6058:
6057:
6052:
6046:
6045:
6040:
6034:
6033:
6028:
6022:
6021:
6016:
6010:
6009:
6004:
5998:
5997:
5992:
5986:
5985:
5980:
5974:
5973:
5968:
5962:
5961:
5956:
5955:
5953:
5949:
5942:
5938:
5935:
5931:
5928:
5924:
5921:
5917:
5914:
5910:
5907:
5903:
5900:
5896:
5893:
5889:
5886:
5882:
5879:
5875:
5872:
5868:
5865:
5861:
5858:
5854:
5851:
5847:
5844:
5840:
5837:
5833:
5830:
5826:
5825:
5823:
5821:
5817:
5810:
5806:
5803:
5799:
5796:
5792:
5789:
5785:
5782:
5778:
5775:
5771:
5768:
5764:
5761:
5757:
5754:
5750:
5747:
5743:
5740:
5736:
5733:
5729:
5726:
5722:
5719:
5715:
5712:
5708:
5705:
5701:
5698:
5694:
5691:
5687:
5684:
5680:
5677:
5673:
5670:
5666:
5665:
5663:
5661:
5657:
5650:
5646:
5643:
5639:
5636:
5632:
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5625:
5622:
5618:
5615:
5611:
5608:
5604:
5601:
5597:
5594:
5590:
5587:
5583:
5580:
5576:
5573:
5569:
5566:
5562:
5559:
5555:
5552:
5548:
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5534:
5531:
5527:
5524:
5520:
5517:
5513:
5510:
5506:
5503:
5499:
5496:
5492:
5489:
5485:
5482:
5478:
5475:
5471:
5468:
5464:
5461:
5457:
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5450:
5447:
5443:
5440:
5436:
5433:
5429:
5426:
5422:
5421:
5419:
5417:
5413:
5410:
5408:
5402:
5388:
5387:
5382:
5376:
5375:
5370:
5364:
5360:
5354:
5350:
5344:
5343:
5338:
5332:
5331:
5326:
5320:
5319:
5314:
5308:
5307:
5302:
5296:
5295:
5290:
5284:
5283:
5278:
5272:
5271:
5266:
5260:
5259:
5254:
5248:
5247:
5242:
5236:
5235:
5230:
5224:
5223:
5218:
5212:
5211:
5206:
5205:
5203:
5199:
5192:
5188:
5185:
5181:
5178:
5174:
5171:
5167:
5164:
5160:
5157:
5153:
5150:
5146:
5143:
5139:
5136:
5132:
5129:
5125:
5122:
5118:
5115:
5111:
5108:
5104:
5101:
5097:
5094:
5090:
5087:
5083:
5080:
5079:Hundertwasser
5076:
5073:
5069:
5066:
5062:
5059:
5055:
5052:
5048:
5045:
5041:
5038:
5034:
5033:
5031:
5029:
5025:
5018:
5014:
5011:
5007:
5004:
5000:
4997:
4993:
4990:
4986:
4983:
4979:
4976:
4972:
4969:
4965:
4962:
4958:
4955:
4951:
4948:
4944:
4941:
4937:
4934:
4930:
4927:
4923:
4920:
4916:
4913:
4909:
4906:
4902:
4899:
4895:
4892:
4888:
4885:
4881:
4878:
4874:
4871:
4867:
4864:
4860:
4857:
4853:
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4839:
4836:
4832:
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4825:
4822:
4818:
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4811:
4808:
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4801:
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4783:
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4776:
4773:
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4762:
4759:
4755:
4752:
4748:
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4734:
4731:
4727:
4724:
4720:
4717:
4713:
4710:
4706:
4703:
4699:
4696:
4692:
4689:
4685:
4682:
4678:
4675:
4671:
4668:
4664:
4661:
4657:
4654:
4650:
4647:
4643:
4640:
4636:
4633:
4629:
4626:
4622:
4619:
4615:
4612:
4608:
4605:
4601:
4598:
4594:
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4591:
4589:
4585:
4578:
4574:
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4567:
4564:
4560:
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4532:
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4511:
4508:
4504:
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4497:
4494:
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4469:
4466:
4462:
4459:
4455:
4452:
4448:
4445:
4441:
4438:
4434:
4431:
4427:
4424:
4420:
4417:
4413:
4410:
4406:
4403:
4399:
4396:
4392:
4389:
4385:
4382:
4378:
4375:
4371:
4368:
4364:
4361:
4357:
4354:
4350:
4347:
4343:
4340:
4336:
4333:
4329:
4326:
4322:
4319:
4315:
4312:
4308:
4305:
4301:
4298:
4294:
4291:
4287:
4284:
4280:
4277:
4273:
4270:
4266:
4263:
4259:
4256:
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4249:
4245:
4242:
4238:
4235:
4231:
4228:
4224:
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4217:
4214:
4210:
4207:
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4172:
4168:
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4130:
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4123:
4119:
4116:
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4109:
4105:
4102:
4098:
4095:
4091:
4088:
4084:
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4077:
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4072:
4068:
4065:
4063:
4059:
4045:
4044:
4039:
4033:
4032:
4027:
4021:
4020:
4015:
4009:
4008:
4003:
3997:
3996:
3991:
3985:
3984:
3979:
3973:
3972:
3967:
3961:
3960:
3955:
3949:
3948:
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3942:
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3936:
3929:
3925:
3922:
3918:
3915:
3911:
3908:
3904:
3901:
3897:
3894:
3890:
3887:
3883:
3880:
3876:
3873:
3869:
3866:
3862:
3859:
3855:
3852:
3848:
3845:
3841:
3838:
3834:
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3827:
3824:
3820:
3817:
3813:
3810:
3806:
3803:
3799:
3796:
3792:
3789:
3785:
3782:
3778:
3775:
3771:
3768:
3764:
3761:
3757:
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3747:
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3740:
3736:
3733:
3729:
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3726:
3724:
3720:
3713:
3709:
3706:
3702:
3699:
3695:
3692:
3688:
3685:
3681:
3678:
3674:
3671:
3667:
3664:
3660:
3657:
3653:
3650:
3646:
3643:
3639:
3636:
3632:
3629:
3625:
3622:
3618:
3615:
3611:
3608:
3604:
3601:
3597:
3594:
3590:
3587:
3583:
3580:
3576:
3573:
3569:
3566:
3562:
3559:
3555:
3552:
3548:
3545:
3541:
3538:
3534:
3531:
3527:
3524:
3520:
3517:
3513:
3510:
3506:
3503:
3499:
3496:
3492:
3489:
3485:
3482:
3478:
3475:
3471:
3470:
3468:
3466:
3462:
3459:
3457:
3456:Literary arts
3453:
3446:
3442:
3439:
3435:
3432:
3428:
3425:
3421:
3418:
3414:
3408:
3407:
3401:
3400:
3398:
3397:Neoplasticism
3394:
3391:
3387:
3384:
3380:
3377:
3373:
3368:
3364:
3363:
3361:
3360:Functionalism
3357:
3354:
3350:
3345:
3341:
3337:
3336:
3330:
3326:
3325:
3319:
3318:
3316:
3315:Expressionism
3312:
3309:
3305:
3302:
3298:
3295:
3291:
3288:
3287:Ashcan School
3284:
3280:
3279:
3273:
3269:
3268:
3262:
3259:
3255:
3254:
3252:
3248:
3244:
3237:
3232:
3230:
3225:
3223:
3218:
3217:
3214:
3202:
3199:
3197:
3194:
3192:
3189:
3187:
3186:Impressionism
3184:
3183:
3181:
3177:
3171:
3170:Albert Aurier
3168:
3166:
3163:
3162:
3160:
3156:
3150:
3147:
3145:
3142:
3140:
3137:
3135:
3132:
3130:
3127:
3125:
3122:
3120:
3117:
3115:
3112:
3110:
3107:
3105:
3102:
3101:
3099:
3095:
3089:
3086:
3084:
3083:Jean Marchand
3081:
3079:
3076:
3074:
3071:
3069:
3068:Pablo Picasso
3066:
3064:
3061:
3059:
3058:Henry Ottmann
3056:
3054:
3051:
3049:
3046:
3044:
3041:
3039:
3036:
3034:
3031:
3029:
3026:
3024:
3021:
3019:
3018:Henri Matisse
3016:
3014:
3011:
3009:
3006:
3004:
3001:
2999:
2996:
2995:
2993:
2989:
2983:
2980:
2978:
2977:Expressionism
2975:
2973:
2970:
2968:
2965:
2963:
2960:
2959:
2957:
2953:20th-century
2951:
2945:
2942:
2940:
2937:
2935:
2932:
2930:
2927:
2925:
2922:
2920:
2917:
2915:
2914:Charles Laval
2912:
2910:
2907:
2905:
2902:
2900:
2897:
2895:
2894:Paul Sérusier
2892:
2890:
2887:
2885:
2882:
2880:
2877:
2875:
2872:
2870:
2867:
2865:
2862:
2860:
2857:
2855:
2854:Maurice Denis
2852:
2850:
2847:
2845:
2842:
2840:
2837:
2835:
2832:
2830:
2827:
2825:
2824:Émile Bernard
2822:
2820:
2817:
2815:
2812:
2811:
2809:
2805:
2799:
2796:
2794:
2791:
2789:
2786:
2784:
2783:
2779:
2777:
2774:
2772:
2769:
2767:
2764:
2762:
2759:
2758:
2756:
2752:19th-century
2750:
2746:
2737:
2732:
2730:
2725:
2723:
2718:
2717:
2714:
2702:
2699:
2696:
2695:
2691:
2689:
2686:
2684:
2681:
2679:
2676:
2674:
2671:
2670:
2668:
2664:
2657:
2656:
2652:
2649:
2648:
2644:
2641:
2640:
2636:
2633:
2632:
2628:
2625:
2624:
2620:
2617:
2616:
2612:
2609:
2608:
2604:
2601:
2600:
2596:
2594:
2591:
2590:
2588:
2584:
2580:
2573:
2568:
2566:
2561:
2559:
2554:
2553:
2550:
2543:
2540:
2537:
2536:
2532:
2530:
2526:
2523:
2520:
2518:
2515:
2514:
2505:
2502:Smith, Paul,
2501:
2498:
2494:
2491:Seurat, ed.,
2490:
2487:
2483:
2480:
2476:
2473:
2469:
2465:
2462:
2458:
2455:
2451:
2448:
2444:
2441:
2437:
2434:
2430:
2427:
2423:
2420:
2416:
2413:
2409:
2406:
2402:
2399:
2395:
2392:
2389:
2385:
2381:
2379:0-226-22480-5
2375:
2371:
2366:
2365:
2362:
2356:
2353:
2349:
2345:
2342:
2341:
2331:
2329:9789073313286
2325:
2321:
2316:
2312:
2310:9780870996184
2306:
2302:
2301:
2296:
2295:
2283:
2279:
2273:
2266:
2260:
2245:
2241:
2234:
2219:
2215:
2208:
2192:
2188:
2182:
2175:
2171:
2166:
2160:
2158:
2151:
2149:
2147:
2139:
2133:
2118:
2116:9783822859070
2112:
2108:
2107:
2103:
2096:
2088:
2086:9780810936096
2082:
2078:
2074:
2069:
2068:
2062:
2056:
2049:
2043:
2041:
2039:
2037:
2035:
2033:
2031:
2029:
2027:
2019:
2014:
1998:
1996:
1988:
1981:
1976:
1969:
1964:
1962:
1946:
1942:
1935:
1920:
1916:
1910:
1903:
1901:
1893:
1878:
1874:
1868:
1861:
1856:
1849:
1844:
1842:
1834:
1829:
1822:
1817:
1815:
1808:, p. 48.
1807:
1802:
1795:
1792:Signac, Paul
1789:
1783:, p. 12.
1782:
1777:
1775:
1766:
1762:
1758:
1751:
1749:
1747:
1745:
1737:
1732:
1730:
1723:, p. 11.
1722:
1717:
1715:
1707:
1702:
1700:
1698:
1681:
1677:
1671:
1664:
1659:
1651:
1650:
1642:
1626:
1625:
1620:
1614:
1598:
1597:
1592:
1586:
1578:
1574:
1570:
1568:
1563:
1557:
1549:
1543:
1539:
1538:
1533:
1529:
1525:
1521:
1520:Jones, Daniel
1515:
1507:
1501:
1497:
1493:
1487:
1483:
1469:
1466:
1465:
1461:
1451:
1449:
1444:
1439:
1438:
1435:
1422:
1421:
1420:
1414:
1408:
1405:
1399:
1396:
1392:
1386:
1383:
1380:
1377:
1376:Theo van Gogh
1373:
1367:
1363:
1360:
1357:
1354:
1351:
1348:
1345:
1340:
1339:Théâtre Libre
1337:
1334:
1331:
1328:
1325:
1322:
1319:
1316:
1315:
1309:
1306:
1303:Organised by
1300:
1296:
1293:
1290:
1287:
1286:
1279:
1276:
1270:
1269:
1268:
1266:
1262:
1258:
1250:
1245:
1233:
1229:
1223:
1218:
1214:
1212:
1206:
1200:
1195:
1192:
1188:
1182:
1177:
1174:
1170:
1164:
1159:
1156:
1152:
1146:
1141:
1140:
1130:
1126:
1125:
1117:
1112:
1109:
1105:
1099:
1094:
1090:
1086:
1082:
1081:
1074:
1069:
1066:
1062:
1056:
1051:
1047:
1043:
1037:
1032:
1028:
1024:
1022:
1014:
1009:
1005:
1001:
995:
990:
986:
980:
975:
972:
968:
962:
957:
954:
950:
943:
938:
935:
931:
924:
919:
916:
912:
905:
900:
899:
897:
887:
885:
884:Google Doodle
880:
878:
874:
870:
865:
861:
859:
855:
854:
849:
848:
842:
839:
835:
831:
823:
819:
818:
813:
804:
800:
796:
794:
790:
785:
776:
775:Musée d'Orsay
772:
771:
766:
757:
755:
751:
747:
746:Charles Henry
743:
735:
732:
728:
727:
726:
723:
717:
715:
711:
710:Charles Blanc
706:
703:
699:
694:
692:
688:
684:
681:who restored
680:
675:
673:
669:
665:
661:
657:
653:
645:
644:
638:
627:Colour theory
624:
621:
619:
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584:
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581:
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571:
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397:
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386:
384:
380:
376:
372:
367:
365:
364:Henri Lehmann
361:
355:
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331:
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324:
315:
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98:
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90:
86:Paris, France
79:29 March 1891
78:
74:
69:
52:
48:
41:
36:
29:
26:
22:
6442:
6435:
6182:Ecomodernism
6090:
6078:
6066:
6054:
6042:
6030:
6020:The Firebird
6018:
6006:
5994:
5982:
5970:
5958:
5384:
5374:Citizen Kane
5372:
5363:Fallingwater
5353:Villa Savoye
5340:
5328:
5316:
5304:
5292:
5282:Black Square
5280:
5268:
5256:
5244:
5232:
5220:
5208:
5100:Le Corbusier
5028:Architecture
4520:
4041:
4029:
4017:
4007:Mrs Dalloway
4005:
3993:
3981:
3969:
3957:
3945:
3830:Lowell (Amy)
3201:Secessionism
3165:Félix Fénéon
3088:Othon Friesz
3008:André Derain
2898:
2879:Odilon Redon
2864:Paul Gauguin
2844:Paul Cézanne
2829:Edvard Munch
2780:
2701:Topiary Park
2692:
2653:
2645:
2637:
2629:
2621:
2613:
2605:
2597:
2578:
2534:
2503:
2496:
2493:Norma Broude
2485:
2478:
2467:
2460:
2453:
2446:
2439:
2432:
2425:
2418:
2411:
2405:Art Bulletin
2404:
2387:
2364:
2361:
2347:
2319:
2299:
2281:
2272:
2259:
2247:. Retrieved
2243:
2233:
2221:. Retrieved
2217:
2207:
2195:. Retrieved
2190:
2181:
2165:
2156:
2137:
2132:
2120:. Retrieved
2105:
2102:
2095:
2071:. New York:
2066:
2055:
2047:
2013:
2001:. Retrieved
1994:
1987:
1975:
1948:. Retrieved
1944:
1934:
1922:. Retrieved
1918:
1909:
1899:
1892:
1880:. Retrieved
1876:
1867:
1855:
1828:
1801:
1793:
1788:
1764:
1760:
1684:. Retrieved
1680:the original
1670:
1658:
1647:
1641:
1629:. Retrieved
1622:
1613:
1601:. Retrieved
1594:
1585:
1577:the original
1565:
1556:
1535:
1532:Esling, John
1528:Setter, Jane
1524:Roach, Peter
1514:
1495:
1486:
1418:
1412:
1403:
1394:
1390:
1371:
1352:
1346:
1323:
1312:
1294:
1283:
1254:
1247:Portrait of
1227:
1208:
1204:
1186:
1168:
1150:
1124:Eiffel Tower
1121:
1103:
1085:Les Poseuses
1084:
1078:
1060:
1041:
1018:
1000:The Laborers
999:
984:
966:
948:
929:
910:
881:
872:
868:
866:
862:
851:
845:
843:
834:proto-Cubism
830:Paul Cézanne
827:
815:
801:
797:
784:counterpoint
780:
768:
741:
739:
718:
713:
707:
695:
676:
672:Isaac Newton
662:effects and
649:
641:
640:Detail from
622:
611:
604:
590:
578:
572:
568:
557:
555:
546:
540:
523:
513:
506:James Lapine
503:
494:
491:
484:
482:
471:
461:
429:
428:
413:
411:
399:
389:
368:
356:
344:
327:
297:
294:
290:conté crayon
181:
180:
111:
105:
101:Notable work
81:(1891-03-29)
25:
6504:Pointillism
6479:1891 deaths
6474:1859 births
6437:Romanticism
6394:Remodernism
6275:Incoherents
6134:Avant-garde
6125:Armory Show
5732:Maeterlinck
5635:Villa-Lobos
5621:Szymanowski
5600:Stockhausen
5537:Lutosławski
5262:(1909–1910)
4062:Visual arts
4035:(1928–1940)
3951:(1913–1927)
3474:Apollinaire
3438:Synchromism
3278:Art Nouveau
3097:Exhibitions
2904:Paul Signac
2874:Paul Ranson
2798:Art Nouveau
2776:Cloisonnism
2771:Pointillism
2766:Divisionism
2683:Pointillism
2678:Divisionism
2658:(1890–1891)
2642:(1889–1890)
2634:(1889–1890)
2626:(1887–1888)
2618:(1884–1886)
2610:(1884–1886)
2368:. Chicago:
2109:. Taschen.
2061:Hunter, Sam
1970:: pp. 18–22
1882:18 December
1239:Exhibitions
1171:, 1883–84,
969:, 1882–83,
967:The Suburbs
934:Fogg Museum
820:, 1887–88,
520:John Hughes
512:'s musical
455:pointillism
447:Paul Signac
420:Paul Alexis
286:pointillism
136:Pointillism
6468:Categories
6324:Maximalism
6259:Literature
5934:Wiesenthal
5836:Cunningham
5829:Balanchine
5809:Witkiewicz
5781:Strindberg
5767:Pirandello
5739:Mayakovsky
5614:Stravinsky
5586:Schoenberg
5405:Performing
5330:Metropolis
5121:Mendelsohn
4926:Rossellini
4919:Richardson
4730:Fassbinder
4716:Eisenstein
4653:Cassavetes
4409:Modigliani
4283:Goncharova
4269:Giacometti
3663:Dos Passos
3465:Literature
3424:Surrealism
3335:Die Brücke
3196:Modern art
3048:Franz Marc
3013:Raoul Dufy
2967:Die Brücke
2814:Cuno Amiet
2788:Synthetism
2655:The Circus
2249:2 December
2223:2 December
2197:2 December
2170:Fry, Roger
2075:. p.
2067:Modern Art
1950:9 December
1924:20 January
1796:Paris 1899
1663:Fry, Roger
1646:"Seurat".
1474:References
1374:, lent by
1209:Study for
1019:Study for
847:The Chahut
824:, New York
789:heuristics
770:The Circus
683:tapestries
664:perception
656:Ogden Rood
606:The Circus
601:diphtheria
593:meningitis
575:Gravelines
304:modern art
60:1859-12-02
6373:Pulp noir
6331:Modernity
6196:Film noir
5920:St. Denis
5843:Diaghilev
5579:Schaeffer
5502:Hindemith
5481:Dutilleux
5453:Boulanger
5258:The Dance
4954:Tarkovsky
4947:Sternberg
4779:Hitchcock
4695:Dovzhenko
4611:Antonioni
4556:Stieglitz
4395:Metzinger
4346:Kokoschka
4325:Kandinsky
3739:Aldington
3732:Akhmatova
3649:Marinetti
3642:Mansfield
3593:Hemingway
3431:Symbolism
3250:Movements
3243:Modernism
3191:Modernism
2955:movements
2793:Symbolism
2782:Les Nabis
2754:movements
2639:Le Chahut
2586:Paintings
2394:Fry Roger
2172:Essay in
1460:Biography
1413:Le Cirque
1404:Le Chahut
1391:Le Chahut
1189:1884–85,
1029:, Chicago
1025:1884–85,
890:Paintings
807:Influence
754:emotional
597:pneumonia
375:Aman-Jean
352:Le Raincy
348:Champagne
336:, Otterlo
329:Le Chahut
318:Biography
288:and used
162:Signature
6455:Category
6056:Fountain
5960:Don Juan
5899:Nijinsky
5795:Wedekind
5774:Piscator
5669:Anderson
5593:Scriabin
5509:Honegger
5170:Sullivan
5156:Saarinen
5149:Rietveld
5142:Niemeyer
5114:Melnikov
5044:Bunshaft
4975:Truffaut
4940:Sjöström
4884:Pudovkin
4856:Minnelli
4821:Kurosawa
4814:Kuleshov
4744:Flaherty
4570:Vuillard
4549:Steichen
4507:Rousseau
4472:Pissarro
4451:O'Keeffe
4416:Mondrian
4367:Malevich
4360:Magritte
4332:Kirchner
4276:van Gogh
4227:Doesburg
4206:Delaunay
4199:Delaunay
4122:Brâncuși
4108:Boccioni
4071:Painting
3921:Williams
3844:Mallarmé
3760:Cendrars
3670:Platonov
3628:Lawrence
3621:Koestler
3558:Flaubert
3551:Faulkner
3516:Bulgakov
3445:Tonalism
3406:De Stijl
3390:Lettrism
3376:Futurism
3267:Art Deco
2525:Archived
2459:Rewald,
2452:Rewald,
2445:Rewald,
2438:Rewald,
2398:The Dial
2396:Essay, '
2174:The Dial
2122:13 March
2003:13 March
1686:13 March
1631:3 August
1619:"Seurat"
1603:3 August
1591:"Seurat"
1534:(eds.).
1522:(2011).
1494:(2008).
1428:See also
1370:Drawing
1230:, 1888,
1153:, 1883,
1137:Drawings
773:, 1891,
750:Sorbonne
408:, London
150:Children
124:Movement
95:Painting
70:, France
6110:Related
5972:Ubu Roi
5927:Tamiris
5913:Sokolow
5892:Massine
5760:Osborne
5753:O'Neill
5746:O'Casey
5704:Chekhov
5690:Beckett
5676:Anouilh
5660:Theatre
5607:Strauss
5565:Russolo
5544:Milhaud
5523:Janáček
5495:Górecki
5488:Feldman
5474:Debussy
5467:Copland
5425:Antheil
5163:Steiner
5086:Johnson
5065:Guimard
5058:Gropius
4905:Resnais
4807:Kubrick
4737:Fellini
4723:Epstein
4709:Edwards
4674:Cocteau
4660:Chaplin
4632:Bresson
4625:Bergman
4604:Aldrich
4597:Akerman
4542:Soutine
4514:Schiele
4465:Picasso
4458:Picabia
4388:Matisse
4262:Gauguin
4234:Duchamp
4192:Kooning
4171:Claudel
4164:Chirico
4157:Chagall
4150:Cézanne
4143:Cassatt
4115:Bonnard
4101:Bellows
4094:Balthus
3971:Ulysses
3893:Stevens
3886:Seferis
3705:Unamuno
3544:Forster
3523:Chekhov
3488:Beckett
3417:Orphism
3383:Imagism
3367:Bauhaus
3353:Fauvism
3258:Acmeism
3179:Related
3158:Critics
2991:Artists
2962:Fauvism
2807:Artists
2666:Related
2433:Cézanne
2292:Sources
2020:: p. 18
1738:: p. 17
1708:: p. 16
1434:Portals
1411:Showed
1402:Showed
1389:Showed
877:Orphism
873:Dancers
838:Cubists
777:, Paris
748:at the
702:retinal
679:chemist
660:optical
269:French:
142:Partner
6096:(1953)
6084:(1928)
6072:(1921)
6060:(1917)
6048:(1913)
6036:(1912)
6024:(1910)
6012:(1905)
6008:Salome
6000:(1902)
5988:(1899)
5976:(1896)
5964:(1888)
5941:Wigman
5871:Graham
5864:Fuller
5857:Fokine
5850:Duncan
5802:Wilder
5788:Toller
5725:Kaiser
5697:Brecht
5683:Artaud
5642:Webern
5628:Varèse
5558:Partch
5530:Ligeti
5460:Boulez
5432:Bartók
5390:(1943)
5378:(1941)
5366:(1936)
5356:(1931)
5346:(1929)
5334:(1927)
5322:(1925)
5310:(1923)
5298:(1920)
5286:(1915)
5274:(1912)
5250:(1907)
5238:(1889)
5226:(1887)
5214:(1886)
5191:Wright
5177:Tatlin
5135:Neutra
5037:Breuer
5003:Welles
4989:Vertov
4912:Renoir
4863:Murnau
4849:Marker
4842:Lupino
4800:Keaton
4786:Hubley
4772:Godard
4758:Fuller
4702:Dreyer
4681:Dassin
4639:Buñuel
4535:Sisley
4528:Signac
4521:Seurat
4493:Renoir
4311:Hopper
4213:Demuth
4136:Calder
4129:Braque
4080:Albers
4047:(1929)
4023:(1926)
4011:(1925)
3999:(1924)
3987:(1922)
3975:(1922)
3963:(1915)
3914:Valéry
3900:Thomas
3865:Pessoa
3809:George
3802:Elytis
3795:Éluard
3781:Desnos
3753:Cavafy
3723:Poetry
3684:Proust
3677:Porter
3579:Hamsun
3537:Döblin
3530:Conrad
3502:Breton
3481:Barnes
3301:Cubism
3109:Les XX
2982:Cubism
2650:(1890)
2615:Models
2602:(1884)
2479:Seurat
2440:Seurat
2376:
2326:
2320:Seurat
2307:
2265:Seurat
2159:, 2011
2138:Seurat
2113:
2083:
2018:Seurat
1997:, CDC"
1968:Seurat
1736:Seurat
1706:Seurat
1567:Lexico
1544:
1502:
1265:Les XX
1259:, the
1127:1889,
1106:1888,
1080:Models
1063:1888,
1044:1885,
1002:1883,
869:Circus
6266:Post-
6252:Music
5951:Works
5906:Shawn
5885:Laban
5820:Dance
5718:Jarry
5711:Ibsen
5649:Weill
5572:Satie
5446:Berio
5416:Music
5201:Works
5128:Nervi
5072:Horta
5051:Gaudí
5010:Wiene
4982:Varda
4968:Trnka
4877:Pabst
4835:Losey
4793:Jones
4765:Gance
4688:Deren
4667:Clair
4646:Carné
4618:Avery
4500:Rodin
4486:Redon
4444:Nolde
4437:Munch
4430:Moore
4423:Monet
4374:Manet
4353:Léger
4318:Kahlo
4297:Grosz
4255:Ernst
4248:Ensor
4185:Degas
3938:Works
3928:Yeats
3907:Tzara
3879:Rilke
3872:Pound
3851:Moore
3823:Lorca
3816:Jacob
3788:Eliot
3767:Crane
3746:Auden
3712:Woolf
3698:Svevo
3691:Stein
3656:Musil
3614:Kafka
3607:Joyce
3600:Hesse
3586:Hašek
3509:Broch
3344:Music
1479:Notes
1257:Salon
587:Death
379:Salon
68:Paris
5878:Holm
5551:Nono
5516:Ives
5439:Berg
5407:arts
5184:Mies
5107:Loos
5093:Kahn
5017:Wood
4996:Vigo
4961:Tati
4933:Sirk
4828:Lang
4751:Ford
4588:Film
4577:Wood
4402:Miró
4381:Marc
4339:Klee
4304:Höch
4290:Gris
4241:Dufy
4178:Dalí
3858:Owen
3774:H.D.
3635:Mann
3572:Gide
3565:Ford
3495:Bely
3308:Dada
2374:ISBN
2324:ISBN
2305:ISBN
2251:2021
2244:CNET
2225:2021
2218:HITC
2199:2021
2124:2014
2111:ISBN
2081:ISBN
2005:2014
1952:2021
1926:2018
1884:2016
1688:2014
1633:2019
1605:2019
1542:ISBN
1500:ISBN
1448:Arts
1122:The
871:and
691:dyes
687:wool
670:and
508:and
445:and
284:and
261:suu-
76:Died
50:Born
4870:Ozu
4479:Ray
4220:Dix
4087:Arp
787:of
712:'s
263:RAH
222:SUR
203:ɜːr
6470::
6434:←
2495:,
2372:.
2346:,
2280:.
2242:.
2216:.
2189:.
2145:^
2079:.
2077:27
2025:^
1960:^
1943:.
1917:.
1875:.
1840:^
1813:^
1773:^
1765:24
1763:.
1743:^
1728:^
1713:^
1696:^
1621:.
1593:.
1571:.
1564:.
1530:;
1526:;
1393:,
1297:,
1263:,
795:.
654:,
620:.
595:,
566:.
528:.
522:'
489:.
441:,
437:,
314:.
267:;
252:ɑː
233::
231:US
227:,
209:,-
206:ɑː
190::
188:UK
134:,
130:,
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2332:.
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2253:.
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1954:.
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
