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95:", who sought to reconcile constructivism with realism while expressing radical political views. In 1929 he founded the magazine "a-z", a journal of progressive art. This became a vehicle for the exposition of
88:. According to Ernst, "Stupid was a secession from Cologne Dada. As far as Hoerle and especially Seiwert were concerned, Dada's activities were aesthetically too radical and socially not concrete enough".
122:
describing its origins as "From the expressionist-cubist art-form abstract constructivism was developed, which in turn led into
Figurative Constructivism".
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activities. He was invited to exhibit in the large Dada exhibit in
Cologne but withdrew at the last moment. In that same year he formed the
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343:(1922a) "Die Entwicklung der kommunistischen Bewegung in Deutschland" (The Development of the Communist Movement in Germany),
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His first large solo exhibition was in
Cologne at the Kunstverein in 1923, and by the mid-1920s he was a leader of the "
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133:, but his health was badly deteriorating, and friends brought him back to Cologne, where he died on July 3, 1933.
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46:(Self-portrait) by Franz Wilhelm Seiwert, 1928, oil on canvas, 79 x 50 cm, Von der Heydt-Museum,
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treatment. As a result, he subsequently lived with the fear that his life would be short.
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In the two years from 1917 to 1919 Seiwert had seven untitled woodcuts published in
271:(1920a) "Tuet Bekenntnis, fordert Bekenntnis" (Start commitment, urge commitment),
150:
418:"Grafická tvorba Augustina Tschinkela v kontextu modernĂho designu (1928 – 1940)"
115:. "Throw out the old false idols! In the name of the coming proletarian culture"
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22:(March 9, 1894 – July 3, 1933) was a German painter and sculptor in a
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57:. He was seriously burned in 1901, at the age of seven, in an experimental
296:(1920d) "Es kommt auf das Fundament an" (It depends on the fundamentals),
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Seiwert was actively involved in the international discussions concerning
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came to power in 1933, Seiwert briefly fled to the mountain range
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making significant contributions, both graphic and theoretical to
336:(1921c) "Das Leben des Proleten" (The Life of the Proletarians),
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278:(1920b) "Das Loch in Rubens Schinken" (The hole in Rubens Ham),
397:
Seiwert, Franz
Wilhelm (1920). "Das Loch in Rubens Schinken".
545:
Max Ernst collages: the invention of the surrealist universe
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311:, Vol. 10, No. 51/52, 25 December 1920, p. 719–724
300:, Vol. 10, No. 43/44, 30. October 1920, p. 613–615
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ran from 1911-1932. Seiwert made 43 contributions (see
293:, Vol. 10, No. 37/38, 18. September 1920, p. 514
282:, Vol. 10, No. 29/30, 24 July 1920, p. 418–319
275:, Vol. 10, No. 7/8, 21 February 1920, p. 110–1
559:
543:Spies, Werner and John William Gabriel (1991).
307:" (The Structure of the Proletarian Cultural),
111:during the revolutionary upsurge following the
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340:, No. 51/52, 25 December 1921, p. 721–722
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347:, No. 39/40, 15 October 1922, p. 551–554
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268:, No. 14/15, 19 April 1919, p. 205–207
26:style. He was also politically active as a
444:, No. 35/36, 8 September 1917, p. 482
318:, No. 9/10, 5. March 1921, p. 134–136
333:, No. 27/28, 9 July 1921, p. 373–374
314:(1921a) "Gesellschaft und Prostitution",
492:, No. 39/40, 5 October 1918, p. 512
480:, No. 39/40, 5 October 1918, p. 509
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468:, No. 25/26, 29 June 1918, p. 322
456:, No. 5/6, 9 February 1918, p. 70
323:Offener Brief an den Genossen Bogdanow
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118:Seiwert was the leading theorist of
64:He studied from 1910 to 1914 at the
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504:, No. 14/15, 19 April 1919, p. 218
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66:Cologne School of Arts and Crafts
583:20th-century German male artists
305:Aufbau der Proletarischen Kultur
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598:20th-century German sculptors
533:. Cologne: Benedikt Taschen.
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387:Spies and Gabriel 1991, p. 90
578:20th-century German painters
529:Michalski, Sergiusz (1994).
151:Wikisource (German language)
93:Group of Progressive Artists
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325:" (Open Letter to Comrade
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120:Figurative Constructivism
97:Figurative Constructivism
360:
423:. Masarykova univerzita
378:Michalski 1994, p. 218
289:" (What's it about?),
287:Worum handelt es sich?
264:" (An Easter Sermon),
50:
593:German male sculptors
80:group which included
42:
20:Franz Wilhelm Seiwert
603:Constructivism (art)
588:German male painters
547:. New York: Abrams.
53:Seiwert was born in
416:Kapounová, Eliška.
109:proletarian culture
86:Anton Räderscheidt
51:
262:Eine Osterpredigt
177:8 September 1917,
137:Contributions to
72:and took part in
68:. In 1919 he met
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531:New Objectivity
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82:Heinrich Hoerle
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24:constructivist
16:German painter
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131:Siebengebirge
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425:. Retrieved
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356:(192?) . . .
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59:radiological
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573:1933 deaths
568:1894 births
562:Categories
524:References
514:Die Aktion
502:Die Aktion
490:Die Aktion
478:Die Aktion
466:Die Aktion
454:Die Aktion
442:Die Aktion
399:Die Aktion
345:Die Aktion
338:Die Aktion
331:Die Aktion
316:Die Aktion
309:Die Aktion
298:Die Aktion
291:Die Aktion
280:Die Aktion
273:Die Aktion
266:Die Aktion
163:Die Aktion
146:Die Aktion
139:Die Aktion
33:Die Aktion
427:4 October
321:(1921b) "
303:(1920e) "
285:(1920c) "
260:(1919a) "
70:Max Ernst
48:Wuppertal
28:communist
405:(29/30).
327:Bogdanov
255:Articles
103:Politics
55:Cologne
551:
537:
353:(192?)
350:(192?)
157:Images
127:Hitler
78:Stupid
421:(PDF)
361:Notes
125:When
549:ISBN
535:ISBN
429:2015
84:and
74:Dada
329:),
153:):
564::
403:10
401:.
369:^
165:.
99:.
36:.
431:.
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