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This concept comes from their concern not merely to communicate social and political necessities, but also to ensure that their artworks could be turned toward the viewers sensible reality and become tenable as an argument. This is tied to their political commitment to
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put it, they "sought to combine constructivism and objectivity, geometry and object, the general and the particular, avant-garde conviction and political engagement, and which perhaps approximated most to the forward looking of
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Painting as a weapon : progressive
Cologne 1920-1933 : Siewert, Hoerle, Arntz
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177:
Wieland
Schmied: "Neue Sachlichkeit. Der deutsche Realismus der zwanziger Jahre", in:
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Other artists and designers associated with this group include
Wilhelm Kleinert,
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68:. The group related their attitude to art to their political activism. As
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was an art movement and were an informal group of artists based in the
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157:"Art as a weapon: Franz Seiwert and the Cologne progressives"
237:(translation, Uta Hoffman ed.). Köln: Walther König.
28:area of Germany. They came together following the
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179:Kritische Grafik in der Weimarer Zeit
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126:during the tumults of the 1920s.
100:. Many members had come from the
50:Monument to the Unknown Protheses
214:Museum der verlorenen Generation
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32:and participated in the radical
122:in the specific context of the
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1:
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189:. Lange, Susanne, p. 108.
39:
79:Figurative Constructivism
56:The group was founded by
187:August Sander 1876–1964
233:Roth, Lynette (2008).
210:"Brockmann, Gottfried"
185:, p. 21. As cited in:
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136:Stupid (art movement)
102:Stupid (art movement)
66:Franz Wilhelm Seiwert
47:
275:Constructivism (art)
270:German art movements
18:Cologne Progressives
120:proletarian culture
98:Gottfried Brockmann
77:". They originated
265:Culture in Cologne
94:Anton Räderscheidt
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155:Everett, Martin.
48:Heinrich Hoerle,
34:workers' movement
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90:Angelika Hoerle
75:New Objectivity
70:Wieland Schmied
62:Heinrich Hoerle
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30:First World War
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217:. Retrieved
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161:. Retrieved
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108:Key concepts
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259:Categories
219:2021-06-07
163:17 October
142:References
58:Gerd Arntz
26:Düsseldorf
159:. Lib Com
124:Rhineland
183:Op. cit.
130:See also
40:History
22:Cologne
241:
193:
96:, and
52:(1930)
239:ISBN
191:ISBN
165:2014
64:and
24:and
16:The
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201:^
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