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He was one of the more significant and complex sculptors of the 15th century – complex because of his activities within varying cultural circles and his exposure to differing influences. His best works evolved in the workshop tradition in collaboration with other artists. His portrait
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reveal a creative individuality that was seen as particularly fascinating in the late 19th century. Though it is impossible to chart his stylistic development, his later work made in France shows some assimilation of northern
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de Vrana, giving the surname used by
Francesco Laurana: LA VRANA -> LAVRANA which is read like LAURANA because the letter U is written as V in inscriptions in Latin.
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214:(1475–1481), the first structure in France designed entirely in the Renaissance style. His workshop in Marseille created the St. Lazarus marble altar as well as the
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Italian sculptor and medallist. He was one of the most significant and most complex sculptors of the 15th century.
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Laurana
Francesco in: L. Forrer: Biographical Dictionary od Medallists, Volume III, London 1907, S. 339 ff.
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Laurana was first documented in 1453, as
Francesco Adzara (Francesco da Zara).
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in the Sta. Barbara Chapel. From 1474 to 1477 Laura spent three years in
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worked. He then went to
Marseille, where he built a small chapel in the
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After an apprenticeship under a sculptor, he began his solo career at
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In 1471 he traveled to Naples where he executed the sculpture of the
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Oxford
University Press, 10/giu/2004. p. 395. Web. 5 November 2013.
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Croatia: Aspects of Art, Architecture and
Cultural Heritage
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Encyclopædia
Britannica. Encyclopædia Britannica Online.
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408:Encyclopædia Britannica, 2011. Web. 16 May. 2011.
81:, and finally in southern France, where he died.
27:showing the stylized oval face typical of Laurana
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453:Clarendon P., 1970. p. 57. Web. 5 November 2013.
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65:sculptor. Though born in the territory of the
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549:Half-length Bust of the infant Saint Cyricus
329:. Scala - Michigan University. p. 58.
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471:The Renaissance of Roman Architecture.
125:. Under Venetian rule Vrana was named
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262:Some bear dates 1461, 1463 and 1466.
522:An Outline of European Architecture
377:Grove Art, Oxford University Press.
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457:Italian sculptor Francesco Laurana
187:, and a bust allegedly portraying
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163:From 1466 to 1471 Laurana was in
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551:(Getty Museum); biographic notes
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160:of personages at the court.
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596:Italian male sculptors
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418:"LAURANA, Francesco."
403:"Francesco Laurana."
374:"Francesco Laurana".
237:or Avignon, in 1502.
206:, where his relative
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36:Francesco de la Vrana
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195:in Palermo, Sicily.
113:Laurana was born in
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509:Numismatic Circular
350:Britannica (2002).
146:Alfonso V of Aragon
621:Catholic sculptors
606:Italian medallists
581:Croatian sculptors
576:Dalmatian Italians
520:Nikolaus Pevsner.
423:Web. 16 May. 2011.
387:Web. 16 May. 2011.
383:2017-07-26 at the
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67:Republic of Venice
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601:People from Zadar
543:Francesco Laurana
447:Osborne, Harold.
271:Signed and dated.
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189:Eleanor of Aragon
177:Madonna and Child
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183:(1471) and
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303:References
235:Marseille
55:medallist
48:Dalmatian
381:Archived
291:See also
127:La Vrana
123:Dalmatia
109:, Naples
59:Croatian
51:sculptor
40:Croatian
228:Le Mans
220:Avignon
216:retable
181:Palermo
173:Sciacca
169:Palermo
131:romance
129:, from
117:, near
92:realism
63:Italian
61:and an
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204:Urbino
200:Virgin
165:Sicily
158:medals
138:Naples
79:Urbino
77:, and
75:Sicily
71:Naples
25:Louvre
241:Notes
226:, in
121:, in
119:Zadar
115:Vrana
87:busts
490:ISBN
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356:ISBN
331:ISBN
185:Noto
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
