293:) and participated in many exhibitions. in 1963, on the advice of Liu Guosong, a painter and the Group’s theorist, he abandoned painting with oil on canvas and returned to the traditional Chinese technique of ink painting. Fong Chung-Ray then invented a brush made from palm tree fibres, which added a highly personal touch and a rougher quality to his sweeps of colour. The abstract ink works from this period, with their blend of subtle colouring, dynamic strokes, wet sweeps of colour, and poetry, were rooted directly in the tradition of the Chinese master landscape painters.
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The effects of time on materials and an exploration of the technique of collages and imprints have become fundamental aspects of his artistic approach. By going beyond the formal representation of nature, Fong Chung-Ray has revived the spiritual essence that emanates from the paintings by the great
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Fong Chung-Ray's passion for art and inquiring mind led him to take an interest in
Western abstract art, which he discovered through reading journals and books, available in the American Library in Taipei. In 1957, he founded the Four Seas Artists Association with his friend, Hu Chi-Chung. During
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grant that enabled him to travel to Europe and the united States. When he settled in San
Francisco in 1975, he began to work with acrylic paint. Initially, his work focused on abstract landscapes, but he gradually moved away from this movement when he turned to Buddhist spirituality. This fresh
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621:. Edited by Jeffrey Weschler.Harry N. Abrams, Inc., Publishers, in association with the Jane Voorhees Zimmerli Art Museum, Rutgers, The State University of New Jersey. 1997.
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this period, he experimented with abstraction and used new
Western techniques, such as painting with oil on canvas. In 1961, he became a member of the Wuyue Group (
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A Tradition
Redefined, Modern and Contemporary Chinese Ink Paintings from the Chu-tsing Li Collection 1950-2000, Edited by Robert D.Mowry, Yale University Press.
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1972 Musée d'art de San Diego, San Diego, Californie, États-Unis
Galerie Lee Nordness, New York, États-Unis Galerie Downtown, Honolulu, Hawaii, États-Unis
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when he enlisted as a lieutenant in the navy. As the army moved to different locations and various political events occurred, he settled in Taiwan in 1949.
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1975 Galerie du siège mondial de la Banque d’Amérique, San
Francisco, Californie, États-Unis Commission des Beaux-Arts, Scottsdale, Arizona, États-Unis
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source of inspiration resulted in a more abstract approach, related to temporality, which he studied in the sacred texts.
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1983 Galerie M. M. Shinno, Los
Angeles, Californie, États-Unis Galerie Nouveau Monde, Carmel, Californie, États-Unis
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688:. Vazieux, Sabine., Huang, Chiu-Chen., Harambourg, Lydia., Musée d'Ixelles. Bruxelles: Éditions Racine. 2017.
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268:; born 1933) is a Chinese artist regarded as one of the pioneers of abstraction in Chinese painting.
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From China to Taiwan, 1955-1985 : les pionniers de l'abstraction = pioneers of abstraction
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At the age of 14, Fong Chung-Ray was obliged to leave his family and go into exile, due to the
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Asian traditions/ modern expressions : Asian
American Artists and Abstractions, 1945-1970
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Arthur M. Sackler Museum, Harvard
University, Boston, Massachusetts, United States
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San
Francisco State University Gallery, San Francisco, United States
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1990 Galerie d’art moderne de Carmel, Carmel, Californie, États-Unis
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San Diego Museum of Fine Arts, San Diego, California, United States
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1984/86 Galerie M. M. Shinno, Los Angeles, Californie, États-Unis
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1979 Galerie M. M. Shinno, Los Angeles, Californie, États-Unis
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from the article and its talk page, especially if potentially
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National Gallery of Art and Museum of History, Taipei, Taiwan
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1978 Galerie Triangle, San Francisco, Californie, États-Unis
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1982 Galerie Triangle, San Francisco, Californie, États-Unis
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2004 Galerie Triangle, San Francisco, Californie, États-Unis
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Baltimore Museum of Art, Baltimore, Maryland, United States
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1992 Galerie Allrich, San Francisco, Californie, États-Unis
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Asian Art Museum, San Francisco, California, United States
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The Modernist Wave. Taiwan Art in the 1950s and 1960s.
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The Denver Art Museum, Denver, Colorado, United States
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Shenzhen Fine Art Research Institute, Shenzhen, China
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1987 Galeries Landell, Carmel, Californie, États-Unis
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National Taiwan Museum of Fine Art, Taichung, Taiwan
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1965 Centre d’art national de Taïwan, Taipei, Taïwan
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2015 Art Taipei, Modern Art Gallery, Taipei, Taiwan
305:old masters and invites the viewer to contemplate.
543:Moderne chinese artists, a biographical dictionary
393:M.H. De Young Museum, San Francisco, United States
362:1973 Galerie Marianne Schreiber, Munich, Allemagne
451:The Allrich Gallery, San Francisco, United States
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448:Gallery On The Rim, San Francisco, United States
445:Triangle Gallery, San Francisco, United States
359:1974 Musée national d’histoire, Taipei, Taïwan
314:2015 Galerie Du Monde, RAS de Hong Kong, Chine
439:Dr. Sun Yat San Memorial Hall, Taipei, Taiwan
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768:: CS1 maint: multiple names: authors list (
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737:Fong Chung Ray : a retrospective, 2015
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560:Formless Form : Taiwanese Abstract Art
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320:2014 Modern Art Gallery, Taichung, Taiwan
245:Learn how and when to remove this message
227:Learn how and when to remove this message
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545:. University of California Press. 2006.
534:. University of California Press, 2012.
368:1968 Galerie Magic Touch, Taipei, TaĂŻwan
70:This article includes a list of general
489:. Somogy, Ă©ditions d'art. Paris. 2013,
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