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189:, exclaiming, "How the devil do you hold this thing, Monsieur Duport?" Duport was so obviously afraid that Napoleon would damage it, that Napoleon laughingly returned it to the cellist's more careful hands. Actually, Napoleon had made a small dent in the ribs of the cello, which may still be seen in the instrument. It was later owned by
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for two cellos, of various difficulty levels. The work has been translated into
English and German, and is widely accepted as the most influential pedagogical work for the instrument.
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5 cello sonatas, which proved to be a defining point in
Beethoven's treatment of the cello in his scores, and also altered the cello's role to become a true solo instrument.
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Mara Parker, "Carlo
Graziani and the Quest for Ideal Employment," International Review of the Aesthetics and Sociology of Music 39, No. 1 (June 2008): 31-56.
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Mary Cyr and
Valerie Walden. "Duport." In Grove Music Online. Oxford Music Online. (Oxford University Press, 2007-2012). Accessed October 14th, 2012.
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in Paris in 1806. The French text of 175 pages discusses in detail a wide range of aspects of cello technique, and is followed by 21
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Miranda Wilson, "The Cello Works that Sealed a
Maestro's Reputation for Genius," Strings 26, no. 10 (2012): 25-28.
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that constitute the final part of the "Essai sur le doigté du violoncelle et sur la conduite de l'archet" ("
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Essay on the fingering of the violoncello and on the conduct of the bow
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Essay on the fingering of the violoncello and on the conduct of the bow
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A biography of the Duport brothers at the
Internet Cello Society
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This article about a French classical musician is a
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
