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434:. In 1947, while scouting locations for a fashion shoot, Haas and Morath witnessed prisoners of war disembarking a train and began documenting their arrival. Haasâs images show the anticipation and grief of people searching for their lost relatives among the survivors. The resulting photo essay, âHomecoming,â was published in both
364:, he attended technical classes and developed an interest in filmmaking. Haas also took advantage of his family's extensive library, as well as museums and libraries in Vienna. He studied philosophy and poetry, in particular, both of which informed his beliefs about the creative potential for photography.
835:, first published in 1971, presented 106 color photographs made throughout the world, organized into an expressive, poetic sequence. The book was produced in multiple editions in numerous languages through 1988, selling over 350,000 copies to become one of the best-selling photography books of all time.
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magazine praised its success as a television program, for Haas combined seeing with hearing. Throughout the series, Haas demonstrated what makes a successful photograph, illustrating how images can be transformed by the slightest variations of technique, perspective, or choice of tools and materials.
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in Suez in 1959, Haas was named the fourth president of Magnum. He made significant and lasting contributions to the organization as its leader. Haas had a deep understanding of the cooperative's mission and encouraged its members to strive for excellence and innovation. In a letter to the members of
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After carrying out assignments in Vienna and London, Haas conceived an extensive project about
America. Visas to the United States were difficult to obtain, but in 1950 Robert Capa appointed him Magnum's U.S. vice president. With this position, Haas was able to obtain the proper documentation, and he
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I never really wanted to be a photographer. It slowly grew out of the compromise of a boy who desired to combine two goalsâexplorer or painter. I wanted to travel, see and experience. What better profession could there be than the one of a photographer, almost a painter in a hurry, overwhelmed by too
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Haas was sent to a German army labor camp, working six hours a day in exchange for two daily hours of school attendance. He left the service in 1940 and returned to Vienna to study medicine. Haas was only able to complete one year of medical school before he was forced out as a result of his Jewish
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Every one of us wants to take beautiful, striking, extraordinary pictures. Every one of us is struggling with his own style. Changes donât come purely by will power alone, but they never come by being satisfied. Let us be more critical with each other: it will bring us closer. Let us find a new
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Haas was raised in the cultural climate of Vienna before World War II. His parents, who placed great value upon education and the arts, encouraged his creative pursuits from an early age. His father enjoyed music and photography, and his mother wrote poetry and aspired to be an artist. Haas's
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as âLand of
Enchantmentâ in a six-page spread, was well received by readers and prompted the magazine to initiate another project. According to writer (and early Magnum employee) Inge Bondi, Haasâ Western chronicle was the first major story he created based on his own instinct and at his own
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Haas supported his adventurous personal work with commercially viable photojournalism, advertising, and motion picture stills photography. While on such assignments, he would make his own photographs, translating his passion for poetry, music, painting, and adventure into color imagery. His
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Asia House
Gallery, New York. Under the auspices of The American Federation of Arts traveled to Grand Valley State College, Allingdale, Mich.; Royal Ontario Museum, Toronto; Stephens College, Columbia, Mo.; University of Manitoba, Canada; Kent School Kent, Conn.; University of Arkansas,
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After suffering a stroke in
December 1985, Haas concentrated on layouts for two books he wanted to publish, one featuring his black and white photographs, the other his color. At the time of his death from a stroke on September 12, 1986, he had been preparing to write his autobiography.
610:, improved the quality of their color reproduction, and increasingly sought to include his work in the medium. Despite this progress, many photographers, curators, and historians were initially reluctant to consider color photography as art, given the technology's commercial origins.
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Once back in New York, Haas purchased color film to begin a new project. He had experimented with color as early as 1949, but this would be his first opportunity to work with what was still a scarce and expensive medium. Haas spent two months photographing New York, and in 1953
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Haas was uninterested in learning photography as a child, though his father tried to encourage him. Upon his father's death in 1940, Haas first entered the darkroom, learning to print old family negatives. His interest grew, and he soon began to take his own photographs.
340:, a private school in Vienna, where he studied art, literature, poetry, philosophy, and science. His formal education was interrupted in 1938, when the school was closed following Germany's invasion of Austria. The following year, Haas received his diploma from
409:âs images of Berlin after the war. Influenced by Bischof's work, Haas began to consider how an image could simultaneously tell a story and function as an autonomous work of art. When Haas returned home, he similarly documented the warâs effects in Vienna.
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ran a 12-page spread. He became interested in, as he put it, "transforming an object from what it is to what you want it to be." Beyond the physical place, person, or object he depicted, Haas hoped to reflect the joy of looking and of human experience.
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Unsure of his career path, Haas realized that photography could provide both a means of support and a vehicle for communicating his ideas. He obtained his first camera in 1946, at the age of 25, trading a 20-pound block of margarine for a
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teachers had him act as a judge, rather than a participant, in artistic competitions among his peers. As a painter, he had particular interest in an artwork's formal qualities, and developed a refined sense of composition and perspective.
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By the time of Haas's arrival, the streets of New York had already become a popular subject for photographers who sought to document all aspects of life. His approach was less direct and confrontational than that of colleagues such as
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In addition to editorial journalism and unit stills work, Haas was also highly regarded for advertising photography, contributing groundbreaking campaigns for
Volkswagen automobiles and Marlboro cigarettes, among other clients.
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published his vivid images. Titled âImages of a Magic City,â the sprawling 24-page story spanned two issues. According to critic Andy
Grundberg, these images âbrought photography into the precincts of abstract expressionism.â
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in New Mexico, planning to photograph Native
Americans. Working with the vast area's changing light and clouds, Haas also photographed symbols, local details, and tourist oddities. His finished photo essay, published by
1012:âlong sequences of projected imagery with accompanying soundtracks, dissolving from one image into the next. "I love music," he explained, "and with my audiovisual presentation I can combine music and photography.â
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Though Haas continued to use black-and-white film for much of his career, color film and visual experimentalism became integral to his photography. He frequently employed techniques like shallow depth of field,
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In 1951 Haas married the
Hungarian countess Antoinette Wenckheim. They later divorced, and in 1962 Haas married Cynthia Buehr Seneque, an American editor. They had two children, Alexander and Victoria.
456:, the war photographer, Haas's âHomecomingâ photographs before they were published. Upon reviewing his work, Capa invited Haas to travel to Paris and join the international photographic cooperative
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editor Wilson Hicks, Haas wrote âWhat I want is to stay free, so that I can carry out my ideas... I donât think there are many editors who could give me the assignments I give myself...â
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As the technology of color photography evolved and improved during this period, audience interest in color imagery increased. Many of the magazines that published Haasâ work, such as
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Haas was inspired and fascinated by the natural world, and took photographs of the elements throughout his career. Inspired in part by his involvement in John Huston's 1966 film
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process whenever possible. An expensive, complex process most frequently used at the time for advertising, dye transfer allowed for great control over color hue and saturation.
512:. Wrote critic A.D. Coleman, â was a lyric poet pursuing a photographic equivalent of gestural drawing, utilizing such photographic effects as softness of focus, selective
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an exhibition organized by Kodak that traveled to Mexico, England, France, Germany, Austria, Spain, the
Netherlands, Belgium, Finland, Southeast Asia, Japan, and Brazil
2004:
374:, was particularly important to Haas's early development. Many of his first extant photographsâclose-ups of plants, water, and natural formsâreflect its influence.
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died in a car accident in the Andes. Following their deaths, Haas was elected to Magnum's board of directors and traveled to
Indochina himself to cover the war.
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Though his formal education was complicated by the war, Haas was an autodidact and worked to learn the medium. In 1941, as the âschool photographerâ of the
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281:. During his 40-year career Haas trod the line between photojournalism and art photography. In addition to his coverage of events around the globe after
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329:, on March 2, 1921. He was the son of Ernst Haas, a high-level civil servant, and Frederike Haas-Zipser. He had an older brother named Fritz Haas.
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1085:. In 1998 the Ernst Haas Studio archive was sent to London to be housed at the Hulton Getty Picture Library as part of a licensing agreement with
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in Vienna, where he had a part-time position teaching photography to soldiers. Taking a portfolio of his work to Zurich, he drew the interest of
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reputation on the rise, Haas traveled the world, photographing the U.S., Europe, South Africa, and Southeast Asia in expressionistic color.
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many constantly changing impressions? But all my inspirational influences came much more from all the arts than from photo magazines.
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1000:. Six years before his death, he met Takiko Kawai, who he credited with introducing him to the culture and traditions of Japan.
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In 1954 Robert Capa, Magnum's first president, was killed while on assignment covering the First Indochina War. That same year,
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rangefinder camera, which he used consistently for the rest of his career. Once he began working in color, he most often used
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arrived in New York in May of that year. The first images Haas took in the United States showed fellow immigrants arriving at
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A number of awards have been created in Haas's honor, including the Ernst Haas Award for Creative Photography by the
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Gisela Minke, a German-born airline stewardess, was Haas's companion for many years. She encouraged his interest in
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with Daniel Wolf Press. He also began work on a book devoted to Japan and a project illustrating the poetry of
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313:(1971), remains one of the most successful photography books ever published, selling more than 350,000 copies.
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selection of photography by Bryan Holme (1946), which combined poetry with metaphoric imagery by artists like
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722:âs final year as director of the museum's Department of Photography. It was realized by Steichenâs successor
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and, in 1962, were the subject of the first single-artist exhibition of color photography at New York's
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In 1962, the year of his retrospective at the Museum of Modern Art, Haas was invited to write and host
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common denominator in the struggle, not to follow our own standards of invention. Donât coverâdiscover!
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1724:(After the War), Museum des 20 Jahrhunderts; Kulturhaus, Kulturamt der Stadt, Graz, Vienna and Graz
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While Haas would continue traveling for his work, he lived the rest of his life in New York City.
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Haas was an early innovator in color photography. His images were carried by magazines like
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International Museum of Photography at the George Eastman House, Rochester, New York, US
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1337:. The American Wilderness, edited by Robert Wallace. New York: Time-Life Books, 1972.
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The Ernst Haas Estate is operated by his children, Alexander Haas and Victoria Haas.
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2571:", Design Observer Group Observatory, January 19, 2012. Retrieved February 23, 2013.
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1964: Ernst Haas/Color Photography, St. Louis, Steinberg Hall, Washington University
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Before his solo exhibition at MoMA, Haas had been included in Steichen's exhibition
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1355:. The American Wilderness, edited by Edward Abbey. New York: Time-Life Books, 1973.
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International Center of Photography, and Port Washington Public Library, New York
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In 1958, Haas was listed as one of the 10 greatest photographers in the world by
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405:. After reviewing his photographs, KĂŒbler introduced Haas to Swiss photographer
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The Most Beautiful Places in the World: Impressions of Ten Master Photographers
1508:. Rev. ed. Life Library of Photography. Alexandria, Va.: Time-Life Books, 1983.
1502:. Rev. ed. Life Library of Photography. Alexandria, Va.: Time-Life Books, 1983.
1457:. rev. ed. Life Library of Photography. Alexandria, Va.: Time-Life Books, 1981.
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In 1980 Haas published a limited edition portfolio of dye transfer prints from
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599:, known for its rich, saturated colors. To print his color work, Haas used the
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1489:. Rev. ed. Life Library of Photography. Alexandria, Va. Time-Life Books, 1982.
1463:. Rev. ed. Life Library of Photography. Alexandria, Va. Time-Life Books, 1981.
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1374:. The Great Cities, edited by Aubrey Menen. Amsterdam: Time-Life Books, 1976.
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in New York presented a ten-year survey of Haas's color photography. Titled
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1437:. Tucson: Center for Creative Photography, The University of Arizona, 1980.
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The Cultural Award of the Deutsche Gesellschaft fĂŒr Photographie (DGPh)
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1624: in this section. Unsourced material may be challenged and removed.
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2637:". Deutsche Gesellschaft fĂŒr Photographie e.V.. Accessed 7 March 2017.
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Contour and Colour: Ernst Haas. An Exhibition of Colour Photography,
1750:(Returning Soldiers), Landesgalerie im Schloss Esterhazy, Eisenstadt
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1362:. Wien, Hamburg, and DĂŒsseldorf: Paul Zsolnay and Econ Verlag, 1975.
1089:. In 1999 the Ernst Haas Memorial Collection was established at the
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Haas also taught frequently at photography workshops, including the
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At the same time, Haas was offered a staff photographer position at
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Western States Museum of Photography, Santa Barbara, California, US
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Ernst Haas: A Photography Retrospective, Post war Vienna 1945â1948,
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sponsored by Eastman Kodak, exhibited on five different continents.
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Haas was a respected stills photographer for many films, including
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In the early 1970s Haas became interested in creating audiovisual
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reCREATION: The first color photography exhibition at MoMA, 1962
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Westinghouse Electric Corporation, Pittsburgh, Pennsylvania, US
1343:. Life Library of Photography. New York: Time-Life Books, 1972.
1324:. Life Library of Photography. New York: Time-Life Books, 1971.
1318:. Life Library of Photography. New York: Time-Life Books, 1971.
1312:. Life Library of Photography. New York: Time-Life Books, 1971.
1299:. Life Library of Photography. New York: Time-Life Books, 1970.
1293:. Life Library of Photography. New York: Time-Life Books, 1970.
1287:. Life Library of Photography. New York: Time-Life Books, 1970.
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travelling exhibition, sponsored by Mainichi Newspapers, Japan
472:, Werner Bischof, and William Vandivert were already members.
273:(March 2, 1921 â September 12, 1986) was an Austrian-American
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483:âs restrictive scope. Describing his decision in a letter to
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curated by William Ewing, New York Photo Festival, New York
1962:(A World in Ruins), Museum der Moderne, Rupertinum, Salzburg
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on the Vienna black market. Of the decision, he later said:
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1967:
reCREATION: The first color photography exhibition at MoMA,
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1973: Ăsterreichisches Museum fĂŒr Angewandte Kunst, Vienna
1217:. Introduction by Jim Hughes. Boston: Little, Brown, 1992.
1077:(ASMP); and the Ernst Haas Photographers Grant, funded by
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employed Haas as a second-unit director for his 1966 film
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Haas, Ernst (1992). Haas, Alexander; Hughes, Jim (eds.).
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New Zealand Center for Photography, Auckland, New Zealand
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Duncan Miller Gallery, Bergamot Station, Santa Monica, CA
1188:, text by Gisela Minke. New York: The Viking Press, 1978.
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Haas' work is held in the following public collections:
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Realms of Light: A Collection of Poetry through the Ages
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735:, which premiered in 1955 and traveled to 38 countries.
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In the late 1940s, Haas switched from his medium format
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Erna and Victor Hasselblad Foundation, Goteborg, Sweden
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Provincial Museum Voor Kunstambachten, Antwerp, Belgium
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2624:", Hasselblad Foundation. Retrieved February 22, 2013.
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Mint Museum of Fine Art, Charlotte, North Carolina, US
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1947: American Red Cross Headquarters, Vienna, Austria
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In Our Time: The World as Seen by Magnum Photographers
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Samuel S. Walker (text) and Ernst Haas (photographs).
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Erunsuto HÄsu ten: Shashin de kanaderu shikasai no shi
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Leica Medal of Excellence: Master of Photography, 1986
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Matthew Butson Interviews Ernst Haas's Son, Alex Haas
2719:"A Painter in a Hurry: The Photography of Ernst Haas"
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Wilson Hicks Medal from the University of Miami, 1978
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1543:. New York International Center of Photography,1988.
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In 1952 Haas hitchhiked across the United States to
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Kimberly-Clark Corporation, St. Louis, Missouri, US
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The Exchange National Bank of Chicago, Illinois, US
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Basia Embiricos Gallery and Photo 12 Gallery, Paris
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2001: Ann Shanks Photography Gallery, Sheffield, MA
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Western States Museum of Photography, Santa Barbara
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Photography of the Fifties: An American Perspective
861:, whose writings inspired him throughout his life.
391:In 1947 Haas presented his first exhibition at the
60:. Unsourced material may be challenged and removed.
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1876:1993: The Camera Obscura Gallery, Denver, Colorado
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2407:Ernst Haas Website: The Photography of Ernst Haas
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2206:Missouri Botanical Garden, St Louis, Missouri, US
2176:International Center of Photography, New York, US
1847:Silver Visions Gallery, Newton Upper Falls, Mass.
1738:1973: Photomuseum im Munchner Stadtmuseum, Munich
1416:. London: British Broadcasting Corporation, 1978.
795:), to visualize the section devoted to creation.
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1541:Master Photographs from Pfa Exhibitions, 1959-67
1195:The Great Photographers. London: Collins, 1983.
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2212:Rupertinum Salzburger Museum, Salzburg, Austria
1816:(Returning Soldiers), Galerie Fotohof, Salzburg
1165:. Revised ed. New York: The Viking Press, 1983.
864:Posthumous books of Haasâ photographs include:
2227:National Portrait Gallery, Washington D.C., US
2209:Museum of Fine Art, St Petersburg, Florida, US
2158:Museum of Fine Arts, Boston, Massachusetts, US
1879:1994: Kathleen Ewing Gallery, Washington, D.C.
1873:International Center of Photography, New York
1392:Was die Menschheit Bewegt: Wir in unserer Welt
1385:Was die Menschheit Bewegt: Ich und die Anderen
1281:. Darmstadt: Deutsche Buch-Gemeinschaft, 1964.
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554:Technique and innovations in color photography
479:. He decided he did not want to be limited by
424:Haas obtained assignments from magazines like
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2224:Corcoran Gallery of Art, Washington, D.C., US
2197:Squibb Corporation, Princeton, New Jersey, US
1936:Ann Shanks Photography Gallery, Sheffield, MA
1854:Museum des 20. Jahrhunderts, Vienna, Austria
1492:George Walsh and Colin Naylor, Michael Held.
1105:Newhouse Award from Syracuse University, 1958
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2194:Reader's Digest, Pleasantville, New York, US
2179:The Metropolitan Museum of Art, New York, US
1953:Ernst Haas: A Re-Creation Part 1 and Part 2,
1866:Rshsska Konstslsjdmuseet, Gothenborg, Sweden
1833:Rochester Institute of Technology, Rochester
1580:. New York: ICP, and Boston: Bulfinch, 1999.
399:, the first editor in chief of the magazine
301:. He served as president of the cooperative
2185:Philip Morris Companies, Inc., New York, US
2116:. Unsourced material may be challenged and
2026:2011: Weston Gallery, Carmel-by-the-Sea, CA
1762:Ernst Haas: Postwar Photographs, 1945â1949,
1555:Appearances: Fashion Photography since 1945
1274:. New York: The Museum of Modern Art, 1955.
956:. Unsourced material may be challenged and
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652:. Unsourced material may be challenged and
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3241:American people of Austrian-Jewish descent
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2014:Exhibition from the book Color Correction,
1707:Angkor and Bali: Two Worlds of Ernst Haas,
1522:, Photovision, vol 2. Tokyo: Olympus,1984.
430:, often working with fellow correspondent
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2807:Hasselblad Award Winner : Ernst Haas
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2548:(PDF), MoMA. Retrieved February 23, 2013.
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2136:Learn how and when to remove this message
1640:Learn how and when to remove this message
1118:Hasselblad Photographer of the Year, 1986
996:, and their travels resulted in the book
976:Learn how and when to remove this message
672:Learn how and when to remove this message
120:Learn how and when to remove this message
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2173:The National Museum of Art, Kyoto, Japan
1929:New York, Soho Triad Fine Arts, New York
1915:Michael Hoppen Photography, London, U.K.
1565:Eyewitness, 150 Years of Photojournalism
1469:. Alexandria, Va. Time-Life Books, 1981.
1279:Grosse Photographen unseres Jahrhunderts
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3251:Austrian emigrants to the United States
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2648:"Cartier-Bresson: A Question of Colour"
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1976:Hollywood, Farmani Gallery, Los Angeles
1882:1994: Etherton Gallery, Tucson, Arizona
1476:, dumont foto 3, Cologne: DuMont, 1981.
1423:. Reading, Mass.: Addison-Wesley, 1979.
1231:). Tokyo: Pacific Press Service, 1993.
1075:American Society of Media Photographers
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516:, and overexposure to telling effect.â
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2674:International Photography Hall of Fame
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2231:International Photography Hall of Fame
2182:The Museum of Modern Art, New York, US
2155:Royal Society of Photography, Bath, UK
1934:Ernst Haas: Color and Black and White,
1529:. Auckland, New Zealand: Collins,1986.
1419:The Editors of Eastman Kodak Company.
1401:. New York: Walker and Company, 1978.
1304:The Beautiful Country: Maine to Hawaii
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2781:Grundberg, Andy (14 September 1986).
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2703:. Ziff-Davis Books. pp. 134â135.
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2473:Grundberg, Andy (14 September 1986).
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2188:Citibank Art Collection, New York, US
2068:Cartier-Bresson: A Question of Colour
2023:Portland Museum of Art, Portland, ME
1852:Ernst Haas (1921â1986) Photographien,
1539:International Center of Photography.
1496:. New York: St. Martin s Press, 1982.
1265:Publications with photographs by Haas
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2562:Ernst Haas and the color underground
2524:, 2012. Retrieved February 23, 2013.
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2221:Museum Modern Kunst, Vienna, Austria
2218:National Museum of Art, Tokyo, Japan
2114:adding citations to reliable sources
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1908:A.O.I. Gallery, Santa Fe, New Mexico
1901:A.O.I. Gallery, Santa Fe, New Mexico
1622:adding citations to reliable sources
1593:
1252:, 2011. Edited by William A. Ewing.
1213:Alexander Haas and Jim Hughes, eds.
1158:. New York: The Viking Press, 1971.
1131:Publications by, or devoted to, Haas
954:adding citations to reliable sources
921:
650:adding citations to reliable sources
617:
58:adding citations to reliable sources
29:
3276:20th-century American photographers
3271:20th-century Austrian photographers
2738:. Ernst Haas Estate. Archived from
2712:. Grossman Publishers. pp. __.
2252:"Ernst Haas: Master of photography"
2016:Arles Photo Festival, Arles, France
1969:Bruce Silverstein Gallery, New York
1955:Bruce Silverstein Gallery, New York
1899:Unpublished Black and White Images,
1776:Ernst Haas: An American Experience,
1589:
1563:Richard Lacayo and George Russell.
1472:Renate Gruber and L. Fritz Gruber.
1451:. New York: Ziff-Davis Books, 1981.
1306:. New York: The Viking Press, 1970.
1260:. With an essay by Phillip Prodger.
1181:. New York: The Viking Press, 1977.
1174:. New York: The Viking Press, 1975.
884:Television appearances and teaching
13:
1894:Howard Greenberg Gallery, New York
1678:New York, the Museum of Modern Art
1567:. New York, N.Y.: Time Books 1995.
1483:, 2 vols. Munchen: proSport, 1981.
1430:, 2 vols. Munchen: proSport, 1979.
1380:. New York: Time-Life Books, 1976.
1368:. New York: Time-Life Books, 1975.
1349:. New York: Time-Life Books, 1972.
1099:
739:Advertising and stills photography
14:
3287:
2795:
1960:Ernst Haas: Eine Welt in TrĂŒmmern
1857:1996: Neue Galerie der Stadt Linz
1840:Larry Kauffman Galleries, Houston
1536:. New York: Friendly Press, 1986.
336:From 1935 to 1938, Haas attended
215:Cynthia Buehr Seneque (1962â1965)
19:For the political scientist, see
3266:Photographers from New York City
2847:New York City Street Photography
2758:. The Viking Press. p. 147.
2086:
1819:1984: St. Louis Botanical Garden
1598:
1584:
926:
838:Haas also issued the monographs
622:
490:
447:
260:
213:Antoinette Wenckheim (1951â1962)
34:
3221:American portrait photographers
2662:
2640:
2167:Museum Ludwig, Cologne, Germany
1892:American Photographs 1950â1975,
1809:Elayne Art Gallery, Minneapolis
1609:needs additional citations for
1358:Hellmut Andics and Ernst Haas.
1125:
45:needs additional citations for
2244:
2074:
1871:Ernst Haas in Black and White,
1676:Ernst Haas: Color Photography,
1669:Ernst Haas: Color Photography,
1511:Roland Wolf and Elfie E Wolf.
1440:Roland Wolf and Karl Wadosch.
1138:Erunsuto HÄsu: KarÄ shashinten
1110:German Society for Photography
705:
1:
2765:Ernst Haas in Black and White
2542:Ernst Haas: Color Photography
2237:
1995:Ernst Haas: Color Correction,
1946:2002: Maison des Arts, ?
1467:Photography Year 1981 Edition
1378:Photography Year/1976 Edition
1366:Photography Year/1975 Edition
1347:Photography Year/1973 Edition
1215:Ernst Haas in Black and White
870:Ernst Haas in Black and White
866:Ernst Haas: Color Photographs
716:Ernst Haas: Color Photography
533:White Sands National Monument
2774:Ernst Haas: Color Correction
2710:The Concerned Photographer 2
2699:Campbell, Bryn, ed. (1981).
2511:Ernst Haas: Color Correction
2256:The Independent Photographer
2063:Monroe Gallery, Santa Fe, NM
2042:Museum der Moderne, Salzburg
1906:Rediscovery of a New Vision,
1800:The Creation and Other Dyes,
1764:Austrian Institute, New York
1329:The Concerned Photographer 2
1108:The Cultural Award from the
1083:Maine Photographic Workshops
904:Maine Photographic Workshops
878:Ernst Haas: Color Correction
7:
2000:2011: Atlas Gallery, London
1683:Ernst Haas: World of Color,
1515:. Nlunchen: proSport, 1983.
1331:. New York: Grossman, 1972.
786:The Bible: In the Beginning
352:Introduction to photography
23:. For the Swiss rower, see
10:
3292:
2842:Ernst Haas at Getty Images
2772:Ewing, William A. (2011).
1722:Ernst Haas: Nach dem Krieg
1557:. New York: Rizzoli, 1991.
1494:Contemporary Photographers
1474:Das imaginÀre Photo-Museum
1444:. Munchen: proSport, 1980.
1394:. Munchen: proSport, 1977.
1387:. Munchen: proSport, 1977.
362:Max Reinhardt Film Seminar
18:
3261:Austrian photojournalists
3246:American photojournalists
3169:
3098:
3027:
2956:
2891:
1981:Ernst Haas, Total Vision,
1729:Ernst Haas: Die Schöpfung
1717:Rizzoli Gallery, New York
1695:New York, The IBM Gallery
1226:
1210:. New York: Abrams, 1989.
1143:
1019:
876:(Photo Poche), 2010; and
259:
254:
238:
227:
219:
209:
201:
193:
174:
153:
141:
134:
2783:"Obituary of Ernst Haas"
2475:"Obituary of Ernst Haas"
2070:, Somerset House, London
1578:Reflections in Glass Eye
1573:, London: Phaidon, 1996.
1560:"The Spanish West". 1994
1546:William Manchester, ed.
1341:Frontiers of Photography
918:Personal life and family
317:Early life and education
2401:Coleman, A. D. (2000).
2233:, St.Lous, Missouri, US
2061:History's Big Pictures,
2005:Christophe Guye Galerie
1941:Ernst Haas Reflections,
1922:Connoly's, London, U.K.
1838:Ernst Haas Photographs,
1802:Space Gallery, New York
1771:Space Gallery, New York
1664:, travelling exhibition
1520:One Moment of the World
1479:Roland Wolf. Freiheit,
1239:. Exhibition catalogue
1148:). Tokyo: Seibu, 1962.
1070:just before his death.
3059:Bernd and Hilla Becher
2708:Capa, Cornell (1972).
2650:. Somerset House Trust
1814:Ernst Haas: Heimkehrer
1785:La FotogalerĂa, Madrid
1455:The Art of Photography
1428:Zukunft unserer Kinder
1421:The Joy of Photography
1316:Photographing Children
1091:Portland Museum of Art
912:Yosemite National Park
818:
806:and other publications
703:
567:
460:, then two years old.
452:Warren Trabant showed
421:
389:
2911:Henri Cartier-Bresson
2717:Coleman, A.D (2000).
2047:Ernst Haas: Classics,
1983:Atlas Gallery, London
1757:Kodak Gallery, London
1553:Martin Harrison, ed.
1414:Exploring Photography
1270:Edward Steichen, ed.
1040:Henri Cartier-Bresson
1030:magazine, along with
813:
698:
566:Pamplona, Spain, 1956
561:
462:Henri Cartier-Bresson
418:Homecoming Prisoners,
415:
384:
16:American photographer
3226:Magnum photographers
2917:Manuel Ălvarez Bravo
2754:Haas, Ernst (1971).
2732:"Biographical Essay"
2730:Bondi, Inge (2000).
2403:"Painter in a Hurry"
2349:"Biographical Essay"
2347:Bondi, Inge (2000).
2110:improve this section
1943:Art of this Century
1913:Only Time Will Tell,
1618:improve this article
1550:, W.W. Norton, 1989.
1527:Focus on New Zealand
1518:Olympus Optical Co.
1227:ăšă«ăłăčăăăŒăčć± ćçă§ć„ă§ăèČćœ©ăźè©©
1186:Himalayan Pilgrimage
998:Himalayan Pilgrimage
950:improve this section
848:Himalayan Pilgrimage
712:Museum of Modern Art
693:David âChimâ Seymour
646:improve this section
614:Leadership of Magnum
591:to the smaller 35mm
470:David âChimâ Seymour
299:Museum of Modern Art
54:improve this article
3236:Writers from Vienna
3231:Stock photographers
2544:(1962), reproduced
1500:Great Photographers
1447:Bryn Campbell, ed.
1310:Great Photographers
1027:Popular Photography
1004:Late life and death
691:After the death of
3006:Christer Strömholm
2787:The New York Times
2736:Ernst Haas Website
2723:Ernst Haas Website
2692:General references
2592:2017-04-26 at the
2540:Press release for
2516:2013-01-18 at the
2479:The New York Times
2353:Ernst Haas Website
1700:The Art of Seeing,
1660:Cologne, Germany,
1487:Travel Photography
1327:Cornell Capa, ed.
1136:Mainichi Shinbun.
859:Rainer Maria Rilke
819:
696:Magnum, he wrote:
568:
564:La Suerte De Capa,
422:
393:American Red Cross
279:color photographer
186:New York, New York
178:September 12, 1986
25:Ernst Haas (rower)
3198:
3197:
3136:Wolfgang Tillmans
3083:Graciela Iturbide
3012:William Eggleston
2947:SebastiĂŁo Salgado
2883:Laureates of the
2802:Ernst Haas Estate
2767:. Bulfinch Press.
2701:World Photography
2596:", Opinarte, 2005
2146:
2145:
2138:
2054:Group exhibitions
1650:
1649:
1642:
1525:Brian Brake, ed.
1449:World Photography
1277:L. Fritz Gruber.
1272:The Family of Man
1246:Color Correction.
1208:Color Photography
1044:Alfred Eisenstadt
986:
985:
978:
890:The Art of Seeing
732:The Family of Man
682:
681:
674:
321:Haas was born in
268:
267:
197:Austrian-American
130:
129:
122:
104:
3283:
3189:Carrie Mae Weems
3124:Joan Fontcuberta
3041:Hiroshi Sugimoto
2885:Hasselblad Award
2877:
2870:
2863:
2854:
2853:
2823:
2814:Color Correction
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2409:. Archived from
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2355:. Archived from
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1988:Force of Nature,
1731:(The Creation),
1693:Poetry in Color,
1645:
1638:
1634:
1631:
1625:
1602:
1594:
1590:Solo exhibitions
1571:Magnum Landscape
1532:Jay Maisel, ed.
1335:The Grand Canyon
1302:Arnold Ehrlich.
1297:The Great Themes
1242:
1230:
1229:
1228:
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1147:
1146:
1145:
1068:Hasselblad Award
1048:Philippe Halsman
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541:financial risk.
523:Assignments for
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3130:Miyako Ishiuchi
3094:
3071:David Goldblatt
3065:Lee Friedlander
3035:Boris Mikhailov
3023:
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2899:Lennart Nilsson
2887:
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1506:Photojournalism
1412:Bryn Campbell.
1360:Ende und Anfang
1267:
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1191:Bryn Campbell.
1149:
1144:ăšă«ăłăčăăăŒăč ă«ă©ăŒćçć±
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1100:Selected awards
1064:W. Eugene Smith
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720:Edward Steichen
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2970:Richard Avedon
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2742:on 2017-11-30
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2460:, p. 15.
2459:
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2448:, p. 14.
2447:
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2428:
2413:on 2017-11-30
2412:
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2359:on 2017-11-30
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2324:, p. 11.
2323:
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2310:Campbell 1981
2306:
2304:
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2147:
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2137:
2129:
2126:February 2013
2119:
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2100:
2095:This section
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2058:
2057:
2048:
2044:
2041:
2037:
2034:
2030:
2025:
2024:
2022:
2021:The Creation,
2018:
2015:
2011:
2006:
2002:
1999:
1998:
1996:
1992:
1989:
1985:
1982:
1978:
1975:
1971:
1968:
1964:
1961:
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1807:The Creation,
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1715:The Creation,
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1630:February 2013
1623:
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1613:
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1607:This section
1605:
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1596:
1595:
1579:
1576:Ellen Handy.
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1481:Die ich meine
1478:
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1462:
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1456:
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1436:
1432:
1429:
1426:Roland Wolf.
1425:
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1411:
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1396:
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1390:Roland Wolf.
1389:
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1383:Roland Wolf.
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1107:
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1103:
1097:
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1071:
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1066:. He won the
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966:February 2013
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829:Old Testament
826:
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815:The Creation,
812:
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796:
794:
793:
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782:
778:
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776:Heaven's Gate
772:
771:
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662:February 2013
655:
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631:This section
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511:
510:William Klein
507:
506:Lisette Model
501:
499:
491:United States
488:
486:
482:
478:
473:
471:
467:
466:George Rodger
463:
459:
458:Magnum Photos
455:
448:Magnum Photos
445:
443:
442:
437:
433:
429:
428:
419:
414:
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408:
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398:
397:Arnold KĂŒbler
394:
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372:Edward Weston
369:
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349:
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343:
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314:
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309:photographs,
308:
304:
303:Magnum Photos
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164:March 2, 1921
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81:
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71: â
70:
66:
65:Find sources:
59:
55:
49:
48:
43:This article
41:
37:
32:
31:
26:
22:
21:Ernst B. Haas
3177:Alfredo Jaar
3142:Stan Douglas
3106:Sophie Calle
3089:Robert Adams
3000:Robert Frank
2982:Sune Jonsson
2928:
2813:
2786:
2773:
2764:
2756:The Creation
2755:
2744:. Retrieved
2740:the original
2735:
2722:
2709:
2700:
2677:. Retrieved
2673:
2670:"Ernst Haas"
2664:
2652:. Retrieved
2642:
2629:
2601:
2541:
2478:
2453:
2441:
2415:. Retrieved
2411:the original
2406:
2361:. Retrieved
2357:the original
2352:
2317:
2286:
2281:, p. 9.
2260:. Retrieved
2258:. 2022-12-09
2255:
2246:
2132:
2123:
2108:Please help
2096:
2078:
2067:
2060:
2046:
2039:
2032:
2020:
2013:
1994:
1987:
1980:
1973:
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1714:
1710:Fayetteville
1706:
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1675:
1668:
1657:
1636:
1627:
1616:Please help
1611:verification
1608:
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1220:
1214:
1207:
1206:Ernst Haas.
1192:
1185:
1184:Ernst Haas.
1178:
1177:Ernst Haas.
1171:
1170:Ernst Haas.
1163:The Creation
1162:
1161:Ernst Haas.
1156:The Creation
1155:
1154:Ernst Haas.
1137:
1126:Publications
1112:(DGPh), 1972
1095:
1087:Getty Images
1072:
1052:Yousuf Karsh
1025:
1023:
1014:
1007:
997:
991:
987:
972:
963:
948:Please help
936:
910:Workshop in
901:
893:
889:
887:
877:
873:
869:
865:
863:
855:The Creation
854:
852:
847:
846:(1977), and
843:
839:
837:
833:The Creation
832:
822:
820:
814:
804:The Creation
803:
797:
790:
784:
774:
768:
762:
756:
750:
744:
742:
730:
728:
715:
710:In 1962 the
709:
699:
690:
683:
668:
659:
644:Please help
632:
607:
605:
601:dye transfer
586:
582:
576:
569:
563:
546:
543:
537:
530:
524:
518:
502:
498:Ellis Island
494:
484:
480:
476:
474:
451:
439:
435:
425:
423:
420:Vienna, 1947
417:
400:
390:
385:
376:
367:
366:
359:
355:
346:
338:LEH Grinzing
335:
331:
320:
311:The Creation
310:
292:
286:
283:World War II
270:
269:
205:Photographer
180:(1986-09-12)
148:Haas in 1986
116:
107:
97:
90:
83:
76:
69:"Ernst Haas"
64:
52:Please help
47:verification
44:
3216:1986 deaths
3211:1921 births
3154:Oscar Muñoz
3118:Paul Graham
2923:Irving Penn
2905:Ansel Adams
2812:Ernst Haas
2679:21 February
2654:22 February
2522:LensCulture
2075:Collections
2033:Ernst Haas,
1974:Ernst Haas,
1927:Ernst Haas,
1864:Ernst Haas,
1845:Ernst Haas,
1824:Ernst Haas,
1783:Ernst Haas,
1781:1976â1977:
1769:Ernst Haas,
1705:1968â1971:
1658:Ernst Haas,
1585:Exhibitions
1442:Lake Placid
1433:Helen Gee.
1248:Göttingen:
1193:Ernst Haas.
1060:Irving Penn
1032:Ansel Adams
908:Ansel Adams
831:. His book
781:John Huston
764:Hello Dolly
746:The Misfits
706:Exhibitions
454:Robert Capa
432:Inge Morath
246:.ernst-haas
194:Nationality
3205:Categories
3112:Walid Raad
3077:Nan Goldin
2929:Ernst Haas
2833:Ernst Haas
2746:2012-10-02
2622:Ernst Haas
2495:Ewing 2011
2417:2012-10-02
2363:2012-10-02
2262:2023-06-13
2238:References
1748:Ernst Haas
1735:, Cologne
1407:0802706193
1322:The Studio
1285:The Camera
1237:4938635402
1201:0004119363
1179:In Germany
1172:In America
1093:in Maine.
1010:slideshows
874:Ernst Haas
844:In Germany
840:In America
597:Kodachrome
589:Rolleiflex
444:magazine.
380:Rolleiflex
348:ancestry.
271:Ernst Haas
202:Occupation
160:1921-03-02
136:Ernst Haas
80:newspapers
3047:Jeff Wall
2776:. Steidl.
2606:Haas 1971
2458:Haas 1992
2446:Haas 1992
2434:Haas 1992
2380:Haas 1992
2322:Haas 1992
2291:Haas 1992
2279:Haas 1992
2097:does not
1795:, Cologne
1793:photokina
1733:photokina
1662:photokina
1081:, at the
1056:Gjon Mili
937:does not
824:The Bible
792:The Bible
758:Moby Dick
633:does not
255:Signature
210:Spouse(s)
110:July 2018
2590:Archived
2565:Archived
2514:Archived
2007:, Zurich
895:Newsweek
880:(2011).
872:(1992);
868:(1989);
850:(1978).
842:(1975),
789:(a.k.a.
527:magazine
220:Children
2829:(video)
2827:YouTube
2118:removed
2103:sources
2045:2012:
2031:2011:
2019:2011:
2012:2010:
1932:2001:
1513:Frieden
958:removed
943:sources
817:by Haas
654:removed
639:sources
327:Austria
307:volcano
239:Website
94:scholar
3191:(2023)
3185:(2022)
3179:(2020)
3162:(2019)
3156:(2018)
3150:(2017)
3144:(2016)
3138:(2015)
3132:(2014)
3126:(2013)
3120:(2012)
3114:(2011)
3108:(2010)
3091:(2009)
3085:(2008)
3079:(2007)
3073:(2006)
3067:(2005)
3061:(2004)
3055:(2003)
3049:(2002)
3043:(2001)
3037:(2000)
3020:(1999)
3014:(1998)
3008:(1997)
3002:(1996)
2996:(1995)
2990:(1994)
2984:(1993)
2978:(1992)
2972:(1991)
2966:(1990)
2949:(1989)
2943:(1988)
2937:(1987)
2931:(1986)
2925:(1985)
2919:(1984)
2913:(1982)
2907:(1981)
2901:(1980)
2066:2012:
2059:2011:
2038:2011:
2003:2012:
1993:2009:
1986:2009:
1979:2006:
1972:2006:
1965:2005:
1958:2002:
1951:2002:
1939:2001:
1925:2000:
1918:1999:
1911:1998:
1904:1994:
1897:1993:
1890:1992:
1869:1992:
1862:1987:
1850:1986:
1843:1986:
1836:1986:
1829:1986:
1822:1985:
1812:1982:
1805:1980:
1798:1978:
1788:1978:
1774:1976:
1767:1976:
1760:1975:
1753:1973:
1746:1973:
1727:1972:
1720:1972:
1713:1971:
1698:1965:
1691:1964:
1681:1963:
1674:1962:
1667:1962:
1656:1960:
1405:
1372:Venice
1256:
1250:Steidl
1235:
1199:
1062:, and
1020:Legacy
906:, the
773:, and
562:Haas'
416:Haas'
323:Vienna
234:(1986)
228:Awards
96:
89:
82:
75:
67:
3170:2020s
3099:2010s
3028:2000s
2957:1990s
2892:1980s
1461:Color
1291:Color
1079:Kodak
994:Tibet
593:Leica
436:Heute
427:Heute
294:Vogue
101:JSTOR
87:books
2837:IMDb
2681:2020
2656:2013
2546:here
2101:any
2099:cite
1403:ISBN
1254:ISBN
1233:ISBN
1197:ISBN
941:any
939:cite
637:any
635:cite
608:Life
577:Life
547:Life
538:Life
525:Life
508:and
485:Life
481:Life
477:Life
441:Life
438:and
291:and
288:Life
277:and
248:.com
175:Died
154:Born
73:news
2835:at
2825:on
2520:",
2112:by
1620:by
952:by
648:by
244:www
56:by
3207::
2785:.
2734:.
2721:.
2672:.
2613:^
2576:^
2553:^
2529:^
2502:^
2487:^
2477:.
2465:^
2426:^
2405:.
2387:^
2372:^
2351:.
2329:^
2298:^
2271:^
2254:.
1058:,
1054:,
1050:,
1046:,
1042:,
1038:,
1034:,
779:.
767:,
761:,
755:,
749:,
500:.
468:,
464:,
402:Du
344:.
325:,
2876:e
2869:t
2862:v
2789:.
2749:.
2725:.
2683:.
2658:.
2633:"
2620:"
2585:"
2509:"
2497:.
2481:.
2436:.
2420:.
2366:.
2265:.
2139:)
2133:(
2128:)
2124:(
2120:.
2106:.
1643:)
1637:(
1632:)
1628:(
1614:.
1409:.
1223:(
1203:.
1140:(
979:)
973:(
968:)
964:(
960:.
946:.
675:)
669:(
664:)
660:(
656:.
642:.
223:2
162:)
158:(
123:)
117:(
112:)
108:(
98:·
91:·
84:·
77:·
50:.
27:.
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