Photojournalism - Knowledge

737: 1778: 1510: 75: 790: 1680:, Meadows' assignment editor, Fred Sweets, contacted the firefighter, who reportedly said he had been asked by Meadows to go to the pool and splash water on his head. Meadows denied the accusation, claiming "I may have been guilty of saying this would make a nice shot, but to the best of my recollection, I did not directly ask him to do that. ... I've been doing breaking news stories for years and years and I've never in my life set up a picture." Meadows was suspended without pay for a week and picture was withdrawn from any prize competitions – the 31: 1028: 1718: 1542:" and impacted many people's perception of the war. Being exposed to such violence can have physiological and psychological effects on those who document it and is but one of many different forms of emotional labor that photojournalists report experiencing. In this case, the photographer Eddie Adams was quoted saying "I was getting money for showing one man killing another. Two lives were destroyed, and I was getting paid for it. I was a hero." He expressed how this photo haunted him due to its impact on the world. 801: 1882:

can reduce the intervention of the scene and subjects to a minimum. With the assistance of abundant applications, photographers can achieve a highly aesthetic way of conveying messages. Once the pictures are uploaded onto social media, photographers can immediately expose their work to a wide range of audiences and receive real-time feedback from them. With a large number of active participants online, the pictures could also be spread out in a short period of time, thus evoking profound influence on society.

939: 1956: 625: 875: 1161: 5908: 1246: 5919: 1457: 1367:(NPPA) was founded in 1946 in the U.S., and has about 10,000 members. Others around the world include the British Press Photographers Association (BPPA) founded in 1984, then relaunched in 2003, and now has around 450 members. Hong Kong Press Photographers Association (1989), Northern Ireland Press Photographers Association (2000), Pressfotografernas Klubb (Sweden, 1930), and PK — Pressefotografenes Klubb (Norway). 2609: 1944:. The newspaper cited viewers shifting towards more video as a reason. They then employed freelance photographers and required them to train in how to use an iPhone for photography to fill the gap. Some viewers online were quick to point out an at-times reduction in quality in comparison to the newspaper's previous full-time professionals. 1273:(AP) photo that had been first reproduced in newspapers, but the quality magazine version appeared to be a different photo altogether. In large part because their pictures were clear enough to be appreciated, and because their name always appeared with their work, magazine photographers achieved near-celebrity status. 1301: 1821:

There is some concern by news photographers that the profession of photojournalism as it is known today could change to such a degree that it is unrecognizable as image-capturing technology naturally progresses. Staff photojournalism jobs continued to dwindle in the 2010s and some of the largest news

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Our standards of business dealings, ambitions and relations shall have in them a note of sympathy for our common humanity and shall always require us to take into consideration our highest duties as members of society. In every situation in our business life, in every responsibility that comes before

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took his equipment and attached himself to the military column. During the three days of negotiations, Fly took about 15 exposures on 8 by 10 inches (200 by 250 mm) glass negatives. His photos of Geronimo and the other free Apaches, taken on March 25 and 26, are the only known photographs taken

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published on their front page a photo of AT&T CEO John Zeglis which was taken with a camera phone. Content remains the most important element of photojournalism, but the ability to extend deadlines with rapid gathering and editing of images has brought significant changes. Even by the end of the

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In recent years, as social media has become the major platform on which people receive news and share events, phone photography is gaining popularity as the primary tool for online visual communication. A phone is easy to carry and always accessible in a pocket, and the immediacy in taking pictures

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Photojournalism works within the same ethical approaches to objectivity that are applied by other journalists. What to photograph, what to include in the frame, how to curate, and how to edit are constant considerations. Photographing news for an assignment or to illustrate a story can present many

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ran photos on their front pages made by citizen journalists with camera phones. As work of witnesses and survivors, the images were less the outcome of documentary intent than a response to a traumatic shock. These photos represented "vivid, factual accounts of history as it explodes around us",

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has always been a genre of photojournalism that is frequently staged. Due to the bulkiness and types of cameras present during past wars in history, it was rare when a photograph could capture a spontaneous news event. Subjects were carefully composed and staged in order to capture better images.

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Until the 1980s, most large newspapers were printed with turn-of-the-century "letterpress" technology using easily smudged oil-based ink, off-white, low-quality "newsprint" paper, and coarse engraving screens. While letterpresses produced legible text, the photoengraving dots that formed pictures

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The technology had not yet developed to the point of being able to print photographs in newspapers, which greatly restricted the audience of Brady's photographs. However, it was still common for photographs to be engraved and subsequently printed in newspapers or periodicals throughout the war.

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possible ethical problems. Photojournalists have a moral responsibility to decide what pictures to take, what picture to stage, and what pictures to show the public. For example, photographs of violence and tragedy are prevalent in American journalism because, as an understated rule of thumb, "

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Social media are playing a big part in revealing world events to a vast audience. Whenever there is a major event in the world, there are usually people with camera phones ready to capture photos and post them on various social networks. Such convenience allows the Associated Press and other

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Often, ethical conflicts can be mitigated or enhanced by the actions of a sub-editor or picture editor, who takes control of the images once they have been delivered to the news organization. The photojournalist often has no control as to how images are ultimately used.

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when he took a photo of high school student Walter Gadsden. In this photograph Gadsden appeared to be attacked by a police dog and the resulting image brought the gory side of the movement to everyone's attention. The photo was seen above the fold in the May 1963

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The printing of images in newspapers remained an isolated occurrence in this period. Photos were used to enhance the text rather than to act as a medium of information in its own right. This began to change with the work of one of the pioneers of photojournalism,

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was the first to pioneer the format of the illustrated news magazine. Beginning in 1901, it began to print photographs inside the magazine, a revolutionary innovation. In the successive decades, it was developed into the prototype of the modern news magazine.

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The practice of illustrating news stories with photographs was made possible by printing and photography innovations that occurred in the mid 19th century. Although early illustrations had appeared in newspapers, such as an illustration of the funeral of Lord

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often bled or smeared and became fuzzy and indistinct. In this way, even when newspapers used photographs well — a good crop, a respectable size — murky reproduction often left readers re-reading the caption to see what the photo was all about. The

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Photojournalism affords an opportunity to serve the public that is equaled by few other vocations and all members of the profession should strive by example and influence to maintain high standards of ethical conduct free of mercenary considerations of any

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have been awarded for the following categories of photojournalism: 'Feature Photography', 'Spot News Photography'. Other awards are World Press Photo, Best of Photojournalism, and Pictures of the Year as well as the UK based The Press Photographer's Year.

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provoked a lot of interest because it captured the exact moment of death. The victim's wife learned about her husband's death when she was given a newspaper with the photo on the front page. This photo has claimed a reputation of "galvanizing the

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sent out five photographers with iPhones to document the devastation. Photographers dived deep into the site and captured pictures in close proximity to the storm and human suffering. One of the shots, raging ocean waves collapsing on

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camera, one of the first cheap and accessible photo technologies that "put a piece of visual reality into every person's potential grasp." The empowered news audience with the advent of the Internet sparked the creation of

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us, our chief thought shall be to fulfill that responsibility and discharge that duty so that when each of us is finished we shall have endeavored to lift the level of human ideals and achievement higher than we found it.

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Sherre Lynn Paris, "Raising Press Photography to Visual Communication in American Schools of Journalism, with Attention to the Universities of Missouri and Texas, 1880s–1990s", Dissertation, University of Texas, 2007,

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in 1979 to publish portraits and avoid the limitations of letterpress printing. Not until the 1980s did a majority of newspapers switch to "offset" presses that reproduce photos with fidelity on better, whiter paper.

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Most photojournalists consider stage-managed shots presented as candid to be unethical. There have been examples in the history of photojournalism of photographers purposefully deceiving their audience by doing so.

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of the landscapes where the battles took place, model representations of the action, and portraits of commanders, which laid the groundwork for modern photojournalism. Other photographers of the war included

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It is the duty of every photojournalist to work to preserve all freedom-of-the-press rights recognized by law and to work to protect and expand freedom-of-access to all sources of news and visual information.

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and captured pivotal images of the conflict on that occasion. Vaccaro is also known for having developed his own images in soldier's helmets, and using chemicals found in the ruins of a camera store in 1944.

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and online news, independent of the traditional outlets, and "for the first time in our history, the news increasingly is produced by companies outside journalism". Dan Chung, a former photojournalist for

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employed 19 photo editors and relied on freelancers for 80 percent of its international news imagery, 50 percent of its political news imagery, and between 60 and 80 percent of its national news imagery.

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It pioneered the photo-essay, had a specialised staff and production unit for pictures and maintained a photo library. It also introduced the use of candid photographs taken with the new smaller cameras.

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in 1925 made it possible for photographers to move with the action, take multiple shots of events as they were unfolding, as well as be more able to create a narrative through their photographs alone.

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became a standard by which the public judged photography, and many of today's photo books celebrate "photojournalism" as if it had been the exclusive province of near-celebrity magazine photographers.

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were still in their infancy – nearly 30 minutes were needed to scan and transmit a single color photograph from a remote location to a news office for printing. Now, equipped with a digital camera, a

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Phone journalism is a relatively new and even controversial means of photojournalism, which involves the use of pictures taken and edited on phones by professional or non-professional photographers.

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of American Indians while still at war with the United States. Fly coolly posed his subjects, asking them to move and turn their heads and faces, to improve his composition. The popular publication

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traveling around in a transportable dark room, which at times made him a target of the enemy. These technological barriers are why he was unable to obtain any direct images of the action.

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It is our duty to encourage and assist all members of our profession, individually and collectively, so that the quality of photojournalism may constantly be raised to higher standards.

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Business promotion in its many forms is essential, but untrue statements of any nature are not worthy of a professional photojournalist and we severely condemn any such practice.

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photographed and filmed the beginning of the Second World War being under heavy German bombardment in September 1939 in Poland. He was pioneer worker in color photography,

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free photojournalists from the limitation of film roll length. Although the number depends on the amount of megapixels the camera contains, whether one's shooting mode is

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of whether or not to publish images of the victims. The victim's right to privacy is sometimes not addressed or the picture is printed without their knowledge or consent.

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The "Golden Age of Photojournalism" is often considered to be roughly the 1930s through the 1950s. It was made possible by the development of the compact commercial

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offers new realms of opportunity for the manipulation, reproduction, and transmission of images. It has inevitably complicated many of the ethical issues involved.

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Photographs of the dead or injured arouse controversy because, more often than not, the name of person depicted in the photograph is not given in the caption. The

942:"Geronimo's camp before surrender to General Crook, March 27, 1886: Geronimo and Natches mounted; Geronimo's son (Perico) standing at his side holding baby." By 723:, often while exposed to significant obstacles, among them immediate physical danger, bad weather, large crowds, and limited physical access to their subjects. 5876: 1747:

The use of photography as a way of reporting news did not become widespread until the advent of smaller, more portable cameras that used an enlargeable

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as a form of photojournalism. Instead of the images acting as a supplement to the text, he pioneered the use of printed photographs as the predominant

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to record images of British soldiers in the field. As a result, they had to deal with not only war conditions, but their pictures often required long

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The practice of photojournalism, both as a science and art, is worthy of the very best thought and effort of those who enter into it as a profession.

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called it a "fabrication" and the paper's photography director, Larry Armstrong, said "when you manipulate the situation, you manipulate the news."

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cell. Other photographers at the scene claimed that Keating pointed with his own arm to show the boy which way to look and aim the gun. After the

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It is the individual responsibility of every photojournalist at all times to strive for pictures that report truthfully, honestly and objectively.

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is held by some to be the father of modern photojournalism, although this appellation has been applied to various other photographers, such as

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Since the 1960s, motor drives, electronic flash, auto-focus, better lenses and other camera enhancements have made picture-taking easier. New

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companies to reach out to the citizen journalist who holds ownership of the photos and get permission to use those photos in news outlets.

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The age of the citizen journalist and the providing of news photos by amateur bystanders have contributed to the art of photojournalism.

3283: 5603: 1591: 1567:. In the case of this particular photograph, it helped change the path of the civil rights movement and gained it even more attention. 2162: 2789: 1616:(NPPA) is an American professional society that emphasizes photojournalism. Members of the NPPA accept the following code of ethics 1613: 1364: 3534: 2717: 1352:(Pressefotografforbundet) was the first national organization for newspaper photographers in the world. It was founded in 1912 in 4468: 2763: 2485: 3636: 2703: 2328: 1644:

No Code of Ethics can prejudge every situation, thus common sense and good judgment are required in applying ethical principles.

3462: 2718:"Underfire: The Untold Story of Pfc. Tony Vaccaro' reveals the intimate relationship between a war photographer and war itself" 1830:

employed 24 photo editors and relied on freelancers for 66 percent of its features imagery and 33 percent of its news imagery;

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pioneered modern photojournalism and was widely copied. Pictured, the cover of issue of 26 August 1936: a meeting between

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Disaster, including train wrecks and city fires, was also a popular subject for illustrated newspapers in the early days.

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The first photograph to be used in illustration of a newspaper story was a depiction of barricades in Paris during the

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Media and the Making of Modern Germany: Mass Communications, Society, and Politics from the Empire to the Third Reich

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The Golden Age of Photojournalism ended in the 1970s when many photo-magazines ceased publication, most prominently,

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The magazine sought out reporters who could tell a story using photographs, notably the pioneer sports photographer

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that uses images to tell a news story. It usually only refers to still images, but can also refer to video used in

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media outlets in the U.S. now rely on freelancers for the majority of their needs. For example, in 2016, the

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Maria Morris Hambourg, "Photography between the Wars: Selections from the Ford Motor Company Collection",

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computer, a photojournalist can send a high-quality image in minutes, even seconds after an event occurs.

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The content of photos tends to outweigh their quality when it comes to news value. On February 18, 2004,

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A new style of magazine and newspaper appeared that used photography more than text to tell stories. The

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News organizations and journalism schools run many different awards for photojournalists. Since 1968,

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were founded. These powerful image libraries sell the rights to photographs and other still images.

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captured horrific moments in war, similar to Capa's Spanish soldier being shot. Capa himself was on

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pioneered the birth of early photojournalism by printing pictures of the war that had been taken by

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links increasingly allow for the mobile transmission of images from almost any point on the earth.

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employed 52 photo editors and relied on freelancers to provide 50 percent or more of its visuals;

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between 1927 and 1930, which allowed the journalist true flexibility in taking pictures.

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A key example of how impactful photography can be is found during documentation of the

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In 1947, a few famous photographers founded the international photographic cooperative

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stories in the period from 1897 to 1927 were illustrated with engravings. In 1921, the

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made it possible to transmit pictures almost as quickly as news itself could travel.

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Engaged Observers: Documentary Photography Since the Sixties Exhibition catalogue

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was founded in September 2001 and got its name from the original seven founders,

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played an important role in the propaganda efforts of the Republican side in the

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Anderson, Fay (2014). "Chasing the pictures: press and magazine photography".

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Leica 1, (1925)'s introduction marked the beginning of modern photojournalism.

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in the mid-19th century, photographers were using the novel technology of the

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Women in Weimar Fashion: Discourses and Displays in German Culture, 1918–1933

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to photograph informal subjects indoors, which led to the landmark 1890 book

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Introduction to the History of Communication: Evolutions & Revolutions.

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The Soft Edge: a Natural History and Future of the Information Revolution

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Dictionary of Nineteenth-century Journalism in Great Britain and Ireland

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and his work included documenting the effects of the war on the troops,

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The Ethical Journalist: Making Responsible Decisions in the Digital Age

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Convergent journalism : the fundamentals of multimedia reporting

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Having noticed the advantages of the combination of social media and

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firefighter, Mike Alves cooling himself off with water in a pool in

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have increasingly been accorded a place in art galleries alongside

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taken on 25 June 1848; the photo was published as an engraving in

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Pressphotos freelance photographers associations around the world

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Photography and the American scene: A social history, 1839–1889

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are among many who regularly exhibit in galleries and museums.

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Media International Australia Incorporating Culture and Policy

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reported the incident, Keating was forced to leave the paper.

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is also recognized as one of the pre-eminent photographers of

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photographed in color the German bombardment of London called

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Another ethical issue is false or misleading captioning. The

1220: 2476:, Screen cultures, Rochester, New York: Camden House, 2008, 2301:

Vaughan, Thomas (1989). "C.S. Fly Pioneer Photojournalist".

1446: 743:(1848), the first photo used to illustrate a newspaper story 4000: 3802: 3755: 3027:"Mapping the emotional labor and work of visual journalism" 2692:. Abraham Lincoln Brigade Archives (ALBA). 7 December 2011. 2583:, Critical Image, Manchester: Manchester University, 1999, 1763: 1360:

by six press photographers. Today it has over 800 members.

969:

published six of his images in their April 24, 1886 issue.

581: 281: 84: 3652: 2960:"VIETNAM: VIETNAM WAR ANNIVERSARY: MEDIA (2) | AP Archive" 2852: 2828: 2163:"Photographing Conflict: Roger Fenton and the Crimean War" 935:(rather than engraved) reproduction of a news photograph. 2947: 2874: 2645:"Father of photo-journalism, Cartier-Bresson, dies at 96" 2130: 2069:"Barricades in Rue Saint-Maur-Popincourt, 25th June 1848" 1936:

laid off its entire staff of 28 photographers, including

1698: 1676:

and nationally. Prior to submitting the photograph for a

1531:

photograph of the street execution of a Viet Cong soldier

719:, but they must often make decisions instantly and carry 2863: 2098:

Hudson, Berkley (2009). Sterling, Christopher H. (ed.).

1435:. Today it has 30 members, along with a mentor program. 3676: 3628:, by Ross Collins, North Dakota State University, Fargo 2936: 2925: 2813:(in Danish). pressefotografforbundet.dk. Archived from 2501:, Upper Saddle River, New Jersey: Prentice Hall, 2002, 2252:. Edinburgh: National Library of Scotland. p. 42. 1923:

in Brooklyn, taken by Benjamin Lowy, made the cover of

1910:

journalist Robert MacMillan. In another instance, when

758:(1806), the first weekly illustrated newspaper was the 2575:

Tim Gidal, "Modern Photojournalism: The First Years",

2041:

Laurel Brake; Marysa Demoor; Margaret Beetham (2009).

3174:. United States: John Wiley & Sons. p. 354. 2888: 1751:

to record images. The introduction of the 35 mm

1594:

is a notable example of some of these issue, and see

1249:

Boy destroying piano at Pant-y-Waen, South Wales, by

3657: 3637:

An example of ethics guidelines for photo-journalism

3223:. 2008. Photojournalism: The Professionals' Approach 1951: 1893:

happened in July 2005, for the first time, both the

3626:"A Brief History of Photography and Photojournalism 3463:'No Future in Photojournalism' Interview: Dan Chung 3443:"Gamma's Bankruptcy Shows Shift in Photojournalism" 2991:, London: Palgrave Macmillan UK, pp. 171–183, 2579:, July/August 1982, repr. in: David Brittain, ed., 1870:bodies are being equipped with video capabilities. 1570:Other issues involving photojournalism include the 1320:However, since the late 1970s, photojournalism and 3621:Perpignan International Center for Photojournalism 3567:Photojournalism : The Professional's Approach 2529:. Oxford/New York: Oxford University. p. 30. 2276:. Collections.ic.gc.ca. 2001-05-01. Archived from 2189: 3668:How To Become a Photojournalist, CubReporters.org 2216: 2134:Framing Crime: Cultural Criminology and the Image 1988:List of photographs considered the most important 5936: 3422: 2875:Northern Ireland Press Photographers Association 2556:, Los Angeles: J. Paul Getty Museum, p. 6, 2220:John Thomson, Photojournalist in Asia, 1862–1872 3197:"L.A. TIMES GETS BURNED BY DISASTER PHOTOGRAPH" 3632:La Bruja, Cuba – an example of photojournalism 3359:"Freelance Photojournalists and Photo Editors" 958:would negotiate surrender terms, photographer 918:, successfully combining photography with the 4315: 3714: 2398:"1897 American journalism's exceptional year" 1712: 1343: 989:In France, agencies such as Rol, Branger and 731: 654: 3663:Gaia – Photojournalism from around the world 3653:The British Press Photographers' Association 2764:"Magazines and Photojournalism's Golden Age" 2549: 1914:hit the northeastern United States in 2012, 1658:Mike Meadows, a veteran photographer of the 715:Similar to a writer, a photojournalist is a 5867:Conservation and restoration of photographs 2468: 2466: 1116:. Famous photographers of the era included 976:was invented, enabling journalists such as 5604:Comparison of digital and film photography 4322: 4308: 3721: 3707: 2522: 2296: 2294: 1592:2006 Lebanon War photographs controversies 1581:Another major issue of photojournalism is 1071:, one of the founders of photojournalism. 815:, with and without cannonballs on the road 661: 647: 5824:Photographs considered the most important 3584:Zavoina, Susan C., and John H. Davidson, 3482: 3480: 3478: 3284:"Photojournalism in the Age of New Media" 3126: 3115:Journalism & Communication Monographs 2864:Hong Kong Press Photographers Association 2321: 2192:The Origins of Photojournalism in America 2187: 1794:1990s – when digital cameras such as the 1497:Learn how and when to remove this message 1447:Ethical, legal, and social considerations 52:, on January 21, 2021, the day after the 3658:National Press Photographers Association 3547: 3513: 3232: 2982: 2781: 2463: 2395: 2106:. Thousand Oaks, Calif.: SAGE. pp. 1930:s November 12 issue. Then in 2013, the 1776: 1716: 1614:National Press Photographers Association 1508: 1365:National Press Photographers Association 1299: 1244: 1159: 1026: 937: 873: 735: 29: 3532: 3413:, Routledge, London and New York, p. 39 3356: 3169: 3105: 3093:10.5406/illinois/9780252036705.003.0006 3074: 3024: 2853:British Press Photographers Association 2761: 2606:The Metropolitan Museum of Art Bulletin 2429: 2300: 2291: 2247: 2160: 916:medium for the imparting of information 14: 5937: 3486: 3475: 3281: 2989:Vietnam Images: War and Representation 2690:"Photography exhibit sparks symposium" 2309:(3) (Autumn, 1989 ed.): 303–318. 2167:National Science and Media Museum blog 2097: 1649: 1540:anti-war movement in the United States 4303: 3702: 3325: 3300: 3194: 3165: 3163: 2250:John Thomson (1837–1921) Photographer 1596:photo manipulation: use in journalism 1558:the peaceful protests of the movement 1149:The photojournalism of, for example, 954:received word that the Apache leader 3305:. New York: Peter Lang. p. 35. 2581:Creative Camera: 30 Years of Writing 2460:Peter Lang Publishing, 2010. p. 181. 2156: 2154: 2131:Keith Hayward; Mike Presdee (2010). 1942:Pulitzer Prize winner in photography 1479:adding citations to reliable sources 1450: 1067:, the first staff photographer, and 858:were engraved before publication in 5819:Museums devoted to one photographer 3423:Kovach, B.; Rosenstiel, T. (2006). 3338:from the original on April 13, 2020 2169:. National Science and Media Museum 2161:Harding, Colin (11 November 2012). 1873: 1350:Danish Union of Press Photographers 1211:. His images taken with the modest 24: 5366:Timeline of photography technology 3559: 3160: 2667:. Eduardo Comesaña. Archived from 2608:N.S. 45.4, Spring 1988, pp. 5–56, 2329:"Mary "Mollie" E. Fly (1847–1925)" 1975:History of Spanish photojournalism 1174:produced the seminal image of the 25: 5986: 3614: 3548:Schiller, Jakob (July 16, 2013). 3514:Channick, Robert (May 30, 2013). 3195:Kurtz, Howard (2 February 1994). 2235:"The photographs of John Thomson" 2196:. Smithsonian Institution Press. 2151: 27:Using images to tell a news story 5917: 5907: 5906: 3533:Beaujon, Andrew (May 31, 2013). 3427:. journalism.org. Archived from 2787: 2359:complete text and photos online" 1954: 1455: 833:. Fenton was the first official 799: 788: 623: 73: 5918: 4329: 3598:The Photograph, Graham Clarke, 3541: 3526: 3507: 3453: 3435: 3416: 3400: 3350: 3319: 3294: 3275: 3261: 3226: 3214: 3188: 3149:from the original on 2017-09-08 3135: 3099: 3068: 3018: 2976: 2952: 2908: 2846: 2835:from the original on 2017-10-20 2821: 2803: 2755: 2730: 2710: 2696: 2682: 2657: 2637: 2615: 2598: 2569: 2543: 2516: 2499:Photography: A Cultural History 2491: 2450: 2423: 2389: 2376: 2365:from the original on 2009-07-20 2347: 2266: 2237:. National Library of Scotland. 2047:. Academia Press. p. 495. 1722:Roger Fenton's Photographic Van 1466:needs additional citations for 931:(New York) published the first 885:, 1876–1877, a photograph from 3728: 3609:An Hand Book: Photo Journalism 3569:6th edition Focal Press, 2008. 3487:Lavoie, Vincent (2012-05-24). 3326:Jolly, David (9 August 2009). 3282:Keller, Jared (4 April 2011). 2303:The Journal of Arizona History 2241: 2227: 2210: 2188:Carlebach, Michael L. (1992). 2181: 2124: 2091: 2061: 2034: 912:social documentary photography 694:social documentary photography 58:president of the United States 13: 1: 5416:Painted photography backdrops 5348:Golden triangle (composition) 4623:35 mm equivalent focal length 3784:Pundit / commentator 3378:10.1080/1461670X.2016.1215851 3357:Thomson, T. J. (2016-08-12). 3075:Gardner, Jared (2017-04-20). 2948:The Press Photographer's Year 2738:""Life magazine final issue"" 2665:"Erich Salomon, photographer" 2430:Gervais, Thierry (May 2005). 2274:"Welcome to... / Bienvenue r" 2028: 1842:attributes this shift to the 1513:Photojournalists at the 2016 1077:Arbeiter-Illustrierte-Zeitung 1008: 812:Valley of the Shadow of Death 612:Pundit / commentator 3472:Barney Britton Feb 10, 2012. 3081:University of Illinois Press 2997:10.1007/978-1-349-19916-7_12 2396:Campbell, W. Joseph (2004). 2386:(New York: Dover, 1964), 446 1052:Berliner Illustrirte Zeitung 1034:Berliner Illustrirte Zeitung 950:In March 1886, when General 869: 741:Barricades on rue Saint-Maur 150:Index of journalism articles 7: 5126:Intentional camera movement 4287:List of journalism articles 3588:(Allyn & Bacon, 2002). 2766:. Jprof.com. Archived from 1947: 1306:Indianapolis Motor Speedway 1304:Sports photojournalists at 1104:(London)); and newspapers, 809:Versions of Roger Fenton's 10: 5991: 5814:Most expensive photographs 5171:Multi-exposure HDR capture 3647:Victoria and Albert Museum 3247:10.1177/1329878X1415000112 3025:Thomson, TJ (2018-09-07). 2217:Elliott S. Parker (1977). 2102:Encyclopedia of Journalism 1868:digital single lens reflex 1713:Impact of new technologies 1707:Columbia Journalism Review 1344:Professional organizations 1295: 1267:United Press International 1074:Other magazines included, 732:Origins in war photography 726: 5902: 5859: 5806: 5711: 5654: 5560: 5444: 5356: 5308: 5048: 4815: 4615: 4337: 4284: 4236: 4163: 3970: 3872: 3794: 3736: 2983:Hamilton, Robert (1989), 2438:(in French) (16): 166–181 2432:"Photographies de presse" 2248:Ovenden, Richard (1997). 2137:. Routledge. p. 38. 635:Category: Journalism 54:inauguration of Joe Biden 5748:Digital image processing 3581:(1980 – much reprinted). 3128:10.1177/1522637918823261 3046:10.1177/1464884918799227 2889:Pressfotografernas Klubb 2357:How the Other Half Lives 1993:List of photojournalists 983:How the Other Half Lives 5975:Documentary photography 5421:Photography and the law 3746:Journalists (reporters) 3586:Digital Photojournalism 3301:Quinn, Stephen (2005). 3143:"USNPPA Code of Ethics" 3106:Thomson, T. J. (2019). 2926:Best of Photojournalism 1828:The Wall Street Journal 1556:on a quest to document 1515:Labour Party Conference 1373:was founded in 1947 by 1322:documentary photography 1113:The New York Daily News 1020:in 1925, and the first 761:Illustrated London News 690:documentary photography 572:Journalists (reporters) 5950:Journalism occupations 5768:Gelatin silver process 4792:Science of photography 4777:Photographic processes 4755:Perspective distortion 3858:Editorial independence 3694:Women Photojournalists 3493:Études Photographiques 3170:Foreman, Gene (2015). 2436:Études Photographiques 1782: 1725: 1647: 1547:Civil Rights Movement. 1524:if it bleeds, it leads 1518: 1308: 1254: 1251:Philip Jones Griffiths 1179: 1046: 947: 894: 744: 721:photographic equipment 140:Editorial independence 60: 5226:Schlieren photography 4765:Photographic printing 4688:Exposure compensation 4212:Pink-slime journalism 4197:Horse race journalism 2762:Stovall, Jim (2005). 2550:Brett Abbott (2010), 1780: 1720: 1618: 1512: 1383:Henri Cartier-Bresson 1303: 1248: 1163: 1140:Henri Cartier-Bresson 1130:Margaret Bourke-White 1030: 941: 904:Street Life in London 891:Street Life in London 877: 739: 706:celebrity photography 630:Journalism portal 493:Pink-slime journalism 478:Horse race journalism 33: 5955:Photography by genre 5010:Straight photography 4648:Chromatic aberration 4187:Freedom of the press 3489:"War and the iPhone" 3077:"What Happened Next" 2937:Pictures of the Year 2497:Mary Warner Marien, 1598:for other examples. 1475:improve this article 1379:David "Chim" Seymour 1326:fine art photography 1182:American journalist 682:broadcast journalism 468:Freedom of the press 5965:Types of journalism 5877:photographic plates 5562:Digital photography 4740:Hyperfocal distance 4653:Circle of confusion 4249:Newspaper of record 2523:Corey Ross (2008). 1832:The Washington Post 1650:Unethical practices 1603:digital photography 1552:was in Birmingham, 1336:and the members of 1334:Manuel Rivera-Ortiz 1231:Wall Street Journal 1157:in the late 1930s. 530:Newspaper of record 46:Washington Monument 5381:Autochrome Lumière 5376:Analog photography 5201:Pigeon photography 4990:Social documentary 4469:discontinued films 3687:2012-07-17 at the 3579:Hearts of Darkness 3468:2019-11-04 at the 3449:. August 10, 2009. 3366:Journalism Studies 3332:The New York Times 2942:2011-07-04 at the 2931:2012-07-22 at the 2920:2013-01-16 at the 2894:2022-03-14 at the 2880:2008-10-19 at the 2869:2021-03-04 at the 2858:2017-10-20 at the 2726:. 20 October 2016. 2456:Moran, Terence P. 2402:Journalism History 2335:on 23 October 2014 2079:on 1 November 2019 1791:The New York Times 1783: 1734:glass plate camera 1726: 1701:raided an alleged 1694:The New York Times 1687:Edward Keating, a 1666:Los Angeles County 1583:photo manipulation 1519: 1425:Christopher Morris 1421:Antonin Kratochvil 1309: 1286:Corbis Corporation 1265:often published a 1255: 1180: 1126:Alfred Eisenstaedt 1047: 948: 925:On March 4, 1880, 895: 852:American Civil War 781:of 1–8 July 1848. 773:June Days uprising 745: 702:street photography 61: 42:National Guardsman 5970:Visual journalism 5960:Stock photography 5932: 5931: 5733:Collodion process 5669:Chromogenic print 5656:Color photography 5166:Multiple exposure 5141:Lo-fi photography 4668:Color temperature 4297: 4296: 4275:Alternative media 4227:Yellow journalism 3863:Journalism school 3516:"Chicago Tribune" 3006:978-0-333-45801-3 2964:www.aparchive.com 2915:World Press Photo 2790:"Documentary Art" 2788:Malo, Alejandro. 2203:978-1-56098-159-6 2117:978-0-7619-2957-4 2073:PBS LearningMedia 1962:Journalism portal 1933:Chicago Sun-Times 1661:Los Angeles Times 1601:The emergence of 1507: 1506: 1499: 1391:William Vandivert 1194:William Vandivert 1155:Spanish Civil War 991:Chusseau-Flaviens 928:The Daily Graphic 893:photo-documentary 850:. Similarly, the 671: 670: 556:Alternative media 508:Yellow journalism 145:Journalism school 44:looking over the 16:(Redirected from 5982: 5921: 5920: 5910: 5909: 5788:Print permanence 5738:Cross processing 5696:CMYK color model 5681:Color management 5634:Foveon X3 sensor 5629:Three-CCD camera 5273:Miniature faking 5231:Sabattier effect 4843:Astrophotography 4698:Zebra patterning 4324: 4317: 4310: 4301: 4300: 4222:Propaganda model 4217:Public relations 3723: 3716: 3709: 3700: 3699: 3639:by DigitalCustom 3554: 3553: 3545: 3539: 3538: 3530: 3524: 3523: 3522:on May 31, 2013. 3518:. 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Archived from 2734: 2728: 2727: 2714: 2708: 2707: 2700: 2694: 2693: 2686: 2680: 2679: 2677: 2676: 2661: 2655: 2654: 2653:. 4 August 2004. 2641: 2635: 2619: 2613: 2602: 2596: 2573: 2567: 2566: 2547: 2541: 2540: 2520: 2514: 2495: 2489: 2470: 2461: 2454: 2448: 2447: 2445: 2443: 2427: 2421: 2420: 2418: 2416: 2393: 2387: 2380: 2374: 2373: 2371: 2370: 2351: 2345: 2344: 2342: 2340: 2331:. Archived from 2325: 2319: 2318: 2298: 2289: 2288: 2286: 2285: 2270: 2264: 2263: 2245: 2239: 2238: 2231: 2225: 2224: 2214: 2208: 2207: 2195: 2185: 2179: 2178: 2176: 2174: 2158: 2149: 2148: 2128: 2122: 2121: 2105: 2095: 2089: 2088: 2086: 2084: 2075:. Archived from 2065: 2059: 2058: 2038: 2018:VII Photo Agency 1970:Associated Press 1964: 1959: 1958: 1957: 1929: 1874:Phone journalism 1728:As early as the 1672:ran both in the 1572:right to privacy 1502: 1495: 1491: 1488: 1482: 1459: 1451: 1409:Alexandra Boulat 1405:VII Photo Agency 1338:VII Photo Agency 1271:Associated Press 1176:Great Depression 1151:Agustí Centelles 1107:The Daily Mirror 1039:Francisco Franco 910:and established 835:war photographer 803: 792: 663: 656: 649: 628: 627: 626: 503:Propaganda model 498:Public relations 77: 63: 62: 21: 5990: 5989: 5985: 5984: 5983: 5981: 5980: 5979: 5945:Photojournalism 5935: 5934: 5933: 5928: 5898: 5855: 5802: 5793:Push processing 5714: 5707: 5701:RGB color model 5650: 5556: 5440: 5352: 5318:Diagonal method 5304: 5044: 4948:Photojournalism 4811: 4643:Black-and-white 4611: 4590:Slide projector 4585:Movie projector 4464:available films 4333: 4328: 4298: 4293: 4280: 4279: 4278: 4232: 4231: 4230: 4159: 4158: 4157: 4120:Photojournalism 3990:Interventionism 3966: 3965: 3964: 3868: 3867: 3866: 3790: 3789: 3788: 3732: 3727: 3689:Wayback Machine 3673:Photojournalism 3645:article at the 3643:Photojournalism 3617: 3565:Kenneth Kobre, 3562: 3560:Further reading 3557: 3546: 3542: 3531: 3527: 3512: 3508: 3485: 3476: 3470:Wayback Machine 3458: 3454: 3441: 3440: 3436: 3421: 3417: 3405: 3401: 3361: 3355: 3351: 3341: 3339: 3324: 3320: 3313: 3299: 3295: 3288:theatlantic.com 3280: 3276: 3267: 3266: 3262: 3231: 3227: 3219: 3215: 3205: 3203: 3201:Washington Post 3193: 3189: 3182: 3168: 3161: 3152: 3150: 3141: 3140: 3136: 3110: 3104: 3100: 3073: 3069: 3029: 3023: 3019: 3011: 3009: 3007: 2981: 2977: 2968: 2966: 2958: 2957: 2953: 2944:Wayback Machine 2933:Wayback Machine 2922:Wayback Machine 2913: 2909: 2899: 2896:Wayback Machine 2885: 2882:Wayback Machine 2871:Wayback Machine 2860:Wayback Machine 2851: 2847: 2838: 2836: 2827: 2826: 2822: 2809: 2808: 2804: 2795: 2793: 2786: 2782: 2773: 2771: 2760: 2756: 2747: 2745: 2736: 2735: 2731: 2716: 2715: 2711: 2702: 2701: 2697: 2688: 2687: 2683: 2674: 2672: 2663: 2662: 2658: 2643: 2642: 2638: 2620: 2616: 2603: 2599: 2577:Creative Camera 2574: 2570: 2564: 2548: 2544: 2537: 2521: 2517: 2496: 2492: 2471: 2464: 2455: 2451: 2441: 2439: 2428: 2424: 2414: 2412: 2394: 2390: 2381: 2377: 2368: 2366: 2353: 2352: 2348: 2338: 2336: 2327: 2326: 2322: 2299: 2292: 2283: 2281: 2272: 2271: 2267: 2260: 2246: 2242: 2233: 2232: 2228: 2215: 2211: 2204: 2186: 2182: 2172: 2170: 2159: 2152: 2145: 2129: 2125: 2118: 2096: 2092: 2082: 2080: 2067: 2066: 2062: 2055: 2039: 2035: 2031: 1960: 1955: 1953: 1950: 1927: 1912:Hurricane Sandy 1908:Washington Post 1902:Washington Post 1891:London Bombings 1876: 1760:digital cameras 1715: 1652: 1587:War photography 1576:ethical dilemma 1503: 1492: 1486: 1483: 1472: 1460: 1449: 1440:Pulitzer Prizes 1346: 1298: 1134:W. Eugene Smith 1065:Martin Munkácsi 1011: 966:Harper's Weekly 872: 861:Harper's Weekly 854:photographs of 848:Carol Szathmari 844:William Simpson 819: 818: 817: 816: 806: 805: 804: 795: 794: 793: 734: 729: 698:war photography 674:Photojournalism 667: 624: 622: 402:Photojournalism 271:Interventionism 50:Washington D.C. 35:Black-and-white 28: 23: 22: 18:Photojournalist 15: 12: 11: 5: 5988: 5978: 5977: 5972: 5967: 5962: 5957: 5952: 5947: 5930: 5929: 5927: 5926: 5915: 5903: 5900: 5899: 5897: 5896: 5891: 5886: 5881: 5880: 5879: 5874: 5863: 5861: 5857: 5856: 5854: 5853: 5852: 5851: 5846: 5841: 5836: 5826: 5821: 5816: 5810: 5808: 5804: 5803: 5801: 5800: 5795: 5790: 5785: 5780: 5775: 5770: 5765: 5760: 5755: 5750: 5745: 5740: 5735: 5730: 5725: 5719: 5717: 5709: 5708: 5706: 5705: 5704: 5703: 5698: 5693: 5688: 5678: 5673: 5672: 5671: 5660: 5658: 5652: 5651: 5649: 5648: 5643: 5638: 5637: 5636: 5631: 5626: 5621: 5611: 5606: 5601: 5596: 5595: 5594: 5589: 5584: 5583: 5582: 5570:Digital camera 5566: 5564: 5558: 5557: 5555: 5554: 5549: 5544: 5539: 5534: 5529: 5524: 5519: 5514: 5509: 5504: 5499: 5494: 5489: 5484: 5479: 5474: 5469: 5464: 5459: 5454: 5448: 5446: 5442: 5441: 5439: 5438: 5433: 5428: 5423: 5418: 5413: 5408: 5403: 5398: 5396:Camera obscura 5393: 5388: 5383: 5378: 5373: 5368: 5362: 5360: 5354: 5353: 5351: 5350: 5345: 5340: 5338:Rule of thirds 5335: 5330: 5325: 5320: 5314: 5312: 5306: 5305: 5303: 5302: 5297: 5292: 5287: 5282: 5277: 5276: 5275: 5265: 5260: 5259: 5258: 5248: 5243: 5238: 5233: 5228: 5223: 5218: 5213: 5208: 5203: 5198: 5193: 5188: 5183: 5178: 5173: 5168: 5163: 5158: 5153: 5148: 5143: 5138: 5133: 5128: 5123: 5118: 5113: 5108: 5106:Harris shutter 5103: 5101:Hand-colouring 5098: 5093: 5088: 5083: 5078: 5073: 5068: 5063: 5058: 5052: 5050: 5046: 5045: 5043: 5042: 5037: 5032: 5027: 5022: 5017: 5012: 5007: 5002: 4997: 4992: 4987: 4986: 4985: 4975: 4970: 4965: 4960: 4955: 4950: 4945: 4940: 4935: 4930: 4925: 4920: 4915: 4910: 4905: 4900: 4895: 4890: 4885: 4880: 4875: 4870: 4865: 4860: 4855: 4850: 4845: 4840: 4835: 4830: 4825: 4819: 4817: 4813: 4812: 4810: 4809: 4804: 4799: 4794: 4789: 4787:Red-eye effect 4784: 4779: 4774: 4773: 4772: 4762: 4757: 4752: 4747: 4742: 4737: 4732: 4727: 4722: 4721: 4720: 4715: 4705: 4700: 4695: 4693:Exposure value 4690: 4685: 4680: 4678:Depth of focus 4675: 4673:Depth of field 4670: 4665: 4660: 4655: 4650: 4645: 4640: 4635: 4630: 4625: 4619: 4617: 4613: 4612: 4610: 4609: 4604: 4603: 4602: 4592: 4587: 4582: 4577: 4572: 4571: 4570: 4565: 4560: 4555: 4550: 4545: 4540: 4530: 4529: 4528: 4523: 4518: 4513: 4508: 4503: 4498: 4493: 4488: 4478: 4473: 4472: 4471: 4466: 4461: 4456: 4451: 4446: 4436: 4431: 4430: 4429: 4424: 4414: 4413: 4412: 4407: 4402: 4397: 4392: 4387: 4382: 4377: 4372: 4367: 4362: 4357: 4352: 4341: 4339: 4335: 4334: 4327: 4326: 4319: 4312: 4304: 4295: 4294: 4285: 4282: 4281: 4277: 4272: 4267: 4262: 4257: 4252: 4242: 4241: 4240: 4238: 4234: 4233: 4229: 4224: 4219: 4214: 4209: 4199: 4194: 4189: 4184: 4179: 4174: 4169: 4168: 4167: 4165: 4161: 4160: 4156: 4151: 4146: 4141: 4136: 4131: 4126: 4121: 4118: 4113: 4108: 4103: 4101:New Journalism 4098: 4093: 4088: 4083: 4078: 4073: 4071:Human-interest 4068: 4063: 4058: 4053: 4051:Digital/Online 4048: 4043: 4038: 4033: 4028: 4023: 4018: 4013: 4008: 4003: 3998: 3993: 3983: 3978: 3977: 3976: 3974: 3968: 3967: 3963: 3958: 3953: 3948: 3943: 3938: 3933: 3928: 3923: 3918: 3913: 3908: 3903: 3898: 3893: 3888: 3883: 3878: 3877: 3876: 3874: 3870: 3869: 3865: 3860: 3855: 3853:Sensationalism 3850: 3845: 3840: 3835: 3830: 3825: 3822:code of ethics 3815: 3805: 3800: 3799: 3798: 3796: 3792: 3791: 3787: 3786: 3781: 3778: 3776:News presenter 3773: 3768: 3763: 3758: 3753: 3748: 3742: 3741: 3740: 3738: 3734: 3733: 3726: 3725: 3718: 3711: 3703: 3697: 3696: 3691: 3679: 3670: 3665: 3660: 3655: 3650: 3640: 3634: 3629: 3623: 3616: 3615:External links 3613: 3612: 3611: 3606: 3596: 3582: 3571: 3570: 3561: 3558: 3556: 3555: 3540: 3525: 3506: 3474: 3452: 3447:New York Times 3434: 3431:on 2013-10-02. 3415: 3399: 3372:(6): 803–823. 3349: 3318: 3312:978-0820474526 3311: 3293: 3274: 3260: 3225: 3213: 3187: 3180: 3159: 3134: 3098: 3067: 3040:(4): 956–973. 3017: 3005: 2975: 2951: 2907: 2900:(in Norwegian) 2845: 2820: 2817:on 2002-06-09. 2802: 2780: 2754: 2729: 2709: 2695: 2681: 2656: 2636: 2614: 2597: 2568: 2562: 2542: 2535: 2515: 2490: 2462: 2449: 2422: 2388: 2375: 2346: 2320: 2290: 2265: 2259:978-0114958336 2258: 2240: 2226: 2209: 2202: 2180: 2150: 2143: 2123: 2116: 2090: 2060: 2053: 2032: 2030: 2027: 2026: 2025: 2020: 2015: 2010: 2005: 2000: 1995: 1990: 1985: 1977: 1972: 1966: 1965: 1949: 1946: 1896:New York Times 1875: 1872: 1824:New York Times 1738:shutter speeds 1714: 1711: 1689:Pulitzer Prize 1678:Pulitzer Prize 1651: 1648: 1646: 1645: 1642: 1638: 1635: 1632: 1629: 1626: 1622: 1564:New York Times 1505: 1504: 1487:September 2015 1463: 1461: 1454: 1448: 1445: 1433:John Stanmeyer 1429:James Nachtwey 1395:Rita Vandivert 1345: 1342: 1297: 1294: 1172:Dorothea Lange 1167:Migrant Mother 1122:Romano Cagnoni 1010: 1007: 871: 868: 808: 807: 798: 797: 796: 787: 786: 785: 784: 783: 778:L'Illustration 750:Horatio Nelson 733: 730: 728: 725: 669: 668: 666: 665: 658: 651: 643: 640: 639: 638: 637: 632: 617: 616: 615: 614: 609: 604: 602:News presenter 599: 594: 589: 584: 579: 574: 566: 565: 561: 560: 559: 558: 553: 548: 543: 538: 533: 520: 519: 513: 512: 511: 510: 505: 500: 495: 490: 480: 475: 470: 465: 460: 455: 447: 446: 442: 441: 440: 439: 434: 429: 424: 419: 414: 409: 404: 399: 394: 389: 384: 382:New Journalism 379: 374: 369: 364: 359: 354: 352:Human-interest 349: 344: 339: 334: 332:Digital/Online 329: 324: 319: 314: 309: 304: 299: 294: 289: 284: 279: 274: 264: 256: 255: 251: 250: 249: 248: 243: 238: 233: 228: 223: 218: 213: 208: 203: 198: 193: 188: 183: 178: 173: 168: 160: 159: 155: 154: 153: 152: 147: 142: 137: 135:Sensationalism 132: 127: 122: 117: 112: 107: 104:code of ethics 97: 87: 79: 78: 70: 69: 26: 9: 6: 4: 3: 2: 5987: 5976: 5973: 5971: 5968: 5966: 5963: 5961: 5958: 5956: 5953: 5951: 5948: 5946: 5943: 5942: 5940: 5925: 5916: 5914: 5905: 5904: 5901: 5895: 5892: 5890: 5887: 5885: 5882: 5878: 5875: 5873: 5870: 5869: 5868: 5865: 5864: 5862: 5858: 5850: 5847: 5845: 5842: 5840: 5837: 5835: 5832: 5831: 5830: 5829:Photographers 5827: 5825: 5822: 5820: 5817: 5815: 5812: 5811: 5809: 5805: 5799: 5796: 5794: 5791: 5789: 5786: 5784: 5781: 5779: 5776: 5774: 5771: 5769: 5766: 5764: 5761: 5759: 5756: 5754: 5751: 5749: 5746: 5744: 5741: 5739: 5736: 5734: 5731: 5729: 5726: 5724: 5723:Bleach bypass 5721: 5720: 5718: 5716: 5710: 5702: 5699: 5697: 5694: 5692: 5691:primary color 5689: 5687: 5684: 5683: 5682: 5679: 5677: 5676:Reversal film 5674: 5670: 5667: 5666: 5665: 5662: 5661: 5659: 5657: 5653: 5647: 5644: 5642: 5641:Image sharing 5639: 5635: 5632: 5630: 5627: 5625: 5622: 5620: 5617: 5616: 5615: 5612: 5610: 5607: 5605: 5602: 5600: 5597: 5593: 5590: 5588: 5585: 5581: 5578: 5577: 5576: 5573: 5572: 5571: 5568: 5567: 5565: 5563: 5559: 5553: 5550: 5548: 5545: 5543: 5542:United States 5540: 5538: 5535: 5533: 5530: 5528: 5525: 5523: 5520: 5518: 5515: 5513: 5510: 5508: 5505: 5503: 5500: 5498: 5495: 5493: 5490: 5488: 5485: 5483: 5480: 5478: 5475: 5473: 5470: 5468: 5465: 5463: 5460: 5458: 5455: 5453: 5450: 5449: 5447: 5443: 5437: 5434: 5432: 5429: 5427: 5424: 5422: 5419: 5417: 5414: 5412: 5409: 5407: 5404: 5402: 5401:Daguerreotype 5399: 5397: 5394: 5392: 5389: 5387: 5384: 5382: 5379: 5377: 5374: 5372: 5369: 5367: 5364: 5363: 5361: 5359: 5355: 5349: 5346: 5344: 5341: 5339: 5336: 5334: 5331: 5329: 5326: 5324: 5321: 5319: 5316: 5315: 5313: 5311: 5307: 5301: 5298: 5296: 5293: 5291: 5288: 5286: 5283: 5281: 5278: 5274: 5271: 5270: 5269: 5266: 5264: 5261: 5257: 5254: 5253: 5252: 5249: 5247: 5246:Stopping down 5244: 5242: 5239: 5237: 5234: 5232: 5229: 5227: 5224: 5222: 5219: 5217: 5214: 5212: 5211:Rephotography 5209: 5207: 5204: 5202: 5199: 5197: 5194: 5192: 5189: 5187: 5184: 5182: 5179: 5177: 5174: 5172: 5169: 5167: 5164: 5162: 5159: 5157: 5154: 5152: 5149: 5147: 5146:Long-exposure 5144: 5142: 5139: 5137: 5134: 5132: 5129: 5127: 5124: 5122: 5119: 5117: 5114: 5112: 5109: 5107: 5104: 5102: 5099: 5097: 5094: 5092: 5089: 5087: 5084: 5082: 5079: 5077: 5074: 5072: 5069: 5067: 5064: 5062: 5059: 5057: 5054: 5053: 5051: 5047: 5041: 5038: 5036: 5033: 5031: 5028: 5026: 5023: 5021: 5018: 5016: 5013: 5011: 5008: 5006: 5003: 5001: 4998: 4996: 4993: 4991: 4988: 4984: 4981: 4980: 4979: 4976: 4974: 4971: 4969: 4966: 4964: 4961: 4959: 4956: 4954: 4951: 4949: 4946: 4944: 4941: 4939: 4936: 4934: 4931: 4929: 4926: 4924: 4921: 4919: 4916: 4914: 4911: 4909: 4906: 4904: 4901: 4899: 4896: 4894: 4891: 4889: 4886: 4884: 4881: 4879: 4876: 4874: 4871: 4869: 4866: 4864: 4861: 4859: 4856: 4854: 4851: 4849: 4846: 4844: 4841: 4839: 4838:Architectural 4836: 4834: 4831: 4829: 4826: 4824: 4821: 4820: 4818: 4814: 4808: 4805: 4803: 4800: 4798: 4797:Shutter speed 4795: 4793: 4790: 4788: 4785: 4783: 4780: 4778: 4775: 4771: 4768: 4767: 4766: 4763: 4761: 4758: 4756: 4753: 4751: 4750:Metering mode 4748: 4746: 4743: 4741: 4738: 4736: 4733: 4731: 4728: 4726: 4723: 4719: 4716: 4714: 4711: 4710: 4709: 4706: 4704: 4701: 4699: 4696: 4694: 4691: 4689: 4686: 4684: 4681: 4679: 4676: 4674: 4671: 4669: 4666: 4664: 4663:Color balance 4661: 4659: 4656: 4654: 4651: 4649: 4646: 4644: 4641: 4639: 4636: 4634: 4631: 4629: 4628:Angle of view 4626: 4624: 4621: 4620: 4618: 4614: 4608: 4605: 4601: 4598: 4597: 4596: 4593: 4591: 4588: 4586: 4583: 4581: 4578: 4576: 4575:Manufacturers 4573: 4569: 4566: 4564: 4561: 4559: 4556: 4554: 4551: 4549: 4546: 4544: 4541: 4539: 4536: 4535: 4534: 4531: 4527: 4524: 4522: 4519: 4517: 4514: 4512: 4509: 4507: 4504: 4502: 4499: 4497: 4494: 4492: 4489: 4487: 4484: 4483: 4482: 4479: 4477: 4474: 4470: 4467: 4465: 4462: 4460: 4457: 4455: 4452: 4450: 4447: 4445: 4442: 4441: 4440: 4437: 4435: 4432: 4428: 4425: 4423: 4420: 4419: 4418: 4415: 4411: 4408: 4406: 4403: 4401: 4398: 4396: 4393: 4391: 4388: 4386: 4383: 4381: 4378: 4376: 4373: 4371: 4368: 4366: 4363: 4361: 4358: 4356: 4353: 4351: 4348: 4347: 4346: 4343: 4342: 4340: 4336: 4332: 4325: 4320: 4318: 4313: 4311: 4306: 4305: 4302: 4292: 4288: 4283: 4276: 4273: 4271: 4270:News agencies 4268: 4266: 4263: 4261: 4258: 4256: 4253: 4250: 4246: 4243: 4239: 4235: 4228: 4225: 4223: 4220: 4218: 4215: 4213: 4210: 4207: 4206:False balance 4203: 4200: 4198: 4195: 4193: 4190: 4188: 4185: 4183: 4180: 4178: 4177:Fourth Estate 4175: 4173: 4170: 4166: 4164:Social impact 4162: 4155: 4152: 4150: 4147: 4145: 4142: 4140: 4137: 4135: 4132: 4130: 4127: 4125: 4124:Press release 4122: 4119: 4117: 4114: 4112: 4109: 4107: 4104: 4102: 4099: 4097: 4094: 4092: 4089: 4087: 4086:Investigative 4084: 4082: 4079: 4077: 4074: 4072: 4069: 4067: 4064: 4062: 4061:Fact-checking 4059: 4057: 4054: 4052: 4049: 4047: 4044: 4042: 4039: 4037: 4034: 4032: 4029: 4027: 4026:Collaborative 4024: 4022: 4019: 4017: 4014: 4012: 4009: 4007: 4004: 4002: 3999: 3997: 3994: 3991: 3987: 3984: 3982: 3979: 3975: 3973: 3969: 3962: 3959: 3957: 3954: 3952: 3949: 3947: 3944: 3942: 3939: 3937: 3934: 3932: 3929: 3927: 3924: 3922: 3919: 3917: 3914: 3912: 3909: 3907: 3904: 3902: 3899: 3897: 3896:Entertainment 3894: 3892: 3889: 3887: 3884: 3882: 3879: 3875: 3871: 3864: 3861: 3859: 3856: 3854: 3851: 3849: 3846: 3844: 3841: 3839: 3836: 3834: 3831: 3829: 3826: 3823: 3819: 3816: 3813: 3809: 3808:Writing style 3806: 3804: 3801: 3797: 3793: 3785: 3782: 3779: 3777: 3774: 3772: 3771:Meteorologist 3769: 3767: 3764: 3762: 3759: 3757: 3754: 3752: 3749: 3747: 3744: 3743: 3739: 3735: 3731: 3724: 3719: 3717: 3712: 3710: 3705: 3704: 3701: 3695: 3692: 3690: 3686: 3683: 3680: 3678: 3674: 3671: 3669: 3666: 3664: 3661: 3659: 3656: 3654: 3651: 3648: 3644: 3641: 3638: 3635: 3633: 3630: 3627: 3624: 3622: 3619: 3618: 3610: 3607: 3605: 3604:0-19-284200-5 3601: 3597: 3595: 3594:0-205-33240-4 3591: 3587: 3583: 3580: 3576: 3573: 3572: 3568: 3564: 3563: 3551: 3544: 3536: 3529: 3521: 3517: 3510: 3502: 3498: 3494: 3490: 3483: 3481: 3479: 3471: 3467: 3464: 3461: 3456: 3448: 3444: 3438: 3430: 3426: 3419: 3412: 3408: 3407:Paul Levinson 3403: 3395: 3391: 3387: 3383: 3379: 3375: 3371: 3367: 3360: 3353: 3337: 3333: 3329: 3322: 3314: 3308: 3304: 3297: 3289: 3285: 3278: 3270: 3264: 3256: 3252: 3248: 3244: 3240: 3236: 3229: 3222: 3221:Kenneth Kobre 3217: 3202: 3198: 3191: 3183: 3181:9781119031734 3177: 3173: 3166: 3164: 3148: 3144: 3138: 3129: 3124: 3120: 3116: 3109: 3102: 3094: 3090: 3086: 3082: 3078: 3071: 3063: 3059: 3055: 3051: 3047: 3043: 3039: 3035: 3028: 3021: 3008: 3002: 2998: 2994: 2990: 2986: 2979: 2965: 2961: 2955: 2949: 2945: 2941: 2938: 2934: 2930: 2927: 2923: 2919: 2916: 2911: 2904: 2897: 2893: 2890: 2883: 2879: 2876: 2872: 2868: 2865: 2861: 2857: 2854: 2849: 2834: 2830: 2829:"thebppa.com" 2824: 2816: 2812: 2806: 2791: 2784: 2770:on 2013-03-09 2769: 2765: 2758: 2744:on 2021-10-20 2743: 2739: 2733: 2725: 2724: 2719: 2713: 2705: 2699: 2691: 2685: 2671:on 2019-11-01 2670: 2666: 2660: 2652: 2651: 2646: 2640: 2633: 2629: 2625: 2618: 2611: 2607: 2601: 2594: 2591:, pp. 73–80, 2590: 2589:9780719058042 2586: 2582: 2578: 2572: 2565: 2563:9781606060223 2559: 2555: 2554: 2546: 2538: 2536:9780191557293 2532: 2528: 2527: 2519: 2512: 2508: 2507:9780810905597 2504: 2500: 2494: 2487: 2483: 2482:9781571132055 2479: 2475: 2472:Mila Ganeva, 2469: 2467: 2459: 2453: 2437: 2433: 2426: 2411: 2407: 2403: 2399: 2392: 2385: 2382:Robert Taft, 2379: 2364: 2360: 2358: 2350: 2334: 2330: 2324: 2316: 2312: 2308: 2304: 2297: 2295: 2280:on 2011-11-03 2279: 2275: 2269: 2261: 2255: 2251: 2244: 2236: 2230: 2222: 2221: 2213: 2205: 2199: 2194: 2193: 2184: 2168: 2164: 2157: 2155: 2146: 2144:9780203880753 2140: 2136: 2135: 2127: 2119: 2113: 2109: 2104: 2103: 2094: 2078: 2074: 2070: 2064: 2056: 2054:9789038213408 2050: 2046: 2045: 2037: 2033: 2024: 2021: 2019: 2016: 2014: 2011: 2009: 2008:Photo caption 2006: 2004: 2001: 1999: 1998:Magnum Photos 1996: 1994: 1991: 1989: 1986: 1984: 1982: 1978: 1976: 1973: 1971: 1968: 1967: 1963: 1952: 1945: 1943: 1939: 1938:John H. White 1935: 1934: 1926: 1922: 1917: 1913: 1909: 1906:according to 1904: 1903: 1898: 1897: 1892: 1888: 1883: 1879: 1871: 1869: 1865: 1861: 1860: 1854: 1850: 1845: 1841: 1840:Paul Levinson 1836: 1833: 1829: 1825: 1819: 1817: 1814:and portable 1813: 1812:Camera phones 1809: 1805: 1801: 1800:Canon EOS D30 1797: 1792: 1787: 1779: 1775: 1773: 1769: 1765: 1761: 1756: 1754: 1750: 1749:film negative 1745: 1743: 1739: 1735: 1731: 1723: 1719: 1710: 1708: 1704: 1700: 1696: 1695: 1690: 1685: 1683: 1679: 1675: 1671: 1667: 1663: 1662: 1656: 1643: 1639: 1636: 1633: 1630: 1627: 1623: 1620: 1619: 1617: 1615: 1610: 1606: 1604: 1599: 1597: 1593: 1588: 1584: 1579: 1577: 1573: 1568: 1566: 1565: 1559: 1555: 1551: 1548: 1543: 1541: 1536: 1532: 1527: 1525: 1516: 1511: 1501: 1498: 1490: 1480: 1476: 1470: 1469: 1464:This section 1462: 1458: 1453: 1452: 1444: 1441: 1436: 1434: 1430: 1426: 1422: 1418: 1414: 1410: 1406: 1402: 1400: 1396: 1392: 1388: 1387:George Rodger 1384: 1380: 1376: 1372: 1371:Magnum Photos 1368: 1366: 1361: 1359: 1355: 1351: 1341: 1339: 1335: 1331: 1327: 1323: 1318: 1316: 1315: 1307: 1302: 1293: 1291: 1287: 1283: 1282:Magnum Photos 1278: 1276: 1272: 1268: 1264: 1260: 1252: 1247: 1243: 1240: 1237: 1233: 1232: 1225: 1222: 1218: 1214: 1210: 1206: 1201: 1199: 1195: 1191: 1189: 1185: 1177: 1173: 1169: 1168: 1162: 1158: 1156: 1152: 1147: 1145: 1144:Erich Salomon 1141: 1137: 1135: 1131: 1127: 1123: 1119: 1115: 1114: 1110:(London) and 1109: 1108: 1103: 1102: 1097: 1096: 1091: 1090: 1085: 1084: 1079: 1078: 1072: 1070: 1069:Erich Salomon 1066: 1061: 1057: 1054: 1053: 1044: 1040: 1036: 1035: 1029: 1025: 1023: 1019: 1016: 1006: 1004: 1000: 996: 992: 987: 985: 984: 979: 975: 970: 968: 967: 961: 957: 953: 945: 940: 936: 934: 930: 929: 923: 921: 917: 913: 909: 905: 901: 892: 888: 884: 880: 876: 867: 864: 862: 857: 853: 849: 845: 840: 836: 832: 828: 824: 814: 813: 802: 791: 782: 780: 779: 774: 769: 767: 763: 762: 757: 756: 751: 742: 738: 724: 722: 718: 713: 711: 707: 703: 699: 695: 691: 687: 683: 679: 675: 664: 659: 657: 652: 650: 645: 644: 642: 641: 636: 633: 631: 621: 620: 619: 618: 613: 610: 608: 605: 603: 600: 598: 597:Meteorologist 595: 593: 590: 588: 585: 583: 580: 578: 575: 573: 570: 569: 568: 567: 563: 562: 557: 554: 552: 551:News agencies 549: 547: 544: 542: 539: 537: 534: 531: 527: 524: 523: 522: 521: 518: 515: 514: 509: 506: 504: 501: 499: 496: 494: 491: 488: 487:False balance 484: 481: 479: 476: 474: 471: 469: 466: 464: 461: 459: 458:Fourth Estate 456: 454: 451: 450: 449: 448: 445:Social impact 444: 443: 438: 435: 433: 430: 428: 425: 423: 420: 418: 415: 413: 410: 408: 407:Press release 405: 403: 400: 398: 395: 393: 390: 388: 385: 383: 380: 378: 375: 373: 370: 368: 367:Investigative 365: 363: 360: 358: 355: 353: 350: 348: 345: 343: 342:Fact-checking 340: 338: 335: 333: 330: 328: 325: 323: 320: 318: 315: 313: 310: 308: 307:Collaborative 305: 303: 300: 298: 295: 293: 290: 288: 285: 283: 280: 278: 275: 272: 268: 265: 263: 260: 259: 258: 257: 253: 252: 247: 244: 242: 239: 237: 234: 232: 229: 227: 224: 222: 219: 217: 214: 212: 209: 207: 204: 202: 199: 197: 194: 192: 189: 187: 184: 182: 181:Entertainment 179: 177: 174: 172: 169: 167: 164: 163: 162: 161: 157: 156: 151: 148: 146: 143: 141: 138: 136: 133: 131: 128: 126: 123: 121: 118: 116: 113: 111: 108: 105: 101: 98: 95: 91: 90:Writing style 88: 86: 83: 82: 81: 80: 76: 72: 71: 68: 65: 64: 59: 55: 51: 47: 43: 39: 36: 32: 19: 5889:Polaroid art 5783:K-14 process 5778:Instant film 5773:Gum printing 5728:C-41 process 5713:Photographic 5614:Image sensor 5609:Film scanner 5263:Sun printing 5196:Print toning 4983:space selfie 4953:Pictorialism 4947: 4883:Ethnographic 4863:Conservation 4735:Guide number 4730:Focal length 4260:TV and radio 4192:Infotainment 4182:Fifth Estate 4081:Interpretive 4031:Comics-based 3780:Photographer 3585: 3578: 3575:Don McCullin 3566: 3543: 3528: 3520:the original 3509: 3492: 3460:dpreview.com 3455: 3446: 3437: 3429:the original 3418: 3410: 3402: 3369: 3365: 3352: 3342:February 25, 3340:. 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ZoneZero 2774:2012-09-16 2748:2021-10-20 2675:2016-12-01 2404:. Winter. 2369:2007-04-21 2339:22 October 2284:2011-12-10 2083:9 December 2029:References 2023:ZUMA Press 1983:(magazine) 1354:Copenhagen 1188:Kodachrome 1086:(France), 1080:(Berlin), 1009:Golden age 978:Jacob Riis 766:engravings 710:news media 678:journalism 526:Newspapers 517:News media 483:Media bias 387:Non-profit 372:Multimedia 292:Churnalism 221:Technology 130:Defamation 67:Journalism 38:photograph 5834:Norwegian 5798:Stop bath 5743:Developer 5371:Ambrotype 5333:Lead room 5256:Slit-scan 5191:Photogram 5186:Panoramic 5096:Fireworks 5081:Cyanotype 4923:Landscape 4568:telephoto 4516:reflector 4511:monolight 4506:lens hood 4491:cucoloris 4427:safelight 4338:Equipment 4255:Magazines 4172:Fake news 4096:Narrative 4076:Immersion 4036:Community 4006:Broadcast 3751:Columnist 3677:norcc.org 3535:"Poynter" 3501:1270-9050 3394:152096211 3386:1461-670X 3269:"Sandisk" 3255:146172199 3062:149722667 3054:1464-8849 2628:311853822 2410:0094-7679 2003:Paparazzi 1816:satellite 1413:Ron Haviv 1269:(UPI) or 1200:in 1940. 1198:the Blitz 1003:wirephoto 995:newspaper 972:In 1887, 960:C. 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