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Revolutionary opera

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2228: 238: 229:), on posters, postcards, and stamps; on plates, teapots, wash basins, cigarette packages, vases, and calendars. They were performed or played from loudspeakers in schools, factories, and fields by special performing troupes. The Eight Model Operas dominated the stage in all parts of the country during these years, leading to the joke "Eight hundred million people watched eight shows." 376:
political art. Many ordinary Chinese citizens were familiar with the arias in these model operas and would sing them at home or on the streets. Mobile film units brought cinematic recordings of the operas into the countryside and played an important role in popularizing and standardizing the art form. The revolutionary operas were regarded as some of the
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The operas are often taken by its critics as paradigmatic of the proletarian-dominated art of the Cultural Revolution, and have been condemned by some as an aesthetic and cultural aberration. Author Huo Wang, a citizen in China at the time, wrote in 1998 in reference to the Cultural Revolution era:
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journal under a pen name stated, "The glorious achievement of revolutionary operas marked a revolution in art by the proletariat. It is the major component of our country's proletarian cultural revolution. . . . In the series of revolutionary model operas nurtured by beloved Comrade Jiang Qing, the
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Although these works bear unmistakable political overtones of the time when they were created, they nonetheless had significant artistic values, and for this reason, some of the works remain popular decades after the Cultural Revolution. As academic Kazushi Minami observes, many people, especially
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describes her experiences with revolutionary operas. She became a fan initially because there were not many other forms of diversion. "Entertainment was a 'dirty bourgeois word'," but the revolutionary operas were supposed to be something else, "a proletarian statement." To love or not to love the
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The major characters of the yangbanxi demonstrated the behaviors which government officials were supposed to demonstrate: accepting hardship first and enjoyment later, focusing on the livelihood of the masses, denouncing oppressive behavior, and using persuasion to deal with difficult people. Thus
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I listened to the operas when I ate, walked and slept. I grew up with the operas. They became my cells. I decorated the porch with posters of my favorite opera heroines. I sang the operas wherever I went. My mother heard me singing in my dreams; she said that I was preserved by the operas. It was
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Model operas were performed on stages, broadcast on the radio, made into films, and sung by millions. They were the only form of mass theatrical entertainment in China at the time. Unlike European opera, which was essentially entertainment for the elite, revolutionary opera had become a popular
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true. I could not go on a day without listening to the operas. I pasted my ear close to the radio, figuring out the singer's breaths. I imitated her. The aria was called 'I won't quit the battle until all the beasts are killed.' It was sung by Iron Plum a teenage character in an opera called
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as her "laboratory experimentation" for accomplishing this radical change in theater art. The traditional Peking opera was revolutionized in both form and content. Eight model plays were produced in the first three years of the Cultural Revolution. They consisted of five modern operas
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image of proletarian heroes is established; the stage that has been controlled by landlords and representatives of the bourgeoisie for the past thousand years is now gone. The real master of history has entered the field of art and started a new era in the history of art".
391:, one way China promoted its policy of state feminism was through revolutionary opera. Most of the eight model dramas in this period featured women as their main characters. The narratives of these women protagonists begin with them oppressed by 429:
operas was a serious political question, Min writes, and "meant to be or not to be a revolutionary." For a decade the same eight operas were taught on radio and in school, and were promoted by neighborhood organizations. Min recalls:
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as its grand finale, which caused postmodern audiences in Los Angeles and New York to marvel at the opera's innovative multipositionality and hybridity, in which revolutionary ideologies, exotic nativist music and dances of the
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rural people, cherished the yangbaxi and still do today. Some of the eight model revolutionary operas have been sent on tours around the world without much of its original political content. According to Liu Kang from
417:"Model operas are the only art form left in the whole of China. You cannot escape from listening to them. You hear them every time you turn on the radio. You hear them from loudspeakers every time you go outside". 2203: 395:, class position, and imperialism before liberating themselves through the discovery of their own internal strength and the Communist Party. Villains in the revolutionary operas were consistently male. 691: 355:, following the original model in content and form. However it was the original eight plays that were most commonly performed. Toward the end of the Cultural Revolution, the ballet 1166:
Mittler, Barbara. "Popular Propaganda? Art and Culture in Revolutionary China", Proceedings of the American Philosophical Society. Philadelphia: Dec 2008. Vol. 152, Iss. 4; pg. 466
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Liu, Kang. "Popular Culture and the Culture of the Masses in Contemporary China", 2, Vol. 24, No. 3, Postmodernism and China (Autumn, 1997), pp. 99-122. Duke University Press
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An official yangbanxi popularization campaign began in 1970. The release of filmed versions of yangbanxi prompted the re-organization and expansion of
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Barbara Mittler, ""Eight Stage Works for 800 Million People": The Great Proletarian Cultural Revolution in Music — A View from Revolutionary Opera."
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was adapted to a ballet. These did not have a chance to become as popular as their earlier versions, and the ballet version of
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as playing the central role in the victory of communism in China. Although they originated as operas, they soon appeared on
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was the chief advocate and engineer of the transformation from traditional operas to revolutionary ones, and chose the
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The yangbanxi were a staple of cultural exchanges in the years leading to China-United States rapprochement. American
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they both provided a standard of conduct for officials and expressed a standard for ordinary people to hold them to.
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Maoist Model Theatre : The Semiotics of Gender and Sexuality in the Chinese Cultural Revolution (1966-1976)
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was musically expanded to a symphony with a full Western orchestra, a format similar to the ninth symphony of
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The new revolutionary theatrical forms were praised as "shining victories" of the Cultural Revolution and
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Rhetoric of the Chinese Cultural Revolution: the impact on Chinese thought, culture, and communication
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People's Diplomacy: How Americans and Chinese Transformed US-China Relations during the Cold War
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The promotion of yangbanxi through official channels also surged in 1974 in connection with the
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The official versions of the operas were all Peking operas and were produced by either the
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This article is about the Chinese opera genre. For the North Korean opera genre, see
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Cinematic Guerillas: Propaganda, Projectionists, and Audiences in Socialist China
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Mao Zedong and China in the twentieth-century world : a concise history
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Island, and high European styles and modalities coalesce in a neo-Wagnerian
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The unknown cultural revolution : life and change in a Chinese village
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Stephan Landsberger's Chinese Propaganda Poster Pages, "Model Operas"
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A Continuous Revolution: Making Sense of Cultural Revolution Culture.
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The eight model plays were the subject of the 2005 documentary film
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Hunan Provincial Proletarian Revolutionary Great Alliance Committee
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in their itineraries. Richard Nixon and Henry Kissinger viewed the
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and the bravery of the common people, and showed Mao Zedong and
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Counterattack the Right-Deviationist Reversal-of-Verdicts Trend
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After 1969 several other model operas were produced, including
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was also adapted to a piano-accompanied cantata by the pianist
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China on Stage: An American Actress in the People's Republic
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China on Stage: An American Actress in the People's Republic
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Newborn socialist things : materiality in Maoist China
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Newborn socialist things : materiality in Maoist China
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Newborn socialist things : materiality in Maoist China
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Newborn socialist things : materiality in Maoist China
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Newborn socialist things : materiality in Maoist China
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during the early 1970s typically included at least one of
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Genre of Chinese opera promoting communism and socialism
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was adapted to a Peking opera, while the Peking opera
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Taking Tiger Mountain by Strategy Chinese Posters.net
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Cambridge; New York: Cambridge University Press. 706:Revolutionary operas after the Cultural Revolution 2096:Central Organization and Propaganda Leading Group 183:Originally, eight revolutionary operas (Chinese: 2832: 2179:List of campaigns of the Chinese Communist Party 1440:Excerpt of revolutionary opera from The Guardian 813:List of campaigns of the Chinese Communist Party 771:, seven years before the normalization of the 2258: 1460: 696: 682: 668: 648: 634: 620: 606: 577: 563: 537: 523: 497: 65: 51: 199:, maidens, and beauties" of the traditional 1899:Sweep Away All Cow Demons and Snake Spirits 888:The Chinese Cultural Revolution: A History. 2265: 2251: 1467: 1453: 1344:The Chinese Cultural Revolution: A History 1285: 1283: 1281: 1279: 1152:: CS1 maint: location missing publisher ( 370: 841: 839: 837: 835: 833: 743:The three most popular Peking operas are 2204:3rd Plenum of the 11th Central Committee 845: 485: 384:arising during the Cultural Revolution. 236: 1474: 1276: 1243: 1175: 1077: 1038: 999: 719:During a 1996 North American tour, the 14: 2833: 1289: 936: 934: 932: 930: 830: 125: 2246: 1448: 1115: 1113: 692:The Brother and Sister on the Prairie 180:. Many of them were adapted to film. 940: 594: 456: 332:, with an overture and 8 movements. 1119: 927: 24: 1598:Criticize Lin, Criticize Confucius 1214: 1208: 1110: 451:Criticize Lin, Criticize Confucius 25: 2872: 1419: 1415:69. 4 (November 2010): 1208–1210. 753:Taking Tiger Mountain by Strategy 519:Taking Tiger Mountain by Strategy 481:List of revolutionary model plays 270:Taking Tiger Mountain by Strategy 2276:and Chinese narrative traditions 2227: 2226: 2162:Mao Zedong's cult of personality 2008:Learn from Dazhai in agriculture 1538:Down to the Countryside Movement 1510:Seven Thousand Cadres Conference 1428:Yangbanxi: The Eight Model Works 790:Yangbanxi, The Eight Model Works 759:, the one that was presented to 533:Raid on the White Tiger Regiment 276:Raid on the White Tiger Regiment 1892:Six Articles of Public Security 1364:(New York: Random House, 1972) 1323: 1312: 1237: 1169: 1160: 1071: 818: 367:was never officially released. 2131:Worker-Peasant-Soldier student 2091:Central Case Examination Group 1573:One Strike-Three Anti Campaign 1426:Slant Magazine Film Review of 1032: 993: 973: 914: 901: 880: 864: 765:President of the United States 402:. 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(2010). 1336: 745:The Legend of the Red Lantern 493:The Legend of the Red Lantern 334:The Legend of the Red Lantern 260:The Legend of the Red Lantern 1958:Continuous Revolution Theory 1948:Cow demons and snake spirits 1871:Quotations from Chairman Mao 1515:Socialist Education Movement 510:(沙家浜, formerly romanised as 301:, which is more precisely a 7: 801: 725:The Red Detachment of Women 678:Ode to the Yimeng Mountains 382:shehuizhuyi xinsheng shiwu) 314:Shanghai Peking Opera House 243:The Red Detachment of Women 10: 2877: 1244:Coderre, Laurence (2021). 1176:Coderre, Laurence (2021). 1078:Coderre, Laurence (2021). 1039:Coderre, Laurence (2021). 1000:Coderre, Laurence (2021). 877:(accessed April 30, 2013). 297:), and one symphony (also 146:People's Republic of China 32:Korean revolutionary opera 29: 2791: 2763: 2710: 2652: 2561: 2528: 2507: 2370: 2288: 2281: 2222: 2149: 2086:Cultural Revolution Group 2031: 1915: 1855: 1704: 1631: 1543:Cleansing the Class Ranks 1530: 1482: 1395:. 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New York. p. 65. 823: 630:The Warfare on the Plain 616:Song of the Dragon River 378:newborn socialist things 318:National Ballet of China 310:China Peking Opera House 213:People's Liberation Army 47:Traditional Chinese 2856:Maoist China propaganda 2106:Revolutionary committee 1656:Inner Mongolia incident 1623:1976 Tiananmen Incident 1593:Black Painting incident 1558:February Countercurrent 874:26, no. 2 (2010): 377. 757:Red Detachment of Women 664:Interrogating the Chair 657:Red Detachment of Women 559:Red Detachment of Women 475:Red Detachment of Women 471:Red Detachment of Women 463:tourist groups in China 371:National implementation 357:Red Detachment of Women 322:Shanghai Ballet Company 288:Red Detachment of Women 205:revolutionary struggles 172:, the wife of Chairman 61:Simplified Chinese 2076:May Sixteenth elements 1490:Anti-Rightist Campaign 1120:Han, Dongping (2008). 741: 440: 246: 2529:Comedic/Light theater 2111:8341 Special Regiment 2018:Five Black Categories 1684:Zhao Jianmin Spy Case 1618:1976 Nanjing incident 1252:Duke University Press 1184:Duke University Press 1086:Duke University Press 1047:Duke University Press 1008:Duke University Press 949:Duke University Press 795:Farewell My Concubine 769:visited China in 1972 723:repeatedly performed 717: 573:The White Haired Girl 486:The Eight Model Plays 467:The White Haried Girl 431: 294:The White Haired Girl 240: 211:. They glorified the 156:(Simplified Chinese: 2044:Conservative Faction 1973:One Divides into Two 1943:Big-character poster 1495:Great Chinese Famine 1342:Clark, Paul (2008). 773:Sino-US relationship 721:China Central Ballet 446:exhibition network. 349:Battle in the Plains 207:against foreign and 150:revolutionary operas 2851:Cultural Revolution 2702:Revolutionary opera 2023:Five Red Categories 1885:May 16 Notification 1588:10th Party Congress 1476:Cultural Revolution 922:Cultural Revolution 909:Cultural Revolution 872:The Opera Quarterly 808:Propaganda in China 602:The Azalea Mountain 550:(海港, also known as 389:Cultural Revolution 365:The Azalea Mountain 361:The Azalea Mountain 166:Cultural Revolution 2199:Morning Sun (film) 2174:Great Leap Forward 2064:Ultra-Left Faction 2013:Stinking Old Ninth 1661:Guangdong Massacre 1568:9th Party Congress 1520:Taoyuan Experience 1500:Great Leap Forward 924:p. 66, 84-85, etc. 730:Li ethnic minority 400:Mao Zedong Thought 247: 223:, in comic books ( 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783: 778: 774: 770: 766: 762: 761:Richard Nixon 758: 754: 750: 746: 740: 739: 735: 731: 726: 722: 716: 714: 694: 693: 689: 680: 679: 675: 666: 665: 661: 658: 655: 646: 645: 641: 632: 631: 627: 618: 617: 613: 604: 603: 599: 598: 589: 588: 584: 575: 574: 570: 561: 560: 556: 553: 549: 548: 544: 535: 534: 530: 521: 520: 516: 513: 509: 508: 504: 495: 494: 490: 489: 478: 476: 472: 468: 464: 454: 452: 447: 445: 439: 437: 430: 427: 423: 418: 414: 410: 407: 406: 401: 396: 394: 390: 385: 383: 379: 368: 366: 362: 358: 354: 353:Bay of Panshi 350: 346: 341: 339: 338:Yin Chengzong 335: 331: 327: 323: 319: 315: 311: 306: 304: 300: 296: 295: 290: 289: 284: 283: 278: 277: 272: 271: 266: 262: 261: 255: 251: 245: 244: 239: 230: 228: 227: 222: 218: 214: 210: 209:class enemies 206: 202: 198: 194: 190: 186: 181: 179: 175: 171: 167: 163: 159: 155: 151: 147: 137: 127: 122: 120: 116: 108: 106: 102: 94: 92: 88: 85: 81: 76: 72: 64: 62: 58: 50: 48: 44: 40: 37: 33: 19: 2817: 2810: 2803: 2780: 2753: 2746: 2737: 2732: 2723: 2718: 2701: 2694: 2687: 2680: 2673: 2666: 2659: 2641: 2634: 2627: 2620: 2613: 2606: 2599: 2592: 2580: 2573: 2562: 2535: 2515:Ritual opera 2475:Tongzi opera 2460:Suzhou opera 2440:Puxian opera 2420:Liyuan opera 2412: 2383:Gaojia opera 2362:Shanxi opera 2354: 2340:Peking opera 2332: 2315: 2296:Hebei bangzi 2121:61 Renegades 1982: 1904: 1897: 1890: 1883: 1876: 1869: 1862: 1822:Yang Chengwu 1756:Wang Hongwen 1737:Gang of Four 1531:Major events 1427: 1407:, Reviewed, 1392: 1376: 1361: 1343: 1325: 1314: 1291: 1246: 1239: 1216: 1210: 1178: 1171: 1162: 1121: 1080: 1073: 1041: 1034: 1002: 995: 988:Random House 983: 975: 943: 921: 916: 908: 903: 887: 886:Paul Clark. 882: 871: 866: 847: 819:Bibliography 793: 789: 787: 780: 756: 752: 748: 744: 742: 737: 724: 718: 709: 690: 676: 662: 656: 642: 628: 614: 600: 590:the symphony 585: 571: 557: 551: 547:On the Docks 545: 531: 517: 511: 505: 491: 474: 470: 466: 460: 448: 444:China's film 441: 435: 432: 421: 420:In her book 419: 415: 411: 403: 397: 386: 381: 374: 364: 360: 356: 352: 348: 344: 342: 333: 325: 307: 298: 292: 286: 282:On the Docks 280: 274: 268: 264: 258: 254:Peking opera 248: 241: 224: 201:Peking opera 195:, generals, 184: 182: 157: 154:model operas 153: 149: 143: 111:yang pan hsi 91:Hanyu Pinyin 36: 2799:Pear Garden 2588:Flower Drum 2567:(narrative) 2393:Hakka opera 2311:Jilin opera 2301:Henan opera 1998:Yiku sitian 1847:Ye Jianying 1842:Hua Guofeng 1837:Mao Yuanxin 1827:Chen Zaidao 1762:Peng Dehuai 1751:Yao Wenyuan 1705:Key figures 1578:Project 571 986:(New York: 947:. Durham : 792:. The film 785:(1985–87). 512:Shachiapang 387:During the 226:lianhuanhua 217:his thought 197:chancellors 2861:Jiang Qing 2835:Categories 2805:Shengqiang 2711:Role types 2653:Historical 2643:Xiangsheng 2601:Kuaibanshu 2582:Errenzhuan 2485:Wuxi opera 2450:Shao opera 2398:Huai opera 2345:Ping opera 2167:Mango cult 2039:Red Guards 1832:Kang Sheng 1817:Qiu Huizuo 1797:Ji Dengkui 1741:Jiang Qing 1722:Zhou Enlai 1717:Liu Shaoqi 1712:Mao Zedong 1639:Red August 1370:0394468740 1337:References 1270:1250021710 1250:. Durham: 1202:1250021710 1182:. Durham: 1104:1250021710 1084:. Durham: 1065:1250021710 1045:. Durham: 1026:1250021710 1006:. Durham: 911:pp. 26-43. 857:1570035431 777:John Adams 749:Shajiabang 587:Shajiabang 552:The Harbor 507:Shajiabang 453:campaign. 426:Anchee Min 422:Red Azalea 326:Shajiabang 299:Shajiabang 265:Shajiabang 250:Jiang Qing 174:Mao Zedong 170:Jiang Qing 158:yangban xi 105:Wade–Giles 2819:Bian lian 2725:Xiaosheng 2629:Shulaibao 2520:Nuo opera 2495:Yue opera 2430:Min opera 2408:Hui opera 2388:Han opera 1923:Four Olds 1856:Documents 1812:Wu Faxian 1792:Xie Fuzhi 1782:Chen Boda 1772:Peng Zhen 1632:Massacres 1148:cite book 1140:227930948 967:503828045 779:'s opera 701:), ballet 687:), ballet 644:Panshiwan 582:), ballet 568:), ballet 330:Beethoven 148:(1949–), 97:yàngbǎnxì 2771:Costumes 2764:Costumes 2661:Canjunxi 2537:Errentai 2480:Wu opera 2435:Ou opera 2425:Lu opera 2371:Southern 2356:Qinqiang 2350:Pu opera 2334:Maoqiang 2328:Lü opera 2317:Liuqiang 2289:Northern 2232:Category 1916:Concepts 1807:Qi Benyu 1727:Lin Biao 990:, 1972). 802:See also 405:Red Flag 393:misogyny 189:emperors 2696:Zidishu 2689:Chuanqi 2668:Yuanben 2622:Pingtan 2615:Pingshu 2608:Naamyam 1802:Wang Li 1777:Tao Zhu 1483:Prelude 920:Clark, 469:or the 320:or the 312:or the 303:cantata 2812:Yunbai 2782:Lingzi 2157:Maoism 2032:Groups 1767:Wu Han 1399:  1383:  1368:  1350:  1302:  1268:  1258:  1227:  1200:  1190:  1138:  1128:  1102:  1092:  1063:  1053:  1024:  1014:  965:  955:  907:Clark 894:  854:  767:, who 751:, and 734:Hainan 351:, and 279:, and 233:Origin 2739:Wudan 2719:Sheng 2675:Nanxi 2636:Tanci 2575:Baiju 2414:Kunqu 898:p. 2. 824:Notes 565:红色娘子军 539:奇袭白虎团 525:智取威虎山 193:kings 2754:Chou 2747:Jing 2682:Zaju 2594:Guci 2564:Quyi 1397:ISBN 1381:ISBN 1366:ISBN 1348:ISBN 1300:ISBN 1266:OCLC 1256:ISBN 1225:ISBN 1198:OCLC 1188:ISBN 1154:link 1136:OCLC 1126:ISBN 1100:OCLC 1090:ISBN 1061:OCLC 1051:ISBN 1022:OCLC 1012:ISBN 963:OCLC 953:ISBN 892:ISBN 852:ISBN 698:草原儿女 636:平原作战 291:and 2733:Dan 732:on 684:沂蒙颂 670:审椅子 650:磐石湾 622:龙江颂 608:杜鹃山 579:白毛女 499:红灯记 305:). 221:LPs 162:样板戏 152:or 144:In 119:IPA 67:样板戏 53:樣板戲 2837:: 1411:, 1360:, 1298:. 1278:^ 1264:. 1223:. 1219:. 1196:. 1150:}} 1146:{{ 1134:. 1112:^ 1098:. 1059:. 1020:. 982:, 961:. 929:^ 832:^ 763:, 747:, 715:: 477:. 424:, 347:, 324:. 273:, 267:, 263:, 191:, 160:, 2742:) 2736:( 2728:) 2722:( 2266:e 2259:t 2252:v 1758:) 1739:( 1468:e 1461:t 1454:v 1405:. 1387:. 1308:. 1272:. 1233:. 1204:. 1156:) 1142:. 1106:. 1067:. 1028:. 969:. 860:. 695:( 681:( 667:( 647:( 633:( 619:( 605:( 576:( 562:( 536:( 522:( 496:( 380:( 257:( 34:. 20:)

Index

Eight model plays
Korean revolutionary opera
Traditional Chinese
Simplified Chinese
Standard Mandarin
Hanyu Pinyin
Wade–Giles
IPA

People's Republic of China
样板戏
Cultural Revolution
Jiang Qing
Mao Zedong
Chinese operas
emperors
kings
chancellors
Peking opera
revolutionary struggles
class enemies
People's Liberation Army
his thought
LPs
lianhuanhua

The Red Detachment of Women
Jiang Qing
Peking opera
The Legend of the Red Lantern

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