191:
enjoy. Lamplit nights there were and moonlit eves, periods of snow and times of blossoming, beseeching skills and climbing heights, training reservoirs and gardens to roam in. Raise the eyes and there were green bowers and painted chambers, embroidered gates and pearly shades. Decorated chariots vied to park in the
Heavenly Avenue and bejeweled horses competed to spur through the Imperial Street. Gold and kingfisher dazzled the eye, silky cloth and silken gauze let float their perfumes. ... New sounds and sly giggles were found in the willowy lanes and flowered paths, pipes were fingered and strings were harmonized in the tea districts and wine wards. (Translation by Steven W. West)
294:
and poorly written literary
Chinese. The modern expert Steven West, however, suggests that this inconsistent style resulted when Meng mixed passages from a journal of some kind with later compositions, then used slang and technical terms. Wu Pei-yi, another recent historian, believes that the book's appeal lies in "the elements of style that it shares with the modern art of photography: the vivid and minute inventory of visual detail, the refusal to delve behind the facade, the preoccupation with the present moment, and the concealment of a narrator."
244:
815:
231:
fatty meat. Everyone orders something different. The waiter takes the orders and draws near a counter where he stands in line and recites off from the start.... in a little while the waiter sticks three bowls in his left hand, then piles up about twenty dishes along his right arm from hand to shoulder, distributing them in complete accordance with each person's order. Not the slightest error is allowed.
93:, in the south, then known as Lin'an. Meng's book is a detailed and nostalgic description of the old capital's urban life, seasonal products, and festivals, as well as foods, customs, and traditions. In later dynasties, the book was much imitated and taken as an authoritative picture of affluent Chinese culture.
293:
Evaluations of the literary style differ. Meng's own preface describes his language as "coarse and vulgar" and "not adorned by literary style." He warns: "Reader, please take careful note of this!" For many years
Chinese critics agreed that the prose was of low quality because it mixed colloquialisms
283:
The new graves are visited on this day and cleaned, the people of the capital (Bianjing) go to the suburbs ...... When they return in the evening, wear all muted flat pancakes, clay figures, toy knives, precious flowers, exotic fruits, toy models made of clay (landscapes, buildings, people, etc.),
230:
When the guests arrive, a single person holding chopsticks and a menu questions all of the seated guests. The men of the capital are extravagant and they demand a hundred different things- some hot, some cold, some warm, some regular, some extremely cold-and things like noodles laced with lean and
209:
Wildman Zhao would eat and drink while hung upside down.... Hua Zhuoer would sing medleys; Big Head Wen and Little Cao would play the lute; Dang Qian would perform with wind instruments.... Zou Yi and Tian Di would impersonate rustic visitors to the capital.... Yin Chang would regale his listeners
190:
Peace stretched on day after day; people were many and all things were in abundance. Youths with trailing locks practiced naught but drumming and dancing, the aged with white speckled recognized neither shield nor spear. Season and festival followed one upon the other, each with its own sights to
204:
The scholar Wu Pei-yi writes that "what distinguishes the book from other writings on cities is its detailed description of everyday life as it was lived in the streets and marketplaces.... Food and drink seem to have been everyone's preoccupation." Meng delights in street entertainments which
214:
The descriptions of food include over one hundred famous dishes and snacks, local specialties, street snacks, as well as reflections on famous taverns, restaurants, pasta and noodle restaurant. The book is thus an important source for the history of
Chinese food and drinking culture. It even
195:
The preface boasts: "The treasures and curiosities from around the world are gathered here, all are sold on the market. The exquisite scents from all over the world were to be found here." Meng must have been well placed and had enough money to take advantage of the city's pleasures. He also
108:
province) between the ages of 13 and 27 before escaping to the south. His book was first printed in 1187, but the
Preface is dated 1147, a number of years after the capital was moved, indicating that Meng started a draft at this point. The work was published in 10 volumes
158:
and the
English word "dream" have quite different overtones: "In modern English usage dreams are often projected into the future: they stand for hopes or wishes. In China dreams are frequently used as figures for the past." Other uses of the word
148:
The allusion is to the Yellow
Emperor's dream of the land of Hua Xu, "a sphere of perfect joy and harmony," where people knew no fear, selfishness, avarice, or pain. When he awoke, the Yellow Emperor came to the realization that the
153:
could not be achieved through the passions. By using the term, Meng
Yuanlao in ironic contrast implies that he himself awoke to a world of "perfect shambles." The historian Wu Pei-yi adds that the Chinese word
284:(lucky) game accessories, duck eggs or chicks with him, call that they are "gifts from outside the (city) gates." Litters are decorated with various flowers and willow branches, all four sides are covered."
302:"Song Dynasty-Dongjing Menghua" is a performance on the water in Qingming River Park in Kaifeng. The performance lasts 70 minutes, and there are more than 700 actors involved.
210:
with stories from the history of the Five
Dynasties; Liu Baiqiin would have his birds and beasts demonstrate tricks; Yang Wenxiu would play the drum and the flute....
846:
243:
172:
469:(Cambridge, MA: Harvard University Asia Center, Harvard-Yenching Institute Monograph Series New Edition; Second, Revised printing March 2013.
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956:
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858:
829:
1770:
398:
T'oung Pao (1985): 63-108. Examines the text, the background, and history of the reception of the book in later times.
1760:
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396:
Stephen H West, "The
Interpretation of a Dream. The Sources, Evaluation, and Influence of the" Dongjing Meng Hua Lu","
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951:
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Stephen West, "Playing with Food: Performance, Food, and the Aesthetics of Artificialty in the Sung and Yuan,"
30:
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979:
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In addition to the excerpts mentioned above, Stephen H. West has translated selections in Victor H. Mair
333:(Paris: Hachette, 1959; Stanford, CA: Stanford University Press, 1962), Quotes extensively from the book.
83:
814:
863:
673:
735:
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Nothing else is known of the author, evidently a minor government official, except that he lived in
1750:
1311:
1066:
720:
688:
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917:
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715:
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Stephen H. West, "The Interpretation of a Dream: The Sources, Evaluation, and Influence of the
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936:
79:
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355:(Dongjing Meng Hua Lu Jian Zhu; Dongjing Meng Hua Lu (Beijing: Zhonghua, 2 vols. 2006).
8:
1622:
1462:
851:
797:
271:
254:
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describes regional cuisines during the Northern Song dynasty. The numerous mentions of
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60:
1215:
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665:
90:
1535:
1185:
906:
868:
1729:
1614:
1608:
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1415:
1403:
883:
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86:
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describes imperial rituals, although he may have heard of them second hand.
1709:
1588:
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1197:
1089:
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164:
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has been used to explain one of China's most famous scroll paintings, the
1703:
1660:
1553:
1543:
1505:
1494:
1384:
1360:
1234:
1203:
1107:
1034:
992:
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La vie quotidienne en Chine, à la veille de l'invasion mongole, 1250-1276
608:
378:, (Bloomington: Indiana University Press, 1987), Vol. I, p. 832 ff.
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and forced the withdrawal of the Song court to the temporary capital,
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1433:
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320:
Food in Chinese History: Anthropological and Historical Perspectives
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serious writers disdained, even mentioning the performers by name:
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1323:
1101:
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1022:
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340:(The dream of Hua in the Eastern Capital). Bern: Peter Lang 1996
327:
Daily Life in China, on the Eve of the Mongol Invasion, 1250-1276
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Meng's Preface (dated 1147) tells the reader of the old capital:
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1305:
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38:
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78:(Dongjing; "Eastern Capital"), the thriving capital of the
297:
279:(張擇端), which was taken as depicting the Spring Festival:
150:
53:'Dreams of Splendor of the Eastern Capital') or
562:
translation. Reiner Stoppok, quoted by Li Song (1998:6)
430:(Honolulu: University of Hawai'i Press, 2005), 405–22.
175:(Dreaming Over a Bowl of Millet), which is modeled on
163:
in Chinese literature include the 18th century novel,
486:
West, "The Interpretation of a Dream," p. 70, n. 36 .
258:
Street scene: teahouses, restaurants, vendors, homes.
571:
West, "The Interpretation of a Dream" pp. 70, 97-98.
113:) and traditional bibliographers classified it as
376:Indiana Companion to Classical Chinese Literature
1727:
526:West, "The Interpretation of a Dream" pp. 68-69.
517:West, "The Interpretation of a Dream" pp. 68-69.
117:. It is often cited under the abbreviated name,
288:
628:
428:Hawai'i Reader in Traditional Chinese Culture
338:Der Traum von Hua in der Östlichen Hauptstadt
200:Restaurants, street performers, and nightlife
1061:Along the River During the Qingming Festival
553:West, "The Interpretation of a Dream" p. 87.
371:. Now "the most detailed annotated edition."
325:Jacques Gernet, Translated by H. M. Wright.
313:A Sung Bibliography (Bibliographie des Sung)
393:(Zhongguo jujiang meishu congshu 中国巨匠美术丛书).
124:
48:
635:
621:
544:Wu, p. 53 Romanization changed to pinyin.
322:. New Haven: Yale University Press, 1977.
74:). In 1126, Meng was made a refugee from
1647:
56:The Eastern Capital: A Dream of Splendor
642:
59:, is a memoir written by Meng Yuanlao (
1728:
1629:Collected Cases of Injustice Rectified
1554:Endless power transmitting chain drive
385:(张择端). Wenhua Chubanshe Beijing 1998,
298:The performance of Dongjing Menghua Lu
616:
311:Etienne Balazs, Yves Hervouet. eds.,
133:(Eastern Capital, that is, Kaifeng),
409:Pei-Yi Wu, "Memories of K'ai-Feng,"
235:
129:The literal meaning of the title is
609:東京夢華錄 by fl. 1126-1147 Yuanlao Meng
404:Harvard Journal of Asiatic Studies
351:Yuanlao Meng (Yi Yongwen 伊永文) ed.,
219:cuisine are particularly striking.
181:
13:
315:, Hong Kong 1978, pp. 150–152
14:
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263:The section in Book 7 describing
222:The evocation of an evening at a
141:(the ancient land of perfection)
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1055:Great Bodhisattva of Zhengding
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506:Chinese History: A New Manual.
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171:) and the 13th century essay,
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465:Chinese History: A New Manual
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289:Literary value and influence
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902:Department of State Affairs
10:
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104:) (now called Kaifeng, in
1761:Cultural history of China
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1067:Four Great Books of Song
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169:Dream of the Red Chamber
125:The meaning of the title
87:conquered northern China
1766:Medieval travel writers
1746:Song dynasty literature
918:Secretariat-Chancellery
226:is particularly vivid:
1741:Chinese travel writers
1549:Early Bessemer process
1517:Science and technology
716:Nong Zhigao rebellions
406:57.1 (1996): 67–106.
937:Ministry of Personnel
842:Imperial examinations
80:Northern Song dynasty
1073:Dongjing Meng Hua Lu
847:Administrative units
721:Song–Tibet relations
696:Song–Đại Cồ Việt war
462:Endymion Wilkinson.
447:Dongjing Meng Hua Lu
411:New Literary History
374:William Nienhauser,
44:Dōngjīng Mèng Huà Lù
18:Dongjing Meng Hua Lu
1623:Forensic entomology
1584:Watertight bulkhead
1463:Joint-stock company
957:Ministry of Justice
942:Ministry of Revenue
852:Sixteen Prefectures
413:25.1 (1994): 47–60.
318:Chang, K. C., ed.,
272:Qingming Shanghe tu
255:Qingming Shanghe Tu
31:traditional Chinese
1756:Culture in Kaifeng
1736:Chinese literature
1559:Astronomical clock
766:Treaty of Shaoxing
23:simplified Chinese
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1530:Gunpowder weapons
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962:Ministry of Works
947:Ministry of Rites
894:Three Departments
731:Fang La rebellion
711:Wang Ze rebellion
605:Project Gutenberg
475:978-0-674-06715-8
369:978-7-101-04779-0
236:Qingming Festival
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1030:Longquan celadon
998:Five Great Kilns
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884:Three Bureaus
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879:Baojia system
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751:Huangtiandang
749:
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743:
742:
741:Jin–Song Wars
739:
737:
734:
732:
729:
727:
724:
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719:
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712:
709:
707:
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701:Song–Xia wars
699:
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684:Southern Tang
682:
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361:7-101-04779-3
358:
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346:3-906756-26-2
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62:
58:
57:
46:
40:
32:
24:
20:
19:
1710:Guo Shoujing
1636:
1627:
1613:
1604:Architecture
1589:Fishing reel
1564:Movable type
1534:
1504:
1398:Zhou Jichang
1349:Zhang Zeduan
1198:Zhou Bangyan
1090:Fan Zhongyan
1072:
1071:
1059:
1045:Yaozhou ware
1040:Qingbai ware
874:New Policies
679:Southern Han
670:Unification
644:Song dynasty
603:
590:
585:
576:
567:
558:
549:
540:
531:
522:
513:
505:
500:
491:
482:
463:
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446:
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427:
423:
421:
418:Translations
410:
403:
397:
383:Zhang Zeduan
382:
375:
352:
337:
330:
326:
319:
312:
301:
292:
277:Zhang Zeduan
270:
264:
262:
253:
221:
213:
203:
194:
185:
176:
173:Mengliang lu
168:
165:Honglou Meng
160:
155:
147:
142:
138:
134:
130:
128:
118:
95:
55:
54:
42:
17:
16:
15:
1712:(1231–1316)
1706:(1202–1261)
1704:Qin Jiushao
1700:(1192-1279)
1694:(1186–1249)
1688:(1031–1095)
1682:(1020–1101)
1676:(1010–1070)
1661:Zhang Sixun
1506:Zhu Fan Zhi
1495:Champa rice
1459:(1021–1086)
1436:(1235–1305)
1430:(1222–1307)
1424:(1210–1269)
1418:(1199–1295)
1412:(1190–1230)
1406:(1178–1249)
1385:Lin Tinggui
1381:(1140–1210)
1375:(1120–1182)
1369:(1100–1197)
1363:(1096–1119)
1361:Wang Ximeng
1357:(1094-1172)
1351:(1085–1145)
1345:(1082–1135)
1339:(1051–1107)
1320:(1049–1106)
1314:(1036–1093)
1308:(1020–1090)
1302:(1019–1079)
1296:(1000–1064)
1261:(1170–1231)
1255:(1140–1207)
1249:(1130–1200)
1243:(1127–1206)
1237:(1126–1193)
1235:Fan Chengda
1231:(1125–1209)
1212:(1085–1144)
1206:(1084–1155)
1204:Li Qingzhao
1200:(1056–1121)
1194:(1047–1126)
1188:(1045–1105)
1182:(1039–1112)
1176:(1037–1101)
1170:(1033–1107)
1164:(1032–1085)
1158:(1022–1077)
1152:(1019–1086)
1146:(1019–1083)
1140:(1017–1073)
1134:(1012–1067)
1128:(1011–1077)
1122:(1009–1066)
1116:(1007–1072)
1110:(1002–1060)
1108:Mei Yaochen
1035:Cizhou ware
912:Chancellery
907:Secretariat
835:Family tree
793:Diaoyucheng
589:Wilkinson.
504:Wilkinson.
275:(清明上河圖) of
177:Menghua lu.
119:Meng Hua lu
84:Jin dynasty
1730:Categories
1657:(972–1051)
1574:Pound lock
1500:Nanhai One
1457:Wang Anshi
1355:Su Hanchen
1318:Li Gonglin
1288:Zhao Chang
1284:(970–1053)
1282:Xu Daoning
1278:(960–1030)
1259:Zhao Rukuo
1241:Yang Wanli
1150:Sima Guang
1138:Zhou Dunyi
1114:Ouyang Xiu
1104:(998–1061)
1098:(991–1055)
1092:(989–1052)
823:Government
580:Wu, p. 55.
451:T'oung Pao
306:References
224:restaurant
145:(record).
1648:Inventors
1525:Gunpowder
1434:Qian Xuan
1400:(12th c.)
1379:Liang Kai
1373:Zhao Boju
1312:Wang Shen
1294:Yi Yuanji
1290:(10th c.)
1162:Cheng Hao
1156:Zhang Zai
1144:Zeng Gong
1132:Cai Xiang
1126:Shao Yong
1050:Jian ware
1013:Guan ware
1003:Ding ware
798:Xiangyang
674:Later Shu
477:) p. 761.
426:., eds.,
137:(dream),
1686:Shen Kuo
1674:Jia Xian
1655:Bi Sheng
1579:Dry dock
1468:Banknote
1428:Gong Kai
1300:Wen Tong
1276:Fan Kuan
1269:Painters
1253:Xin Qiji
1210:Zhu Bian
1192:Cai Jing
1168:Cheng Yi
1018:Jun ware
988:Religion
859:Military
830:Emperors
761:Yancheng
746:Jingkang
657:Timeline
535:Wu p. 57
495:Wu p. 50
353:东京梦华录笺注.
131:Dongjing
98:Bianjing
91:Hangzhou
1692:Song Ci
1680:Su Song
1569:Compass
1449:Economy
1410:Li Song
1324:Cui Bai
1102:Song Qi
1096:Yan Shu
1083:Writers
1023:Ru ware
1008:Ge ware
980:Society
976:Culture
781:Caizhou
771:Tangdao
653:History
593:p. 761.
508:p. 762.
217:Sichuan
76:Kaifeng
61:Chinese
1478:Guanzi
1473:Jiaozi
1306:Guo Xi
1247:Zhu Xi
1229:Lu You
1216:Zhu Yu
1180:Su Zhe
1174:Su Shi
1120:Su Xun
993:Poetry
776:Caishi
646:topics
473:
389:
367:
359:
344:
82:after
63::
41::
39:pinyin
33::
25::
1698:Li Ye
1483:Huizi
1367:Li Di
1337:Mi Fu
803:Yamen
756:De'an
434:Notes
424:et al
106:Henan
35:東京夢華錄
27:东京梦华录
1544:Coke
1422:Muqi
978:and
471:ISBN
387:ISBN
365:ISBN
357:ISBN
342:ISBN
161:meng
156:meng
135:meng
111:juan
50:lit.
1665:fl.
1389:fl.
1328:fl.
1220:fl.
449:,"
151:Way
139:Hua
67:) (
65:孟元老
1732::
363:.
143:lu
121:.
102:汴京
69:c.
47:;
37:;
29:;
1670:)
1663:(
1394:)
1387:(
1333:)
1326:(
1225:)
1218:(
920:)
916:(
659:)
655:(
636:e
629:t
622:v
467:.
348:.
329:(
167:(
109:(
100:(
21:(
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