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scenery. A country path broadens into a road and joins with the city road. The left half is the urban area, which eventually leads into the city proper with the gates. Many economic activities, such as people loading cargoes onto the boat, shops, and even a tax office, can be seen in this area. People from all walks of life are depicted: peddlers, jugglers, actors, paupers begging, monks asking for alms, fortune tellers and seers, doctors, innkeepers, teachers, millers, metalworkers, carpenters, masons, and official scholars from all ranks.
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bridge is replaced with a stone bridge in the Ming remake. The arc of the stone bridge is much taller than that of the wooden original, and where the original had a boat about to crash into the bridge, the reinterpretation has a boat being methodically guided under the bridge by ropes, pulled by men ashore, several other large boats dutifully waiting their turn, undisturbed. Another 12 meter long copy from the late Ming period is kept in the
59:
769:; at 128 × 6.5 m, it is roughly 30 times the size of the original scroll. The computer-animated mural, with moving characters and objects and portraying the scene in 4-minute day and night cycles, was one of the primary exhibitions in the Chinese Pavilion, drawing queues up to two hours with a reservation. Elaborate computer animation gives life to the painting.
441:"masterpiece", and gave little respect to later versions, which they called mere copies, forgeries, reproductions, reinterpretations or elaborations, more than a hundred of which are now in museums in China, Japan, Korea, Taiwan, the United Kingdom, North America, and France. The significance and value of these "copies", however, has recently been recognized.
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There is continued debate and research over its creator, the date and location of where it was painted, and the intended meaning of the work. The earliest attribution to Zhang Zeduan is an inscription dated 1186, which was added on the basis of an earlier catalogue by the Jin imperial curator, Zhang Zhu (active late 12th century) to the original scroll:
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riverside are shouting and gesturing toward the boat. Someone near the apex of the bridge lowers a rope to the outstretched arms of the crew below. In addition to the shops and diners, there are inns, temples, private residences, and official buildings varying in grandeur and style, from huts to mansions with grand front- and backyards.
495:, which was completed only after his death by five court painters (Chen Mu, Sun Hu, Jin Kun, Dai Hong and Cheng Zhidao). These five artists worked from a draft scroll in ink, also shown below, by Shen Yuan, another court painter, who apparently worked under the emperor's personal supervision. It was presented to the
312:. Read right to left, as a viewer would unroll it, successive scenes reveal the lifestyle of all levels of the society from rich to poor as well as economic activities in both rural areas and the city, and offer glimpses of clothing and architecture. The painting is considered the most renowned work among all
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in 1947. Another has a length of 6.7 meters, longer than the original. It also replaced the scenery from the Song dynasty to that of the Ming dynasty based on contemporary fashions and customs, updating the costumes worn by the characters and the styles of vehicles (boats and carts). The Song wooden
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in 1127, and that it depicts the
Qingming Festival. Some suggest that the city is an idealized city of the mind; that it was painted after the fall of the dynasty in 1127; and that it depicts a scene in early autumn. However, other scholars view that the city is indeed Kaifeng, but that the painting
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The scroll is 25.5 centimetres (10.0 inches) in height and 5.25 meters (5.74 yards) long. In its length there are 814 humans, 28 boats, 60 animals, 30 buildings, 20 vehicles, 8 sedan chairs, and 170 trees. Only about twenty women appear in the Song dynasty original, and only women of low social rank
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The original painting is celebrated as the most famed work of art from the Song dynasty. However, little was directly known about its painter, who is generally presumed to be Zhang Zeduan, since many written records were destroyed when the Jin dynasty overthrew the
Northern Song dynasty in the 1127.
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An allegorical interpretation proposed that the painting was a subtle entreaty to the emperor that he recognize dangerous currents beneath the surface of prosperity. Kaifeng depended on grain from the far south, but the painting showed only a lowly official on duty at the docks, only a few guards
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as the centerpiece of a special exhibition to mark the 40th anniversary of normalized diplomatic relations between China and Japan, with the
Japanese museum officials providing the "highest security standards" for the work as this was the first attested time ever in the almost nine centuries since
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The countryside and the densely populated city are the two main sections in the picture, with the river meandering through the entire length. The right section is the rural area of the city. There are crop fields and unhurried rural folk—predominately farmers, goatherds, and pig herders—in bucolic
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As an artistic creation, the painting has been revered and artists of subsequent dynasties made hundreds of replicas, copies of copies, and even forgeries of well-regarded copies, each following the overall composition and the theme of the original but differing in detail and technique. Over the
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in Taipei in 1949. There are many more people, over 4,000, in this remake, which also is much larger (at 11 metres by 35 cm, or 37 ft by 1 ft). The leftmost third of this version, which does not appear in the Song version, is within the palace, with buildings and people appearing
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Outside the city proper (separated by the gate to the left), there are businesses of all kinds, selling wine, grain, secondhand goods, cookware, bows and arrows, lanterns, musical instruments, gold and silver, ornaments, dyed fabrics, paintings, medicine, needles, and artifacts, as well as many
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Where the great bridge crosses the river is the center and main focus of the scroll. A great commotion animates the people on the bridge. A boat approaches at an awkward angle with its tow-mast not completely lowered, threatening to crash into the bridge. The crowds on the bridge and along the
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dynasties, dozens of copies were made by little-known professional painters in Suzhou, usually carrying the (forged) signature of either Zhang Zeduan or Qiu Ying. The scholar Chang Su-chen argues that these paintings should not be dismissed as mere "copies." These painters, she says, created
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The original painting was a pride of the imperial collections for centuries. It was frequently copied by later artists of successive periods and it became familiarized among the nobles, scholar officials, urban residents and merchants. Many scholars thought of the Song original as the
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Scholars have studied the painting carefully in the second half of the twentieth and beginning of the twenty-first century but do not agree on many basic points. Scholars question the accuracy of the translation of the painting's name, since the word
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in 1924. It was recovered in 1945 and kept at the Palace Museum in the
Forbidden City. The Song original and later versions are regarded as national treasures and are exhibited only for brief periods every few years due to their delicate nature.
2008:
Ch'ing Ming Shang Ho, Spring
Festival on the River. A Scroll Painting (Ex. Coll. A.W. Bahr) of the Ming Dynasty after a Sung Dynasty Subject, Reproduced in Its Entirety and in Its Original Size in a Portfolio of 23 Collotype Plates and 12 Enl.
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on
January 15, 1737. This is distinguished by its innovative modern style, high degree of detail, and intact preservation. This version, shown below, was later moved, along with major portions of the imperial collection, to the
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421:(in particular, a large number of donkeys and mules), sedan chairs, and chariots. The river is packed with fishing boats and passenger-carrying ferries, with men at the river bank, pulling the larger ships.
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and took particular pleasure in depicting boats, carts, markets, bridges, city walls, and streets. He even established his own style. According to Mr. Xiang's critiques on paintings,
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stationed at the city gate and the docks, who did not appear to be alert. The term "Qingming" did not refer to either the holiday or the calendar but was taken from the phrase
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733:. It is estimated that the costs of shipping the painting ran into tens of millions of dollars in addition to an undisclosed cost of insuring this piece of priceless art.
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During the late 1960s, the Taipei Palace Museum released a series of books (later digitized as CD-ROM), videos, and stamps about the scroll that translated it loosely as
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296:(1085–1145) and copied or recreated many times in the following centuries. It captures the daily life of people and the landscape of the capital, Bianjing (present-day
1554:
2157:
Ihara, Hiroshi; Yoshida, Mayumi (2001). "The "Qingming
Shanghe Tu" by Zhang Zeduan and Its Relation to Northern Song Society: Light and Shadow in the Painting".
1760:
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In a rare move, the Song original was exhibited in Hong Kong from June 29 to mid-August 2007 to commemorate the 10th anniversary of Hong Kong's transfer to the
350:
Hanlin Zhang Zeduan, courtesy name
Zhengdao, was a native of Dongwu. He went to the capital to study when he was young. Later he learned painting. He mastered
2207:
488:“distinctive paintings that visualized pre-modern viewers’ various conceptions of a “great age,” an ideal society from the traditional Chinese perspective.”
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centuries, the Song original was kept in private collections before it eventually returned to public ownership. The painting was a particular favorite of
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restaurants. The vendors (and in the Qing revision, the shops themselves) extend all along the great bridge, called the
Rainbow Bridge (
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Zhang, Lu (2018), "Along the River During the
Qingming Festival: A Living Painting with a Long History", in Bekken, Deborah A. (ed.),
1288:
949:), an 18th-century remake by the collaborative effort of the Qing court artists Chen Mei, Sun Hu, Jin Kun, Dai Hong, and Cheng Zhidao
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presented at the China Pavilion, the original painting was remade into a 3D animated, viewer-interactive digital version, titled
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Some scholars now question three things that had long been accepted about the Song dynasty original: that the city depicted is
1283:
Bruce Doar, "International Conference on Qingming Shanghe Tu and Song Dynasty Genre Paintings, Beijing, 10–12 October 2005.,"
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The renown of the painting has famously led to several hours-long queues in the rare occasions of its display in public.
17:
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Johnson, Linda Cooke (1996), "The Place of "Qingming Shanghe Tu" in the Historical Geography of Song Dynasty Dongjing",
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The bridge scene where the crew of a boat are in danger of losing control in the current and crashing into nearby boats.
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2006:
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The wooden bridge depicted in the original version was reconstructed by a team of engineers and documented by the
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is credited with several copies, which have considerable differences from the original. One version came to the
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2019:"One Painting, Two Emperors, and Their Cultural Agendas: Reinterpreting the Qingming Shanghe Painting of 1737"
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1996:
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Created in China: The Great New Leap Forward: Volume 11 of Media, culture, and social change in Asia series
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1206:...arguably the most renowned painting in the history of Chinese art, will be included in the exhibition,
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1352:"Emperor Song Huizong's Ideal in Qingming Shanghe Tu: A Confucian Society with Proper Gender Interaction"
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from July 1 to September 4, 2011. From December 7, 2011 to February 6, 2012, in an exhibition titled
1931:
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1480:"Hand scroll: Riverbank scene at the Qingming festival, copy after Zhang Zeduan (1085–1145) - Anonym"
1170:...an image-making society second to none before the nineteenth century, the most famous painting is
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1917:
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from November 9 to 29, 2010, where it was a major commercial success. It was then exhibited at the
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1714:"Queue for hours to get tickets to 'Along the River During the Qingming Festival' or see it here"
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composed a poem to be added to the right-most end of the 1737 scroll. The calligraphy is in the
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refined and elegant. Most people within the castle are women, with some well-dressed officials.
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Introduction with list of collection, including versions by Qiu Ying and the Qing Court Version
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2122:. Albany, NY: Journal of Sung-Yuan Studies, Dept. of East Asian Studies, University at Albany.
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1935:
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1254:
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1201:
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2281:
2175:
Murray, Julia K. (1997). "Water under a Bridge: Further Thoughts on the "Qingming" Scroll".
1947:
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8:
2309:
2166:
Tsao, Hsingyuan (2003). "Unraveling the Mystery of the Handscroll 'Qingming Shanghe Tu".
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Quite different was the painting, known as the "Qing Court Version", commissioned by the
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Many of these details are roughly corroborated by Song dynasty writings, principally the
2278:
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527:), a prominent court official and companion of the emperor. The poem reads as follows:
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Tsao Hsingyuan, "Unraveling the Mystery of the Handscroll 'Qingming Shanghe Tu'", in
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330:, the last emperor of China, who took it with him when he was forced to leave the
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2120:
The Beijing Qingming Scroll and Its Significance for the Study of Chinese History
2087:"Paintings of Traveling Bullock Carts (Panche Tu) in the Song Dynasty (960–1279)"
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An early copy, generally considered to be faithful to the original, was made by
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25.5 cm × 525 cm (10.0 in × 207 in)
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1989:"Mystery of the Qingming Scroll and Its Subject: The Case Against Kaifeng"
63:
A small section of the painting depicting scenes at the Bianjing city gate
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People and commodities are transported by various modes: wheeled wagons,
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2150:
1182:) by Zhang Zeduan, an artist working in the eleventh to twelfth century.
304:. The theme is often said to be the spirit and worldly commotion at the
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from March 25 to April 14, 2011. The digital painting also traveled to
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2018:
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432:, which describes many of the same features of life in the capital.
1198:"Two Hundred Selected Masterpieces from the Palace Museum, Beijing"
809:
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1653:
Melvin, Sheila; Tribune, International Herald (January 11, 2003).
1208:
Two Hundred Selected Masterpieces from the Palace Museum, Beijing
1028:
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676:
477:
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1380:
Great Paintings: The World's Masterpieces Explored and Explained
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275:
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1783:"Renowned Chinese Painting Animation Show Comes to Expo Dome"
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belong to the divine class; collectors should treasure them.
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From January 2–24, 2012, the painting was exhibited in the
327:
2188:, Chicago: University of Chicago Press, pp. 145–172,
1822:
Priest, Alan (June 1948). "Spring Festival on the River".
1227:"'China's Mona Lisa' Makes a Rare Appearance in Hong Kong"
772:
After the Expo, the digital version was on display at the
1952:
1940:
1865:
1404:
990:
Life Along the Bian River at the Pure Brightness Festival
1974:
Improvised Great Ages: The Creating of Qingming Shengshi
1803:
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To pay tribute to the abundance of a myriad of families.
308:, rather than the holiday's ceremonial aspects, such as
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The Republic of China, Government Information Office.
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1118:"Life in the Song seen through a 12th-century Scroll"
961:
921:, Shen Yuan's 18th-century draft scroll remake in ink
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425:
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365:
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235:
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Whitfield, Roderick (2021). "A Word for Shen Yuan".
1797:"Art and the City: The Song Dynasty as a Living Art"
1690:. Chinaculture.org. January 17, 2012. Archived from
1446:
900:), a remake by an unknown artist of the Ming dynasty
798:
A Moving Masterpiece: The Song Dynasty As Living Art
377:
are visible out of doors unless accompanied by men.
1688:"Iconic Painting Causes Crowd Disturbance in Japan"
1522:
1431:
1377:
1738:
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1285:China Heritage Newsletter, China Heritage Project
985:Life along the Bian River at the Qingming Festival
696:It is a chance to explore vestiges of bygone days.
690:The watchtowers of the city rise to great heights.
2206:: CS1 maint: DOI inactive as of September 2024 (
1977:(PhD). Vancouver: University of British Columbia.
1741:"'River of Wisdom' is Hong Kong's hottest ticket"
1578:
2324:
966:may refer to either "peace and order" or to the
800:, the digital reproduction was exhibited at the
741:the painting's creation that it had left China.
1830:(10). The Metropolitan Museum of Art: 280–292.
1557:Along the River During the Ch'ing-ming Festival
1224:
870:), a remake by a Suzhou workshop artist of the
1317:
1298:
1115:
804:. Today, it is on permanent exhibition at the
1652:
1176:Along the River During the Qing Ming Festival
1049:
1031:; that it was painted before the fall of the
944:
895:
865:
837:
698:At that time, people marveled at the size of
539:
522:
521:style, and is in the hand of Liang Shizheng (
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45:
2316:Along the River During the Qingming Festival
2305:Along the River During the Qingming Festival
2156:
1146:
941:Along the River During the Qingming Festival
919:Along the River During the Qingming Festival
862:Along the River During the Qingming Festival
842:), the 12th-century original by Zhang Zeduan
834:Along the River During the Qingming Festival
255:Along the River During the Qingming Festival
1349:
1626:
1111:
1109:
1054:("A bright and enlightened era") from the
970:. Other translations have been suggested:
2271:Scrolling video of the Qing Court Version
2048:
1979:Online at University of British Columbia
1856:
1809:
1716:. CNNGO. October 20, 2010. Archived from
1516:
954:
2266:Online gallery of the Qing Court Version
1785:. Taipei City Government. July 28, 2009.
1574:
1572:
975:Along the river during Qingming Festival
743:
383:
2117:
2012:. New York: Metropolitan Museum of Art.
2004:
1824:The Metropolitan Museum of Art Bulletin
1739:Seno, Alexandra A. (November 2, 2010).
1469:Hong Kong Island edition. Issue 72, p.2
1452:
1345:
1343:
1220:
1218:
1106:
694:The bustling scene is truly impressive.
404:) or, more rarely, the Shangdu Bridge (
14:
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1986:
1871:
1850:
1821:
1546:
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1279:
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1152:Christ to Coke: How Image Becomes Icon
980:Going Upriver on the Qingming Festival
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2183:
2084:
1970:
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1492:
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1192:
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1000:Upper River during Qing Ming Festival
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2016:
1815:
1761:"Animated Chinese painting in Macau"
1601:
1553:The National Palace Museum, Taipei.
1540:
1528:
1425:
1340:
1255:"A Rare Look at 'China's Mona Lisa'"
1253:Seno, Alexandra A. (July 15, 2007).
1252:
1215:
995:Riverside Scene at Qingming Festival
752:, on display at the World Expo 2010.
362:Dragon Boat Regatta on the West Lake
338:
1299:Melvin, Sheila (January 11, 2003).
1272:
675:A wall of gold has been mounted on
126:Along the River During the Qingming
35:Along the River During the Qingming
27:Painting attributed to Zhang Zeduan
24:
2078:
1655:"A rare peek at China's treasures"
1301:"A Rare Peek at China's Treasures"
1187:
792:and displayed at the Expo Dome in
756:
508:
316:, and it has been called "China's
25:
2399:
2228:Introduction to the Song original
2215:
1898:
1859:"Old Chinese Paintings on Stamps"
459:(14th to 17th centuries) painter
1930:
1767:. August 3, 2011. Archived from
1225:Bradsher, Keith (July 3, 2007).
928:
907:
880:
849:
822:
761:For a three-month period in the
704:And now, we lament the fates of
141:
57:
2277:Interactive paintings from the
1924:
1899:马, 伯庸 (2013). "古董局中局2：清明上河图之谜".
1892:
1877:
1789:
1775:
1753:
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1706:
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1646:
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1607:
1507:National Palace Museum, Taibei]
1498:
1472:
1458:
1371:
1362:
1010:Spring Festival Along the River
892:Qingming in Ease and Simplicity
1311:
1292:
1246:
1140:
1036:depicts a day in the Qingming
474:Museum of Applied Arts, Vienna
280:
271:
263:
236:
222:
181:
156:
13:
1:
2196:(inactive September 12, 2024)
1099:
1044:, not the Qingming Festival.
2378:Religious festivals in China
2177:Journal of Song-Yuan Studies
2168:Journal of Song-Yuan Studies
2159:Journal of Song-Yuan Studies
2139:Journal of Song-Yuan Studies
1997:Journal of Song-Yuan Studies
1886:Journal of Song-Yuan Studies
1861:. Victor Manta, Switzerland.
1378:Janes, Karen Hosack (2011).
1180:Spring Festival on the River
1005:Spring Festival on the River
939:The "Qing Court Version" of
7:
1936:"Building a Rainbow Bridge"
1617:of the 1742 Qingming scroll
1094:Culture of the Song dynasty
1082:
1015:Peace Reigns Over the River
962:
647:
483:In the late Ming and early
426:
400:
366:
356:
10:
2404:
2244:Interactive online gallery
1964:
860:The "Suzhou Imitation" of
815:
731:People's Republic of China
465:Metropolitan Museum of Art
2368:Paintings by Zhang Zeduan
2194:10.7208/9780226456171-008
2118:Hansen, Valerie (1996b).
2085:Cheng, Wen-Chien (2016).
1368:Translated in Tsao (2003)
1050:
945:
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310:tomb sweeping and prayers
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34:
2296:August 10, 2015, at the
2063:10.1215/00666637-8866698
2035:10.1215/00666637-8124988
2017:Wang, Cheng-Hua (2020),
1987:Hansen, Valerie (1996).
237:Ch‘ing-ming Shang-ho T‘u
151:Traditional Chinese
1971:Chang, Su-Chen (2013).
1746:The Wall Street Journal
1629:"TOKYO NATIONAL MUSEUM"
1318:Keane, Michael (2007).
1156:Oxford University Press
1076:Secrets of Lost Empires
1060:, and used ironically.
176:Simplified Chinese
90:Ink and color on silk;
2383:Song dynasty paintings
2333:12th-century paintings
2319:at China Online Museum
2255:National Palace Museum
2005:Priest, Alan (1948b).
1912:Cite journal requires
1591:on September 29, 2007.
1559:(with zoom-in viewer)"
955:Analysis and questions
753:
656:shèngshì chéng guānzhǐ
654:chéngquè jiǔchóng shēn
502:National Palace Museum
389:
2388:Works about festivals
2288:on June 6, 2020) and
2103:10.1353/aaa.2016.0018
2091:Archives of Asian Art
2051:Archives of Asian Art
2023:Archives of Asian Art
1358:on September 9, 2014.
1202:Tokyo National Museum
1128:on September 27, 2011
1057:Book of the Later Han
1033:Northern Song dynasty
747:
738:Tokyo National Museum
387:
1771:on October 29, 2013.
1694:on September 2, 2012
1581:"Video (26 min.) of
1565:on October 28, 2012.
1116:Asia for Educators.
688:collect spare change
648:Shǔjǐn zhuāng jīn bì
428:Dongjing Meng Hua Lu
2310:Columbia University
1889:33 (2003): 155–179.
1799:. Yahoo! Singapore.
1172:Qingming shanghe tu
1122:Columbia University
722:Notable exhibitions
670:Literal translation
513:In April 1742, the
367:Qingming shanghe tu
281:Qingming Shanghe Tu
268:traditional Chinese
223:Qīngmíng Shànghé Tú
18:Qingming Shanghe tu
2373:Paintings in China
2363:Maritime paintings
2353:Culture in Kaifeng
2279:Harvard University
1874:, p. 183-200.
1659:The New York Times
1519:, p. 123-124.
1505:Qing Court Version
1413:, p. 197-199.
1384:Dorling Kindersley
1305:The New York Times
1287:4 (December 2005)
1232:The New York Times
754:
671:
642:
535:
390:
260:simplified Chinese
2222:The Palace Museum
1765:Macau Daily Times
1720:on April 14, 2011
1397:978-0-75-668940-7
1333:978-0-415-41614-6
1165:978-0-19-161988-5
968:Qingming Festival
719:
718:
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662:cǐrì tàn Huī Qīn.
660:dāngshí kuā Yù dà
658:yízōng jiè tànxún
650:Wú gōng jù suìjīn
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1022:A City of Cathay
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1948:"Transcript"
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1905:cite journal
1894:
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1769:the original
1764:
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1718:the original
1708:
1696:. Retrieved
1692:the original
1682:
1670:. Retrieved
1658:
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1632:
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1597:
1589:the original
1582:
1563:the original
1556:
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1495:, p. 3.
1493:Chang (2013)
1488:
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1455:, p. 1.
1448:
1441:Chang (2013)
1406:
1379:
1373:
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1356:the original
1319:
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1262:. Retrieved
1258:
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1236:. Retrieved
1230:
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1148:Kemp, Martin
1142:
1130:. Retrieved
1126:the original
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290:Song dynasty
279:
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217:Hanyu Pinyin
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73:Zhang Zeduan
44:
29:
2224:, Beijing:
1724:October 15,
1698:October 15,
1602:Wang (2020)
1541:Wang (2020)
1529:Wang (2020)
1426:Wang (2020)
448:during the
446:Zhao Mengfu
2327:Categories
2257:, Taiwan:
2170:(33): 155.
2129:1889145017
1633:www.tnm.jp
1100:References
1038:solar term
782:Macau Dome
286:handscroll
231:Wade–Giles
98:Dimensions
92:handscroll
2111:193398156
2071:236691312
2043:225963905
1667:0362-4331
778:Hong Kong
401:Hong Qiao
319:Mona Lisa
82:1085–1145
2294:Archived
2286:Archived
2202:citation
2151:23496051
1259:Newsweek
1150:(2011).
1083:See also
1079:series.
963:Qingming
946:清院本清明上河圖
867:蘇州片清明上河圖
810:Shanghai
534:Original
469:New York
461:Qiu Ying
292:painter
130:Festival
106:Location
39:Festival
2308:at the
2236:Details
2009:Details
1965:Sources
1844:3258128
1672:June 5,
1638:June 5,
1264:June 4,
1238:July 4,
1040:of the
1029:Kaifeng
816:Gallery
680:brocade
478:Austria
298:Kaifeng
284:) is a
114:Beijing
2149:
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2069:
2041:
1842:
1665:
1394:
1330:
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794:Taipei
790:Taiwan
640:Pinyin
436:Copies
364:) and
352:jiehua
278::
276:pinyin
270::
262::
128:
69:Artist
37:
2186:China
2147:JSTOR
2107:S2CID
2067:S2CID
2039:S2CID
1992:(PDF)
1840:JSTOR
897:清明易簡圖
839:清明上河圖
786:Macau
272:清明上河圖
264:清明上河图
48:清明上河圖
2253:The
2208:link
2124:ISBN
1932:NOVA
1918:help
1726:2013
1700:2013
1674:2024
1663:ISSN
1640:2024
1613:The
1392:ISBN
1328:ISBN
1266:2024
1240:2007
1160:ISBN
1134:2011
1070:NOVA
1051:清明之世
708:and
485:Qing
455:The
328:Puyi
87:Type
79:Year
2290:two
2282:one
2190:doi
2099:doi
2059:doi
2031:doi
1953:PBS
1941:PBS
1832:doi
1178:or
1065:PBS
784:in
776:in
710:Qin
706:Hui
677:Shu
524:梁詩正
476:in
467:in
410:).
407:上土橋
322:."
2329::
2204:}}
2200:{{
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2141:,
2105:.
2095:66
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2065:.
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2027:70
2025:,
2021:,
1994:.
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1938:.
1934:.
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1907:}}
1903:{{
1838:.
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1743:.
1661:.
1657:.
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1571:^
1433:^
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1274:^
1257:.
1229:.
1217:^
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1200:.
1189:^
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1120:.
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1024:.
812:.
808:,
700:Yu
686:Wu
630:徽欽
608:當時
604:探尋
598:遺踪
594:觀止
588:盛事
581:九重
578:城闕
571:萬井
568:謳歌
564:碎金
542:蜀錦
480:.
452:.
396:虹橋
274:;
266:;
183:清明
158:清明
112:,
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2292:(
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627:歎
624:日
621:此
617:大
614:豫
611:誇
601:借
591:誠
584:深
574:富
561:聚
558:工
555:吳
551:壁
548:金
545:裝
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192:图
189:河
186:上
167:圖
164:河
161:上
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