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Decca Records

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group are Bing Crosby's original recording of 'White Christmas' and thousands more by Louis Armstrong, Ella Fitzgerald, Billie Holiday, Judy Garland, Tommy Dorsey, Jimmy Dorsey, the Andrews Sisters, and other famous and lesser-known musicians who recorded during this time. Because of this transaction, once the Library has organised and cleaned the collection, the public will eventually have some degree of access to thousands of recordings that have been commercially unavailable for decades. According to the
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quality, characterized by aggressive use of the highest and lowest frequencies, novel use of tape saturation and out-of-phase sound to convey a livelier hall ambiance, plus considerable bar-to-bar rebalancing by the recording staff of orchestral voices, known as "spotlighting". In the 1960s and 1970s, the company developed its "Phase 4" process which produced even greater sonic impact through even more interventionist engineering techniques. Big-band leader
308:" with the initial D of their logo "Dulcet" or their trademark "Dulcephone". Samuel, a linguist, chose "Decca" as a brand name as it was easy to pronounce in most languages. That company was eventually renamed the Decca Gramophone Co. Ltd. and then sold to former stockbroker Edward Lewis in 1929. Within years, Decca Records was the second-largest record label in the world, calling itself "The Supreme Record Company". Decca bought the UK branch of 905:, it went on to sell 25 million copies, returning to the US and UK charts several times between 1955 and 1974. But due to management and promotion decisions, Decca lost its place as a major hit label on the US R&B and pop charts as Bill Haley's popularity started to fade, in the late 1950s. Decca's strong country catalogue did very well throughout this period and they had several crossover-to-pop hits, as well as the blockbuster success of 1662:), all the electronics for these systems were developed and manufactured in-house by Decca (and by contractors to them as well). These digital systems were used for mastering most of Decca's classical music releases to both LP and CD and were used well into the late 1990s. After the start of the new century, Decca became actively involved in pioneering a new generation of high-resolution and multi-channel recordings, including 104: 43: 1445:, which diminished the effects of the high fidelity sound, the introduction of long-playing records in 1949 made better use of the new technology and set an industry standard that was quickly imitated by Decca's competitors. Nonetheless, titles first issued on 78rpm remained in that form in the Decca catalogues into the early 1950s. The ffrr technique became internationally accepted and considered a standard. The 561: 325: 997:, Universal Pictures' film version of the 1958 Rodgers and Hammerstein musical. In a reversal of the usual situation, in which American Decca had released original Broadway cast albums of three Rodgers and Hammerstein shows, this was the only film soundtrack album of a Rodgers and Hammerstein show ever released by Decca, while the Broadway cast album had been released by Columbia Masterworks. 1359: 1078:, and Harrison mentioned to him that he should take a look at the Stones, who he had just seen live for the first time a couple of weeks earlier. Rowe saw the Stones and quickly signed them to a contract. Decca also released the first recording of Rod Stewart in 1964, "Good Morning Little Schoolgirl"/"I'm Gonna Move to the Outskirts of Town". Decca also signed up many rock artists ( 1484:), which enabled the ffrr recordings to be transferred to disc very realistically. In 1949, in both the UK and the US, Decca took up the LP promptly and enthusiastically giving the British arm an enormous advantage over EMI, which for some years tried to stick exclusively to the old format, thereby forfeiting competitive advantage to Decca, both artistically and financially. 1178:. He is credited with battling against Decca's notorious parsimonious treatment of their artists, ensuring that the Moody Blues had the time and resources to develop beyond their beat group origins into progressive rock, and he also used profits for pop sales to cross-subsidise recordings by avant-garde jazz artists like 1813:, had signed with Decca. It reentered the American country music scene in 2008. There are two Universal Music label groups now using the Decca name. The Decca Label Group is the US label whereas the London-based Decca Music Group runs the international classical and pop releases by such world-famous performers as 2862:
Mendl was sidelined by a heart attack in 1979; during his convalescence, Sir Edward Lewis died and Decca was taken over by PolyGram, and when he returned to work he discovered that his office had been cleaned out and his diaries—which would have provided a vital insight into the company's history—had
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On 10 January 2011, Universal Music Group, which owns the masters to Decca Records, announced that it was donating 200,000 of its master recordings from the 1920s to the 1940s to the United States Library of Congress. The collection of master recordings will be cleaned and digitised. Included in this
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buyout in 1996) acquired PolyGram, British Decca's parent company in 1998, thus consolidating Decca trademark ownership. In the US, the Decca country music label was shut down and the London classical label was renamed as it was able to use the Decca name for the first time because of the merger that
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in 1962, becoming a subsidiary company under MCA. Dissatisfied with American Decca's promotion of British Decca recordings and because American Decca held the rights to the name Decca in the US and Canada, British Decca sold its records in the United States and Canada under the label London Records
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joined Decca to head its classical music operations. To further American Decca's dedication to serious music, in August 1950, Rackmill announced the release of a new series of disks to be known as the "Decca Gold Label Series" which was to be devoted to "symphonies, concertos, chamber music, opera,
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was issued only in the US as London OSA 1104 (OS 25108); and stereo versions of others were finally issued from the late 1960s to the beginning of the 1970s as part of the "Ace of Diamonds" series and ""Decca Eclipse"" series (in the UK) or "Stereo Treasury" series (in the US on the London label).
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The Decca stereo format was called (in succession to ffrr) "ffss", i.e. "full frequency stereophonic sound". With most competitors not using stereo until 1957, the new technique was a distinctive feature of Decca. Even after stereo became standard and into the 1970s, Decca boasted a special sound
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For many years, Decca's British classical recordings had been issued in the US under the London Records label because the existence of the American Decca company precluded the use of that name on British recordings distributed in the US. When the MCA and PolyGram labels merged in 1999 and created
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In Taiwan, PolyGram acquired 60% of Linfair Magnetic Sound (founded in 1961) in 1992 and renamed it Decca Records Taiwan. The name remained until 2002, when it decided to sell its 60 percent stake, and changed its name to Linfair Records, making the company independent from Universal Music. In
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units connected to the codec unit. The codec recorded audio to tape in 18-bit linear PCM at 48 kHz, with a maximum of eight channels. Later versions of the system used 20-bit recording. Except for the IVC VTRs (which were modified to Decca's specifications by IVC's UK division in
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by each one's signature engine noise, and enabled a greatly enhanced frequency range (high and low notes) to be captured on recordings. Critics regularly commented on the startling realism of the new Decca recordings. The frequency range of ffrr was 80–15000 Hz, with a
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Until 1947, American Decca issued British Decca classical music recordings. Afterward, British Decca took over distribution through its new American subsidiary London Records. American Decca actively re-entered the classical music field in 1950 with distribution deals from
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as Decca Records Inc. Therefore, the two Deccas became separate companies and remained so until American Decca's parent company bought British Decca's parent company in 1998 (during this time, US Decca artists were issued in the UK on the Brunswick label until 1968 when
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Decca's emergence as a major classical label may be attributed to three concurrent events: the emphasis on technical innovation (first the development of the full frequency range recording technique, then the early use of stereo recording), the introduction of the
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American Decca embraced the new post-war record formats adopting the LP in 1949 and the 45 rpm record around a year later while continuing to sell 78s. During the 1950s, American Decca released several soundtrack recordings of popular motion pictures, notably
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in 2000 when he was hired to run that company. Universal Music reacquired trademark rights in 2011, and Warner Records 90 Ltd. (formerly London Records 90), a company that controlled most of London's post-1980 catalogue, was acquired by French company
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in 1966 for Atlantic to gain access to British recording artists which they did not have under Decca distribution. The Rolling Stones left Decca in 1970, and other artists followed. Decca's deals with numerous other record labels began to fall apart:
362:, arising from the Delius Festival that year, suffered by being crammed onto six sides, being indifferently recorded and expensive; following issue in July they were already withdrawn by October the same year. However, it won Decca the loyalty of the 1238:", on Decca while he was an undergraduate at Trinity College, Cambridge, and Edward Lewis recruited him as his personal assistant and "talent spotter". Decca became dependent on re-releases from its back catalogue. Contemporary signings, such as 1695:
beginning in 1947. In Britain, London Records became a mighty catch-all licensing label for foreign recordings from the nascent post-WW II American independent and semi-major labels such as Cadence, Dot, Chess, Atlantic, Imperial and Liberty.
448:, but a wholly different experience. To that end he got the singers to move about in the studio as they would onstage, used discreet sound effects and different acoustics, and recorded in long continuous takes. His skill, coupled with Decca's 262:, Lewis sold American Decca, and the link between the UK and US Decca label was broken for several decades. The British label was renowned for its development of recording methods, while the American company developed the concept of 800:. He recorded another version of the song in 1947 for Decca; to this day, Crosby's recording of "White Christmas" for Decca remains the best-selling single worldwide of all time. In 1943, American Decca ushered in the age of the 1748:
addition to the Decca label, Linfair Records also distributes V2 Records' releases and some independent labels. However, Linfair Records' releases outside Taiwan will continue to be released internationally via Universal Music.
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Although Decca had set up the first of the British "progressive" labels, Deram, in 1966, with such stars as Cat Stevens and the Moody Blues, by the time the punk era set in 1977, Decca had pop success with such acts as
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recorded up to that time. Far from being a mere rendering of the score, the 3-LP album set used sound effects to realistically recreate the production as if the listener were watching a stage performance of the work.
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However because the US did not begin making these types of albums until 1943, the original Broadway cast versions of all Broadway musicals before that year are now lost to history. The closest we can come to them is
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and Edison Bell record companies. In late 1934, a United States branch of Decca was launched. In establishing the American unit, the founders bought the former Brunswick Records pressing plants in New York City and
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imprint is used for both newly recorded musical theatre songs and Universal Music Group's vast catalogues of musical theatre recordings from record labels UMG and predecessor companies acquired over the years.
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of the same name at the time). It enabled recordings to play for up to half an hour without a break, compared with the three to five minutes playing time of the existing records. The new records were made of
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musicals, and the influence of these releases in the recording of theatrical shows in the US continues to this day – in Decca's home country, the UK original cast albums had been a fixture for years.
1890:, "s part of the agreement between UMG and the library, Universal retains ownership of the recording copyrights and the right to exploit the cleaned-up and digitized files for commercial purposes." 1113:(1919–2008) worked for Decca for over 40 years and played a significant role in its success in the popular field from the 1950s to the late 1970s. His first major production credit was pianist 1841:'s Euphorbia Productions that folded shortly after the merger that created Universal Music. Ironically, the American Decca classical music catalogue is managed by sister Universal label 1202:
were the only international rock act that remained on the label. The company's fortunes declined slightly during the 1970s, and it had few major commercial successes; among those were
4100: 3559: 960:. It was a landmark event in the soundtrack industry; the first time that a film had two separate soundtracks, each featuring completely different music. All of the music from 3554: 834:, both featuring members of the original casts of the shows and utilising those shows' vocal and choral arrangements. Because of the technical restrictions of recording on 304:
called the "Decca Dulcephone" patented in 1914 by musical instrument makers Barnett Samuel and Sons. The name "Decca" was coined by Wilfred S. Samuel by merging the word "
1198:, for instance, abandoned Decca to set up its own UK office in June 1969, just before the Rolling Stones decided to also abandon Decca in favour of forming their label. 818:, and using the show's orchestra, conductor, chorus, and musical and vocal arrangements. The enormous success of this album was followed by original cast recordings of 541:
songs and choral music." American and European artists were to be the performers. Among the classical recordings released on Decca's "Gold Label" series were albums by
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Today, Decca is a leading label for both classical music and Broadway scores although it is branching out into pop music from established recording stars: in 2007 its
288:(UMG). The UK and US divisions of the former Decca label were combined under UMG in 1998 and the MCA brand was retired in 2003 (with the exception of the American 4166: 4128: 59:
Please remove or replace such wording and instead of making proclamations about a subject's importance, use facts and attribution to demonstrate that importance.
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Conversely, British Decca retained a non-reciprocal right to license and issue American Decca recordings in the UK on their Brunswick (US Decca recordings) and
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Universal Music, the practice was no longer necessary. Today Decca makes fewer major classical recordings but still has a full roster of stars, including
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also recorded for Decca. Decca became a major player in the depressed American record market thanks to its roster of popular artists, particularly
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was a huge artistic and commercial success (to the chagrin of other companies). Solti recorded throughout his career for Decca, and made more than
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conducted recordings of many of his compositions for Decca, from the 1940s to the 1970s; most of these recordings have been reissued on CD.
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ever put on vinyl records, a 2-LP album featuring most of the dialogue and all of the songs, performed by the show's original London cast.
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acquired the remains of Decca UK within days of Sir Edward Lewis's death in January 1980. British Decca's pop catalogue was taken over by
935: 2585: 1702:(US Brunswick and Coral recordings) labels; this arrangement continued until 1967 when a UK branch of MCA was established utilizing the 440:, who joined Decca in 1946 in a junior post, rapidly became a senior producer of classical recordings. He revolutionised recording – of 4574: 4564: 3956: 1830:
in 2017. They started licensing "London Recordings" name and logo from UMG, and Warner Records 90 was renamed London Music Stream Ltd.
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24-hour race, inspired by his lifelong passion for motor racing. Mendl was a driving force in the establishment of Decca's progressive
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Decca throughout the 1930s and early to mid-1940s was a leading label of blues and jump music with such best-selling artists as
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was Aldonza/Dulcinea. Around 1970, American Decca enjoyed success with LPS of soundtrack dialogue excerpts from the films of
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Millard, Andre J., "America on record: a history of recorded sound", Cambridge; New York: Cambridge University Press, 1995.
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In 1947, following World War II, British Decca re-established distribution in the United States through its new subsidiary
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in 1952, many of these soundtrack albums were of films released by what was then called Universal-International Pictures.
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awards – more than any other recording artist, whether classical or popular. In the wake of Decca's lead, artists such as
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was key in the development of full frequency range records and alerting the listening public to high fidelity in 1946.
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is a wholly owned subsidiary specialising in European classical music of the 15th to 19th centuries. American Decca's
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recorders used in-house for recording, mixing, editing, and mastering albums. Each recorder consisted of a modified
4333: 3661: 951: 889:, the recording was initially only moderately successful, but when it was used as the theme song for the 1955 film 3214: 2824: 1596: 1586: 4529: 3928: 2608:"Decca Gold announces albums from the Emerson String Quartet and the Van Cliburn International Piano Competition" 3449: 1854: 4554: 4534: 3507: 3490: 2188: 2178: 1769: 1535: 1235: 1032: 313: 1744:. Ironically, PolyGram descended from British Decca's former Dutch distributor Hollandsche Decca Distributie. 4257: 3627: 3617: 2183: 1496: 1087: 681: 633: 546: 277:. The London trademark name has also been used in other countries such as Canada, Mexico, Germany and Japan. 17: 668:
In 2017, Universal Music revived Decca's American classical music arm as Decca Gold under the management of
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conducting L'Orchestre de la Suisse Romande, including, in 1959, the first complete stereo LP recording of
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In classical music, Decca had a long way to go from its modest beginnings to catch up with the established
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Decca Special Products developed products for the audio marketplace and a line of home audio equipment.
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However, Culshaw was, strictly speaking, not the first to do this. In 1951, Columbia Records executive
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had begun the first actual stereophonic recording in the US, 6–8 March 1954. Decca archives show that
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and continued to run it under that name. In the 1950s, the American Decca studios were located in the
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label, with distribution fluctuating between British Decca and other English companies over time.
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hit, and the first such recording to go to No. 1 on the American musical charts. According to the
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In 1934, Jack Kapp established a country & western line for the new Decca label by signing
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was recorded and issued by Decca through the period of transition from 78 to LP (1946–1952).
341: 285: 165: 114: 4584: 2683: 2313: 2228: 1790: 1730: 1377: 749: 573: 502: 243: 143: 2805: 2300:(1917–2011), music director at Decca Records in the early 1950s; and A&R director for 877:(who was the best-selling R&B artist of the 1940s). In 1954, American Decca released " 8: 4424: 4402: 3994: 3812: 3742: 3589: 2279:(1915–1998), head of Decca's Nashville operation and credited with helping to create the 2213: 1910: 1906: 1842: 1834: 1773: 1290: 862: 801: 733: 577: 529: 479: 3232: 1274:
American Decca also released several notable spoken word albums, such as a recording of
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ensemble (Purcell Club, 14 sides, issued February 1936); and Henderson's famous pupil
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of 60 dB. While Decca's early ffrr releases on 78-rpm discs had some noticeable
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Top 200 Albums chart. In 2007 they won the race to sign English teen jazz sensation
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in the United States, when they released an album set of nearly all the songs from
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British Decca had several missed opportunities. In 1960, they refused to release "
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capabilities, took the label into the first flight of recording companies. His
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in 1940. From the late 1940s on, the US arm of Decca had a sizeable roster of
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In 1940, American Decca released the first album of songs from the 1939 film
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Decca started the first actual stereophonic recording on 13–28 May 1954, at
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label continued in production for the next two decades.) By 1939, Decca and
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except for the ninth, under the personal supervision of the composer, with
1418: 1401: 1389: 1385: 1373: 1303: 1132: 1052: 1028: 969: 940: 874: 786: 764: 753: 713: 709: 536:. American Decca began issuing its classical music recordings in 1956 when 498: 437: 408: 259: 255: 239: 1012:(HMV) label in 1957, which allowed British Decca to market and distribute 4419: 4414: 4171: 4113: 4060: 4022: 4017: 3607: 3574: 3564: 3286:"Universal Music Group's vintage recordings head to Library of Congress " 2639: 2319: 2291: 2223: 2207: 1862: 1850: 1786: 1717: 1703: 1335: 1331: 1195: 1179: 1136: 1083: 1067: 1036: 1017: 918: 886: 797: 773: 717: 692: 649: 467: 445: 281: 263: 254:, who later became American Decca's president too. In 1937, anticipating 3499: 1805:
would be joining the Decca roster. In August 2009, it was revealed that
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followed with musical theatre albums, starting with the 1946 revival of
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were the only record companies in the UK. That year, British Decca head
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to record a series of previously unrecorded Broadway musical scores for
4409: 4186: 3875: 3757: 3013: 2969: 2568:"Israel Horowitz, Record Producer, and Billboard Columnist, Dies at 92" 2362: 1810: 1725: 1721: 1609:
was an early pioneer of the Decca "Phase 4" sound. Decca recorded some
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British Decca recorded high-fidelity versions of all the symphonies of
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led indirectly to the signing of one of Decca's biggest 1960s artists,
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The Decca name was dropped by MCA in America in 1973 in favor of the
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The British Decca recording engineers Arthur Haddy, Roy Wallace, and
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began recording for Decca the same year, joined by western vocalists
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and even destroyed thousands of copies of the single. In 1962, Decca
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artists. The main architect of Decca's success in country music was
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In 1941, American Decca acquired Brunswick Records and its sublabel
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remained an exclusive Decca artist throughout his recording career.
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In June and July 1957, Decca Records released the soundtracks from
839: 737: 557:. American Decca shut down its classical music department in 1971. 363: 4455: 2991: 2316:(1900–1980), financier who led Decca recording group for 5 decades 564:
Decca Gold logo once used for classical music released from the US
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Full frequency range recording (ffrr) was a spin-off devised by
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from the film, with other roles taken by the Ken Darby Singers.
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imprint. Works given their recorded premiere included pieces by
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along with the classical music holdings led by Decca Classics,
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in exchange for a financial interest in the new label. In 1934
655:, voted the greatest recording of all time by critics with the 475: 3127:
Research Centre for the History and Analysis of Recorded Music
3014:"DECCA (USA) 78rpm numerical listing discography: 5500 – 6000" 568:
Between 1973 and 1980, Decca championed new music through its
3487:
Centre for the History and Analysis of Recorded Music (CHARM)
3362:
Putting the Record Straight:the autobiography of John Culshaw
1642: 968:, a music publishing company founded by the film's producers 560: 441: 305: 2512:. Nielsen Business Media, Inc. 31 January 2009. p. 18. 1720:
label. The first-run American Decca label's final release, "
740:, Quebec. (Compo was acquired by Decca in 1951 although its 336:, first published recording of the work, but deleted by 1936 4366: 3259:. Nielsen Business Media, Inc. 5 January 1963. p. 36. 2481:. Nielsen Business Media, Inc. 28 August 1954. p. 15. 2400:. Nielsen Business Media, Inc. 28 August 1954. p. 14. 1858: 1519:, a stereo microphone recording system for big orchestras. 396: 219: 3308: 2878:. Nielsen Business Media, Inc. 26 March 1966. p. 34. 1467:
The long-playing record was launched in the US in 1948 by
1288:
as Scrooge, and a recording of the Christmas chapter from
1185:
British Decca lost a key source for American records when
1638: 1005: 1001: 991:
In 1961, American Decca released the soundtrack album of
842:
were introduced. But Decca had made history by recording
814:, performed by the same cast who appeared in the show on 792:
In 1942, American Decca released the first recording of "
745: 349: 3142:. Nielsen Business Media, Inc. 7 July 1956. p. 25. 2553:"Is There A Difference (London/Decca) by Sedrick Harris" 1412: 1629:
Starting in late 1978, British Decca developed its own
687:
In Britain, Decca bought out the bankrupt UK branch of
3364:. London: Secker & Warburg: Secker & Warburg. 3092:"Decca's (ffrr) Frequency Series – History of Vinyl 1" 1869:. The American Decca rock/pop catalogue is managed by 1254:), were second division when compared to the likes of 246:. Its UK label was established in late 1934 by Lewis, 3064:– Science Museum, Science and Society Picture Library 3444: 3339:, Vol. 11, No. 42, July–August 1986, pps. 181, 182; 2946:
Da Capo companion to twentieth-century popular music
1893:
Today, Decca distributes UMG's jazz holdings led by
1645:
unit with time code capability (using a proprietary
369:, who went on to record for them the first complete 209: 1713:was reorganized into MCA Records (Canada) in 1970. 3382: 3333:– Part V: Decoding the Inner Groove Information," 2359:(1931–1987), former president of Brunswick Records 1624: 1548:(Decca's official first actual stereo recording); 1362:Short-lived Decca Records country music label logo 3385:The House of Music: Art in an Era of Institutions 3323: 3169:"MCA Records (Canada) – CDs and Vinyl at Discogs" 3062:Arthur Haddy, English electronics engineer, 1970s 2343:(1906–1992) American Decca head from 1949 to 1972 1801:in July. In December 2007, it was announced that 1764:created Universal Music. In 1999, Decca absorbed 1759:(which officially dropped the MCA name after the 1168:label, most notably as the executive producer of 4516: 2943: 2906:The Sound of the City: The Rise of Rock and Roll 1432:capable of detecting and cataloguing individual 2716:, both of which use many original cast members. 939:(1956) with the music of veteran film composer 752:sold his interest in American Decca because of 424:, as well as Ansermet's only stereo version of 1230:, and productions by longtime Decca associate 1074:. Dick Rowe was judging a talent contest with 680:For a list of artists on the Decca label, see 3515: 3495:Discography of American Historical Recordings 2390: 2388: 2386: 2384: 2382: 2380: 2194:List of artists under the Decca Records label 1312:, with Charles Laughton as Captain Ahab, and 507:The American Musical Theatre: A Consideration 2466:, Decca Classics. Retrieved 22 February 2012 1004:label severed its longtime affiliation with 4560:Labels distributed by Universal Music Group 2774:"Reviews and Ratings of New Popular Albums" 1931: 1845:. They include the recordings of guitarist 1421:of British Decca's development, during the 523:Decca logo used on classical music releases 53:promotes the subject in a subjective manner 3522: 3508: 3409:and ffrr (Full Frequency Range Recording). 2714:1951 studio cast album of "Porgy and Bess" 2537:Decca to Do Records in the Serious Field, 2377: 1909:. It also distributes recordings from the 1407: 1330:starred as Don Quixote and Cervantes, and 102: 4570:1929 establishments in the United Kingdom 3710:Mad Love and Friends Keep Secrets Records 3529: 1768:to create the Decca Music Group (half of 1673: 1649:developed by Decca), as well as outboard 699:to its roster. Decca also bought out the 75:Learn how and when to remove this message 4580:1934 establishments in the United States 3412: 2790:"Reviews and Ratings of New Jazz Albums" 1920: 1837:, a joint venture between Universal and 1728:(label No. 33057), reached No. 5 on the 1357: 559: 518: 414:Decca released the stereo recordings of 323: 3359: 2903: 2758:"Major Decca Focus on Pic LPs, Singles" 2457: 1782:Motown: A Journey Through Hitsville USA 1751:The Decca label is currently in use by 1734:chart and received gold record status. 636:, as well as the composers themselves. 30:For the whole set of Decca labels, see 14: 4517: 3481:Decca Classical Discography, 1929–2009 3459:Decca Classical Discography, 1929–2009 3380: 3181: 2918: 2682:. Img827.imageshack.us. Archived from 2659:"Guy Lombardo and His Royal Canadians" 2588:. Immediate Media Co. 18 December 2011 2565: 2450: 2448: 1413:Full frequency range recording (ffrr) 490:were keen to join the label's roster. 3503: 3207:"Clay Aiken Signs with Decca Records" 2822: 1833:It is also the distributing label of 708:, which were shut down in 1931, from 3081:. Cf. page 198 for material on ffrr. 2921:The Virgin Encyclopedia of 70s Music 2710:the 1936 film version of "Show Boat" 2677:"Imageshack.us: Best Selling Single" 2436:"An Improbable Cradle of Rock Music" 1755:worldwide; this is possible because 1690:in 1952, and eventually merged with 1480:(the old discs were made of brittle 1210:", issued on their subsidiary label 1150:(1963), a series of recordings with 895:, it became the first international 860:released the original cast album of 505:, including what Engel, in his book 36: 4457:International third-party licensees 2550: 2445: 2310:(1901–1949), American Decca founder 1106:, with varying degrees of success. 988:, a band that appears in the film. 691:in 1932, which added such stars as 284:, which formed half of what is now 280:In 1973, the US Decca label became 50:This article contains wording that 24: 3419:A Gilbert and Sullivan Discography 1206:1970 two-million selling single, " 1160:and even an LP record of the 1966 497:partnered with Broadway conductor 319: 300:The name dates back to a portable 55:without imparting real information 25: 4596: 4575:Record labels established in 1934 4565:Record labels established in 1929 4468:(South Korea (JYP Entertainment)) 3662:Interscope Geffen A&M Records 3438: 3415:"Explanation of the Word "Decca"" 2944:Hardy, Phil; Laing, Dave (1995). 2853:. San Francisco: Chronicle Books. 2365:(1922–1996), headed Coral Records 2331:(1911–2010), joined Decca in 1965 1621:system called QS Regular Matrix. 1189:switched British distribution to 4545:Companies based in New York City 4334:Universal Music Publishing Group 3204: 2566:Kozinn, Allan (5 January 2009). 2454:Decca monthly record supplements 1681: 1506: 1353: 1246:(whose sole single with Decca, " 1016:'s recordings in the UK. on the 952:Hecht-Hill-Lancaster Productions 675: 41: 3297: 3278: 3247: 3221: 3198: 3175: 3161: 3130: 3114: 3084: 3067: 3055: 3031: 3006: 2984: 2962: 2937: 2912: 2897: 2866: 2856: 2843: 2823:Laing, Dave (1 February 2005). 2816: 2799: 2783: 2767: 2751: 2735: 2719: 2701: 2669: 2651: 2618: 2600: 2578: 2559: 2189:Category: Decca Records singles 2179:Category: Decca Records artists 1625:Digital recording and mastering 936:Around the World in Eighty Days 328:Original 1929 Decca release of 2948:. Da Capo Press. p. 520. 2726:"2 Soundtracks for Same Flick" 2544: 2531: 2500: 2469: 2428: 2419: 2184:Category: Decca Records albums 1770:Universal Music Classics Group 1613:masters that were released in 1536:Orchestre de la Suisse Romande 1269: 13: 1: 4540:Classical music record labels 4258:Universal Music Group Nigeria 3618:Capitol Christian Music Group 3468:Clippings about Decca Records 3353: 3182:Collar, Matt (30 June 2007). 2742:"Decca Debuts Double Feature" 1929:prefixes were used by Decca: 1797:and released her first album 1597:Le Martyre de saint SĂ©bastien 1587:Le Martyre de saint SĂ©bastien 1515:developed in 1954 the famous 1497:London Philharmonic Orchestra 1306:, a twenty-minute version of 682:List of Decca Records artists 634:the Grimethorpe Colliery Band 547:Cincinnati Symphony Orchestra 295: 4263:Universal Music South Africa 4220:Republic Records Philippines 2322:(1943–2005), drummer turned 1799:Whatever Happened to Romance 1637:model 826P open-reel 1-inch 7: 4492:(South Korea (HYBE Labels)) 4301:Universal Music Enterprises 3472:20th Century Press Archives 3096:Vinylrecordscollector.co.uk 2627:, who had recorded for the 2165: 1236:Everyone's Gone to the Moon 915:Billy Ward and his Dominoes 883:Bill Haley & His Comets 732:, a breakaway and rival of 127:; 95 years ago 10: 4601: 4376:Non-UMG distributed labels 4339:Universal Production Music 2663:Thecanadianencyclopedia.ca 2541:, 18 August 1950, page 32. 2236:Selected affiliated labels 2121: 2099: 2067: 2035: 2003: 1971: 1952: 1933: 1365: 1020:label (later RCA Victor). 776:was launched in the UK). 679: 411:to Decca's London office. 29: 4375: 4349: 4326: 4313:Universal Music Indonesia 4281: 4253:Def Jam Recordings Africa 4233: 4200: 4147: 4134:Universal Music Hong Kong 4099: 4091:Universal Music On Demand 4051: 4003: 3990:Mercury Records Australia 3965: 3952:Capitol Records Nashville 3942:Mercury Nashville Records 3927: 3884: 3851: 3803:Young Money Entertainment 3783: 3733: 3660: 3588: 3537: 2904:Gillett, Charlie (1984). 2161:Xxxx = external recording 1855:Éditions de l'Oiseau-Lyre 1462: 1172:' groundbreaking 1967 LP 407:, and the recruitment of 202: 191: 183: 175: 149: 139: 121: 110: 101: 94: 4357:Eagle Rock Entertainment 4318:Universal Music Malaysia 4268:Blue Note Records Africa 3975:Island Records Australia 3450:Decca West Africa series 3040:Billboard – Google Books 2825:"Obituary: Ray Peterson" 2796:, 19 August 1957. p. 72. 2370: 1861:catalogue is managed by 1641:, connected to a custom 1471:(not connected with the 1240:Slaughter & the Dogs 902:Guinness Book of Records 348:labels (later merged as 292:country music imprint). 198:, London, United Kingdom 4383:Big Machine Label Group 3685:Aftermath Entertainment 3413:Shepherd, Marc (2001). 3381:Lipman, Samuel (1984). 3307:. Decca. Archived from 2923:. Virgin. p. 217. 2780:, 5 August 1957. p. 28. 1776:being the other half). 1688:Universal-International 1578:Eight Russian Folksongs 1546:Nikolai Rimsky-Korsakov 1408:Technology developments 1208:All Kinds of Everything 1141:Who Tore Your Trousers? 806:Rodgers and Hammerstein 769:New York Stock Exchange 463:Der Ring des Nibelungen 395:made important pre-war 242:established in 1929 by 4530:American record labels 4362:PolyGram Entertainment 4235:Universal Music Africa 4139:Universal Music Taiwan 4124:Republic Records China 4119:PolyGram Records China 3919:Universal Music MĂ©xico 3914:Universal Music Latino 3886:UM Latin Entertainment 3838:Universal Arabic Music 3775:Verve Forecast Records 3360:Culshaw, John (1981). 2919:Larkin, Colin (2002). 2732:, 17 June 1957. p. 29. 2629:Victor Talking Machine 2199:Lists of record labels 1789:reached No. 27 on the 1686:American Decca bought 1674:Decca Special Products 1489:Ralph Vaughan Williams 1363: 1266:rosters of hitmakers. 986:Chico Hamilton Quintet 962:Sweet Smell of Success 957:Sweet Smell of Success 620:. Performers included 565: 524: 431:The Three-Cornered Hat 399:recordings for Decca. 337: 258:aggression leading to 156:Decca Music Group (UK) 4555:Universal Music Group 4535:British record labels 4192:Virgin Records France 4167:Island Def Jam France 4129:Universal Music China 4109:Capitol Records China 3957:EMI Records Nashville 3720:Cinematic Music Group 3650:Quality Control Music 3531:Universal Music Group 3331:Phase Four Recordings 2851:The Beatles Anthology 2764:, 8 July 1957. p. 20. 2748:, 1 July 1957. p. 25. 1921:Decca matrix prefixes 1753:Universal Music Group 1439:signal-to-noise ratio 1368:MCA Nashville Records 1361: 1175:Days of Future Passed 1157:Oh! What a Lovely War 1027:" by licensed artist 1025:Tell Laura I Love Her 879:Rock Around the Clock 871:Sister Rosetta Tharpe 734:Berliner Gram-o-phone 563: 522: 327: 286:Universal Music Group 166:Universal Music Group 115:Universal Music Group 4248:Motown Gospel Africa 4162:Decca Records France 4157:Capitol Music France 3947:Lost Highway Records 2849:The Beatles (2000). 2810:10 July 2011 at the 2555:. Enjoythemusic.com. 2337:(born 1939), A&R 2304:beginning late 1960s 2229:List of Decca albums 1378:Sons of the Pioneers 1300:Lullaby of Christmas 1262:, EMI, and newcomer 1242:and the pre-stardom 1148:at The Establishment 1066:The turning down of 1033:famously turned down 574:Peter Maxwell Davies 503:Columbia Masterworks 454:pioneering recording 27:British record label 4425:Nickelodeon Records 4403:Walt Disney Records 4327:Publishing division 4273:Virgin Music Africa 4210:Def Jam Philippines 3995:EMI Music Australia 3813:Boominati Worldwide 3808:American Recordings 3743:Deutsche Grammophon 3590:Capitol Music Group 2689:on 26 February 2013 2551:Rochlin, Steven R. 2270:Personnel and staff 1911:Concord Music Group 1907:Deutsche Grammophon 1843:Deutsche Grammophon 1774:Deutsche Grammophon 1291:The Pickwick Papers 1234:. King had a hit, " 1222:, novelty creation 1123:, the breakthrough 1035:a chance to record 836:78 rpm records 802:original cast album 578:Harrison Birtwistle 530:Deutsche Grammophon 480:Herbert von Karajan 456:(begun in 1958) of 405:long-playing record 4550:Jazz record labels 4388:Disney Music Group 4291:Def Jam Recordings 4215:Island Philippines 4043:Universal Classics 4033:Def Jam Recordings 3985:Modular Recordings 3980:Golden Era Records 3853:Virgin Music Group 3823:Casablanca Records 3798:Cash Money Records 3695:Dreamville Records 3670:Interscope Records 3336:The Absolute Sound 3294:, 10 January 2011. 3217:on 14 August 2009. 3121:"British Decca LP" 2612:universalmusic.com 2572:The New York Times 2539:The New York Times 2440:The New York Times 2204:The Decca audition 1823:Warner Music Group 1556:Alexander Glazunov 1364: 1314:The Littlest Angel 1072:The Rolling Stones 1010:His Master's Voice 945:Universal Pictures 831:Annie Get Your Gun 706:Muskegon, Michigan 658:BBC Music Magazine 590:Witold Lutoslawski 566: 525: 393:Heinrich Schlusnus 338: 316:in New York City. 4512: 4511: 4508: 4507: 4445:Ed Banger Records 4440:London Recordings 4393:Hollywood Records 3818:Brushfire Records 3735:Verve Label Group 3623:ForeFront Records 3603:Blue Note Records 3291:Los Angeles Times 3018:78discography.com 2992:"Young Parisians" 2863:been thrown away. 2637:Columbia Pictures 2434:Christopher Gray 2263:Threshold Records 2243:Brunswick Records 2175:, London, England 2144: 2143: 1913:, which includes 1895:Blue Note Records 1888:Los Angeles Times 1757:Universal Studios 1513:Kenneth Wilkinson 1434:German submarines 1281:A Christmas Carol 1244:Adam and the Ants 964:was published by 933:'s production of 892:Blackboard Jungle 689:Brunswick Records 670:Verve Music Group 663:Luciano Pavarotti 614:Brian Ferneyhough 586:Hans Werner Henze 495:Goddard Lieberson 488:Luciano Pavarotti 450:sound engineering 310:Brunswick Records 233: 232: 184:Country of origin 160:Verve Label Group 85: 84: 77: 16:(Redirected from 4592: 4501: 4493: 4485: 4477: 4469: 4453: 4452: 4430:Red Bull Records 4283:Other UMG labels 4101:UM Greater China 3904:Fonovisa Records 3866:Caroline Records 3785:Republic Records 3765:Impulse! Records 3725:Downtown Records 3680:Interscope Films 3640:Priority Records 3570:Philippe Flageul 3524: 3517: 3510: 3501: 3500: 3463:Internet Archive 3445:Official website 3434: 3432: 3430: 3421:. Archived from 3400: 3388: 3375: 3347: 3327: 3321: 3320: 3318: 3316: 3301: 3295: 3282: 3276: 3275: 3273: 3271: 3251: 3245: 3244: 3242: 3240: 3235:on 7 August 2007 3231:. Archived from 3225: 3219: 3218: 3213:. Archived from 3202: 3196: 3195: 3193: 3191: 3179: 3173: 3172: 3165: 3159: 3158: 3156: 3154: 3134: 3128: 3118: 3112: 3111: 3109: 3107: 3098:. Archived from 3088: 3082: 3071: 3065: 3059: 3053: 3052: 3050: 3048: 3035: 3029: 3028: 3026: 3024: 3010: 3004: 3003: 3001: 2999: 2988: 2982: 2981: 2979: 2977: 2966: 2960: 2959: 2941: 2935: 2934: 2916: 2910: 2909: 2908:. Da Capo Press. 2901: 2895: 2894: 2892: 2890: 2870: 2864: 2860: 2854: 2847: 2841: 2840: 2838: 2836: 2820: 2814: 2803: 2797: 2787: 2781: 2771: 2765: 2755: 2749: 2739: 2733: 2723: 2717: 2705: 2699: 2698: 2696: 2694: 2688: 2681: 2673: 2667: 2666: 2655: 2649: 2645:The Jolson Story 2633:Columbia Records 2622: 2616: 2615: 2614:. 26 April 2017. 2604: 2598: 2597: 2595: 2593: 2582: 2576: 2575: 2563: 2557: 2556: 2548: 2542: 2535: 2529: 2528: 2526: 2524: 2504: 2498: 2497: 2495: 2493: 2473: 2467: 2461: 2455: 2452: 2443: 2432: 2426: 2423: 2417: 2416: 2414: 2412: 2392: 2139: 2128: 2117: 2106: 2095: 2088: 2087: 2083: 2080: 2063: 2056: 2055: 2051: 2048: 2031: 2024: 2023: 2019: 2016: 1999: 1992: 1991: 1987: 1984: 1967: 1948: 1932: 1865:, an imprint of 1772:in the US, with 1501:Benjamin Britten 1493:Sir Adrian Boult 1469:Columbia Records 1423:Second World War 1323:Man of La Mancha 1296:Charles Laughton 1187:Atlantic Records 1120:Rock Island Line 994:Flower Drum Song 848:Columbia Records 782:The Wizard of Oz 761:Vocalion Records 606:Andrzej Panufnik 389:Kathleen Ferrier 225:Decca Records US 203:Official website 135: 133: 128: 106: 97: 92: 91: 80: 73: 69: 66: 60: 45: 44: 37: 21: 4600: 4599: 4595: 4594: 4593: 4591: 4590: 4589: 4515: 4514: 4513: 4504: 4499: 4491: 4483: 4475: 4467: 4451: 4398:S-Curve Records 4371: 4345: 4322: 4277: 4229: 4225:UMG Philippines 4196: 4182:Romance Musique 4143: 4095: 4081:Polydor Records 4047: 4013:Polydor Records 3999: 3961: 3923: 3880: 3871:Fontana Records 3847: 3793:Mercury Records 3779: 3729: 3656: 3633:Sparrow Records 3613:Harvest Records 3598:Capitol Records 3584: 3560:Manning Doherty 3533: 3528: 3454:British Library 3441: 3428: 3426: 3397: 3389:. D.R. Godine. 3372: 3356: 3351: 3350: 3328: 3324: 3314: 3312: 3311:on 13 July 2014 3303: 3302: 3298: 3283: 3279: 3269: 3267: 3253: 3252: 3248: 3238: 3236: 3227: 3226: 3222: 3203: 3199: 3189: 3187: 3180: 3176: 3167: 3166: 3162: 3152: 3150: 3136: 3135: 3131: 3119: 3115: 3105: 3103: 3102:on 21 June 2002 3090: 3089: 3085: 3072: 3068: 3060: 3056: 3046: 3044: 3043:. 21 April 1958 3037: 3036: 3032: 3022: 3020: 3012: 3011: 3007: 2997: 2995: 2990: 2989: 2985: 2975: 2973: 2968: 2967: 2963: 2956: 2942: 2938: 2931: 2917: 2913: 2902: 2898: 2888: 2886: 2872: 2871: 2867: 2861: 2857: 2848: 2844: 2834: 2832: 2821: 2817: 2812:Wayback Machine 2804: 2800: 2788: 2784: 2772: 2768: 2756: 2752: 2740: 2736: 2724: 2720: 2706: 2702: 2692: 2690: 2686: 2679: 2675: 2674: 2670: 2657: 2656: 2652: 2642:film biography 2623: 2619: 2606: 2605: 2601: 2591: 2589: 2584: 2583: 2579: 2564: 2560: 2549: 2545: 2536: 2532: 2522: 2520: 2506: 2505: 2501: 2491: 2489: 2475: 2474: 2470: 2462: 2458: 2453: 2446: 2433: 2429: 2424: 2420: 2410: 2408: 2394: 2393: 2378: 2373: 2368: 2281:Nashville sound 2267: 2233: 2168: 2137: 2126: 2115: 2104: 2093: 2085: 2081: 2078: 2076: 2061: 2053: 2049: 2046: 2044: 2029: 2021: 2017: 2014: 2012: 1997: 1989: 1985: 1982: 1980: 1965: 1946: 1923: 1915:Rounder Records 1903:Philips Records 1819:Hayley Westenra 1766:Philips Records 1742:Polydor Records 1709:In Canada, the 1684: 1676: 1627: 1532:Ernest Ansermet 1509: 1473:British company 1465: 1447:Ernest Ansermet 1415: 1410: 1370: 1356: 1276:Charles Dickens 1272: 1248:Young Parisians 1200:The Moody Blues 1191:Polydor Records 1170:The Moody Blues 1115:Winifred Atwell 1109:Staff producer 1080:The Moody Blues 1076:George Harrison 982:Elmer Bernstein 794:White Christmas 730:Lachine, Quebec 685: 678: 642:Cecilia Bartoli 626:Stomu Yamash'ta 538:Israel Horowitz 484:Joan Sutherland 426:Manuel de Falla 416:Ernest Ansermet 372:Dido and Aeneas 322: 320:Classical music 298: 229: 171: 168:(International) 131: 129: 126: 95: 90: 81: 70: 64: 61: 58: 46: 42: 35: 28: 23: 22: 15: 12: 11: 5: 4598: 4588: 4587: 4582: 4577: 4572: 4567: 4562: 4557: 4552: 4547: 4542: 4537: 4532: 4527: 4510: 4509: 4506: 4505: 4503: 4502: 4497:Musica Studios 4494: 4486: 4478: 4470: 4461: 4459: 4450: 4449: 4448: 4447: 4442: 4432: 4427: 4422: 4417: 4412: 4407: 4406: 4405: 4400: 4395: 4385: 4379: 4377: 4373: 4372: 4370: 4369: 4364: 4359: 4353: 4351: 4347: 4346: 4344: 4343: 4342: 4341: 4330: 4328: 4324: 4323: 4321: 4320: 4315: 4310: 4309: 4308: 4298: 4296:Island Records 4293: 4287: 4285: 4279: 4278: 4276: 4275: 4270: 4265: 4260: 4255: 4250: 4245: 4239: 4237: 4231: 4230: 4228: 4227: 4222: 4217: 4212: 4206: 4204: 4202:UM Philippines 4198: 4197: 4195: 4194: 4189: 4184: 4179: 4177:Polydor France 4174: 4169: 4164: 4159: 4153: 4151: 4145: 4144: 4142: 4141: 4136: 4131: 4126: 4121: 4116: 4111: 4105: 4103: 4097: 4096: 4094: 4093: 4088: 4083: 4078: 4073: 4068: 4063: 4057: 4055: 4049: 4048: 4046: 4045: 4040: 4035: 4030: 4025: 4020: 4015: 4009: 4007: 4001: 4000: 3998: 3997: 3992: 3987: 3982: 3977: 3971: 3969: 3963: 3962: 3960: 3959: 3954: 3949: 3944: 3939: 3933: 3931: 3925: 3924: 3922: 3921: 3916: 3911: 3906: 3901: 3896: 3890: 3888: 3882: 3881: 3879: 3878: 3873: 3868: 3863: 3861:Virgin Records 3857: 3855: 3849: 3848: 3846: 3845: 3840: 3835: 3830: 3825: 3820: 3815: 3810: 3805: 3800: 3795: 3789: 3787: 3781: 3780: 3778: 3777: 3772: 3767: 3762: 3761: 3760: 3755: 3753:Decca Classics 3745: 3739: 3737: 3731: 3730: 3728: 3727: 3722: 3717: 3712: 3707: 3702: 3697: 3692: 3687: 3682: 3677: 3675:Geffen Records 3672: 3666: 3664: 3658: 3657: 3655: 3654: 3653: 3652: 3642: 3637: 3636: 3635: 3630: 3625: 3615: 3610: 3605: 3600: 3594: 3592: 3586: 3585: 3583: 3582: 3577: 3572: 3567: 3562: 3557: 3555:James Mitchell 3552: 3550:Sherry Lansing 3547: 3545:Lucian Grainge 3541: 3539: 3535: 3534: 3527: 3526: 3519: 3512: 3504: 3498: 3497: 3488: 3478: 3465: 3456: 3447: 3440: 3439:External links 3437: 3436: 3435: 3425:on 9 July 2006 3410: 3395: 3377: 3376: 3370: 3355: 3352: 3349: 3348: 3329:"Decca/London 3322: 3296: 3284:Lewis, Randy, 3277: 3246: 3220: 3205:Gans, Andrew. 3197: 3174: 3160: 3129: 3113: 3083: 3066: 3054: 3030: 3005: 2994:. Adam-ant.net 2983: 2972:. 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He produced 1088:The Applejacks 978:Loring Buzzell 974:Burt Lancaster 885:. Produced by 677: 674: 622:Roger Woodward 610:Iannis Xenakis 594:Toru Takemitsu 555:AndrĂ©s Segovia 553:and guitarist 543:Leroy Anderson 512:Porgy and Bess 472:250 recordings 421:The Nutcracker 321: 318: 314:Pythian Temple 297: 294: 275:London Records 252:Milton Rackmil 231: 230: 228: 227: 222: 217: 215:Decca Classics 212: 206: 204: 200: 199: 193: 189: 188: 187:United Kingdom 185: 181: 180: 177: 173: 172: 170: 169: 163: 157: 153: 151: 150:Distributor(s) 147: 146: 141: 137: 136: 123: 119: 118: 112: 111:Parent company 108: 107: 99: 98: 88: 83: 82: 49: 47: 40: 26: 9: 6: 4: 3: 2: 4597: 4586: 4583: 4581: 4578: 4576: 4573: 4571: 4568: 4566: 4563: 4561: 4558: 4556: 4553: 4551: 4548: 4546: 4543: 4541: 4538: 4536: 4533: 4531: 4528: 4526: 4525:Decca Records 4523: 4522: 4520: 4498: 4495: 4490: 4487: 4482: 4479: 4474: 4471: 4466: 4463: 4462: 4460: 4458: 4454: 4446: 4443: 4441: 4438: 4437: 4436: 4435:Because Music 4433: 4431: 4428: 4426: 4423: 4421: 4418: 4416: 4413: 4411: 4408: 4404: 4401: 4399: 4396: 4394: 4391: 4390: 4389: 4386: 4384: 4381: 4380: 4378: 4374: 4368: 4365: 4363: 4360: 4358: 4355: 4354: 4352: 4350:Film/TV units 4348: 4340: 4337: 4336: 4335: 4332: 4331: 4329: 4325: 4319: 4316: 4314: 4311: 4307: 4306:Hip-O Records 4304: 4303: 4302: 4299: 4297: 4294: 4292: 4289: 4288: 4286: 4284: 4280: 4274: 4271: 4269: 4266: 4264: 4261: 4259: 4256: 4254: 4251: 4249: 4246: 4244: 4243:U-Live Africa 4241: 4240: 4238: 4236: 4232: 4226: 4223: 4221: 4218: 4216: 4213: 4211: 4208: 4207: 4205: 4203: 4199: 4193: 4190: 4188: 4185: 4183: 4180: 4178: 4175: 4173: 4170: 4168: 4165: 4163: 4160: 4158: 4155: 4154: 4152: 4150: 4146: 4140: 4137: 4135: 4132: 4130: 4127: 4125: 4122: 4120: 4117: 4115: 4112: 4110: 4107: 4106: 4104: 4102: 4098: 4092: 4089: 4087: 4084: 4082: 4079: 4077: 4074: 4072: 4069: 4067: 4064: 4062: 4059: 4058: 4056: 4054: 4050: 4044: 4041: 4039: 4038:Mercury Tokyo 4036: 4034: 4031: 4029: 4026: 4024: 4021: 4019: 4016: 4014: 4011: 4010: 4008: 4006: 4002: 3996: 3993: 3991: 3988: 3986: 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549:conducted by 548: 544: 539: 535: 531: 521: 517: 514: 513: 508: 504: 500: 496: 491: 489: 485: 481: 477: 473: 469: 466:conducted by 465: 464: 459: 455: 451: 447: 443: 439: 435: 433: 432: 427: 423: 422: 417: 412: 410: 406: 400: 398: 394: 390: 386: 382: 378: 374: 373: 368: 367:Roy Henderson 365: 361: 360: 355: 351: 347: 343: 335: 331: 326: 317: 315: 311: 307: 303: 293: 291: 290:MCA Nashville 287: 283: 278: 276: 271: 269: 265: 261: 257: 253: 249: 245: 241: 238:is a British 237: 236:Decca Records 226: 223: 221: 218: 216: 213: 211: 210:Decca Records 208: 207: 205: 201: 197: 194: 190: 186: 182: 178: 174: 167: 164: 161: 158: 155: 154: 152: 148: 145: 142: 138: 124: 120: 116: 113: 109: 105: 100: 96:Decca Records 93: 87: 79: 76: 68: 56: 54: 48: 39: 38: 33: 19: 18:Decca records 4161: 4086:0207 Def Jam 4028:Virgin Music 3967:UM Australia 3899:Disa Records 3833:Lava Records 3747: 3705:LVRN Records 3700:Kidinakorner 3427:. 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Index

Decca records
Decca Gold
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Universal Music Group
Edward Lewis
Verve Label Group
Universal Music Group
Kensington
Decca Records
Decca Classics
Decca Gold
Decca Records US
record label
Edward Lewis
Jack Kapp
Milton Rackmil
Nazi
World War II
cast albums
musical
London Records
MCA Records
Universal Music Group
MCA Nashville
gramophone
Mecca
Brunswick Records
Pythian Temple

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