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then
Mughals through 17th-century. After the Muslim Mughal rule, the Hindu Maratha Empire conquered this region, then came British India. Deogarh belonged to the Chanderi region, but Deogarh was not a political center or hub during this period. According to Klaus Bruhn, the role of Muslims in the history of Deogarh site is unclear. All theories about who caused the destruction is speculative, because Muslim writers of the Sultanate period do not mention Deogarh, nor do any inscriptions found in Deogarh mention any raids by anyone. Inscriptions in the Indian tradition, states Bruhn, tend to focus on donations and positive things rather than record historical destruction. The larger temples in Deogarh show signs of more damage, but not the smaller ones though the latter would have been weaker and easier to destroy. It is possible, though also a speculation, that someone used Deogarh monuments as quarry for some unestablished project. In 1956, the state of Madhya Pradesh was created whose boundary with Uttar Pradesh, in part was set by River Betwa. Deogarh, therefore, became a part of Uttar Pradesh, though its history is more connected with that of Gwalior and Malwa region.
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described in the treatise as "Sarvatobhadra temple" was the same as the Vishnu temple of
Deogarh. This conclusion was based on plan, size, iconography and several other norms described for building the Sarvatobhadra style Hindu temples. Based on this comparison, the structural details of the Deogarh temple have been inferred. Maps have also been drawn of the temple structure. The probable date of the temple's construction has been estimated to be between 425 and 525.
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784:) and neck, ear, arm and body jewelry. A miniature four headed Brahma is above in center, but he does not emerge from Vishnu navel (a version found in later-dated Puranas). Brahma also has only two hands, with one holding his iconic kamandalu (water pot). Others flanking Brahma are Indra and Kartikeya (Skanda) on one side, Siva and Parvati on Nandi, and a person with a garland. Below the reclining Vishnu is a panel depicting the five males (
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475:, and others. Thereafter the temple has generally been known as the Dashavatara temple of Deogarh. According to Vats, the evidence suggests that a large number of reliefs that existed in late 19th century went missing in the first few decades of the 20th century. Much of the Dashavatara temple, along with Jain temples nearby, are in ruins and shows signs of damage.
451:. According to Bruhn, the Deogarh Naharghati inscriptions, cave and sculptures are all Hindu monuments and one of richest archaeological findings in Deogarh area, and they include Gupta era art, several early and late Nagari script inscriptions, an early Mahishasura-mardini Durga relief, Shiva lingas and various Hindu statues.
523:
platform has an 11 feet (3.4 m) square projection with remnants of a shrine. The plinth was molded in four parallel courses, each molding about 0.95 feet (0.29 m) thick. Above the four moldings, rectangular panels separated by pilasters ran all along the plinth with friezes narrating Hindu texts such as the
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the same period, suggests the existence of porticoes even in the Vishnu temple. Further, a later date Kuriya Bira temple about 2 miles (3.2 km) to the south of the Vishnu temple, has been cited to substantiate that this temple had a mandapa around a small shikara shrine, as required in the
Sarvatobhadra design.
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The region, like the rest of central and north India, witnessed wars and destruction during the Muslim invasion and
Sultanate period. The region was conquered by Ain-ul-mulk, a Muslim commander of Delhi Sultanate who was then appointed as the governor. Later, Malwa Sultans ruled the Chanderi region,
977:
The
Sarvatobhadra design requires a superstructure with nine sikharas. The Dasavatara temple at Deogarh shows only one "shikara", and right squares with no remnant structure. Lubotsky acknowledges that this aspect of the Sarvatobhadra design cannot be fully established by existing evidence. However,
498:
The
Dashavatara temple is generally dated between late 5th-century and early 6th-century, or about 500 CE. BenjamĆn Preciado-SolĆs, a professor of Indian History specializing in Hindu and Buddhist iconography, dates it to the 5th-century. According to George Michell, an art historian and a professor
1015:
When complete, this building was unquestionably one of rare merit in the correct ordering of its parts, all alike serving the purpose of practical utility, yet imbued with supreme artistic feeling. Few monuments can show such a high level of workmanship, combined with a ripeness and rich refinement
686:
Sculpted panels are seen on the terraced basement, with carved figurines of river goddesses Ganga and Yamuna flanking the doorway to the sanctum sanctorum, standing respectively on their vahanas: crocodile and tortoise. The panels of the stone door have intricate carvings showing amorous couples in
454:
In early 20th-century, the missing ten avatars that Sahni knew about but no one else had seen proof of, led to a debate whether the temple should be called
Dashavatara temple or something else. However, the excavations and subsequent study of reliefs from the Deogarh temple site by scholars such as
440:
In the decades following the
Mukerji's report, excavations in the Deogarh region in early 20th-century such as those by Daya Ram Sahni yielded evidence of more Hindu shrines as well inscriptions, Jain temples and Buddhist monuments. These include the Naharghati inscriptions, a monastic cave and the
428:
In 1899, P.C. Mukerji surveyed the site more comprehensively on the behalf of
Archaeological Survey of India. He noticed the profusion of Vishnu imagery in the reliefs and accepted the local oral tradition that claimed that the ten avatars of Vishnu were carved on the temple but are now missing. In
394:
dates included within the inscriptions meant that the various inscriptions ranged from 808 CE to 1164 CE, none before the 8th-century or after the 13th-century. Cunningham reported about the colossal statues of
Tirthankaras in the Jain temples site and then added an extensive report on the solitary
1027:
Cunningham had originally proposed a reconstruction of the temple with four columns on each side supporting a portico and a shikhara topped by an amalaka. However Vats and Imig have proposed that it was a panchayatana temple. Imig compared a number of temples from the region and from other regions
994:
style of the temples of North India. The total height of the shrine based on isometric projections is about 45 feet (14 m). Provision of porches has not been corroborated but some analogous comparison with the Varaha temple (boar incarnation of Vishnu) in the fort precincts, which belonged to
903:
Kama and mithuna scenes: lovers are shown as if having a conversation with one of his hand on her shoulder, the shy woman looking the other way; she sitting in his lap and he fondling her breasts; a man and woman with intertwined bodies, her body reclined on his; a man turning away while the woman
835:
The Dashavatara temple had numerous plinth panels of about 2.5 feet by 2 feet each, with friezes related to secular life and themes of Hinduism. Some of these reliefs were found during excavations at the site, some recovered nearby and identified by their location, the material of construction and
522:
The temple faces west, with slight deviation to the south that enables the setting sun's rays to fall on the main idol in the temple. The plinth is square with a 55.5 feet (16.9 m) side, about 9 feet (2.7 m) above the bottom step (called the moon stone) of the shrine. Each corner of the
339:
The site is on the western edge of the Lalitpur range, with rocky Betwa river rapids about 500 metres (1,600 ft) away, amidst a forest. The British India era archaeologist Alexander Cunningham visited this site in 1875 and called the general location as "singularly picturesque". The fort has
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scenes: a panel narrates the Krishna's birth in a prison legend; Yashoda and Nanda playing with Baladeva and Krishna; Krishna battling Kamsa legend; Krishna stealing bathing gopi clothes and two nude women concealing their breasts; the Sudama legend and a few others. One of the panels shows the
356:
Deogarh is an ancient site. Numerous inscriptions in different languages and scripts have been found here, as have a series of Hindu, Jain and Buddhist monuments. These suggest that it was once a significant human settlement, likely a location on an imperial trade route that brought people from
308:
The temple site is in Deogarh, also spelled Devgarh (Sanskrit: "fort of gods"), in the Betwa River valley at the border of Uttar Pradesh and Madhya Pradesh. It is an ancient Hindu temple below the Deogarh hill, towards the river, about 500 metres (1,600 ft) from a group of three dozen Jain
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describes several temples including a "Sarvatobhadra temple", which has been compared by archaeologists and Indologists with the Dashavatara Temple (Vishnu temple) or the Gupta Mandir of Deogarh. According to Lubotsky, a comparative study suggests that the ideal temple design and iconography
899:
Secular life scenes: A number of panels show solitary women with various expressions; small boys playing; girls picking flowers in a field; six girls together of which five are watching and one is dancing; five girls of which one in center is dancing and the other four are playing musical
546:
On the platform is a nine squares layout. The surviving Vishnu temple is in the middle square. The sanctum is a square with 18.5 feet (5.6 m) side. Its doorway is intricately carved with reliefs. The images on the top of the lintel of the sanctum and walls show Vishnu and
402:
The jungle is heaviest in the immediate neighborhood of Deogarh, where the Betwa is overlooked on either bank by rocky cliffs once sacred to Hindu shrines, whose ruins display the utmost profusion of the art of sculpture, but which now hardly overtop the surrounding trees.
395:
Hindu Deogarh temple which he called the "Gupta Temple". At the very end of his report, he remarked that the architectural style and themes displayed in the Dashavatara temple suggest that the temple must have been built before 700 CE, with his guess being 600 to 700 CE.
292:
for the text and likely temple tradition that existed in ancient India. Though ruined, the temple is preserved in a good enough condition to be a key temple in the Hindu temple architecture scholarship, particularly the roots of the North Indian style of temple design.
499:
specializing in Hindu Architecture, it is unclear when exactly the Dashavatara temple was built but its style suggests the sixth century. Michael Meister, another art historian and professor of Indian temple architecture, dates the temple to between 500 and 525 CE.
381:
and Bagh. Cunningham in 1875, noted that the inscriptions he found in Deogarh during his tour were in Gupta script and few others he could not decipher. The ones his team was able to read were Hindu Sanskrit inscriptions that started with phrases such as
760:
in a niche that is 3.25 feet by 5 feet (0.65:1 ratio). A symbolic elephant is praying for help with his leg inside a pond and lotus flower in his trunk, where he is being strangled. Vishnu is shown flying in on Garuda to liberate the elephant from evil
275:. The temple was built out of stone and masonry brick. Legends associated with Vishnu are sculpted in the interior and exterior walls of the temple. Also carved are secular scenes and amorous couples in various stages of courtship and intimacy.
920:. This sculpture is said to be one of the best depictions of Gupta period art, based on the sensuous and graceful modelling of the figurines, but different in that its clothes are shown draped in an exclusive fashion. It is now housed at the
989:
Four stairways outside the platform provide access to the temple. However, as per excavation details, combined with the two small shrines with the central shrine seen now, the layout of the temple has been interpreted to represent a typical
357:
different linguistic backgrounds to it. According to Madho Vats, Deogarh nestled within picturesque hills in north, west and south along with its abundant waters was conveniently located between the major ancient economic centers such as
1091:
Many of these later exacavated reliefs are now at major museums, the largest collection at the National Museum in Delhi, and a few in ASI Museum in Deogarh. The Delhi Museum has Deogarh temple reliefs that narrate the legends of
1123:
This panel is controversial. Vats offers a second interpretation, stating that the left four are Kaumodaki, Sudarsana, Sarnga and Nandaka preparing to fight the two demons who have appeared as male Kaitabha and female
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are shown flying above with cusped hands as if showering flowers. Below Nara and Narayana sit lion and deer in peace and without anxiety. The panel also has four headed Brahma seated on lotus and in lotus
398:
Before Cunningham's 1875 report, the temple was visited by Charles Strahan around 1871, who found it midst the jungle growth. Strahan shared his enthusiasm about the temple with Cunningham as follows:
407:, with a broad paved causeway leading from the foot of the hill on which it stands, along the face of the rocks, is of great archaeological interest, some of the sculptures being well preserved.
690:
The relief on the doorway lintel of the sanctum shows Vishnu. He is four-armed, holds his iconic conch shell in his rear left hand, the iconic chakra in his rear right, front right hand is in
881:
forest legend; the abduction of Sita by Ravana; the bullying of Sita by Ravana legend; the Sugriva victory legend and the Hanuman bringing the herb containing mountain for Lakshmana legend.
768:
alto-relievo. Nara and Narayana are seated in meditation in lalitasana. Both of them hold a rosary in hand, are shown to be with closed eyes and calm, as if lost in their meditation.
694:
mudra while the left front is on his thigh. Below him, to his right, is a female figure presumably Lakshmi but her iconic details are missing. To the right, he is flanked by standing
602:
in Bihar. The Deogarh temple is built on a square plan, while the Mundeshvari temple is built on an octagonal plan. The Deogarh temple sikhara was pyramidal of receding tiers (
445:). In 1918, Sahini also found panels from the temple buried near the foundation and used by someone to build a wall nearby. These panels narrated scenes from the Hindu epic
2346:
Isomorphic Reconstruction Map of Sarvodhbhadra temple or the Vishnu temple of Deogarh, in "Ritual, State and History in South Asia. Essays in Honour of J.C. Heesterman"
519:) and is set with a basement porch. The temple provides steps in the center of all sides of the platform to let the pilgrim enter the temple from all four directions.
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monk sitting nearby with a rosary. Other legends include the departure of Rama, Sita and Lakshmana for their exile; the three arriving at sage Atri's hermitage; the
4933:
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According to Lubotsky, the Deogarh temple tallied with the description provided for the Sarvatobhadra temple in the ancient treatise of Vishnudharmottara Purana.
1565:, Quote: "(...) elegant Vishnu reclining on the coils of Sesha illustrated on the south side of the late fifth century or early sixth century Deogarh temple".
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different stages of courtship and intimacy. On the facade are two males standing, one holding a flower and the other a garland as if greeting the visitor.
123:
2039:
Recherchen Ć¼ber den Gupta-Tempel in Deogarh (Research on the Gupta Temple in Deogarh) , Klaus Imig, Artibus Asiae, Vol. 63, No. 1 (2003), pp. 35-68
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of the Dashavatara temple. According to Vats, this sikhara is one of the earliest extant lithic illustration in North India along with the one in
847:
relief now in National Museum, Delhi; L to R: Rama, Sita, Lakshmana, in lower right is demoness Surpanakha caught after harassing Sita and Rama.
1299:
The Iconography of the Vishnu Temple at Deogarh and the Vishnudharmottarapurana, Alexander Lubotsky, Ars Orientalis, Vol. 26, (1996), pp. 65-80
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whose 7-headed hood shades him. Lakshmi is sitting near Vishnu's feet and shown caressing his right leg. Vishnu is wearing an elaborate crown (
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the style. Many are lost. The recovered reliefs are now housed in major museums. Some of the significant reliefs identified include:
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The Dashavatara temple is about 30 kilometres (19 mi) from Lalitpur town in Uttar Pradesh, 220 kilometres (140 mi) west of
4913:
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986:) have been found in the ruins, which supports the theory that more shikaras existed on eight mandapas, as part of the temple.
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several Jain temples, and the Dashavatara temple is solitary Hindu monument midway between the fort and the Deogarh village.
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Theory and Practice of Temple Architecture in Medieval India: Bhoja's SamarÄį¹
gaį¹asÅ«tradhÄra and the Bhojpur Line Drawings
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embracing him from behind and clinging to him; another panel showing a woman declining a man making advances; and others.
507:
300:, which literally means "the temple on the tank", a name it gets from the square water pool cut into the rock in front.
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from similar period, and concluded that the garbhagriha (sanctum) cell was surrounded by a wall forming an ambulatory.
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2999:
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instruments; a woman giving a baby to a man so that he can hold the baby but the man stands indifferent; and others.
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In the south side niche is the Anantasayi Vishnu legend as he rests after creating a new cosmic cycle. He sleeps on
1826:. New Delhi: Publications Division, Ministry of Information and Broadcasting, Government of India. pp. 7ā10.
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temples with dharmashala built a few centuries later, and the Deogarh Karnali fort built in early 13th-century.
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1900:
869:. The scene shows Ahalya in a reverential state offering flowers, Rama and Lakshmana holding their bows, and a
2594:
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Rowland, Benjamin. The Art and Architecture of India. Kingsport, Tennessee: Kingsport Press, Inc., 1953 p. 224
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Lubotsky, Alexander (1996). "The Iconography of the Viį¹£į¹u Temple at Deogarh and the Viį¹£į¹udharmottarapurÄį¹a".
819:); the sage form of Nara-Narayana side symbolizes his preservation and maintainer role in cosmic existence (
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3125:
3105:
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348:
313:
116:
1416:
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3085:
2703:
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A Dictionary of Hindu Architecture: Treating of Sanskrit Architectural Terms with Illustrative Quotations
2063:
609:
The Dashavatara Temple is closely related to the iconic architectural temple structure described in the
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and others. The outer wall of the sanctum on three sides have niches with sculptures of Vishnu legends:
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3887:
3343:
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278:
According to Alexander Lubotsky, this temple was built according to the third khanda of the Hindu text
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165:
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1929:
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969:
611:
280:
199:
61:
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800:
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reclining on the serpent-bed of Shesha. Right: Vishnu in sitting posture under the serpent's hood
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195:
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1007:
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On the outer walls of each side of the sanctum are niches. Each niche has an alto-relievo of
479:
4295:
1946:, Memoirs of the Archaeological Survey of India, Vol. LXX, pages 21-27, 33-41 with footnotes
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The panels show the culture and dress of ancient India. The jewelry and clothing including
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or Dashavatara Temple (because the temple depicts ten incarnations of Vishnu), and also as
1249:
8:
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4117:
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3817:
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Vats, M D (1952). The Gupta Temple at Deogarh. Archaeological Survey of India. New Delhi.
1879:, Memoirs of the Archaeological Survey of India, Vol. LXX, pages 21-23, 26 with footnotes
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160:
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A relief at Dasavatara temple (L to R): Kartikeya, Indra, Brahma, Shiva, Parvati, Nandi.
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The above list of archaeological sites, inscriptions and temples is grossly incomplete.
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1917:
1751:
1619:
1326:
599:
262:
3882:
3857:
2737:
1602:
Meister, Michael W. (1988). "Prasada as Palace: Kutina Origins of the Nagara Temple".
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2400:
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2270:
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2231:
2210:
2192:
2174:
2153:
2132:
2111:
2090:
2069:
1896:
1863:, Memoirs of the Archaeological Survey of India, Vol. LXX, pages 18-21 with footnotes
1850:, Memoirs of the Archaeological Survey of India, Vol. LXX, pages 16-18 with footnotes
1827:
1812:, Memoirs of the Archaeological Survey of India, Vol. LXX, pages 13-15 with footnotes
1779:, Memoirs of the Archaeological Survey of India, Vol. LXX, pages 12-13 with footnotes
1743:
1696:, Memoirs of the Archaeological Survey of India, Vol. LXX, pages 15-20 with footnotes
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1220:
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1880 sketch of 9-squared Dashavatara temple plan (not to scale, some parts not shown)
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3969:
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3830:
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3334:
3120:
3037:
3004:
2621:
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1466:, Memoirs of the Archaeological Survey of India, Vol. LXX, pages 2-3 with footnotes
1371:, Memoirs of the Archaeological Survey of India, Vol. LXX, pages 1-2 with footnotes
1318:
667:
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2126:
2105:
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1943:
1876:
1860:
1847:
1809:
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1718:
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1640:, Memoirs of the Archaeological Survey of India, Vol. LXX, pages 49-51 Plates 1-3
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1516:
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1440:
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1368:
1309:
Meister, Michael W. (1974). "A Note on the Superstructure of the Marhia Temple".
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Vamana, Bali and Trivikrama legend; another the Narasimha saving Prahlada legend.
757:
576:
370:
329:
258:
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1721:, Memoirs of the Archaeological Survey of India, Vol. LXX, page 4 with footnotes
1656:, Memoirs of the Archaeological Survey of India, Vol. LXX, page 5 with footnotes
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The Vishnu temple's uniqueness has been expressed succinctly by archaeologist
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3914:
3825:
3759:
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Rediscovering the Hindu Temple: The Sacred Architecture and Urbanism of India
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Dehejia, Vidya. Indian Art. New York, NY: Phaidon Press Limited, 1997, p. 143
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804:
765:
584:
203:
138:
125:
99:
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relief (L to R): Arjuna, Bhima, Yudhisthira, Nakula, Sahadeva and Draupadi.
227:
223:
219:
191:
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Dye, Joseph. The Arts of India. Virginia Museum of Fine Arts. 2001. p. 112
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Mitter, Partha. Indian Art. New York: Oxford University Press, 2001. p. 42
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According to Lubotsky, it is likely that the entrance is dedicated to the
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88:
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For an aerial view and more complete/accurate plan, see Vats's drawings.
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1755:
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622:
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237:, but includes in it small footprint images of various deities such as
2089:. Oxford University Press (Reprinted in 1997 by Motilal Banarsidass).
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4368:
4333:
4323:
4275:
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925:
823:); and the Gajendramoksha side represents his role as the destroyer (
820:
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aspect of Vishnu; the Anantashayana side is his role as the creator (
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642:
638:
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doctrine, centering on the depictions of the four main emanations of
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460:
246:
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Imagining Architects: Creativity in the Religious Monuments of India
1892:
The Krishna cycle in the puranas: themes and motifs in a heroic saga
1615:
1322:
482:
temple in North India. It was subsequently renamed by Cunningham as
332:, while the closest major airport with daily services is Khajuraho (
4752:
4571:
4566:
4456:
4393:
4373:
4204:
4040:
3867:
3840:
3807:
3749:
3649:
3644:
3618:
3543:
3427:
3299:
3042:
2787:
2761:
2708:
2583:
2343:
Lubotsky, Alexander (1992), A.W. van den Hoek; et al. (eds.),
2328:. Motilal Banarsidass (Reprinted 1946 Princeton University Press).
2307:. Motilal Banarsidass (Reprinted 1946 Princeton University Press).
2166:
917:
853:
789:
785:
615:, and can be interpreted as an architectural representation of the
595:
535:. These show, for example, the narratives from the Krishna legend.
447:
442:
410:ā Charles Strahan (emphasis according to Cunningham's publication)
362:
214:. It has a simple, one cell square plan and is one of the earliest
51:
3581:
2355:
1578:
The Kį¹į¹£į¹a Cycle in the PurÄį¹as: Themes and Motifs in a Heroic Saga
1482:
The Kį¹į¹£į¹a Cycle in the PurÄį¹as: Themes and Motifs in a Heroic Saga
1244:
Gardner's Art through the Ages: A Global History, Enhanced Edition
4653:
4506:
4424:
4414:
4189:
4179:
4152:
4147:
4137:
4092:
4077:
4072:
3852:
3797:
3782:
3774:
3741:
3608:
3511:
3486:
3462:
3361:
3351:
2657:
1425:
This article incorporates text from this source, which is in the
1219:. University of Chicago Press. pp. 27 with Figure 5, 95ā96.
1072:
1062:
909:
718:
699:
568:
556:
548:
456:
378:
317:
289:
266:
242:
3447:
3303:
2128:
Principles of Composition in Hindu Sculpture: Cave Temple Period
2068:. Oxford University Press (Republished by Motilal Banarsidass).
4685:
4663:
4476:
4429:
4388:
4270:
4260:
4199:
4107:
4050:
4045:
3899:
3586:
3422:
3408:
3393:
3293:
2903:
2888:
2802:
2782:
2777:
2269:, 2nd edn. 1994, Yale University Press Pelican History of Art,
1057:
1052:
983:
913:
866:
777:
769:
703:
677:
626:
580:
572:
464:
422:
418:
391:
374:
366:
325:
321:
250:
234:
73:
2145:
702:
posture, while on left is a dwarf who has been interpreted as
4581:
4576:
4280:
4250:
4184:
4164:
4102:
4082:
4055:
3894:
3596:
3496:
3442:
3398:
3376:
3196:
3174:
2652:
2103:
870:
560:
552:
387:
254:
238:
215:
211:
109:
68:
1419:, Archaeological Survey Report Vol. 10, pages 100, 104-110,
30:
4622:
4551:
4533:
4481:
4265:
4209:
4169:
4129:
4112:
4097:
4062:
3491:
3403:
2878:
862:
478:
Archaeologists have inferred that it is the earliest known
472:
333:
2380:
The Hindu Temple: An Introduction to Its Meaning and Forms
2283:
Architecture in Medieval India: Forms, Contexts, Histories
1216:
The Hindu Temple: An Introduction to Its Meaning and Forms
3295:
908:
Another sculpture found in the Vishnu temple depicts the
2504:
3356:
1574:
1478:
1016:
in its sculptural effect as the Gupta temple at Deogarh
591:
position, and Anantasayi Vishnu in reclining position.
531:. Some of these friezes are now in museums such as the
383:
2082:
2061:
324:, and about 400 kilometres (250 mi) southwest of
2152:. Brill Academic (Reprinted by Motilal Banarsidass).
284:, which describes the design and architecture of the
222:, the Dashavatara Temple at Deogarh shows the ornate
1411:
1409:
1407:
1405:
1403:
1401:
1399:
3557:
2420:
2267:
The Art and Architecture of the Indian Subcontinent
2206:
Indian Temple Architecture: Form and Transformation
1822:Bhoothalingam, Mathuram (2016). S., Manjula (ed.).
916:hands over her new born son Krishna to her husband
2399:
1546:
1241:
1158:
441:inscribed relief of Saptamatrikas (seven mothers,
218:stone temples still surviving today. Built in the
1530:
1528:
1396:
4900:
2525:
2487:The New Cambridge History of India: Vijayanagara
2321:
2300:
4934:Tourist attractions in Lalitpur district, India
2582:
1239:
2397:
2376:
2251:. Indira Gandhi National Centre for the Arts.
2173:. Indira Gandhi National Centre for the Arts.
2167:A.K. Coomaraswamy; Michael W. Meister (1995).
1787:
1785:
1665:
1659:
1525:
1212:
807:panel on the eastern wall of the Vishnu temple
3279:
2568:
2441:
2356:Michael W. Meister; Madhusudan Dhaky (1986).
2279:
1821:
1553:. University of Minnesota Press. p. 30.
1142:
1140:
594:On the top of the sanctum is the remnants of
455:Vats yielded the evidence of reliefs showing
2529:The Square and the Circle of the Indian Arts
2483:
2462:
1949:
328:. The nearest railway station is located in
320:, 230 kilometres (140 mi) northeast of
206:which is 125 kilometers from Jhansi, in the
2359:Encyclopaedia of Indian temple architecture
2124:
2021:
2009:
1997:
1985:
1973:
1961:
1782:
1514:
1474:
1472:
1438:
1385:
1208:
1206:
1204:
1202:
1200:
1198:
1022:
296:The Dashavatara temple is locally known as
3286:
3272:
2575:
2561:
2244:
2223:
2202:
1699:
1510:
1508:
1506:
1504:
1502:
1381:
1379:
1377:
1137:
710:as he lacks the iconic details of Vamana.
515:The Dashavatara temple has a high plinth (
29:
2146:Alice Boner; SadÄÅiva Rath ÅarmÄ (2005).
1871:
1869:
1804:
1802:
1800:
1771:
1769:
1767:
1765:
1581:. Motilal Banarsidass. pp. 106ā107.
1485:. Motilal Banarsidass. pp. 106ā107.
1188:
1186:
1184:
1182:
2362:. American Institute of Indian Studies.
2342:
2104:Vinayak Bharne; Krupali Krusche (2014).
2027:
2015:
2003:
1991:
1979:
1967:
1955:
1791:
1733:
1705:
1648:
1646:
1534:
1469:
1458:
1456:
1454:
1452:
1363:
1361:
1359:
1357:
1355:
1195:
1165:. Harvard University Press. p. 52.
838:
799:
537:
506:
413:
347:
316:, 250 kilometres (160 mi) south of
1889:Solis, BenjamĆn Preciado-Solis (1984).
1601:
1499:
1374:
1308:
1119:
1117:
4901:
2065:An encyclopaedia of Hindu architecture
1866:
1815:
1797:
1762:
1672:. Bloomsbury Publishing. p. 144.
1179:
830:
265:, as well as a panel showing the five
233:The temple at Deogarh is dedicated to
3267:
2556:
1888:
1882:
1729:
1727:
1711:
1643:
1449:
1352:
1895:. Motilal Banarsidass. p. 106.
1114:
4924:6th-century establishments in India
4883:
2595:Hindu architecture and art glossary
2505:Burton Stein; David Arnold (2010).
1550:The Art of Eastern India: 300 - 800
698:(the man-lion avatar of Vishnu) in
490:(meaning: the temple by the well).
13:
3076:Brihadisvara Gangaikondacholapuram
1824:Temples of India Myths and Legends
1724:
1284:
706:(the dwarf avatar), or more often
14:
4955:
2548:
2110:. Cambridge Scholars Publishing.
352:Dashavatara Temple on its jagati.
4882:
4872:
4863:
4862:
4851:
3556:
3302:
3294:
2736:
2448:. University of Delaware Press.
2227:The Temple Architecture of India
1575:BenjamĆn Preciado-SolĆs (1984).
1479:BenjamĆn Preciado-SolĆs (1984).
1420:
1349:. Parkstone International, 2012.
962:
731:
717:
666:
657:
405:One temple of great magnificence
288:-style temple, thus providing a
4852:
2383:. University of Chicago Press.
2083:Prasanna Kumar Acharya (1997).
2062:Prasanna Kumar Acharya (2010).
2054:
2042:
2033:
1936:
1853:
1840:
1686:
1669:Hinduism and the Religious Arts
1630:
1595:
1568:
1540:
1432:
1337:
1302:
1105:
1095:
1085:
433:temple and mentioned the local
336:: HJR) and Bhopal (IATA: DBH).
4914:Hindu temples in Uttar Pradesh
4777:Relations with other religions
2490:. Cambridge University Press.
2170:Essays in Architectural Theory
1610:(3/4): 274 Figure 29 caption.
1417:Tours in Bundelkhand and Malwa
1293:
1275:
1266:
1233:
1152:
982:and amalakas (a bulbous stone
502:
1:
2424:Elements of Hindu iconography
1131:
648:
429:his report, he called it the
175:
2421:T. A. Gopinatha Rao (1993).
1001:
857:scenes: a panel depicts the
7:
2584:Hindu inscriptions and arts
1944:The Gupta Temple at Deogarh
1877:The Gupta Temple at Deogarh
1861:The Gupta Temple at Deogarh
1848:The Gupta Temple at Deogarh
1810:The Gupta Temple at Deogarh
1777:The Gupta Temple at Deogarh
1719:The Gupta Temple at Deogarh
1694:The Gupta Temple at Deogarh
1654:The Gupta Temple at Deogarh
1638:The Gupta Temple at Deogarh
1547:Frederick M. Asher (1980).
1464:The Gupta Temple at Deogarh
1369:The Gupta Temple at Deogarh
1159:T. Richard Blurton (1993).
1031:
978:the supporting features of
303:
210:valley in northern-central
35:Dashavatara Temple, Deogarh
10:
4960:
4939:Abhimana temples of Vishnu
3091:Chennakesava Somanathapura
2402:Hindu Art and Architecture
1518:The Jina Images of Deogarh
1445:. Brill. pp. 515ā516.
1442:The Jina Images of Deogarh
1389:The Jina Images of Deogarh
343:
4919:6th-century Hindu temples
4849:
4676:
4641:
4467:
4402:
4309:
4236:
4229:
4128:
4031:
4022:
3930:
3816:
3773:
3740:
3658:
3632:
3604:
3595:
3574:
3565:
3554:
3473:
3342:
3333:
3312:
3243:
3225:
3187:
3167:
3158:
3061:
3030:
3021:
2922:
2856:
2847:
2811:
2770:
2754:
2745:
2734:
2671:
2635:
2614:
2603:
2590:
2526:Kapila Vatsyayan (1997).
2511:. John Wiley & Sons.
2325:The Hindu Temple Volume 2
2322:Stella Kramrisch (1979).
2304:The Hindu Temple Volume 1
2301:Stella Kramrisch (1976).
1942:Madho Sarup Vats (1952),
1875:Madho Sarup Vats (1952),
1859:Madho Sarup Vats (1952),
1846:Madho Sarup Vats (1952),
1808:Madho Sarup Vats (1952),
1775:Madho Sarup Vats (1952),
1717:Madho Sarup Vats (1952),
1692:Madho Sarup Vats (1952),
1652:Madho Sarup Vats (1952),
1636:Madho Sarup Vats (1952),
1521:. Brill. pp. 55, 66.
1462:Madho Sarup Vats (1952),
1367:Madho Sarup Vats (1952),
947:, blouse, pleated skirt,
756:On the north side is the
606:), with a straight edge.
171:
159:
154:
115:
105:
95:
84:
79:
67:
57:
45:
40:
28:
23:
3921:Yoga Sutras of Patanjali
2935:Bateshwar Madhya Pradesh
2532:. Abhinav Publications.
2209:. Abhinav Publications.
1392:. Brill. pp. 28ā29.
1240:Fred S. Kleiner (2010).
1078:
1023:Reconstructions Proposed
970:Vishnudharmottara Purana
959:, neck wear and others.
764:On the east side is the
612:Vishnudharmottara Purana
533:National Museum in Delhi
281:Vishnudharmottara Purana
190:is an early 6th century
16:6th century Hindu temple
4000:Thiruvilaiyadal Puranam
3081:Airavatesvara Darasuram
2427:. Motilal Banarsidass.
2406:. Thames & Hudson.
2398:George Michell (2000).
2377:George Michell (1988).
2131:. Motilal Banarsidass.
1666:Heather Elgood (2000).
1213:George Michell (1977).
861:legend where Hindu god
493:
421:sleeping, protected by
139:24.526611Ā°N 78.240111Ā°E
3975:Eighteen Greater Texts
3071:Brihadisvara Thanjavur
2442:Ajay J. Sinha (2000).
2280:Monica Juneja (2001).
1343:Vincent Arthur Smith,
1147:Dasavatara Temple Plan
1020:
848:
808:
543:
512:
425:
412:
353:
257:, the river goddesses
117:Geographic coordinates
4728:Hindu gurus and sants
3980:Eighteen Lesser Texts
3131:Jageshwar Uttarakhand
3096:Hoysaleswara Halebidu
2484:Burton Stein (1989).
2463:Burton Stein (1978).
1012:
842:
803:
542:Sanctum door reliefs.
541:
510:
437:name for the temple.
417:
400:
351:
4944:Legendary footprints
4718:Anti-Hindu sentiment
3168:Archaeological sites
3106:Nataraja Chidambaram
3031:Archaeological sites
2771:Archaeological sites
2636:Archaeological sites
2466:South Indian Temples
2286:. Orient Blackswan.
2187:Dehejia, V. (1997).
2125:Alice Boner (1990).
1515:Klaus Bruhn (1987).
1439:Klaus Bruhn (1987).
1386:Klaus Bruhn (1987).
1149:, Cornell University
1068:Nachna Hindu temples
1038:Jain temple, Deogarh
144:24.526611; 78.240111
4824:Hinduism by country
3990:Iraiyanar Akapporul
3950:TirumurukÄį¹į¹uppaį¹ai
3217:Hinduism by country
3086:Chennakeshava Belur
2995:Sirpur Chhattisgarh
2990:Mahabalipuram Group
2245:Adam Hardy (2015).
2224:Adam Hardy (2007).
2203:Adam Hardy (1995).
2191:. Phaidon: London.
1248:. Cengage. p.
967:The Hindu treatise
831:Reliefs and museums
135: /
2959:Alampur Telangana
2945:Chaturbhuj Gwalior
2684:Hathibada Ghosundi
2508:A History of India
1010:, in these words:
849:
809:
788:) and one female (
676:Left: Sheshashayi
600:Mundeshvari temple
544:
513:
484:Dashavatara Mandir
426:
390:! (...)", and the
354:
269:of the Hindu epic
188:Dashavatara Temple
24:Dashavatara Temple
4896:
4895:
4672:
4671:
4225:
4224:
4018:
4017:
3932:Sangam literature
3888:YÄjƱavalkya Smį¹ti
3736:
3735:
3552:
3551:
3261:
3260:
3236:
3228:
3183:
3182:
3154:
3153:
3121:Dewark Sun Temple
3017:
3016:
3013:
3012:
2732:
2731:
2689:Heliodorus pillar
2663:Pandu Rajar Dhibi
2539:978-81-7017-362-5
2518:978-1-4443-2351-1
2497:978-0-521-26693-2
2455:978-0-87413-684-5
2434:978-81-208-0878-2
2413:978-0-500-20337-8
2390:978-0-226-53230-1
2369:978-0-8122-7992-4
2335:978-81-208-0224-7
2314:978-81-208-0223-0
2258:978-93-81406-41-0
2216:978-81-7017-312-0
2180:978-0-19-563805-9
2138:978-81-208-0705-1
2117:978-1-4438-6734-4
2096:978-81-7536-113-3
2075:978-81-7536-534-6
1833:978-81-230-1661-0
1679:978-0-8264-9865-6
1588:978-0-89581-226-1
1560:978-1-4529-1225-7
1492:978-0-89581-226-1
1259:978-1-4390-8578-3
1226:978-0-226-53230-1
1172:978-0-674-39189-5
843:A Deogarh temple
184:
183:
62:Lalitpur district
4951:
4886:
4885:
4876:
4866:
4865:
4855:
4854:
4765:Pilgrimage sites
4519:Ganesh Chaturthi
4234:
4233:
4029:
4028:
4010:Vedarthasamgraha
4005:Vinayagar Agaval
3970:Five Great Epics
3945:Divya Prabandham
3858:Minor Upanishads
3602:
3601:
3572:
3571:
3560:
3559:
3340:
3339:
3306:
3298:
3288:
3281:
3274:
3265:
3264:
3234:
3226:
3212:Pilgrimage sites
3165:
3164:
3028:
3027:
2930:Pattadakal Group
2854:
2853:
2752:
2751:
2740:
2694:Lakulisa Mathura
2622:Didarganj Yakshi
2612:
2611:
2577:
2570:
2563:
2554:
2553:
2543:
2522:
2501:
2480:
2459:
2438:
2417:
2405:
2394:
2373:
2352:
2351:
2339:
2318:
2297:
2262:
2241:
2220:
2184:
2163:
2142:
2121:
2100:
2079:
2049:
2046:
2040:
2037:
2031:
2025:
2019:
2013:
2007:
2001:
1995:
1989:
1983:
1977:
1971:
1965:
1959:
1953:
1947:
1940:
1934:
1933:
1927:
1923:
1921:
1913:
1911:
1909:
1886:
1880:
1873:
1864:
1857:
1851:
1844:
1838:
1837:
1819:
1813:
1806:
1795:
1789:
1780:
1773:
1760:
1759:
1731:
1722:
1715:
1709:
1703:
1697:
1690:
1684:
1683:
1663:
1657:
1650:
1641:
1634:
1628:
1627:
1599:
1593:
1592:
1572:
1566:
1564:
1544:
1538:
1532:
1523:
1522:
1512:
1497:
1496:
1476:
1467:
1460:
1447:
1446:
1436:
1430:
1424:
1423:
1413:
1394:
1393:
1383:
1372:
1365:
1350:
1341:
1335:
1334:
1306:
1300:
1297:
1291:
1288:
1282:
1279:
1273:
1270:
1264:
1263:
1247:
1237:
1231:
1230:
1210:
1193:
1190:
1177:
1176:
1156:
1150:
1144:
1125:
1121:
1112:
1109:
1103:
1099:
1093:
1089:
912:legend in which
735:
721:
670:
661:
621:concept and the
180:
177:
150:
149:
147:
146:
145:
140:
136:
133:
132:
131:
128:
33:
21:
20:
4959:
4958:
4954:
4953:
4952:
4950:
4949:
4948:
4899:
4898:
4897:
4892:
4859:
4845:
4668:
4637:
4628:Vasant Panchami
4562:Pahela Baishakh
4544:Makar Sankranti
4463:
4398:
4305:
4221:
4124:
4014:
3995:Abhirami Antati
3965:Kamba Ramayanam
3926:
3812:
3769:
3732:
3654:
3628:
3591:
3561:
3548:
3532:Vishishtadvaita
3469:
3329:
3308:
3292:
3262:
3257:
3239:
3221:
3179:
3160:
3150:
3136:Sasbahu Gwalior
3116:Modhera Gujarat
3057:
3023:
3009:
2980:Somnath Gujarat
2950:Masrur Himachal
2918:
2914:Elephanta Caves
2864:Udayagiri Caves
2843:
2839:Mandasor Pillar
2807:
2793:Chandraketugarh
2766:
2755:Arts, sculpture
2747:
2741:
2728:
2704:Mountain Temple
2667:
2631:
2627:Pompeii Lakshmi
2615:Arts, sculpture
2607:
2605:
2599:
2586:
2581:
2551:
2546:
2540:
2519:
2498:
2477:
2456:
2435:
2414:
2391:
2370:
2349:
2336:
2315:
2294:
2259:
2238:
2217:
2181:
2160:
2139:
2118:
2097:
2076:
2057:
2052:
2047:
2043:
2038:
2034:
2026:
2022:
2014:
2010:
2002:
1998:
1990:
1986:
1978:
1974:
1966:
1962:
1954:
1950:
1941:
1937:
1925:
1924:
1915:
1914:
1907:
1905:
1903:
1887:
1883:
1874:
1867:
1858:
1854:
1845:
1841:
1834:
1820:
1816:
1807:
1798:
1790:
1783:
1774:
1763:
1732:
1725:
1716:
1712:
1704:
1700:
1691:
1687:
1680:
1664:
1660:
1651:
1644:
1635:
1631:
1616:10.2307/3250039
1600:
1596:
1589:
1573:
1569:
1561:
1545:
1541:
1537:, pp. 9ā10
1533:
1526:
1513:
1500:
1493:
1477:
1470:
1461:
1450:
1437:
1433:
1421:
1415:A. Cunningham,
1414:
1397:
1384:
1375:
1366:
1353:
1342:
1338:
1323:10.2307/3249713
1307:
1303:
1298:
1294:
1289:
1285:
1280:
1276:
1271:
1267:
1260:
1238:
1234:
1227:
1211:
1196:
1191:
1180:
1173:
1157:
1153:
1145:
1138:
1134:
1129:
1128:
1122:
1115:
1110:
1106:
1100:
1096:
1090:
1086:
1081:
1034:
1025:
1004:
965:
922:National Museum
833:
758:Gajendra Moksha
746:
745:
744:
743:
742:
736:
727:
726:
725:
722:
684:
683:
682:
681:
673:
672:
671:
663:
662:
651:
579:flying in with
577:Gajendra-moksha
505:
496:
409:
408:
346:
306:
178:
143:
141:
137:
134:
129:
126:
124:
122:
121:
36:
17:
12:
11:
5:
4957:
4947:
4946:
4941:
4936:
4931:
4926:
4921:
4916:
4911:
4909:Vishnu temples
4894:
4893:
4891:
4890:
4880:
4870:
4850:
4847:
4846:
4844:
4843:
4842:
4841:
4836:
4826:
4821:
4816:
4815:
4814:
4809:
4804:
4799:
4794:
4789:
4784:
4774:
4773:
4772:
4762:
4757:
4756:
4755:
4745:
4740:
4735:
4730:
4725:
4720:
4715:
4710:
4705:
4700:
4699:
4698:
4693:
4682:
4680:
4674:
4673:
4670:
4669:
4667:
4666:
4661:
4656:
4651:
4645:
4643:
4639:
4638:
4636:
4635:
4630:
4625:
4620:
4614:
4613:
4612:
4611:
4606:
4601:
4596:
4586:
4585:
4584:
4579:
4574:
4569:
4564:
4559:
4554:
4546:
4541:
4536:
4531:
4526:
4521:
4516:
4515:
4514:
4509:
4504:
4494:
4492:Raksha Bandhan
4489:
4484:
4479:
4473:
4471:
4465:
4464:
4462:
4461:
4460:
4459:
4454:
4449:
4444:
4434:
4433:
4432:
4427:
4422:
4417:
4406:
4404:
4400:
4399:
4397:
4396:
4391:
4386:
4381:
4376:
4371:
4366:
4361:
4356:
4351:
4346:
4341:
4336:
4331:
4326:
4321:
4315:
4313:
4307:
4306:
4304:
4303:
4298:
4293:
4288:
4283:
4278:
4273:
4268:
4263:
4258:
4253:
4248:
4242:
4240:
4231:
4227:
4226:
4223:
4222:
4220:
4219:
4212:
4207:
4202:
4197:
4192:
4187:
4182:
4177:
4172:
4167:
4162:
4157:
4156:
4155:
4150:
4145:
4134:
4132:
4126:
4125:
4123:
4122:
4115:
4110:
4105:
4100:
4095:
4090:
4085:
4080:
4075:
4070:
4065:
4060:
4059:
4058:
4053:
4048:
4037:
4035:
4026:
4020:
4019:
4016:
4015:
4013:
4012:
4007:
4002:
3997:
3992:
3987:
3982:
3977:
3972:
3967:
3962:
3957:
3952:
3947:
3942:
3936:
3934:
3928:
3927:
3925:
3924:
3917:
3912:
3907:
3902:
3897:
3892:
3891:
3890:
3885:
3880:
3870:
3865:
3860:
3855:
3850:
3849:
3848:
3843:
3833:
3828:
3822:
3820:
3814:
3813:
3811:
3810:
3805:
3800:
3795:
3790:
3785:
3779:
3777:
3771:
3770:
3768:
3767:
3762:
3757:
3752:
3746:
3744:
3738:
3737:
3734:
3733:
3731:
3730:
3725:
3720:
3715:
3710:
3705:
3703:Shvetashvatara
3700:
3695:
3690:
3685:
3680:
3678:Brihadaranyaka
3675:
3670:
3664:
3662:
3656:
3655:
3653:
3652:
3647:
3642:
3636:
3634:
3630:
3629:
3627:
3626:
3621:
3616:
3611:
3605:
3599:
3593:
3592:
3590:
3589:
3584:
3578:
3576:
3575:Classification
3569:
3563:
3562:
3555:
3553:
3550:
3549:
3547:
3546:
3537:
3536:
3535:
3528:
3521:
3509:
3504:
3499:
3494:
3489:
3479:
3477:
3471:
3470:
3468:
3467:
3466:
3465:
3460:
3455:
3450:
3445:
3440:
3435:
3430:
3425:
3414:
3413:
3412:
3411:
3406:
3401:
3396:
3385:
3384:
3379:
3374:
3369:
3364:
3359:
3354:
3348:
3346:
3337:
3331:
3330:
3328:
3327:
3322:
3319:
3313:
3310:
3309:
3291:
3290:
3283:
3276:
3268:
3259:
3258:
3256:
3255:
3250:
3244:
3241:
3240:
3238:
3237:
3231:
3229:
3223:
3222:
3220:
3219:
3214:
3209:
3204:
3199:
3193:
3191:
3185:
3184:
3181:
3180:
3178:
3177:
3171:
3169:
3162:
3161:(1400-1799 CE)
3156:
3155:
3152:
3151:
3149:
3148:
3146:Jagannath Puri
3143:
3138:
3133:
3128:
3123:
3118:
3113:
3108:
3103:
3098:
3093:
3088:
3083:
3078:
3073:
3067:
3065:
3059:
3058:
3056:
3055:
3050:
3045:
3040:
3034:
3032:
3025:
3019:
3018:
3015:
3014:
3011:
3010:
3008:
3007:
3002:
2997:
2992:
2987:
2985:Dwarka Gujarat
2982:
2977:
2972:
2971:
2970:
2965:
2957:
2952:
2947:
2942:
2940:Teli ka Mandir
2937:
2932:
2926:
2924:
2920:
2919:
2917:
2916:
2911:
2906:
2901:
2899:Mandasor Shiva
2896:
2891:
2886:
2884:Nachna Parvati
2881:
2876:
2871:
2866:
2860:
2858:
2851:
2845:
2844:
2842:
2841:
2836:
2834:Mandasor Stone
2831:
2829:Vadathika Cave
2826:
2821:
2815:
2813:
2809:
2808:
2806:
2805:
2800:
2795:
2790:
2785:
2780:
2774:
2772:
2768:
2767:
2765:
2764:
2758:
2756:
2749:
2743:
2742:
2735:
2733:
2730:
2729:
2727:
2726:
2721:
2716:
2711:
2706:
2701:
2696:
2691:
2686:
2681:
2675:
2673:
2669:
2668:
2666:
2665:
2660:
2655:
2650:
2645:
2639:
2637:
2633:
2632:
2630:
2629:
2624:
2618:
2616:
2609:
2601:
2600:
2598:
2597:
2591:
2588:
2587:
2580:
2579:
2572:
2565:
2557:
2550:
2549:External links
2547:
2545:
2544:
2538:
2523:
2517:
2502:
2496:
2481:
2476:978-0706904499
2475:
2460:
2454:
2439:
2433:
2418:
2412:
2395:
2389:
2374:
2368:
2353:
2340:
2334:
2319:
2313:
2298:
2293:978-8178242286
2292:
2277:
2263:
2257:
2242:
2237:978-0470028278
2236:
2221:
2215:
2200:
2185:
2179:
2164:
2159:978-8120820524
2158:
2143:
2137:
2122:
2116:
2101:
2095:
2080:
2074:
2058:
2056:
2053:
2051:
2050:
2041:
2032:
2020:
2008:
1996:
1984:
1972:
1960:
1958:, pp. 2ā3
1948:
1935:
1901:
1881:
1865:
1852:
1839:
1832:
1814:
1796:
1781:
1761:
1736:Ars Orientalis
1723:
1710:
1698:
1685:
1678:
1658:
1642:
1629:
1594:
1587:
1567:
1559:
1539:
1524:
1498:
1491:
1468:
1448:
1431:
1395:
1373:
1351:
1336:
1317:(1/2): 81ā88.
1301:
1292:
1283:
1274:
1265:
1258:
1232:
1225:
1194:
1178:
1171:
1151:
1135:
1133:
1130:
1127:
1126:
1113:
1104:
1094:
1083:
1082:
1080:
1077:
1076:
1075:
1070:
1065:
1060:
1055:
1050:
1045:
1043:Pataini temple
1040:
1033:
1030:
1024:
1021:
1003:
1000:
964:
961:
906:
905:
901:
897:
882:
859:Ahalya-uddhara
832:
829:
798:
797:
774:
762:
761:strangulation.
737:
730:
729:
728:
723:
716:
715:
714:
713:
712:
675:
674:
665:
664:
656:
655:
654:
653:
652:
650:
647:
504:
501:
495:
492:
345:
342:
305:
302:
182:
181:
173:
169:
168:
163:
157:
156:
152:
151:
119:
113:
112:
107:
103:
102:
97:
93:
92:
86:
82:
81:
77:
76:
71:
65:
64:
59:
55:
54:
49:
43:
42:
38:
37:
34:
26:
25:
15:
9:
6:
4:
3:
2:
4956:
4945:
4942:
4940:
4937:
4935:
4932:
4930:
4927:
4925:
4922:
4920:
4917:
4915:
4912:
4910:
4907:
4906:
4904:
4889:
4881:
4879:
4875:
4871:
4869:
4861:
4860:
4858:
4848:
4840:
4837:
4835:
4832:
4831:
4830:
4829:Hindu temples
4827:
4825:
4822:
4820:
4817:
4813:
4810:
4808:
4805:
4803:
4800:
4798:
4795:
4793:
4790:
4788:
4785:
4783:
4780:
4779:
4778:
4775:
4771:
4768:
4767:
4766:
4763:
4761:
4758:
4754:
4751:
4750:
4749:
4746:
4744:
4741:
4739:
4736:
4734:
4733:Hindu studies
4731:
4729:
4726:
4724:
4721:
4719:
4716:
4714:
4711:
4709:
4706:
4704:
4703:Denominations
4701:
4697:
4694:
4692:
4689:
4688:
4687:
4684:
4683:
4681:
4679:
4675:
4665:
4662:
4660:
4657:
4655:
4652:
4650:
4647:
4646:
4644:
4640:
4634:
4631:
4629:
4626:
4624:
4621:
4619:
4616:
4615:
4610:
4607:
4605:
4602:
4600:
4597:
4595:
4592:
4591:
4590:
4587:
4583:
4580:
4578:
4575:
4573:
4570:
4568:
4565:
4563:
4560:
4558:
4555:
4553:
4550:
4549:
4547:
4545:
4542:
4540:
4537:
4535:
4532:
4530:
4527:
4525:
4522:
4520:
4517:
4513:
4512:Vijayadashami
4510:
4508:
4505:
4503:
4500:
4499:
4498:
4495:
4493:
4490:
4488:
4485:
4483:
4480:
4478:
4475:
4474:
4472:
4470:
4466:
4458:
4455:
4453:
4450:
4448:
4445:
4443:
4440:
4439:
4438:
4435:
4431:
4428:
4426:
4423:
4421:
4418:
4416:
4413:
4412:
4411:
4408:
4407:
4405:
4401:
4395:
4392:
4390:
4387:
4385:
4382:
4380:
4377:
4375:
4372:
4370:
4367:
4365:
4362:
4360:
4357:
4355:
4352:
4350:
4347:
4345:
4342:
4340:
4337:
4335:
4332:
4330:
4329:Simantonayana
4327:
4325:
4322:
4320:
4317:
4316:
4314:
4312:
4308:
4302:
4299:
4297:
4294:
4292:
4289:
4287:
4284:
4282:
4279:
4277:
4274:
4272:
4269:
4267:
4264:
4262:
4259:
4257:
4254:
4252:
4249:
4247:
4244:
4243:
4241:
4239:
4235:
4232:
4228:
4218:
4217:
4213:
4211:
4208:
4206:
4203:
4201:
4198:
4196:
4193:
4191:
4188:
4186:
4183:
4181:
4178:
4176:
4173:
4171:
4168:
4166:
4163:
4161:
4158:
4154:
4151:
4149:
4146:
4144:
4141:
4140:
4139:
4136:
4135:
4133:
4131:
4127:
4121:
4120:
4116:
4114:
4111:
4109:
4106:
4104:
4101:
4099:
4096:
4094:
4091:
4089:
4086:
4084:
4081:
4079:
4076:
4074:
4071:
4069:
4066:
4064:
4061:
4057:
4054:
4052:
4049:
4047:
4044:
4043:
4042:
4039:
4038:
4036:
4034:
4030:
4027:
4025:
4021:
4011:
4008:
4006:
4003:
4001:
3998:
3996:
3993:
3991:
3988:
3986:
3983:
3981:
3978:
3976:
3973:
3971:
3968:
3966:
3963:
3961:
3958:
3956:
3953:
3951:
3948:
3946:
3943:
3941:
3938:
3937:
3935:
3933:
3929:
3923:
3922:
3918:
3916:
3915:Yoga Vasistha
3913:
3911:
3908:
3906:
3903:
3901:
3898:
3896:
3893:
3889:
3886:
3884:
3881:
3879:
3876:
3875:
3874:
3871:
3869:
3866:
3864:
3861:
3859:
3856:
3854:
3851:
3847:
3844:
3842:
3839:
3838:
3837:
3834:
3832:
3829:
3827:
3826:Bhagavad Gita
3824:
3823:
3821:
3819:
3815:
3809:
3806:
3804:
3801:
3799:
3796:
3794:
3791:
3789:
3786:
3784:
3781:
3780:
3778:
3776:
3772:
3766:
3765:Sthapatyaveda
3763:
3761:
3758:
3756:
3753:
3751:
3748:
3747:
3745:
3743:
3739:
3729:
3726:
3724:
3721:
3719:
3716:
3714:
3711:
3709:
3706:
3704:
3701:
3699:
3696:
3694:
3691:
3689:
3686:
3684:
3681:
3679:
3676:
3674:
3671:
3669:
3666:
3665:
3663:
3661:
3657:
3651:
3648:
3646:
3643:
3641:
3638:
3637:
3635:
3631:
3625:
3622:
3620:
3617:
3615:
3612:
3610:
3607:
3606:
3603:
3600:
3598:
3594:
3588:
3585:
3583:
3580:
3579:
3577:
3573:
3570:
3568:
3564:
3545:
3541:
3538:
3534:
3533:
3529:
3527:
3526:
3522:
3520:
3519:
3515:
3514:
3513:
3510:
3508:
3505:
3503:
3500:
3498:
3495:
3493:
3490:
3488:
3484:
3481:
3480:
3478:
3476:
3472:
3464:
3461:
3459:
3456:
3454:
3451:
3449:
3446:
3444:
3441:
3439:
3436:
3434:
3431:
3429:
3426:
3424:
3421:
3420:
3419:
3416:
3415:
3410:
3407:
3405:
3402:
3400:
3397:
3395:
3392:
3391:
3390:
3387:
3386:
3383:
3380:
3378:
3375:
3373:
3370:
3368:
3365:
3363:
3360:
3358:
3355:
3353:
3350:
3349:
3347:
3345:
3341:
3338:
3336:
3332:
3326:
3323:
3320:
3318:
3315:
3314:
3311:
3305:
3301:
3297:
3289:
3284:
3282:
3277:
3275:
3270:
3269:
3266:
3254:
3251:
3249:
3246:
3245:
3242:
3233:
3232:
3230:
3224:
3218:
3215:
3213:
3210:
3208:
3205:
3203:
3202:Denominations
3200:
3198:
3195:
3194:
3192:
3190:
3186:
3176:
3173:
3172:
3170:
3166:
3163:
3157:
3147:
3144:
3142:
3139:
3137:
3134:
3132:
3129:
3127:
3124:
3122:
3119:
3117:
3114:
3112:
3109:
3107:
3104:
3102:
3101:Udupi Krishna
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2036:
2030:, pp. 17
2029:
2028:Lubotsky 1992
2024:
2018:, pp. 16
2017:
2016:Lubotsky 1992
2012:
2006:, pp. 13
2005:
2004:Lubotsky 1992
2000:
1994:, pp. 11
1993:
1992:Lubotsky 1992
1988:
1982:, pp. 15
1981:
1980:Lubotsky 1992
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1706:Lubotsky 1992
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1604:Artibus Asiae
1598:
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1535:Lubotsky 1992
1531:
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1427:public domain
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963:Textual roots
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805:Nara Narayana
802:
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32:
27:
22:
19:
4839:Architecture
4442:Brahmacharya
4384:Samavartanam
4349:Annaprashana
4215:
4118:
3919:
3873:DharmaÅÄstra
3863:Arthashastra
3698:Maitrayaniya
3530:
3523:
3516:
3438:Brahmacharya
3048:Madan Kamdev
2975:Ellora Caves
2909:Badami Caves
2904:Aihole Group
2873:
2819:Gadhwa Stone
2812:Inscriptions
2748:(400-899 CE)
2672:Inscriptions
2528:
2507:
2486:
2465:
2444:
2423:
2401:
2379:
2358:
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2282:
2266:
2247:
2226:
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2188:
2169:
2148:
2127:
2106:
2085:
2064:
2055:Bibliography
2044:
2035:
2023:
2011:
1999:
1987:
1975:
1970:, pp. 4
1963:
1951:
1938:
1906:. Retrieved
1891:
1884:
1855:
1842:
1823:
1817:
1794:, pp. 5
1739:
1735:
1713:
1708:, pp. 7
1701:
1688:
1668:
1661:
1632:
1607:
1603:
1597:
1577:
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1542:
1517:
1481:
1441:
1434:
1388:
1346:Art of India
1345:
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992:Panchayatana
991:
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966:
956:
952:
948:
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936:
932:
930:
907:
890:
884:
878:
877:legend; the
874:
858:
852:
844:
834:
810:
793:
782:kiritamukuta
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616:
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397:
365:(Varanasi),
355:
338:
311:
307:
297:
295:
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270:
232:
228:architecture
220:Gupta Period
192:Hindu temple
187:
185:
155:Architecture
130:78Ā°14ā²24.4ā³E
127:24Ā°31ā²35.8ā³N
18:
4888:WikiProject
4760:Persecution
4748:Nationalism
4738:Iconography
4618:Ratha Yatra
4529:Janmashtami
4524:Rama Navami
4452:Vanaprastha
4403:Varnashrama
4379:Ritushuddhi
4364:Vidyarambha
4354:Chudakarana
4344:Nishkramana
4319:Garbhadhana
3960:Thirukkural
3955:Thiruppugal
3883:NÄradasmį¹ti
3846:Mahabharata
3624:Atharvaveda
3502:Vaisheshika
3389:Puruį¹£Ärthas
3207:Iconography
2889:Tigawa Devi
2879:Eran Vishnu
2874:Dashavatara
2824:Gopika Cave
2719:Yavanarajya
1926:|work=
1008:Percy Brown
886:Mahabharata
794:Mahabharata
752:mythology:
739:Mahabharata
635:Samkarshana
618:Chaturvyuha
529:Mahabharata
503:Description
431:Dashavatara
359:Pataliputra
272:Mahabharata
208:Betwa River
194:located at
142: /
89:Betwa River
47:Affiliation
4903:Categories
4589:Kumbh Mela
4557:Gudi Padwa
4502:Durga Puja
4487:Shivaratri
4359:Karnavedha
4339:Namakarana
4301:Tirthatana
4068:Dattatreya
3905:Subhashita
3878:Manusmriti
3755:Dhanurveda
3688:Taittiriya
3673:Kaushitaki
3660:Upanishads
3433:Aparigraha
3335:Philosophy
3141:Konark Sun
2963:Navabrahma
2923:600-899 CE
2857:400-599 CE
2648:Bet Dwarka
2604:Beginnings
2275:0300062176
2189:Indian Art
1902:0895812266
1132:References
1048:Bhitargaon
875:Surpanakha
825:Samkarsana
649:Sculptures
623:Pancaratra
589:lalitasana
587:seated in
488:Sagar Marh
435:Sagar Marh
298:Sagar marh
202:district,
4929:Gupta art
4812:Theosophy
4743:Mythology
4723:Criticism
4691:Etymology
4649:SvÄdhyÄya
4548:New Year
4497:Navaratri
4469:Festivals
4447:Grihastha
4420:Kshatriya
4394:Antyeshti
4369:Upanayana
4334:Jatakarma
4324:Pumsavana
4311:Sanskaras
4276:Naivedhya
4230:Practices
4175:Mahavidya
4143:Saraswati
4130:Goddesses
4088:Kartikeya
3985:Athichudi
3940:Tirumurai
3793:VyÄkaraį¹a
3760:Natyaveda
3708:Chandogya
3633:Divisions
3614:Yajurveda
3126:Khajuraho
3005:Meenakshi
3000:Srirangam
2894:Gop Surya
2699:Mora Well
2469:. Vikas.
2230:. Wiley.
1928:ignored (
1918:cite book
1908:6 January
1748:0571-1371
1742:: 65ā80.
1162:Hindu Art
1002:Reception
926:New Delhi
821:Pradyumna
817:Aniruddha
792:) of the
750:Vaishnava
696:Narasimha
643:Aniruddha
639:Pradyumna
565:Kartikeya
461:Narasimha
371:Udayagiri
361:(Patna),
314:Khajuraho
247:Kartikeya
172:Completed
4868:Category
4819:Glossary
4787:Buddhism
4753:Hindutva
4713:Calendar
4594:Haridwar
4572:Vaisakhi
4567:Puthandu
4457:Sannyasa
4374:Keshanta
4205:Shashthi
4041:Trimurti
3868:Nitisara
3841:Ramayana
3836:Itihasas
3808:Jyotisha
3750:Ayurveda
3742:Upavedas
3723:Mandukya
3668:Aitareya
3650:Aranyaka
3645:Brahmana
3619:Samaveda
3544:Charvaka
3344:Concepts
3325:Timeline
3317:Glossary
3300:Hinduism
3248:Category
3111:Tirupati
3043:Halebidu
3022:Advanced
2968:Papanasi
2788:Besnagar
2762:Nataraja
2746:Maturity
2709:Naneghat
1092:Krishna.
1032:See also
953:uttariya
918:Vasudeva
865:redeems
854:Ramayana
845:Ramayana
813:VÄsudeva
790:Draupadi
786:Pandavas
631:VÄsudeva
527:and the
525:Ramayana
448:Ramayana
443:Shaktism
386:! namah
330:Lalitpur
304:Location
267:Pandavas
200:Lalitpur
85:Location
80:Location
58:District
52:Hinduism
41:Religion
4857:Outline
4807:Sikhism
4802:Judaism
4797:Jainism
4678:Related
4654:Namaste
4507:Ramlila
4437:Ashrama
4425:Vaishya
4415:Brahmin
4238:Worship
4190:Rukmini
4180:Matrika
4153:Parvati
4148:Lakshmi
4138:Tridevi
4093:Krishna
4078:Hanuman
4073:Ganesha
4024:Deities
3910:Tantras
3900:Stotras
3853:Puranas
3798:Nirukta
3788:Chandas
3783:Shiksha
3775:Vedanga
3728:Prashna
3718:Mundaka
3640:Samhita
3609:Rigveda
3540:NÄstika
3525:Advaita
3512:Vedanta
3507:MÄ«mÄį¹sÄ
3487:Samkhya
3475:Schools
3463:Akrodha
3382:Saį¹sÄra
3362:Ishvara
3352:Brahman
3189:Related
3159:Revival
3063:Temples
2849:Temples
2679:Ayodhya
2658:Kumhrar
2643:Mathura
2608:400 CE)
2606:(before
1756:4629500
1624:3250039
1331:3249713
1073:Bhumara
1063:Vidisha
980:copings
957:langoti
949:dopatta
945:lahanga
910:Krishna
879:Dandaka
796:legend.
770:Apsaras
700:namaste
596:sikhara
569:Ganesha
557:Parvati
549:Lakshmi
457:Krishna
388:Shivaya
344:History
318:Gwalior
290:floruit
243:Parvati
196:Deogarh
106:Country
4878:Portal
4782:BahĆ”Ź¼Ć
4686:Hindus
4664:Tilaka
4633:Others
4609:Ujjain
4604:Prayag
4599:Nashik
4539:Pongal
4477:Diwali
4430:Shudra
4389:Vivaha
4296:DhyÄna
4271:Bhajan
4261:Bhakti
4246:Temple
4200:Shakti
4108:Varuna
4051:Vishnu
4046:Brahma
3895:Sutras
3831:Agamas
3587:Smriti
3518:Dvaita
3483:Ästika
3428:Asteya
3423:Ahimsa
3409:Moksha
3394:Dharma
3307:topics
3253:Portal
2803:Ujjain
2798:Sirpur
2783:Badami
2778:Aihole
2536:
2515:
2494:
2473:
2452:
2431:
2410:
2387:
2366:
2332:
2311:
2290:
2273:
2255:
2234:
2213:
2195:
2177:
2156:
2135:
2114:
2093:
2072:
1899:
1830:
1754:
1746:
1676:
1622:
1585:
1557:
1489:
1329:
1256:
1223:
1169:
1124:Madhu.
1058:Tigawa
1053:Sanchi
984:finial
914:Devaki
867:Ahalya
773:asana.
704:Vamana
692:abhaya
678:Vishnu
627:Vishnu
581:Garuda
573:Brahma
517:jagati
469:Buddha
465:Vamana
423:Shesha
419:Vishnu
392:samvat
379:Bhilsa
375:Ujjain
367:Sanchi
326:Kanpur
322:Bhopal
263:Yamuna
251:Brahma
235:Vishnu
226:style
166:Nagara
91:valley
74:Vishnu
4792:Islam
4770:India
4659:Bindi
4642:Other
4582:Ugadi
4577:Vishu
4410:Varna
4291:Tapas
4281:Yajna
4251:Murti
4185:Radha
4165:Durga
4160:Bhumi
4103:Surya
4083:Indra
4056:Shiva
3818:Other
3803:Kalpa
3693:Katha
3597:Vedas
3582:Åruti
3567:Texts
3497:Nyaya
3453:Damah
3443:Satya
3399:Artha
3377:Karma
3367:Atman
3321:Index
3227:Note:
3197:Hindu
3175:Hampi
3038:Belur
2653:Dihar
2350:(PDF)
1752:JSTOR
1620:JSTOR
1327:JSTOR
1079:Notes
941:kurta
933:dhoti
871:rishi
778:Sesha
561:Indra
553:Shiva
363:Kashi
259:Ganga
255:Indra
239:Shiva
224:Gupta
216:Hindu
212:India
161:Style
110:India
96:State
69:Deity
4834:List
4696:List
4623:Teej
4552:Bihu
4534:Onam
4482:Holi
4286:Homa
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