Knowledge

Dance in the Philippines

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1505: 1777:, two founders of modern dance visited the Manila in 1926. Other modern dancers also performed in the country which led to some Filipinos training under this dance style. With the growing popularity of this dance style, Filipino dancers continued to mix in elements of folklore and native themes. Anita Kane produced Mariang Makiling in 1939 and it was the first full-length Filipino ballet performance. She also has other works such as Reconstruction Ballet, Mutya ng Dagat (Muse of the Sea), Inulan sa Pista (Rained-out Feast), and Aswang (Vampire), which all had Filipino motifs. Leonor Orosa-Goquingco also had native elements in her dances like Noli Dance Suite and Filipinescas: Philippine Life, Legend and Lore in Dance, which had mixed ballet and folk dances into one performance. Due to this trend, many other writers and dancers continued to connect this Western dance style with native influences, motifs, and even history. 1734:
dancers who already know the zarzuela (sarswela), a Spanish form of stage performance with singing and dancing and musical comedy, they became more interested in the American vaudeville (bodabil) or “stage show”, which is filled with both theatrical and circus acts, and more reminiscent of Broadway musicals. More dynamic dances were incorporated in these zarzuelas during the 1950s to the 1970s, such as the cakewalk, buck-and-wing, skirt dance, clog, tap, and soft-shoe that were more upbeat and had an American rhythm to them, as well as social dances like the Charleston, foxtrot, big apple, one-step, slow-drag, rumba, mambo, samba, cha-cha, and the Latin-influenced tango. This growth of American-influenced dances also spawned the increase of cabarets, such as the Santa Ana Cabaret which is a huge ballroom dedicated for these performances. The disco scene also grew more in the 1980s.
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placate their anger or to call for their participation to restore balance and to care and provide for mankind. The second audience are the practitioners. In carrying out the rituals, they are reflecting and passing on the collective knowledge and memory of the village, which have been accumulated and refined across many generations. It is through the use of dramatic gestures and dance that symbolic narratives, their values and beliefs are recorded and safeguarded from forgetting. The performance of ritual dances is ultimately an act of recollection. It is a reminder for men and spirit their duties and responsibility in restoring the world's balance. And within the dance itself, practitioners are reminded of the significance of the past, and are being prepared to accommodate the uncertainties that the present and future may bring.
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articulating the role of man and human in the world. The dances contain narratives which illustrate the contractual obligations governing relationships between mankind, nature and the spirits. Because there are innumerable reasons for why and how humans can cause shifts in the balance or forget their place in the grander scheme, there are also innumerable rituals that can correct or address the concerns. Thus, it is in looking at their intentions that it can be better understood, interpreted and classified. Some of the rituals attempt to define the future, appease spirits, ask for good harvests, invoke protection, heal the sick, asking for good luck, guidance and counsel. Almost every facet of Filipino life is linked to a ritual practice and is an indication of the value and pervasiveness of rituals in folk culture.
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dancing was utilized as a relevant social activity. Some of the first dances they presented were the rigodon, Virginia, and lanceros; these were dances done for the higher class and special fiestas. Filipino dance styles like the kumintang, type of song and dance, and dances like the Pampangois, a dance distinguished for its lion-like actions and hand clapping, were pushed aside when Spanish colonist had come. However, they were later remade with influences from new Spanish dances such as the fandango, lanceros, curacha, and rigodon. Other features that were done when adopting these Hispanic dances was the addition of local elements like using bamboo, paypays (local fans), and coconut or shell castanets.
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Lamberto Avellana, and Jose Generoso to name a few. European classical ballet also gained more popularity following the American dances. Aside from creating their own groups, with the new and more advanced transportation system in the country, the Philippines was now able to be included in the international circuit, which had led to performances by international acts such as the Lilliputians with their “ballet girls” and the Baroufski Imperial Russian Circus showcasing their ballerinas. Aside from having international acts come, other talents also came to perform, with the notable one being
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to dance slowly and progress to faster tempo with fans or their hands moving in a  rhythmic manner which signify the winds in the forest. With skillful handling of fans, the dancers cross the bamboos precisely and expertly. In Sulu, Royal Princesses are required to learn the dance. The Royal Princesses in the dance, specifically in Lanao are usually accompanied by a waiting lady  holding an elaborately decorated umbrella on her head and follows her as she dances.
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in the village are in the dance following the host's signal of the opening of the affair. Both the context and the significance of the dance are apparent. Additionally, the male imitates a rooster that is attempting to gain attention from a hen which is represented by a female dancer. On the other hand, the female dancer imitates the gestures of a hen that is being orbited by a rooster.
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Mindanaoan culture long before Spanish colonist arrived and were mostly left untouched from the presence of Colonial Authorities, thus they continued to keep their mythic Islamic practices. Unlike the Filipinos of the lowlands, who integrated Christian and Catholic practices to form a uniquely Filipino folk Christianity which is still practiced today.
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It is also used to get rid of bad spirits, to give luck for victory in battle and used during the blessing of the newly opened field. Their costumes are compared to that of the pagpagayok bird because of the colourful headdresses and the bells wrapped around their ankles which is considered as the “best music” to the spirits.
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Known as the “Dean of Philippine vaudeville,” John Cowper had brought with him other artists when he had come. As with the growth of American influence over dance in the country, Filipinos had started creating their own dance troupes; some of these would be the Salvadors, the Roques, Sammy Rodrigues,
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Rituals have been greatly influenced by rich colonial history, as well as archipelagic geography. As a result of this, each major geographic area such preserved distinct traditions, some preserving pre-colonial influences, while others were integrated or completely changed. Islam was deeply rooted in
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Filipino rituals are based on the belief that there exists a delicate balance between man and nature, and the spirit world; and that it is through rituals that we can restore, enhance or maintain this balance. It clarifies our place in the universe; each gesture and move in the dance are symbolically
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From the highlands of Mindanao, is a Musim ethnic group called the Yakan. They are known to wear body-hugging elaborately woven costumes. One of their popular dances, called Pangsak, involves a man and his wife performing complicated hand and foot movements while their faces are painted white to hide
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Tribes from the mountain provinces in Luzon give great importance to their identity. Thanksgiving, birth, wedding, and victory in war among others, are some things that these people celebrate through the art of dance. The Kalinga wedding ritual, to be particular, is a dance wherein a bride is offered
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Singkil is a Filipino dance that narrates the epic legend of “Darangan” of the Maranao people of Mindanao. This 14th century epic is about  Princess Gandingan getting trapped in the forest during an earthquake that was said to have been caused by the forest nymphs or fairies called diwatas. The
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The Salidsid, or the “cayoo dance”, is known as a romantic dance in which a male courts a female. That being said, it is commonly performed with one male and a female dancer. It starts with each of the dancers holding an “ayob” or “allap” which is a small cloth. Customarily, the most powerful people
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The Bendayan, which is also referred to as Bendian, is a dance that was adapted from the tradition of the Benguet Mountain Province in which hunters are honoured. Although it is an adaptation or rendition of the original, it is still included in each festivity in Benguet and its significance remains
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Filipinos, mainly aristocrats, have also created their own renditions of Hispanic and other European dances such as the jotas, fandangos, mazurkas, and waltzes that were done during this time. The fandango after it was introduced was recreated as the pandaggo; the same happened to the jota that was
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Pre-colonial Filipinos already had their own set of music and dances before Spanish colonist came; dances were performed for different reasons, from weddings up to religious feasts, even to prepare for or celebrate war. As the Spanish colonist realized the relevance of these dances for the Natives,
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Social gatherings in communities call for customaries that come in the form of offering wine to guests. The offer is made by a young lady who chooses a young man from the guest to dance with. In accepting a glass of wine, the young man also accepts dancing with the lady. It is not advisable to turn
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The Kadal Unok is a dance performed by women that is depicted through elegant and fluid movements with the use of the arms that tries to imitate the movements of the onus bird. They performers make use of heavy make up and adornments which represents the tribes passion for beauty and fashion. There
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Performances such as a sacrifice dance rite exists in provinces wherein religion is given the highest regard, such as the Higaonon of Bukidnon province in Mindanao place. “Dugso” is performed as a form of thanksgiving for good harvest, healing of the sick and for the community's overall well being.
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Sagayan is a dance often performed before celebrations, and to get rid of bad spirits and to welcome good ones. The performers are fierce warriors who portray movements that depict a warrior trying to protect his master in battle. This means that many acrobatic movements are involved in this dance.
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The dance uses props that are representative of the events in the epic.  The  criss-crossed bamboos are clapped together to signify the falling trees the Princess gracefully dodges as they fall while her slave follows her around. The Prince then finds her and the other dancers  begin
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Tachok is a Kalinga Festival Dance that is performed by unmarried Kalinga women who imitate the movement of the flight of birds as they move through the air. People come together and perform this dance to celebrate their birth first-born baby boy, weddings, or people who are able to make peace with
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from the mountains of Luzon, resisted Spanish colonization and influences have kept most of their dances untouched across generations. Their dances express their love of nature and gratitude to the gods. Their choreography imitates nature and their life experiences. Dancers would often swoop their
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The Asik is solo dance performance portrays an unmarried young woman who tries to gain the approval and support of her sultan master. She can dance for two reasons. The first is to try to win the heart of her master and the second is to be able to make up for a mistake she has done. In this dance,
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Just like in the Spanish colonization, the Americans, in 1898, had brought in their own commercial and global culture which had also influenced the Filipinos. Those with interest in dance were the ones mainly appealed to by the more Black-influenced customs of dance and music. With these Filipino
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As Hispanic and other European dances had more sharp and fast steps, Filipinos softened these movements when they were recreated. Other dances that were created during the time of hispanization would be the Danza, Jota Cagayan, Jota Isabela, Pantomina, Abaruray, Jota Manileña, Habanera Jovencita,
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Dancing for Filipinos have always imitated nature and life, and is seen as a form of spiritual and social expression. Birds, mountains, seas and straits have become inspiration for local dances. The tinikling mimic the rice-preying birds, the itik-itik is reminiscent of its namesake the duck, the
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As rituals are mostly in the form of dances, it uses gestures, incantations and symbolic implements to invoke spirits, to restore balance or to ask for intercession for harvests, good marriages, safety in journey or counsel. Rituals then, have 2 intended audiences, the spirits who are summoned to
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Other less common presentations of Philippine dances have been categorized by intention, or societal functions. Philippine dances not only convey the artistry of movement, but are often associated with life-functions such as weddings, the mimicry of birds, or even rituals like the warding of evil
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For the past centuries, an important part of peasant social life is the gathering of peasants who collectively work together to do labor-intensive jobs for the community.  Once a week they would gather to clean the forest, till the soil, do farm work, etc. Every noon time, after the peasants
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Sakuting was originally performed by male dancers only. It originates from the province of Abra, performed by both Ilokano Christians and non Christians. It depicts a mock fight with sticks for training and combat. During Christmas, the dance is performed in town plazas or dancers will go door to
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The Binalayan dance emulates movements of a hen, her baby chicks and a hawk. The hawk has always been seen and symbolized as that which has power over the welfare of the entire tribe. Although, one day, the hawk tried to get one of the baby chicks which led to the hawks death for it was killed by
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Coined from the word ipugao meaning “coming from the earth” is the term Ifugao, pertaining to the people of the province who are called to be the “children of the earth.” As well as to the province itself, according to the Spaniards. Those who belong to the wealthy class, the Kadangyans, have the
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Tarektek dramatizes two male tarektek woodpeckers who try to get the attention of three females. The first woodpecker tries doing this by showing his good voice. This was portrayed by the banging of a brass gong. On the other hand, the second tries impress the females by showing off his feathers.
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Spanish colonist have moderated and even led the politics and economics of the country, which was mainly due to the Spanish colonialism starting from the 16th century. Despite the pre-colonial people having their of type of government, writing, myths, and traditions, several features of Hispanic
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During the Spanish regime, Kuratsa was one of the popular and best liked dances in the country. There are many versions across different regions in Ilocos and Bicol. Currently, the one being performed is a Visayan versions from Leyte. Performed in a moderate waltz style, the dance has a sense of
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is a well known dance around the Philippines with the meaning of the word being affectionate, lovable, and amiable. The dancers use a handkerchief and go through the motions of hide and seek or typical flirtatious and affectionate movements. The dance comes in many forms but the hide and seek is
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between Moros and Christians. There are four parts of the dance, namely, the Palipasan and Baligtaran, Paseo and Sayaw Escaramusa. In order, the former two parts depicts the heated relationship between the two groups mentioned previously while the latter two parts showcases their reconciliation.
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Karasaguyon is a tribal dance that portrays a story of four sisters who try to get the attention of a polygamous man who is choosing his next wife. This dance is accompanied with music from the sounds of the beads and bells as they clink against each other which are wrapped around the waists and
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Maranao people from the around the Lake Lanao have a royal manner of “walking” called the Pagapir. The ladies of the royal court perform this dance for important events and to show their good upbringing. It involves a graceful manipulation of the Aper (apir) or fan while doing the “Kini-kini” or
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The tribe of T’boli is located in a place where there are vast amounts of wildlife, most especially birds. Kadal Taho, also considered as the “True Dance of the T’boli,” is a story about a flock of sister birds who left to look for food and ended up getting lost. During the journey, one of the
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live in the center of Cagayan Valley. Furthermore, some of their groups have resided in Isabela, Kalinga, and Eastern Bontoc. They are mostly Christian, and are agricultural in nature. Those that have resided in the areas stated mostly preserved their culture which is rooted in indigenous and
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Pre-colonial dances are distinctly meant to appease the Gods and to ask favors from spirits, as a means to celebrate their harvest or hunt. Their dance mimicked life forms and the stories of their community. Moreover, theses dances were also ritualistic in nature, dances articulated rites of
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The Kinugsik Kugsik tries to imitate the friendly and endearing nature of squirrels. The dance portrays an issue of love between two male squirrels and one female squirrel who run around the forest. They had created this dance as a remembrance of the time wherein the tribe of Manobo lived
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Bagobo Rice Cycle, also known as Sugod Uno, is a tribal dance which portrays the rice production cycle. This includes the prepping the land, planting rice, watering the rice, and harvesting it. This dance also portrays rituals to say thank you for the rice that they were able to harvest.
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agricultural traditions. For an instance, they commonly practice the burning of existing crops to construct short-term plots for farming. Additionally, they also practice hunting and fishing. In the Gaddang dance, the people emulate the movements of birds that are drawn to tobacco trees.
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Siring is a dance performed by the Lambangian tribe. Their ancestry is from an intermarriage between the Dulangan Manobo and Teduray, two other indigenous tribes. The siring is a dance that portrays different activities that occur in their everyday lives. These include planting rice and
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Soryano is a courtship dance that portrays anxious men holding on to cloths trying to persuade women to turn around and face them. Instead, these women, turn the opposite way for fun and make the men chase them.This dance then becomes a lively and energetic dance of chase.
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can be used or worn. A malong is a hand woven piece of cloth that is tubular that can come in many colors. For women, they usually make use of it as a skirt, shawl, mantle, or headpiece. On the other hand, for men, they make use of it as a sash, waistband, shorts or
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The Panglay, a dance native to the Badjaos meant to highlight the power of the upper body, is executed through the rhythmic bounce of the shoulder  while simultaneously waving the arms. Most times, this dance is performed in social gatherings like weddings.
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then recreated in several regions; Cariñosa and Sayaw Santa Isabel had steps that were taken from a popular dance, the waltz. Other examples would be how the rhythm and tempo of the jota and the polka influenced traditional dances like the Tinikling and the
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The Sayaw sa Obando is performed in honor of Santa Clara, patron saint of the childless. It is the childless women usually from Malabon and Navotas who participate in the dance as part of a ritual to ask the said saint to grant their wishes to have a child.
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Sohten was danced before as a way of asking the gods for protection and success before going into battle. This is now performed by an all males of the Subanon tribe who make use of shields and palm leaves to portray this pre-combat ritualistic dance.
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Kadal Heroyon, also known as the dance of flirtation, is performed by T’boli girl adolescents qualified to get married. Beautification, which was held of high importance in the tribe, is portrayed through movements that would imitate how birds flew.
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The Bangkakawan, a fishing ritual, originated from the Tigwahanon Manobos of Bukidnon. A huge log is carved to replicate the shape of a palungan (snake) and is used to making steady beats and rhythms to make fish dizzy and less difficult to catch.
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Moral Solanay is a dance performed by indigenous people of B’laan. This dance is performed by women who portray the spirit of a young lady named Solanay. Through this dance, they try to show grace, beauty, and diligence which Solanay represents.
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protection and comfort by the groom. The man tries to show his love by imitating the movements of a rooster. Meanwhile, the bride's friends prepare “bangas” (earthen pots) that contain fresh water from the mountain spring to offer to the groom.
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The tinikling dance has evolved from what is called ‘Tinikling Ha Bayo’ which the older people claim to be a harder dance to perform. Originally, the said dance was done between bayuhan, wooden pestles used to pound husks off of rice grain.
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To better understand these dances, the time period of these dances must be considered. Depending on each period, they have had their own ways of influencing and inspiring the dances which then evolve and change depending on these elements.
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religions. Their lives have been centered on appeasing their gods and maintaining a harmonious relationship between spirits and man. Dances are usually linked to rituals for a good harvest, health, prayers for peace, and safety in war.
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Coming from the Spanish word “fandango”, the dance is characterized by steps and clapping that varies in rhythm in 3/4 time. The Pandanggo sa Ilaw demands three oil lamps balanced on the heads and the back of the hands of each dancer.
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A lawin, Philippine hawk eagle, is endemic to the Philippine region. The lawin-lawin dance tries to imitate how the eagle soars the sky by making use of shields to represent the wings. This is performed by males of the Bagobo tribe.
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The Kuntaw, which originates from the Malay word meaning “fist”, is one of Mindanao's best-kept secrets. It is a martial arts dance that includes gestures of the fist, accompanied by other actions like jumps, kicks, and knee bends.
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After a Pagdiwata ritual, the basal banal dance is usually performed. This is a traditional dance of the Palawanons wherein they make use of native balasbas and cloth to make their movements more prominent and noticeable.
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The dancers go house to house to dance the Maglalatik in exchange for money or a gift. Come night time, the dancers dance in a religious procession as an offering to San Isidro de Labrador, patron saint of the farmers.
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Burung Talo is a dance  in the form of martial arts. Performers portray a battle between a hawk and a cat. This dance is accompanied with lively beats from gongs and drums as the performers do acrobatic movements.
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The name Bulaklakan originates from the numerous flowers that grow in the area of Bulacan. The dance is dedicated to the Virgin Mary performed widely in the month of May as part of the celebration of their holy week.
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down the offer as it is offensive to the community's etiquette and the lady. As they dance, the girl's ability is shown through balancing the glass of wine without spilling a drop. The audience claps with the music.
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The majority of Filipinos are the Christianized lowlanders of the islands. Their dances are heavily influenced by Spanish culture, though still retaining native aspects. The dances range from courtship dances, to
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The Sayagan is a dance meant for courtship wherein a man asks for a woman's hand by putting his piz cloth on the ground. For the woman to answer him back, she must likewise put her own cloth on the ground.
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In the separation of Loma and Zapote of Binan, Laguna during the Spanish regime, the two barrios danced the maglalatik. The Maglalatik or Magbabao is a war dance in portrayal of a fight over prized
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have eaten and started to rest, the Tiklos is usually performed. When the peasants start to hear the Tiklos music from the flute, guitar, guimbal or tambora, they start dancing the Tiklos together.
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A ritual meant for the rice harvest, the Pagdiwata was a nine-day demonstration among the Tagbanuas of Palawan to give thanks. This revolved around the babaylan or priestess and her ministrations.
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in the Mountain Provinces of the Philippines. They carry pots that are placed above their heads. They also wear small hand woven blankets around their necks which represent the “blankets of life.”
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The name comes from the Tagalog words “subsub” (stooped) and “bali” (broken). Hence, the male dancers are positioned in a “trunk-forward-bend” way seemingly lame and crooked throughout the dance.
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Balisangkad comes from Madukayan, eastern side of Mountain Province. It is a type of hunting dance in which the dancers movements imitate those of an eagle, particularly the flight of the eagle.
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bird. The dancers imitate the bird's flight in grace and speed as they play and chase each other, run over tree branches or dodge farmer's traps. The dance is done with a pair of bamboo poles.
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has been lauded for preserving many of the various traditional folk dances found throughout the Philippines. They are famed for their iconic performances of Philippine dances such as the
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passion for beauty and fashion goes as far as wearing wide brimmed hats that are highly decorated in the fields and wearing interlocked bronze belts, helots, whenever they walk or dance.
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pots. This performance originated in the province of Kalinga of the Mountain Province. As many as seven or eight pots are balanced on the heads of maidens as they move to the beat of the
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Some rituals are used as religious expressions to honor the spirits and ask for blessings in each facet of life, such as birth, illness, planting, harvest or even death. They believe in
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Talbeng, a lively dance accompanied by a guitarist, imitates animals of the region, most especially the monkeys. This dance originated from the Aetas,  also known as the Negritos.
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Manmanok is a dance that dramatizes is a dance that portrait the rooster and the hen, Lady Lien. They try to attract her by making use of blankets that depict their feathers and wings.
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Sout is a Subanen dance which aims to be able to showcase a warriors skill with the use of a sword and shield (k’lasag) which are covered with different kinds of shells called blasi.
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culture have influenced different aspects of today's Filipino culture, from clothing, such as the Barong Tagalog and the terno, to their religion even up to the dances and music.
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Panglay sa Agong is a dance that portrays two warriors who try to gain the attention of a young woman. By banging on gongs, it was the way they showed their courage and skills.
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sisters injures her leg and is unable to fly. With her flock by her side, motivating her and supporting her, she was able to fly again and they were able to get home safely.
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privilege to use the gongs that are used at the wedding festival dance. The same dance is performed by the people who desire to reach the second level of the wealthy class.
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on the other, a double-sided sword made of either wood or metal. These dancers also wear bright colored materials for their three tiered skirts, toppers and headgear.
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Filipino rituals are often shown in dance, because for Filipinos, dance is the highest symbolic form. It transcends language and is able to convey emotions,
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Aside from the rise of American dances and European style ballet, modern dance had also started taking form during this period in the vaudeville circuit.
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Sabay Pengalay is a Subanon courtship dance that contains pantomimic gestures. It portrays a smitten bachelor who tries to win the heart of a kerchief.
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Across the 7,641 islands in the Philippines, there are various tribes scattered all over, each with their own unique traditions and dances. The
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Subli is a famous dance in barrios of the municipality of Bauan, Batangas. It is a ceremonial dance performed in fiestas every May in homage to
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Following the legend, the Moros won in the fight, but the Christians, uncontented, sent an envoy and offered peace and baptism to the Moros.
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Talek in a dance usually performed by Subanen women, who hold on to kompas or rattan leaves, during festivals or wedding celebrations.
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ethnic groups. Most of their dances are marked by intricate hand and arm movements, accompanied by instruments such as the agong and
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harmoniously with squirrels who thrived in their area. They named this dance as such because they called these squirrels, “kugsik.”
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the performer dances and poses in doll like motionsand is dressed with fine beads, long metal finger nails, and heavy make up.
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The word Gaddang originated from the combination of two words which are “ga”, meaning heat, and “dang” which is to burn. The
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Tahing Baila is a Yakan dance, a low land tribal Philippine folk dance, in which it tries to imitate movements of fish.
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During the tambol, villagers summon their guiding spirit, Diwata. It is a nine-day ritual of a babaylan or priestess.
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Well respected Obo Manobo warriors, called Baganis, perform this dance which showcase their skills in fighting.
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Kadal Blelah is a tribal dance wheres dancers try to simulate and imitate the different movements of birds.
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This was portrayed by the use of colorful blankets that are moved around in bird like movements.
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Geographic location also influence what movements are incorporated into the dances. People from
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The following are various indigenous dances of the major ethnic groupings of the Philippines
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Sayaw Sa Bangko (Bench Dance)-rural folk dance forms with agile jumping on and off benches
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improvisation that mimics a young playful couple trying to get each other's attention.
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Ragsaksakan dance portrays the walk of the industrious Kalingga women who climb up the
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during the 2007 Asian Pacific Heritage Month celebration at the Kadena Air Base, Japan
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Estudiantina is a Spanish influenced Filipino folk dance depicting frolicking student.
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Kapa Malong Malong, also known as Sambi sa Malong, is a dance that shows how the
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One popular contemporary performance in the Philippines is named after the large
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arms like birds and stomp their feet as a representation of the rumbling earth.
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spirits. This outlook on dance can be separated into the following categories:
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name “Singkil” is derived from the bells worn by the Princess on her ankles.
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and haglong, as well as a variety of drums show their zest for life.  
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each other. This dance is accompanied with music with the use of gongs.
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door. Spectators give them aguinaldos (5-piso bills) or refreshments.
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preserved. Furthermore, the circles lead to an unambiguous meaning.
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ethnolinguistic tribes living in Luzon's mountain terrains: the
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A photo from 1909 showing Igorots doing their ceremonial dance.
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To imitate themovements of the beautiful southern boat (the
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Members from the Philippine Cultural Dancers group perform
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passages, the community's collective legends and history.
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Paypay de Manila, Jota Paragua, and the Paseo de Iloilo.
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The Philippines is home to several folk dances such as
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of the Philippines depicting parts of the epic poem,
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Lonely Planet. p.  3149: 3147: 3145: 3143: 1616: 4634: 3124: 3122: 3120: 3118: 3043: 3041: 3010: 3008: 3006: 2047: 1412:Barrio of Dingin, Alitagtag, Batangas 802:They carry a shield on one hand and a 3624: 3219: 2987: 2985: 2897: 2895: 2893: 2795: 2793: 2727: 2725: 2723: 2173: 2171: 2169: 2167: 2091: 2089: 2087: 2085: 2083: 2081: 2079: 2077: 2075: 2073: 2045: 2043: 2041: 2039: 2037: 2035: 2033: 2031: 2029: 2027: 1551:are inspired by hawk-like movements. 1499: 422:tribes, which retained much of their 3140: 3066:"Folk Dances With Spanish Influence" 2261: 2259: 2257: 2255: 2253: 2251: 2249: 3115: 3083: 3038: 3003: 2937: 2757:cherryhoney1818 (October 7, 2017). 1049:Babuklod, Florida Blanca, Pampanga 13: 2982: 2890: 2790: 2720: 2164: 2070: 2024: 1286:and colored trousers for the men. 852:, they still retain much of their 739:their identity from evil spirits. 619:are the various usually unrelated 42: 14: 4653: 3245: 2849: 2763:Cultural dance in the Philippines 2283: 2246: 1394:The tinikling is named after the 473:Benguet Province, Northern Luzon 16:Role of dance in Filipino culture 4616: 4615: 4604: 3604: 3595: 3594: 1833:, traditional folk dance of the 1810:This section is an excerpt from 1478:Lubang Island, Mindoro, Visayas 319: 3058: 2957: 2940:"Philippine Folk Dance History" 2931: 2913: 2869: 2843: 2818: 2750: 2707:"The Sakuting – Dolores Online" 2699: 2678: 2653: 2628: 2603: 2578: 2553: 2528: 2503: 2478: 2453: 2428: 2403: 2378: 2353: 2328: 2303: 1728: 1635: 390:Types of dances by ethnic group 3562:British Indian Ocean Territory 2277: 2221: 2196: 2139: 2114: 2053:"Philippine Dances Cordillera" 1804: 1664: 1004:Santa Maria, Agusan del Norte 844:are collectively known as the 1: 2903:"Rituals in Philippine Dance" 2017: 1780: 1742:in 1922 and performed at the 1644:Folk dance with native hats ( 840:The non-Islamized natives of 4110:Business process outsourcing 2938:Theater, Benna Crawford BA. 1541: 1532: 7: 1990: 10: 4658: 3016:"spanish influence dances" 2921:"Philippine Ethnic Dances" 2151:Culture of the Philippines 1817: 1809: 1752:Remedios “Totoy” de Oteyza 1282:skirts for the women, and 1177:Lake Sebu, South Cotabato 996:ankles of the performers. 989:Lake Sebu, South Cotabato 974:Lake Sebu, South Cotabato 900:Lake Sebu, South Cotabato 35:Culture of the Philippines 4587: 4506: 4391: 4225: 4216: 4095: 4086: 3902: 3893: 3775: 3766: 3699: 3668: 3659: 3590: 3549: 3509: 3251: 1419:Mahal Na Poong Santa Cruz 397: 4642:Dance in the Philippines 4014:House of Representatives 3907:Administrative divisions 3311:East Timor (Timor-Leste) 2969:www.eslteachersboard.com 2097:"Muslim Mindanao dances" 1898:Kuntao Silat Amil Bangsa 1812:Folk dance § Philippines 1744:Manila Grand Opera House 1547:courtship dances of the 1523: 835: 3572:Cocos (Keeling) Islands 1263:Christianized Filipinos 610: 26:Part of a series on the 4611:Philippines portal 4155:Science and technology 1997:Francisca Reyes-Aquino 1858: 1846: 1766: 1725: 1698: 1686: 1674: 1649: 1628: 1559: 1509: 47: 4566:Sport and martial art 3982:Executive departments 2830:www.filamcultural.com 2759:"Folk Dance in LUZON" 2126:www.danceanddance.com 2002:Lucrecia Reyes Urtula 1852: 1827: 1818:Further information: 1764: 1756:Rosalia Merino Santos 1748:Leonor Orosa Goquingo 1716: 1696: 1684: 1672: 1643: 1624: 1557: 1507: 1141: catching fish. 306:Sport and martial art 46: 4431:Fashion and clothing 4272:Environmental issues 4199:Water and sanitation 4036:Regional Trial Court 3881:World Heritage Sites 3486:United Arab Emirates 3167:on February 15, 2019 3103:on February 15, 2019 1617:Dance over the years 1120:Zamboanga del Norte 1034:Zamboanga del Norte 915:Lemlosnon, Cotabato 146:Fashion and clothing 4421:Cultural properties 4187:Tourist attractions 3734:Japanese occupation 3513:limited recognition 3026:on October 19, 2018 3020:www.seasite.niu.edu 2877:"Pandanggo Sa Ilaw" 2805:www.seasite.niu.edu 2737:www.seasite.niu.edu 2665:www.seasite.niu.edu 2640:www.kaloobdance.com 2615:www.kaloobdance.com 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4493:Traditional games 4328:Income inequality 4311:Human trafficking 4212: 4211: 4175:Telephone numbers 4082: 4081: 4078: 4077: 3949:Political parties 3922:Foreign relations 3889: 3888: 3762: 3761: 3747:Marcos presidency 3738:Postcolonial era 3618: 3617: 3555:other territories 3205:978-1-74104-289-4 1913:La Jota Moncadena 1883:Habañera Botoleña 1697:Pandanggo sa Ilaw 1518:collective memory 1488: 1487: 1260: 1259: 833: 832: 761:Panglay sa Agong 608: 607: 360: 359: 4649: 4619: 4618: 4609: 4608: 4607: 4389: 4388: 4343:Overseas workers 4265:Higher education 4223: 4222: 4093: 4092: 4031:Court of Appeals 3987:Executive office 3955: 3954: 3900: 3899: 3773: 3772: 3714:Pre-colonial era 3666: 3665: 3645: 3638: 3631: 3622: 3621: 3608: 3598: 3597: 3567:Christmas Island 3253:Sovereign states 3240: 3233: 3226: 3217: 3216: 3210: 3209: 3193: 3183: 3177: 3176: 3174: 3172: 3166: 3160:. Archived from 3159: 3151: 3138: 3137: 3126: 3113: 3112: 3110: 3108: 3102: 3096:. Archived from 3095: 3087: 3081: 3080: 3078: 3076: 3062: 3056: 3055: 3053: 3045: 3036: 3035: 3033: 3031: 3022:. Archived from 3012: 3001: 3000: 2989: 2980: 2979: 2977: 2975: 2961: 2955: 2954: 2952: 2950: 2935: 2929: 2928: 2917: 2911: 2910: 2899: 2888: 2887: 2885: 2883: 2873: 2867: 2866: 2864: 2862: 2847: 2841: 2840: 2838: 2836: 2822: 2816: 2815: 2813: 2811: 2797: 2788: 2787: 2781: 2773: 2771: 2769: 2754: 2748: 2747: 2745: 2743: 2729: 2718: 2717: 2715: 2713: 2703: 2697: 2696: 2694: 2692: 2682: 2676: 2675: 2673: 2671: 2657: 2651: 2650: 2648: 2646: 2632: 2626: 2625: 2623: 2621: 2607: 2601: 2600: 2598: 2596: 2582: 2576: 2575: 2573: 2571: 2557: 2551: 2550: 2548: 2546: 2532: 2526: 2525: 2523: 2521: 2507: 2501: 2500: 2498: 2496: 2482: 2476: 2475: 2473: 2471: 2457: 2451: 2450: 2448: 2446: 2432: 2426: 2425: 2423: 2421: 2411:"Sabay Pengalay" 2407: 2401: 2400: 2398: 2396: 2382: 2376: 2375: 2373: 2371: 2357: 2351: 2350: 2348: 2346: 2332: 2326: 2325: 2323: 2321: 2307: 2301: 2300: 2298: 2296: 2281: 2275: 2274: 2263: 2244: 2243: 2241: 2239: 2225: 2219: 2218: 2216: 2214: 2200: 2194: 2193: 2191: 2189: 2175: 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1731: 1667: 1638: 1619: 1544: 1535: 1526: 1502: 1493: 1457:common in all. 1284:camisa de chino 1265: 1117:Sabay Pengalay 838: 621:Muslim Filipino 613: 515:Cagayan Valley 497:Lumagen/Tachok 400: 392: 356: 324: 250: 229:Public holidays 34: 25: 17: 12: 11: 5: 4655: 4645: 4644: 4627: 4626: 4624: 4623: 4613: 4600: 4599: 4594: 4588: 4585: 4584: 4581: 4580: 4577: 4576: 4574: 4573: 4568: 4563: 4558: 4553: 4548: 4543: 4538: 4533: 4528: 4523: 4518: 4512: 4510: 4504: 4503: 4501: 4500: 4495: 4490: 4485: 4480: 4479: 4478: 4468: 4463: 4458: 4453: 4448: 4443: 4438: 4433: 4428: 4423: 4418: 4413: 4408: 4403: 4397: 4395: 4386: 4385: 4380: 4375: 4370: 4365: 4360: 4355: 4350: 4345: 4340: 4335: 4330: 4325: 4320: 4319: 4318: 4308: 4303: 4298: 4297: 4296: 4286: 4285: 4284: 4279: 4277:Climate change 4269: 4268: 4267: 4257: 4252: 4247: 4242: 4237: 4232: 4226: 4220: 4214: 4213: 4210: 4209: 4207: 4206: 4201: 4196: 4194:Transportation 4191: 4190: 4189: 4179: 4178: 4177: 4167: 4162: 4160:Stock exchange 4157: 4152: 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people 1816: 1808: 1806: 1803: 1782: 1779: 1771:Ruth St. Denis 1730: 1727: 1666: 1663: 1637: 1634: 1618: 1615: 1572:Bagobo, Manobo 1543: 1540: 1534: 1531: 1525: 1522: 1501: 1498: 1492: 1489: 1486: 1485: 1481: 1479: 1476: 1472: 1471: 1467: 1465: 1463: 1459: 1458: 1450: 1448: 1446: 1440: 1439: 1435: 1433: 1430: 1426: 1425: 1415: 1413: 1410: 1404: 1403: 1392: 1390: 1387: 1381: 1380: 1368: 1366: 1364: 1358: 1357: 1353: 1351: 1349: 1345: 1344: 1340: 1338: 1335: 1331: 1330: 1326: 1324: 1321: 1317: 1316: 1312: 1310: 1307: 1303: 1302: 1299: 1296: 1293: 1292:Type of Dance 1264: 1261: 1258: 1257: 1254: 1251: 1249: 1245: 1244: 1240: 1237: 1234: 1230: 1229: 1225: 1222: 1220: 1214: 1213: 1210: 1207: 1205: 1199: 1198: 1195: 1192: 1190: 1186: 1185: 1181: 1178: 1175: 1171: 1170: 1167: 1164: 1161: 1157: 1156: 1153: 1150: 1147: 1143: 1142: 1138: 1135: 1132: 1128: 1127: 1124: 1121: 1118: 1114: 1113: 1110: 1107: 1105: 1101: 1100: 1096: 1093: 1090: 1086: 1085: 1081: 1078: 1075: 1074:Maral Solanay 1071: 1070: 1066: 1063: 1060: 1056: 1055: 1052: 1050: 1047: 1043: 1042: 1038: 1035: 1032: 1028: 1027: 1023: 1020: 1019:Davao del Sur 1017: 1013: 1012: 1008: 1005: 1002: 998: 997: 993: 990: 987: 983: 982: 978: 975: 972: 971:Kadal Heroyon 968: 967: 963: 960: 957: 953: 952: 948: 945: 944:Davao del Sur 942: 938: 937: 933: 930: 927: 923: 922: 919: 916: 913: 909: 908: 904: 901: 898: 894: 893: 889: 886: 884: 878: 877: 874: 871: 868: 867:Type of Dance 837: 834: 831: 830: 818: 815: 812: 808: 807: 799: 796: 793: 787: 786: 782: 779: 776: 772: 771: 768: 765: 762: 758: 757: 750: 747: 745: 741: 740: 736: 733: 730: 726: 725: 722: 719: 716: 712: 711: 703: 700: 697: 691: 690: 686: 683: 680: 676: 675: 671: 668: 665: 661: 660: 656: 653: 650: 644: 643: 640: 637: 634: 633:Type of Dance 612: 609: 606: 605: 601: 598: 596: 592: 591: 584: 581: 579: 575: 574: 570: 567: 565: 561: 560: 556: 553: 551: 547: 546: 542: 539: 537: 533: 532: 523:Gaddang people 519: 516: 513: 509: 508: 504: 501: 498: 494: 493: 490: 487: 485: 481: 480: 476: 474: 471: 467: 466: 455: 452: 450: 446: 445: 442: 439: 436: 435:Type of Dance 402:There are six 399: 396: 391: 388: 358: 357: 355: 354: 347: 340: 332: 329: 328: 316: 315: 314: 313: 308: 303: 298: 293: 288: 283: 278: 273: 268: 263: 255: 254: 246: 245: 244: 243: 238: 237: 236: 226: 221: 220: 219: 214: 209: 204: 199: 189: 184: 179: 174: 166: 165: 161: 160: 159: 158: 153: 148: 143: 138: 133: 128: 120: 119: 115: 114: 113: 112: 107: 102: 97: 92: 91: 90: 85: 75: 74: 73: 63: 55: 54: 50: 49: 39: 38: 30: 29: 15: 9: 6: 4: 3: 2: 4654: 4643: 4640: 4639: 4637: 4622: 4614: 4612: 4602: 4601: 4598: 4595: 4593: 4590: 4589: 4586: 4572: 4569: 4567: 4564: 4562: 4561:Sign language 4559: 4557: 4554: 4552: 4549: 4547: 4544: 4542: 4539: 4537: 4534: 4532: 4529: 4527: 4524: 4522: 4519: 4517: 4514: 4513: 4511: 4509: 4505: 4499: 4496: 4494: 4491: 4489: 4486: 4484: 4481: 4477: 4474: 4473: 4472: 4469: 4467: 4464: 4462: 4459: 4457: 4454: 4452: 4449: 4447: 4444: 4442: 4439: 4437: 4434: 4432: 4429: 4427: 4424: 4422: 4419: 4417: 4414: 4412: 4409: 4407: 4404: 4402: 4399: 4398: 4396: 4394: 4390: 4384: 4381: 4379: 4376: 4374: 4371: 4369: 4366: 4364: 4361: 4359: 4356: 4354: 4351: 4349: 4346: 4344: 4341: 4339: 4336: 4334: 4331: 4329: 4326: 4324: 4321: 4317: 4314: 4313: 4312: 4309: 4307: 4304: 4302: 4299: 4295: 4292: 4291: 4290: 4289:Ethnic groups 4287: 4283: 4282:Deforestation 4280: 4278: 4275: 4274: 4273: 4270: 4266: 4263: 4262: 4261: 4258: 4256: 4253: 4251: 4248: 4246: 4243: 4241: 4238: 4236: 4233: 4231: 4228: 4227: 4224: 4221: 4219: 4215: 4205: 4202: 4200: 4197: 4195: 4192: 4188: 4185: 4184: 4183: 4180: 4176: 4173: 4172: 4171: 4168: 4166: 4163: 4161: 4158: 4156: 4153: 4151: 4148: 4146: 4143: 4141: 4140:National debt 4138: 4136: 4135:Fiscal policy 4133: 4131: 4128: 4126: 4123: 4121: 4118: 4116: 4113: 4111: 4108: 4106: 4103: 4101: 4098: 4097: 4094: 4091: 4089: 4085: 4071: 4068: 4064: 4061: 4059: 4056: 4054: 4051: 4049: 4046: 4045: 4044: 4041: 4037: 4034: 4032: 4029: 4027: 4026:Supreme Court 4024: 4023: 4022: 4019: 4015: 4012: 4010: 4007: 4006: 4005: 4002: 3998: 3995: 3993: 3990: 3988: 3985: 3983: 3980: 3976: 3973: 3972: 3971: 3968: 3967: 3965: 3964: 3962: 3960: 3956: 3950: 3947: 3945: 3942: 3940: 3937: 3933: 3930: 3929: 3928: 3925: 3923: 3920: 3918: 3915: 3913: 3910: 3908: 3905: 3904: 3901: 3898: 3896: 3892: 3882: 3879: 3877: 3874: 3872: 3869: 3867: 3864: 3862: 3859: 3855: 3852: 3851: 3850: 3847: 3845: 3842: 3840: 3837: 3833: 3830: 3829: 3828: 3827:Island groups 3825: 3823: 3820: 3818: 3815: 3813: 3810: 3806: 3803: 3801: 3798: 3797: 3796: 3793: 3791: 3788: 3786: 3783: 3781: 3778: 3777: 3774: 3771: 3769: 3765: 3753: 3750: 3748: 3745: 3743: 3740: 3739: 3737: 3735: 3732: 3728: 3725: 3723: 3720: 3719: 3718:Colonial era 3717: 3715: 3712: 3710: 3707: 3706: 3704: 3702: 3698: 3692: 3689: 3687: 3684: 3682: 3679: 3677: 3674: 3673: 3671: 3667: 3664: 3662: 3658: 3653: 3646: 3641: 3639: 3634: 3632: 3627: 3626: 3623: 3611: 3607: 3603: 3601: 3593: 3592: 3589: 3583: 3580: 3578: 3575: 3573: 3570: 3568: 3565: 3563: 3560: 3559: 3557: 3552: 3548: 3542: 3539: 3537: 3536:South Ossetia 3534: 3532: 3529: 3527: 3524: 3522: 3519: 3518: 3516: 3514: 3508: 3502: 3499: 3497: 3494: 3492: 3489: 3487: 3484: 3482: 3479: 3477: 3474: 3472: 3469: 3467: 3464: 3462: 3459: 3457: 3454: 3452: 3449: 3447: 3444: 3442: 3439: 3437: 3434: 3432: 3429: 3427: 3424: 3422: 3419: 3417: 3414: 3412: 3409: 3407: 3404: 3402: 3399: 3397: 3394: 3392: 3389: 3387: 3384: 3382: 3379: 3377: 3374: 3372: 3369: 3367: 3364: 3362: 3359: 3357: 3354: 3352: 3349: 3347: 3344: 3342: 3339: 3337: 3334: 3332: 3329: 3327: 3324: 3322: 3319: 3317: 3314: 3312: 3309: 3307: 3304: 3302: 3299: 3297: 3294: 3292: 3289: 3287: 3284: 3282: 3279: 3277: 3274: 3272: 3269: 3267: 3264: 3262: 3259: 3258: 3256: 3254: 3250: 3246:Dance in Asia 3241: 3236: 3234: 3229: 3227: 3222: 3221: 3218: 3207: 3201: 3197: 3192: 3191: 3182: 3163: 3156: 3150: 3148: 3146: 3144: 3135: 3131: 3125: 3123: 3121: 3119: 3099: 3092: 3086: 3071: 3067: 3061: 3050: 3044: 3042: 3025: 3021: 3017: 3011: 3009: 3007: 2998: 2994: 2988: 2986: 2970: 2966: 2960: 2945: 2941: 2934: 2926: 2922: 2916: 2908: 2904: 2898: 2896: 2894: 2878: 2872: 2857: 2853: 2846: 2831: 2827: 2821: 2806: 2802: 2796: 2794: 2785: 2779: 2764: 2760: 2753: 2738: 2734: 2728: 2726: 2724: 2708: 2702: 2687: 2681: 2666: 2662: 2656: 2641: 2637: 2631: 2616: 2612: 2606: 2591: 2587: 2581: 2566: 2562: 2556: 2541: 2537: 2536:"Balisangkad" 2531: 2516: 2512: 2506: 2491: 2487: 2481: 2466: 2462: 2456: 2441: 2437: 2431: 2416: 2412: 2406: 2391: 2387: 2381: 2366: 2362: 2361:"Basal Banal" 2356: 2341: 2337: 2331: 2316: 2312: 2311:"Bangkakawan" 2306: 2291: 2287: 2280: 2272: 2268: 2262: 2260: 2258: 2256: 2254: 2252: 2250: 2234: 2230: 2224: 2209: 2205: 2204:"LUMAD SUITE" 2199: 2184: 2180: 2174: 2172: 2170: 2168: 2152: 2148: 2142: 2127: 2123: 2117: 2102: 2098: 2092: 2090: 2088: 2086: 2084: 2082: 2080: 2078: 2076: 2074: 2058: 2054: 2048: 2046: 2044: 2042: 2040: 2038: 2036: 2034: 2032: 2030: 2028: 2023: 2013: 2010: 2008: 2005: 2003: 2000: 1998: 1995: 1994: 1984: 1981: 1979: 1976: 1974: 1971: 1969: 1966: 1964: 1961: 1959: 1956: 1954: 1951: 1949: 1946: 1944: 1941: 1939: 1936: 1934: 1931: 1929: 1926: 1924: 1921: 1919: 1916: 1914: 1911: 1909: 1906: 1904: 1901: 1899: 1896: 1894: 1891: 1889: 1886: 1884: 1881: 1879: 1876: 1874: 1871: 1869: 1866: 1864: 1861: 1860: 1856: 1851: 1844: 1843: 1838: 1837: 1832: 1831: 1826: 1821: 1813: 1802: 1800: 1799: 1794: 1793: 1788: 1778: 1776: 1772: 1763: 1759: 1757: 1753: 1749: 1745: 1741: 1735: 1723: 1722:TausĆ«g people 1720:dance of the 1719: 1718:Daling-daling 1715: 1711: 1707: 1705: 1695: 1691: 1683: 1679: 1671: 1662: 1659: 1654: 1647: 1642: 1633: 1627: 1623: 1614: 1612: 1607: 1605: 1601: 1597: 1593: 1589: 1585: 1581: 1577: 1573: 1569: 1565: 1556: 1552: 1550: 1539: 1530: 1521: 1519: 1514: 1506: 1497: 1482: 1480: 1477: 1474: 1473: 1468: 1466: 1464: 1461: 1460: 1455: 1451: 1449: 1447: 1445: 1442: 1441: 1436: 1434: 1431: 1428: 1427: 1424: 1420: 1416: 1414: 1411: 1409: 1406: 1405: 1402: 1397: 1393: 1391: 1388: 1386: 1383: 1382: 1379: 1373: 1369: 1367: 1365: 1363: 1360: 1359: 1354: 1352: 1350: 1347: 1346: 1341: 1339: 1336: 1333: 1332: 1327: 1325: 1322: 1319: 1318: 1313: 1311: 1308: 1305: 1304: 1300: 1297: 1294: 1291: 1290: 1287: 1285: 1281: 1280: 1275: 1271: 1255: 1252: 1250: 1247: 1246: 1241: 1238: 1235: 1232: 1231: 1226: 1223: 1221: 1219: 1216: 1215: 1211: 1208: 1206: 1204: 1201: 1200: 1196: 1193: 1191: 1188: 1187: 1182: 1179: 1176: 1173: 1172: 1168: 1165: 1162: 1159: 1158: 1154: 1151: 1148: 1145: 1144: 1139: 1136: 1133: 1130: 1129: 1125: 1122: 1119: 1116: 1115: 1111: 1108: 1106: 1103: 1102: 1097: 1094: 1091: 1088: 1087: 1082: 1079: 1076: 1073: 1072: 1067: 1064: 1061: 1058: 1057: 1053: 1051: 1048: 1045: 1044: 1039: 1036: 1033: 1030: 1029: 1024: 1021: 1018: 1015: 1014: 1009: 1006: 1003: 1000: 999: 994: 991: 988: 985: 984: 979: 976: 973: 970: 969: 964: 961: 958: 955: 954: 949: 946: 943: 940: 939: 934: 931: 928: 925: 924: 920: 917: 914: 912:Kadal Blelah 911: 910: 905: 902: 899: 896: 895: 890: 887: 885: 883: 880: 879: 875: 872: 869: 866: 865: 862: 860: 859: 855: 851: 847: 843: 828: 823: 819: 816: 813: 810: 809: 805: 800: 797: 794: 792: 789: 788: 785:small steps. 783: 780: 777: 774: 773: 769: 766: 763: 760: 759: 755: 751: 748: 746: 743: 742: 737: 734: 731: 728: 727: 723: 720: 717: 715:Tahing Baila 714: 713: 710: 704: 701: 698: 696: 693: 692: 687: 684: 681: 678: 677: 672: 669: 666: 663: 662: 657: 654: 651: 649: 646: 645: 641: 638: 635: 632: 631: 628: 626: 622: 618: 602: 599: 597: 594: 593: 589: 588:rice terraces 585: 582: 580: 577: 576: 571: 568: 566: 563: 562: 557: 554: 552: 549: 548: 543: 540: 538: 535: 534: 529: 524: 520: 517: 514: 511: 510: 505: 502: 499: 496: 495: 491: 488: 486: 483: 482: 477: 475: 472: 469: 468: 464: 460: 456: 453: 451: 448: 447: 443: 440: 437: 434: 433: 430: 427: 426: 421: 417: 413: 409: 405: 395: 387: 385: 384: 379: 378: 373: 372: 367: 366: 353: 348: 346: 341: 339: 334: 333: 331: 330: 327: 322: 318: 317: 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Retrieved 3162:the original 3133: 3105:. Retrieved 3098:the original 3085: 3073:. Retrieved 3069: 3060: 3028:. Retrieved 3024:the original 3019: 2996: 2972:. Retrieved 2968: 2959: 2947:. Retrieved 2943: 2933: 2924: 2915: 2906: 2880:. Retrieved 2871: 2859:. Retrieved 2855: 2845: 2833:. Retrieved 2829: 2820: 2808:. Retrieved 2804: 2766:. Retrieved 2762: 2752: 2740:. Retrieved 2736: 2710:. Retrieved 2701: 2689:. Retrieved 2686:"Bulaklakan" 2680: 2668:. Retrieved 2664: 2655: 2643:. Retrieved 2639: 2630: 2618:. Retrieved 2614: 2605: 2593:. Retrieved 2589: 2580: 2568:. Retrieved 2564: 2555: 2543:. Retrieved 2539: 2530: 2518:. Retrieved 2514: 2511:"Kadal Unok" 2505: 2493:. Retrieved 2489: 2480: 2468:. Retrieved 2464: 2455: 2443:. Retrieved 2439: 2430: 2418:. Retrieved 2414: 2405: 2393:. Retrieved 2389: 2380: 2368:. Retrieved 2364: 2355: 2343:. Retrieved 2339: 2330: 2318:. Retrieved 2314: 2305: 2293:. Retrieved 2289: 2279: 2270: 2236:. Retrieved 2232: 2223: 2211:. Retrieved 2207: 2198: 2186:. 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550:Salidsid 536:Tarektek 484:Manmanok 470:Bendayan 371:Pandanggo 365:Tinikling 234:festivals 224:Mythology 4636:Category 4621:Category 4551:Language 4363:Religion 4358:Refugees 4301:Genetics 4230:Abortion 4165:Taxation 4021:Judicial 3895:Politics 3876:Wildlife 3805:Typhoons 3686:Military 3600:Category 3521:Abkhazia 3471:Thailand 3426:Pakistan 3406:Mongolia 3401:Maldives 3396:Malaysia 3296:Cambodia 3070:ImbaLife 2778:cite web 2636:"Tambol" 2436:"Siring" 1991:See also 1943:Pangalay 1878:Cariñosa 1873:Binasuan 1842:Darangen 1626:Cariñosa 1580:Mindanao 1462:Kuratsa 1444:Cariñosa 1309:Bulacan 1301:Purpose 1236:Palawan 1233:Soryano 1166:Subanen 1152:Subanen 1123:Subanon 1092:Palawan 1046:Talbeng 1037:Subanon 876:Purpose 842:Mindanao 817:Maranao 804:kampilan 781:Maranao 775:Pagapir 732:Basilan 729:Pangsak 718:Basilan 702:Maranao 648:Pangalay 642:Purpose 583:Kalinga 569:Kalinga 555:Kalinga 541:Benguet 518:Gaddang 512:Turayen 503:Kalinga 454:Kalinga 444:Purpose 377:Cariñosa 296:Language 217:Internet 182:Folklore 95:Religion 66:Language 4592:Outline 4508:Symbols 4416:Cuisine 4393:Culture 4348:Poverty 4333:Kinship 4255:Divorce 4218:Society 4182:Tourism 4088:Economy 3970:Cabinet 3832:islands 3795:Climate 3790:Borders 3681:Economy 3661:History 3496:Vietnam 3411:Myanmar 3391:Lebanon 3321:Georgia 3276:Bahrain 3266:Armenia 2486:"Talek" 2267:"Lumad" 1968:Singkil 1958:Sagayan 1908:Kuratsa 1830:Singkil 1798:singkil 1658:Igorots 1646:salakot 1611:diwatas 1604:gabbang 1564:Maranao 1396:tikling 1334:Tiklos 1295:Origin 1248:Tambol 1218:Sagayan 1180:T’boli 1131:Siring 1109:Manobo 1080:B’laan 1065:Monobo 1031:Sohten 1022:Bagobo 1007:Manobo 992:T’boli 977:T’boli 947:Bagobo 932:Bagobo 918:T’boli 903:T’boli 888:T’boli 870:Origin 791:Sagayan 767:Tausug 749:Badjao 695:Singkil 670:Tausug 655:Badjao 636:Origin 600:Ifugao 528:swidden 438:Origin 420:Kalinga 251:Symbols 172:Cuisine 105:Kinship 61:History 53:Society 4536:Flower 4516:Anthem 4488:Sports 4411:Cinema 4306:Health 4130:Energy 4115:Census 4009:Senate 3866:Rivers 3541:Taiwan 3476:Turkey 3441:Russia 3376:Kuwait 3356:Jordan 3346:Israel 3306:Cyprus 3291:Brunei 3286:Bhutan 3202:  2461:"Sout" 1978:Tiklos 1918:Lerion 1903:Kuntaw 1893:Kalesa 1868:Benjan 1754:, and 1588:Badjao 1584:Tausug 1576:T’boli 1389:Leyte 1337:Leyte 1298:Tribe 1270:fiesta 1160:Talek 956:Dugso 882:Kuntaw 873:Tribe 850:Igorot 822:malong 814:Lanao 778:Lanao 735:Yakan 721:Yakan 699:Lanao 639:Tribe 564:Salip 500:Luzon 463:gangsa 449:Banga 441:Tribe 412:Ifugao 408:Bontoc 404:Igorot 398:Igorot 380:, and 281:Flower 261:Anthem 241:Sports 207:cinema 136:Comics 78:People 4556:Motto 4456:Music 4451:Media 4426:Dance 4383:Pinoy 4378:Women 4245:Crime 4145:Labor 3975:lists 3839:Lakes 3582:Macau 3501:Yemen 3461:Syria 3436:Qatar 3416:Nepal 3351:Japan 3326:India 3316:Egypt 3301:China 3165:(PDF) 3158:(PDF) 3101:(PDF) 3094:(PDF) 3052:(PDF) 2271:Hiyas 1973:Subli 1953:Pista 1524:Forms 1408:Subli 1372:latik 1323:Abra 1146:Sout 858:anito 836:Lumad 827:bahag 764:Sulu 754:vinta 679:Asik 667:Sulu 489:Bago 459:banga 425:anito 416:Apayo 383:Subli 301:Motto 202:radio 192:Media 164:Other 156:Music 141:Dance 4571:Tree 4531:Flag 4521:Bird 4466:Name 4406:Arts 4150:Peso 4058:Navy 4053:Army 3932:LGBT 3780:Bays 3421:Oman 3386:Laos 3341:Iraq 3336:Iran 3200:ISBN 3173:2019 3109:2019 3077:2019 3032:2019 2976:2019 2951:2019 2884:2019 2863:2019 2837:2019 2812:2019 2784:link 2770:2019 2744:2019 2714:2019 2693:2019 2672:2019 2647:2019 2622:2019 2597:2019 2572:2019 2547:2019 2522:2019 2497:2019 2472:2019 2447:2019 2422:2019 2397:2019 2372:2019 2347:2019 2322:2019 2297:2019 2240:2019 2215:2019 2190:2019 2158:2019 2133:2019 2108:2019 2064:2019 1795:and 1785:The 1773:and 1600:gong 1592:Sulu 1586:and 1582:and 1276:and 615:The 611:Moro 311:Tree 276:Flag 266:Bird 131:Arts 4541:Gem 3553:and 1590:of 1578:of 286:Gem 4638:: 3198:. 3196:44 3142:^ 3132:. 3117:^ 3068:. 3040:^ 3018:. 3005:^ 2995:. 2984:^ 2967:. 2942:. 2923:. 2905:. 2892:^ 2854:. 2828:. 2803:. 2792:^ 2780:}} 2776:{{ 2761:. 2735:. 2722:^ 2663:. 2638:. 2613:. 2588:. 2563:. 2538:. 2513:. 2488:. 2463:. 2438:. 2413:. 2388:. 2363:. 2338:. 2313:. 2288:. 2269:. 2248:^ 2231:. 2206:. 2181:. 2166:^ 2149:. 2124:. 2099:. 2072:^ 2055:. 2026:^ 1602:, 1598:, 1574:, 1570:, 1566:, 1421:. 627:. 410:, 374:, 368:, 212:TV 3644:e 3637:t 3630:v 3239:e 3232:t 3225:v 3208:. 3175:. 3136:. 3111:. 3079:. 3054:. 3034:. 2999:. 2978:. 2953:. 2927:. 2909:. 2886:. 2865:. 2839:. 2814:. 2786:) 2772:. 2746:. 2716:. 2695:. 2674:. 2649:. 2624:. 2599:. 2574:. 2549:. 2524:. 2499:. 2474:. 2449:. 2424:. 2399:. 2374:. 2349:. 2324:. 2299:. 2273:. 2242:. 2217:. 2192:. 2160:. 2135:. 2110:. 2066:. 1845:. 1814:. 351:e 344:t 337:v

Index

Culture of the Philippines

History
Language
sign language
People
ethnic groups
indigenous peoples
Religion
Value system
Kinship
Honorifics
Architecture
Arts
Comics
Dance
Fashion and clothing
Literature
Music
Cuisine
Cultural Properties
Folklore
Historical markers
Media
newspapers
radio
cinema
TV
Internet
Mythology

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