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Dōtaku

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22: 255: 421:. Through several more readings, Oba discovered that the drawings "contain references to precise persons, places, and events in Japanese prehistory" as well as provided "info of shapes of buildings, hunting customs, and other aspects of daily life", possibly left for future generations. However, due to a lack of concrete evidence, other researchers have deemed it improbable that the pictures are actually hidden pictographs; it is possible that the pictures are just pictures. Despite the lack of evidence, researchers do believe that the pictures aren’t just casual pictures drawn for the sake of art, that there is some other meaning behind them. 199: 814: 21: 275:
came from both Korea and China since "bronze resources were not found until the 7th century", thus bronze was considered more precious than iron. In addition, researchers have detected lead traces inside the bells, which was a common characteristic of Chinese metals. These Yayoi bells vary in height
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ranging from 4 inches to 50 inches, approximately 10 cm to 127 cm. In conjunction with the varying height, the styles of the bells also varied greatly. Across several regions, this scattered production continued until a group of bronze-smiths congregated and decided on a standard.
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According to Japanese folklore, dōtaku were used as emergency bells (such as a watch tower’s bell); intended especially in cases of invasion, particularly invaders from the Korean peninsula. When sentinels spotted invaders, they loudly rang the dōtaku as an alarm, so that people could hide
242:. They are often "found buried on isolated hillsides" either ‘singly, pairs, or in large groups" along with various bronze mirrors and weapons. When buried in groups, researchers have speculated that several clans each buried their only 266:
consists of "a truncated cone shape" with an oval cross-section and "has rows of horizontal bands divided in the center by a vertical row". Arching and extending over the top and the sides of the body is an "elaborate flange filled with
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were "used by the chieftains for small principalities or by villages in public community festivals", it is certain that they belonged to the community as a whole rather than an individual. Some alternate theories include
393:(710 C.E. – 793 C.E.), there was "a magical ritual of sowing seeds in deer blood that was used to speed up the germination of rice plants" because it was believed that "the deer’s life force helped the growth of rice." 357:". It wasn’t until later in the Yayoi era that decorations "with scenes of animals and humans hunting or farming" were used. Along with these depictions, there are also images of the typical Yayoi " 312:
are still being debated by researchers, but it is certain that they were used for agricultural rituals and rites, as supported by various sources. Researchers suggest that, when not in use,
320:", thus ensuring agricultural fertility for the community; they were also believed to have been used to pray for rain. These beliefs and suggestions are supported by the fact that many 341:, producing gold, heating water for bathing, or related to secret Jewish practices", although these explanations have little support within the mainstream archaeological community. 1509: 1504: 190:, they make "muffled tones" or "rattling sounds" when struck, suggesting that they were not meant to be rung. Therefore, any bells from China were imported as ritual objects. 288:
moulds, in which "designs were carved" in order to create the appearance of raised bronzes on the outer surface. Many of these sandstone moulds were "found in abundance in
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have been studied by researchers in order to decipher their origins, how they were created, their various purposes, and the reasons for the images on the main body.
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and richly decorated. Dotaku were used for about 400 years, between the second century B.C. and the second century C.E. (corresponding to the end of the
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moulds instead of sandstone. This allowed for more detailed work, such as simple line drawings, compared to the smaller and thicker sandstone moulds.
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are thought to be derived from "earlier, smaller Korean examples that adorned horses and other domesticated animals", from Chinese cattle bells, or
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people, the Yayoi emphasized having large community settlements and the cultivation of rice. Along with these, they learned how to cast
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contain many aspects that resemble Chinese objects. For example, many early bells had "delicate decorations resemble contemporary
555: 1558: 178:, which were bells without clappers used for composing ritual music. However, further studies show that the Yayoi did not have 1514: 1639: 1564: 1342: 1584: 1629: 1434: 409:
that can be deciphered through a phonetic reading. For example, a picture of a man shooting a deer can be read as "
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in order to create various metal objects such as weapons, mirrors, and several tools. Among the bronze objects,
1619: 1590: 1489: 1449: 1166: 931: 1429: 523:"Bell (dotaku) [Japan] (18.68) | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art" 1569: 1394: 1337: 1295: 254: 464: 131:(400 B.C.E. – 300 C.E.), a great number of technological innovations occurred. Unlike the earlier nomadic 1624: 1275: 1464: 1372: 1265: 1536: 1526: 1499: 1469: 1389: 1255: 1644: 1147: 818: 108:
themselves or their possessions, and to alert warriors to prepare themselves to repel the enemy.
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have significant meanings. According to a researcher named Oba, each picture contains a hidden
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The Archaeology of Japan: From the Earliest Rice Farming Villages to the Rise of the State
8: 1574: 1521: 1270: 1180: 1161: 845: 328:, fish, boats, and agricultural objects" on them. Although it is unknown whether or not 1484: 1424: 791: 42: 1235: 1082: 721:"Dotaku (Ritual Bronze Bells) and the Yayoi Period | 京都国立博物館 | Kyoto National Museum" 445: 317: 187: 168: 53: 1479: 1260: 783: 522: 239: 116: 1444: 1399: 1349: 1230: 684: 289: 147:, one of the most distinctive objects of the era, were created. In recent years, 97: 435: 296:
gradually became larger in size and thinner because they began to be made using
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Despite being a well-known artifact of the Yayoi era, the concept of
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There have also been studies as to whether or not the images on the
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Dōtaku (bell-shaped; bronze), Yayoi period, 1st-2nd century A.D.
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Comprehensive Database of Archaeological Site Reports in Japan
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Comprehensive Database of Archaeological Site Reports in Japan
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These bells were originally made through the use of two-part
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Prehistoric Japan: New Perspectives on Insular East Asia
68:. They were richly decorated with patterns representing 292:" and near Kyoto, Osaka, and Nara. As time progressed, 271:
design and projecting spirals". The materials used for
1109: 1080: 1056: 1012: 998: 344: 246:in one area to signify the unity of all the clans. 389:", which is a series of reports comprised in the 111:There is a dotaku museum devoted to the bells in 1611: 599:Gardner's Art through the Ages: A Global History 64:), and were nearly only used as decorations for 316:were buried "in the ground to receive Earth’s 40: 1152: 846: 618:"Japan, Late Yayoi Period / Dōtaku / 100-200" 1305: 381:the most, even though the "Yayoi ate mostly 774:Miller, Roy Andrew (1975-04-01). "Review". 853: 839: 238:" was in 662 C.E. at a temple located in 754:The Cambridge History of Japan, Volume 1 253: 197: 20: 656:The Shimane Board of Education (1986). 218:, the Tokai District, Shikoku, and the 1612: 773: 167:. According to several studies, these 88:are featured. Historians believe that 1565:Glockenmuseum Stiftskirche Herrenberg 834: 769: 767: 765: 763: 747: 745: 715: 713: 711: 709: 707: 705: 703: 701: 679: 677: 640: 517: 515: 513: 1559:Dove's Guide for Church Bell Ringers 612: 610: 608: 577: 575: 550: 548: 546: 544: 542: 511: 509: 507: 505: 503: 501: 499: 497: 495: 493: 484:History of Japanese Art, 2nd Edition 477: 475: 473: 324:had inscriptions of "flowing water, 596: 581: 234:. The "first recorded discovery of 13: 760: 742: 698: 674: 14: 1656: 806: 605: 572: 539: 490: 481: 470: 345:Similarities with Chinese imagery 812: 751: 303: 163:did not initially originate in 649: 634: 590: 458: 417:, which is a reference to the 96:, as the animals featured are 1: 1591:Freedom Bell, American Legion 1167:Russian Orthodox bell ringing 451: 249: 186:do have suspension rings and 56:smelted from relatively thin 1640:Japanese musical instruments 1570:Liberty Bell Memorial Museum 1296:Bells of Notre-Dame de Paris 206:In total, over four hundred 193: 100:of insect pests that attack 7: 1505:Saarlouiser Glockengießerei 1110: 1081: 1057: 1013: 999: 776:Journal of Japanese Studies 556:"Two dōtaku (ritual bells)" 424: 396: 92:were used to pray for good 10: 1661: 1430:Pieter and François Hemony 262:Physically, the body of a 122: 1550: 1358: 1266:Ivan the Great Bell Tower 1218: 1132: 966: 868: 860: 279: 154: 41: 1630:Japanese art terminology 1500:John and William Rufford 1256:Great Bell of Dhammazedi 685:"History - Yayoi Period" 658:"荒神谷遺跡発掘調査概報 2 銅鐸・銅矛出土地" 368: 182:, and although several 1580:National Bell Festival 1410:Gillett & Johnston 1306: 1241:Bell of King Seongdeok 1226:List of heaviest bells 1203:Bolognese bell ringing 1153: 903:Bell tower / Campanile 308:Other purposes of the 259: 203: 202:Distribution of Dōtaku 30: 1585:Ringing organizations 1208:Veronese bell ringing 465:野洲市:歴史民俗博物館(愛称:銅鐸博物館) 257: 201: 24: 16:Japanese bronze bells 1620:Archaeology of Japan 1475:Glockengießerei Otto 1440:Franciscus Illenfeld 821:at Wikimedia Commons 752:Hall, John Whitney. 119:, in central Japan. 1575:Liberty Bell Museum 1485:Petit & Fritsen 1271:Japanese Peace Bell 1181:Full circle ringing 1162:Ellacombe apparatus 756:. pp. 332–334. 645:. pp. 180–195. 622:www.davidrumsey.com 586:. pp. 170–177. 373:Many depictions of 210:have been found in 1625:Bells (percussion) 1435:Christopher Hodson 560:The British Museum 363:rice being pounded 359:elevated granaries 260: 204: 76:, among which the 31: 1607: 1606: 1338:World Peace Bells 1236:Bell of Good Luck 817:Media related to 725:www.kyohaku.go.jp 687:. 26 October 2012 641:Mizoguchi, Koji. 527:www.metmuseum.org 486:. pp. 22–27. 482:Mason, Penelope. 446:Mirrors in Shinto 385:". According to " 337:being used as "a 1652: 1518: 1376: 1311: 1158: 1115: 1086: 1062: 1018: 1004: 855: 848: 841: 832: 831: 816: 800: 799: 771: 758: 757: 749: 740: 739: 737: 736: 727:. 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Index


銅鐸
Japanese
bells
bronze
Yayoi era
rituals
nature
animals
dragonfly
praying mantis
spider
harvests
natural enemies
paddy fields
Yasu city
Shiga prefecture
Yayoi Era
Jōmon
bronze
iron
Japan
bells
Han Chinese
cattle farms
clappers

Japan
western Honshu
Kansai

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