190:. It is intended to have improved dynamics and intonation over the distinctive but sometimes reticent sound of the conventional contrabassoon. The contraforte uses a different and wider bore than the contrabassoon to produce a distinct tone; the sound is more even in strength and intonation across registers, remaining quite strong into the high register, unlike a contrabassoon. Also, it lacks the distinct "rattle" of a contrabassoon, although an appropriate reed design can replicate this effect where desired.
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The contraforte has many technical aspects that have not been associated with instruments like the bassoon and contrabassoon.
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The pivot screws lie in synthetic sleeves for silent key actions, and push rods make for easy key action with low friction.
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on the question, "How can the contraforte be exploited in the color palette of the 21st century ensemble writing".
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Large tone holes allow for a free response and a very large dynamical range.
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In
October 2010, Lewis Lipnick, contrabassoonist for the
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range, clear and focused intonation. In
September 2021,
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on
Benedikt Eppelsheim's web site, includes recordings.
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50:, and by adding encyclopedic content written from a
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Guntram Wolf's web site. Retrieved 23 July 2022.
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381:Announcement
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188:Guntram Wolf
182:produced by
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42:by removing
38:Please help
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830:Taepyeongso
582:Contraforte
547:Heckelphone
487:instruments
485:Double reed
445:Contraforte
432:David Angus
405:Description
234:concertante
176:Kontraforte
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957:Categories
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772:Kèn đám ma
635:Bassanello
325:References
222:Kalevi Aho
112:422.112–71
40:improve it
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640:Cornamuse
602:Rothphone
542:Bass oboe
496:quadruple
214:orchestra
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308:and G
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