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Colophon (publishing)

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376: 362: 260: 113: 20: 501: 312:, "catch phrases" (repeated phrases), or number of lines), and occasion or purpose of writing. Colophons and catch phrases helped the reader organize and identify various tablets, and keep related tablets together. Positionally, colophons on ancient tablets are comparable to a signature line in modern times. Bibliographically, however, they more closely resemble the 964:
Gouernements of Kingdomes: Whereof the One is onely Regall, and the Other Consisteth of Regall and Polityque Administration Conioyned. Written in Latine aboue an Hundred Yeares Past, by the Learned and Right Honorable Maister Fortescue Knight, Lorde Chauncellour of England in the Time of Kinge Henrye the. vi. And Newly Translated into Englishe by Robert Mulcaster
1442: 392:
the printer(s), and the name(s) of the publisher(s), if different. Sometimes additional information, such as the name of a proofreader or editor, or other more-or-less relevant details, might be added. A colophon might also be emblematic or pictorial rather than in words. The normal position for a colophon was after the
391:
In early printed books the colophon, when present, was a brief description of the printing and publication of the book, giving some or all of the following data: the date of publication, the place of publication or printing (sometimes including the address as well as the city name), the name(s) of
963:
A Learned Commendation of the Politique Lawes of Englande: VVherin by moste Pitthy Reasons & Euident Demonstrations they are Plainelye Proued Farre to Excell aswell the Ciuile Lawes of the Empiere, as also all other Lawes of the World, with a Large Discourse of the Difference betwene the. ii.
440:
from around 1890, colophons became conventional in private press books, and often included a good deal of additional information on the book, including statements of limitation, data on paper, ink, type, and binding, and other technical details. Some such books include a separate "Note about the
432:
In some parts of the world, colophons helped fledgling printers and printing companies gain social recognition. For example, in early modern Armenia printers used colophons as a way to gain "prestige power" by getting their name out into the social sphere. The use of colophons in early modern
448:
took up the use of colophons and began to include similar details in their books, either at the end of the text (the traditional position) or on the verso of the title leaf. Such colophons might identify the book's designer, the software used, the printing method, the printing company, the
157:
The existence of colophons can be traced back to antiquity. Zetzel, for example, describes an inscription from the 2nd century A.D., preserved in humanistic manuscripts. He cites the colophon from Poggio's manuscript, a humanist from the 15th century:
331:
3:1, where a later (and incorrect) chapter division makes this verse a heading for the following chapter instead of interpreting it properly as a colophon or summary for the preceding two chapters, and
353:, has a detailed examination of the catch phrases mentioned above that were used in literature of the second millennium B.C. and earlier in tying together the various accounts in a series of tablets. 433:
Armenian print culture is significant as well because it signaled the rate of decline in manuscript production and scriptoria use, and conversely the rise and perpetuation of printing for Armenians.
86:
below for the origin of the word), but sometimes the same information appears elsewhere (when it may still be referred to as colophon) and many modern (post-1800) books bear this information on the
441:
type", which will identify the names of the primary typefaces used, provide a brief description of the type's history, and a brief statement about its most identifiable physical characteristics.
880:
The Ancient Near East: Supplementary Texts and Pictures Relating to the Old Testament: Consisting of Supplementary Materials for The Ancient Near East in Pictures and Ancient Near Eastern Texts
349:
An extensive study of the eleven colophons found in the book of Genesis was done by Percy John Wiseman. Wiseman's study of the Genesis colophons, sometimes described as the
75:) is a brief statement containing information about the publication of a book such as an "imprint" (the place of publication, the publisher, and the date of publication). 375: 371:, the world's oldest surviving printed book, states the date of printing (868 AD), the donor's name, the printing house, and that it was printed for free distribution. 152:
The General History of Printing, from Its first Invention in the City of Mentz to Its first Progress and Propagation thro' the most celebrated Cities in Europe.
1198:
Glaister's Glossary of the Book: Terms Used in Papermaking, Printing, Bookbinding, and Publishing, with Notes on Illuminated Manuscripts and Private Presses
675:
The Oxford English Dictionary: A New English Dictionary on Historical Principles Founded Mainly on the Materials Collected by the Philological Society
403:, as this was the one place in a medieval manuscript where a scribe was free to write what he wished. Such curses tend to be unique to each book. 241:("O most gracious reader, wash your hands and touch the book only like this: turn the pages softly and keep your fingers far away from the text".) 300:) text such as a chapter, book, manuscript, or record. The colophon usually contained facts relative to the text such as associated person(s) ( 1601: 327:, where an understanding of this ancient literary convention illuminates passages that are otherwise unclear or incoherent. Examples are 429:
in the 19th century are not, strictly speaking, colophons, and are better referred to as "printers' imprints" or "printer statements".
1275: 154:
Thereafter, colophon has been the common designation for the final page that gives details of the physical creation of the book.
1224: 1136: 1232: 1209: 1183: 1097: 1025: 1008: 922: 361: 168:‘I, Statilius Maximus, have for the second time revised the text according to Tiro, Laecanianus, Domitius and three others.’ 410:, which sometimes existed in parallel with a colophon, so that colophons grew generally less common in the 16th century. 1114: 1389: 788: 146:
The term colophon was used in 1729 as the bibliographic explication at the end of the book by the English printer
1058:
Sebouh D. Aslanian. (2014). Port Cities and Printers: Reflections on Early Modern global Armenian Print Culture,
237:
O beatissime lector, lava manus tuas et sic librum adprehende, leniter folia turna, longe a littera digitos pone
520: 259: 257:("If anybody takes this book from Gall’s estate, Gall and Paulus together shall inflict the plague upon him".) 1357: 1268: 666: 1332: 1000: 414: 449:
typeface(s) used in the page design and the kind of ink, paper, and its cotton content. Book publishers
883: 163:
Statili(us) / maximus rursum em(en)daui ad tyrone(m) et laecanianu(m) et dom̅ & alios ueteres. III.
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Clay tablet: dictionary with colophon indicating storage emplacement in a library. From Warka, ancient
863:
The Latin quote is attributed to an unnamed scribe, writing in the Westgothic Lawbooks, 8th Century CE
1841: 1460: 914: 606: 1800: 1667: 640:(eighth edition, edited by Nicolas Barker, London: British Library; New Castle: Oak Knoll), p. 68. 112: 1576: 1261: 678: 147: 16:
Brief statement of a book's own information, such as publisher, location, and date of publication
804:
Schiegg, Markus (2016). "Scribes' Voices: The Relevance and Types of Early Medieval Colophons".
729:
Schiegg, Markus (2016). "Scribes' Voices: The Relevance and Types of Early Medieval Colophons".
254:
Si quis et hunc sancti sumit de culmine Galli / Hunc Gallus Paulusque simul dent pestibus amplis
1606: 1362: 1089: 1078: 958: 478: 437: 380: 994: 1846: 1581: 1140: 1118: 313: 1836: 1652: 530: 82:) of a printer or publisher. Colophons are traditionally printed at the ends of books (see 174:
A common colophon at the end of hand copied manuscripts was simply "Finished, thank God."
8: 1861: 1851: 1384: 1372: 1342: 1243: 1795: 1790: 1722: 1315: 1033: 971: 936: 875: 829: 754: 602: 549: 535: 350: 309: 1528: 808:. British Library Document Supply Centre Inside Serials & Conference Proceedings. 569: 1680: 1644: 1626: 1616: 1586: 1546: 1377: 1310: 1228: 1205: 1193: 1179: 1172: 1093: 1041: 1021: 1004: 975: 940: 918: 907: 887: 833: 821: 784: 758: 746: 708: 682: 620: 544: 458: 321:
The Ancient Near East: Supplementary Texts and Pictures Relating to the Old Testament
281: 1144: 665: 1856: 1500: 1201: 1174:
Typography: An Encyclopedic Survey of Type Design and Techniques throughout History
1085: 813: 738: 616: 612: 34: 817: 742: 1639: 1409: 1305: 1073: 848: 574: 450: 422: 393: 333: 328: 91: 19: 1657: 1561: 1556: 1518: 1399: 515: 486: 140: 100: 1485: 1122: 712: 1830: 1495: 979: 944: 891: 825: 750: 686: 624: 454: 426: 367: 1702: 319:
Examples of colophons in ancient literature may be found in the compilation
1717: 1566: 1045: 967: 506: 263: 1815: 1805: 1742: 1475: 1465: 1419: 1352: 1347: 1292: 1284: 700: 540: 273: 304:, the scribe, owner, or commissioner of the tablet), literary contents ( 1777: 1758: 1697: 1571: 1551: 1536: 1450: 1404: 1320: 1297: 909:
Ancient Records and the Structure of Genesis: A Case for Literary Unity
500: 407: 400: 133: 87: 930: 904: 1763: 1675: 1634: 1490: 1480: 1337: 525: 482: 445: 418: 1810: 1737: 1712: 1690: 1685: 1611: 1591: 1510: 1424: 413:
The statements of printing which appeared, under the terms of the
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Provide the contextual information about the scribe and manuscript
1785: 1727: 1707: 1596: 1470: 1394: 1367: 1325: 1032: 874: 338: 293: 289: 1414: 737:(2). Taylor & Francis, The British Library Board: 129–147. 297: 277: 121: 1253: 469:
Some web pages also have colophons, which frequently contain (
55: 470: 343: 324: 1429: 1018:
The Little Book of Curses and Maledictions for Everyday Use
974:, at the signe of the hand and starre, by Rychard Tottill. 474: 406:
After around 1500 these data were often transferred to the
117: 79: 49: 396:(the end of the text, often after any index or register). 64: 43: 1170:
Friedl, Friedrich; Ott, Nicolaus; Stein, Bernard (1998).
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The Scribes for Women's Convents in Late Medieval Germany
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of the title leaf and final page of each book printed in
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A Learned Commendation of the Politique Lawes of Englande
214:"I have made an end at last, and my weary hand can rest." 1441: 812:(2). EBSCOhost: Sweden: Taylor & Francis: 129–147. 1245:
An Essay on Colophons: with Specimens and Translations
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standards compliance information and links to website
67: 61: 52: 40: 496: 46: 651:
The Blueprint dictionary of printing and publishing
37: 1171: 1077: 906: 783:. New York, NY: Skyhorse Publishing. p. 58. 323:(2nd ed., 1969). Colophons are also found in the 143:κολοφών (meaning "summit" or "finishing touch"). 1828: 1040:, Chicago, Ill.: Willett, Clark, & Company, 1015: 992: 336:37:2a, a colophon that concludes the histories ( 177:Colophons can be categorized into four groups. 1072: 94:of the title leaf, which is sometimes called a 1169: 957: 1269: 1178:. New York, N.Y.: Black Dog & Leventhal. 886:. pp. 101, 305, 331, 338, 340, and 341. 461:are notable for their substantial colophons. 724: 722: 597: 595: 593: 387:(1567), which appears at the end of the book 190:Demonstrate the scribe's feelings and wishes 1768: 608:Bibliographical description and cataloguing 1276: 1262: 933:New Discoveries in Babylonia about Genesis 846: 905:P J Wiseman (1985). D. J. Wiseman (ed.). 853:(in German). Leipzig: Hirzel. p. 235 719: 649:John Peacock and Michael Barnard (1990), 611:, London: Grafton & Co., p. 77, 590: 1218: 1192: 707:. The Book Collector. pp. 379–391. 374: 360: 258: 120:, mid 1st century BC. On display at the 111: 18: 1241: 1020:, New York, N.Y.: Skyhorse Publishing, 803: 728: 1829: 1225:William B. Eerdmans Publishing Company 778: 601: 1257: 929:The book was originally published as 699: 661: 659: 98:or (when bearing copyright data) the 774: 772: 770: 768: 705:Colophon: An Essay on its Derivation 653:(London etc: Blueprint), pp. 25, 60. 1031:; and for fictional treatment, see 966:(1st English ed.). London: In 781:The Library: An Illustrated History 78:A colophon may include the device ( 13: 1221:The Book of Genesis: Chapters 1–17 656: 222:"May the writer continue to copy, 14: 1873: 882:(2nd ed.). Princeton, N.J.: 765: 1440: 499: 356: 219:See that what I'm owed is paid." 33: 1283: 1106: 1065: 1052: 986: 951: 898: 868: 850:Das Schriftwesen im Mittelalter 840: 365:The colophon at the end of the 797: 693: 669:, ed. (1888–1893). "colophon, 643: 630: 575:Merriam-Webster.com Dictionary 562: 521:Masthead (American publishing) 399:Colophons sometimes contained 217:"Now that I an end have made, 1: 1200:(2nd rev. ed.). London: 818:10.1080/00393274.2015.1101354 743:10.1080/00393274.2015.1101354 556: 1219:Hamilton, Victor P. (1990). 937:Marshall, Morgan & Scott 847:Wattenbach, Wilhelm (1875). 436:With the development of the 272:The term is also applied to 202:Do something with the reader 196:Make the reader do something 83: 7: 1333:Canons of page construction 1248:. Chicago: The Caxton Club. 1242:Pollard, Alfred W. (1905). 1001:University of Toronto Press 492: 464: 415:Unlawful Societies Act 1799 276:inscriptions appended by a 10: 1878: 1162: 884:Princeton University Press 107: 23:A colophon printed in 1471 1751: 1666: 1625: 1527: 1509: 1461:Anthropodermic bibliopegy 1449: 1438: 1291: 1194:Glaister, Geoffrey Ashall 1038:The Curse in the Colophon 1016:Dawn Rae Downton (2013), 993:Cynthia J. Cyrus (2009), 1801:Intentionally blank page 915:Thomas Nelson Publishers 266:colophon, 12th or 13th c 1223:. Grand Rapids, Mich.: 1112:Some examples include: 779:Murray, Stuart (2009). 638:ABC for book-collectors 617:2027/mdp.39015030342920 1769: 438:private press movement 421:. c. 79), on the 388: 372: 267: 172: 125: 24: 1141:Wittenberg University 1119:Web Standards Project 1080:A New Kind of Science 935:. London; Edinburgh: 806:Studia Neophilologica 731:Studia Neophilologica 636:Carter, John (2004), 378: 364: 262: 224:and drink good wine." 160: 115: 22: 1202:G. Allen & Unwin 931:P J Wiseman (1936). 913:. Nashville, Tenn.: 288:, Early/Middle/Late 1084:. Champaign, Ill.: 603:Cowley, John Duncan 1796:Fore-edge painting 1791:Extra-illustration 1071:See, for example, 550:Wiseman hypothesis 536:Jerusalem Colophon 389: 373: 351:Wiseman hypothesis 316:in a modern book. 268: 126: 25: 1824: 1823: 1703:Addendum/Appendix 1587:Table of contents 1234:978-0-8028-2308-3 1211:978-0-04-010006-9 1185:978-1-57912-023-8 1099:978-1-57955-008-0 1034:Edgar J Goodspeed 1027:978-1-60239-741-5 1010:978-1-4426-8908-4 999:, Toronto, Ont.: 924:978-0-8407-7502-3 876:James B Pritchard 578:. Merriam-Webster 282:Ancient Near East 280:to the end of an 132:derives from the 27:In publishing, a 1869: 1842:Book terminology 1772: 1501:Treasure binding 1444: 1278: 1271: 1264: 1255: 1254: 1249: 1238: 1227:. pp. 5–6. 1215: 1189: 1177: 1157: 1156: 1154: 1152: 1143:. Archived from 1134: 1132: 1130: 1121:. Archived from 1110: 1104: 1103: 1083: 1069: 1063: 1056: 1050: 1048: 1030: 1013: 990: 984: 983: 955: 949: 948: 928: 912: 902: 896: 895: 872: 866: 865: 860: 858: 844: 838: 837: 801: 795: 794: 776: 763: 762: 726: 717: 716: 697: 691: 690: 667:James A H Murray 663: 654: 647: 641: 634: 628: 627: 599: 588: 587: 585: 583: 566: 509: 504: 503: 444:Some commercial 379:The colophon of 74: 73: 70: 69: 66: 63: 58: 57: 54: 51: 48: 45: 42: 39: 1877: 1876: 1872: 1871: 1870: 1868: 1867: 1866: 1827: 1826: 1825: 1820: 1747: 1662: 1658:Tipped-in pages 1621: 1602:Acknowledgments 1523: 1505: 1452: 1445: 1436: 1410:Recto and verso 1296: 1287: 1282: 1252: 1235: 1212: 1186: 1165: 1160: 1150: 1148: 1147:on 26 July 2014 1135: 1128: 1126: 1113: 1111: 1107: 1100: 1074:Stephen Wolfram 1070: 1066: 1060:Book History 17 1057: 1053: 1028: 1011: 1003:, p. 162, 991: 987: 956: 952: 925: 903: 899: 873: 869: 856: 854: 845: 841: 802: 798: 791: 777: 766: 727: 720: 703:(Autumn 1997). 701:Weber, David C. 698: 694: 679:Clarendon Press 664: 657: 648: 644: 635: 631: 600: 591: 581: 579: 568: 567: 563: 559: 554: 505: 498: 495: 467: 451:Alfred A. Knopf 359: 256: 240: 223: 218: 165: 110: 60: 36: 32: 17: 12: 11: 5: 1875: 1865: 1864: 1859: 1854: 1849: 1844: 1839: 1822: 1821: 1819: 1818: 1813: 1808: 1803: 1798: 1793: 1788: 1783: 1780: 1775: 1774: 1773: 1761: 1755: 1753: 1752:Other elements 1749: 1748: 1746: 1745: 1740: 1735: 1730: 1725: 1720: 1715: 1710: 1705: 1700: 1695: 1694: 1693: 1683: 1678: 1672: 1670: 1664: 1663: 1661: 1660: 1655: 1650: 1647: 1642: 1637: 1631: 1629: 1623: 1622: 1620: 1619: 1617:Printer's mark 1614: 1609: 1604: 1599: 1594: 1589: 1584: 1579: 1574: 1569: 1564: 1562:Imprimi potest 1559: 1557:Edition notice 1554: 1549: 1544: 1543: 1542: 1533: 1531: 1525: 1524: 1522: 1521: 1515: 1513: 1507: 1506: 1504: 1503: 1498: 1493: 1488: 1483: 1478: 1473: 1468: 1463: 1457: 1455: 1447: 1446: 1439: 1437: 1435: 1434: 1433: 1432: 1422: 1417: 1412: 1407: 1402: 1400:Page numbering 1397: 1392: 1387: 1382: 1381: 1380: 1375: 1365: 1360: 1355: 1350: 1345: 1340: 1335: 1330: 1329: 1328: 1323: 1318: 1313: 1302: 1300: 1289: 1288: 1281: 1280: 1273: 1266: 1258: 1251: 1250: 1239: 1233: 1216: 1210: 1190: 1184: 1166: 1164: 1161: 1159: 1158: 1125:on 3 July 2014 1105: 1098: 1064: 1051: 1026: 1009: 985: 959:John Fortescue 950: 923: 897: 878:, ed. (1969). 867: 839: 796: 789: 764: 718: 692: 655: 642: 629: 589: 560: 558: 555: 553: 552: 547: 545:printer's mark 538: 533: 528: 523: 518: 516:Edition notice 512: 511: 510: 494: 491: 466: 463: 459:O'Reilly Media 381:John Fortescue 358: 355: 270: 269: 243: 242: 226: 225: 220: 215: 204: 203: 200: 197: 194: 191: 188: 185: 182: 109: 106: 101:copyright page 15: 9: 6: 4: 3: 2: 1874: 1863: 1860: 1858: 1855: 1853: 1850: 1848: 1845: 1843: 1840: 1838: 1835: 1834: 1832: 1817: 1814: 1812: 1809: 1807: 1804: 1802: 1799: 1797: 1794: 1792: 1789: 1787: 1784: 1781: 1779: 1776: 1771: 1767: 1766: 1765: 1762: 1760: 1757: 1756: 1754: 1750: 1744: 1741: 1739: 1736: 1734: 1731: 1729: 1726: 1724: 1721: 1719: 1716: 1714: 1711: 1709: 1706: 1704: 1701: 1699: 1696: 1692: 1689: 1688: 1687: 1684: 1682: 1679: 1677: 1674: 1673: 1671: 1669: 1665: 1659: 1656: 1654: 1651: 1648: 1646: 1645:Illustrations 1643: 1641: 1638: 1636: 1633: 1632: 1630: 1628: 1624: 1618: 1615: 1613: 1610: 1608: 1605: 1603: 1600: 1598: 1595: 1593: 1590: 1588: 1585: 1583: 1580: 1578: 1575: 1573: 1570: 1568: 1565: 1563: 1560: 1558: 1555: 1553: 1550: 1548: 1545: 1541:bastard title 1540: 1539: 1538: 1535: 1534: 1532: 1530: 1526: 1520: 1517: 1516: 1514: 1512: 1508: 1502: 1499: 1497: 1496:Picture cover 1494: 1492: 1489: 1487: 1484: 1482: 1479: 1477: 1474: 1472: 1469: 1467: 1464: 1462: 1459: 1458: 1456: 1454: 1448: 1443: 1431: 1428: 1427: 1426: 1423: 1421: 1418: 1416: 1413: 1411: 1408: 1406: 1403: 1401: 1398: 1396: 1393: 1391: 1388: 1386: 1383: 1379: 1376: 1374: 1371: 1370: 1369: 1366: 1364: 1361: 1359: 1356: 1354: 1351: 1349: 1346: 1344: 1341: 1339: 1336: 1334: 1331: 1327: 1324: 1322: 1321:Marginal note 1319: 1317: 1314: 1312: 1309: 1308: 1307: 1304: 1303: 1301: 1299: 1294: 1290: 1286: 1279: 1274: 1272: 1267: 1265: 1260: 1259: 1256: 1247: 1246: 1240: 1236: 1230: 1226: 1222: 1217: 1213: 1207: 1203: 1199: 1195: 1191: 1187: 1181: 1176: 1175: 1168: 1167: 1146: 1142: 1138: 1124: 1120: 1116: 1109: 1101: 1095: 1091: 1087: 1086:Wolfram Media 1082: 1081: 1075: 1068: 1061: 1055: 1047: 1043: 1039: 1035: 1029: 1023: 1019: 1012: 1006: 1002: 998: 997: 989: 981: 977: 973: 969: 965: 960: 954: 946: 942: 938: 934: 926: 920: 916: 911: 910: 901: 893: 889: 885: 881: 877: 871: 864: 852: 851: 843: 835: 831: 827: 823: 819: 815: 811: 807: 800: 792: 790:9781628733228 786: 782: 775: 773: 771: 769: 760: 756: 752: 748: 744: 740: 736: 732: 725: 723: 714: 710: 706: 702: 696: 688: 684: 680: 676: 672: 668: 662: 660: 652: 646: 639: 633: 626: 622: 618: 614: 610: 609: 604: 598: 596: 594: 577: 576: 571: 565: 561: 551: 548: 546: 542: 539: 537: 534: 532: 529: 527: 524: 522: 519: 517: 514: 513: 508: 502: 497: 490: 488: 484: 480: 476: 472: 462: 460: 456: 455:Folio Society 452: 447: 442: 439: 434: 430: 428: 427:Great Britain 424: 420: 416: 411: 409: 404: 402: 397: 395: 386: 382: 377: 370: 369: 368:Diamond Sutra 363: 357:Printed books 354: 352: 347: 345: 341: 340: 335: 330: 326: 322: 317: 315: 311: 307: 303: 299: 295: 291: 287: 283: 279: 275: 265: 261: 255: 252: 251: 250: 248: 245:Example of a 238: 235: 234: 233: 231: 228:Example of a 221: 216: 213: 212: 211: 209: 201: 198: 195: 192: 189: 186: 183: 180: 179: 178: 175: 171: 169: 164: 159: 155: 153: 149: 148:Samuel Palmer 144: 142: 138: 135: 131: 123: 119: 114: 105: 103: 102: 97: 93: 89: 85: 81: 76: 72: 30: 21: 1847:Clay tablets 1732: 1718:Bibliography 1607:Introduction 1567:Nihil obstat 1547:Frontispiece 1529:Front matter 1363:Illumination 1244: 1220: 1197: 1173: 1149:. Retrieved 1145:the original 1127:. Retrieved 1123:the original 1108: 1079: 1067: 1059: 1054: 1037: 1017: 995: 988: 972:Temple Barre 962: 953: 932: 908: 900: 879: 870: 862: 855:. Retrieved 849: 842: 809: 805: 799: 780: 734: 730: 704: 695: 674: 670: 650: 645: 637: 632: 607: 580:. Retrieved 573: 564: 507:Books portal 468: 443: 435: 431: 412: 405: 398: 390: 384: 366: 348: 337: 320: 318: 314:imprint page 305: 301: 285: 271: 264:Cairo Geniza 253: 246: 244: 236: 229: 227: 207: 206:Examples of 205: 176: 173: 167: 162: 161: 156: 151: 145: 136: 129: 127: 99: 95: 77: 28: 26: 1837:Book design 1816:Thumb index 1782:Die-cutting 1743:Author page 1668:Back matter 1627:Body matter 1476:Dust jacket 1466:Bookbinding 1453:back covers 1420:Rubrication 1373:Historiated 1293:Page layout 1285:Book design 1014:. See also 968:Fletestrete 541:Union label 401:book curses 274:clay tablet 247:declarative 210:colophons: 199:Declarative 139:, from the 96:biblio page 1862:Typography 1852:Publishing 1831:Categories 1778:Book rhyme 1759:Book curse 1698:Postscript 1681:Conclusion 1577:Dedication 1572:Imprimatur 1552:Title page 1537:Half-title 1451:Front and 1405:Pull quote 1306:Annotation 1298:typography 1137:"Colophon" 1115:"Colophon" 1088:. p.  713:1183417315 677:. Oxford: 582:3 February 570:"colophon" 557:References 487:validation 446:publishers 408:title page 325:Pentateuch 290:Babylonian 249:colophon: 232:colophon: 208:expressive 187:Expressive 134:Late Latin 90:or on the 88:title page 1770:ex-librīs 1764:Bookplate 1676:Afterword 1635:Body text 1511:Endpapers 1491:Paperback 1481:Hardcover 1390:Miniature 1378:Inhabited 1358:Headpiece 1338:Catchword 1151:18 August 1129:18 August 980:837169265 945:878558981 892:876082348 834:162507950 826:0039-3274 759:162507950 751:0039-3274 687:460661449 625:902053242 526:Impressum 483:usability 419:39 Geo. 3 298:Canaanite 230:directive 193:Directive 181:Assertive 128:The term 1811:Slipcase 1738:Postface 1733:Colophon 1713:Glossary 1708:Endnotes 1686:Epilogue 1653:Sections 1640:Chapters 1612:Prologue 1592:Foreword 1582:Epigraph 1425:Typeface 1395:Ornament 1311:Footnote 1196:(1979). 1076:(2002). 1036:(1935), 961:(1567). 857:28 April 605:(1939), 493:See also 465:Websites 394:explicit 294:Assyrian 137:colophōn 130:colophon 124:, Paris. 29:colophon 1857:Scribes 1806:Pop-ups 1786:Endband 1597:Preface 1519:Marbled 1486:Leather 1471:Buckram 1368:Initial 1326:Scholia 1163:Sources 1046:2599686 970:within 531:Indicia 489:tests. 339:toledot 334:Genesis 329:Numbers 150:in his 108:History 84:History 1728:Errata 1415:Rubric 1385:Margin 1353:Header 1348:Footer 1343:Column 1231:  1208:  1182:  1096:  1044:  1024:  1007:  978:  943:  921:  890:  832:  824:  787:  757:  749:  711:  685:  623:  453:, the 278:scribe 122:Louvre 1723:Index 1691:Outro 1649:Parts 1316:Gloss 1062:, 60. 830:S2CID 755:S2CID 481:, or 423:verso 344:Jacob 342:) of 310:title 141:Greek 92:verso 1430:Font 1295:and 1229:ISBN 1206:ISBN 1180:ISBN 1153:2014 1131:2014 1094:ISBN 1090:1264 1042:OCLC 1022:ISBN 1005:ISBN 976:OCLC 941:OCLC 919:ISBN 888:OCLC 859:2021 822:ISSN 785:ISBN 747:ISSN 709:OCLC 683:OCLC 621:OCLC 584:2019 543:and 475:HTML 457:and 308:, a 306:e.g. 302:e.g. 286:e.g. 118:Uruk 80:logo 814:doi 739:doi 673:". 613:hdl 479:CSS 383:'s 1833:: 1204:. 1139:. 1117:. 1092:. 939:. 917:. 861:. 828:. 820:. 810:88 767:^ 753:. 745:. 735:88 733:. 721:^ 681:. 671:n. 658:^ 619:, 592:^ 572:. 477:, 346:. 296:, 292:, 239:. 104:. 59:,- 56:ən 1277:e 1270:t 1263:v 1237:. 1214:. 1188:. 1155:. 1133:. 1102:. 1049:. 982:. 947:. 927:. 894:. 836:. 816:: 793:. 761:. 741:: 715:. 689:. 615:: 586:. 473:) 471:X 417:( 284:( 170:) 166:( 71:/ 68:n 65:ɒ 62:f 53:f 50:ə 47:l 44:ɒ 41:k 38:ˈ 35:/ 31:(

Index


/ˈkɒləfən,-fɒn/
logo
History
title page
verso
copyright page

Uruk
Louvre
Late Latin
Greek
Samuel Palmer

Cairo Geniza
clay tablet
scribe
Ancient Near East
Babylonian
Assyrian
Canaanite
title
imprint page
Pentateuch
Numbers
Genesis
toledot
Jacob
Wiseman hypothesis

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