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Colonnette

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9. Up the eleventh century, the rings generally  increase in size and relief. On the other  hand, the blanks that separate the groups of rings and mouldings diminish in height as also the size of the leaves that decorate these blanks become smaller. Consequently, the number of leaves increases, changing from one large leaf on the side to a series of leaves and tiny dog-tooth
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has also been used to refer to thin columns. In Khmer art, the colonnette designates in particular the columns which frame the doors of the sanctuaries and which are one of the dating elements of their style. Summits of complexity were attained in the development of the Khmer colonnette, according to
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According to Philip Stern, from the ninth century onwards, the rings and groups of mouldings of the colonnettes are more numerous, increasing thus the number of the divisions of the  shaft. The number  of the most important elements of these groups goes on increasing from 3 all the way to
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The Khmer colonnettes have from their earliest appearance in the sixth century in the Phnom Da style: a section with garlands and pendants, a round section, and a widened upper section. These divisions become more complex in the seventh century, with the loops between the garlands being filled with
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from 1181 to 1219 approximately. The superbandance and the huge dimensions of the edifices lead to an economy of labour and to a loss of interest in decors. The overdecoration continues but the gradation disappears. All that remains is the rings with some standard, identical combinations, each of
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As the Roman Empire shifted toward Christianity, the use of colonettes in funerary art was conserved as well: thus, sarcophagi, such as those kept in the paleo-Christian churches of Arles, which mostly belong to the 4th or 5th century, are often decorated with arcades carried on colonnettes whose
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The Khmer colonnettes framing the doors borrow from Indian ones, also framing doors or drawing a niche around a character. These borrowings concern the shape of the barrel which is of circular section, partly the composition of the capital (bulb in both cases) and the decoration of the column:
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of the colonnette was plain at the beginning: a bulb, a fillet, the widening shape and the square abacus are superposed. This schema became more and more intricate over centuries. The capitals are now more visible than the bases of the colonnettes which were so often destroyed.
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Colonettes and pilasters found in Buddhist stupas still echo the religious architecture of north-west India as one of the rare elements of classical Khmer architecture that have survived in contemporary Khmer architecture found also in Thailand especially in the period of
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Colonnettes, like decorative lintels, were usually fixed in place before being carved. However, the side of the colonnette which, once in place, were so close to the wall or the pilaster that one could not handle hammer and chisel to sculpt, were decorated on the ground.
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This method of datation through identification of styles alone has been criticized and is insufficient if not corroborated by other elements. According to Philip Stern, what matters is not the number of parts examined, but the number of convergent details observed.
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is famous for its "musical pillars" carved to create a single central member with four surrounding colonnettes, each with its own base, shaft and capital, unified at the top by a single capital. The colonnettes are supposed to produce different musical notes.
419:. In 2016, there was still concerned that colonnettes remaining on site in Cambodia, after having been pillaged massively in the 1980s, where still being threatened as they remain on the red-list of Cambodian antiquities at risk set up by the 101:, which can also have a condescending connotation: in our case, it shifts the meaning from column to small column or fake columns. In the field of Angkorian archeology, Edme Casimir de Croizier was the first to use the name of 390:
are key to Khmer archeology as they provide indications about the datation of Angkorian temples not only by certain of the decorative details which it bears, but also by the set and the very connection of its elements.
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garlands underlining the capital, bands with diamond and rounded themes. However, the Khmer column has a more elaborate base and a much richer decoration where moldings and rings are of great importance.
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disappear altogether in the eight century from the style of Prei Kmeng to that of Kompong Preah. By the end of the Kompong Preah style around 800, the colonnettes will change from round to octagonal.
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There a few designs which present, as well as the khmer colonnette, a continuity of evolution, the persistence of a direction, which, though it may weaken at times, is taken up again each time.
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With the Bakheng style at the beginning of the tenth century, more and more bulbs superposed which gradually flattened as a "pile of dishes" as in the Angkor Wat style of the twelfth century.
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The complex geometric structure of the decorative colonnettes of the Khmer temples with their highly detailed carvings, mainly depicting motifs of lotus flowers, are a huge challenge for
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the shaft of the column flares out in an elegant curve with two extremities, accompanied by a fillet with finials, a simple small molding decorated with a motif of five-pointed fleurons;
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In Laos, the tradition of wooden temple architecture survived until recent times and wooden colonnettes of the same shape as those of the classic Khmer monuments can still be seen.
423:. Khmer colonnettes have become a marker of Khmer identity, and are now used by revivalists for the decoration of secular buildings, such as government headquarters like the 1686: 252:
Colonnettes are widely present in classic Indian architecture, and it is used by both Muslims and Christians in India as well for the decoration of places of worship.
1609: 126:. In the Demetrian necropolis, a colonnette marked the tomb a person whose epitaph was inscribed at the top under a garland carved with ivy leaves. 1567: 1088: 248:
in India consists of two temples next to each other, another trikuta temple, a Sanskrit inscription pillar, a Nandi monument and several mandapas.
439:. Eleven different geometric forms have been developed and parameterized as construction modules by Khmer archeologist Pheakdey Nguonphan at the 593:"Un cratĂšre Ă  colonnettes de style subgĂ©omĂ©trique rhodanien dĂ©couvert sur l'oppidum des Barbes-et-Fon-Danis Ă  Saint-Laurent-de-Carnols (Gard)" 827:"Observations comparĂ©es sur la forme des colonnes Ă  l'Ă©poque romane dans divers monuments du midi de la France et de pays Ă©trangers" 1722: 1592: 1332: 1303: 1245: 1123: 1071: 1039: 722: 692: 1717:, EsthĂ©tique et sciences des arts (in French), Villeneuve d'Ascq: Presses universitaires du Septentrion, pp. 99–158, 240: 328:
the decoration of the shaft of the columns with separate leaves, one per side, which fits well with the octagonal shape;
560: 1113: 1061: 739: 682: 54:, and even studied by archeologists in Roman ceramics. Architectural colonnettes are typically found in "a group in a 1320: 1293: 1235: 712: 568: 530: 492: 149: 1776: 420: 1771: 973: 478: 344:
The decadence of the colonnette corresponds to the  swan song of khmer art and the wonderful style of the
1212: 554: 516: 373:: a short colonnette, requiring a support. It is also used to designate the small columns that bar a window. 162: 1295:
Au Service d'une biologie de l'art Tomes I et II: Recherches sur les arts de l'Inde et de l'Asie du Sud-Est
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Au Service d'une biologie de l'art Tomes I et II: Recherches sur les arts de l'Inde et de l'Asie du Sud-Est
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We had to build our theory on the style of Jayavarman II, with only one lintel and one small colonnette.
1781: 522: 17: 109:), literally translates as "diamond columns", showing the importance attributed to these artifacts. 1034:, Études mĂ©soamĂ©ricaines, Mexico: Centro de estudios mexicanos y centroamericanos, pp. 10–40, 1551: 325:
the octagonal or square shape of the small columns, the posterior columns being essentially round;
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present a remarkable unity. Five main characteristics of the Kulen style are easily recognizable:
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shafts have been reduced. Colonnettes with capitals were later used to decorate the cloisters of
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Handbook of Middle American Indians, Volume 4: Archaeological Frontiers and External Connections
996: 942: 911: 880: 857: 1738: 1520: 1489: 1458: 1380: 1262: 826: 787: 362: 141: 1661:"ស្ថាបត្យករខ្មែរមិនធម្មតា! ទៅមសលជ្រុងខ្លះ áž“áŸƒážąáž‚áž¶ážšáž‘ážžážŸáŸ’ážŠážžáž€áž¶ážšáž€áŸ’ážšážŸážœáž„ážŠáŸ‚áž“ážŠážž ប្រៀបដឌចវិមានដ៏ស្កážčមស្កៃ" 858:"Les Ă©lĂ©ments en marbre et autres roches dĂ©coratives de quelques monuments mĂ©diĂ©vaux français" 756: 1349: 592: 440: 197: 8: 1582: 436: 177: 145: 105:
in his study of Khmer art in 1875. In Khmer language, however, the term used "សសរពេជ្រ" (
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the shapes and decorations of the rings which have more relief than the older columns;
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Groups of inset colonnettes are an essential decorative feature of the classic
47: 1765: 1645: 1435: 1189: 958: 927: 896: 166: 136: 63: 1754: 1660: 1536: 1505: 1474: 1396: 1278: 1150: 1012: 997:"La restauration du décor polychrome du choeur de la cathédrale de Chartres" 842: 803: 1365: 1321:"Stone materials used for lintels and decorative elements of Khmer temples" 130: 1032:
Arquitectura y ArqueologĂ­a : MetodologĂ­as en la cronologĂ­a de YucatĂĄn
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The Dvāravatī Wheels of the Law and the Indianization of South East Asia
276: 1443: 1213:"Mireille Benisti, Rapports entre le premier art khmer et l'art indien" 1197: 311: 296: 280: 196:
with four colonettes attached to a large central core that support the
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Actes des congrÚs nationaux des sociétés historiques et scientifiques
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3D Modelling of the Temples of Angkor Based on Religious Conceptions
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L'art khmer: Étude historique sur les monuments de l'ancien Cambodge
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buildings. Colonnettes in the Puuc style of YucatĂĄn resemble the
209: 123: 117: 55: 1610:"Cambodge: retour sur les pillages de la citĂ© royale de Koh Ker" 1145:(in French). Ecole française d'ExtrĂȘme-Orient. pp. 74–77. 94: 43: 35: 881:"BĂ©nitier en pierre du XIIe siĂšcle conservĂ© au musĂ©e de Cluny" 1459:"III. Travaux exĂ©cutĂ©s au Phnom KulĂȘn (15 avril-20 mai 1936)" 345: 256: 133:, colonnettes were used on funerary altars, as in the Lyon. 1325:
Metropolitan Museum Studies in Art, Science, and Technology
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colonnette style but are also found in numerous Chenes and
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such as those of the Romanesque portal and the cloister of
1521:"II. Le style du KulĂȘn (dĂ©cor architectural et statuaire)" 1263:"II. Le style du KulĂȘn (dĂ©cor architectural et statuaire)" 381: 137:
Christian civilization: from the cloister to the triforium
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Naudou, Jean; Picron, Claudine; Stern, Philippe (1978).
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Naudou, Jean; Picron, Claudine; Stern, Philippe (1978).
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pendants, thin leaves, or undulating small tongues. The
165:, or those of Moissac, Cluny, or even the crypts of the 1350:"Illustration de quelques procédés de sculpture khmÚre" 1026:
Andrews, George F. (2019-12-19), Gendrop, Paul (ed.),
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the crowning of the small columns similar to its base;
1412:"Rapports entre le premier art khmer et l'art indien" 1298:(in French). Presses Univ. Septentrion. p. 170. 1166:"Rapports entre le premier art khmer et l'art indien" 717:(in French). Presses Univ. Septentrion. p. 168. 1410:
Bhattacharya, Kamaleswar; Benisti, Mireille (1972).
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A Khmer appropriation through centuries of evolution
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Leroux. pp. 124–125. 122:The Greeks used funerary colonnettes to support 671: 552: 188:proving the success of “discontinuous support”. 1743:Bulletin de l'École française d'ExtrĂȘme-Orient 1525:Bulletin de l'École française d'ExtrĂȘme-Orient 1463:Bulletin de l'École française d'ExtrĂȘme-Orient 1385:Bulletin de l'École française d'ExtrĂȘme-Orient 1267:Bulletin de l'École française d'ExtrĂȘme-Orient 788:"L'autel funĂ©raire d'Aufidia Antiochis Ă  Lyon" 785: 680: 650:Development by Christian architecture in Italy 369:The colonnette has a subcategory known as the 118:Greco-Roman civilization: funerary colonnettes 287: 1566:: CS1 maint: multiple names: authors list ( 1318: 1059: 943:"Les triforiums de la cathĂ©drale de Bourges" 687:(in French). Editions Olizane. p. 232. 317:The 17 pairs of small columns discovered on 1089:"Hampi's Vittala Temple of Musical Pillars" 940: 1634:Museums, International Council of (2009). 1327:. Metropolitan Museum of Art. p. 63. 1066:. 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ICOM. p. 4. 1001:Bulletin Monumental 978:Bulletin Monumental 947:Bulletin Monumental 916:Bulletin Monumental 885:Bulletin Monumental 684:Angkor, citĂ© khmĂšre 627:Merriam-webster.com 232:found in Cambodia. 178:Gothic architecture 146:Norman architecture 34:is a small slender 1614:Sciences et Avenir 285: 255:Vittala Temple in 250: 190:Chartres Cathedral 154: 1782:Structural system 1724:978-2-7574-2590-9 1594:978-90-474-0774-4 1334:978-0-300-20439-1 1305:978-2-85939-081-5 1247:978-90-04-10435-8 1125:978-1-4629-0642-0 1073:978-1-4773-0658-1 1041:979-10-365-4015-8 724:978-2-85939-081-5 694:978-2-88086-347-0 216:Maya civilization 159:Romanesque abbeys 16:(Redirected from 1794: 1758: 1733: 1732: 1731: 1696: 1695: 1693: 1682: 1676: 1675: 1673: 1672: 1656: 1650: 1649: 1631: 1625: 1624: 1622: 1621: 1605: 1599: 1598: 1578: 1572: 1571: 1565: 1557: 1547: 1541: 1540: 1516: 1510: 1509: 1485: 1479: 1478: 1454: 1448: 1447: 1407: 1401: 1400: 1376: 1370: 1369: 1345: 1339: 1338: 1316: 1310: 1309: 1289: 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767:(1): 179–214. 747: 730: 723: 700: 693: 670: 639: 614: 603:(1): 355–361. 583: 569: 545: 531: 507: 493: 468: 467: 465: 462: 461: 460: 455: 448: 445: 432: 429: 411: 410:Khmer heritage 408: 397: 383: 380: 378: 375: 354: 351: 339: 338: 335: 332: 329: 326: 298: 295: 289: 286: 273: 270: 265: 262: 237: 234: 217: 214: 148:colonettes at 138: 135: 119: 116: 114: 111: 87: 84: 80:Philippe Stern 77: 48:dressing table 26: 9: 6: 4: 3: 2: 1799: 1788: 1785: 1783: 1780: 1778: 1775: 1773: 1770: 1769: 1767: 1756: 1752: 1748: 1744: 1740: 1735: 1726: 1720: 1716: 1712: 1707: 1706: 1690: 1689: 1681: 1666: 1662: 1655: 1647: 1643: 1639: 1638: 1630: 1615: 1611: 1604: 1596: 1590: 1586: 1585: 1577: 1569: 1563: 1555: 1554: 1546: 1538: 1534: 1530: 1527:(in French). 1526: 1522: 1515: 1507: 1503: 1499: 1496:(in French). 1495: 1491: 1484: 1476: 1472: 1468: 1464: 1460: 1453: 1445: 1441: 1437: 1433: 1429: 1425: 1421: 1417: 1416:Artibus Asiae 1413: 1406: 1398: 1394: 1390: 1387:(in French). 1386: 1382: 1375: 1367: 1363: 1359: 1355: 1351: 1344: 1336: 1330: 1326: 1322: 1315: 1307: 1301: 1297: 1296: 1288: 1280: 1276: 1272: 1269:(in French). 1268: 1264: 1257: 1249: 1243: 1239: 1238: 1230: 1222: 1218: 1214: 1207: 1199: 1195: 1191: 1187: 1183: 1179: 1175: 1171: 1170:Artibus Asiae 1167: 1160: 1152: 1148: 1144: 1143: 1142:L'art du Laos 1135: 1127: 1121: 1117: 1116: 1108: 1094: 1090: 1083: 1075: 1069: 1065: 1064: 1056: 1043: 1037: 1033: 1029: 1022: 1014: 1010: 1006: 1002: 998: 991: 984:(4): 306–307. 983: 979: 975: 968: 960: 956: 953:(1): 91–102. 952: 948: 944: 937: 929: 925: 921: 917: 913: 906: 898: 894: 890: 886: 882: 875: 867: 864:(in French). 863: 859: 852: 844: 840: 836: 833:(in French). 832: 828: 821: 813: 809: 805: 801: 797: 793: 789: 782: 774: 770: 766: 762: 758: 751: 743: 742: 734: 726: 720: 716: 715: 707: 705: 696: 690: 686: 685: 677: 675: 667: 656: 652: 651: 643: 628: 624: 618: 610: 606: 602: 598: 594: 587: 572: 570:9780872499508 566: 562: 558: 557: 549: 534: 532:9781588395030 528: 524: 520: 519: 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The term 64:cluster pier 31: 29: 1616:(in French) 1422:(2/3): 73. 388:colonnettes 319:Mount Kulen 312:pendeloques 1766:Categories 1730:2022-03-15 1671:2022-03-15 1667:(in Khmer) 1665:Sabay News 1620:2022-03-15 1531:(1): 114. 1469:(1): 153. 1360:(1): 100. 1098:2022-03-15 1047:2022-03-15 922:(1): 139. 837:(1): 579. 798:(2): 294. 653:. p.  464:References 281:Blind door 208:-vaulting 113:Topography 103:colonnette 99:diminutive 68:columnette 60:balustrade 52:case clock 32:colonnette 1646:935898424 1562:cite book 1500:(1): 34. 1436:0004-3648 1223:(1): 309. 1190:0004-3648 812:191495556 453:Balluster 417:Ayutthaya 377:Influence 353:Technique 230:balusters 182:triforium 107:Soso petr 86:Etymology 18:Colonette 1151:61563160 458:Pilaster 447:See also 398:—  371:baluster 304:garlands 210:responds 124:epitaphs 78:—  1444:3249659 1198:3249659 660:18 July 632:18 July 576:18 July 538:18 July 500:18 July 363:capital 226:Rio Bec 129:In the 56:parapet 1721:  1644:  1591:  1442:  1434:  1331:  1302:  1244:  1196:  1188:  1149:  1122:  1070:  1038:  810:  792:Gallia 721:  691:  567:  529:  491:  198:arcade 192:has a 95:suffix 44:lintel 36:column 1692:(PDF) 1440:JSTOR 1194:JSTOR 808:S2CID 346:Bayon 257:Hampi 236:India 90:The - 62:, or 1719:ISBN 1642:OCLC 1589:ISBN 1568:link 1432:ISSN 1329:ISBN 1300:ISBN 1242:ISBN 1186:ISSN 1147:OCLC 1120:ISBN 1068:ISBN 1036:ISBN 719:ISBN 689:ISBN 662:2018 634:2018 578:2018 565:ISBN 540:2018 527:ISBN 502:2018 489:ISBN 386:The 361:The 264:Laos 244:The 222:Puuc 206:nave 204:and 92:ette 50:and 40:beam 1751:doi 1533:doi 1502:doi 1471:doi 1424:doi 1393:doi 1362:doi 1275:doi 1178:doi 1009:doi 1005:169 982:118 955:doi 924:doi 893:doi 866:128 839:doi 800:doi 769:doi 765:136 605:doi 176:In 42:or 1768:: 1747:34 1745:. 1741:. 1713:, 1663:. 1612:. 1564:}} 1560:{{ 1529:38 1523:. 1498:33 1492:. 1467:38 1465:. 1461:. 1438:. 1430:. 1420:34 1418:. 1414:. 1389:34 1383:. 1356:. 1352:. 1323:. 1271:38 1265:. 1221:32 1219:. 1215:. 1192:. 1184:. 1174:34 1172:. 1168:. 1091:. 1030:, 1003:. 999:. 980:. 976:. 951:83 949:. 945:. 920:79 918:. 914:. 889:85 887:. 883:. 860:. 835:59 829:. 806:. 796:34 794:. 790:. 763:. 759:. 703:^ 673:^ 655:56 625:. 601:22 599:. 595:. 563:. 559:. 525:. 521:. 487:. 483:. 314:. 212:. 200:, 173:. 58:, 30:A 1757:. 1753:: 1674:. 1648:. 1623:. 1597:. 1570:) 1539:. 1535:: 1508:. 1504:: 1477:. 1473:: 1446:. 1426:: 1399:. 1395:: 1368:. 1364:: 1358:9 1337:. 1308:. 1281:. 1277:: 1250:. 1200:. 1180:: 1153:. 1128:. 1101:. 1076:. 1015:. 1011:: 961:. 957:: 930:. 926:: 899:. 895:: 845:. 841:: 814:. 802:: 775:. 771:: 727:. 697:. 636:. 611:. 607:: 20:)

Index

Colonette
column
beam
lintel
dressing table
case clock
parapet
balustrade
cluster pier
suffix
diminutive
epitaphs
Roman Empire

Norman architecture
St. Leonard's Priory, Stamford
Romanesque abbeys
Saint-Trophime d'Arles
abbey of Jouarre
holy water fonts
Gothic architecture
triforium
Cathedral of Bourges
Chartres Cathedral
pilier cantonné
arcade
aisle vaults
nave
responds
Puuc

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