606:
471:
542:
358:
493:
388:
516:
578:
627:
414:
561:
443:
237:'s notebooks state, Du Bosc and Dupuis quarrelled with Dorigny and left his employ before the work was complete. Later in London, Du Bosc told Dupuis that he would stay for some time before moving to France; actually, Vertue recounts, Du Bosc had decided to settle in England, so he wanted Dupuis, a more capable and thus unlikely engraver to compete with, to depart alone to Paris.
357:
541:
262:
states that towards the end of 1729 Baron and Du Bosc went over to Paris, Du Bosc wishing to arrange matters relating to the trade of print-selling, as he had now set up a shop, and that Vanloo then painted both their portraits, which they brought back to
England. From Vertue's notebooks, it is known
626:
605:
470:
492:
515:
337:
described him as "an engraver of no great merit", adding that "his style of engraving is coarse and heavy; and the drawing of the naked parts of the figure in his plates is exceedingly defective"; Strutt's point has been long reiterated.
577:
776:
De plus, le graveur français d'origine protestante Claude Dubosc (1682-1745) avait émigré à Londres en 1712 : devenu libraire et marchand graveur en
Angleterre, il était en relation avec Bernard Picart dont il éditait aussi les
413:
387:
160:, Du Bosc belonged to the first wave of skilled engravers to arrive in London during the early 18th century, playing a major part in improving the standard of English printmaking of that era.
759:
2338:
Harris, Michael (1997). "Scratching the surface: engravers, printsellers and the London book trade in the mid-18th century". In Hunt, Arnold; Mandelbrote, Giles & Shell, Allison (eds.).
442:
168:
Nothing known of Du Bosc's early life and work; it has been usually thought since the late-19th century that Du Bosc was born in France c. 1682, likely of
Protestant background. In
560:
2998:
Tarantino, Giovanni (2016). "A 'Protestant' Approach to
Colonization as Envisaged in John Lockman's Martyrology". In Broomhall, Susan and Finn, Sarah (eds.).
169:
2366:
1355:, p. 17: "…A Plan of the Dispofitions of both Armies in that ever memorable Battle and Defeat of the Rebels at Culloden. Du Bosc, 6 d."
1899:
Clayton, Timothy (2014). "The London
Printsellers and the Export of English Graphic Prints". In Kremers, Anorthe; Reich, Elisabeth (eds.).
3315:
1702:
Bignamini, Ilaria (1988). "George Vertue, Art
Historian and Art Institutions in London, 1689–1768: A Study of Clubs and Academies".
1872:
1682:
Dictionnaire critique et documentaire des peintres, sculpteurs, dessinateurs & graveurs de tous les temps et de tous les pays
3310:
2949:
334:
191:. The earliest secure mentions of Du Bosc date to c. 1712–1713, when he produced two plates for Duchange's 1714 publication of
152:, publisher, and printseller who spent much of his career in London. Associated with French contemporaries such as the painter
3009:
2836:
2320:
1910:
1540:
907:
1535:. London, New Haven: Paul Mellon Centre for Studies in British Art; distributed by Yale University Press. pp. 302–303.
2959:
A Biographical
Dictionary Containing All the Engravers, From the Earliest Period of the Art of Engraving to the Present Day
1183:– via Gallica: "7884. César detournant les yeux de dessus la tête de Pompée que lui présente un soldat: est. en h.
676:, p. 79, establishes c. 1682 and c. 1745 as respective datings of Du Bosc's birth and death. In a different point,
593:
2177:
584:
3255:
3098:
3056:
2931:
2807:
2755:
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1881:
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1658:
1631:
1501:
1267:
1149:
1030:
878:
824:
612:
3047:
1947:
3274:
1286:
Catalogue of engraved
British portraits preserved in the Department of Prints and Drawings in the British Museum
3167:
Vertue, George (1934). "The Note-Books of George Vertue
Relating to Artists and Collections in England (III)".
1366:
1344:
1198:
3247:
3188:
Vertue, George (1952). "The Note-Books of George Vertue
Relating to Artists and Collections in England (VI)".
3146:
Vertue, George (1932). "The Note-Books of George Vertue Relating to Artists and Collections in England (II)".
3090:
2638:
3086:
2634:
2630:
2626:
1739:
1681:
2056:
John Smibert, Painter With a Descriptive Catalogue of Portraits, and Notes on the Work of Nathaniel Smibert
2694:
2090:
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2543:
2169:
2165:
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2157:
2073:
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1937:
1778:
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2065:
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1813:
1290:
636:
275:
157:
3320:
3219:
2458:
1806:
1686:
1590:
1586:
3246:. The Pelican History of Art (4th ed.). Harmondsworth, England; New York: Penguin Books. p.
1867:
1582:
1578:
1135:
1016:
3023:
2923:
478:
218:
2400:
Jean de Julienne et les graveurs de Watteau au XVIII-e siècle. I. Notices et documents biographiques
680:, p. 93, states that there are no actual datings for that. In light of the 1746 mention in the
2198:À l'enseigne de Gersaint: Edme-François Gersaint, marchand d'art sur le pont Notre-Dame (1694-1750)
1749:
533:
462:
458:
60:
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1360:
249:
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2427:
2423:
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2009:
2005:
2001:
1997:
1993:
1989:
1985:
1981:
1977:
1973:
1969:
1965:
3305:
3300:
3240:
3079:
3045:
Treydel, Renate (2001). "Dubosc (Du Bosc), Claude". In Kasten, Eberhard; et al. (eds.).
2619:
1902:
Loyal Subversion? Caricatures from the Personal Union Between England and Hanover (1714–1837)
1676:
1610:
Political Prints in the Age of Hogarth: A Study of the Ideographic Representation of Politics
371:
196:
2482:. Studies in British Art. London, New Haven: Yale University Press. pp. 14, 169 n. 21.
1180:
2609:(in German). Vol. 3. München: E. A. Fleischmann. p. 323 – via Google Books.
449:
2698:
1623:
1619:
1615:
8:
2598:
2305:
Grigson, Caroline (2015). "'An Universal language': William Hunter and the Production of
567:
529:
430:
315:
307:
245:
122:
2724:
2572:
Apostles in England: Sir James Thornhill & the Legacy of Raphael's Tapestry Cartoons
2513:
Lippincott, Louise (1988). "Arthur Pond's Journal of Receipts and Expenses, 1734-1750".
2398:
2226:
2150:
2095:
2054:
1957:
1767:
1490:
1252:
1217:
953:, p. 11: "At Hampton Court(:) N. Dorigny.(,) Du Puis Sen.(,) C. Dubosch." See also
3197:
3176:
3155:
3124:
2986:
2899:
2536:
2522:
2476:
2263:
Goulden, R. J. (April 1982). "William Darres, Claude du Bosc and the European Market".
2133:
2124:
Fuhring, Peter (September 1985). "The Print Privilege in Eighteenth-Century France–I".
2097:
Print Collector's Quarterly: An Anthology of Essays on Eminent Printmakers of the World
1719:
1192:
327:
3261:
3251:
3223:
3213:
3134:
3104:
3094:
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2963:
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2850:
2842:
2832:
2813:
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2761:
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2671:
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2586:
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2557:
2547:
2501:
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2212:
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2040:
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1936:
1932:
1916:
1906:
1887:
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1854:
1844:
1827:
1817:
1792:
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1753:
1727:
1711:
1690:
1664:
1654:
1637:
1627:
1594:
1571:
1554:
1546:
1536:
1515:
1507:
1497:
1496:(exhibition catalogue). New Haven, CO: Yale Center for British Art. pp. 14, 22.
1294:
1284:
1263:
1228:
1155:
1145:
1036:
1026:
941:, p. 78 n. 29, it was c. 1711 when Du Bosc set up a print shop in Covent Garden.
913:
903:
884:
874:
864:
830:
820:
525:
241:
174:
42:
2916:
2707:] (in French). Vol. 2 (pt. 1). Paris: D. Morgand et C. Fatout. p. 26.
902:(in French). Paris: Arthena. pp. 126, 153, 230, 255; under cat. nos. P. 92, P. 128.
3235:
2890:
2774:
2431:
2013:
1743:
1523:
1236:
1140:
1044:
1021:
226:
222:
188:
2034:
1174:
180:
2999:
2826:
2797:
2720:
2665:
2570:
2310:
2196:
1900:
1566:
897:
868:
814:
617:
589:
274:, some of the plates being engraved by himself; he also invited a younger artist
206:
153:
2779:(in French). Vol. 7. Paris: Bibliothèque nationale de France. pp. 360–374.
2340:
The Book Trade & Its Customers, 1450-1900: Historical Essays for Robin Myers
2228:
Printmaking in Britain: A General History from Its Beginnings to the Present Day
1773:. Oxford History of English Art. Vol. 9. Oxford: Clarendon Press. pp.
483:
3209:
3120:
2746:
Roland Michel, Marianne (1986). "Watteau and England". In Hind, Charles (ed.).
2614:
2575:(exhibition catalogue). New York: Wallach Art Gallery. pp. 29–30, 76, 84.
1958:"Jean de Julienne et les graveurs de Watteau au XVIII-e siècle. III. Catalogue"
1942:
1812:. Guildford, London; Woodstock, NY: Lutterworth Press, Overlook Press. p.
454:
421:
184:
92:
3265:
3227:
3138:
3108:
3037:
2967:
2957:
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2443:
2389:
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2025:
1891:
1831:
1796:
1757:
1731:
1694:
1641:
1598:
1558:
1298:
1232:
1159:
1040:
873:(in French). Paris: L. Laget. pp. 109, 140, 198, 206; under cat. nos. 69, 89.
834:
3294:
3116:
3066:
3028:
3019:
2854:
2828:
Hogarth, France and British Art: The Rise of the Arts in 18th-century Britain
2784:
2685:
2670:. New Brunswick, London: Rutgers University Press. pp. 58, 60, 99, 305.
2590:
2505:
2357:
2330:
2280:
2272:
2216:
2187:
2081:
2044:
1920:
1858:
1715:
1668:
1519:
1212:
917:
506:
397:
379:
259:
253:
234:
230:
211:
79:
2817:
2765:
2312:
William Hunter's World: The Art and Science of Eighteenth-Century Collecting
2862:
2297:
1924:
1876:. Vol. 17. Oxford, New York: Oxford University Press. pp. 17–18.
888:
264:
2435:
2017:
1608:
183:'s view, also from the late-19th century, Du Bosc studied engraving under
3201:
3180:
3159:
3074:
2145:
401:
310:, and numerous book illustrations, including numerous plates for Rapin's
2876:
2625:(abridged ed.). New Haven, London: Yale University Press. pp.
2526:
2137:
1723:
1351:. May 1746. pp. 124–126 – via the Internet Archive, cited in
2911:
2903:
2309:". In Hancock, E. Geoffrey; Pearce, Nick & Campbell, Mungo (eds.).
2990:
2802:. New Haven, London: Yale University Press. pp. 54–55, 102, 223.
819:(exhibition catalogue) (in Polish). Łódź: Muzeum Sztuki. p. 159.
314:(1743). By 1743, Du Bosc was said by Vertue to be an associate of the
256:
and Beauvais, to assist him on the work, which was completed in 1717.
2039:(in French) (3rd ed.). Paris, Lyon: Lecoffre. pp. 315–316.
1492:
Painters and Engraving: The Reproductive Print from Hogarth to Wilkie
405:
1905:. Göttingen, Bristol: Vandenhoeck & Ruprecht. pp. 140–161.
2846:
1533:
A Biographical Dictionary of British and Irish Engravers, 1714-1820
263:
that in c. 1726, Du Bosc also sat for another portrait, painted by
193:
Recueil de cent estampes représentant différentes nations du Levant
149:
1550:
1144:. Vol. 13. New York: Grove's Dictionaries. pp. 324–325.
816:
Sztuka europejska XV-XVIII wieku: ze zbiorów Muzeum Sztuki w Łodzi
2788:
2342:. Winchester, New Castle Del.: Oak Knoll Press. pp. 95–114.
1258:(exhibition catalogue). Paris: Reunion des musees nationaux. pp.
426:
270:
In 1733, Dubosc published an English edition of Bernard Picart's
244:
to engrave a series of plates illustrative of the battles of the
2569:
Meyer, Arline (1996). Wallach Art Gallery, New York City (ed.).
2497:
1511:
3051:(in German). Vol. 30. München, Leipzig: Saur. p. 79.
1289:. Vol. 2. London: Trustees of the British Museum. p.
434:
74:
56:
3032:(in German). Vol. 10. Leipzig: E. A. Seemann. p. 2.
199:. Also published by Duchange are two early prints by Du Bosc,
1962:
Jean de Jullienne et les Graveurs de Watteau Au Xviii. Siècle
597:
318:; according to Timothy Clayton's 2004 entry published in the
2101:. Vol. 2. Millwood, NY: KTO Press. pp. 1163–1183.
1025:. Vol. 9. New York: Grove's Dictionaries. p. 379.
859:
For Du Bosc's prints after Jean Jouvenet, see the following:
899:
Jean Jouvenet, 1644-1717, et la peinture d'histoire à Paris
870:
Jean Jouvenet (1644-1717) et la peinture d'histoire à Paris
760:"Les graveurs français face au jansénisme au XVIIIe siècle"
1951:. Vol. 16. London: Smith, Elder & Co. p. 80.
322:, Du Bosc was last mentioned in the May 1746 issue of the
2962:. Vol. 1. London: Robert Faulder. pp. 127–128.
2831:. London: Hogarth Arts. pp. 19, 67–69, 80, 86, 133.
2542:. Woodbridge, Suffolk: Antique Collectors' Club. p.
2152:
The First Bohemians: Life and Art in London's Golden Age
187:; an alternate point supposes him to be an associate of
2799:
John Smibert: Colonial America's First Portrait Painter
2776:
Inventaire du fonds français, graveurs du XVIIIe siècle
2478:
Selling Art in Georgian London: The Rise of Arthur Pond
2750:. London: Victoria and Albert Museum. pp. 46–59.
2457:(in French). Vol. 2. Paris: E. Bouillon. p.
1422:
1219:
The Paintings of Nicolas Poussin. A Critical Catalogue
633:
Monument to Queen Elizabeth I in the Westminster Abbey
2975:
Sunderland, John (August 1973). "Paulson's Hogarth".
1870:. In Matthew, H. C. G. & Harrison, Brian (eds.).
1434:
1373:
980:
692:, p. 393, date Du Bosc's death c. or after 1746.
2922:. New Haven, London: Yale University Press. p.
2667:
Hogarth, Vol. 1: The Modern Moral Subject, 1697–1732
841:
3275:"Philippe Mercier and the French Artists in London"
1685:(in French). Vol. 1. Paris: E. Gründ. p.
1179:. Paris: De l'imprimerie de Madame Huzard. p.
896:Schnapper, Antoine (2010). Gouzi, Christine (ed.).
554:
series, after John Laguerre, British Museum, London
3239:
3078:
2915:
2884:Stein, Perrin (September 1996). "Amédée Van Loo's
2618:
2535:
2475:
2364:
2225:
2149:
2094:
2053:
1805:
1766:
1607:
1570:
1489:
1305:
1251:
1216:
3004:. London, New York: Routledge. pp. 185–202.
3292:
2060:. Cambridge: Harvard University Press. pp.
1487:
2692:
2232:. New York: New York University Press. p.
2201:. Seysell: Editions Champ Vallon. p. 384.
1014:
788:
548:Friendly as a Ballad Singer at the Country Wake
2396:
1955:
1488:Alexander, David; Godfrey, Richard T. (1980).
1282:
796:
677:
2745:
2729:(2nd ed.). London: George Bell. p.
2726:A Dictionary of Artists of the English School
2450:
764:Encyclopédie d'histoire numérique de l'Europe
664:
662:
3001:Violence and Emotions in Early Modern Europe
2871:. Boston: Massachusetts Historical Society.
2093:. In Mason, Lauris and Ludman, Joan (eds.).
1843:. London, New Haven: Yale University Press.
1748:. Vol. 2. New York: Macmillan. p.
1745:Bryan's Dictionary of Painters and Engravers
1653:(in Italian). Milan: Vallardi. p. 505.
3285:: 179–194 – via the Internet Archive.
3129:. Strawberry Hill: Thomas Kirgate. p.
1345:"List of Books, &c. published May 1746"
1127:
252:. He sent to Paris for two more engravers,
3234:
3029:Allgemeines Lexikon der bildenden Künstler
2974:
2772:
2538:British Prints: Dictionary and Price Guide
2512:
2473:
2403:(in French). Paris: M. Rousseau. pp.
2397:Herold, Jacques; Vuaflart, Albert (1929).
1466:
1008:
701:
659:
278:for assistance. His other prints included
2997:
2533:
1701:
1530:
1470:
1327:
1249:
895:
863:
745:
741:
240:In February 1714, Du Bosc undertook with
2795:
2719:
2693:Portalis, Roger; Béraldi, Henri (1882).
2194:
2032:
1956:Dacier, Émile; Vuaflart, Albert (1922).
1803:
1605:
1391:
1133:
1105:
812:
725:
217:At some point c. 1712–1713, Du Bosc and
3272:
3208:
3044:
2861:
2663:
2613:
2304:
2262:
2223:
2144:
2123:
2088:
1898:
1873:Oxford Dictionary of National Biography
1865:
1838:
1675:
1648:
1453:
1440:
1428:
1395:
1352:
1331:
1121:
1117:
1101:
1081:
1061:
1002:
986:
974:
970:
966:
958:
938:
847:
800:
721:
709:
705:
689:
685:
673:
320:Oxford Dictionary of National Biography
3293:
3218:. London: Ward, Lock, and Co. p.
3187:
3166:
3145:
3115:
3085:. London: Faber and Faber. ch. 6, pp.
3018:
2948:
2910:
2597:
2374:. Corpus Rubenianum. London: Phaidon.
2337:
2307:The Anatomy of the Human Gravid Uterus
2267:(14). London: British Library: 17–20.
1379:
1323:
1172:
1093:
1077:
998:
954:
950:
792:
737:
221:moved to England, requested to assist
3073:
2883:
2824:
2773:Roux, Marcel; Pognon, Edmond (1951).
2568:
2287:
2051:
1764:
1738:
1573:Hogarth and His Place in European Art
1565:
1416:
1403:
1211:
1097:
962:
934:
757:
2315:. Farnham: Ashgate. pp. 59–80.
1931:
1614:. Oxford: Clarendon Press. pp.
1399:
1311:
1073:
1057:
669:
2705:Engravers of the Eighteenth Century
2700:Les graveurs du dix-huitième siècle
2365:Haverkamp-Begemann, Egbert (1975).
1283:O'Donoghue, Freeman Marius (1908).
326:, as a publisher for a plan of the
306:, after Parmentière; a portrait of
296:The Head of Pompey brought to Cæsar
272:Religious Ceremonies of All Nations
13:
3316:18th-century French businesspeople
2607:Neues Allgemeines Künstler-Lexicon
2036:Les artistes français à l'étranger
1577:. New York: Basic Books. pp.
1015:Guilmard-Geddes, Laurence (1996).
14:
3332:
3268:– via the Internet Archive.
3242:Painting in Britain, 1530 to 1790
3230:– via the Internet Archive.
3141:– via the Internet Archive.
3111:– via the Internet Archive.
3040:– via the Internet Archive.
2970:– via the Internet Archive.
2944:– via the Internet Archive.
2879:– via the Internet Archive.
2741:– via the Internet Archive.
2715:– via the Internet Archive.
2659:– via the Internet Archive.
2621:Hogarth: His Life, Art, and Times
2564:– via the Internet Archive.
2508:– via the Internet Archive.
2469:– via the Internet Archive.
2258:– via the Internet Archive.
2190:– via the Internet Archive.
2156:. London: Allen Lane. ch. 5, pp.
2084:– via the Internet Archive.
2047:– via the Internet Archive.
1964:(in French). Paris: M. Rousseau:
1894:– via the Internet Archive.
1834:– via the Internet Archive.
1808:English Prints for the Collectors
1799:– via the Internet Archive.
1760:– via the Internet Archive.
1697:– via the Internet Archive.
1644:– via the Internet Archive.
1601:– via the Internet Archive.
1301:– via the Internet Archive.
1272:– via the Internet Archive.
1162:– via the Internet Archive.
758:Gouzi, Christine (22 June 2020).
348:Selected prints by Claude Du Bosc
3215:Anecdotes Of Painting In England
2292:. London: Rockliff. p. 68.
1948:Dictionary of National Biography
1469:, p. 361, cat. 7; reproduced in
625:
604:
594:Bibliothèque nationale de France
576:
559:
540:
514:
491:
469:
441:
420:The Conversion of the Proconsul
412:
386:
356:
148:–c. or after 1746) was a French
2451:Le Blanc, Charles (1854–1890).
2290:A Dictionary of British Etchers
1459:
1446:
1409:
1385:
1337:
1317:
1276:
1243:
1205:
1173:Benard, Pierre Maurice (1810).
1166:
1111:
1108:, pp. 54–55, 223; cat. no. 259.
1087:
1067:
1051:
992:
944:
927:
813:Kacprzak, Dariusz, ed. (2003).
668:In a widely represented point,
2454:Manuel de l'amateur d'estampes
2288:Grant, Maurice Harold (1952).
1651:Dizionario della stampa d'arte
1176:Cabinet de M. Paignon Dijonval
853:
806:
782:
751:
731:
715:
695:
286:, after Jouvenet; some of the
1:
3311:18th-century French engravers
3273:Wescher, Paul (Autumn 1951).
2796:Saunders, Richard H. (1995).
1606:Atherton, Herbert M. (1974).
652:
639:, Wellcome Collection, London
142:
34:
2868:The Notebook of John Smibert
2617:(1974) . Wilde, Anne (ed.).
2224:Godfrey, Richard T. (1978).
2195:Glorieux, Guillaume (2002).
2052:Foote, Henry Wilder (1950).
1841:The English Print, 1688–1802
1100:, pp. 24, 90, 204–205;
16:French-born English engraver
7:
3081:Hogarth: A Life and a World
3048:Allgemeines Künstlerlexikon
2474:Lippincott, Louise (1983).
2091:"Chardin and His Engravers"
1136:"Gravelot, Hubert-François"
789:Portalis & Béraldi 1882
333:Later in the 18th century,
10:
3337:
3024:"Dubosc (Du Bosc), Claude"
1804:Calloway, Stephen (1981).
1480:
1365:: CS1 maint: postscript (
1254:Nicolas Poussin, 1594–1665
1250:Rosenberg, Pierre (1994).
1197:: CS1 maint: postscript (
1134:Rorshach, Kimerly (1996).
797:Herold & Vuaflart 1929
678:Herold & Vuaflart 1929
341:
292:The Sacrifice of Iphigenia
3014:– via Google Books.
2918:The Artist and the Garden
2857:– via Google Books.
2688:– via Google Books.
2593:– via Google Books.
2219:– via Google Books.
2089:Francis, Eric C. (1977).
1866:Clayton, Timothy (2004).
1839:Clayton, Timothy (1997).
1531:Alexander, David (2022).
1330:, pp. 53, 57 n. 25;
1138:. In Turner, Jane (ed.).
1019:. In Turner, Jane (ed.).
684:, recent sources such as
118:
98:
88:
67:
49:
30:
23:
3126:A Catalogue of Engravers
2664:Paulson, Ronald (1991).
2033:Dussieux, Louis (1876).
1394:, p. 131, cited in
647:
637:Hubert-François Gravelot
620:, British Museum, London
585:The Continence of Scipio
571:, British Museum, London
534:Cambridge, Massachusetts
509:, British Museum, London
486:, British Museum, London
463:Providence, Rhode Island
459:Brown University Library
450:The Battle of Malplaquet
300:The Continence of Scipio
298:, after Bernard Picart;
276:Hubert-François Gravelot
158:Hubert-François Gravelot
61:Kingdom of Great Britain
2978:The Burlington Magazine
2888:: The French Sultana".
2534:Mackenzie, Ian (1987).
1938:"Du Bosc, Claude"
1649:Bellini, Paolo (1995).
1326:, p. 35, cited in
937:, p. 52, cited in
672:, p. 80, cited in
477:The Coronation of King
284:The Vengeance of Latona
163:
1769:English Art, 1714–1800
1765:Burke, Joseph (1976).
1467:Roux & Pognon 1951
1223:. London: Phaidon. p.
702:Roux & Pognon 1951
522:Susanna and the Elders
503:The Reign of Charles I
394:Apollo Visiting Thetis
294:, after Louis Cheron;
201:Apollo Visiting Thetis
2985:(845): 538, 541–542.
2825:Simon, Robin (2007).
2748:The Rococo in England
2436:10.11588/DIGLIT.41975
2018:10.11588/DIGLIT.41977
1262:, under cat. no. 96.
1141:The Dictionary of Art
1022:The Dictionary of Art
613:La Tourilere comédien
499:The Trial of the King
372:Jean Baptiste Vanmour
304:The Temple of Solomon
197:Jean Baptiste Vanmour
3236:Waterhouse, Ellis K.
2599:Nagler, Georg Kaspar
1349:The British Magazine
744:, pp. 191–192;
740:, pp. 104–105;
3190:The Walpole Society
3169:The Walpole Society
3148:The Walpole Society
2515:The Walpole Society
2368:The Achilles Series
1704:The Walpole Society
1473:, p. 291, fig. 96d.
973:, pp. 19, 52;
568:Bonaventure Giffard
530:Harvard Art Museums
431:Wellcome Collection
364:Turkish Girl Sewing
316:Rose and Crown Club
308:Bonaventura Giffard
288:Labours of Hercules
246:Duke of Marlborough
123:Rose and Crown Club
3075:Uglow, Jennifer S.
2148:(3 October 2013).
1933:Cust, Lionel Henry
1419:, p. 428, fig. 14.
865:Schnapper, Antoine
635:, after design by
328:Battle of Culloden
312:History of England
156:and the draftsman
3321:English engravers
3011:978-1-315-68945-6
2838:978-0-9554063-0-0
2695:"Dubosc (Claude)"
2322:978-1-4094-4774-0
1912:978-3-525-30167-8
1868:"Du Bosc, Claude"
1677:Bénézit, Emmanuel
1542:978-1-913107-21-5
909:978-2-903239-42-8
688:, p. 17 and
550:, plate from the
526:Annibale Carracci
368:Nations du Levant
366:, plate from the
302:, after Poussin;
280:Apollo and Thetis
242:Louis Du Guernier
225:in engraving the
128:
127:
43:Kingdom of France
3328:
3286:
3269:
3245:
3231:
3205:
3184:
3163:
3142:
3112:
3084:
3070:
3041:
3015:
2994:
2971:
2954:"Claude Du Bosc"
2945:
2921:
2907:
2891:The Art Bulletin
2880:
2858:
2821:
2792:
2769:
2742:
2721:Redgrave, Samuel
2716:
2689:
2660:
2624:
2610:
2603:"Dubosc, Claude"
2594:
2565:
2541:
2530:
2509:
2481:
2470:
2447:
2393:
2373:
2361:
2334:
2301:
2284:
2259:
2231:
2220:
2191:
2155:
2141:
2120:
2100:
2085:
2059:
2048:
2029:
1952:
1940:
1928:
1895:
1862:
1835:
1811:
1800:
1772:
1761:
1735:
1698:
1672:
1645:
1613:
1602:
1576:
1567:Antal, Frederick
1562:
1527:
1524:Internet Archive
1522:– via the
1495:
1474:
1463:
1457:
1450:
1444:
1438:
1432:
1426:
1420:
1413:
1407:
1389:
1383:
1377:
1371:
1370:
1364:
1356:
1341:
1335:
1321:
1315:
1309:
1303:
1302:
1280:
1274:
1273:
1257:
1247:
1241:
1240:
1237:Internet Archive
1235:– via the
1227:, cat. no. 181.
1222:
1209:
1203:
1202:
1196:
1188:
1170:
1164:
1163:
1131:
1125:
1115:
1109:
1091:
1085:
1071:
1065:
1055:
1049:
1048:
1045:Internet Archive
1043:– via the
1012:
1006:
996:
990:
984:
978:
948:
942:
931:
925:
921:
892:
857:
851:
845:
839:
838:
810:
804:
786:
780:
779:
773:
771:
755:
749:
735:
729:
719:
713:
699:
693:
682:British Magazine
666:
629:
608:
580:
563:
544:
518:
495:
473:
445:
416:
390:
360:
324:British Magazine
227:Raphael Cartoons
223:Nicholas Dorigny
189:Gaspard Duchange
178:
147:
144:
53:c. or after 1746
39:
36:
21:
20:
3336:
3335:
3331:
3330:
3329:
3327:
3326:
3325:
3291:
3290:
3289:
3258:
3210:Walpole, Horace
3196:. whole issue.
3175:. whole issue.
3154:. whole issue.
3121:Walpole, Horace
3101:
3059:
3012:
2934:
2839:
2810:
2758:
2678:
2649:
2615:Paulson, Ronald
2583:
2554:
2490:
2382:
2371:
2350:
2323:
2248:
2209:
2180:
2126:Print Quarterly
2109:
1943:Stephen, Leslie
1913:
1884:
1851:
1824:
1789:
1661:
1634:
1543:
1504:
1483:
1478:
1477:
1464:
1460:
1451:
1447:
1439:
1435:
1427:
1423:
1414:
1410:
1390:
1386:
1378:
1374:
1358:
1357:
1343:
1342:
1338:
1322:
1318:
1310:
1306:
1281:
1277:
1270:
1248:
1244:
1210:
1206:
1190:
1189:
1171:
1167:
1152:
1132:
1128:
1120:, p. 182;
1116:
1112:
1092:
1088:
1072:
1068:
1056:
1052:
1033:
1013:
1009:
1001:, p. 188;
997:
993:
985:
981:
965:, p. 177;
961:, p. 182;
949:
945:
932:
928:
924:
910:
881:
858:
854:
846:
842:
827:
811:
807:
787:
783:
769:
767:
756:
752:
736:
732:
720:
716:
708:, p. 174;
704:, p. 360;
700:
696:
667:
660:
655:
650:
645:
644:
643:
640:
630:
621:
618:Antoine Watteau
609:
600:
590:Nicolas Poussin
581:
572:
564:
555:
545:
536:
519:
510:
496:
487:
474:
465:
446:
437:
417:
408:
391:
382:
361:
350:
349:
344:
207:Lycian peasants
172:
166:
154:Antoine Watteau
145:
114:
84:
63:
54:
45:
40:
37:
26:
17:
12:
11:
5:
3334:
3324:
3323:
3318:
3313:
3308:
3303:
3288:
3287:
3270:
3256:
3232:
3206:
3185:
3164:
3143:
3117:Vertue, George
3113:
3099:
3071:
3057:
3042:
3022:, ed. (1914).
3020:Thieme, Ulrich
3016:
3010:
2995:
2972:
2950:Strutt, Joseph
2946:
2932:
2912:Strong, Roy C.
2908:
2898:(3): 417–438.
2881:
2859:
2837:
2822:
2808:
2793:
2770:
2756:
2743:
2717:
2690:
2676:
2661:
2647:
2611:
2595:
2581:
2566:
2552:
2531:
2510:
2488:
2471:
2448:
2394:
2380:
2362:
2348:
2335:
2321:
2302:
2285:
2260:
2246:
2221:
2207:
2192:
2179:978-0718195830
2178:
2142:
2132:(3): 175–193.
2121:
2107:
2086:
2049:
2030:
1953:
1929:
1911:
1896:
1882:
1863:
1849:
1836:
1822:
1801:
1787:
1762:
1740:Bryan, Michael
1736:
1699:
1673:
1659:
1646:
1632:
1603:
1563:
1541:
1528:
1502:
1484:
1482:
1479:
1476:
1475:
1471:Rosenberg 1994
1458:
1452:Reproduced in
1445:
1433:
1431:, p. 141.
1421:
1415:Reproduced in
1408:
1402:, p. 80;
1398:, p. 79;
1384:
1382:, p. 128.
1372:
1336:
1328:Bignamini 1988
1316:
1304:
1275:
1268:
1242:
1213:Blunt, Anthony
1204:
1185:Cl. Dubosc sc.
1165:
1150:
1126:
1110:
1104:, p. 82;
1096:, p. 28;
1086:
1080:, p. 41;
1076:, p. 80;
1066:
1060:, p. 80;
1050:
1031:
1007:
991:
979:
969:, p. 32;
943:
926:
923:
922:
908:
893:
879:
860:
852:
840:
825:
805:
799:, p. 93;
791:, p. 26;
781:
750:
748:, p. 302.
746:Alexander 2022
742:Tarantino 2016
730:
724:, p. 32;
714:
712:, p. 187.
694:
657:
656:
654:
651:
649:
646:
642:
641:
631:
624:
622:
610:
603:
601:
582:
575:
573:
565:
558:
556:
552:Humours of Hob
546:
539:
537:
520:
513:
511:
497:
490:
488:
475:
468:
466:
455:Louis Laguerre
447:
440:
438:
422:Sergius Paulus
418:
411:
409:
392:
385:
383:
376:Public Library
362:
355:
352:
351:
347:
346:
345:
343:
340:
219:Charles Dupuis
185:Bernard Picart
170:Roger Portalis
165:
162:
133:(also spelled
131:Claude Du Bosc
126:
125:
120:
116:
115:
113:
112:
109:
106:
102:
100:
99:Known for
96:
95:
93:Bernard Picart
90:
86:
85:
83:
82:
77:
71:
69:
65:
64:
55:
51:
47:
46:
41:
32:
28:
27:
25:Claude Du Bosc
24:
15:
9:
6:
4:
3:
2:
3333:
3322:
3319:
3317:
3314:
3312:
3309:
3307:
3304:
3302:
3299:
3298:
3296:
3284:
3280:
3279:Art Quarterly
3276:
3271:
3267:
3263:
3259:
3257:0-14-056101-3
3253:
3249:
3244:
3243:
3237:
3233:
3229:
3225:
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3217:
3216:
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3100:0-571-16996-1
3096:
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3076:
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3060:
3058:3-598-22770-1
3054:
3050:
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3017:
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2943:
2939:
2935:
2933:0-300-08520-6
2929:
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2920:
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2905:
2901:
2897:
2893:
2892:
2887:
2882:
2878:
2874:
2870:
2869:
2864:
2863:Smibert, John
2860:
2856:
2852:
2848:
2844:
2840:
2834:
2830:
2829:
2823:
2819:
2815:
2811:
2809:0-300-04258-2
2805:
2801:
2800:
2794:
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2777:
2771:
2767:
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2759:
2757:0-948107-37-5
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2677:0-7188-2854-2
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2648:0-300-01766-9
2644:
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2582:1-884919-02-2
2578:
2574:
2573:
2567:
2563:
2559:
2555:
2553:0-902028-96-0
2549:
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2402:
2401:
2395:
2391:
2387:
2383:
2381:0-7148-1680-9
2377:
2370:
2369:
2363:
2359:
2355:
2351:
2349:1-884718-34-5
2345:
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2257:
2253:
2249:
2247:0-8147-2973-8
2243:
2239:
2235:
2230:
2229:
2222:
2218:
2214:
2210:
2208:2-87673-344-7
2204:
2200:
2199:
2193:
2189:
2185:
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2171:
2167:
2163:
2159:
2154:
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2147:
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2127:
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2110:
2108:0-527-62205-2
2104:
2099:
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2092:
2087:
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2079:
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2067:
2063:
2058:
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2046:
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2023:
2019:
2015:
2011:
2007:
2003:
1999:
1995:
1991:
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1983:
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1883:0-19-861367-9
1879:
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1869:
1864:
1860:
1856:
1852:
1850:0-300-06650-3
1846:
1842:
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1825:
1823:0-87951-120-6
1819:
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1788:0-19-817209-5
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1660:88-11-91710-7
1656:
1652:
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1643:
1639:
1635:
1633:0-19-827188-3
1629:
1625:
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1592:
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1517:
1513:
1509:
1505:
1503:0-930606-21-3
1499:
1494:
1493:
1486:
1485:
1472:
1468:
1462:
1456:, p. 92.
1455:
1449:
1443:, p. 70.
1442:
1437:
1430:
1425:
1418:
1412:
1406:, p. 92.
1405:
1401:
1397:
1393:
1392:Redgrave 1878
1388:
1381:
1376:
1368:
1362:
1361:cite magazine
1354:
1350:
1346:
1340:
1334:, p. 17.
1333:
1329:
1325:
1320:
1314:, p. 80.
1313:
1308:
1300:
1296:
1292:
1288:
1287:
1279:
1271:
1269:2-7118-3027-6
1265:
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1226:
1221:
1220:
1214:
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1200:
1194:
1186:
1182:
1178:
1177:
1169:
1161:
1157:
1153:
1151:1-884446-00-0
1147:
1143:
1142:
1137:
1130:
1124:, p. 37.
1123:
1119:
1114:
1107:
1106:Saunders 1995
1103:
1099:
1095:
1090:
1084:, p. 18.
1083:
1079:
1075:
1070:
1063:
1059:
1054:
1046:
1042:
1038:
1034:
1032:1-884446-00-0
1028:
1024:
1023:
1018:
1017:"Du Guernier"
1011:
1005:, p. 21.
1004:
1000:
995:
989:, p. 51.
988:
983:
977:, p. 17.
976:
972:
968:
964:
960:
957:, p. 8;
956:
952:
947:
940:
936:
933:According to
930:
919:
915:
911:
905:
901:
900:
894:
890:
886:
882:
880:2-85204-005-0
876:
872:
871:
866:
862:
861:
856:
850:, p. 17.
849:
844:
836:
832:
828:
826:83-87937-29-0
822:
818:
817:
809:
803:, p. 79.
802:
798:
795:, p. 2;
794:
790:
785:
778:
765:
761:
754:
747:
743:
739:
734:
728:, p. 42.
727:
726:Calloway 1981
723:
718:
711:
707:
703:
698:
691:
687:
683:
679:
675:
671:
665:
663:
658:
638:
634:
628:
623:
619:
615:
614:
607:
602:
599:
595:
591:
587:
586:
579:
574:
570:
569:
562:
557:
553:
549:
543:
538:
535:
531:
527:
523:
517:
512:
508:
507:Peter Angelis
504:
501:, plate from
500:
494:
489:
485:
481:
480:
472:
467:
464:
460:
456:
452:
451:
444:
439:
436:
432:
428:
424:
423:
415:
410:
407:
403:
399:
398:Jean Jouvenet
395:
389:
384:
381:
380:New York City
377:
373:
369:
365:
359:
354:
353:
339:
336:
335:Joseph Strutt
331:
329:
325:
321:
317:
313:
309:
305:
301:
297:
293:
289:
285:
281:
277:
273:
268:
266:
261:
260:George Vertue
257:
255:
254:Bernard Baron
251:
250:Prince Eugene
247:
243:
238:
236:
235:George Vertue
232:
231:Hampton Court
228:
224:
220:
215:
213:
212:Jean Jouvenet
210:, both after
209:
208:
205:Leto and the
202:
198:
194:
190:
186:
182:
181:Henri Béraldi
176:
171:
161:
159:
155:
151:
140:
136:
132:
124:
121:
117:
110:
107:
104:
103:
101:
97:
94:
91:
87:
81:
78:
76:
73:
72:
70:
66:
62:
58:
52:
48:
44:
33:
29:
22:
19:
3306:1740s deaths
3301:1680s births
3282:
3278:
3241:
3214:
3193:
3189:
3172:
3168:
3151:
3147:
3125:
3080:
3046:
3027:
3000:
2982:
2976:
2958:
2917:
2895:
2889:
2886:Costume turc
2885:
2867:
2827:
2798:
2787:– via
2775:
2747:
2725:
2704:
2699:
2666:
2620:
2606:
2571:
2537:
2518:
2514:
2477:
2453:
2399:
2367:
2339:
2311:
2306:
2289:
2264:
2227:
2197:
2151:
2146:Gatrell, Vic
2129:
2125:
2096:
2055:
2035:
1961:
1946:
1925:Google Books
1923:– via
1901:
1871:
1840:
1807:
1768:
1744:
1707:
1703:
1680:
1650:
1609:
1572:
1532:
1491:
1461:
1454:Clayton 1997
1448:
1441:Clayton 1997
1436:
1429:Clayton 2014
1424:
1411:
1396:Treydel 2001
1387:
1375:
1353:Clayton 2004
1348:
1339:
1332:Clayton 2004
1319:
1307:
1285:
1278:
1253:
1245:
1218:
1207:
1184:
1175:
1168:
1139:
1129:
1122:Godfrey 1978
1118:Wescher 1951
1113:
1102:Smibert 1969
1089:
1082:Clayton 2004
1069:
1064:, p. 56
1062:Clayton 1997
1053:
1020:
1010:
1003:Paulson 1974
994:
987:Clayton 1997
982:
975:Clayton 2004
971:Clayton 1997
967:Godfrey 1978
959:Wescher 1951
946:
939:Grigson 2015
929:
898:
869:
855:
848:Clayton 2004
843:
815:
808:
801:Treydel 2001
784:
775:
768:. Retrieved
763:
753:
733:
722:Godfrey 1978
717:
710:Gatrell 2013
706:Bellini 1995
697:
690:Gatrell 2013
686:Clayton 2004
681:
674:Treydel 2001
632:
611:
583:
566:
551:
547:
521:
502:
498:
484:Louis Chéron
476:
448:
419:
393:
367:
363:
332:
323:
319:
311:
303:
299:
295:
291:
287:
283:
279:
271:
269:
265:John Smibert
258:
239:
216:
204:
200:
192:
167:
138:
134:
130:
129:
111:printselling
18:
2847:2007-531485
2521:: 220–333.
1380:Strutt 1785
1324:Vertue 1952
1094:Vertue 1934
1078:Vertue 1934
999:Vertue 1952
955:Vertue 1934
951:Vertue 1932
793:Thieme 1914
766:(in French)
738:Harris 1997
402:Rijksmuseum
173: [
146: 1682
105:printmaking
68:Nationality
38: 1682
3295:Categories
3266:1245624144
3228:1039484687
3139:1039533429
3109:1256244974
3038:1039510711
2968:1045376483
2942:1244217591
2739:1043009709
2713:1050236069
2657:1193948705
2562:1244508760
2467:1048783339
2444:1039157338
2390:1231982247
2256:1151065422
2117:1256507243
2026:1039156495
1892:1035755389
1832:1148926166
1797:1150946106
1758:1041634111
1732:5543511636
1695:1043255411
1642:1034667797
1599:1035595582
1559:1286378106
1551:2021935706
1465:Listed as
1417:Stein 1996
1404:Bryan 1903
1299:1041770924
1233:1153562776
1160:1033667059
1098:Foote 1950
1041:1033638391
963:Burke 1976
935:Uglow 1997
835:1019950422
770:6 February
653:References
108:publishing
3238:(1978) .
3202:i40086545
3181:i40086509
3160:i40086519
3091:726 n. 25
3067:491513403
2855:984012475
2785:763820240
2686:634205524
2591:876214925
2506:181794146
2358:901699770
2331:926655866
2281:933322566
2273:0141-3635
2217:401692541
2188:892832012
2170:439 n. 28
2082:900850057
2045:986071909
1921:882905477
1859:807564945
1716:0141-0016
1710:: 1–148.
1669:247014252
1520:894899353
1400:Cust 1888
1312:Cust 1888
1193:cite book
1074:Cust 1888
1058:Cust 1888
918:699877579
670:Cust 1888
406:Amsterdam
89:Education
3212:(1879).
3119:(1765).
3077:(1997).
2952:(1785).
2914:(2000).
2865:(1969).
2818:31607421
2766:18588917
2723:(1878).
2601:(1836).
2527:41829564
2498:83-40003
2265:Factotum
2138:41823682
1935:(1888).
1742:(1903).
1724:41829562
1679:(1924).
1569:(1962).
1512:80-50450
1215:(1966).
867:(1974).
777:estampes
616:, after
588:, after
524:, after
505:, after
482:, after
479:George I
453:, after
425:, after
396:, after
370:, after
150:engraver
119:Movement
3123:(ed.).
2904:3046193
2789:Gallica
2298:3371226
2070:204–205
2064:n. 13,
1945:(ed.).
1481:Sources
1260:290–291
889:1293402
427:Raphael
342:Gallery
80:British
3264:
3254:
3226:
3200:
3179:
3158:
3137:
3107:
3097:
3065:
3055:
3036:
3008:
2991:877415
2989:
2966:
2940:
2930:
2902:
2875:
2853:
2845:
2835:
2816:
2806:
2783:
2764:
2754:
2737:
2711:
2684:
2674:
2655:
2645:
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2579:
2560:
2550:
2525:
2504:
2496:
2486:
2465:
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2388:
2378:
2356:
2346:
2329:
2319:
2296:
2279:
2271:
2254:
2244:
2215:
2205:
2186:
2176:
2136:
2115:
2105:
2080:
2043:
2024:
1919:
1909:
1890:
1880:
1857:
1847:
1830:
1820:
1795:
1785:
1756:
1730:
1722:
1714:
1693:
1667:
1657:
1640:
1630:
1597:
1557:
1549:
1539:
1518:
1510:
1500:
1297:
1266:
1231:
1158:
1148:
1039:
1029:
916:
906:
887:
877:
833:
823:
435:London
195:after
139:DuBosc
135:Dubosc
75:French
57:London
3198:JSTOR
3177:JSTOR
3156:JSTOR
3087:52–53
2987:JSTOR
2900:JSTOR
2703:[
2523:JSTOR
2372:(PDF)
2134:JSTOR
1941:. In
1720:JSTOR
648:Notes
598:Paris
233:. As
177:]
3262:OCLC
3252:ISBN
3224:OCLC
3135:OCLC
3105:OCLC
3095:ISBN
3063:OCLC
3053:ISBN
3034:OCLC
3006:ISBN
2964:OCLC
2938:OCLC
2928:ISBN
2877:6380
2873:OCLC
2851:OCLC
2843:LCCN
2833:ISBN
2814:OCLC
2804:ISBN
2781:OCLC
2762:OCLC
2752:ISBN
2735:OCLC
2709:OCLC
2682:OCLC
2672:ISBN
2653:OCLC
2643:ISBN
2587:OCLC
2577:ISBN
2558:OCLC
2548:ISBN
2502:OCLC
2494:LCCN
2484:ISBN
2463:OCLC
2440:OCLC
2386:OCLC
2376:ISBN
2354:OCLC
2344:ISBN
2327:OCLC
2317:ISBN
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2277:OCLC
2269:ISSN
2252:OCLC
2242:ISBN
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2203:ISBN
2184:OCLC
2174:ISBN
2113:OCLC
2103:ISBN
2078:OCLC
2041:OCLC
2022:OCLC
1917:OCLC
1907:ISBN
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1878:ISBN
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1818:ISBN
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1728:OCLC
1712:ISSN
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1508:LCCN
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1367:link
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875:ISBN
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821:ISBN
772:2022
290:and
282:and
248:and
203:and
179:and
164:Life
137:and
50:Died
31:Born
3248:165
3220:457
3131:122
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2010:144
2006:141
2002:136
1998:133
1994:103
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