323:, the youth contributed ideas about the design of the artwork, leading to the tactile nature and recordings in the piece, which were also created by the students. A groundbreaking was held on June 5, 2004 at the ISBVI to celebrate the creation of what would become the Nina Mason Pulliam Sensory Path, where Inuzuka's installation would be at the end of the path. On creating the artwork Inuzuka sought to "do something with texture so the blind children could feel it".
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271:. He has received five awards and grants and participates in international panels and lectures. In 2003 the Indianapolis Art Center hosted an exhibit of Inuzuka's work titled "Water Trade". Another exhibit titled "Mutation and Adaptation" is also noted for being hosted by the IAC in July–August 2003 which featured installations of Inuzuka's ceramics and metal castings. He has also exhibited work at
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191:. A pole comes from the center of the artwork with a metal arm with triangular teeth placed in a row on the bottom part of it. It turns around in the sand, like a
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The artwork was purchased with gifts from the Sheila
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391:. Indiana Daily Student. Archived from
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303:Information
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757:Categories
622:Gypsy Rose
594:Confluence
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315:to create
205:Sallie Mae
193:zen garden
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229:sculpture
160:(IAC) in
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321:ARTSPARK
255:and the
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209:Cinergy
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