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464:(1982). Both projects focus on the increase of ecological awareness through a green urban design process, bringing Denes to plant a two-acre field of wheat in downtown Manhattan and Beuys to plant 7000 oaks coupled with basalt blocks in Kassel, Germany in a guerrilla or community garden fashion. In recent years, programs of green urban regeneration aiming at converting abandoned lots into green areas regularly include public art programs. This is the case for High Line Art, 2009, a commission program for the
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166:, where the artwork is "created in response to the place and community in which it resides" and by the relationship between its content and the public. Cher Krause Knight states that "art's publicness rests in the quality and impact of its exchange with audiences ... at its most public, art extends opportunities for community engagement but cannot demand particular conclusion,” it introduces social ideas but leaves room for the public to come to their own conclusions.
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116:) lacks official or tangible public sanction has not been recognized as part of the public art genre, however this attitude is changing due to the efforts of several street artists. Such unofficial artwork may exist on private or public property immediately adjacent to the public realm, or in natural settings but, however ubiquitous, it sometimes falls outside the definition of public art by its absence of public process or public sanction as "bona fide" public art.
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Online databases of local and regional public art emerged in the 1990s and 2000s in tandem with the development of web-based data. Online public art databases can be general or selective (limited to sculptures or murals), and they can be governmental, quasi-governmental, or independent. Some online
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programs, a structure for funding public art still utilized today. This program allotted one half of one percent of total construction costs of all government buildings to the purchase of contemporary
American art for them. A-i-A helped solidify the policy that public art in the United States should
709:
In the 21st
Century public art has often been a significant component of public realm projects in UK cities and towns, often via engagement with local residents where artists will work with the community in developing an idea or sourcing content to be featured in the artwork. Examples would include
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The 1980s also witnessed the institutionalization of sculpture parks as curated programs. While the first public and private open-air sculpture exhibitions and collections dating back to the 1930s aimed at creating an appropriate setting for large-scale sculptural forms difficult to show in museum
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In another public artwork titled "Mission leopard" was commissioned in 2016 in
Haryana, India, among the remote deciduous terrain of Tikli village a team coordinated by Artist Hunny Mor painted two leopards perched on branches on a water source tank 115 feet high. The campaign was aimed to spread
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but was wrought with propaganda goals. New Deal art programs were intended to develop national pride in
American culture while avoiding addressing the faltering economy. Although problematic, New Deal art programs such as FAP altered the relationship between the artist and society by making art
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Some public art is planned and designed for stability and permanence. Its placement in, or exposure to, the physical public realm requires both safe and durable materials. Public artworks are designed to withstand the elements (sun, wind, water) as well as human activity. In the United States,
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The approach to public art radically changed during the 1970s, following the civil rights movement's claims on public space, the alliance between urban regeneration programs and artistic efforts at the end of the 1960s, and revised ideas of sculpture. Public art acquired a status beyond mere
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whose form, function and meaning are created for the general public through a public process. It is a specific art genre with its own professional and critical discourse. Public art is visually and physically accessible to the public; it is installed in public space in both outdoor and indoor
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Some public art is designed to encourage direct hands-on interaction. Examples include public art that contain interactive musical, light, video, or water components. For example, the architectural centerpiece in front of the
Ontario Science Centre is a fountain and musical instrument
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and urban or regional
Percent for Art programs in the United States and Europe. Moreover, public art discourse shifted from a national to a local level, consistent with the site-specific trend and criticism of institutional exhibition spaces emerging in contemporary art practices.
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The term "curated public art" is used to define the way of producing public art that significantly takes into account the context, the process and the different actors involved. It defines itself slightly differently from top-down approaches of direct commissioning.
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Public art is often characterized by community involvement and collaboration. Public artists and organizations often work in conjunction with architects, fabricators/construction workers, community residents and leaders, designers, funding organizations, and others.
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If it mainly designates the fact that a curator conducts and supervises the realization of a public art work for a third party, it can also mean that the art work is produced by a community or public who commissions a work in collaboration with a curator-mediator.
957:, a huge inflatable maze erected in Chester-le-Street, County Durham, killed two women and seriously injured a three-year-old girl in 2006 when a strong wind broke its moorings and carried it 30 ft (9.1 m) into the air, with thirty people trapped inside.
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settings. Public art seeks to embody public or universal concepts rather than commercial, partisan, or personal concepts or interests. Notably, public art is also the direct or indirect product of a public process of creation, procurement, and/or maintenance.
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since the 1980s, includes economical, social, and ecological aspects. A sustainable public art work would include plans for urban regeneration and disassembly. Sustainability has been widely adopted in many environmental planning and engineering projects.
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Common characteristics of public art are public accessibility, public realm placement, community involvement, public process (including public funding); these works can be permanent or temporary. According to the curator and art/architecture historian,
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is an example of an interactive, social activist public art project. Rather than metaphorically reflecting social issues, new genre public art strove to explicitly empower marginalized groups while maintaining aesthetic appeal. An example was curator
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project began in 2009 and strove to document public art around the globe. While this project received initial attention from the academic community, it mainly relied on temporary student contributions. Its status is currently unknown.
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has been a focus for local politicians and other groups complaining about the governance of the town and allocation of resources. Artists and cultural leaders mounted a campaign to rehabilitate the reputation of the work with the
1038:, and others. Public Art Online, maintains a database of public art works, essays and case studies, with a focus on the UK. The Institute for Public Art, based in the UK, maintains information about public art on six continents.
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decoration and visualization of official national histories in public space. Public art became much more about the public. This perspective was reinforced in the 1970s by urban cultural policies, for example the New York-based
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in
Detroit, Michigan of a large outdoor mandala of lights that reacted in complex ways to sounds and movements detected by radar (mistakenly destroyed 25 years later). Another example is Rebecca Hackemann's two works
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Public art is often created and provided within formal "art in public places" programs that can include community arts education and art performance. Such programs may be financed by government entities through
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and ecological issues surfaced in public art practice both as a commission motive and as a critical focus by artists. The individual, Romantic retreat element implied in the conceptual structure of
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The following forms of public art identify to what extent public art may be physically integrated with the immediate context or environment. These forms, which can overlap, employ different
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In the 1990s, some artists called for artistic social intervention in public space. These efforts employed the term "new genre public art" in addition to the terms "contextual art", "
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There are dozens of non-government organizations and educational institutions that maintain online public art databases of public artworks covering numerous areas, including the
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in New York City in 1989 after office workers complained their work routine was disrupted by the piece. A public court hearing ruled against continued display of the work.
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Public art is publicly accessible, both physically and/or visually. When public art is installed on privately owned property, general public access rights still exist.
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In the 1930s, the production of national symbolism implied by 19th century monuments began being regulated by long-term national programs with propaganda goals (
803:, 1991) is based on a commissioning system that brings together the community, the artist and the commissioning institution for the realization of the project.
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008, 20013, 2021, 2022. The Public
Utteraton Machines records people's opinions of other public art in New York, such as Jeff Koon's Split Rocker and displays
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where people can produce sounds by blocking water jets to force water through sound-producing mechanisms. An early and unusual interactive public artwork was
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476:, 2012, an urban park derived from the partial conversion of a railway station in Berlin which hosts, since 2012, an open-air contemporary art exhibition.
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499:(1986) in Texas, which advocates for the permanent nature of large-scale installations whose fragility may be destroyed when re-locating the work.
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is an example of an artist whose works constitute temporary public art works in the form of public food gardens that addresses sustainability,
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awareness on co-habitation and environmental conservation. The art work can be seen from several miles across in all directions.
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Public art faces a design challenge by its very nature: how best to activate the images in its surroundings. The concept of “
939:'s garden represented the gallows used in seven government hangings. Native American groups found the work offensive, as 38
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For the first, significant examples of these prospective manners of commissioning art projects have been established by the
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706:" that investigated social systems though engagement with audiences that typically did not visit traditional art museums.
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1728:"Interview with Rafael Schacter, Author of the Amazing New Book: The World Atlas of Street Art and Graffiti ~ L.A. TACO"
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as "socially engaged, interactive art for diverse audiences with connections to identity politics and social activism".
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unlike gallery, studio, or museum artworks, which can be transferred or sold, public art is legally protected by the
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448:, and its will to reconnect the urban environment with nature, is turned into a political claim in projects such as
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Memorials for individuals, groups of people or events are sometimes represented through public art. Examples are
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was considered so visually offensive that it was moved several times and referred by much of the public by the
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488:, New York (1985) reflect the necessity of a permanent relationship between the artwork and its site.
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1831:"Gurgaon needs public art on wildlife conservation, say artists who painted leopards on water tank"
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Monument Wars: Washington, DC, the
National Mall, and the Transformation of the Memorial Landscape
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includes local residents own stories alongside official civic history and the town's origin myth.
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Public art is sometimes controversial. The following public art controversies have been notable:
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ephemeral (or non-permanent): performances, temporary installations: for example, a precarious
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was controversial for several decades since its inception in 1986 due to its garish appearance.
2342:. IXIA - Public Art Think Tank (owner and manager of Public Art Online/Arts Council of England
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installation (where artwork and site are mutually embedded): for example, transit station art
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2209:"Sam Durant Sculpture of Gallows in Minneapolis to be Dismantled and Ceremonially Burned"
1117:
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947:. The artist agreed to dismantle and permit the tribal elders to burn and bury the piece.
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Spirit Poles and Flying Pigs: Public Art and
Cultural Democracy in American Communities
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2298:. Smithsonian American Art Museum; Smithsonian Institution Research Information System
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3098:
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2855:
2434:
2280:'From yellow peril to pure gold: 40 years on, Vault has been vindicated', RAY EDGAR,
2164:
1640:"Public Art Resource Center: Intertwining Practices of Public Art and Arts Education"
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374:, United States; Cultural Office, Soviet Union). Programs like President Roosevelt's
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of 1990 (VARA) which requires an official deaccession process for sale or removal.
2616:, (catalog for exhibition of the same name, at University of Bremen), Bremen, 1976
1910:"Gardens 'This is no damn hobby': the 'gangsta gardener' transforming Los Angeles"
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1803:, “Sculpture in the Expanded Field”, in: October, vol. 8, spring 1979, pp. 30-44
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in 1990 with the idea a project can respond to a community's wish. The New York
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integrated (into façades, pavements, or landscapes): for example, bas reliefs,
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2049:"Fundred Dollar Bill Project Aims to Fix New Orleans' Lead-Contaminated Soil"
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519:” arises in response to the perceived environmental deficiencies of a city.
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Independent art created or staged in or near the public realm (for example,
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1884:"Meet the "Gangsta Gardener" Changing South Central Los Angeles With Soil"
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launched by Doris C. Freedman in 1977, with a new approach in the way the
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be truly owned by the public. It also promoted site-specific public art.
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applied (to a surface): for example, murals, building-mounted sculptures
247:
2361:
1703:"Forms of Public Art | Western Australia Department of Arts and Culture"
1681:
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1208:
1192:
989:
regarding monuments in the United States, many of which have to do with
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3407:
3262:
3250:
3216:
3171:
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2815:
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500 x Art in Public: Masterpieces from the Ancient World to the Present
2385:"Scholars Use Knowledge to Save Public Art From the Dustbin of History"
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600:
539:
255:
113:
2095:
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1988:
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where a 35m long text artwork in the public square outside the town's
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of public art that suit a particular form of environment integration.
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2417:
2414:
The Everyday Practice of Public Art: Art, Space, and Social Inclusion
2012:
Pallas, Jim (2017). "Century of Light Shines for Twenty-Five Years".
1062:
788:
465:
426:
82:
2117:"Historic heart of Grimsby re-opened to public after ÂŁ1.8m makeover"
1233:. Ann Arbor and London: UMI Research Press (University of Michigan.
409:
3412:
3309:
3049:
3034:
3005:
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Kunst im Stadtbild - Von Kunst am Bau zu Kunst im öffentlichen Raum
2609:. Michigan State University Center for Urban Affairs, Lansing, 1978
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is a challenge to respond the needs of an opening space in public.
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The Gangsta Gardener, Ron Finley, in one of his public food gardens
445:
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109:
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2612:
Herlyn, Sunke, Manske, Hans-Joachim, and Weisser, Michael (eds.).
1437:"Rafael Schacter and His "World Atlas of Street Art and Graffiti""
124:
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2953:
2938:
2805:
2768:
2453:
Temporary Art and Public Place: Comparing Berlin with Los Angeles
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140:
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Critical Issues in Public Art: Content, Context, and Controversy
2186:"'Scaffold' sculpture's wood to be buried, Dakota official says"
224:'s "The House That Will Not Pass for Any Color Than its Own" in
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1856:"Guerrilla Gardener Sparks Food Revolution in South Central LA"
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from 2009 is a good example although less art is involved. The
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1019:. It currently holds over six thousand works in its database.
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2783:
658:
642:
155:
Public accessibility: placement in public space/public realm
2455:. European University Studies, Peter Lang Publishers, 2009.
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project involving a very large urban environnement in 2005.
685:", and "activist art". "New genre public art" is defined by
2261:"Peril in the Square: The Sculpture that Challenged a City"
1645:. Americans for the Arts Public Arts Resource Center (PARC)
542:'s work as the Gangsta Gardener (or Guerrilla Gardener) of
645:, 2005), which everybody can modify by using a cell phone.
468:, derived from the conversion of a portion of railroad in
243:
stand alone: for example, sculptures, statues, structures
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97:
2665:
2539:
In/Different Spaces: Place and Memory in Visual Culture
2441:. Braun Publishing, 1. Auflage, 2011, 309 S., in Engl.
2362:"Institute for Public Art: Research. Network. Advocacy"
1291:. Maastrict/De Balie, Amsterdam: Jan van Eyck Akademie.
662:
2364:. Institute for Public Art/Network for Public Art, LTD
2123:. May 28, 2021 – via www.grimsbytelegraph.co.uk.
1936:"Andrea Zittel discusses her work for IMA's 100 Acres"
2546:
Art, Space and the City: Public Art and Urban Futures
2234:. London. Archived from the original on 12 June 2008.
1332:
Space, Site, Intervention: Situating Installation Art
852:
Sculpture for an objective experience of architecture
770:
was used, or the public art funds of Geneva with the
378:
facilitated the development of public art during the
1564:. New York: John Wiley & Sons, Inc. p. 23.
969:, an abstract yellow polygonal structure erected in
582:
Public sculpture that is also a musical instrument (
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CultureNOW's MuseumWithoutWalls Public Art Database
2470:
Stadt, Umbau, Kunst: Sofas und Badewannen aus Beton
2600:Kunst im öffentlichen Raum. Anstöße der 80er Jahre
2460:Outdoor Monuments of Manhattan: A Historical Guide
1607:
2914:
742:, Bonamouti-Deido, Douala, 2010. Commissioned by
169:
3698:
2552:Academy Group Ltd. Public Art, Art & Design
1875:
1514:. New York: Rizzoli International Publications.
502:
432:with fire jets, fog machines, and a fountain in
119:
3392:Timeline of 20th century printmaking in America
2425:Public Artopia: Art in Public Space in Question
1901:
1354:
383:accessible to all people. The New Deal program
1847:
1334:. Minneapolis: University of Minnesota Press.
1138:
365:
2900:
2732:
2709:, web dossier compiled by the library of the
2412:Cartiere, Cameron, and Martin Zebracki, eds.
1927:
1254:
1252:
1250:
570:with which participants can actively engage.
297:The examples and perspective in this article
32:The examples and perspective in this article
2163:. London, United Kingdom: Pall Mall Press.
1778:"Silence / Shapes – Filippo Minelli Studio"
1633:
1631:
1258:
586:) by Steve Mann, which the public can play.
404:
2907:
2893:
2739:
2725:
2702:Public sculpture in Cape Town South Africa
2158:
1953:
1601:
1416:The World Atlas of Street Art and Graffiti
1247:
2567:Senie, Harriet, and Sally Webster, eds.
2522:Mapping the Terrain: New Genre Public Art
2152:
1657:
1610:Public Art: theory, practice and populism
1599:
1597:
1595:
1593:
1591:
1589:
1587:
1585:
1583:
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1478:
1460:
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993:dedicated to soldiers and leaders of the
573:
335:Learn how and when to remove this message
70:Learn how and when to remove this message
2681:) is being considered for deletion. See
2541:. University of California Press, 1996.
2472:in: STADTundRAUM, H., S. 62–65, 2/2006.
1881:
1628:
1505:
1503:
1501:
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846:
733:
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346:
279:
216:
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151:, public art brings art closer to life.
123:
81:
2656:Infecting the City Public Arts Festival
2448:. University of California Press, 2009.
2258:
2206:
2200:
1670:Soundings: An Interdisciplinary Journal
1534:
1528:
1355:Ellsworth-Jones, Will (February 2013).
1005:
668:
637:An outdoor interactive installation by
3699:
2583:Art For Public Places: Critical Essays
2508:Public Art. Kunst im öffentlichen Raum
2382:
2252:
2225:
2046:
2011:
1959:
1933:
1907:
1853:
1751:
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1380:
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2607:The Lansing Area Arts Attitude Survey
2320:. Americans for the Arts. 15 May 2019
2207:Miranda, Carolina A. (June 1, 2017).
2069:
2063:
1829:Patra, Pratyush (November 26, 2016).
1828:
1509:
1494:
1374:
1306:"Americans for the Arts | Public Art"
1289:Place, Position, Presentation, Public
1277:
1228:
1190:
783:launched by Fondation de France with
729:
2288:
2228:"Women killed as artwork floats off"
2183:
2177:
2040:
1962:"100 Acres to Roam, No Restrictions"
1854:Crouch, Angie (September 22, 2020).
1815:, in Zurich, Switzerland, 1931, and
1300:
1298:
1222:
1184:
283:
183:, designed 1962–1963, installed 1967
18:
2697:Public sculpture in Perth Australia
2532:Evictions: Art and Spatial Politics
2383:Miller, Mary Helen (4 April 2010).
2354:
2332:
2310:
1454:
1348:
491:This relationship also develops in
13:
3712:Types of art museums and galleries
3491:Index of painting-related articles
2462:. New York University Press, 2007.
1960:Sheets, Hillary M. (9 June 2010).
1461:Bacharach, Sondra (October 2015).
1286:
1193:"Public Art, Eyesore to Eye Candy"
915:Baltic Centre for Contemporary Art
566:that reference sustainability and
14:
3723:
2685:to help reach a consensus. ›
2620:
2605:Love, Suzanne, and Kim Dammers.
2389:The Chronicle of Higher Education
1882:McNeilly, Claudia (6 June 2017).
1295:
862:, Kivik Art Centre, Sweden (2008)
480:galleries, installations such as
440:Between the 1970s and the 1980s,
2072:"New Genre Public Art Education"
1908:Weston, Phoebe (28 April 2020).
1637:
1614:. Oxford: Blackwell Publishing.
842:
777:For the second one can refer to
622:Visionary Sightseeing Binoculars
288:
275:or an instance of colored smoke.
23:
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2406:
2376:
2273:
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2127:
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2051:. WWNO/New Orleans Public Radio
2047:Abrams, Eve (5 November 2009).
2005:
1981:
1822:
1806:
1794:
1770:
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1720:
1707:Government of Western Australia
1695:
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1429:
1408:
1197:Landscape Architecture Magazine
1024:National Endowment for the Arts
1013:Smithsonian American Art Museum
833:Cenotaph for the A-bomb Victims
162:Public art is characterized by
2134:https://www.publicartfund.org/
1934:Eishen, James (23 June 2010).
1752:Brooks, Raillan (2013-12-06).
1330:Suderburg, Erika, ed. (2000).
1073:Canary Wharf Art Trail, London
170:Public process, public funding
1:
2670:
2226:Stokes, Paul (24 July 2006).
2184:Kerr, Euan (September 2017).
2146:"Les Nouveaux commanditaires"
1666:"Public Art and Public Space"
1535:Doherty, Claire, ed. (2009).
1467:British Journal of Aesthetics
1387:. New York: Harry N. Abrams.
1145:Phillips, Patrica C. (1989).
1131:
995:Confederate States of America
837:Hiroshima Peace Memorial Park
618:The Urban Field Glass Project
503:Sustainability and public art
120:Characteristics of public art
3430:Museum collection management
3353:Art history (academic study)
3232:alternative exhibition space
2646:Resources in other libraries
2491:Mobile A2K Methodology guide
2318:"Public Art Resource Center"
2259:Attwood, Alan (2004-06-19).
1606:Knight, Cher Krause (2008).
1562:Privately Owned Public Space
1539:. Cambridge, MA: MIT Press.
1263:. Cambridge, MA: MIT Press.
1147:"Temporality and Public Art"
1056:Category:Lists of public art
825:AIDS Monument in New Orleans
560:has produced works, such as
450:Wheatfield – A Confrontation
199:
7:
3591:Colossal sculptures in situ
3295:Artist-in-residence program
2564:. Smithsonian Books, 1995.
1229:Raven, Arlene, ed. (1989).
1049:
780:Les Nouveaux Commanditaires
695:Fundred Dollar Bill Project
366:United States, 20th century
311:, discuss the issue on the
46:, discuss the issue on the
10:
3728:
3601:Contemporary art galleries
3496:Outline of the visual arts
2429:Amsterdam University Press
1560:Kayden, Jerold S. (2000).
1231:Art in the Public Interest
1068:Association for Public Art
1053:
748:SUD Salon Urbain de Douala
452:(1982) by American artist
3671:
3531:
3400:
3338:
3202:
3127:
2926:
2869:
2754:
2641:Resources in your library
2296:"Art Inventories Catalog"
2244:: CS1 maint: unfit URL (
1989:"Pallas/Century of Light"
1664:Fisher, David J. (1996).
1510:Jacob, Mary Jane (1992).
1441:www.brooklynstreetart.com
1357:"The Story Behind Banksy"
1259:Finklepearl, Tom (2001).
935:(2017), installed in the
702:'s 1993 public art show "
653:Public art on display at
207:Visual Artists Rights Act
3655:Most expensive paintings
3442:Conservation-restoration
3244:Contemporary art gallery
2683:templates for discussion
2475:Goldstein, Barbara, ed.
2159:Kultermann, Udo (1970).
1463:"Street Art and Consent"
1381:Deitch, Jeffrey (2010).
1017:Archives of American Art
925:about the piece in 2003.
405:Environmental public art
3663:works by living artists
3425:Classificatory disputes
2581:Miles, Malcolm, et al.
2571:. HarperCollins, 1992.
2515:Dialogues in Public Art
2513:Finkelpearl, Tom, ed.
1261:Dialogues in Public Art
1191:Smith, Roberta (2008).
1078:Environmental sculpture
1011:databases, such as the
714:'s 'Come Follow Me' in
521:Sustainable development
2874:List of artistic media
2711:African Studies Centre
2477:Public Art by the Book
1819:, 1932, South Carolina
1782:www.filippominelli.com
1310:Americans for the Arts
1043:WikiProject Public art
987:numerous controversies
975:racist colour metaphor
919:Jane and Louise Wilson
917:commissioning artists
863:
751:
665:
646:
587:
574:Interactive public art
512:
437:
362:
232:
184:
143:
90:
3300:Artist-run initiative
3187:Visual arts education
2576:On the Museum's Ruins
1480:10.1093/aesthj/ayv030
971:Melbourne City Square
850:
737:
652:
636:
610:The Public Utteraton
581:
510:
412:
350:
280:History of public art
220:
177:
127:
85:
3596:Contemporary artists
3459:Destination painting
3256:Single-artist museum
3145:Conservator-restorer
2707:Public art in Africa
2520:Lacy, Susanne, ed.
2070:Green, Gaye (1999).
2026:10.1162/LEON_a_01151
1418:", September, 2013;
1361:Smithsonian Magazine
1088:Lock On (street art)
1006:Online documentation
882:'s minimalist piece
817:Vietnam War Memorial
669:New genre public art
317:create a new article
309:improve this article
299:may not represent a
133:Niki de Saint Phalle
52:create a new article
44:improve this article
34:may not represent a
3586:Art reference books
3380:History of painting
2964:Fine-art photograph
2661:Public Art Archive™
2423:Zebracki, Martin.
2340:"Public Art Online"
2232:The Daily Telegraph
1287:Gevers, Ine (ed.).
1118:Street installation
961:Ron Robertson-Swann
807:Memorial public art
683:community-based art
563:Indianapolis Island
495:’s project for the
385:Art-in-Architecture
372:Federal Art Project
213:Forms of public art
16:Art in public space
3681:Visual arts portal
3611:National galleries
3464:Eclecticism in art
3419:Catalogue raisonné
3290:Artist cooperative
2578:. MIT Press, 1993.
2534:. MIT Press, 1998.
2524:. Bay Press, 1995.
2517:. MIT Press, 2000.
2458:Durante, Dianne.
1967:The New York Times
1835:The Times of India
1817:Brookgreen Gardens
1758:The New York Times
1512:Places with a Past
1414:Rafael Schacter, "
999:American Civil War
945:Mankato, Minnesota
923:video installation
874:Heidelberg Project
864:
856:David Chipperfield
819:in Washington DC,
752:
730:Curated public art
681:", "dialog art", "
666:
647:
639:Maurizio Bolognini
588:
544:South Central L.A.
523:, promoted by the
513:
497:Chinati Foundation
438:
420:Jean-Paul Riopelle
387:(A-i-A) developed
363:
359:Stationary traffic
262:, digital lighting
233:
185:
144:
91:
3694:
3693:
3285:Artist collective
3099:Site-specific art
2949:Cultural artifact
2882:
2881:
2856:Site-specific art
2627:Library resources
2574:Crimp, Douglas.
2544:Miles, Malcolm.
2537:Burgin, Victor.
2528:Deutsche, Rosalyn
2510:, Ostfildern 2001
2435:Chris van Uffelen
2213:Los Angeles Times
1621:978-1-4051-5559-5
1108:Site-specific art
1083:List of sculptors
943:had been hung at
937:Walker Art Center
888:was removed from
704:Culture in Action
679:participatory art
345:
344:
337:
319:, as appropriate.
226:Battery Park City
80:
79:
72:
54:, as appropriate.
3719:
3650:Stolen paintings
3518:Sociology of art
3469:Economics of art
3320:Sculpture garden
3305:Artist-run space
3104:Social sculpture
2974:Installation art
2909:
2902:
2895:
2886:
2885:
2741:
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2727:
2718:
2717:
2597:
2589:Volker Plagemann
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991:public monuments
985:There have been
738:Salifou Lindou,
628:responses online
482:Noguchi's Garden
456:, as well as in
380:Great Depression
355:Ruhender Verkehr
340:
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164:site specificity
75:
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3690:
3676:Painting portal
3667:
3574:sculpture parks
3527:
3486:Elements of art
3454:Cultural policy
3396:
3348:Timeline of art
3334:
3325:Sculpture trail
3204:
3198:
3123:
3040:Performance art
2922:
2913:
2883:
2878:
2865:
2796:Decorative arts
2750:
2745:
2686:
2652:
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2650:
2635:
2634:
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2623:
2591:
2558:Doss, Erika Lee
2554:. London, 1996
2499:
2497:Florian Matzner
2451:Powers, John.
2444:Savage, Kirk.
2409:
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1211:
1203:(12): 128–127.
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1129:
1103:Sculpture trail
1058:
1052:
1032:Public Art Fund
1008:
904:in the English
901:Apollo Pavilion
845:
809:
768:percent for art
764:Public Art Fund
732:
700:Mary Jane Jacob
671:
605:entury of Light
576:
530:Sustainable art
505:
407:
398:Public Art Fund
389:percent for art
368:
361:, Cologne, 1969
341:
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194:Percent for Art
180:Chicago Picasso
172:
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149:Mary Jane Jacob
122:
88:Spire of Dublin
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3626:by nationality
3623:
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3608:
3606:Modern artists
3603:
3598:
3593:
3588:
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3549:Art techniques
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3435:deaccessioning
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3340:History of art
3336:
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3330:Virtual museum
3327:
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3227:Art exhibition
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3109:Soft sculpture
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2944:Conceptual art
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2392:. Retrieved
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2368:22 September
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2082:(1): 80–83.
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1914:The Guardian
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2979:Kinetic art
2916:Visual arts
2836:Printmaking
2831:Photography
2811:Digital art
2748:Visual arts
2713:, July 2019
2671:‹ The
2592: [
2500: [
2161:Kenzo Tange
2076:Art Journal
1993:jpallas.com
1151:Art Journal
829:KenzĹŤ Tange
795:project in
493:Donald Judd
454:Agnes Denes
248:Hill figure
3707:Public art
3701:Categories
3659:sculptures
3513:Provenance
3408:Art market
3315:Commission
3263:Art school
3251:Art museum
3217:Art colony
3205:and events
3065:street art
3060:Public art
2861:Street art
2841:Public art
2816:Filmmaking
2688:Public art
2632:Public art
2487:Public Art
2394:16 October
2266:2013-10-24
1998:2018-10-26
1840:2019-12-30
1787:2018-10-26
1763:2018-10-26
1738:2018-10-26
1447:2018-10-26
1132:References
1054:See also:
929:Sam Durant
921:to make a
885:Tilted Arc
839:in Japan.
601:Jim Pallas
597:Steve Mann
540:Ron Finley
256:Petroglyph
114:street art
94:Public art
3638:Sculptors
3544:Art media
3506:sculpture
3447:paintings
3368:Criticism
3150:paintings
3140:Collector
3072:Sculpture
2989:bricolage
2920:art world
2851:Sculpture
2821:Light art
2418:Routledge
2240:cite news
2188:. MPRNews
1732:L.A. TACO
1537:Situation
1063:ART/MEDIA
871:Detroit's
793:doual'art
789:High Line
744:doual'art
472:; and of
466:High Line
462:7000 Oaks
427:sculpture
313:talk page
200:Longevity
48:talk page
3616:Painters
3501:painting
3413:The arts
3373:feminist
3310:Biennale
3050:Portrait
3035:Painting
3006:graffiti
2959:Fine art
2918:and the
2846:Rock art
2826:Painting
2774:Ceramics
2673:template
2034:57560593
2014:Leonardo
1940:Artforum
1867:April 5,
1712:March 6,
1682:41178737
1315:March 6,
1209:44794099
1098:Plop art
1050:See also
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910:Peterlee
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821:Tim Tate
813:Maya Lin
801:Cameroon
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612:Machines
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446:land art
434:Montreal
415:La Joute
376:New Deal
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3167:Curator
3155:frescos
3092:tallest
3077:carving
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2954:Drawing
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2585:, 1989.
2548:, 1997.
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716:Minster
424:kinetic
260:mosaics
141:Germany
137:Hanover
100:in any
3643:female
3268:Europe
3203:Places
3192:Europe
3182:Patron
3172:Dealer
3162:Critic
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3082:relief
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486:Queens
3532:Lists
3523:Style
3177:Model
3128:Roles
2996:Mural
2784:Craft
2596:]
2504:]
2092:JSTOR
2030:S2CID
1888:Vogue
1678:JSTOR
1643:(PDF)
1384:Swoon
1205:JSTOR
1167:JSTOR
966:Vault
659:Leeds
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315:, or
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