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Bandoneon

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902: 952: 943: 934: 38: 818: 914: 794: 378:, a given bandoneon button produces different notes on the push and the pull. This means that each keyboard has two layouts: one for opening notes, and one for closing notes. Since the right and left hand layouts are also different, the bandoneon player is faced with learning four completely different keyboard layouts. Because of this challenge, many tango players play almost entirely on the draw/pull, and largely eschew the close stroke (using the air release button to quickly close the bellows, before resuming playing on the pull stroke). 806: 345: 432:. These "hybrid bandoneons" are internally identical to the traditional bandoneon, and preserve the tonal qualities and response of the instrument, but are intended to be easier to learn, more suitable for improvisation, and more accessible to players of other free-reed instruments. They have a similar aim to earlier chromatic bandoneon systems, but endeavour to overcome some of their ergonomic limitations by allowing the hands to move more freely, as with the western 871: 862: 844: 835: 168: 853: 457: 973: 182: 390:, or for clergy requiring a portable instrument (missionaries, traveling evangelists, army and navy chaplains, and so forth). The original more limited bandoneon layouts were supplemented more and more over time with extra chromatic keys, as the musical needs of bandoneon players became more demanding, leading to many variations. 353:
As with other members of the concertina family, the bandoneon is held between the hands, and pulling and pushing actions force air through bellows and then through particular reeds as selected by pressing the instrument's buttons. As with other concertinas, the button action is parallel to the motion
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common on accordions. Nevertheless, the bandoneon can be played very expressively, using various bellows pressures and other techniques. The left and right hand have different timbres due to the wooden box on the left side which gives the left hand a nasal and muted timbre, in contrast with the right
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Because of their origin in earlier diatonic systems that were gradually expanded to include other notes of the chromatic scale over time, bisonoric instruments are often referred to as "diatonic" bandoneons, although, with the later instruments, as used in tango, this description became a misnomer,
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from 1969 showcases the instrument, which plays the initial fugue subject on the 1st statement, then moves on to the outright tango after the introduction. With his solos and accompaniment on the bandoneon, Piazzolla combined a musical composition much derived from classical music (which he had
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These keyboard layouts are not structured to make it easy to play scale passages of single notes: they were originally laid out to facilitate playing chords in familiar keys, for supporting singers of religious music in small churches with no
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Unisonoric instruments, particularly in the Peguri system, are often referred to as "chromatic bandoneons", having been designed from the beginning with the expressed purpose of being fully chromatic instruments, unlike their
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By 1910 bandoneons were being produced in Germany expressly for the Argentine and Uruguayan markets, with 25,000 shipping to Argentina in 1930 alone. However, declining popularity and the disruption of German manufacturing in
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Historically, bandoneons were produced primarily in Germany and never in Argentina itself, despite their popularity in that country. As a result, by the 2000s vintage bandoneons had become rare and expensive (costing around
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system still dominates, as most tango repertoire was written on, and is idiomatic to, this system, and therefore certain runs and scale passages written for the tango bandoneon are more difficult on the unisonoric system.
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The left-hand buttons, on the left of the diagram, play bass notes, The right-hand buttons, on the right side, play higher-pitched notes. Each button plays a different note if the bellows are pulled open or pushed
157: 274:. It is believed that around 1870, German and Italian emigrants and sailors brought the instrument to Argentina, where it was adopted into the nascent genre of tango music, a descendant of the earlier 159: 418:(same note on push and pull). These include the Ernst Kusserow and Charles Peguri systems, both introduced around 1925. These have some popularity in Europe, but in Argentina, the 142-tone 71-key 278:. However, there is no documentation of how exactly the bandoneon was introduced in the Rio de La Plata region. The instrument was also adopted in the in genres such as the 158: 239:
by pressing the instrument's buttons. Unlike most accordions, bandoneons always employ the same sets of reeds to produce their sound, and do not usually have the
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Instrumental Tango Idioms in the Symphonic Works and Orchestral Arrangements of Astor Piazzolla. Performance and Notational Problems: A Conductor's Perspective
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While the standard bandoneon is bisonoric (different note on push and pull), with an idiosyncratic and difficult to learn layout, some bandoneon variants are
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announced its plan to develop an affordable Argentine-made bandoneon, which it hoped to market for one-third to one-half of the cost of vintage instruments.
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In the 21st century, further efforts have been made to create a simplified bandoneon, with keyboards that mimic the isomorphic layouts of chromatic
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ensembles. As with other members of the concertina family, it is held between the hands, and played by pulling and pushing air through
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Original instruments can be seen in a number of German museums, such as the Preuss family's Bandoneon Museum in
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Bandoneones Toscano (Mendoza, Argentina), Vicente Toscano, fabricante y restaurador de bandoneones.
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The bandoneon was introduced to tango music with prominent composers and bandoneonists such as
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was a leading 20th-century proponent of the bandoneon. The bandoneon player and composer
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whose style and technique established the base for the bandoneon section in the
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4,000), limiting the opportunities for prospective bandeonists. In 2014, the
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and later was developed into the sextet formation (with two bandoneons) with
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studied intensively in his formative years) with traditional instrumental
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played and arranged in Troilo's orchestra from 1939 to 1944. Piazzolla's
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Bandoneones F. F. - Juan Pablo Fredes (Gambier, La Plata, Argentina)
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The Argentinian bandleader, composer, arranger, and tango performer
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of the bellows, and not perpendicular to it as with an accordion.
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A list of some current and historical bandoneon manufacturers:
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of the day, in contrast to its predecessor, German concertina (
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as the instruments are now capable of playing in all keys.
256:(1821–1860), was originally intended as an instrument for 329: 2617: 1089:"The musical key to keeping Argentina dancing the tango" 252:
The Bandonion, so named by the German instrument dealer
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Catálogo ilustrado de instrumentos musicales argentinos
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Museo Luis Alfredo Mariani (La Reja, Moreno, Argentina)
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Danielson Industria de Acordeões e Bandoneões (Brazil)
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and the Steinhart family's collection in Kirchzarten,
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Bandoneones A. A. Alfred Arnold (Germany, until 1948)
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are similar in appearance, they are not bandoneons.
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Left. Note that each button has its number or symbol
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(30 December 2003). 1038: 558:Uwe Hartenhauer (Klingenthal, Germany) 2621: 2356: 1451: 1207: 1086: 1065: 1001:Drago, Alejandro Marcelo (May 2008). 1000: 1967: 621: 565:Pigini Fratelli & C. snc (Italy) 1143:. Ediciones Del Sol. pp. 77–. 962:(purely electric instrument with a 574:Victoria Accordions Company (Italy) 24: 1009:University of Southern Mississippi 919:Chemnitzer concertina made in 2000 907:Chemnitzer concertina made in 1926 579:List of Repair and Tuning Services 25: 2853: 1282:Accordion reed ranks and switches 1186: 398:can also be re-analysed, through 1233: 1087:Jemio, Diego (6 November 2014). 971: 950: 941: 932: 912: 900: 869: 860: 851: 842: 833: 816: 804: 792: 589:Sergio Palestrini (restauration) 536:D. & J. Trupin SARL (France) 36: 782: 79:Hornbostel–Sachs classification 1108: 1080: 1059: 799:Alfred Arnold bandoneon. Right 445: 13: 1: 2827:Argentine musical instruments 1066:Solis, Marcelo (2016-03-06). 980: 405: 186: 172: 583: 357: 339: 334:National University of Lanús 7: 1307:Chromatic button accordions 1045:. McFarland. pp. 69–. 1028:– via Aquila Digital. 828:A look inside a bandoneon: 598:Taller Galvan (retauration) 10: 2858: 1330:Diatonic button accordions 1199:Christian's Bandoneon Page 879:Bandoneon-like instruments 611: 451: 434:chromatic button accordion 247: 2793: 2755: 2706: 2653: 2647: 2587: 2496: 2433: 2202: 2122: 2024: 1931: 1852: 1814: 1754: 1721: 1641: 1534: 1486: 1407: 1328: 1305: 1274: 1241: 1168:"The Classical Bandoneón" 592:Luciano Dujmovic (tuning) 185:Alfred Arnold bandoneon, 143: 138: 111: 104: 96: 77: 49: 44: 35: 539:Oscar Fisher (Argentina) 215:particularly popular in 1195:Bandoneon's Portal Page 1172:The Classical Free-Reed 548:Klaus Gutjahr (Germany) 604:Fuelles Rial (bellows) 552:Harry Geuns Bandoneons 527:Mario Bianco (Uruguay) 464: 420: 350: 266: 204: 192: 178: 164: 1427:Chemnitzer concertina 1297:Stradella bass system 892:Chemnitzer concertina 494:List of manufacturers 459: 347: 184: 170: 162: 113:Chemnitzer concertina 1478:Music genres in the 1390:Steirische Harmonika 1126:– via Youtube. 2441:Afro-Peruvian music 1764:Afro-Peruvian music 1320:Schrammel accordion 1193:Proyecto Bandomecum 742:Claudio Constantini 106:Related instruments 32: 2347:Charanga-vallenata 1779:Son de los Diablos 1437:English concertina 1261:Georgian accordion 752:Per Arne Glorvigen 730:Juan José Mosalini 706:Alberto Caracciolo 530:Castagnari (Italy) 465: 351: 223:. 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1899: 1897: 1894: 1892: 1889: 1885: 1882: 1880: 1877: 1876: 1875: 1872: 1870: 1867: 1865: 1862: 1861: 1859: 1857: 1851: 1845: 1842: 1840: 1839:Nueva canción 1837: 1835: 1832: 1830: 1827: 1825: 1822: 1821: 1819: 1817: 1813: 1807: 1804: 1802: 1799: 1797: 1794: 1792: 1789: 1785: 1782: 1780: 1777: 1775: 1772: 1770: 1767: 1766: 1765: 1762: 1761: 1759: 1757: 1753: 1745: 1742: 1741: 1740: 1737: 1735: 1732: 1730: 1727: 1726: 1724: 1720: 1710: 1707: 1705: 1702: 1700: 1697: 1695: 1692: 1690: 1687: 1686: 1684: 1682: 1678: 1672: 1669: 1667: 1664: 1662: 1659: 1657: 1654: 1652: 1649: 1648: 1646: 1644: 1640: 1634: 1631: 1629: 1626: 1624: 1621: 1619: 1616: 1614: 1611: 1608: 1604: 1602: 1599: 1595: 1592: 1590: 1587: 1585: 1582: 1580: 1579:Flamenco jazz 1577: 1575: 1572: 1570: 1567: 1565: 1562: 1561: 1560: 1557: 1555: 1552: 1550: 1547: 1545: 1544:Catalan rumba 1542: 1541: 1539: 1537: 1536:Spaniard folk 1533: 1527: 1524: 1522: 1519: 1517: 1514: 1512: 1509: 1507: 1504: 1502: 1499: 1497: 1494: 1493: 1491: 1489: 1485: 1481: 1480:Hispanosphere 1473: 1468: 1466: 1461: 1459: 1454: 1453: 1450: 1438: 1435: 1433: 1430: 1428: 1425: 1423: 1420: 1418: 1415: 1414: 1412: 1410: 1406: 1396: 1393: 1391: 1388: 1386: 1383: 1381: 1378: 1376: 1373: 1371: 1368: 1364: 1361: 1359: 1356: 1354: 1351: 1350: 1349: 1346: 1344: 1341: 1339: 1336: 1335: 1333: 1331: 1327: 1321: 1318: 1316: 1313: 1312: 1310: 1308: 1304: 1298: 1295: 1293: 1290: 1288: 1285: 1283: 1280: 1279: 1277: 1273: 1267: 1264: 1262: 1259: 1257: 1254: 1252: 1249: 1248: 1246: 1244: 1240: 1236: 1229: 1224: 1222: 1217: 1215: 1210: 1209: 1206: 1200: 1197: 1194: 1191: 1190: 1173: 1169: 1165: 1161: 1160: 1152: 1146: 1142: 1141: 1133: 1119: 1118: 1111: 1096: 1095: 1090: 1083: 1069: 1062: 1054: 1048: 1044: 1043: 1035: 1020: 1014: 1010: 1006: 1005: 997: 995: 993: 991: 986: 974: 969: 968: 967: 966:attachment): 965: 961: 960:BandoMIneDonI 953: 948: 944: 939: 935: 930: 929: 928: 926: 915: 910: 903: 898: 897: 896: 894: 893: 888: 886: 872: 867: 863: 858: 854: 849: 845: 840: 836: 831: 830: 829: 819: 814: 807: 802: 795: 790: 789: 788: 778: 775: 773: 770: 768: 765: 763: 762:Ryōta Komatsu 760: 758: 755: 753: 750: 748: 745: 743: 740: 737: 734: 731: 728: 725: 722: 719: 716: 713: 710: 707: 704: 701: 698: 695: 692: 689: 688:Hector Varela 686: 683: 682:Aníbal Troilo 680: 677: 674: 671: 668: 665: 664:Pedro Laurenz 662: 659: 656: 653: 650: 647: 646:Anselmo Aieta 644: 641: 638: 635: 634:Augusto Berto 632: 629: 628:Vicente Greco 626: 625: 619: 618: 606: 603: 600: 597: 594: 591: 588: 587: 573: 570: 567: 564: 561: 559: 556: 553: 550: 547: 544: 541: 538: 535: 532: 529: 526: 523: 520: 517: 514: 510: 507: 504: 501: 500: 499: 491: 489: 488: 483: 478: 474: 470: 469:Aníbal Troilo 462: 458: 449: 447: 441: 439: 436:, or eastern 435: 431: 426: 422: 417: 413: 403: 401: 397: 391: 389: 385: 379: 377: 373: 369: 365: 355: 346: 337: 335: 331: 325: 323: 319: 314: 312: 308: 307:Pedro Laurenz 304: 300: 299:Vicente Greco 296: 291: 289: 283: 281: 277: 273: 268: 263: 262:popular music 259: 255: 254:Heinrich Band 245: 242: 238: 234: 230: 226: 222: 218: 214: 211:is a type of 210: 206: 202: 198: 183: 169: 150: 149:Aníbal Troilo 146: 142: 137: 134: 130: 126: 122: 118: 114: 110: 107: 103: 99: 95: 91: 88: 82: 80: 76: 70: 67: 65: 62: 60: 57: 56: 54: 52: 48: 43: 39: 34: 19: 2692: 2574:Spanish jazz 2497:Other genres 2099:Puerto Rican 2006: 1421: 1235:Squeezeboxes 1175:. Retrieved 1171: 1139: 1132: 1121:. Retrieved 1116: 1110: 1098:. Retrieved 1092: 1082: 1071:. Retrieved 1061: 1041: 1034: 1022:. Retrieved 1003: 959: 958: 925:Chromatiphon 924: 923: 890: 889: 885:squeezeboxes 882: 827: 786: 783:Construction 777:Dino Saluzzi 757:Gianni Iorio 736:Rubén Juárez 658:Pedro Maffia 615: 511:Bandoneones 497: 485: 476: 466: 442: 427: 409: 395: 392: 380: 361: 352: 326: 315: 303:Pedro Maffia 292: 288:World War II 284: 251: 208: 196: 194: 2738:Stage Tango 2735:Salon Tango 2683:Nuevo tango 2595:Latin music 2519:Contradanza 2411:Tecnocumbia 2386:New Chilean 2371:Bullerengue 2227:Cha-cha-cha 2160:jalisciense 2150:Mexican Son 2034:Alternative 1997:Nuevo tango 1896:Duranguense 1844:Nueva trova 1689:Alternative 1643:Latin urban 1501:Carnavalito 1409:Concertinas 1177:31 December 1100:13 November 1024:31 December 811:Center 738:(1947–2010) 732:(1943–2022) 726:(1927–2014) 720:(1921–1992) 714:(1918–2000) 708:(1918–1994) 702:(1916–2000) 696:(1916–1992) 690:(1914–1987) 684:(1914–1975) 678:(1907–1972) 676:Miguel Caló 672:(1905–1974) 666:(1902–1972) 660:(1899–1967) 654:(1897–1984) 648:(1896–1964) 642:(1892–1924) 636:(1889–1953) 630:(1888–1924) 515:(Argentina) 487:nuevo tango 416:monosonoric 362:Unlike the 318:Lichtenberg 190: 1949 176: 1905 2832:Concertina 2821:Categories 2801:Milonguero 2579:Villancico 2461:Latin jazz 2434:Afro-Latin 2391:Panamanian 2321:Son cubano 2114:Venezuelan 2074:Latin rock 2069:Ecuadorian 1729:Chamarrita 1722:Litoraleña 1709:Panamanian 1699:Moombahton 1605:Isa (from 1275:Components 1243:Accordions 1123:2023-07-28 1073:2024-07-04 1007:(Thesis). 981:References 787:Exterior: 484:, to form 421:rheinische 412:unisonoric 406:Unisonoric 272:folk music 267:Konzertina 225:instrument 213:concertina 129:reed organ 117:concertina 2693:Bandoneon 2600:subgenres 2539:Pasacalle 2514:Christian 2504:Aguinaldo 2376:Colombian 2366:Argentine 2343:Vallenato 2314:romántica 2297:Guaguancó 2177:Zamacueca 2130:Chacarera 2109:Uruguayan 2089:Nueva ola 2064:Dominican 2054:Colombian 2039:Argentine 2007:Bandoneon 1829:Colombian 1816:Latin pop 1806:Zamacueca 1784:Toro Mata 1704:Neoperreo 1681:Reggaeton 1628:Tajaraste 1623:Pasodoble 1618:Malagueña 1422:Bandoneón 1395:Trikitixa 1380:Organetto 1375:Harmonium 1370:Heligonka 1363:Saratovka 584:Argentina 554:(Belgium) 524:(Germany) 448:cousins. 446:bisonoric 388:harmonium 376:harmonica 358:Bisonoric 340:Technique 258:religious 217:Argentina 209:bandonion 205:bandoneón 197:bandoneon 139:Musicians 121:harmonica 97:Developed 90:aerophone 87:Free-reed 64:Free reed 59:Aerophone 31:Bandoneon 18:Bandoneón 2770:Practica 2731:Neotango 2678:Neotango 2456:Candombe 2396:Peruvian 2287:Pachanga 2282:Méringue 2277:Merengue 2267:Guaracha 2252:Cuarteto 2242:Charanga 2232:Champeta 2204:Tropical 2187:Marinera 2155:huasteco 2094:Peruvian 1992:Neotango 1939:Candombe 1916:Ranchera 1906:Mariachi 1869:Conjunto 1854:Regional 1791:Marinera 1734:Guarania 1694:Bachatón 1633:Zarzuela 1574:Cantiñas 1569:Bulerías 1559:Flamenco 1554:Fandango 1516:Morenada 1506:Diablada 1287:Cassotto 1166:(1998). 1094:BBC News 477:"Fugata" 396:Diatonic 368:melodeon 322:Freiburg 227:in most 125:melodeon 2806:History 2780:Cortina 2775:Mundial 2765:Milonga 2747:Figures 2721:Milonga 2668:Milonga 2588:Related 2544:Pasillo 2524:Criolla 2478:Milonga 2421:Cachaca 2416:Villera 2381:Mexican 2326:montuno 2262:Guajira 2237:Changüí 2222:Calypso 2212:Bachata 2165:jarocho 2104:Spanish 2084:Mexican 2049:Chilean 2044:Chicano 1982:Milonga 1954:Milonga 1891:Grupera 1874:Norteño 1864:Corrido 1856:Mexican 1834:Mexican 1796:Tondero 1769:Festejo 1744:Chamamé 1666:R&B 1651:Hip hop 1564:Alboreá 1496:Bambuco 1358:Livenka 1353:Khromka 1343:Flutina 612:Germany 463:in 1971 452:Players 349:closed. 280:Chamamé 276:milonga 248:History 233:bellows 221:Uruguay 201:Spanish 83:412.132 2757:Events 2554:Pregón 2534:Décima 2483:Tambor 2473:Mapalé 2358:Cumbia 2257:Danzón 2217:Bolero 2172:Tonada 2145:Joropo 1923:Trival 1911:Jarabe 1884:Tejano 1879:Nortec 1824:Ballad 1661:Reggae 1511:Huayno 1488:Andean 1348:Garmon 1147:  1049:  1015:  2842:Tango 2785:Tanda 2742:Ronda 2708:Dance 2655:Music 2648:Tango 2549:Plena 2529:Danza 2446:Bomba 2401:Porro 2338:Trova 2333:Timba 2304:Salsa 2292:Rumba 2272:Mambo 2247:Conga 2192:Zamba 2182:Cueca 2079:Metal 2059:Cuban 1969:Tango 1959:Murga 1944:Cueca 1901:Banda 1774:Landó 1656:House 1601:Folia 1594:Soleá 1589:Saeta 1549:Copla 1526:Tinku 1315:Bayan 482:tango 438:bayan 384:organ 374:, or 237:reeds 229:tango 207:) or 2794:Misc 2726:Vals 2673:Vals 2564:Seis 2309:dura 2140:Gato 2026:Rock 1987:Vals 1801:Vals 1671:Trap 1613:Jota 1521:Saya 1179:2021 1145:ISBN 1102:2014 1047:ISBN 1026:2021 1013:ISBN 964:MIDI 305:and 297:and 260:and 219:and 195:The 69:Wind 2406:Rap 440:. 414:or 386:or 2823:: 1170:. 1091:. 1011:. 989:^ 927:: 895:: 370:, 330:$ 313:. 282:. 203:: 187:c. 173:c. 147:, 133:yu 131:, 127:, 123:, 119:, 115:, 2641:e 2634:t 2627:v 2349:) 2345:( 1609:) 1471:e 1464:t 1457:v 1227:e 1220:t 1213:v 1181:. 1153:. 1104:. 1076:. 1055:. 199:( 92:) 85:( 20:)

Index

Bandoneón

Classification
Aerophone
Free reed
Wind
Hornbostel–Sachs classification
Free-reed
aerophone
Related instruments
Chemnitzer concertina
concertina
harmonica
melodeon
reed organ
yu
Ástor Piazzolla
Aníbal Troilo


Spanish
concertina
Argentina
Uruguay
instrument
tango
bellows
reeds
register switches
Heinrich Band

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