1227:
instrument sounds the same note on both press and draw, it needs two reeds for any given note in its range, where a single-action instrument—which sounds a different note on press and draw—requires only one. Any double-action instrument thus requires roughly twice as many reeds as an equivalent single-action instrument, making it larger and considerably heavier. (Another way to understand this difference is to consider the fact that a double-action instrument generally requires twice as many keys or buttons to produce a range of notes as a single-action instrument: for example, a piano accordion requires 8 keys (16 reeds) to sound a diatonic scale from C to C', where a DBA pitched in C requires 4 buttons (8 reeds) to produce the same notes.) This size and weight advantage is somewhat eroded in more complex, multi-row variants of the DBA, alluded to below.
1095:
1231:"smooths out" the musical phrasing; on semitone-apart systems, depending on the key of the piece being played, players may be obliged to adopt a smoother style.) Additionally, the close-togetherness of the notes on a DBA allow some tunes (particularly the quick folkdances and tunes written for the instrument) to be played with more ease and speed than on the more spread-out keyboards of chromatic- and piano-accordions. For example, playing an Irish reel might be easier on a B/C system diatonic than on a piano-accordion, and a Swiss
36:
157:
941:
990:
357:
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Some modern players, particularly in France, are driving a trend towards instruments with more complex bass systems, with as many as 16 or even 18 buttons. Sometimes these more elaborate systems will diverge from the single-action principle, and may feature bass notes only instead of bass-chord pairs
1001:
Commonly used in continental Europe are two-row systems in G/C and C/F and three-row systems in G/C/F, but many other permutations exist. In
England, in the latter part of the 20th century, the D/G configuration became firmly established as the standard for interpreting traditional music of England,
997:
Fourth-apart systems are the most widespread form of multi-row DBA. Moving from the outside of the keyboard towards the inside, each row is pitched one-fourth higher than its neighbour. Conventionally, the outer keyboard row is specified first: for an example, on a G/C instrument the outer row is in
850:
Note: the first button in the example above, numbered 1, is likely to be the 3rd or 4th button in a row on an instrument. Also note the pattern of push/pull to ascend the scale is broken on the return to the root note, this ensures that the root note in both octaves (in this example C and C') are in
1112:
available. As a result, such instruments could strictly be termed chromatic (rather than diatonic) instruments. In practice, however, the restrictions imposed by the single action and layout of the keyboard lead most players to keep to a fairly restricted range of keys (albeit a wider range than is
1230:
The rhythmic effects inherent in the push-pull action are very well suited to the lively rhythms of dance music, and traditional dance music in particular. (On multi-row fourth-apart instruments, players can to some extent counter the natural push-pull effect with a row-crossing playing style that
1071:
Another feature designed to increase the flexibility of fourth-apart systems is the inclusion of notes that lie beyond the diatonic scales of each row, or "accidentals". These notes are most often operated by the buttons at the top of the keyboard (that is, closest to the player's chin), below the
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Multi-row systems obviously extend the range of tonalities available. But since many notes in the additional rows are "reversals" (duplicate notes produced by the opposite bellows action), multi-row systems allow greater flexibility of phrasing, since the player can often choose whether or not to
1246:
The main disadvantage of the diatonic system is that playing in a wide range of keys is impractical. Attempts to overcome this limitation, for example by adding extra rows and more complicated bass systems, invariably add extra bulk and weight, thereby compromising an advantage in striving to
1226:
The size and weight difference results from the nature of accordion reeds, which produce sound when air is moved through them in one direction only. In other words, for any key or button, two reeds are necessary: one to sound on the press, and one to sound on the draw. Because a double-action
977:
A one-row DBA has the advantages of being light and compact, but is by its nature limited to the notes of a single diatonic scale. Since the mid-to-late 19th century, instruments have been produced with more than one row in order to give players a greater choice of scales and tonalities.
1063:
change bellows direction, or to harmonize with a particular chord, by choosing a note from one row or another. Styles of play have developed in which row-crossing allows the bass side to be used to maximum effect, and the number of changes of bellows direction greatly reduced.
956:
can be played. For example, an instrument in D can play music in D major and B minor. However, the variety of music that can be played on a one-row instrument is wider than these facts might suggest: besides D major and B minor, our one-row instrument in D can play tunes in A
360:
359:
859:
Since there are seven notes in the diatonic scale, and since each button produces two notes, the note pairings on the buttons change in each octave. In the second full octave of the instrument's range, E is paired with D (instead of with F in the first octave), and so on.
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When the bellows are pressed, every button produces a note from the major triad of the home key; in this case, the pattern CEG repeats itself throughout the keyboard. The remaining notes of the diatonic scale are produced when the bellows are drawn or pulled.
362:
1222:
DBAs have two main advantages when compared with chromatic accordions such as piano accordions and chromatic button accordions: 1) smaller size and lighter weight, 2) and the rhythmic effects inherent in the single ("push-pull") action.
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Traditionally, one-row instruments have two or four buttons on the bass side, two-row instruments have eight, and three-row instruments twelve. As mentioned above, bass buttons are conventionally arranged in bass-note/chord pairs.
740:) keyboard, meaning that each button produces two notes: one when the bellows are pressed or pushed (closed) and another when the bellows are drawn or pulled (opened). In this respect, these instruments operate like a harmonica.
76:, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Knowledge.
925:
Because the range of each row is typically restricted to two complete octaves (with a few notes above and below), the inconsistent note pairing from one octave to the next remains manageable.
361:
1606:
1134:. However, since the mid-20th century two main systems have been in widespread use: the B/C system, used mainly for Irish and Scottish music, along with its larger cousin, the B/C/C
1146:/D system, somewhat less common, used mainly in Irish music. (Irish-American musicians of the mid-20th century used this system with the position of the rows reversed, i.e. D/C
1214:
has a single melody row augmented with a very short half-row of between two and four buttons (often smaller in diameter than those on the main row) providing reversals only.
1108:
In semitone-apart systems, moving in from the outside the keyboard, each row is pitched a semitone higher than its neighbour. This configuration makes all the notes of the
86:
1741:
1083:(unisonoric second-octave tonic in the centre of the middle row), this system allows players to obtain a fully chromatic scale – albeit in one direction only (draw).
279:
Diatonic button accordions are popular in many countries, and used mainly for playing popular music and traditional folk music, and modern offshoots of these genres.
1178:) used in Scotland provides a notable example of the use of a double-action bass side with a single-action melody side: these instruments frequently feature a full
635:
721:: on a single-action instrument, a button or key which produces a note available elsewhere on the keyboard, but obtained by using the opposite bellows direction
1425:
1276:
1460:
1253:
accordions with 120-button
Stradella basses: the size and weight of both these types can be greater than medium-sized piano or chromatic accordions.
96:
Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
784:
For example, on a melody row pitched in C, the notes of the lower full octave of the instrument's range are assigned to four buttons as follows:
330:) is reserved for instruments with a single row of melody buttons (a "one-row" instrument), while instruments with two or three rows are called
744:
708:
1367:, Cohen Braithwaite-Kilcoyne, Martin Ellison, Paul Young, Will Pound, Frankie Insley, Archie Churchill-Moss, Max Thomas of Skinny Lister
751:
737:
712:
690:
2119:
594:
564:
1086:
Another use of such additional short rows, or half-rows, is to provide reversals (see above) to give the player greater flexibility.
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1247:
overcome a disadvantage. Extreme examples are 18-bass three-row instruments of the type favoured by some French musicians, and B/C/C
743:(In contrast, most other types of accordion, for example piano accordions and chromatic button accordions, are "double-action" – or
353:
To simplify matters and avoid ambiguity, in the remainder of this article the term diatonic button accordion, or DBA, will be used.
1243:
than on a piano or even a chromatic due to the chordal/arpeggio phrases that fall naturally on the buttons that are arranged thus.
1075:
Accidentals are sometimes placed on two extra buttons, or a shorter third row of four or more buttons, close to the bellows. The
1079:
developed by Hohner is a well-established example of this approach. Using the accidentals, and with the added modification of a
851:
the same "push" direction. This also has the effect of keeping melody notes in an ideal direction for chords on the left hand.
1682:
1875:
1813:
17:
369:
Folk music "The
Adventure of the Sailor". Henrik Hinrikus is playing the Teppo type (Estonian) diatonic button accordion.
81:
229:
104:
1931:
1637:
164:
117:
Content in this edit is translated from the existing French
Knowledge article at ]; see its history for attribution.
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Several distinct variations of the DBA have developed in different regions of the world. These include the
Russian
1290:
2112:
1703:
1210:; the last two combine single- and double-action (bisonoric and unisonoric) features. A common type of Italian
126:
981:
Multi-row systems can be divided into two broad classes: "fourth-apart" systems and "semitone-apart" systems.
754:
members of the free-reed family include the German concertina, the Anglo-German (or "Anglo") concertina, the
268:-side keyboard are most commonly arranged in pairs, with one button of a pair sounding the fundamental of a
781:
Because each button produces two notes, the diatonic scale can be covered in four buttons on a melody row.
287:
Various terms for the diatonic button accordion are used in different parts of the
English-speaking world.
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1514:
1340:
1956:
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1490:
1344:
928:
For detailed diagrams of typical note layouts on various types of diatonic button accordion (DBA), see
309:) is commonly used, regardless of whether the instrument has one, two, or three rows of melody buttons.
209:
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2105:
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257:-side keyboard contains one or more rows of buttons, with each row producing the notes of a single
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1104:/D by the Paolo Soprani company, of the type favoured by Irish musicians; grey celluloid finish.
2012:
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1946:
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and E/A/D. The three-row fourth-apart configuration is known as the "international system."
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8:
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The Swiss variant, with a double-action bass keyboard, is known in the local German as a
246:
169:
2183:
2622:
2549:
2371:
2219:
2086:
1910:
1718:
Smith, Graeme. "Modern-Style Irish
Accordion Playing: History, Biography and Class" in
1456:
707:: refers to an instrument on which each key or button produces a single note, as does
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2244:
1964:
1905:
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There are varieties of diatonic button accordion that are double-action, such as the
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In North
America, both one-row and multi-row instruments are usually simply called
250:
225:
727:: any note of the chromatic scale outside the diatonic scale of a DBA's "home" key
689:: refers to an instrument on which each key or button produces two notes, as does
345:. (Historically, the term melodeon was applied to various 19th-century free-reed
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Belgium: Wilfrid Moonen, Rik Boone, Louis Spagna, Toon Van Mierlo, Pascale Rubens
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747:– because each key produces a single note regardless of bellows direction.)
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The Alpine
Austrian variant, with amplified bass notes reminiscent of the
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Italian
Diatonic Accordion Academy – The Diatonic Accordion Conservatory
1202:-style accordion that is popular in Alpine regions of Europe, the Swiss
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1474:
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Three-row systems are also popular in Mexico and the United States (in
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to the source of your translation. A model attribution edit summary is
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2142:
1217:
676:
The following definitions will assist understanding of this article.
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2167:
2071:
2029:
2024:
2019:
1892:
1774:"Musician's Guide to the Club System Button Accordion - Introduction"
1756:"Musician's Guide to the Club System Button Accordion - Introduction"
1558:
1553:
1360:
1348:
1207:
1026:
763:
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1936:
1742:"Musician's Guide to Acordeon Conjunto Norteño - Table of Contents"
1336:
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258:
776:
2193:
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2002:
1992:
380:
73:
2234:
1997:
1853:
1191:
1018:
770:
613:
254:
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1122:, and many variants have been used over the years, notably D/D
2405:
2307:
1848:
1182:
as used on piano accordions and chromatic button accordions.
1140:
system (which is now little used outside Scotland); and the C
944:
Diatonic button accordion (German make, early 20th century).
1185:
736:
Most diatonic button accordions have a "single-action" (or
1843:
929:
85:
to this template: there are already 1,480 articles in the
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1814:"More fans of the accordion are squeezing in lessons"
1002:
and particularly for the accompaniment of social and
598:(lit. major instrument), covering all number of rows.
304:
1655:. Ulster Folk and Transport Museum. 1996. p. 89
69:
27:
Musical instrument of the free-reed aerophone family
1218:
Advantages and disadvantages of the diatonic system
693:(a term recently coined on the model of the French
601:In Portugal (especially in the north) it is called
1539:includes parts for melodeon (movements I–III) and
2609:
554:
548:
542:
429:
423:
417:
411:
405:
249:family of musical instruments. It is a type of
993:Three-row button accordion with 12 bass buttons
777:Distribution of notes on the keyboard and range
1677:, Cork University Press, Cork, Ireland, 2012.
462:
111:accompanying your translation by providing an
60:Click for important translation instructions.
47:expand this article with text translated from
2113:
1869:
683:: abbreviation for diatonic button accordion
647:
578:
572:
529:
471:
438:
1066:
965:, and tunes that use gapped scales, such as
605:, not to be confused with the English word "
499:The usual German terms are 'Ziehharmonika',
491:
485:
479:
396:
390:
384:
1792:"The British Button Box - John Kirkpatrick"
1696:Škola hry na diatonické harmoniky helikónky
1632:. Cleckheaton, Yorkshire: mally.com (2002)
1428:Massimiliano Morabito, Donatello Pisanello.
528:In Italy, a diatonic button accordion is a
453:
447:
325:
2120:
2106:
1876:
1862:
1116:The earliest semitone-apart system was C/C
496:is sometimes used for one-row instruments.
1807:
1805:
1113:practical on most fourth-apart systems).
1089:
1186:Geographical variations on the DBA theme
1093:
988:
939:
571:In Mexico, as in Colombia, it is called
355:
984:
711:(recently coined as the counterpart of
14:
2610:
1811:
1802:
1029:and Folklor musics). Tunings include B
373:
272:and the other the corresponding major
123:{{Translated|fr|Accordéon diatonique}}
2101:
1857:
1693:
1533:Dances from a New England Album, 1856
1722:, Vol. 41. No. 3, Fall 1997, page 3.
1675:Companion to Irish Traditional Music
972:
948:On a one-row DBA, music in a single
29:
592:(lit. two-row) or the general term
404:The Brazilian Portuguese terms are
291:In Britain and Australia, the term
230:Accordion reed ranks & switches
24:
1256:
998:the key of G, the inner row in C.
25:
2634:
1932:Accordion reed ranks and switches
1837:
935:
758:, the Chemnitzer concertina (see
1883:
969:tunes with a root of D, G or A.
276:(or, sometimes, a minor triad).
155:
34:
2127:
1812:Gerber, Marisa (3 April 2014).
1784:
1609:Picture of Steirische Harmonika
1607:Bild:Schwarz-kaerntnerlkand.jpg
1600:
1155:
282:
177:Hornbostel–Sachs classification
2494:which exist in various meters.
1766:
1748:
1734:
1725:
1712:
1687:
1667:
1643:
1622:
121:You may also add the template
13:
1:
1521:
1239:might be easier to play on a
1098:1950s two-row instrument in C
541:In Limburgish it is known as
216:, Diatonic button accordion,
1615:
1594:
1526:
1515:Mojo & The Bayou Gypsies
200:More articles or information
7:
1957:Chromatic button accordions
1547:
1072:lowest notes of the scale.
671:
93:will aid in categorization.
10:
2639:
1980:Diatonic button accordions
1569:Chromatic button accordion
1174:system (also known as the
663:In Argentina it is called
521:, is known in German as a
210:Chromatic button accordion
68:Machine translation, like
2584:
2571:Fleadh Cheoil na hÉireann
2563:
2537:
2501:
2283:
2202:
2189:Traditional Irish singing
2176:
2135:
2057:
1978:
1955:
1924:
1891:
1796:www.johnkirkpatrick.co.uk
1067:Accidentals and reversals
1025:musics) and Colombia (in
731:
243:diatonic button accordion
204:
199:
192:
187:
175:
163:
154:
49:the corresponding article
1589:
1438:Netherlands: Frans Tromp
1176:British Chromatic System
2597:RTÉ Radio 1 Folk Awards
2148:Irish traditional music
1673:Vallely, Fintan (ed.),
762:) and the mouth organ (
750:Other single-action or
562:The Lithuanian term is
132:For more guidance, see
2430:Single and double jigs
1509:(Louisiana "Zydeco"),
1105:
1090:Semitone-apart systems
994:
945:
648:
633:The Slovenian term is
586:The Norwegian term is
579:
573:
555:
549:
543:
530:
492:
486:
480:
472:
463:
454:
448:
439:
430:
424:
418:
413:sanfona de oito baixos
412:
406:
397:
391:
385:
370:
326:
321:
305:
300:
2576:Oireachtas na Gaeilge
2077:Chemnitzer concertina
1947:Stradella bass system
1513:("Conjunto") Mojo of
1505:(Louisiana Cajun), J
1180:Stradella bass system
1097:
992:
952:key and its relative
943:
531:fisarmonica diatonica
461:The Estonian term is
410:(lit. eight basses),
379:The Basque terms are
368:
264:. The buttons on the
222:Stradella bass system
194:List of accordionists
134:Knowledge:Translation
105:copyright attribution
2545:Cape Breton fiddling
2040:Steirische Harmonika
1698:. Prague: Trizonia.
1517:(Zydeco & Cajun)
1316:Dominican Republic:
1309:(Porro and Cumbia),
1196:Steirische Harmonika
985:Fourth-apart systems
654:The Swedish term is
646:and more frequently
636:diatoniÄŤna harmonika
612:The Russian term is
523:Steirische Harmonika
481:accordéon diatonique
478:In France, the term
473:kaksirivinen haitari
470:The Finnish term is
446:The Dutch terms are
437:The Catalan term is
183:(sets of free reeds)
18:Melodeon (accordion)
2555:Scottish folk music
1970:Schrammel accordion
1047:, A/D/G, G/C/F, F/B
865:
789:
626:The Slovak term is
580:acordeĂłn de botones
398:akordeoi diatonikoa
374:International terms
247:free-reed aerophone
245:is a member of the
170:Free-reed aerophone
151:
2550:English folk music
2087:English concertina
1911:Georgian accordion
1778:www.delaguerre.com
1760:www.delaguerre.com
1694:Puchmertl, Miloš.
1426:Ambrogio_Sparagna,
1320:(Merengue Tipico)
1106:
995:
946:
863:
787:
619:The Czech term is
574:acordeĂłn diatĂłnico
425:acordeĂŁo diatĂ´nico
422:(lit. goat foot),
371:
149:
113:interlanguage link
2605:
2604:
2454:Hop and slip jigs
2245:Hammered dulcimer
2095:
2094:
2053:
2052:
1906:Digital accordion
1819:Los Angeles Times
1683:978-1-85918-450-9
1628:Mallinson, Dave.
1535:for orchestra by
1324:(Merengue Tipico)
1291:Alfredo Gutiérrez
1277:Gilberto Monteiro
973:Multi-row systems
923:
922:
847:
846:
366:
332:button accordions
235:
234:
145:
144:
61:
57:
16:(Redirected from
2630:
2592:Gradam Ceoil TG4
2529:Pentatonic scale
2473:
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2326:
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2324:
2303:
2302:
2301:
2300:
2184:Sean-nĂłs singing
2158:Music of Ireland
2122:
2115:
2108:
2099:
2098:
2067:Anglo concertina
1942:Free-bass system
1922:
1921:
1901:Button accordion
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1641:
1630:The D/G Melodeon
1626:
1610:
1604:
1499:Huddie Ledbetter
1479:Fergie MacDonald
1461:Tom Willy Rustad
1400:MáirtĂn O'Connor
1341:John Kirkpatrick
1322:Tatico Henriquez
1273:Renato Borghetti
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440:acordió diatònic
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394:
388:
367:
329:
308:
251:button accordion
226:Free-bass system
159:
152:
148:
124:
118:
92:
91:|topic=
89:, and specifying
74:Google Translate
59:
55:
38:
37:
30:
21:
2638:
2637:
2633:
2632:
2631:
2629:
2628:
2627:
2608:
2607:
2606:
2601:
2580:
2559:
2533:
2524:Mixolydian mode
2497:
2484:Non-dance tunes
2469:
2464:
2463:
2462:
2461:
2460:
2445:
2440:
2439:
2438:
2437:
2436:
2421:
2416:
2415:
2414:
2413:
2412:
2392:
2387:
2386:
2385:
2384:
2383:
2338:
2333:
2332:
2331:
2330:
2329:
2323:
2318:
2317:
2316:
2315:
2314:
2299:
2294:
2293:
2292:
2291:
2290:
2279:
2198:
2172:
2131:
2126:
2096:
2091:
2082:Duet concertina
2049:
1988:Cajun accordion
1974:
1951:
1920:
1916:Piano accordion
1887:
1882:
1840:
1835:
1834:
1824:
1822:
1810:
1803:
1790:
1789:
1785:
1772:
1771:
1767:
1754:
1753:
1749:
1740:
1739:
1735:
1730:
1726:
1720:Ethnomusicology
1717:
1713:
1706:
1692:
1688:
1672:
1668:
1658:
1656:
1652:Ulster Folklife
1649:
1648:
1644:
1627:
1623:
1618:
1613:
1605:
1601:
1597:
1592:
1579:Piano accordion
1564:Cajun accordion
1550:
1537:William Bergsma
1529:
1524:
1457:Rannveig Djønne
1412:Johnny Connolly
1303:Colacho Mendoza
1299:Emiliano Zuleta
1259:
1257:Notable players
1249:
1248:
1220:
1206:and the Basque
1188:
1170:
1169:
1158:
1148:
1147:
1142:
1141:
1136:
1135:
1130:
1129:
1124:
1123:
1118:
1117:
1110:chromatic scale
1100:
1099:
1092:
1069:
1055:
1054:
1049:
1048:
1043:
1042:
1037:
1036:
1031:
1030:
987:
975:
938:
779:
734:
674:
638:
376:
356:
297:Scottish Gaelic
285:
218:Piano accordion
182:
141:
140:
139:
122:
116:
90:
62:
39:
35:
28:
23:
22:
15:
12:
11:
5:
2636:
2626:
2625:
2620:
2603:
2602:
2600:
2599:
2594:
2588:
2586:
2582:
2581:
2579:
2578:
2573:
2567:
2565:
2561:
2560:
2558:
2557:
2552:
2547:
2541:
2539:
2535:
2534:
2532:
2531:
2526:
2521:
2516:
2511:
2505:
2503:
2499:
2498:
2496:
2495:
2485:
2481:
2480:
2475:
2465:
2457:
2456:
2451:
2441:
2433:
2432:
2427:
2417:
2409:
2408:
2403:
2398:
2388:
2380:
2379:
2374:
2369:
2364:
2359:
2354:
2349:
2344:
2334:
2319:
2311:
2310:
2305:
2295:
2287:
2285:
2281:
2280:
2278:
2277:
2275:Uilleann pipes
2272:
2267:
2262:
2257:
2252:
2247:
2242:
2237:
2232:
2227:
2222:
2217:
2212:
2206:
2204:
2200:
2199:
2197:
2196:
2191:
2186:
2180:
2178:
2174:
2173:
2171:
2170:
2165:
2163:Sean-nĂłs dance
2160:
2155:
2150:
2145:
2139:
2137:
2133:
2132:
2125:
2124:
2117:
2110:
2102:
2093:
2092:
2090:
2089:
2084:
2079:
2074:
2069:
2063:
2061:
2055:
2054:
2051:
2050:
2048:
2047:
2042:
2037:
2035:Schwyzerörgeli
2032:
2027:
2022:
2017:
2016:
2015:
2010:
2005:
1995:
1990:
1984:
1982:
1976:
1975:
1973:
1972:
1967:
1961:
1959:
1953:
1952:
1950:
1949:
1944:
1939:
1934:
1928:
1926:
1919:
1918:
1913:
1908:
1903:
1897:
1895:
1889:
1888:
1881:
1880:
1873:
1866:
1858:
1852:
1851:
1846:
1839:
1838:External links
1836:
1833:
1832:
1801:
1783:
1765:
1747:
1733:
1731:Smith, page 3.
1724:
1711:
1704:
1686:
1666:
1642:
1620:
1619:
1617:
1614:
1612:
1611:
1598:
1596:
1593:
1591:
1588:
1587:
1586:
1581:
1576:
1571:
1566:
1561:
1556:
1549:
1546:
1545:
1544:
1543:(movement IV).
1528:
1525:
1523:
1520:
1519:
1518:
1487:
1481:
1463:
1453:
1441:Newfoundland:
1439:
1436:
1429:
1414:
1408:Johnny O'Leary
1404:Sharon Shannon
1376:Bobby Gardiner
1368:
1325:
1314:
1287:Aniceto Molina
1279:
1269:
1266:
1258:
1255:
1241:Schwyzerörgeli
1219:
1216:
1204:Schwyzerörgeli
1187:
1184:
1157:
1154:
1091:
1088:
1068:
1065:
1004:Morris dancing
986:
983:
974:
971:
937:
936:Available keys
934:
921:
920:
917:
914:
910:
909:
906:
903:
899:
898:
895:
892:
888:
887:
884:
881:
877:
876:
873:
870:
864:Second octave
845:
844:
841:
838:
834:
833:
830:
827:
823:
822:
819:
816:
812:
811:
808:
805:
801:
800:
797:
794:
778:
775:
733:
730:
729:
728:
722:
716:
702:
684:
673:
670:
669:
668:
661:
652:
631:
624:
617:
610:
599:
584:
569:
560:
539:
526:
515:
512:Schwyzerörgeli
508:
505:Knopfakkordeon
497:
476:
468:
459:
444:
435:
402:
375:
372:
351:
350:
339:
334:(often simply
310:
284:
281:
233:
232:
202:
201:
197:
196:
190:
189:
185:
184:
179:
173:
172:
167:
165:Classification
161:
160:
143:
142:
138:
137:
130:
119:
97:
94:
82:adding a topic
77:
66:
63:
56:(January 2022)
44:
43:
42:
40:
33:
26:
9:
6:
4:
3:
2:
2635:
2624:
2621:
2619:
2616:
2615:
2613:
2598:
2595:
2593:
2590:
2589:
2587:
2583:
2577:
2574:
2572:
2569:
2568:
2566:
2562:
2556:
2553:
2551:
2548:
2546:
2543:
2542:
2540:
2536:
2530:
2527:
2525:
2522:
2520:
2517:
2515:
2512:
2510:
2507:
2506:
2504:
2500:
2493:
2489:
2486:
2483:
2482:
2479:
2476:
2468:
2459:
2458:
2455:
2452:
2444:
2435:
2434:
2431:
2428:
2420:
2411:
2410:
2407:
2404:
2402:
2399:
2391:
2382:
2381:
2378:
2375:
2373:
2370:
2368:
2365:
2363:
2360:
2358:
2355:
2353:
2350:
2348:
2345:
2337:
2322:
2313:
2312:
2309:
2306:
2298:
2289:
2288:
2286:
2282:
2276:
2273:
2271:
2268:
2266:
2263:
2261:
2258:
2256:
2253:
2251:
2248:
2246:
2243:
2241:
2238:
2236:
2233:
2231:
2228:
2226:
2223:
2221:
2218:
2216:
2213:
2211:
2208:
2207:
2205:
2201:
2195:
2192:
2190:
2187:
2185:
2182:
2181:
2179:
2175:
2169:
2166:
2164:
2161:
2159:
2156:
2154:
2151:
2149:
2146:
2144:
2141:
2140:
2138:
2134:
2130:
2123:
2118:
2116:
2111:
2109:
2104:
2103:
2100:
2088:
2085:
2083:
2080:
2078:
2075:
2073:
2070:
2068:
2065:
2064:
2062:
2060:
2056:
2046:
2043:
2041:
2038:
2036:
2033:
2031:
2028:
2026:
2023:
2021:
2018:
2014:
2011:
2009:
2006:
2004:
2001:
2000:
1999:
1996:
1994:
1991:
1989:
1986:
1985:
1983:
1981:
1977:
1971:
1968:
1966:
1963:
1962:
1960:
1958:
1954:
1948:
1945:
1943:
1940:
1938:
1935:
1933:
1930:
1929:
1927:
1923:
1917:
1914:
1912:
1909:
1907:
1904:
1902:
1899:
1898:
1896:
1894:
1890:
1886:
1879:
1874:
1872:
1867:
1865:
1860:
1859:
1856:
1850:
1847:
1845:
1842:
1841:
1821:
1820:
1815:
1808:
1806:
1797:
1793:
1787:
1779:
1775:
1769:
1761:
1757:
1751:
1743:
1737:
1728:
1721:
1715:
1707:
1701:
1697:
1690:
1684:
1680:
1676:
1670:
1654:
1653:
1646:
1639:
1638:1-899512-01-2
1635:
1631:
1625:
1621:
1608:
1603:
1599:
1585:
1582:
1580:
1577:
1575:
1572:
1570:
1567:
1565:
1562:
1560:
1557:
1555:
1552:
1551:
1542:
1538:
1534:
1531:
1530:
1516:
1512:
1511:Flaco Jimenez
1508:
1507:Boozoo Chavis
1504:
1500:
1496:
1492:
1488:
1486:
1482:
1480:
1476:
1472:
1468:
1464:
1462:
1458:
1454:
1452:
1448:
1444:
1440:
1437:
1434:
1430:
1427:
1423:
1422:Riccardo Tesi
1419:
1415:
1413:
1409:
1405:
1401:
1397:
1393:
1389:
1385:
1384:Tony MacMahon
1381:
1377:
1373:
1369:
1366:
1365:Tim van Eyken
1362:
1358:
1357:Rod Stradling
1354:
1350:
1346:
1342:
1338:
1334:
1330:
1326:
1323:
1319:
1318:Krency Garcia
1315:
1312:
1311:Antonio Rivas
1308:
1307:Lisandro Meza
1305:(Vallenato),
1304:
1301:(Vallenato),
1300:
1297:(Vallenato),
1296:
1293:(Vallenato),
1292:
1288:
1285:(Vallenato),
1284:
1283:Israel Romero
1280:
1278:
1274:
1270:
1267:
1265:
1261:
1260:
1254:
1244:
1242:
1238:
1234:
1228:
1224:
1215:
1213:
1209:
1205:
1201:
1197:
1193:
1183:
1181:
1177:
1166:
1162:
1153:
1114:
1111:
1096:
1087:
1084:
1082:
1078:
1073:
1064:
1060:
1028:
1024:
1020:
1016:
1012:
1007:
1005:
999:
991:
982:
979:
970:
968:
964:
960:
955:
951:
942:
933:
931:
926:
918:
915:
912:
911:
907:
904:
901:
900:
896:
893:
890:
889:
885:
882:
879:
878:
874:
871:
868:
867:
861:
857:
853:
852:
842:
839:
836:
835:
831:
828:
825:
824:
820:
817:
814:
813:
809:
806:
803:
802:
798:
795:
792:
791:
788:First octave
785:
782:
774:
772:
767:
765:
761:
757:
753:
748:
746:
741:
739:
726:
723:
720:
717:
714:
710:
706:
705:double-action
703:
700:
696:
692:
688:
687:single-action
685:
682:
679:
678:
677:
666:
662:
659:
658:
653:
650:
645:
642:
637:
632:
629:
625:
622:
618:
615:
611:
608:
604:
600:
597:
596:
591:
590:
585:
581:
575:
570:
567:
566:
561:
557:
551:
545:
540:
537:
532:
527:
524:
520:
516:
513:
509:
506:
502:
501:Handharmonika
498:
494:
488:
484:(familiarly,
482:
477:
474:
469:
465:
460:
456:
450:
449:trekharmonika
445:
441:
436:
432:
426:
420:
414:
408:
403:
399:
393:
387:
382:
378:
377:
354:
348:
344:
340:
337:
333:
328:
323:
319:
315:
311:
307:
302:
298:
294:
290:
289:
288:
280:
277:
275:
271:
267:
263:
260:
256:
253:on which the
252:
248:
244:
240:
231:
227:
223:
219:
215:
211:
207:
203:
198:
195:
191:
186:
180:
178:
174:
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168:
166:
162:
158:
153:
147:
135:
131:
128:
120:
114:
110:
106:
102:
98:
95:
88:
87:main category
84:
83:
78:
75:
71:
67:
65:
64:
58:
52:
50:
45:You can help
41:
32:
31:
19:
2585:Music Awards
2564:Competitions
2509:Aeolian mode
2466:
2442:
2418:
2389:
2335:
2320:
2296:
2259:
1979:
1885:Squeezeboxes
1844:Melodeon.net
1823:. Retrieved
1817:
1795:
1786:
1777:
1768:
1759:
1750:
1736:
1727:
1719:
1714:
1695:
1689:
1674:
1669:
1657:. Retrieved
1651:
1645:
1629:
1624:
1602:
1532:
1447:Minnie White
1418:Denis Novato
1345:Brian Peters
1333:Andy Cutting
1313:(Vallenato).
1264:Kepa Junkera
1245:
1240:
1236:
1232:
1229:
1225:
1221:
1211:
1189:
1175:
1167:
1165:of buttons.
1163:
1159:
1156:Bass systems
1115:
1107:
1085:
1080:
1076:
1074:
1070:
1061:
1008:
1000:
996:
980:
976:
947:
930:melodeon.net
927:
924:
858:
854:
849:
848:
783:
780:
768:
749:
742:
735:
724:
718:
704:
699:wechseltönig
698:
694:
686:
680:
675:
664:
655:
649:frajtonar'ca
634:
627:
602:
593:
587:
563:
519:helicon tuba
504:
500:
392:soinu txikia
352:
342:
335:
331:
313:
312:In Ireland,
292:
286:
283:Nomenclature
278:
242:
238:
236:
146:
109:edit summary
100:
80:
54:
46:
2519:Ionian mode
2514:Dorian mode
2377:Schottische
2270:Tin whistle
2265:Tenor banjo
2203:Instruments
2153:Irish dance
2129:Irish music
2059:Concertinas
1584:Ralé-poussé
1495:Joe Derrane
1491:John Kimmel
1471:Jimmy Shand
1467:Peter Wyper
1451:Frank Maher
1443:Harry Hibbs
1433:RamĂłn Ayala
1396:Jackie Daly
1392:Joe Derrane
1388:James Keane
1353:John Spiers
1329:Hazel Askew
1295:Alejo Durán
1077:Club system
697:and German
639: [
556:kwetsjbujel
490:) is used;
431:gaita-ponto
407:oito baixos
301:meileòidean
2612:Categories
2372:Strathspey
2347:Barn dance
2284:Tune types
2230:Concertina
1925:Components
1893:Accordions
1705:8090011780
1574:Concertina
1522:Repertoire
1503:Marc Savoy
1485:Lojze Slak
1483:Slovenia:
1475:Will Starr
1465:Scotland:
1435:(Norteño),
1380:Joe Cooley
1370:Ireland:
1289:(Cumbia),
1281:Colombia:
1233:Schottisch
967:pentatonic
959:Mixolydian
760:concertina
745:unisonoric
725:accidental
709:unisonoric
607:concertina
603:concertina
550:kwetsjbuul
419:pé de bode
343:accordions
336:accordions
322:mileoidean
2623:Accordion
2538:Relations
2210:Accordion
2177:Folk song
2168:Set dance
2072:BandoneĂłn
2045:Trikitixa
2030:Organetto
2025:Harmonium
2020:Heligonka
2013:Saratovka
1640:. Page 3.
1616:Citations
1595:Footnotes
1559:Bandoneon
1554:Accordion
1541:harmonium
1527:Classical
1372:Joe Burke
1361:John Tams
1349:Saul Rose
1327:England:
1212:organetto
1208:trikitixa
1200:Slovenian
1168:The B/C/C
1081:Gleichton
1027:Vallenato
764:harmonica
756:bandoneon
752:bisonoric
738:bisonoric
713:bisonoric
695:bi-sonore
691:bisonoric
665:verdulera
628:heligĂłnka
621:heligonka
536:organetto
464:lõõtspill
386:trikitixa
206:Accordion
188:Musicians
127:talk page
79:Consider
51:in French
2618:Melodeon
2362:Hornpipe
2357:Highland
2260:Melodeon
2225:Bouzouki
1937:Cassotto
1548:See also
1455:Norway:
1431:Mexico:
1337:Tim Edey
1271:Brazil:
1262:Basque:
1250:♯
1171:♯
1149:♯
1143:♯
1137:♯
1131:♯
1125:♯
1119:♯
1101:♯
1056:♭
1050:♭
1044:♭
1038:♭
1032:♭
1011:Conjunto
719:reversal
672:Glossary
595:Durspill
565:Armonika
493:mélodéon
327:an bosca
314:melodeon
306:am bogsa
293:melodeon
259:diatonic
239:melodeon
150:Melodeon
103:provide
2488:Marches
2401:Mazurka
2215:Bodhrán
2194:Lilting
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