267:: "in the quartet, as in Berger's earlier works, and in most of the great music of our Western heritage, timbre, texture, dynamics, rhythm, and form are elements of a musical language whose syntax and grammar are essentially derived from pitch relations. If these elements never seem specious and arbitrary, as they do with so many of the dodecaphonic productions that deluge us today from both the left and right, it is precisely because of the authenticity and integrity of his musical thinking at this basic level."
156:
1072:
567:
43:
63:
345:, edited by Benjamin Boretz and Edward T. Cone, The Perspectives of New Music Series; Norton Library, no. 549 (New York: W. W. Norton, 1971): p.231.
256:
has described his "keen and sophisticated musical intellect" and praised "his serial music as far removed from current fashionable trends as his
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294:(1965–66). He was a fellow of the American Academy of Arts and Letters and the American Academy of Arts and Sciences.
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282:, described by Thomson as "one of the most satisfactory pieces for winds in the whole modern repertory",
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22:(May 15, 1912 – October 7, 2003) was an American composer and music critic who has been described as a
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International who's who in music and musician's directory. In the classical and light classical fields
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240:(1945), and embraced the twelve-tone technique in the 1950s. His later works moved away from
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Harvard composers. Walter Piston and his students, from
Elliott Carter to Frederic Rzewski
8:
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Silver, Sheila. "Pitch and
Registral Distribution in Arthur Berger's Music for Piano",
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His works show a preoccupation with vertical and horizontal musical space (see
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A History of
Keyboard Literature. Music for the Piano and its Forerunners
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5, no. 1 (Autumn–Winter, 1966), pp.75-92; citation on p.76. Reprinted in
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241:
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John Mac Ivor
Perkins, "Arthur Berger: The Composer as Mannerist",
257:
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Jones, Pamela. "A Bibliography of the
Writings of Arthur Berger".
138:
in his "Problems of Pitch
Organization in Stravinsky". He died in
51:
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548:
249:
139:
459:, 12th edition 1990/91, International Who's Who in Music 1991.
118:, which he edited until 1964. He was elected a Fellow of the
483:
Lister, Rodney. "Arthur Berger: The
Progress of a Method",
38:, of Jewish descent, Berger studied as an undergraduate at
558:
497:
436:
Contemporary
American Composers. A Biographical Dictionary
232:. In the forties he composed neoclassical works including
97:
Professor
Emeritus. His notable students there included
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Arthur Berger, Composer and Music Critic, Is Dead at 91
480:
Perspectives of New Music. 17, 1 (1978), p. 90-91.
126:(reprinted 1990, Da Capo Press), and coined the terms
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Fellows of the American Academy of Arts and Sciences
713:
448:
Coppock, Jane. "A Conversation with Arthur Berger".
553:
The New York Public Library for the Performing Arts
421:", newworldrecords.org; accessed 22 November 2015.
356:Body & Soul: The Making of American Modernism
1004:
244:but continued to use tone cluster 'cells' whose
576:, October 10, 2003 (retrieved January 31, 2010)
455:Cummings, David M.; McIntire, Dennis K. (Ed.).
112:He co-founded (with Benjamin Boretz), in 1962,
16:American composer and music critic (1912-2003)
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601:
83:and then for a longer period of time at the
525:Sadie, Stanley; Hitchcock, H. Wiley (Ed.).
184:. Unsourced material may be challenged and
706:
692:
608:
594:
527:The New Grove Dictionary of American Music
382:. American Academy of Arts and Sciences.
204:Learn how and when to remove this message
89:. In 1953 he left the paper to teach at
377:"Book of Members, 1780–2010: Chapter B"
1005:
529:. Grove's Dictionaries of Music, 1986.
513:Who's who in American Music. Classical
687:
589:
120:American Academy of Arts and Sciences
1113:20th-century American male musicians
182:adding citations to reliable sources
149:
122:in 1971. He wrote the first book on
1048:Jewish American classical composers
369:
13:
515:, 1st edition. R. R. Bowker, 1983.
443:A Dictionary of American Composers
428:
343:Perspectives on American Composers
220:). His musical influences include
93:where he was eventually named the
42:, during which time he joined the
14:
1124:
1043:American male classical composers
615:
533:
478:A List of Works by Arthur Berger.
452:17, no. 1 (1978), pp. 40–67.
389:from the original on 25 July 2011
1088:New England Conservatory faculty
1033:Twelve-tone and serial composers
1028:20th-century classical composers
522:17, no. 1 (1978), p. 68-76.
473:17, no. 1 (1978), p. 83-89.
438:, 2nd edition, G. K. Hall, 1982.
154:
105:. He taught occasionally at the
1023:20th-century American composers
501:, 123 (1982), pp. 323–326.
1053:American expatriates in France
540:Arthur Berger Official Website
401:
348:
331:
77:, then worked briefly at the
46:, as a graduate student under
1:
561:has an article about Berger:
511:Press, Jaques Cattell (Ed.).
487:, 13-1, 1995, pp. 56–95.
354:Robert Morse Crunden (2000).
324:
1058:Composers from New York City
1038:American classical composers
580:Interview with Arthur Berger
260:music was a few years ago."
29:
7:
1063:Brandeis University faculty
10:
1129:
1098:University of Paris alumni
1093:New York University alumni
297:Berger is grouped in the "
263:Perle further praises his
1078:Harvard University alumni
726:
623:
563:Remembering Arthur Berger
520:Perspectives of New Music
494:, J. D. Publishers, 1986.
476:Jones, Robert Frederick.
471:Perspectives of New Music
450:Perspectives of New Music
339:Perspectives of New Music
142:, Massachusetts, age 91.
115:Perspectives of New Music
1103:Pupils of Darius Milhaud
1068:Brooklyn College faculty
881:Gottfried Michael Koenig
557:The online music review
508:, Scarecrow Press, 1992.
238:Three Pieces for Strings
145:
107:New England Conservatory
1108:Pupils of Walter Piston
466:, Schirmer Books, 1996.
417:March 20, 2012, at the
109:during his retirement.
86:New York Herald Tribune
941:Second Viennese School
504:Pollack, Howard Joel.
44:Young Composer's Group
1083:Mills College faculty
973:Karlheinz Stockhausen
931:Einojuhani Rautavaara
288:Five Pieces for Piano
69:He taught briefly at
916:Krzysztof Penderecki
871:Josef Matthias Hauer
811:André Boucourechliev
766:Osvaldas Balakauskas
545:Arthur Berger papers
234:Serenade Concertante
178:improve this section
20:Arthur Victor Berger
836:Niccolò Castiglioni
492:Great Jews in Music
441:Butterworth, Neil.
434:Anderson, E. Ruth.
91:Brandeis University
40:New York University
891:Witold Lutosławski
856:Luigi Dallapiccola
751:Hans Erich Apostel
574:The New York Times
270:His works include
1000:
999:
951:Arnold Schoenberg
681:
680:
658:Leonard Bernstein
462:Gordon, Stewart.
364:978-0-465-01484-2
280:Quartet for Winds
248:are displaced by
226:Arnold Schoenberg
214:
213:
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983:Charles Wuorinen
968:Nikos Skalkottas
861:Karel Goeyvaerts
741:Louis Andriessen
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582:, March 28, 1987
445:, Garland, 1984.
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135:pitch centricity
75:Brooklyn College
64:Paine Fellowship
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936:Humphrey Searle
911:Juan Carlos Paz
831:Jacques Calonne
781:Richard Barrett
756:Kees van Baaren
731:Hans Abrahamsen
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490:Lyman, Darryl.
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429:Further reading
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419:Wayback Machine
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222:Igor Stravinsky
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129:octatonic scale
103:Richard Wernick
56:Nadia Boulanger
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284:String Quartet
272:Ideas of Order
265:String Quartet
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816:Pierre Boulez
814:
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801:Luciano Berio
799:
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653:Claudio Spies
651:
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643:Alexei Haieff
641:
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628:Arthur Berger
626:
625:
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617:Boston School
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409:Liner notes:
404:
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365:
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351:
344:
340:
334:
330:
322:
320:
319:Claudio Spies
316:
312:
311:Alexei Haieff
308:
304:
301:" along with
300:
299:Boston school
295:
293:
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273:
268:
266:
261:
259:
255:
251:
247:
246:pitch classes
243:
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197:
194:November 2015
187:
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179:
173:
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168:
163:This section
161:
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143:
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137:
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131:
130:
125:
124:Aaron Copland
121:
117:
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96:
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88:
87:
82:
81:
76:
72:
71:Mills College
67:
65:
61:
57:
53:
49:
48:Walter Piston
45:
41:
37:
36:New York City
27:
25:
24:New Mannerist
21:
988:
956:Anton Webern
921:George Perle
886:Ernst Krenek
876:Ben Johnston
851:Henry Cowell
796:Erik Bergman
790:
746:Denis ApIvor
673:Louise Talma
668:John Lessard
627:
568:
526:
519:
512:
505:
498:
491:
484:
477:
470:
463:
456:
449:
442:
435:
410:
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391:. Retrieved
371:
355:
350:
342:
338:
333:
296:
291:
287:
283:
279:
275:
271:
269:
264:
262:
254:George Perle
237:
233:
230:Anton Webern
228:, and later
215:
200:
191:
176:Please help
164:
133:
127:
113:
111:
84:
80:New York Sun
78:
68:
33:
19:
18:
1018:2003 deaths
1013:1912 births
736:Gilbert Amy
715:Twelve-tone
663:Ingolf Dahl
633:Irving Fine
307:Irving Fine
290:(1969) and
236:(1944) and
218:pitch space
95:Irving Fine
58:and at the
54:, and with
1007:Categories
946:Alban Berg
906:Luigi Nono
638:Lukas Foss
358:, p.42-3.
325:References
303:Lukas Foss
786:JĂĽrg Baur
771:Don Banks
721:composers
407:(1980). "
276:Polyphony
242:serialism
165:does not
30:Biography
826:Ole Buck
559:La Folia
415:Archived
393:June 16,
384:Archived
286:(1958),
258:diatonic
62:under a
60:Sorbonne
34:Born in
547:in the
250:octaves
186:removed
171:sources
52:Harvard
719:serial
362:
317:, and
292:Septet
140:Boston
387:(PDF)
380:(PDF)
146:Works
990:more
717:and
411:Form
395:2011
360:ISBN
169:any
167:cite
132:and
101:and
73:and
993:...
987:...
551:of
180:by
50:at
1009::
572:,
321:.
313:,
309:,
305:,
278:,
274:,
252:.
224:,
66:.
26:.
707:e
700:t
693:v
609:e
602:t
595:v
397:.
366:.
207:)
201:(
196:)
192:(
188:.
174:.
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