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Gustav Ciamaga

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729: 117:. In 1968 he became the chairman of the school's theory and composition department. In 1970 he took a year sabbatical to work in several electronic music studios in Europe. In 1977 he assumed the post of dean of the UT's Faculty of Music, a position he held through 1984. He served as acting president of 50:, he invented a number of electronic music apparatuses, including the Serial Sound Structure Generator. As a writer he contributed articles to numerous music journals, magazines, and other publications. 113:
In 1963 Ciamaga was appointed to the music faculty at the University of Toronto. Two years later he was appointed the director of the school's electronic music studio after the death of its first head
684: 847: 114: 134: 852: 38:, although he produced several non-electronic works. His compositions have been performed throughout North America and Europe. His work 807: 832: 857: 842: 817: 837: 822: 47: 778: 827: 812: 694: 118: 757: 63: 31: 110:. He remained in Waltham, Massachusetts through 1963 where he organized his own electronic music studio. 689: 728: 83: 769: 142: 130: 71: 27: 802: 797: 99: 43: 8: 95: 91: 138: 75: 35: 67: 59: 680: 103: 79: 23: 791: 122: 66:
from 1951 to 1954 while simultaneously receiving private instruction from
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in 1983–1984. Among his notable pupils are composers Bruce Pennycook,
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Ciamaga died in Toronto in 2011 following a long battle with cancer.
126: 22:(April 10, 1930 – June 11, 2011) was a Canadian composer, 86:
from 1954–1956. He then pursued graduate studies in
789: 16:Canadian composer, music educator, and writer 34:, he was best known for his compositions of 848:Academic staff of the University of Toronto 98:in 1958. His teachers at Brandeis included 727: 679: 725:University of Toronto Music Library  156: 42:was commissioned for the opening of the 790: 70:. He entered the music program at the 212:Upon hearing the first koto in spring 853:University of Western Ontario alumni 675: 673: 671: 669: 628:"Is the Moon further than St. John?" 506: 783:University of Toronto Music Library 46:in 1969. An honorary member of the 13: 48:Canadian Electroacoustic Community 26:, and writer. An associate of the 14: 869: 705: 666: 808:20th-century Canadian composers 634:Patterns; Daydreams; Excursions 119:The Royal Conservatory of Music 833:Musicians from London, Ontario 779:Archival papers and recordings 1: 858:Deaths from cancer in Ontario 659: 64:University of Western Ontario 843:University of Toronto alumni 818:Canadian writers about music 770:How to use archival material 32:Canadian League of Composers 7: 332:Explorations of the New Age 296:Three excursions and a coda 10: 874: 838:Brandeis University alumni 823:Canadian music journalists 586:Brandenburg Concerto no. 1 53: 752: 744: 736: 721: 690:The Canadian Encyclopedia 481:Three part invention no.5 320:Where the wild things are 62:, Ciamaga studied at the 828:Journalists from Ontario 374:A precipitate of symbols 151: 813:Canadian male composers 622:Two part invention no.9 592:Two part invention no.8 580:Two part invention no.7 574:Two part invention no.6 568:Two part invention no.5 562:Two part invention no.4 532:Two part invention no.2 520:Two part invention no.1 493:The Computer in my Life 404:Prologue and Postscript 284:Three 3 part inventions 499:It's about time again 487:Possible Spaces no.12 475:Possible Spaces no.11 451:Possible Spaces no.10 157:Computer compositions 72:University of Toronto 28:Canadian Music Centre 758:Gustav Ciamaga fonds 598:Canon for Stravinsky 538:Fanfare for computer 528:(new version) (1966) 428:Possible Spaces no.9 416:Possible Spaces no.8 398:Possible Spaces no.7 392:Possible Spaces no.6 386:Possible Spaces no.5 368:Possible Spaces no.4 362:Possible Spaces no.3 356:Possible Spaces no.2 350:Four more Microclips 338:Possible Spaces no.1 236:Three part invention 44:National Arts Centre 30:and a member of the 544:Four part invention 326:Traces of yesterday 94:where he earned an 92:Brandeis University 90:and composition at 697:on April 17, 2005. 514:One part invention 410:Spadina Minilogues 139:John Mills-Cockell 775: 774: 764: 763: 610:A greeting for JW 507:Tape compositions 463:Facing North no.2 272:"It's about time" 76:music composition 74:where he studied 865: 760: 732: 731: 719: 718: 710: 709: 699: 698: 693:. Archived from 685:"Gustav Ciamaga" 677: 556:Ragamuffin no. 2 550:Ragamuffin no. 1 254:Facing East no.3 242:Facing East no.2 36:electronic music 873: 872: 868: 867: 866: 864: 863: 862: 788: 787: 756: 726: 708: 703: 702: 678: 667: 662: 657: 509: 504: 314:Four Microclips 286:, no.2-4 (1990) 200:Distant Timbres 159: 154: 115:Myron Schaeffer 68:Gordon Delamont 60:London, Ontario 56: 17: 12: 11: 5: 871: 861: 860: 855: 850: 845: 840: 835: 830: 825: 820: 815: 810: 805: 800: 786: 785: 773: 772: 766: 765: 762: 761: 754: 750: 749: 746: 742: 741: 738: 734: 733: 723: 715: 714: 707: 706:External links 704: 701: 700: 681:Elaine Keillor 664: 663: 661: 658: 656: 655: 649: 643: 637: 631: 625: 619: 613: 607: 601: 595: 589: 583: 577: 571: 565: 559: 553: 547: 541: 535: 529: 523: 517: 510: 508: 505: 503: 502: 496: 490: 484: 478: 472: 466: 460: 454: 448: 442: 436: 434:For L:' (2004) 431: 425: 422:Order of Ideas 419: 413: 407: 401: 395: 389: 383: 377: 371: 365: 359: 353: 347: 341: 335: 329: 323: 317: 311: 305: 299: 293: 287: 281: 275: 269: 263: 257: 251: 245: 239: 233: 227: 221: 215: 209: 203: 197: 191: 185: 179: 173: 167: 160: 158: 155: 153: 150: 104:Harold Shapero 80:John Weinzweig 55: 52: 40:Curtain Raiser 24:music educator 20:Gustav Ciamaga 15: 9: 6: 4: 3: 2: 870: 859: 856: 854: 851: 849: 846: 844: 841: 839: 836: 834: 831: 829: 826: 824: 821: 819: 816: 814: 811: 809: 806: 804: 801: 799: 796: 795: 793: 784: 780: 777: 776: 771: 768: 767: 759: 755: 751: 747: 743: 739: 735: 730: 724: 720: 717: 716: 712: 711: 696: 692: 691: 686: 682: 676: 674: 672: 670: 665: 653: 650: 647: 644: 641: 638: 635: 632: 629: 626: 623: 620: 617: 614: 611: 608: 605: 602: 599: 596: 593: 590: 587: 584: 581: 578: 575: 572: 569: 566: 563: 560: 557: 554: 551: 548: 545: 542: 539: 536: 533: 530: 527: 524: 521: 518: 515: 512: 511: 500: 497: 494: 491: 488: 485: 482: 479: 476: 473: 470: 467: 464: 461: 458: 455: 452: 449: 446: 443: 440: 439:Paradigm Lost 437: 435: 432: 429: 426: 423: 420: 417: 414: 411: 408: 405: 402: 399: 396: 393: 390: 387: 384: 381: 378: 375: 372: 369: 366: 363: 360: 357: 354: 351: 348: 345: 342: 339: 336: 333: 330: 327: 324: 321: 318: 315: 312: 309: 306: 303: 302:Repercussions 300: 297: 294: 291: 288: 285: 282: 279: 276: 273: 270: 267: 264: 261: 258: 255: 252: 249: 246: 243: 240: 237: 234: 231: 228: 225: 222: 219: 216: 213: 210: 207: 204: 201: 198: 195: 192: 189: 186: 183: 180: 177: 174: 171: 168: 165: 162: 161: 149: 146: 144: 140: 136: 135:Wende Bartley 132: 128: 124: 123:Lesley Barber 120: 116: 111: 109: 105: 101: 100:Arthur Berger 97: 93: 89: 85: 84:John Beckwith 81: 77: 73: 69: 65: 61: 51: 49: 45: 41: 37: 33: 29: 25: 21: 695:the original 688: 651: 645: 639: 633: 627: 621: 615: 609: 603: 597: 591: 585: 579: 573: 567: 561: 555: 549: 543: 537: 531: 525: 519: 513: 498: 492: 486: 480: 474: 468: 462: 456: 450: 445:"Waiting..." 444: 438: 433: 427: 421: 415: 409: 403: 397: 391: 385: 379: 373: 367: 361: 355: 349: 343: 337: 331: 325: 319: 313: 308:B as in Bach 307: 301: 295: 289: 283: 277: 271: 266:Facing North 265: 259: 253: 247: 241: 235: 229: 223: 217: 211: 205: 199: 193: 187: 181: 175: 169: 163: 147: 112: 57: 39: 19: 18: 803:2011 deaths 798:1930 births 740:CA OTUFM 06 737:Identifiers 713:Archives at 230:Bach again! 206:Facing East 143:John Rimmer 108:Irving Fine 792:Categories 660:References 194:Lost Tango 170:Apres-MIDI 131:Larry Lake 88:musicology 748:1962-2012 636:(1985–86) 604:Solipsism 424:(2003–04) 376:(1998–89) 334:(1992–93) 322:(1992–93) 256:(1988–89) 232:(1987–88) 190:(1986–87) 127:John Fodi 722:Location 616:Ars Nova 380:Bitfire 344:Quartets 58:Born in 526:Scherzo 457:For DL: 278:Apres J 260:Bitfire 224:Pour M: 54:History 753:Source 654:(1986) 652:For I: 648:(1986) 646:For H: 642:(1986) 640:For B: 630:(1985) 624:(1983) 618:(1976) 612:(1973) 606:(1972) 600:(1972) 594:(1970) 588:(1969) 582:(1968) 576:(1968) 570:(1967) 564:(1967) 558:(1967) 552:(1967) 546:(1967) 540:(1967) 534:(1966) 522:(1965) 516:(1965) 501:(2008) 495:(2007) 489:(2006) 483:(2006) 477:(2006) 471:(2005) 465:(2004) 459:(2004) 453:(2004) 447:(2004) 441:(2004) 430:(2004) 418:(2003) 412:(2003) 406:(2003) 400:(2002) 394:(2001) 388:(2000) 382:(1999) 370:(1997) 364:(1996) 358:(1996) 352:(1995) 346:(1994) 340:(1994) 328:(1993) 316:(1992) 310:(1991) 304:(1991) 298:(1990) 292:(1990) 280:(1990) 274:(1989) 268:(1989) 262:(1989) 250:(1988) 248:For G: 244:(1988) 238:(1988) 226:(1987) 220:(1987) 218:Psamba 214:(1987) 208:(1987) 202:(1987) 196:(1987) 188:For P: 184:(1986) 178:(1986) 176:For M: 172:(1986) 166:(1986) 106:, and 745:Dates 469:PizzA 164:HPSCD 152:Works 78:with 182:PERC 141:and 82:and 781:at 96:MFA 794:: 687:. 683:. 668:^ 290:VU 145:. 137:, 133:, 129:, 125:, 102:,

Index

music educator
Canadian Music Centre
Canadian League of Composers
electronic music
National Arts Centre
Canadian Electroacoustic Community
London, Ontario
University of Western Ontario
Gordon Delamont
University of Toronto
music composition
John Weinzweig
John Beckwith
musicology
Brandeis University
MFA
Arthur Berger
Harold Shapero
Irving Fine
Myron Schaeffer
The Royal Conservatory of Music
Lesley Barber
John Fodi
Larry Lake
Wende Bartley
John Mills-Cockell
John Rimmer


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