1177:
33:
2705:
1301:
2715:
463:(meaning "new art", "new technique" or "new style"). The transition from ars antiqua into ars nova is not clearly defined, recent interpretation has described the transition to be a gradual evolution rather than an abrupt revolution with the period being between the 13th–14th centuries.
541:. In the early Medieval music era, notation indicated the pitches of songs without indicating the rhythm that these notes should be sung in. The most famous music theorist of the first half of the 13th century,
569:
c. 1280), an innovation which had a massive impact on the subsequent history of
European music. Most of the surviving notated music of the 13th century uses the rhythmic modes as defined by Garlandia.
958:, fifth edition, revised, and with commentary. Publications of the Mediaeval Academy of America, no. 38. Cambridge, Massachusetts: Mediaeval Academy of America, 1961.
590:(c. 1320) vigorously defending the old style in a manner suggestive of any number of music critics from the Middle Ages to the present day. To Jacques, the
576:
went out of fashion rather suddenly in the first two decades of the 14th century, it had a late defender in
Jacques of Liège (alternatively known as
384:
504:
1031:
1338:
562:, was the first to describe a system of notation in which differently shaped notes have entirely different rhythmic values (in the
1876:
430:(the use of multiple, simultaneous, independent melodic lines), and the subsequent years which saw the early development of the
2368:
1230:
542:
1111:
986:
784:
1368:
495:, approximately 1250–1310, but this restricted usage is rarely employed in modern scholarship. Almost all composers of the
377:
82:
2210:
1702:
1063:
1008:
974:
924:
2592:
438:
is restricted to sacred (church) or polyphonic music, excluding the secular (non-religious) monophonic songs of the
2577:
2550:
1363:
937:
90:
2572:
615:
370:
2582:
1831:
1047:
1888:
1496:
1378:
1697:
1816:
1731:
1331:
990:
606:—a kind of music which he considered to be excessively indulgent, capricious, immodest, and sensual.
1019:
916:
17:
2695:
2560:
1358:
208:
78:
645:
Tanay, Dorit (1992). "The
Transition from the Ars Antiqua to the Ars Nova: Evolution or Revolution?".
2555:
2230:
2225:
1871:
1104:
1003:, third edition. Music Literature Outlines, Series 1. Bloomington, Indiana: Frangipani Press, 1981.
2708:
1856:
1786:
1324:
1222:
564:
55:
2567:
1082:
Smith, F. Joseph." Jacques de Liège's
Criticism of the Notational Innovations of the Ars nova".
2718:
2597:
2403:
2059:
1746:
1079:: Jacques de Liège, and the Medieval Vision of God". PhD diss. Kent, OH: Kent State University.
450:
is used more loosely to mean all
European music of the 13th century, and from slightly before.
1439:
776:
2659:
1974:
1826:
1682:
1677:
1539:
1236:
1156:
762:
547:
522:) were the two composers known by name from the Notre Dame school; in the subsequent period,
161:
86:
2121:
1751:
2740:
2471:
2466:
2373:
2190:
2177:
2126:
2095:
2044:
1935:
1781:
1596:
1581:
1524:
1474:
1434:
1391:
1304:
1141:
1097:
288:
283:
233:
203:
188:
115:
1841:
1611:
8:
2674:
2669:
2517:
2300:
2090:
1989:
1920:
1796:
1791:
1736:
1652:
1622:
1479:
1469:
1424:
1386:
325:
198:
110:
1761:
1403:
936:, edited by Roger Bragard. Seven volumes in eight. Corpus scriptorum de musica 3. Rome:
2628:
2618:
2587:
2398:
2378:
2220:
2116:
2064:
2024:
2009:
1925:
1776:
1687:
1459:
1070:
Something of Great
Constancy: Essays in Honor of the Memory of J. Glenn Gray, 1913–1977
836:
828:
740:
705:
662:
577:
480:
2714:
2500:
2388:
2358:
2318:
2265:
2200:
2111:
2106:
2054:
2014:
1951:
1930:
1836:
1821:
1771:
1632:
1591:
1519:
1429:
1290:
1216:
1199:
1136:
1059:
1004:
970:
920:
840:
820:
780:
758:
732:
697:
654:
559:
492:
484:
423:
357:
310:
238:
228:
223:
132:
537:
period saw several advances over previous practice, most of them in conception, and
2512:
2260:
2183:
2136:
2100:
2070:
2049:
1741:
1726:
1485:
992:
Source
Readings in Music History: From Classical Antiquity through the Romantic Era
812:
772:
689:
586:
538:
419:
320:
243:
218:
2664:
2488:
2393:
2353:
2289:
2245:
1637:
1616:
1601:
1547:
1454:
1164:
523:
305:
193:
2623:
2493:
2483:
2363:
2294:
2255:
2235:
2215:
1945:
1915:
1801:
1657:
1627:
1347:
855:
625:
620:
415:
300:
248:
63:
32:
2734:
2429:
2328:
2195:
2163:
2019:
1940:
1586:
1464:
1447:
1265:
1072:, edited by Timothy Fuller, 144–57. Colorado Springs: Colorado College, 1979.
982:
966:
912:
824:
800:
736:
701:
658:
552:
167:
1766:
2654:
2461:
2424:
2383:
2348:
2323:
2308:
1806:
1642:
1417:
1192:
530:
315:
278:
268:
2649:
2644:
2439:
1811:
1756:
1662:
526:, a composer of motets, is one of the few whose name has been preserved.
1718:
1270:
666:
443:
144:
2240:
1910:
1606:
1572:
1567:
951:
832:
439:
139:
1534:
1176:
1151:
744:
709:
551:(c. 1240), the treatise which defined, and most completely elucidated
508:
213:
36:
2451:
2313:
2131:
1866:
1255:
980:
Franco of
Cologne. "Ars cantus mensurabilis". English translation by
427:
422:, between approximately 1170 and 1310. This covers the period of the
273:
149:
1529:
1146:
816:
500:
2613:
2533:
2456:
2419:
1902:
1692:
1672:
1647:
1068:
Seay, Albert. "Musical
Conservatism in the Fourteenth Century". In
872:
693:
459:
341:
155:
1014:
Hammond, Frederick, and Oliver B. Ellsworth. "Jacobus of Liège ".
2527:
2505:
2476:
2434:
2205:
1861:
1409:
1396:
1316:
1260:
335:
293:
120:
1045:
Hentschel, Frank. "Der Streit um die ars nova: Nur ein Scherz?"
2250:
2172:
1667:
884:
580:), who wrote a violent attack on the "irreverent, and corrupt"
434:, a highly varied choral musical composition. Usually the term
1089:
2522:
2446:
431:
330:
907:
Anderson, Gordon A., and Edward H. Roesner. "Ars
Antiqua ".
680:
Wright, Craig (Spring 1986). "Leoninus, Poet and Musician".
1025:
Harne, George A. "The Ends of Theory, and Practice in the
803:(April 1960). "Johannes de Garlandia, Poet and Musician".
723:
A., G. A. (April 1972). "Review of The Works of Perotin".
969:. 20 vols. London, Macmillan Publishers Ltd., 1980.
771:]. Oxford Music Online. Oxford University Press.
995:. New York: W. W. Norton & Co. pp. 139–159.
906:
890:
414:, is a term used by modern scholars to refer to the
1042:". PhD diss. Princeton: Princeton University, 2008.
2732:
1016:The New Grove Dictionary of Music, and Musicians
963:The New Grove Dictionary of Music, and Musicians
909:The New Grove Dictionary of Music, and Musicians
1018:, second edition, edited by Stanley Sadie, and
919:. 29 vols. London: Macmillan Publishers, 2001.
757:
1038:Harne, George A. "Theory, and Practice in the
558:A German theorist of a slightly later period,
471:The original Medieval usage of the expression
1332:
1105:
1001:Music in the Middle Ages, and the Renaissance
682:Journal of the American Musicological Society
378:
1982:
1058:. New York, W.W. Norton & Co., 1978.
1339:
1325:
1112:
1098:
956:The Notation of Polyphonic Music, 900-1600
931:
878:
491:), referred specifically to the period of
385:
371:
31:
1973:
1877:List of Galician-Portuguese troubadours
777:10.1093/gmo/9781561592630.article.21491
14:
2733:
981:
679:
1320:
1093:
1022:. London: Macmillan Publishers, 2001.
799:
644:
27:Musical style of the High Middle Ages
999:Gleason, Harold, and Warren Becker.
853:
487:(the only one to use the exact term
43:who is known by name, composed this
1703:Other troubadours and trobairitz...
731:(2). Oxford University Press: 225.
24:
1346:
945:
722:
25:
2752:
1084:Journal of Musicological Research
446:. Although colloquially the term
2713:
2704:
2703:
1300:
1299:
1175:
938:American Institute of Musicology
1119:
616:Renaissance of the 12th century
847:
793:
751:
716:
673:
638:
39:, one of the few composers of
13:
1:
1698:William IX, Duke of Aquitaine
1075:Slocum, Kay Brainerd. 1987. "
854:Karp, Theodore (2023-02-03).
761:; Lefferts, Peter M. (2001).
631:
512:
1086:4, nos. 3–4 (1983): 267–313.
1048:Archiv fĂĽr Musikwissenschaft
7:
1369:List of musical instruments
609:
47:in the third rhythmic mode.
10:
2757:
900:
466:
2685:
2637:
2606:
2543:
2412:
2341:
2282:
2231:Matheus de Sancto Johanne
2226:Johannes Symonis Hasprois
2161:
2157:
2083:
2037:
2002:
1969:
1900:
1896:
1887:
1872:Galician-Portuguese lyric
1817:Jehan le Cuvelier d'Arras
1732:Andrieu Contredit d'Arras
1717:
1566:
1508:
1504:
1495:
1377:
1354:
1279:
1248:
1209:
1184:
1173:
1129:
891:Anderson and Roesner 2001
457:is used in opposition to
2261:Antonio Zacara da Teramo
572:Though the style of the
545:, was the author of the
507:late 12th century), and
1787:Gillebert de Berneville
1364:List of music theorists
1223:Ars cantus mensurabilis
860:Encyclopedia Brittanica
565:Ars cantus mensurabilis
2060:Gherardello da Firenze
1747:Le Chastelain de Couci
1540:Philippe le Chancelier
1157:Philippe le Chancelier
48:
2369:Johannes de Garlandia
1683:Raimbaut de Vaqueiras
1237:De Mensurabili Musica
1231:Johannes de Garlandia
548:De Mensurabili Musica
543:Johannes de Garlandia
418:of Europe during the
104:Movements and schools
35:
2690:Also music theorist*
2374:Johannes de Grocheio
2191:Conradus de Pistoria
2178:Philippus de Caserta
2127:Philippus de Caserta
2096:Antonello da Caserta
2045:Andreas de Florentia
1936:Guillaume de Machaut
1597:Bernart de Ventadorn
1582:Aimeric de Peguilhan
1525:Albertus Parisiensis
1475:Adam of Saint Victor
1435:Saint Martial school
1392:Notker the Stammerer
1284:Also music theorist*
1142:Albertus Parisiensis
2301:Contenance angloise
2091:Bartolino da Padova
1990:Marchetto da Padova
1921:Magister Franciscus
1797:Guillaume le Vinier
1792:Gontier de Soignies
1737:Audefroi le Bastart
1623:Folquet de Marselha
1480:Wulfstan the Cantor
1470:Hildegard of Bingen
1440:Adémar de Chabannes
1425:Fulbert of Chartres
1387:Abbey of Saint Gall
1379:Early (before 1150)
1054:Hoppin, Richard H.
987:"Franco of Cologne"
725:Music & Letters
358:Renaissance music →
2629:Neo-Medieval music
2619:Medieval folk rock
2399:Berno of Reichenau
2379:Iacobus de Ispania
2221:Petrus de Goscalch
2122:Niccolò da Perugia
2117:Grazioso da Padova
2065:Lorenzo da Firenze
2025:Vincenzo da Rimini
2010:Giovanni da Cascia
1842:Other trouvères...
1827:Perrin d'Angicourt
1777:Gautier de Dargies
1752:Chrétien de Troyes
1688:Raimon de Miravalh
1678:Raimbaut d'Aurenga
1051:58, no. 2: 110–30.
932:Jacobus of Liège.
769:Pierre de la Croix
759:Sanders, Ernest H.
539:notation of rhythm
49:
45:Alleluia nativitas
2728:
2727:
2696:Renaissance music
2404:Aurelian of RĂ©Ă´me
2389:Johannes de Muris
2359:Franco of Cologne
2337:
2336:
2319:Arnold de Lantins
2278:
2277:
2274:
2273:
2201:Johannes Cuvelier
2153:
2152:
2149:
2148:
2145:
2144:
2112:Giovanni Mazzuoli
2107:Matteo da Perugia
2079:
2078:
2055:Francesco Landini
2033:
2032:
2015:Jacopo da Bologna
1998:
1997:
1965:
1964:
1961:
1960:
1952:Philippe de Vitry
1931:Jehan de Lescurel
1852:
1851:
1837:Raoul de Soissons
1782:Gautier d'Espinal
1772:Gautier de Coincy
1713:
1712:
1633:Giraut de Bornelh
1612:CerverĂ de Girona
1592:Arnaut de Mareuil
1562:
1561:
1558:
1557:
1520:Notre-Dame school
1430:Heriger of Lobbes
1359:List of composers
1314:
1313:
1217:Franco of Cologne
1200:Montpellier Codex
1137:Notre-Dame school
1032:Musica Disciplina
961:. "Ars Antiqua".
881:, book 7, passim.
801:Waite, William G.
786:978-1-56159-263-0
647:Musica Disciplina
560:Franco of Cologne
493:Franco of Cologne
485:Johannes de Muris
424:Notre-Dame school
395:
394:
133:Notre-Dame school
16:(Redirected from
2748:
2717:
2707:
2706:
2513:Liturgical drama
2280:
2279:
2187:
2184:Johannes Ciconia
2159:
2158:
2155:
2154:
2137:Zacara da Teramo
2101:Johannes Ciconia
2081:
2080:
2071:Paolo da Firenze
2050:Donato da Cascia
2035:
2034:
2000:
1999:
1980:
1979:
1971:
1970:
1967:
1966:
1955:
1898:
1897:
1894:
1893:
1889:Late (1300–1400)
1832:Philippe de RĂ©mi
1762:Conon de BĂ©thune
1742:Blondel de Nesle
1727:Adam de la Halle
1715:
1714:
1653:Peire d'Alvernha
1564:
1563:
1551:
1506:
1505:
1502:
1501:
1497:High (1150–1300)
1486:Wipo of Burgundy
1451:
1421:
1413:
1404:Stephen of Liège
1341:
1334:
1327:
1318:
1317:
1303:
1302:
1179:
1168:
1114:
1107:
1100:
1091:
1090:
1077:Speculum Musicae
1040:Speculum Musicae
1035:55 (2010): 5-31.
1027:Speculum Musicae
996:
941:
934:Speculum musicae
928:
894:
888:
882:
876:
870:
869:
867:
866:
851:
845:
844:
797:
791:
790:
755:
749:
748:
720:
714:
713:
677:
671:
670:
642:
587:Speculum Musicae
521:
517:
514:
506:
420:High Middle Ages
387:
380:
373:
321:Liturgical drama
219:Adam de la Halle
51:
50:
21:
2756:
2755:
2751:
2750:
2749:
2747:
2746:
2745:
2731:
2730:
2729:
2724:
2723:
2700:
2681:
2633:
2602:
2539:
2489:Gregorian chant
2408:
2394:Walter Odington
2354:Guido of Arezzo
2333:
2290:Johannes Alanus
2270:
2246:Jacob Senleches
2182:
2141:
2075:
2029:
1994:
1957:
1950:
1883:
1848:
1709:
1638:Guiraut Riquier
1617:Comtessa de Dia
1602:Bertran de Born
1570:
1554:
1548:Petrus de Cruce
1546:
1491:
1455:Notker Physicus
1446:
1416:
1408:
1373:
1350:
1345:
1315:
1310:
1309:
1296:
1275:
1244:
1205:
1180:
1171:
1165:Petrus de Cruce
1163:
1125:
1118:
948:
946:Further reading
903:
898:
897:
889:
885:
879:Jacobus 1955–73
877:
873:
864:
862:
856:"rhythmic mode"
852:
848:
817:10.2307/2851338
798:
794:
787:
764:Petrus de Cruce
756:
752:
721:
717:
678:
674:
643:
639:
634:
612:
524:Petrus de Cruce
519:
515:
499:are anonymous.
477:Speculum Musice
475:, found in the
469:
391:
349:
348:
347:
306:Gregorian chant
263:
255:
254:
253:
183:
175:
174:
173:
105:
95:
94:
28:
23:
22:
15:
12:
11:
5:
2754:
2744:
2743:
2726:
2725:
2722:
2721:
2711:
2693:
2692:
2691:
2687:
2686:
2683:
2682:
2680:
2679:
2678:
2677:
2672:
2667:
2662:
2657:
2647:
2641:
2639:
2635:
2634:
2632:
2631:
2626:
2624:Medieval metal
2621:
2616:
2610:
2608:
2604:
2603:
2601:
2600:
2595:
2590:
2585:
2580:
2575:
2570:
2565:
2564:
2563:
2558:
2547:
2545:
2541:
2540:
2538:
2537:
2530:
2525:
2520:
2515:
2510:
2509:
2508:
2498:
2497:
2496:
2494:Pope Gregory I
2486:
2481:
2480:
2479:
2474:
2469:
2459:
2454:
2449:
2444:
2443:
2442:
2432:
2427:
2422:
2416:
2414:
2410:
2409:
2407:
2406:
2401:
2396:
2391:
2386:
2381:
2376:
2371:
2366:
2364:Johannes Cotto
2361:
2356:
2351:
2345:
2343:
2339:
2338:
2335:
2334:
2332:
2331:
2326:
2321:
2316:
2311:
2306:
2305:
2304:
2295:John Dunstaple
2292:
2286:
2284:
2276:
2275:
2272:
2271:
2269:
2268:
2263:
2258:
2256:Johannes Susay
2253:
2248:
2243:
2238:
2236:Gacian Reyneau
2233:
2228:
2223:
2218:
2216:Martinus Fabri
2213:
2208:
2203:
2198:
2193:
2188:
2180:
2175:
2169:
2167:
2151:
2150:
2147:
2146:
2143:
2142:
2140:
2139:
2134:
2129:
2124:
2119:
2114:
2109:
2104:
2098:
2093:
2087:
2085:
2084:3rd generation
2077:
2076:
2074:
2073:
2068:
2062:
2057:
2052:
2047:
2041:
2039:
2038:2nd generation
2031:
2030:
2028:
2027:
2022:
2017:
2012:
2006:
2004:
2003:1st generation
1996:
1995:
1993:
1992:
1986:
1984:
1977:
1963:
1962:
1959:
1958:
1956:
1948:
1946:Jehan Vaillant
1943:
1938:
1933:
1928:
1923:
1918:
1916:Denis Le Grant
1913:
1908:
1906:
1891:
1885:
1884:
1882:
1881:
1880:
1879:
1869:
1864:
1859:
1853:
1850:
1849:
1847:
1846:
1845:
1844:
1834:
1829:
1824:
1822:Moniot d'Arras
1819:
1814:
1809:
1804:
1802:Guiot de Dijon
1799:
1794:
1789:
1784:
1779:
1774:
1769:
1764:
1759:
1754:
1749:
1744:
1739:
1734:
1729:
1723:
1721:
1711:
1710:
1708:
1707:
1706:
1705:
1695:
1690:
1685:
1680:
1675:
1670:
1665:
1660:
1658:Peire Cardenal
1655:
1650:
1645:
1640:
1635:
1630:
1628:Gaucelm Faidit
1625:
1620:
1614:
1609:
1604:
1599:
1594:
1589:
1584:
1578:
1576:
1560:
1559:
1556:
1555:
1553:
1552:
1544:
1543:
1542:
1537:
1532:
1527:
1516:
1514:
1499:
1493:
1492:
1490:
1489:
1483:
1477:
1472:
1467:
1462:
1457:
1452:
1444:
1443:
1442:
1432:
1427:
1422:
1414:
1406:
1401:
1400:
1399:
1394:
1383:
1381:
1375:
1374:
1372:
1371:
1366:
1361:
1355:
1352:
1351:
1348:Medieval music
1344:
1343:
1336:
1329:
1321:
1312:
1311:
1308:
1307:
1287:
1286:
1285:
1281:
1280:
1277:
1276:
1274:
1273:
1268:
1263:
1258:
1252:
1250:
1246:
1245:
1243:
1242:
1241:
1240:
1228:
1227:
1226:
1213:
1211:
1207:
1206:
1204:
1203:
1196:
1188:
1186:
1182:
1181:
1174:
1172:
1170:
1169:
1161:
1160:
1159:
1154:
1149:
1144:
1133:
1131:
1127:
1126:
1117:
1116:
1109:
1102:
1094:
1088:
1087:
1080:
1073:
1066:
1056:Medieval Music
1052:
1043:
1036:
1023:
1012:
997:
983:Strunk, Oliver
978:
959:
947:
944:
943:
942:
929:
902:
899:
896:
895:
883:
871:
846:
811:(2): 179–195.
792:
785:
750:
715:
694:10.2307/831693
672:
636:
635:
633:
630:
629:
628:
626:Medieval music
623:
621:Polyphonic Era
618:
611:
608:
604:musica lasciva
596:musica modesta
578:Jacob of Liège
553:rhythmic modes
468:
465:
416:Medieval music
402:, also called
393:
392:
390:
389:
382:
375:
367:
364:
363:
362:
361:
351:
350:
346:
345:
338:
333:
328:
323:
318:
313:
308:
303:
298:
297:
296:
291:
286:
276:
271:
265:
264:
261:
260:
257:
256:
252:
251:
246:
241:
236:
231:
226:
221:
216:
211:
206:
201:
196:
191:
185:
184:
181:
180:
177:
176:
172:
171:
164:
159:
152:
147:
142:
137:
136:
135:
123:
118:
113:
107:
106:
103:
102:
99:
98:
97:
96:
77:
72:
71:
67:
66:
64:Medieval music
60:
59:
26:
9:
6:
4:
3:
2:
2753:
2742:
2739:
2738:
2736:
2720:
2716:
2712:
2710:
2702:
2701:
2698:
2697:
2689:
2688:
2684:
2676:
2673:
2671:
2668:
2666:
2663:
2661:
2658:
2656:
2653:
2652:
2651:
2648:
2646:
2643:
2642:
2640:
2636:
2630:
2627:
2625:
2622:
2620:
2617:
2615:
2612:
2611:
2609:
2605:
2599:
2596:
2594:
2591:
2589:
2586:
2584:
2581:
2579:
2576:
2574:
2571:
2569:
2566:
2562:
2559:
2557:
2554:
2553:
2552:
2551:British Isles
2549:
2548:
2546:
2542:
2536:
2535:
2531:
2529:
2526:
2524:
2521:
2519:
2516:
2514:
2511:
2507:
2504:
2503:
2502:
2499:
2495:
2492:
2491:
2490:
2487:
2485:
2482:
2478:
2475:
2473:
2470:
2468:
2465:
2464:
2463:
2460:
2458:
2455:
2453:
2450:
2448:
2445:
2441:
2438:
2437:
2436:
2433:
2431:
2428:
2426:
2423:
2421:
2418:
2417:
2415:
2413:Musical forms
2411:
2405:
2402:
2400:
2397:
2395:
2392:
2390:
2387:
2385:
2382:
2380:
2377:
2375:
2372:
2370:
2367:
2365:
2362:
2360:
2357:
2355:
2352:
2350:
2347:
2346:
2344:
2340:
2330:
2329:W. de Wycombe
2327:
2325:
2322:
2320:
2317:
2315:
2312:
2310:
2307:
2303:
2302:
2298:
2297:
2296:
2293:
2291:
2288:
2287:
2285:
2281:
2267:
2264:
2262:
2259:
2257:
2254:
2252:
2249:
2247:
2244:
2242:
2239:
2237:
2234:
2232:
2229:
2227:
2224:
2222:
2219:
2217:
2214:
2212:
2209:
2207:
2204:
2202:
2199:
2197:
2196:Baude Cordier
2194:
2192:
2189:
2185:
2181:
2179:
2176:
2174:
2171:
2170:
2168:
2166:
2165:
2164:Ars subtilior
2160:
2156:
2138:
2135:
2133:
2130:
2128:
2125:
2123:
2120:
2118:
2115:
2113:
2110:
2108:
2105:
2102:
2099:
2097:
2094:
2092:
2089:
2088:
2086:
2082:
2072:
2069:
2066:
2063:
2061:
2058:
2056:
2053:
2051:
2048:
2046:
2043:
2042:
2040:
2036:
2026:
2023:
2021:
2020:Maestro Piero
2018:
2016:
2013:
2011:
2008:
2007:
2005:
2001:
1991:
1988:
1987:
1985:
1981:
1978:
1976:
1972:
1968:
1953:
1949:
1947:
1944:
1942:
1941:P. des Molins
1939:
1937:
1934:
1932:
1929:
1927:
1924:
1922:
1919:
1917:
1914:
1912:
1909:
1907:
1905:
1904:
1899:
1895:
1892:
1890:
1886:
1878:
1875:
1874:
1873:
1870:
1868:
1865:
1863:
1860:
1858:
1855:
1854:
1843:
1840:
1839:
1838:
1835:
1833:
1830:
1828:
1825:
1823:
1820:
1818:
1815:
1813:
1810:
1808:
1805:
1803:
1800:
1798:
1795:
1793:
1790:
1788:
1785:
1783:
1780:
1778:
1775:
1773:
1770:
1768:
1765:
1763:
1760:
1758:
1755:
1753:
1750:
1748:
1745:
1743:
1740:
1738:
1735:
1733:
1730:
1728:
1725:
1724:
1722:
1720:
1716:
1704:
1701:
1700:
1699:
1696:
1694:
1691:
1689:
1686:
1684:
1681:
1679:
1676:
1674:
1671:
1669:
1666:
1664:
1661:
1659:
1656:
1654:
1651:
1649:
1646:
1644:
1641:
1639:
1636:
1634:
1631:
1629:
1626:
1624:
1621:
1618:
1615:
1613:
1610:
1608:
1605:
1603:
1600:
1598:
1595:
1593:
1590:
1588:
1587:Arnaut Daniel
1585:
1583:
1580:
1579:
1577:
1574:
1569:
1565:
1549:
1545:
1541:
1538:
1536:
1533:
1531:
1528:
1526:
1523:
1522:
1521:
1518:
1517:
1515:
1513:
1512:
1507:
1503:
1500:
1498:
1494:
1487:
1484:
1481:
1478:
1476:
1473:
1471:
1468:
1466:
1465:Peter Abelard
1463:
1461:
1458:
1456:
1453:
1449:
1448:Odo of Arezzo
1445:
1441:
1438:
1437:
1436:
1433:
1431:
1428:
1426:
1423:
1419:
1415:
1411:
1407:
1405:
1402:
1398:
1395:
1393:
1390:
1389:
1388:
1385:
1384:
1382:
1380:
1376:
1370:
1367:
1365:
1362:
1360:
1357:
1356:
1353:
1349:
1342:
1337:
1335:
1330:
1328:
1323:
1322:
1319:
1306:
1298:
1297:
1295:
1293:
1292:
1283:
1282:
1278:
1272:
1269:
1267:
1266:Rhythmic mode
1264:
1262:
1259:
1257:
1254:
1253:
1251:
1247:
1239:
1238:
1234:
1233:
1232:
1229:
1225:
1224:
1220:
1219:
1218:
1215:
1214:
1212:
1208:
1202:
1201:
1197:
1195:
1194:
1190:
1189:
1187:
1183:
1178:
1166:
1162:
1158:
1155:
1153:
1150:
1148:
1145:
1143:
1140:
1139:
1138:
1135:
1134:
1132:
1128:
1124:
1123:
1115:
1110:
1108:
1103:
1101:
1096:
1095:
1092:
1085:
1081:
1078:
1074:
1071:
1067:
1065:
1064:0-393-09090-6
1061:
1057:
1053:
1050:
1049:
1044:
1041:
1037:
1034:
1033:
1028:
1024:
1021:
1017:
1013:
1010:
1009:0-89917-034-X
1006:
1002:
998:
994:
993:
988:
984:
979:
976:
975:1-56159-174-2
972:
968:
967:Stanley Sadie
964:
960:
957:
953:
950:
949:
939:
935:
930:
926:
925:1-56159-239-0
922:
918:
914:
913:Stanley Sadie
910:
905:
904:
892:
887:
880:
875:
861:
857:
850:
842:
838:
834:
830:
826:
822:
818:
814:
810:
806:
802:
796:
788:
782:
778:
774:
770:
766:
765:
760:
754:
746:
742:
738:
734:
730:
726:
719:
711:
707:
703:
699:
695:
691:
687:
683:
676:
668:
664:
660:
656:
652:
648:
641:
637:
627:
624:
622:
619:
617:
614:
613:
607:
605:
601:
597:
593:
589:
588:
583:
579:
575:
570:
568:
566:
561:
556:
554:
550:
549:
544:
540:
536:
532:
527:
525:
510:
502:
498:
494:
490:
486:
482:
478:
474:
464:
462:
461:
456:
451:
449:
445:
441:
437:
433:
429:
425:
421:
417:
413:
412:
407:
406:
401:
400:
388:
383:
381:
376:
374:
369:
368:
366:
365:
360:
359:
355:
354:
353:
352:
344:
343:
339:
337:
334:
332:
329:
327:
324:
322:
319:
317:
314:
312:
309:
307:
304:
302:
299:
295:
292:
290:
287:
285:
282:
281:
280:
277:
275:
272:
270:
267:
266:
259:
258:
250:
247:
245:
242:
240:
237:
235:
232:
230:
227:
225:
222:
220:
217:
215:
212:
210:
207:
205:
202:
200:
197:
195:
192:
190:
187:
186:
182:Major figures
179:
178:
170:
169:
168:Ars subtilior
165:
163:
160:
158:
157:
153:
151:
148:
146:
143:
141:
138:
134:
131:
130:
129:
128:
124:
122:
119:
117:
116:Saint Martial
114:
112:
109:
108:
101:
100:
92:
88:
84:
80:
76:
75:
74:
73:
69:
68:
65:
62:
61:
57:
53:
52:
46:
42:
38:
34:
30:
19:
2694:
2660:Architecture
2532:
2484:Geisslerlied
2462:Formes fixes
2384:Notker Labeo
2349:Anonymous IV
2324:Leonel Power
2309:Thomas Fabri
2299:
2162:
1983:Predecessors
1901:
1807:Jehan Bretel
1643:Jaufre Rudel
1510:
1509:
1418:Odo of Cluny
1289:
1288:
1235:
1221:
1198:
1193:Magnus Liber
1191:
1121:
1120:
1083:
1076:
1069:
1055:
1046:
1039:
1030:
1026:
1020:John Tyrrell
1015:
1000:
991:
965:, edited by
962:
955:
933:
917:John Tyrrell
911:, edited by
908:
886:
874:
863:. Retrieved
859:
849:
808:
804:
795:
768:
763:
753:
728:
724:
718:
685:
681:
675:
650:
646:
640:
603:
599:
595:
591:
585:
581:
573:
571:
563:
557:
546:
534:
531:music theory
528:
496:
488:
483:and also by
476:
472:
470:
458:
454:
452:
447:
435:
410:
409:
404:
403:
398:
397:
396:
356:
340:
301:Geisslerlied
279:Formes fixes
166:
154:
126:
125:
85: /
81: /
44:
40:
29:
2741:Ars antiqua
2650:Middle Ages
2645:Early music
2607:Derivations
2440:Chansonnier
1812:Jehan Erart
1757:Colin Muset
1663:Peire Vidal
1511:Ars antiqua
1122:Ars antiqua
952:Apel, Willi
592:ars antiqua
574:ars antiqua
535:ars antiqua
520: 1220
516: 1180
497:ars antiqua
489:ars antiqua
473:ars antiqua
455:ars antiqua
448:ars antiqua
440:troubadours
436:ars antiqua
405:ars veterum
399:Ars antiqua
262:Major forms
127:Ars antiqua
83:Instruments
41:Ars Antiqua
18:Ars Antiqua
2675:Philosophy
2670:Literature
2638:Background
2544:Traditions
1911:F. Andrieu
1767:Gace Brulé
1607:Castelloza
1573:Trobairitz
1568:Troubadour
1460:St. Godric
940:, 1955–73.
865:2024-03-10
653:: 79–104.
632:References
598:, and the
518: – c.
140:Troubadour
111:Saint Gall
2588:Lithuania
2452:Conductus
2342:Theorists
2314:Roy Henry
2241:Rodericus
2132:Sant Omer
1867:Minnesang
1256:Conductus
1210:Theorists
1130:Composers
841:162963036
825:0038-7134
737:0027-4224
702:0003-0139
659:0077-2461
453:The term
444:trouvères
428:polyphony
411:ars vetus
274:Conductus
249:Dunstaple
199:Hildegard
150:Minnesang
91:Theorists
79:Composers
2735:Category
2709:Category
2614:Bardcore
2593:Portugal
2561:Scotland
2534:Planctus
2518:Madrigal
2457:Estampie
2420:Antiphon
1975:Trecento
1903:Ars nova
1862:Goliards
1719:Trouvère
1693:Sordello
1673:Perdigon
1648:Marcabru
1305:Category
1291:Ars nova
1271:Trouvère
985:(1950).
805:Speculum
688:(1): 8.
667:20532360
610:See also
600:ars nova
594:was the
582:ars nova
460:ars nova
342:Planctus
326:Madrigal
162:Trecento
156:Ars nova
145:Trouvère
70:Overview
56:a series
54:Part of
2578:Germany
2556:England
2528:Organum
2506:Tydorel
2477:Virelai
2472:Rondeau
2467:Ballade
2435:Chanson
2211:Egidius
2206:Egardus
1926:Grimace
1857:Casella
1535:PĂ©rotin
1410:Hucbald
1397:Tuotilo
1261:Discant
1249:Related
1185:Sources
1152:PĂ©rotin
901:Sources
833:2851338
584:in his
509:PĂ©rotin
481:Jacobus
467:History
336:Organum
294:Virelai
289:Rondeau
284:Ballade
244:Ciconia
239:Landini
234:Machaut
214:PĂ©rotin
209:Walther
204:Bernart
121:Goliard
37:PĂ©rotin
2719:Portal
2665:Poetry
2573:France
2568:Cyprus
2283:Others
2266:Trebor
2251:Solage
2173:Borlet
1668:Peirol
1571:&
1530:LĂ©onin
1147:LĂ©onin
1062:
1007:
973:
923:
915:, and
839:
831:
823:
783:
745:733642
743:
735:
710:831693
708:
700:
665:
657:
602:was a
501:LĂ©onin
442:, and
224:Franco
189:Notker
87:Theory
2598:Spain
2583:Italy
2523:Motet
2447:Chant
2430:Carol
2425:Canso
837:S2CID
829:JSTOR
767:[
741:JSTOR
706:JSTOR
663:JSTOR
511:(fl.
432:motet
331:Motet
316:Lauda
269:Canso
229:Vitry
194:Guido
1060:ISBN
1005:ISBN
971:ISBN
921:ISBN
821:ISSN
781:ISBN
733:ISSN
698:ISSN
655:ISSN
533:the
2655:Art
2501:Lai
1029:".
813:doi
773:doi
690:doi
529:In
505:fl.
479:of
426:of
408:or
311:Lai
2737::
989:.
954:.
858:.
835:.
827:.
819:.
809:35
807:.
779:.
739:.
729:53
727:.
704:.
696:.
686:39
684:.
661:.
651:46
649:.
555:.
513:c.
58:on
2699:→
2186:*
2103:*
2067:*
1954:*
1619:*
1575:*
1550:*
1488:?
1482:?
1450:*
1420:*
1412:*
1340:e
1333:t
1326:v
1294:→
1167:*
1113:e
1106:t
1099:v
1011:.
977:.
927:.
893:.
868:.
843:.
815::
789:.
775::
747:.
712:.
692::
669:.
567:,
503:(
386:e
379:t
372:v
93:)
89:(
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
