324:(2012), which Kuhn co-authored with her Queen Mary University of London colleague Guy Westwell, was several years in the making. It is grounded in a systematic overview of the discipline, both historically and as it is currently taught and researched, with the aim of producing an inclusive map of the field that would eventually generate the topics addressed in the dictionary, permit assessment of each headword and entry in light of its place in the discipline's overall architecture, supply a picture of the interconnections between various areas of inquiry, and generate a framework for cross-references that would allow users to follow personal paths through the dictionary and make their own discoveries about the discipline. In both its print and online versions, the Dictionary is widely used in screen studies teaching at all levels, as well as by film critics and film-lovers.
294:), articles, chapters and conference papers; and it has become a significant reference point for current research and community activity around cinema memory and histories of film reception. Most of the materials gathered in the course of the 1930s project are now part of Lancaster University Library's Special Collections, and are available there for consultation by other researchers.
222:. From 1984 to the early 1990s she was a commissioning editor for 'Questions for Feminism', a series of socialist-feminist books published by Verso, and in the late 1980s worked as desk editor in Verso's editorial office in London. Some documents from the early phase of Kuhn's career are lodged in the Women's Library at the London School of Economics.
249:
since 2006 and is now
Professor and Research Fellow in Film Studies. Since 2002 she has served on the Advisory Board of the Raphael Samuel History Centre (University of East London/Birkbeck University of London) and on the Education and Culture Committee of Phoenix Cinema (Finchley, London) since
289:
Since the early 1990s, Kuhn has researched, and written widely on, cinemagoing and memory, in work arising from a large-scale project called "Cinema
Culture in 1930s Britain", which she directed and which involved gathering a considerable body of questionnaire and depth-interview material from
152:
among several have higher educational achievement than their siblings. During the same period, she also co-authored a second survey with Anne Poole and R. Keith
Kelsall, published as "Graduates: The Sociology of the Elite", which looked at women graduates and their careers, or lack thereof.
312:
Concurrently, Kuhn has inquired into photography and cultural memory, with a particular interest in the uses of and meanings attaching to family photographs, conducting research and workshops, giving talks and producing writings on the subject. Her book
317:
is widely cited and continues to be drawn on by writers and artists, especially feminists, conducting autoethnographic work with personal photographs, as well as by readers inspired to conduct memory work with their own family albums.
1448:
281:. Kuhn has delivered keynote lectures, invited talks and workshops also in Canada, Finland, Germany, Italy, the Netherlands, South Africa, Spain and Switzerland. Her writings have been translated into at least ten languages.
144:. Kuhn also co-convened the Sheffield University Women's Studies Group, organising public seminars and film screenings. While a student in the early 1970s, she co-authored a survey of British university graduates with
1169:
171:
340:
in the Five
College Women's Studies program in order to complete work on the Family Secrets project, research for "The Daughter’s Lament: Memory Work and Productions of the Self".
299:
Annette Kuhn has grouped scholarly work on women's genres into two camps—one that emphasizes contexts (often TV studies), and one that emphasizes texts (often film studies).
241:
as a lecturer in Film and
Television and was promoted to Reader in Film and Television Studies in 1991, in the Department of Theatre, Film and Television Studies. She moved to
1158:
290:
several hundred surviving cinemagoers of the 1930s. The project's findings have been discussed in a number of radio programmes, as well as in books (in particular
189:(1982, rev. ed. 1994), in which Kuhn defined a variant of fictional realism as "new women's cinema" which targeted a working woman audience of the mid-1970s; and
1535:
744:. Annual Meeting of the National Council of Teachers of English (83rd, Pittsburgh, PA, November 17–22, 1993). p. 3 – via Internet Archive.
140:. While at Sheffield, she served as the Research Officer at the Sheffield Students' Union, during which period she worked on a campaign for a University
689:
Since the beginning of the feminist movement, the market has seen several good books on the subject of women and film. (This) sadly is not one of them.
622:
1540:
618:
210:
in 1989, standing down in 2014. In the late 1970s, she joined five other women in forming a feminist forum which roundly criticized the
1134:
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804:
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708:
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In 2004, she was elected to the
Fellowship of the British Academy, and in 2016 to Membership of the European Academy (
1384:
1227:
245:
in 1998 as Reader in
Cultural Research and was promoted to Professor of Film Studies in 2000. In 2006, Kuhn moved to
792:
258:
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1400:
900:
847:
Naish, Julia; Barrett, Michele; Wilson, Elizabeth; Wolpe, Ann-Marie; Kuhn, Annette; Owen, Ursula (26 July 1978).
246:
121:
739:
561:
719:
501:
270:
1109:
926:
101:
1191:
Magerstädt, Sylvie (2015). "Oxford
Dictionary of Film Studies by Annette Kuhn & Guy Westwell (review)".
197:(1990) with Susannah Radstone. She taught classes in adult and higher education in both the UK and the USA.
1550:
848:
762:
214:
and their perpetuation of a stereotype in women's clothing. In 1986 she completed a PhD on the history of
1375:. Short Cuts: Introductions To Film Studies. Great Britain: Wallflower Publishing Limited. pp.
639:
531:
672:
1497:
1081:
Trev
Broughton (1998). "Review: Family Secrets: Acts of Memory and Imagination by Annette Kuhn".
588:
207:
137:
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952:
1376:
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821:
337:
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50:
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234:(1974–76), Kuhn taught classes on women and the family and the sexual division of labour.
8:
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262:
254:
231:
211:
105:
1426:
1427:"A Dictionary of Film Studies - Annette Kuhn; Guy Westwell - Oxford University Press"
1380:
1223:
800:
715:
344:
741:
The Knower of the Known: Exploring Issues of
Violence against Women in Popular Music
625:; see Kuhn, The Power of the Image: Essays on Representation and Sexuality, pg 9-10.
1313:
614:
202:
413:. London: Virago; and Berkeley, CA: University of California Press, 1990. Edited.
1164:
358:
and her wider commitment to the development of screen studies and screen theory.
215:
166:
117:
1288:
927:"Annette Kuhn, BA (Econ), MA, PhD Professor and Research Fellow in Film Studies"
1449:"Little Madnesses: Winnicott, Transitional Phenomena & Cultural Experience"
161:
113:
1033:
1519:
758:
1110:"VirtualDayz: Annette Kuhn and Memory Work: Reflections on "Family Secrets""
1003:
977:
1200:
481:
Little Madnesses: Winnicott, Transitional Phenomena and Cultural Experience
178:
109:
901:"University of Glasgow, Research Fellow, Cinema Culture in 1930's Britain"
382:. London: Routledge and Kegan Paul, 1982; 2nd edn, Verso, 1994. Authored.
108:, educator, researcher, editor and feminist. She is known for her work in
788:
206:
from 1976 to 1985 and rejoined the journal as a co-editor on its move to
1481:
1094:
799:(1st ed.). Edinburgh: Edinburgh University Press. pp. 26–28.
557:
469:
Screen Theorizing Today: A Celebration of Screen’s Fiftieth Anniversary
145:
132:
Kuhn earned a bachelor's degree in 1969 and master's degree in 1975 in
1251:. Washington DC: Fulbright Visiting Scholar Program. 1994. p. 33.
1204:
1159:"Oxford Dictionary of Film Studies By Annette Kuhn & Guy Westwell"
1135:"Family Ties: Reframing Memory Various Artists, Peltz Gallery, London"
1474:"Annette Kuhn | Queen Mary, University of London - Academia.edu"
425:. Bradford-on-Avon: Flicks Books; New York: Praeger, 1995. Edited.
393:
Home Is Where the Heart Is: Studies in Melodrama and the Women's Film
333:
149:
133:
405:
Alien Zone: Cultural Theory and Contemporary Science Fiction Cinema
182:
141:
978:"BBC Radio 4 Extra - Where Were You When Bambi's Mother Was Shot?"
395:(ed. C. Gledhill). London: British Film Institute, 1987. Authored.
177:
In the mid-1970s, Kuhn began writing, teaching and publishing in
1056:"Cinema and culture | Library | Lancaster University"
386:
The Power of the Image: Essays on Representation and Sexuality
354:
in 2014, in recognition of Kuhn's outstanding contribution to
191:
The Power of the Image: Essays on Representation and Sexuality
1314:"University of Glasgow - Services A-Z - Screen - Essay Award"
304:
Julie D'Acci, Defining Women: Television and the Case of
1004:"BBC Radio 4 - Archive on 4, Going to the Flicks, Episode 1"
277:, and the Five Colleges Women's Studies Research Center at
269:; and fellowships at the Humanities Research Centre at the
170:(1979- ) and was a member of the women's photography group
120:. She is Professor and Research Fellow in Film Studies at
956:
1401:"Queen of the 'B's — Ida Lupino Behind the Camera"
1217:
846:
459:. Oxford and New York: Berghahn Books, 2006. Co-edited.
445:
Dreaming of Fred and Ginger: Cinema and Cultural Memory
368:
Feminism and Materialism: Women and Modes of Production
903:. Education Guardian: Research & Research Awards.
443:. London: I.B. Tauris, 2002. Published in the US as
1371:
Science Fiction Cinema: From Outerspace to Cyberspace
1220:
A Dictionary of Film Studies (Oxford Quick Reference)
370:. London: Routledge and Kegan Paul, 1978. Co-edited.
435:
Alien Zone II: The Spaces of Science Fiction Cinema
431:. Oxford, Oxford University Press, 1998. Co-edited.
388:. London: Routledge and Kegan Paul, 1985. Authored.
401:. London: Routledge and Kegan Paul, 1988. Authored.
336:Senior Research Scholarship to study six months at
164:, was part of the founding editorial collective of
1368:
1157:
707:
200:Kuhn served on the editorial board of the journal
538:. Chicago Tribune Service. 9 May 1973. p. D1
447:. New York: New York University Press. Authored.
419:. London: Verso, 1995; rev edn, 2002. Authored.
1517:
953:"Radio 4 - Woman's Hour -Cinema in the Thirties"
654:– via Newspapers.com (Publisher Edition).
646:. Sydney, New South Wales, Australia. p. 37
502:"First-Born Has Best Chance of Going to College"
471:. Oxford: Oxford University Press, 2009. Edited.
350:The Annette Kuhn Essay Award was established by
1263:"Professor Annette Kuhn | British Academy"
417:Family Secrets: Acts of Memory and Imagination
1366:
1080:
687:– via Newspapers.com (Publisher Extra).
441:An Everyday Magic: Cinema and Cultural Memory
423:Queen of the Bs: Ida Lupino Behind the Camera
399:Cinema, Censorship and Sexuality, 1909 to 1925
1415:– via Newspapers.com (Publisher Extra).
1353:– via Newspapers.com (Publisher Extra).
1245:Fulbright Scholars Program, 1994-95 Directory
1155:
915:– via Newspapers.com (Publisher Extra).
863:– via Newspapers.com (Publisher Extra).
836:– via Newspapers.com (Publisher Extra).
777:– via Newspapers.com (Publisher Extra).
603:– via Newspapers.com (Publisher Extra).
576:– via Newspapers.com (Publisher Extra).
546:– via Newspapers.com (Publisher Extra).
520:– via Newspapers.com (Publisher Extra).
477:. Oxford University Press, 2012. Co-authored.
465:. London: Palgrave MacMillan, 2008. Authored.
292:An Everyday Magic: Cinema and Cultural Memory
253:Kuhn has held visiting professorships at the
1536:Academics of Queen Mary University of London
1218:Annette Kuhn; Guy Westwell (21 June 2012).
701:
699:
697:
656:The book is for film theorists and critics.
411:The Women's Companion to International Film
195:The Women's Companion to International Film
1190:
819:
714:. The University of North Carolina Press.
705:
1441:
793:"Annette Kuhn and materialist criticism"
694:
1407:. London. 10 September 1995. p. 17
1367:King, Geoff; Krzywinska, Tanya (2000).
737:
671:Blacker, Irwin R. (26 September 1982).
670:
637:
586:
451:Screening World Cinema: a Screen Reader
376:. London: Croom Helm, 1979. Co-edited.
1518:
898:
757:
562:"What do women graduates really want?"
380:Women's Pictures: Feminism and Cinema
1541:Alumni of the University of Sheffield
1362:
1360:
753:
751:
556:
499:
475:The Oxford Dictionary of Film Studies
453:. London: Routledge, 2006. Co-edited.
322:The Oxford Dictionary of Film Studies
187:Women's Pictures: Feminism and Cinema
91:The Oxford Dictionary of Film Studies
1498:"People - Annette Kuhn Film Studies"
919:
787:
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666:
664:
633:
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483:. London: I.B. Tauris, 2013. Edited.
1419:
1107:
820:Neustatter, Angela (25 July 1978).
738:Brunner, Diane (20 November 1993).
500:Edens, B. David (8 November 1973).
13:
1357:
1345:. London. 4 March 1990. p. 53
748:
587:Hartley, Alec (17 February 1972).
512:(44). Jefferson City, Missouri: 14
457:Locating Memory: Photographic Acts
429:Screen Histories: A Screen Reader
14:
1567:
1466:
1289:"Academy of Europe: Kuhn Annette"
763:"Beauty, beasts, celluloid flops"
728:
661:
638:Stewart, Meg (20 November 1982).
628:
361:
933:. Quen Mary University of London
899:Macnab, Gillian (12 July 1994).
437:. London: Verso, 1999. Edited.
374:Ideology and Cultural Production
284:
259:University of Wisconsin, Madison
148:which supported the notion that
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1172:from the original on 7 May 2022
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875:"7ANK - Papers of Annette Kuhn"
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849:"Fashioned after our own image"
840:
813:
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407:. London: Verso, 1990. Edited.
247:Queen Mary University of London
185:standpoint. Her books included
122:Queen Mary University of London
1531:Fellows of the British Academy
607:
580:
550:
524:
493:
271:Australian National University
1:
1389:– via Internet Archive.
724:– via Internet Archive.
613:The other group members were
487:
332:In 1994, Kuhn was awarded a
230:As lecturer in Sociology at
7:
1556:British socialist feminists
1502:Filmstudies.sllf.qmul.ac.uk
225:
10:
1572:
1114:Virtualdayz.blogspot.co.uk
879:Twl-calm.library.lse.ac.uk
532:"First-Born Are Achievers"
644:The Sydney Morning Herald
640:"The Celluloid Feminists"
536:The Philadelphia Inquirer
327:
127:
85:
56:
48:University of Sheffield,
44:
30:
23:
237:In 1989 Kuhn joined the
158:Feminism and Materialism
208:Oxford University Press
193:(1985). Kuhn co-edited
138:University of Sheffield
39:England, United Kingdom
706:D'Acci, Julie (1994).
589:"A question of degree"
564:. Education Guardian.
301:
1429:. Ukcatalogue.oup.com
1403:. Books: Short Cuts.
1137:. Aesthetica Magazine
1030:"Going to the Flicks"
673:"Screenplay (column)"
534:. Food—Living.
391:"Women's Genres," in
338:Mount Holyoke College
297:
279:Mount Holyoke College
239:University of Glasgow
104:is a British author,
1108:tay (27 July 2005).
907:. London. p. 33
769:. London. p. 10
761:(25 November 1990).
568:. London. p. 17
275:Macquarie University
267:Stockholm University
243:Lancaster University
220:University of London
51:University of London
1551:Cultural historians
1405:The Observer Review
1156:Christopher Hirst.
1036:on 22 December 2016
828:. London. p. 7
822:"Clothes Encounter"
595:. London. p. 9
116:, film history and
98:Annette Frieda Kuhn
35:Annette Frieda Kuhn
1193:Film & History
851:. Guardian Women.
824:. Guardian Women.
306:Cagney & Lacey
263:Masaryk University
255:University of Iowa
232:Goldsmiths College
106:cultural historian
66:cultural historian
1478:Qmul.academia.edu
1343:Observer Saturday
1201:Project MUSE
1062:. 31 January 2014
1010:. 11 January 2015
806:978-0-7486-0900-0
797:Feminism and Film
677:Los Angeles Times
345:Academia Europaea
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560:(7 March 1972).
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216:film censorship
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362:Selected works
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315:Family Secrets
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162:AnnMarie Wolpe
156:She co-edited
150:first children
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