Anna Akhmatova - Knowledge

473: 74: 496:, she published her first poem which could be translated as "On his hand you may see many glittering rings", (1907) signing it "Anna G." She soon became known in St Petersburg's artistic circles, regularly giving public readings. That year, she wrote unenthusiastically to a friend, "He has loved me for three years now, and I believe that it is my fate to be his wife. Whether or not I love him, I do not know, but it seems to me that I do." She married Gumilev in Kiev in April 1910; however, none of Akhmatova's family attended the wedding. The couple honeymooned in Paris, and there she met and befriended the Italian artist 638: 1842: 556: 1404:, her longest work, were only published after her death. This long poem, composed between 1940 and 1965, is often critically regarded as her best work and also one of the finest poems of the twentieth century. It gives a deep and detailed analysis of her epoch and her approach to it, including her important encounter with Isaiah Berlin (1909–97) in 1945. Her talent in composition and translation is evidenced in her fine translations of the works of poets writing in French, English, Italian, Armenian, and Korean. 1056:, openly supporting Stalin and his regime. Lev remained in the camps until 1956, well after Stalin's death, his final release potentially aided by his mother's concerted efforts. Bayley suggests that her period of pro-Stalinist work may also have saved her own life; notably however, Akhmatova never acknowledged these pieces in her official corpus. Akhmatova's stature among Soviet poets was slowly conceded by party officials, her name no longer cited in only scathing contexts and she was readmitted to the 3796: 1210: 920:; however, the collection was withdrawn and pulped after only a few months. In 1993, it was revealed that the authorities had bugged her flat and kept her under constant surveillance, keeping detailed files on her from this time, accruing some 900 pages of "denunciations, reports of phone taps, quotations from writings, confessions of those close to her". Although officially stifled, Akhmatova's work continued to circulate in secret. Akhmatova's close friend, chronicler 255: 802:

reflecting only trivial "female" preoccupations, not in keeping with these new revolutionary politics of the time. She was roundly attacked by the state and by former supporters and friends, and seen to be an anachronism. During what she termed "The Vegetarian Years", Akhmatova's work was unofficially banned by a party resolution of 1925 and she found it hard to publish, though she did not stop writing poetry. She made acclaimed translations of works by

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first volumes. The risks during the purges were very great. Many of her close friends and family were exiled, imprisoned or shot; her son was under constant threat of arrest, she was often under close surveillance. Following artistic repression and public condemnation by the state in the 1920s, many within literary and public circles, at home and abroad, thought she had died. Her readership generally did not know her later opus, the railing passion of

1292: 3815: 1206:, Akhmatova was being hailed at home and abroad as an unofficial leader of the dissident movement, and reinforced this image herself. She was becoming a representative of both the Soviet Union and Tsarist Russia, more popular in the 1960s than she had ever been before the revolution, this reputation only continuing to grow after her death. For her 75th birthday in 1964, new collections of her verse were published. 1355:. Her lyrics are composed of short fragments of simple speech that do not form a logical coherent pattern. Instead, they reflect the way we actually think, the links between the images are emotional, and simple everyday objects are charged with psychological associations. Like Alexander Pushkin, who was her model in many ways, Akhmatova was intent on conveying worlds of meaning through precise details." 306:. Her style, characterised by its economy and emotional restraint, was strikingly original and distinctive to her contemporaries. The strong and clear leading female voice struck a new chord in Russian poetry. Her writing can be said to fall into two periods – the early work (1912–25) and her later work (from around 1936 until her death), divided by a decade of reduced literary output. Her work was 607:) appeared in March 1914 and firmly established her as one of the most popular and sought after poets of the day. Thousands of women composed poems "in honour of Akhmatova", mimicking her style and prompting Akhmatova to exclaim: "I taught our women how to speak, but don't know how to make them silent". Her aristocratic manners and artistic integrity won her the titles "Queen of the Neva" and " 2137:" are the opening words of a Babylonian creation myth. It could be translated as "when at the summit". Accounts differ as to when it was destroyed. Polivanov, who knew Akhmatova, suggests it was written in Tashkent while she was suffering from typhus, and burnt in fear in 1944. The poet read the play to friends before burning it, and it is reported to concern the 1064:, a translation by Akhmatova was praised in a public review in 1955, and her own poems began to re-appear in 1956. That same year Lev was released from the camps, embittered, believing that his mother cared more about her poetry than for him and that she had not worked hard for his release. Akhmatova's status was confirmed by 1958, with the publication of 1381:

of the purges. The work in Russian finally appeared in book form in Munich in 1963, the whole work not published within USSR until 1987. It consists of ten numbered poems that examine a series of emotional states, exploring suffering, despair, devotion, rather than a clear narrative. Biblical themes such as

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In November 1965, soon after her Oxford visit, Akhmatova suffered a heart attack and was hospitalised. She was moved to a sanatorium in Moscow in the spring of 1966 and died of heart failure on 5 March, at the age of 76. Thousands attended the two memorial ceremonies, held in Moscow and in Leningrad.

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described how writers working to keep poetic messages alive used various strategies. A small trusted circle would, for example, memorise each other's works and circulate them only by oral means. She tells how Akhmatova would write out her poem for a visitor on a scrap of paper to be read in a moment,

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making her famous. She later wrote "These naïve poems by a frivolous girl for some reason were reprinted thirteen times And they came out in several translations. The girl herself (as far as I recall) did not foresee such a fate for them and used to hide the issues of the journals in which they were

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imprisonment and trial of a woman poet, who does not why she has been interned, roundly condemning Stalin and the arbitrary nature of his purges. During the 1960s, Akhmatova tried to recall the text. Polivanov reports that her friend "could not remember her shortest poems, much less a long text". No

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The widespread worship of her memory in Soviet Union today, both as an artist and as an unsurrendering human being, has, so far as I know, no parallel. The legend of her life and unyielding passive resistance to what she regarded as unworthy of her country and herself, transformed her into a figure

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in secret, a lyrical cycle of lamentation and witness, depicting the suffering of the common people under Soviet terror. She carried it with her as she worked and lived in towns and cities across the Soviet Union. It was conspicuously absent from her collected works, given its explicit condemnation

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During the last years of Akhmatova's life, she continued to live with the Punin family in Leningrad, still translating, researching Pushkin, and writing her own poetry. Though still censored, she was concerned to re-construct work that had been destroyed or suppressed during the purges or which had

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labour camp, where he would die. Akhmatova narrowly escaped arrest, though her son Lev was imprisoned on numerous occasions by the Stalinist regime, accused of counterrevolutionary activity. She would often queue for hours to deliver him food packages and plead on his behalf. She describes standing

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She had little food and almost no money; her son was denied access to study at academic institutions because of his parents' alleged anti-state activities. The nationwide repression and purges decimated her St Petersburg circle of friends, artists and intellectuals. Her close friend and fellow poet

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She had "her first taste of fame", becoming renowned, not so much for her beauty, but for her intense magnetism and allure, attracting the fascinated attention of a great many men, including the great and the good. She returned to visit Modigliani in Paris, where he created at least 20 paintings of

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in 1965 and for her 75th birthday a year earlier. This was the last time the porcelain figurine was produced during her lifetime. The figurine was so popular that it was reproduced after her passing, once for what would have been her 85th birthday in 1974, and again for her 100th birthday in 1988,

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Porcelain figurine: When Anna Akhmatova was at the peak of her popularity, to commemorate her 35th birthday (1924), a porcelain figurine resembling her in a grey dress with flower pattern covered in a red shawl was mass-produced. Throughout the following years, the figurine was reproduced multiple

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Akhmatova often complained that the critics "walled her in" to their perception of her work in the early years of romantic passion, despite major changes of theme in the later years of The Terror. This was mainly due to the secret nature of her work after the public and critical effusion over her

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and others. Critic Roberta Reeder notes that the early poems always attracted large numbers of admirers: "For Akhmatova was able to capture and convey the vast range of evolving emotions experienced in a love affair, from the first thrill of meeting, to a deepening love contending with hatred, and

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landowner Motovilov. Yegor Motovilov was my great-grandfather; his daughter, Anna Yegorovna, was my grandmother. She died when my mother was nine years old, and I was named in her honour. Several diamond rings and one emerald were made from her brooch. Though my fingers are thin, still her thimble

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She was born Anna Gorenko by the sea in Bolshoi Fontan, near Odessa in Ukraine, to an unexceptional gentry family. Akhmatova's mother, Inna Stogova, was a descendant of a rich Russian landing family with strong ties to Kyiv, and her father, Andrei Gorenko, was a Ukrainian naval engineer descended

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In February 1917, the revolution started in Petersburg (then named Petrograd); soldiers fired on marching protestors, and others mutinied. They looked to a past in which the future was "rotting". In a city without electricity or sewage service, with little water or food, they faced starvation and

571:) – the first of five in nine years. The small edition of 500 copies quickly sold out and she received around a dozen positive notices in the literary press. She exercised a strong selectivity for the pieces – including only 35 of the 200 poems she had written by the end of 1911. (She noted that 998:

She regularly read to soldiers in the military hospitals and on the front line; her later pieces seem to be the voice of those who had struggled and the many she had outlived. She moved away from romantic themes towards a more diverse, complex and philosophical body of work and some of her more

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Primary sources of information about Akhmatova's life are relatively scant, as war, revolution and the Soviet regime caused much of the written record to be destroyed. For long periods she was in official disfavour and many of those who were close to her died in the aftermath of the revolution.

465:; however, none of her juvenilia survive. Her sister Inna also wrote poetry though she did not pursue the practice and married shortly after high school. Akhmatova's father did not want to see any verses printed under his "respectable" name, so she chose to adopt her grandmother's distinctly 1049:

Akhmatova's son Lev was arrested again at the end of 1949 and sentenced to 10 years in a Siberian prison camp. She spent much of the next years trying to secure his release; to this end, and for the first time, she published overtly propagandist poetry, "In Praise of Peace", in the magazine

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Berlin described his visit to her flat: "It was very barely furnished—virtually everything in it had, I gathered, been taken away—looted or sold—during the siege .... A stately, grey-haired lady, a white shawl draped about her shoulders, slowly rose to greet us. Anna Akhmatova was immensely

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poetry group, and placing a stigma on Akhmatova and her son Lev (by Gumilev). Lev's later arrest during the purges and terrors of the 1930s was based on being his father's son. From a new Marxist perspective, Akhmatova's poetry was deemed to represent an introspective "bourgeois aesthetic",

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in Europe and America. It promoted the use of craft and rigorous poetic form over mysticism or spiritual in-roads to composition, favouring the concrete over the ephemeral. Akhmatova modeled its principles of writing with clarity, simplicity, and disciplined form. Her first collections

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Akhmatova wrote that by 1935 every time she went to see someone off at the train station as they went into exile, she'd find herself greeting friends at every step as so many of St Petersburg's intellectual and cultural figures would be leaving on the same train. In her poetry circles

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One day somebody in the crowd identified me. Standing behind me was a woman, with lips blue from cold, who had, of course, never heard me called by name before. Now she started out of the torpor common to us all and asked me in a whisper (everyone whispered there):'Can you describe

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sickness. Akhmatova's friends died around her and others left in droves for safer havens in Europe and America, including Anrep, who escaped to England. She had the option to leave, and considered it for a time, but chose to stay and was proud of her decision to remain.:

1393:, reflect the ravaging of Russia, particularly witnessing the harrowing of women in the 1930s. It represented, to some degree, a rejection of her own earlier romantic work as she took on the public role as chronicler of the Terror. This is a role she holds to this day. 1504:. After the collapse of the Soviet Union in 1993, there was an immense surge in Akhmatova's popularity and her porcelain figurine was mass-produced yet again, this time in a plain grey dress with a yellow shawl. Her figure now stands in almost every post-Soviet home. 665:

later described as writing of personal lyricism tinged with the "note of controlled terror". She later came to be memorialised by his description of her as "the keening muse". Essayist John Bayley describes her writing at this time as "grim, spare and laconic".

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then burnt in her stove. The poems were carefully disseminated in this way, but it is likely that many compiled in this manner were lost. "It was like a ritual," Chukovskaya wrote. "Hands, matches, an ashtray. A ritual beautiful and bitter."

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tried to visit her again, but she refused him, worried that her son might be re-arrested due to family association with the ideologically suspect western philosopher. She inspired and advised a large circle of key young Soviet writers. Her

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to forcibly extract the names of 'conspirators', from an imprisoned professor, guaranteeing them amnesty from execution. Agranov's guarantee proved to be meaningless. He sentenced dozens of the named persons to death, including Gumilev.

1843: 1331:(1914) received wide critical acclaim and made her famous from the start of her career. They contained brief, psychologically taut pieces, acclaimed for their classical diction, telling details, and the skilful use of colour. 527:

in Europe and America. From the first year of their marriage, Gumilev began to chafe against its constraints. She wrote that he had "lost his passion" for her and by the end of that year he left on a six-month trip to Africa.

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eventually to violent destructive passion or total indifference. But her poetry marks a radical break with the erudite, ornate style and the mystical representation of love so typical of poets like

472: 2652: 626:. In July 1914, Akhmatova wrote "Frightening times are approaching/ Soon fresh graves will cover the land"; on 1 August, Germany declared war on Russia, marking the start of "the dark storm" of 426:, when she was eleven months old. The family lived in a house on the corner of Shirokaya Street and Bezymyanny Lane (the building is no longer there today), spending summers from age 7 to 13 in a 736:

At the height of Akhmatova's fame, in 1918, she divorced her husband and that same year, though many of her friends considered it a mistake, Akhmatova married prominent Assyriologist and poet

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In 1988, to celebrate what would have been Akhmatova's 100th birthday, Harvard University held an international conference on her life and work. Today her work may be explored at the

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publicly labelled her "half harlot, half nun", her work "the poetry of an overwrought, upper-class lady", her work the product of "eroticism, mysticism, and political indifference".

2079:, Anrep's mosaic of Saint Anne is spelt Anna – the saint's image bears a close resemblance to Akhmatova in her mid-20s. He also depicted Akhmatova in a religious mosaic entitled 1200:, she was newly acclaimed by the Soviet authorities as a fine and loyal representative of their country and permitted to travel. At the same time, by virtue of works such as 492:, on Christmas Eve 1903. Gumilev encouraged her to write and pursued her intensely, making numerous marriage proposals starting in 1905. At 17 years old, in his journal 318:, acting as witness to the events around her. Her perennial themes include meditations on time and memory, and the difficulties of living and writing in the shadow of 73: 3862: 515:. It promoted the idea of craft as the key to poetry rather than inspiration or mystery, taking themes of the concrete rather than the more ephemeral world of the 277:, was a Russian poet, one of the most significant of the 20th century. She reappeared as a voice of Russian poetry during World War II. She was nominated for the 2193:. 327 pages. 10,000 copies intended but publication was suspended shortly after release and copies pulped and remaining issues banned. See Martin (2007) p. 9. 1342:

Her early poems usually picture a man and a woman involved in the most poignant, ambiguous moment of their relationship, much imitated and later parodied by

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conspiracy and in August was shot along with 61 others. According to the historian Rayfield, the murder of Gumilev was part of the state response to the

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as a young woman). On returning to Leningrad in May 1944, she writes of how disturbed she was to find "a terrible ghost that pretended to be my city".

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For commentary on the relationship between Akhmatova and Anrep, see Wendy Rosslyn, "A propos of Anna Akhmatova: Boris Vasilyevich Anrep (1883–1969)",

653:; many of her poems in the period are about him and he in turn created mosaics in which she is featured. She selected poems for her third collection, 2428: 3262: 622:(who, though married, proposed to her many times) and rumours began to circulate that she was having an affair with influential lyrical poet 3872: 1012:, acting on the orders from Stalin, started an official campaign against the "bourgeois", individualistic works by Akhmatova and satirist 3967: 3957: 3867: 1799: 1280: 331: 615:, the longest and one of the best known of her works, written many decades later, she would recall this as a blessed time of her life. 3947: 3922: 1086:), collected works 1909–1965, published 1965, was the most complete volume of her works in her lifetime, though the long damning poem 3857: 3942: 3917: 3327: 1060:

in 1951, being fully recognised again following Stalin's death in 1953. With the press still heavily controlled and censored under

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Cambridge University Press. "The greatness of Akhmatova: Requiem and Poem Without a Hero translated by DM Thomas". pp. 140–142;

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documents her personal experience of this time; as she writes, "one hundred million voices shout" through her "tortured mouth".

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in Russian finally appeared in book form in Munich in 1963, the whole work not published within USSR until 1987. Her long poem

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dignified, with unhurried gestures, a noble head, beautiful, somewhat severe features, and an expression of immense sadness."

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times on different occasions: once in 1954, on her 65th birthday, as she was fully recognised and praised again following

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and her other scathing works, which were shared only with a very trusted few or circulated in secret by word of mouth (

874: 2180:). 60 pages, 1000 copies published. Half the poems are about to or about her husband Shileiko. See Martin (2007) p. 6. 3927: 3626: 3612: 3594: 3549: 3541: 3527: 3513: 3499: 3485: 3385: 3271: 3135: 3089: 2943: 2923: 2728: 2692: 2459: 1973: 1923: 1787: 1773: 1759: 1745: 1731: 1717: 822:. She worked as a critic and essayist, though many USSR and foreign critics and readers concluded that she had died. 2206:("Selections of poetry"). Tashkent, government-issued and edited. 114 pages, 10,000 copies. See Martin (2007) p. 10. 1038:, accusing her of poisoning the minds of Soviet youth. Her surveillance was increased and she was expelled from the 1220:

Akhmatova was able to meet some of her pre-revolutionary acquaintances in 1965, when she was allowed to travel to

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Akhmatova started writing poetry at the age of 11, and was published in her late teens, inspired by the poets

2228:). 50,000 copies, 471 pages. The collection draws from seven of her books, including the unpublished volumes 438:(1906–10) and finished her schooling there, after her parents separated in 1905. She went on to study law at 267: 94: 38: 3962: 3907: 3720: 1484: 1197: 631: 608: 539:, declared later, in her autobiography that she came to forgive Akhmatova for it in time. Akhmatova's son, 3952: 3937: 3902: 3847: 2304: 1480: 1190: 1182: 781:

agreed to several pardons, the condemned had been shot. Within a few days of his death, Akhmatova wrote:

3777: 3737: 2636:, the poet Joseph Woods recounts the story of the mosaics. Relevant section begins at timestamp 40'43". 2260: 1214: 1170: 642: 394: 768:(secret police) blamed the rebellion on Petrograd's intellectuals, prompting the senior Cheka officer 3786: 3667: 2264: 2076: 1858: 1496: 1186: 1009: 278: 2972: 1361: 1202: 1088: 381:, was the aunt of my grandfather Erasm Ivanovich Stogov. The Stogovs were modest landowners in the 297: 3832: 1414: 1382: 1143:

posed a threat to the life of her son in the camps, such as the lost, semi-autobiographical play

637: 2044:). 52 poems, 120 pages, published by Hyperborea. See Martin (2007) p. 4, and Wells (1996) p. 6. 3604: 3375: 1804: 3672: 2804: 2487: 385:

region of the Moscow Province. They were moved here after the insurrection during the time of

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Anna of All The Russians: The Life of Anna Akhmatova by Elaine Feinstein retrieved 13/8/2018

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Encyclopaedia of Literature and Politics: Censorship, Revolution, and Writing Vol. 1 A-G.

1430: 807: 761: 536: 103: 79: 2111:. 102 pages, 2000 copies published. Her last volume of new work. See Martin (2007) p. 6. 2020:). 46 poems, 92 pages. 300 copies. Published by the Poets Guild. See Martin (2007) p. 4. 535:

She later began an affair with the celebrated Acmeist poet Osip Mandelstam, whose wife,

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Reinventing a Good Thing: Anderson Fails to Improve on Older Translations of Akhmatova

3686: 3682: 3647: 3622: 3608: 3590: 3589:, Harry Ransom Humanities Research Center Imprint Series, University of Texas Press; 3559: 3545: 3537: 3523: 3509: 3495: 3481: 3454: 3435: 3381: 3277: 3267: 3202: 3164: 3131: 3085: 2939: 2919: 2808: 2797: 2743:. These lines of the poem were not published in Russia until the 1990s. Published in 2724: 2688: 2493: 2455: 2353: 2343: 2282: 2054: 1783: 1769: 1755: 1741: 1727: 1713: 1525: 1462: 1311: 1237: 1233: 1061: 1030: 921: 737: 508: 497: 458: 454: 195: 3763:(41). Translated by Alex Cigale. State University at Albany (SUNY): 3. Spring 2010. 3748: 1607:– two-volume collection of selected poems (1924–1926); compiled but never published. 1156:

Akhmatova was widely honoured in the USSR and the West. In 1962, she was visited by

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The executions had a powerful effect on the Russian intelligentsia, destroying the

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making it one of the most popular and widely available porcelain figurines in the

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authorities, and she is notable for choosing not to emigrate and remaining in the

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Shtern, Ludmila (2004) Brodsky: a personal memoir Baskerville Publishers p. 331;

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Then something like a smile passed fleetingly over what had once been her face.

778: 662: 623: 423: 419: 107: 31: 3731: 3349: 3250:. Edited by Dinah Birch. Oxford University Press Inc. Oxford Reference Online. 2653:"St. "Petersburg Journal; If Poet's Room Could Speak, It Would Tell of Grief"" 2134: 1149:. She worked on her official memoirs, planned novels, and worked on her epic 1145: 397:, my ancestor, was killed one night in his tent by a Russian killer-for-hire. 3826: 3757:"Anthology of Russian Minimalist and Miniature Poems; Part I, The Silver Age" 3745:"The Obverse of Stalinism: Akhmatova's self-serving charisma of selflessness" 2357: 2059: 1492: 1446: 1267: 1161: 1017: 865: 769: 339: 226: 3585:

Monas, Sidney; Krupala, Jennifer Greene; Punin, Nikolaĭ Nikolaevich (1999),

3281: 2159:). 2000 copies, 142 pages, published by Hyperborea. See Martin (2007) p. 5. 1376:

Between 1935 and 1940 Akhmatova composed, worked and reworked the long poem

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The Word That Causes Death's Defeat: Poems of Memory (Annals of Communism)

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No one in my large family wrote poetry. But the first Russian woman poet,

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Russia's people of empire life stories from Eurasia, 1500 to the present

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yoke on Russia. It was well known that this Akhmat was a descendant of

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family, and her mother, Inna Erazmovna Stogova, was a descendant of the

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Mosaics located in the National Gallery in London. In the Cathedral of

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not merely in Russian literature, but in Russian history in century.

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This article is about the Soviet poet. For the Russian biologist, see

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In 1939, Stalin approved the publication of one volume of poetry,

3320:"Anna Akhmatova Beckons Iris DeMent Toward 'The Trackless Woods'" 3266:(Second, revised and enlarged ed.). New York: R. R. Bowker. 1397: 1319: 1303: 1225: 1052: 815: 798: 524: 520: 512: 149: 50: 3490:

Akhmatova, Anna, Trans. Kunitz, Staney and Hayward, Max (1998)

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Akhmatova, Anna, Trans. Kunitz, Staney and Hayward, Max (1973)

3297:"Poetry Is Set To Melody in Iris DeMent's 'The Trackless Woods'" 2439:

The Word That Causes Death's Defeat: Akhmatova's Poems of Memory

1740:(trans. Judith Hemschemeyer; ed. Roberta Reeder); Zephyr Press; 1181:, whom she mentored. Brodsky, arrested in 1963 and interned for 630:, civil war, revolution and totalitarian repression for Russia. 563:

In 1912, the Guild of Poets published Akhmatova's book of verse

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After being displayed in an open coffin, she was interred at

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Akhmatova had a relationship with the mosaic artist and poet

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Akhmatova was born at Bolshoy Fontan, a resort suburb of the

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Anna Akhmatova is the main character of the Australian play

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miniatures on the theme of love, shot through with sadness.

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11 June] 1889 – 5 March 1966), better known by the

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The poetry of Anna Akhmatova: living in different mirrors

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in spring of 1942 and then to greener, safer Tashkent in

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was prosecuted for his alleged role in a monarchist anti-

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they had been a wealthier and more distinguished family.

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Imitations of life: two centuries of melodrama in Russia

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would follow them in 1941, after returning from exile.

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Norris, Stephen M.; Sunderland, Willard, eds. (2012).

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patriotic poems found their way to the front pages of

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Akhmatova, Anna (1989) Trans. Mayhew and McNaughton.

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A Russian Psyche: The Poetic Mind of Marina Tsvetaeva

1974: 1944: 1938: 1924: 1894: 956:. During her time away she became seriously ill with 523:

anti-symbolist school, concurrent with the growth of

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Akhmatova, Trans. Kunitz and Hayward (1973) pp.15–16

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Profile of Anna Akhmatova, Academy of American Poets

1962: 1956: 1912: 1906: 936:(now St Petersburg). In 1940, Akhmatova started her 3518:Akhmatova, Anna (1992) Trans. Judith Hemschemeyer 2124:

river in St Petersburg, is now an Akhmatova museum.

1953: 1947: 1900: 1897: 1236:, accompanied by her lifelong friend and secretary 503:In late 1910, she came together with poets such as 3317: 2995:Akhmatova, Trans. Kunitz and Hayward (1998) p. 115 2796: 1663:Stikhotvoreniya 1909–1960/ Стихотворения 1909-1960 777:and others appealed for leniency, but by the time 3733:The Anna Akhmatova File (1989)- English Subtitles 3534:Anna of all the Russias: A life of Anna Akhmatova 3824: 1754:(trans. Nancy Anderson). Yale University Press. 1270:described the impact of her life, as he saw it: 704:A voice came to me. It called out comfortingly. 699:Akhmatova wrote of her own temptation to leave: 543:, was born in 1912, and would become a renowned 3863:People from the Russian Empire of Tatar descent 3522:. Ed. R. Reeder, Boston: Zephyr Press; (2000); 3145: 3143: 2763: 2761: 2759: 2757: 2650: 2575: 2573: 3718: 3216: 3214: 2948: 2315: 2313: 1531: 722:Would not be stained by those shameful words. 3455:Original Akhmatova poems in Russian at niv.ru 3263:International Encyclopedia of Women Composers 2226:The Flight of Time: Collected Works 1909–1965 1986: 1826: 1726:(trans. Richard McKane); Bloodaxe Books Ltd; 1678:The Flight of Time: Collected Works 1909–1965 976:through which a hundred million people shout, 3231: 3159:McReynolds, Louise; Neuberger, Joan (2002). 3140: 2893: 2848: 2754: 2570: 2543: 1196:As one of the last remaining major poets of 661:), in 1917, a volume which poet and critic 519:. Over time, they developed the influential 302:(1935–40), her tragic masterpiece about the 3432:The Facts on File Companion to World Poetry 3211: 3041: 3039: 3007: 3005: 3003: 3001: 2310: 2300: 2298: 1800:Anna Akhmatova Literary and Memorial Museum 1281:Anna Akhmatova Literary and Memorial Museum 1232:prize and an honorary doctoral degree from 714:Root out the black shame from your heart, 675:You are a traitor, and for a green island, 3425: 3423: 3294: 3248:The Oxford Companion to English Literature 3113: 3111: 3101: 3099: 3097: 3063: 3061: 3059: 3057: 3055: 3053: 3051: 2982: 2980: 2839: 2832: 2830: 2828: 2826: 2824: 2788: 2702: 2700: 2616: 2614: 2479: 2472: 2470: 2468: 2397: 2395: 2393: 2391: 2389: 1487:set several of Akhmatova's poems to music. 1306:group of poets in 1910 with poets such as 1256:) was published in complete form in 1965. 1127:the secret of secrets is inside me again. 592:first published under the sofa cushions". 296:to intricately structured cycles, such as 72: 3719:Landauer, Helga; Naiman, Anatoly (2008). 2679: 2677: 2675: 2673: 2563: 2561: 2559: 2557: 2555: 2511: 2509: 2454:, University of Wisconsin Press, p. 224; 2120:Their home in The Fountain House, on the 1874:[ˈɑnːɐɐnˈd⁽ʲ⁾r⁽ʲ⁾ijiu̯nɐɦoˈrɛnko] 1768:(trans. D. M. Thomas); Penguin Classics; 1536: 974:If a gag should blind my tortured mouth, 790:There's an ominous knock behind the wall: 677:Have betrayed, yes, betrayed your native 401:tells us that this marked the end of the 3506:Poem Without a Hero & Selected Poems 3429: 3377:Woman in the Window, The | Alma De Groen 3288: 3177: 3128:Encyclopedia of the Literature of Empire 3036: 2998: 2957: 2913:Joseph Stalin: a biographical companion. 2794: 2646: 2644: 2642: 2527: 2525: 2523: 2521: 2492:. Simon and Schuster. pp. 162–163. 2441:, Anderson, Nancy; Yale University Press 2422: 2295: 2278:Cambridge English Pronouncing Dictionary 1290: 1208: 979:then let them pray for me, as I do pray 636: 554: 471: 349: 3587:The Diaries of Nikolay Punin: 1904–1953 3420: 3108: 3094: 3048: 2977: 2857: 2821: 2770: 2697: 2611: 2591: 2582: 2465: 2386: 1816: 712:I will wash the blood from your hands, 14: 3825: 3742: 3311: 3163:. Duke University Press. p. 293. 3025: 3023: 3021: 3019: 3017: 2928: 2670: 2552: 2506: 2485: 2404: 2053:"Poem Without a Hero" was inspired by 1837:[ˈanːəɐnˈdrʲe(j)ɪvnəɡɐˈrʲɛnkə] 1318:school, concurrent with the growth of 786:Terror fingers all things in the dark, 744:, who set many of her poems to music. 3709: 3536:. London: Weidenfeld & Nicolson; 3400: 3373: 3259: 3120: 2747:; Journal article by Roberta Reeder; 2715:Kenyon, Jane (Tans, ed.) (1985) From 2639: 2600: 2518: 2322: 2259: 1995: 1880: 1872: 1835: 1694:Ed. and trans. Stanley Kunitz, Boston 1420:Translations of some of her poems by 1407: 1112:Sand on the bottom whiter than chalk, 830:was deported and then sentenced to a 685:And the pine tree over a quiet lake. 3520:The Complete Poems of Anna Akhmatova 3318:Erin Lyndal Martin (6 August 2015). 3076:Akhmatova. "A land not mine" (trans 2216: 2214: 2212: 2104: 2102: 2028: 2026: 2008: 2006: 1782:(trans. Walter Arndt); Overlook TP; 1738:The Complete Poems of Anna Akhmatova 1701:(trans. D. M. Thomas); Penguin Books 1335:and her next four books were mostly 1026:He banned her poems from publication 952:, along with other artists, such as 752:In 1921, Akhmatova's former husband 618:Akhmatova became close friends with 373:with close ties to Kiev. She wrote: 3873:Women poets from the Russian Empire 3784: 3696: 3635:Journal article by Roberta Reeder; 3578:, Vol. 4 April 2007 Journal of the 3224:Journal article by Roberta Reeder; 3192:Hemschemeyer and Reeder (1992) p.46 3014: 2305:Nomination archive – Anna Achmatova 1595:). 60 pages, 1000 copies published. 1428:are set to music on the 2015 album 887:Flung myself at the hangman's feet. 864:Akhmatova was a common-law wife to 681:Abandoned all our songs and sacred 469:surname 'Akhmatova' as a pen name. 292:Akhmatova's work ranges from short 24: 3968:Noblewomen from the Russian Empire 3958:Russian poets of Ukrainian descent 3868:20th-century Russian women writers 3791:200+ poems translated into English 3434:. Infobase Publishing. p. 8. 3082:Room to Room: Poems by Jane Kenyon 3031:Who's Who in the Twentieth Century 1712:); Eighties Press and Ally Press; 1625:Izbrannoe Stikhi/ Избранные Стишки 1286: 932:, Akhmatova witnessed the 900-day 747: 25: 3979: 3948:20th-century pseudonymous writers 3657: 2489:St Petersburg: A Cultural History 2209: 2196: 2183: 2162: 2145: 2127: 2114: 2099: 2086: 2065: 2047: 2023: 2003: 1684: 1507:Akhmatova appears prominently in 718:I covered my ears with my hands, 708:Leave your deaf and sinful land, 3858:Nobility from the Russian Empire 3813: 3797:Works by or about Anna Akhmatova 3633:Anna Akhmatova: The Stalin Years 3619:Anna Akhmatova: Poet and Prophet 3222:Anna Akhmatova: The Stalin Years 2745:Anna Akhmatova: The Stalin Years 2723:. Eighties Press and Ally Press 1934: 1887: 1476:set Akhmatova's poetry to music. 1417:set Akhmatova's poetry to music. 1173:was frequented by such poets as 1118:the rosy limbs of the pinetrees. 476:Anna Akhmatova with her husband 253: 211: 182: 3943:Russian people of Tatar descent 3703:300 Women Who Changed the World 3448: 3394: 3367: 3342: 3253: 3240: 3195: 3186: 3152: 3070: 2989: 2966: 2902: 2884: 2875: 2866: 2779: 2733: 2709: 2651:Michael Specter (6 June 1995). 2623: 2444: 2413: 2240:). See Martin (2007) pp. 12–13. 1631:). Tashkent, government-edited. 1613:– compiled but never published. 1524:1965 – honorary doctorate from 1511:'s play "Black Sail White Sail" 1193:(1991) as an exile in the U.S. 595:Akhmatova's second collection, 207: 178: 78:Akhmatova in 1922 (portrait by 3888:Censorship in the Soviet Union 2721:Twenty Poems of Anna Akhmatova 2377: 2368: 2331: 2253: 1706:Twenty Poems of Anna Akhmatova 1699:Anna Akhmatova: Selected Poems 1652:Stikhotvoreniya/ Стихотворения 1125:is ending, or the world, or if 960:(she had suffered from severe 641:Portrait of Anna Akhmatova by 532:her, including several nudes. 13: 1: 3923:Ukrainian–Russian translators 3765:5 miniature poems (1911–1917) 3601:Anna Akhmatova and Her Circle 3599:Polivanov, Konstantin (1994) 3554:Harrington, Alexandra (2006) 3295:Ken Tucker (12 August 2015). 3130:, Infobase Publishing, p. 9; 3126:Snodgrass, Mary Ellen (2010) 2246: 2142:text of the play is extant. . 1647:) – not separately published 1641:Sed'maya kniga/ Седьмая Книга 1314:, working in response to the 1121:Sunset in the ethereal waves: 1114:and the air drunk, like wine, 1095: 940:, finishing a first draft in 883:Seventeen months I've pleaded 814:and pursued academic work on 792:A ghost, a thief or a rat... 720:So that my sorrowing spirit 550: 39:Eastern Slavic naming customs 2739:From Akhmatova, Anna (1918) 2342:. Indiana University Press. 2094:New Zealand Slavonic Journal 1485:Yudif Grigorevna Rozhavskaya 1264:Cemetery in St. Petersburg. 911: 895:Who's beast, and who's man? 893:Now all's eternal confusion. 589:I don't need my legs anymore 7: 3918:Chinese–Russian translators 3898:Russian literary historians 3812:(public domain audiobooks) 3721:"Film About Anna Akhmatova" 3430:Victoria, R. Arana (2008). 3084:. Alice James Books, 1964; 2630:In “Ana Achmatova [ 1864: 1793: 1532:Selected poetry collections 1481:Inna Abramovna Zhvanetskaia 1153:, 20 years in the writing. 788:Leads moonlight to the axe. 338:and her common-law husband 326:Akhmatova's first husband, 141:Poet, translator, memoirist 10: 3984: 3933:Pseudonymous women writers 3893:Soviet literary historians 3644:Anna Akhmatova: Her Poetry 3544:; Alfred A. Knopf, (2006) 3532:Feinstein, Elaine. (2005) 3470: 3407:forbiddenmusicregained.org 1637:– not separately published 1521:1964 – Etna-Taormina prize 1515: 1228:, in order to receive the 1215:Komarovo, Saint Petersburg 872:in 1953. Her tragic cycle 716:calmly and indifferently, 643:Olga Della-Vos-Kardovskaya 418:Her family moved north to 37:In this name that follows 36: 29: 3878:Russian World War I poets 3853:People from Odessky Uyezd 3668:Academy of American Poets 3571:Collecting Anna Akhmatova 3508:. Oberlin College Press; 2795:Rayfield, Donald (2004). 2077:Christ the King Mullingar 1987: 1854:А́нна Андрі́ївна Горе́нко 1853: 1828:А́нна Андре́евна Горе́нко 1827: 1187:Nobel Prize in Literature 1185:, would go on to win the 1073:Stikhotvoreniya 1909–1960 1010:Central Committee of CPSU 993:Trans. Kunitz and Hayward 906:, trans. A.S. Kline, 2005 897:How long till execution? 279:Nobel Prize in Literature 252: 247: 237: 222: 155: 145: 137: 113: 87: 71: 64: 3928:20th-century translators 3705:. Encyclopedia Britanna. 3631:Reeder, Roberta. (1997) 3617:Reeder, Roberta. (1994) 3460:25 November 2011 at the 3401:trilobiet, acdhirr for. 3260:Cohen, Aaron I. (1987). 2803:. Random House. p. 2741:When in suicidal anguish 2549:Harrington (2006), p. 14 2486:Volkov, Solomon (2010). 2374:Polivanov (1994) pp. 6–7 2363:from Ukrainian cossacks. 1810: 1674:Beg vremeni/ Бег Времени 1574:Belaya Staya/ Белая Стая 1246:The Way of All the Earth 1213:Anna Akhmatova's grave, 1123:I cannot tell if the day 835:outside a stone prison: 729:When in suicidal anguish 710:Leave Russia forever, 573:Song of the Last Meeting 342:spent many years in the 27:Russian poet (1889–1966) 3806:Works by Anna Akhmatova 3743:Zholkovsky, Alexander. 3374:Groen, Alma De (1999). 2854:Harrington (2006) p. 17 2579:Harrington (2006) p. 15 2450:Dinega, Alyssa (2001) 2319:Harrington (2006) p. 11 1865:Ánna Andríyivna Horénko 1585:Podorozhnik/ Подорожник 1443:The Woman in the Window 1415:Ivana Marburger Themmen 1385:and the devastation of 1295:Poem by Akhmatova on a 1107:the waters of its ocean 1040:Union of Soviet Writers 891:And I can't understand. 264:Anna Andreyevna Gorenko 3913:Translators to Russian 3776:: CS1 maint: others ( 3605:University of Arkansas 3582:; accessed 31 May 2010 3237:Wells (1996) pp. 70–74 3149:Harrington (2006) p.20 2899:Harrington (2006) p.18 2799:Stalin and his Hangmen 2785:Feinstein (2005) p. 83 2767:Harrington (2006) p.16 2383:Harrington (2006) p.13 2073:here for mosaic images 1537:Published by Akhmatova 1299: 1277: 1217: 1130: 1103:A land not mine, still 984: 909: 857:committed suicide and 846: 795: 734: 697: 646: 609:Soul of the Silver Age 560: 559:Anna Akhmatova in 1914 488:She met a young poet, 485: 416: 330:, was executed by the 308:condemned and censored 97:11 June] 1889 91:Anna Andreevna Gorenko 3673:Anna Akhmatova poetry 3621:. New York: Picador; 3569:Martin, Eden (2007) 3080:). Trans from (1978) 2934:Booker, M.K. (2005), 1387:Mary, Mother of Jesus 1302:Akhmatova joined the 1294: 1272: 1212: 1100: 971: 889:My terror, oh my son. 885:for you to come home. 880: 837: 783: 706:It said, "Come here, 701: 672: 640: 558: 475: 375: 350:Early life and family 3727:on 13 February 2009. 3710:Simon, John (1994). 3642:Wells, David (1996) 3494:. Houghton Mifflin; 3480:. Houghton Mifflin; 2683:Bayley, John (1984) 2096:1 (1980): pp. 25–34. 1629:Selections of Poetry 1479:Ukrainian composers 1383:Christ's crucifixion 842:And I said: 'I can.' 731:, trans. Jane Kenyon 694:, trans. Jane Kenyon 346:, where Punin died. 332:Soviet secret police 233:labour camp in 1953) 210: 1918; 181: 1910; 3963:Russian women poets 3908:Russian translators 3692:Poetic translations 3246:"Akhmatova, Anna" 3045:Martin (2007) p. 11 3029:"Akhmatova, Anna" 3011:Martin (2007) p. 12 2872:Monas (1999) p. 216 2430:Harvard Book Review 1997:[ɐxˈmatəvə] 1805:Akhmatova's Orphans 1692:Poems of Akhmatova. 1457:, in 1998; Sydney: 1431:The Trackless Woods 1402:Poem Without a Hero 1367:Poem without a Hero 1283:in St. Petersburg. 1151:Poem without a hero 1105:forever memorable, 938:Poem without a Hero 808:Rabindranath Tagore 762:Kronstadt rebellion 613:Poem Without a Hero 266:(23 June [ 104:Kherson Governorate 80:Kuzma Petrov-Vodkin 3953:Soviet women poets 3938:World War II poets 3903:Soviet translators 3848:Writers from Odesa 3697:Freidin, Gregory. 3637:New England Review 3492:Poems of Akhmatova 3478:Poems of Akhmatova 3380:. Currency Press. 3226:New England Review 3183:Martin (2007) p.13 2963:Martin (2007) p.10 2954:Wells (1996) p. 67 2749:New England Review 2657:The New York Times 2620:Martin (2007) p. 5 2588:Martin (2007) p. 4 2540:, 5 February 2007. 2476:Martin (2007) p. 3 2109:Anno Domini MCMXXI 1600:Anno Domini MCMXXI 1413:American composer 1408:Cultural influence 1300: 1218: 1189:(1987) and become 1116:late sun lays bare 1084:The flight of time 1076:(Poems: 1909–1960) 1014:Mikhail Zoshchenko 934:Siege of Leningrad 647: 561: 513:the Guild of Poets 486: 93:23 June [ 3785:Kneller, Andrey. 3751:on 28 April 2005. 3687:Poetry Foundation 3683:Profile and poems 3664:Profile and poems 3652:978-1-85973-099-7 3646:Berg Publishers; 3564:978-1-84331-222-2 3207:978-1-880909-70-6 3117:(1996) Wells p.23 3105:Wells (1996) p.22 3067:Wells (1996) p.21 2986:Wells (1996) p.18 2938:Greenwood p. 21; 2881:Monas (1999) pxli 2863:Wells (1996) p.15 2836:Martin (2007) p.7 2776:Wells (1996) p.11 2706:Martin (2007) p.6 2597:Wells (1996) p.10 2567:Wells (1996) p. 6 2499:978-1-4516-0315-6 2410:Wells (1996) p. 4 2401:Martin (2007) p.2 2349:978-0-253-00176-4 2328:Wells (1996) p. 2 2288:978-0-521-15255-6 2055:Alexander Pushkin 1862: 1658:) (25,000 copies) 1526:Oxford University 1467:978-0-86819-593-3 1312:Sergey Gorodetsky 1238:Lydia Chukovskaya 1234:Oxford University 1183:social parasitism 1062:Nikita Khrushchev 922:Lydia Chukovskaya 738:Vladimir Shilejko 634:came to a close. 509:Sergey Gorodetsky 498:Amedeo Modigliani 459:Evgeny Baratynsky 455:Alexander Pushkin 261: 260: 196:Vladimir Shilejko 146:Literary movement 16:(Redirected from 3975: 3817: 3816: 3801:Internet Archive 3793: 3787:"Anna Akhmatova" 3781: 3775: 3767: 3752: 3747:. 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