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in 1999. She then developed the plagiarist.org website, which was known for its humorous projects related to
Internet culture. Since 2012, her work has been in video installation and visual performance, most notably SVEN, Discotrope: The Secret Nightlife of Solar Cells with
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is an artist and researcher working in audio/visual performance, interactive art and software art, under a number of pseudonyms including VJ Ăśbergeek and Cue P. Doll. She is a professor at the
Department of Visual Arts at the
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Ward, A., Rohrhuber, J., Olofsson, F., McLean, A., Griffiths, D., Collins, N., and
Alexander, A. (2004). Live Algorithm Programming and a Temporary Organisation for its Promotion. In read_me – Software Art and
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and CyberSpaceLand. She has also written texts on historical and contemporary audiovisual performance, including a chapter in the volume of the book
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of the topic and provide significant coverage of it beyond a mere trivial mention. If notability cannot be shown, the article is likely to be
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Alexander's first widely exhibited new media work was the net art project, The Multi-Cultural
Recycler (1996/7), which was nominated for a
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Alexander developed a background in programming, music, and visual media at her alma maters. She taught at the
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The Black Box Book: Archives and
Curatorship in the Age of Transformation of Art Institutions
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from 1988–1991 and received her BA in
Communications: Radio/TV/Film. She then attended the
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Amy
Alexander is currently Professor of Visual Arts: Computing at the
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from 1993 to 1996, and received her MFA in Film/Video and New Media.
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Please help to demonstrate the notability of the topic by citing
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Professor of Visual Arts at
University of California San Diego
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Camera, monitor, two computers, and computer vision software
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38:general notability guideline
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