331:, not English. "The English ACK titles begin from number eleven because the first ten were in Kannada," clarifies Ananthram. To Ananthram's satisfaction, the 1965 Kannada ACK venture was a great commercial success which led to Mirchandani in the head office in Mumbai pursuing the Amar Chitra Katha idea in English diligently. "They brought in Anant Pai" says Ananthram. "And he built a wonderful team and a great brand." By the late 1970s, it was selling 5 million copies a year and had a peak circulation of about 700,000 a month. India Book House started to bring out at least one comic book a month by 1975, and sometimes as many as three. While Pai initially wrote the first few stories himself, he soon hired a core team of writers and editors, which included
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335:, Luis Fernandes and Kamala Chandrakant, who were responsible for the attempt at authenticity and balanced portrayal of history in comic books that became the hallmark of Amar Chitra Katha. Writers like Margie Sastry, Debrani Mitra and C.R Sharma also joined the creative team of Amar Chitra Katha, with
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The producers and writers did not initially respond to the criticisms. Later, they argued that a historical story ought to be presented without any factual distortion. They also pointed out that they had published innumerable issues focusing on personal community, and that these depictions were every
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The stories have often been in the past criticised as distorted depictions of history. Another criticism is that comic books, by their very nature, do not reflect the richness and complexity of the oral tradition of Indian mythology in which multiple versions of a story can co-exist simultaneously.
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The editors are now paying due effort in understanding different versions of the mythological stories and accommodating them into regional versions too. The new editions have been released featuring regional folktales and local heroes reflecting regional diversity of the country. The editors have
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American scholar Jeremy Stoll has noted that, "As the earliest indigenous comic books in India, the Amar Chitra Katha series set a strong precedent, one which has dictated comics content and style for decades since". On the other hand, he noted the series' promotion of "nationalism", and lamented
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The portrayals of light-browns, dark-brown skinned heroes like Ram, Krishna are among the most prominent titles covered in Amar Chitra Katha. Also, dark skinned servants and subservient women have been swapped for a more neutral skin tone and women who are active influencers in the stories like
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in an attempt to teach Indian children about their cultural heritage. He was shocked that Indian students could answer questions on Greek and Roman mythology, but were ignorant of their own history, mythology and folklore. It so happened that a quiz contest aired on
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that "as the most widely published and read Indian comics, books from this series are the ones that most scholars have focused upon, to the detriment of understanding the wider context of India's comics, storytelling, and visual cultures".
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magazine presents a contradicting view, stating that the idea and proposal for Amar Chitra Katha was made by a
Bangalore book salesman called G.K. Ananthram which led to the first Amar Chitra Katha comics being produced in 1965—in
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Rao, Aruna (2001). "From Self-Knowledge to Super Heroes: The Story of Indian Comics". In John A. Lent (ed.). Illustrating Asia: Comics, Humor
Magazines, and Picture Books. University of Hawaii Press. p. 37–63.
772:
For a short biography of Anant Pai, Kamala
Chandrakant, Subba Rao, Margie Sastry, Ram Waeerkar, Pratap Mulick, see Norbert Barth, "India Book House and Amar Chitra Katha (1970–2002)", Wuerzburg 2008, p.47-59.
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tried to pay close attention to the changing sensitivities of the people and trying to accommodate the diversity of story telling by giving equal importance to regional versions.
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and even rather obscure Muslim personalities like
Thanedar Hasan Askari. They also included foreign personalities with no direct connection to India, such as
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in
February 1967, in which participants could easily answer questions pertaining to Greek mythology, but were unable to reply to the question "In the
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bit as flattering and respectful as issues on other personalities. The Muslim personalities thus eulogized in Amar Chitra Katha include
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A Pandit Had A Dream ... Outlook India
Magazine, 21 March 2011. Retrieved 17 September 2011
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The following films were produced by Amar Chitra Katha under ACK Animation
Studios banner
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taking on the role of editor and co-writer on most scripts. The notable illustrators were
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Religion and
Identity in South Asia and Beyond: Essays in Honor of Patrick Olivelle
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among many others. Indeed, there is even an issue on the life and message of
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Jeremy Stoll, "A Creator's
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The above story is the version reported by ACK itself. However,
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Animated television series, aired on
Cartoon Network India.
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for a comprehensive listing of all titles released to date.
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Media and the Transformation of Religion in South Asia
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Media and the Transformation of Religion in South Asia
311:. The first Indian comic done and released in ACK was
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588:Co-produced with Maya Digital Studios and
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1188:Publishing companies established in 1967
1183:Comic book publishing companies of India
856:"The undying world of Amar Chitra Katha"
661:Now, Amar Chitra Katha gets even younger
35:Official logo of Amar Chitra Katha (ACK)
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684:, by Lawrence A Babb, Susan S. Wadley.
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803:. Motilal Banarsidass. pp. 107–.
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783:International Journal of Comic Art
233:. Most of its comics are based on
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880:David, Priti (16 December 2017).
1016:List of Amar Chitra Katha comics
854:Benegal, Gautam (10 June 2007).
641:List of Amar Chitra Katha comics
384:Sakhi Sarwar (Syed Ahmad Sultan)
261:The comic series was started by
150:List of Amar Chitra Katha comics
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679:The World of Amar Chitra Katha
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1:
830:. Anthem Press. p. 385.
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824:Steven E. Lindquist (2011).
712:"The serious side of comics"
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607:Santosh Palav, Kushal Ruia
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64:; 57 years ago
46:Amar Chitra Katha Pvt. Ltd.
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920:After a break of 4 years,
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763:. Retrieved 17 April 2012.
570:Co-produced with Animagic
559:– The Three Cities of Maya
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302:Jack and the Beanstalk
257:Creation and influence
253:and cultural stories.
1118:No. 1 Yaari with Rana
957:Grand Comics Database
590:Cartoon Network India
541:Cartoon Network India
317:(serial number #11).
120:(President & CEO)
97:Headquarters location
1125:Maya Bazaar For Sale
504:Films and television
484:and an issue on the
289:American fairy tales
785:15(1), 1–28 (1, 3).
698:Chapt. 4, p. 76-86
686:Motilal Banarsidass
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666:The Times of India
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536:Saptharishi Ghosh
452:Abdul Ghaffar Khan
300:and Seven Dwarfs,
243:historical figures
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24:(ACK Comics)
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1074:Filmography
580:Sons of Ram
471:Jim Corbett
442:Tipu Sultan
396:Bahman Shah
269:Doordarshan
247:biographies
221:, based in
118:Preeti Vyas
105:Maharashtra
1177:Categories
1110:Television
899:16 January
865:16 January
648:References
543:and later
432:Shah Jehan
357:Yusuf Lien
298:Snow White
276:, who was
212:ACK Comics
182:Literature
115:Key people
1091:Bommalata
1006:Anant Pai
953:ACK Media
894:0971-751X
886:The Hindu
729:1 October
724:0971-751X
716:The Hindu
520:Director
459:Salim Ali
436:Taj Mahal
428:Nur Jehan
363:Criticism
337:Anant Pai
333:Subba Rao
308:Pinocchio
263:Anant Pai
251:folktales
235:religious
231:Anant Pai
219:publisher
177:Folktales
167:Mythology
141:Magazines
81:Anant Pai
635:See also
567:TV movie
424:Jehangir
376:Response
291:such as
274:Ramayana
214:) is an
1135:Related
955:at the
557:Tripura
408:Humayun
345:Krishna
329:Kannada
323:Outlook
314:Krishna
172:History
77:Founder
67: (
59:Founded
1102:(2022)
1094:(2004)
1021:Tinkle
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523:Notes
517:Title
420:Tansen
392:Balban
223:Mumbai
136:Comics
101:Mumbai
54:Active
51:Status
615:2012
597:2012
575:2012
552:2011
528:2010
514:Year
416:Akbar
404:Babur
400:Kabir
239:epics
227:India
146:Books
109:India
91:India
901:2019
890:ISSN
867:2019
832:ISBN
805:ISBN
757:ISBN
731:2021
720:ISSN
690:ISBN
545:ZeeQ
479:and
439:and
355:and
305:and
278:Rama
245:and
199:.com
69:1967
62:1967
860:DNA
195:www
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