A Day in the Life - Knowledge

452:. "I didn't copy the accident," Lennon said. "Tara didn't blow his mind out, but it was in my mind when I was writing that verse. The details of the accident in the song – not noticing traffic lights and a crowd forming at the scene – were similarly part of the fiction." In 1997, McCartney expounded on the subject: "The verse about the politician blowing his mind out in a car we wrote together. It has been attributed to Tara Browne, the Guinness heir, which I don't believe is the case, certainly as we were writing it, I was not attributing it to Tara in my head. In John's head it might have been. In my head I was imagining a politician bombed out on drugs who'd stopped at some traffic lights and didn't notice that the lights had changed. The 'blew his mind' was purely a drugs reference, nothing to do with a car crash." But in 2021, McCartney recalled the inspiration for this part of the composition as follows: "That was around this same time, when I was twenty-something and going out on the moped from my dad's house to Betty's house. I was taking a friend, Tara Guinness. He died later in a car accident. He was a nice boy. I wrote about him in 'A Day in the Life': 'He blew his mind out in a car / He didn't notice that the lights had changed'." 862:, at the upper limit of human hearing, but within the range that dogs and cats can hear. This addition was part of the Beatles' humour and was suggested by Lennon. The studio babble, titled in the session notes "Edit for LP End" and recorded on 21 April 1967, two months after the mono and stereo masters for "A Day in the Life" had been finalised, was added to the run-out groove of the initial British pressing. The two or three seconds of gibberish looped back into itself endlessly on any record player not equipped with an automatic phonograph arm return. Some listeners discerned words among the vocal gibberish, including Lennon saying "Been so high", followed by McCartney's response: "Never could be any other way." US copies of the album lacked the high-pitched tone and the studio babble. 817:, and all played an E-major chord simultaneously. The chord was made to ring out for over forty seconds by increasing the recording sound level as the vibration faded out. Towards the end of the chord the recording level was so high that listeners can hear the sounds of the studio, including rustling papers and a squeaking chair. In author Jonathan Gould's commentary on "A Day in the Life", he describes the final chord as "a forty-second meditation on finality that leaves each member of the audience listening with a new kind of attention and awareness to the sound of nothing at all". 38: 473: 976:, celebrating their album's release. Lennon said that the song was simply about "a crash and its victim", and called the line in question "the most innocent of phrases". McCartney later said: "This was the only one in the album written as a deliberate provocation. A stick-that-in-your-pipe ... But what we want is to turn you on to the truth rather than pot." The Beatles nevertheless aligned themselves with the drug culture in Britain by paying for (at McCartney's instigation) a full-page advertisement in 684:. To fill the empty 24-bar middle section, Lennon's request to George Martin was that the orchestra should provide "a tremendous build-up, from nothing up to something absolutely like the end of the world". McCartney suggested having the musicians improvise over the segment. To allay concerns that classically trained musicians would be unable to do this, Martin wrote a loose score for the section. Using the rhythm implied by Lennon's staggered intonation on the words "turn you on", the score was an extended, 745:. Overseen by Tony Bramwell of NEMS Enterprises, the event was filmed for use in a projected television special that never materialised. Reflecting the Beatles' taste for experimentation and the avant garde, the orchestra players were asked to wear formal dress and then given a costume piece as a contrast with this attire. This resulted in different players wearing anything from fake noses to fake stick-on nipples. Martin recalled that the lead violinist performed wearing a 797: 369:... The way we wrote a lot of the time: you'd write the good bit, the part that was easy, like "I read the news today" or whatever it was, then when you got stuck or whenever it got hard, instead of carrying on, you just drop it; then we would meet each other, and I would sing half, and he would be inspired to write the next bit and vice versa. He was a bit shy about it because I think he thought it's already a good song 653: 1095:, the song was the object of intense scrutiny and commentary. In Ian MacDonald's description, it has been interpreted "as a sober return to the real world after the drunken fantasy of 'Pepperland'; as a conceptual statement about the structure of the pop album (or the artifice of the studio, or the falsity of recorded performance); as an evocation of a bad trip; as a 'pop 1709:, credited it as being McCartney's alone, stating, "Paul's contribution was the beautiful little lick in the song, 'I'd love to turn you on' that he'd had floating around in his head and he couldn't use for anything. I thought it was a damn good piece of work." In a 1972 interview, he stated: "I think Paul wrote 'I'd love to turn you on. 639:

and additional parts added on 20 January and 3 February. During the latter session, McCartney and Starr re-recorded their contributions on bass guitar and drums, respectively. Starr later highlighted his fills on the song as typical of an approach whereby "I try to become an instrument; play the mood

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wrote that "Nothing quite like 'A Day in the Life' had been attempted before in so-called popular music" in terms of the song's "use of dynamics and tricks of rhythm, and of space and stereo effect, and its deft intermingling of scenes from dream, reality, and shades in between". Schaffner said that

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story about road excavations and in a telephone call to the Borough Engineer's department had checked the annual number of holes in the road. Lennon had a problem with the words of the final verse, however, not being able to think of how to connect "Now they know how many holes it takes to" and "the

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The song is an example of the mutual inspiration that often occurred within the Lennon-McCartney partnership. As stated by Lennon in 1968, "It was a good piece of work between Paul and me. I had the 'I read the news today' bit, and it turned Paul on, because now and then we really turn each other on

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Paul's main vocal track is in stereo, because we gave it some spread with the Waves S1 Stereo Imaging plug-in, so it has a different sound than John's lead. We also split off two little bits to be able to pan them left and right. His fourth vocal track is the 'aaah' section, and below it is an 'Aah

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that encouraged the musicians to improvise within the defined framework. The orchestral part was recorded on 10 February 1967 in Studio One at EMI Studios, with Martin and McCartney conducting a 40-piece orchestra. The recording session was completed at a total cost of £367 (equivalent to £8,414 in

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was Lennon's". He identifies the track's most striking feature as "its mysterious and poetic approach to serious topics that come together in a larger, direct message to its listeners, an embodiment of the central ideal for which the Beatles stood: that a truly meaningful life can be had only when

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has the song starting with Lennon's intro of "sugar plum fairy", with the strings being more prominent during the crescendos. In 2017, a handful of outtakes from the recording sessions, including the first take, were included on the two-disc and six-disc versions of the 50th-anniversary edition of

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style. In the song's middle segment, McCartney recalls his younger years, which included riding the bus, smoking, and going to class. Following the second crescendo, the song ends with one of the most famous chords in popular music history, played on several keyboards, that sustains for over forty

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What I did there was to write ... the lowest possible note for each of the instruments in the orchestra. At the end of the twenty-four bars, I wrote the highest note ... near a chord of E major. Then I put a squiggly line right through the twenty-four bars, with reference points to tell

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counting out the bars. Evans' voice was treated with gradually increasing amounts of echo. The 24-bar bridge ended with the sound of an alarm clock triggered by Evans. Although the original intent was to edit out the ringing alarm clock when the section was filled in, it complemented McCartney's

1762:", as the "ultimate in-studio production trip", was apparent in songs such as "A Day in the Life". Beatles biographer Jonathon Gould says that "of the many ambitious pop singles released during the fall of 1966, none had a stronger influence on the Beatles than the Beach Boys' 'Good Vibrations 968:

was prevented from playing "A Day in the Life". The BBC announced that it would not broadcast the song due to the line "I'd love to turn you on", which, according to the corporation, advocated drug use. Other lyrics allegedly referring to drugs include "found my way upstairs and had a smoke /

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that had inspired the first two verses. Under the headline "The holes in our roads", the brief stated: "There are 4,000 holes in the road in Blackburn, Lancashire, or one twenty-sixth of a hole per person, according to a council survey. If Blackburn is typical, there are two million holes in

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McCartney had originally wanted a 90-piece orchestra, but this proved impossible. Instead, the semi-improvised segment was recorded multiple times, filling a separate four-track tape machine, and the four different recordings were overdubbed into a single massive crescendo. The results were

644:", music journalist Ben Edmonds recognises Starr's playing as reflective of his empathy with Lennon's songwriting. In Edmonds' description, the drumming on "A Day in the Life" "embod psychedelic drift – mysterious, surprising, without losing sight of its rhythmic role". 1038:

called the song "a deadly earnest excursion in emotive music with a chilling lyric" and said that it "stands as one of the most important Lennon–McCartney compositions … an historic Pop event". In his praise for the track, he drew comparisons between its lyrics and the work of

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in the context of 1967, the track "was so visually evocative it seemed more like a film than a mere song. Except that the pictures were all in our heads." Having been given a tape of "A Day in the Life" by Harrison before leaving London, David Crosby proselytised strongly about

836:. I was floored. It took me several minutes to be able to talk after that." Due to the multiple takes required to perfect the orchestral cacophony and the final chord, the total time spent recording "A Day in the Life" was 34 hours. By contrast, the Beatles' debut album, 543:, but not in front of him. "When was doing his TV programme on Pepper", McCartney recalled later, "he asked me, 'Do you know what caused Pepper?' I said, 'In one word, George, drugs. Pot.' And George said, 'No, no. But you weren't on it all the time.' 'Yes, we were.' 1115:'A Day in the Life' is perhaps one of the most important single tracks in the history of rock music; clocking in at only four minutes and forty-five seconds, it must surely be among the shortest epic pieces in rock." In his review of the 50th anniversary edition of 969:

somebody spoke and I went into a dream". A spokesman for the BBC stated: "We have listened to this song over and over again. And we have decided that it appears to go just a little too far, and could encourage a permissive attitude to drug-taking."

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fortune who had crashed his car on 18 December 1966. Browne was a friend of Lennon and McCartney, and had instigated McCartney's first experience with LSD. Lennon adapted the song's verse lyrics from a story in the 17 January 1967 edition of the

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in New York. Sealed bids were opened on 7 March 2006 and offers started at about $ 2 million. The lyric sheet was auctioned again by Sotheby's in June 2010. It was purchased by an anonymous American buyer who paid $ 1,200,000 (£810,000).

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in music history. Overdubbed in place of the vocal experiment from 10 February, this chord was added during a session at EMI's Studio Two on 22 February. Lennon, McCartney, Starr and Evans shared three different pianos, with Martin on a

933:", the last track of the album that signifies the end of The Beatles Anthology by having the last note fade into the final chord of "A Day in the Life" (reversed, then played forwards). The version on the 2006 soundtrack remix album 230: 568:

The middle-eight provided by McCartney was written as a wistful recollection of his younger years, which included riding the 82 bus to school, smoking, and going to class. This theme – the Beatles' youth in

231: 539:, the Beatles' producer, commented that he had always suspected that the line "found my way upstairs and had a smoke" was a drug reference, recalling how the Beatles would "disappear and have a little puff", presumably of 1810:

According to Tony Bramwell, the BBC ban also led to the film from the orchestral session never being completed. The party aspect of that session was soon reprised by the Beatles when they filmed their performance of

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magazine interview, that he had taken LSD. Described by MacDonald as a "careless admission", it led to condemnation of McCartney in the British press, recalling the outcry caused by the publication of Lennon's

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According to MacDonald, such interpretations are "nonsense", since they fail to take into account that, contrary to its sequencing at the end of side two, the song was recorded before most of the rest of the

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bridge. At first, the Beatles were not sure how to fill this link section. At the conclusion of the session on 19 January, the transition consisted of a simple repeated piano chord and the voice of assistant

361:, who contributed a middle-eight section. According to Lennon, McCartney also contributed the pivotal line "I'd love to turn you on." In a 1970 interview, Lennon discussed their collaboration on the song: 2382: 3984: 1800:

McCartney would recall how the Beatles thought: "Imagine there are people sitting around and they think the album's finished and then suddenly the dog starts barking and no one will know what the heck's

982:, in which, along with 60 other signatories, they and Epstein denounced the law against marijuana as "immoral in principle and unworkable in practice". In addition, on 19 June, McCartney confirmed to an 602:

The Beatles began recording the song, with a working title of "In the Life of ...", at EMI's Studio Two on 19 January 1967. The line-up as they rehearsed the track was Lennon on piano, McCartney on

4227: 764:, the tapes from this 10 February orchestral session reveal the guests breaking into loud applause following the second orchestral passage. Among the EMI staff attending the event, one recalled how 4257: 1726:

being deemed a "drugs album", since he himself never partook. Harrison told him that they used to spike his coffee with stimulants to ensure he stayed awake through the long, overnight sessions.

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At the end of the night, the four Beatles and some of their guests overdubbed an extended humming sound to close the song – an idea that they later discarded. According to Beatles historian

389:-inspired revelations, in that the song "concerned 'reality' only to the extent that this had been revealed by LSD to be largely in the eye of the beholder". Having long resisted Lennon and 228: 4017: 907:

album, released in 1996, featured a composite remix of "A Day in the Life", including elements from the first two takes, representing the song at its early, pre-orchestral stage, while

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At the time, Lennon and McCartney denied that there were drug references in "A Day in the Life" and publicly complained about the ban at a dinner party at the home of their manager,

2415: 422:", whereby free-form lyrics allow a greater freedom of expression and create a "supernatural calm". According to Lennon, the inspiration for the first two verses was the death of 229: 4367: 944:. The six-disc version of that edition also included, on a disc of mono mixes, a previously unreleased early demo mix of the song in its pre-orchestral stage, as of 30 January. 6922: 2849: 4398: 628:

piece – which begins with the line "Woke up, fell out of bed" – so the decision was made to keep the sound. A second transition follows McCartney's final line of the

4290: 780:" Martin later offered his own opinion of the orchestral session: "part of me said 'We're being a bit self-indulgent here.' The other part of me said 'It's bloody 1247:", number 28 on a revised list in 2011, number 24 on a revised list on 2021, and in 2010, deemed it to be the Beatles' greatest song. It is listed at number 5 on 3974: 6371: 4219: 611:. The band then taped four takes of the rhythm track, by which point Lennon had switched to acoustic guitar and McCartney to piano, with Harrison now playing 6697: 4048: 2731: 1459: 4201: 640:

of the song. For example, 'Four thousand holes in Blackburn, Lancashire,' – boom ba bom. I try to show that; the disenchanting mood." As on the 1966 track "

6713: 1107:"A Day in the Life" became one of the Beatles' most influential songs, and many now consider it to be the band's greatest work. Paul Grushkin, in his book 6519: 4450: 4249: 1374: 3415: 6872: 1133:" are the only songs on the album that transcend its legacy as "a gestalt: a whole that was greater than the sum of its parts". In a 2017 article for 6364: 2524: 1244: 2103: 772:' producer, was stunned by the music he had heard; in Lewisohn's description, Richards " with his head in his hands, saying 'I just can't believe it 3148: 1111:, called the track "one of the most ambitious, influential, and groundbreaking works in pop music history". According to musicologist John Covach, 632:("I went into a dream") consisting of vocalised "aah"s that link to the song's final verse. (Accounts differ as to which of the Beatles sang it.) 6689: 6431: 6332: 5575: 1454: 879: 6867: 888:

compilation LP, the crossfade is cut off, and the track begins abruptly after the start of the original recording, but on the soundtrack album

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wrote the melody and most of the lyrics to the verses of "A Day in the Life" in mid-January 1967. Soon afterwards, he presented the song to

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in trying LSD, McCartney took it for the first time in late 1966. This experience contributed to the Beatles' willingness to experiment on

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them roughly what note they should have reached during each bar ... Of course, they all looked at me as though I were completely mad.

531:' and we wrote, 'I'd love to turn you on.' John and I gave each other a knowing look: 'Uh-huh, it's a drug song. You know that, don't you? 561:, which he had filmed during September and October 1966. Sinyard said: "It's hard to think of without automatically associating it with 440:

During a writing session at McCartney's house in north London, Lennon and McCartney fine-tuned the lyrics, using an approach that author

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A reputed drug reference in the line "I'd love to turn you on" resulted in the song initially being banned from broadcast by the

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primarily contributing the song's middle section. All four Beatles played a role in shaping the final arrangement of the song.

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101 Greatest Beatles' Songs, as decided by a panel of musicians and journalists. "A Day in the Life" was also nominated for a

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history, appearing on many lists of the greatest songs of all time, and being commonly appraised as the Beatles' finest song.

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Mojo Special Limited Edition: 1000 Days That Shook the World (The Psychedelic Beatles – April 1, 1965 to December 26, 1967)

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2023) for the players, an extravagance at the time. Martin later described explaining his score to the puzzled orchestra:

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Author Neil Sinyard attributed the second-verse line "The English Army had just won the war" to Lennon's role in the film

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period records that were targeted at popular audiences. The album reached number 13, Montgomery's highest showing on the

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computers. Reekes said he used "a C Major chord, played with both hands stretched out as wide as possible", played on a

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McCartney said about the line "I'd love to turn you on", which concludes both verse sections: "This was the time of

6882: 1355: 4040: 3705:"50 Years Ago: The Beatles Experience an Amazing Series of Pre-'Sgt. Pepper' Highs and Lows – All on a Single Day" 2007: 6310: 5975: 4075: 6149: 4520: 3500: 2732:"An answer we haven't known for all these years: Who sang the 'ahh' part in the Beatles song A Day in the Life?" 618:

As a link between the end of the second verse and the start of McCartney's middle-eight, the band included a 24-

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McCartney has performed the song in some of his live shows since his 2008 tour. It is played in a medley with "

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56,600) to Joseph Reynoso, an American from Chicago. The lyrics were put up for sale again in March 2006 by

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Lennon's lyrics were mainly inspired by contemporary newspaper articles, including a report on the death of

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DVD and in the "A Day in the Life" music video included in the deluxe version of the Beatles compilation

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has covered the song more than 65 times since debuting it on 10 June 1995, often as an encore selection.

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While McCartney remembered writing the lyric "I'd love to turn you on" with Lennon, Lennon, in his 1980

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The orchestral portions of "A Day in the Life" reflect Lennon and McCartney's interest in the work of

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one is aware of one's self and one's surroundings and overcomes the status quo." Beatles biographer

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version of the song, in his recognisable octave style with string accompaniment, on his 1967 album

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album (as first released on LP in the UK and years later worldwide on CD) is a high-frequency 15-

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and to Lennon and McCartney returning to a level of collaboration that had been somewhat absent.

1415:". The recording is one of Montgomery's popular song adaptations, made after his shift from the 6498: 6491: 6340: 5480: 3901:

Covach, John (2006). "From 'Craft' to 'Art': Formal Structure in the Music of the Beatles". In

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magazine, "A Day in the Life" won in the categories of Best Pop Song and Best Pop Arrangement.

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The Complete Beatles Recording Sessions: The Official Story of the Abbey Road Years 1962–1970

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Ezard, John (29 December 1967). "BBC and Film Board give order to play down on drug scenes".

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Following the final orchestral crescendo, the song ends with one of the most famous final

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suggested that the holes would "fill" the Albert Hall, and the lyric was eventually used.

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included the same line in his tribute song to Lennon, "Roll on John", on the 2012 album

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in Liverpool), two songs written for the album but instead released as a double A-side.

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are among the artists who have covered the song. The song inspired the creation of the

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All You Need is Ears: The Inside Personal Story of the Genius Who Created The Beatles

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Aldridge, Alan (14 January 1968). "Paul McCartney's Guide to the Beatles' Songbook".

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says that in "A Day in the Life", Lennon uses the same lyrical device introduced in "

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magazine's list of the 50 greatest British songs of all time, and was at the top of

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describes "A Day in the Life" as a "masterpiece" and cites it as an example of how

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in EMI's Studio Two, where the closing piano chord was recorded on 22 February 1967

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to his circle in Los Angeles, sharing the recording with his Byrds bandmates and

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tone and some randomly spliced studio chatter. The tone is the same pitch as a

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Goldstein, Richard (18 June 1967). "We Still Need the Beatles, but ...".

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when he visited the Beatles during their 24 February overdubbing session for "

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Paul and I were definitely working together, especially on "A Day in the Life"

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Martin later said that editing it out would have been unfeasible in any case.

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film company. It remains one of the most influential and celebrated songs in

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Although the special did not take place, portions of the film appear on the

1550:– lead vocal (middle-eight), piano (throughout and final chord), bass guitar 1147:"writ little bits of songs which we linked together, like 'A Day in the Life 842:, had been recorded in its entirety in only 15 hours, 45 minutes. 6672: 6667: 6662: 6052: 5476: 5366: 4635: 4476: 4312: 3970: 3911:

Reading the Beatles: Cultural Studies, Literary Criticism, and the Fab Four

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Smith, Alan (February 1972). "Lennon/McCartney Singalong: Who Wrote What".

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Electric Shock: From the Gramophone to the iPhone – 125 Years of Pop Music

4071: 3939:"Review: The Beatles' 'Sgt. Pepper's' Anniversary Editions Reveal Wonders" 1204:"A Day in the Life" appears on many top songs lists. It placed twelfth on 6785: 6505: 6314: 6288: 5377: 5370: 5333: 5246: 5026: 5002: 4916: 4179: 3529: 2344: 2314:

All We Are Saying: The Last Major Interview With John Lennon and Yoko Ono

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On 27 August 1992 Lennon's handwritten lyrics were sold by the estate of

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have split vocal duties for the Lennon/McCartney sections respectively.

6827: 6555: 5905: 5718: 5678: 5436: 5282: 5128:

That Magic Feeling: The Beatles' Recorded Legacy, Volume Two, 1966–1970

4250:"A Day in the Life ranked #24 on Rolling Stone 500 Greatest Songs List" 2242: 2227: 1648: 1607: 1593: 1463: 1213: 1186: 1084: 574: 433: 323: 246: 171: 154: 5215: 1886:

Popular Music in America: The Beat Goes On, Michael Campbell, page 213

279:, the opening and closing sections of the song were mainly written by 5942: 5359: 3496: 1579: 1487: 1350: 1314: 1209: 1178: 978: 855: 821: 814: 710: 685: 681: 624: 570: 497: 378:

with a bit of song, and he just said 'yeah' – bang bang, like that."

335: 315: 299: 4663: 4176:"The Beatles' Grammy and Academy Awards and Emmy Awards Nominations" 796: 702:

successful; in the final edit of the song, the orchestral bridge is

6120: 5744: 5509: 5487: 3979: 3149:"The Beatles 1 To Be Reissued With New Audio Remixes... And Videos" 1877:... was rush-released six days ahead of its official date, June 1." 1476:

used the lyric "I heard the news today—oh, boy!" in his 1975 song "

1449: 1411:. The album also included the guitarist's version of the Beatles' " 1185:

film company. The song's final chord inspired Apple sound designer

1135: 427: 291: 112: 6386: 1620:

Francisco Gabarro, Dennis Vigay, Alan Delziel, Alex Nifosi – cello

3878:

Rockin' Down the Highway: The Cars and People That Made Rock Roll

2768: 2761:"Is it John or Paul singing the "Aah" part in A Day In The Life?" 1701: 1420: 1416: 1326: 1170: 1109:

Rockin' Down the Highway: The Cars and People That Made Rock Roll

754: 750: 746: 730: 703: 4879:

Harris, John (March 2007). "The Day the World Turned Day-glo!".

1617:

John Underwood, Gwynne Edwards, Bernard Davis, John Meek – viola

6237: 4477:"British single certifications – Beatles – A Day in the Life" 4313:"British single certifications – Beatles – A Day in the Life" 1557: 1143:

cited Chris Smith's recollection of him and fellow art student

1044: 820:

One of the first outsiders to hear the completed recording was

612: 4583:"Chart History: Wes Montgomery – Billboard 200" 4368:"'A Day in the Life': The Autograph Manuscript of John Lennon" 652: 6778: 4614:

Classic Rock, the Second Movement – London Symphony Orchestra

2662:"Recording 'A Day in the Life': Friday, 20 January 1967" 1566: 1499: 1349:

The song has been recorded by many other artists, notably by

1166: 952:

The song became controversial for its supposed references to

636: 608: 331: 5180:

Long and Winding Roads: The Evolving Artistry of the Beatles

4972:

Revolution in the Head: The Beatles' Records and the Sixties

4008:"As THX Gets a New Trailer, an Interview With Its Composer" 3729: 3293: 2055: 2053: 2051: 1627: 1544:– lead vocal (verses), acoustic guitar, piano (final chord) 709:

The Beatles hosted the orchestral session as a 1960s-style

664:(left, at an awards ceremony in Amsterdam in October 1969). 581:

in Liverpool) and "Strawberry Fields Forever" (named after

48: 5069:

Lennon: The Man, the Myth, the Music – The Definitive Life

4912:

Sgt. Pepper's Lonely Hearts Club Band Super Deluxe Edition

3525:

Sgt. Pepper's Lonely Hearts Club Band Super Deluxe Edition

3365: 3363: 3228: 1955: 1337:". On 11 March 2022, the song was certified silver by the 4739:"A Day in the Life – An Indepth Analysis – The Musicians" 4395:"Buy Lennon's 'A Day in The Life' Lyrics for $ 2 Million" 3857: 3753: 3677: 3659: 3623: 3397: 3395: 3333: 3315:"'A Day in the Life': Story of Beatles' song fascinating" 3190: 3188: 3186: 2974: 2972: 2970: 2968: 2966: 2964: 2962: 2802: 2780: 2778: 2711: 2408:"100 Greatest Beatles Songs – 1: A Day in the Life" 1897:

Turn on Your Mind: Four Decades of Great Psychedelic Rock

1385: 1237:

Best Arrangement Accompanying Vocalist or Instrumentalist

1182: 983: 386: 339: 311: 269:

that was released as the final track of their 1967 album

4892:

A Day in the Life: The Music and Artistry of the Beatles

4816:

The Beatles as Musicians: Revolver Through the Anthology

4421:"John Lennon's A Day in the Life lyrics sell for $ 1.2m" 3478: 3476: 3350: 3348: 3089: 2630: 2130: 2048: 656:

The song's orchestral segments reflect the influence of

496:

in Manchester by Ron Kennedy of the Star News agency in

385:, "A Day in the Life" was strongly informed by Lennon's 3845: 3765: 3647: 3360: 3283: 3281: 3171: 2206: 2065: 1722:

In a discussion with Harrison, Martin complained about

845: 832:". He recalled his reaction to the song: "Man, I was a 4686: 4504:

Performing This Week: Live at Ronnie Scott's Jazz Club

3794: 3392: 3382: 3380: 3378: 3183: 2959: 2935: 2884: 2775: 2593: 2564: 1943: 1367:

Performing This Week: Live at Ronnie Scott's Jazz Club

3806: 3741: 3473: 3345: 3077: 2947: 2826: 2689:"Inside Track: Sgt. Pepper's Lonely Hearts Club Band" 2583: 2581: 2579: 2142: 1864: 1341:(BPI) for sales and streams exceeding 200,000 units. 1300:

Sales+streaming figures based on certification alone.

1212:, the second highest Beatles song on the list after " 1047:. In a contemporary music critics' poll published by 898:, the song starts cleanly, with no applause effects. 878:

with the applause at the end of the previous track, "

3635: 3598: 3540: 3278: 3266: 3200: 3101: 3031:"Recording 'A Day in the Life':A Remarkable Session" 2814: 2289: 2191: 2179: 2118: 2077: 1842:" were excluded because of supposed drug references. 1466:, this version was released as a single, backed by " 1444:

released an orchestral cover of the song in 1978 on

592: 298:. The recording includes two passages of orchestral 19:

This article is about the song. For other uses, see

6923:

Grammy Award for Best Rock Instrumental Performance

4849:

Can't Buy Me Love: The Beatles, Britain and America

4523:. National Academy of Recording Arts and Sciences. 3375: 2872: 2850:"Villains and Heroes: In Defense of the Beach Boys" 2100:"Sold on Song —TOP 100 – Day in the Life" 741:, and members of the psychedelic design collective 484:London and a concert venue usually associated with 4769: 3824: 3616:"Paul McCartney's Guide to the Beatles' Songbook" 3461: 3443:"The Usenet Guide to Beatles Recording Variations" 3313: 2790: 2576: 2539: 2457:The Lennon Companion: Twenty-five Years of Comment 2402: 2400: 1243:ranked it at number 28 on the magazine's list of " 464:news brief, in the same 17 January edition of the 460:Lennon wrote the song's final verse inspired by a 6714:Sgt. Pepper's Lonely Hearts Club Band on the Road 2605: 2548:Lennon Legend: An Illustrated Life of John Lennon 1274: 923:, all of which tie in with the televised special 6849: 4041:"Tiny Music Makers: Pt 4: The Mac Startup Sound" 3894: 2454:Thomson, Elizabeth; Gutman, David, eds. (2004). 2366:"disappear+and+have+a+little+puff"&pg=PT347 2218: 6520:Sgt. Pepper's Lonely Hearts Club Band (Reprise) 3680:The Beatles Diary After the Break-Up: 1970–2001 3024: 3022: 3020: 2655: 2653: 2651: 2649: 2647: 2645: 2397: 1256:list of "The 200 Greatest Songs of the 1960s". 986:reporter, further to his statement in a recent 880:Sgt. Pepper's Lonely Hearts Club Band (Reprise) 4776:. San Francisco, California: Chronicle Books. 4330: 3869: 2550:. San Francisco: Chronicle Books. p. 29. 1889: 1129:says that "A Day in the Life" and Harrison's " 87:19–20 January and 3, 10 & 22 February 1967 6372: 5231: 5150:The Beatles Encyclopedia: Everything Fab Four 5031:The Beatles Diary Volume 1: The Beatles Years 4142: 2453: 2247:The Harp Beat Rock Gazetteer of Great Britain 2231:. No. 21994. 17 January 1967. p. 7. 2198:McCartney, Paul (2021). Muldoon, Paul (ed.). 1623:Cyril Mac Arther, Gordon Pearce – double bass 1165:has said that both "A Day in the Life" and a 791: 4451:"McCartney live at 3rd Abu Dhabi Grand Prix" 4116: 3240: 3017: 2984: 2838: 2755: 2642: 2436: 1979:1980 (page 3) – Beatles Interviews Database" 1657:, Monty Montgomery, Harold Jackson – trumpet 1000: 607:, Harrison on acoustic guitar, and Starr on 226: 4767: 4386: 4360: 3119: 2808: 2154: 1056:In his appraisal of the song, musicologist 874:album, the start of "A Day in the Life" is 6379: 6365: 5238: 5224: 4889: 4731: 4063: 4032: 3777: 3678:Miles, Barry; Badman, Keith, eds. (2001). 2225:"Far & Near: The holes in our roads". 2031:"John Lennon: The Rolling Stone Interview" 2004:"The Rolling Stone Interview: John Lennon" 1949: 1899:(Milwaukee, Michigan: Hal Leonard, 2003), 1480:". Lennon appeared twice on Bowie's album 1104:; even as a morbid celebration of death". 455: 6873:Song recordings produced by George Martin 6139:Komm, gib mir deine Hand / Sie liebt dich 5085: 4965: 4927: 4413: 3783: 3759: 3735: 3653: 3299: 2994:inflation figures are based on data from 2902: 2636: 2611: 2197: 2136: 2094: 2092: 2059: 1961: 1181:, the audio trademark he created for the 550: 4946: 4392: 4278: 4212: 4090: 4038: 3969: 3875: 3702: 3574: 3572: 3369: 3339: 3234: 3212: 3194: 3063:. New York: St. Martin's Griffin Press. 2978: 2844: 2570: 2492: 1834:in Southeast Asia, "A Day in the Life" " 1645:Clifford Seville, David Sandeman – flute 1470:", which he also recorded for the film. 795: 651: 471: 469:Britain's roads and 300,000 in London." 6634:Sgt. Petsound's Lonely Hearts Club Band 5245: 5152:. Santa Barbara, California: ABC-CLIO. 5109:Fab: An Intimate Life of Paul McCartney 5052:. New York: Little, Brown and Company. 4908: 4812: 4790: 4202:"500 Greatest Songs of All Time (2004)" 4168: 3933: 3880:. MBI Publishing Company. p. 135. 3851: 3771: 3482: 3434: 3401: 3354: 3113: 2941: 2890: 2784: 2729: 2717: 2616:. Curvebender Publishing. p. 443. 2599: 2263: 2202:. Vol. 2. Allen Lane. p. 626. 1870: 1486:, providing guitar and backing vocals. 913:, the last in a trilogy of albums with 6850: 5144: 5106: 5047: 5011:. New York: Henry Holt & Company. 4975:(3rd ed.). Chicago Review Press. 4878: 4704: 4692: 4661: 4260:from the original on 16 September 2021 4220:"28: The Beatles, 'A Day in the Life'" 4005: 3900: 3863: 3800: 3747: 3671: 3665: 3488: 3407: 3311: 3305: 3287: 3107: 3095: 3083: 3055: 2832: 2820: 2686: 2437:O'Gorman, Martin (2002). "Take 137!". 2363: 2165:. Columbus: McGraw-Hill. p. 357. 2160: 2148: 2089: 1873:, p. 123. "In the United Kingdom 1189:in creating the start-up chime of the 6800:Sgt. Pepper's Lonely Hearts Club Band 6699:Sgt. Pepper's Lonely Hearts Club Band 6691:Sgt. Pepper's Lonely Hearts Club Band 6432:Sgt. Pepper's Lonely Hearts Club Band 6389:Sgt. Pepper's Lonely Hearts Club Band 6360: 6333:Sgt. Pepper's Lonely Hearts Club Band 5576:Sgt. Pepper's Lonely Hearts Club Band 5558:You Know My Name (Look Up the Number) 5219: 5066: 5025: 5001: 4989:from the original on 22 February 2017 4845: 4819:. New York: Oxford University Press. 4628: 4521:"52nd Annual Grammy Awards: Nominees" 4401:from the original on 14 February 2021 4348:from the original on 24 February 2021 4156:from the original on 14 February 2021 4104:from the original on 25 February 2008 3812: 3641: 3629: 3604: 3569: 3558: 3552: 3546: 3521: 3272: 3206: 3177: 3159:from the original on 29 December 2015 2995: 2878: 2545: 2509: 2341: 2307: 2301: 2295: 2241: 2212: 2185: 2124: 2106:from the original on 22 December 2006 2083: 2071: 1875:Sgt. Pepper's Lonely Hearts Club Band 1832:Sgt. Pepper's Lonely Hearts Club Band 1610:, Ernest Scott, Carlos Villa – violin 1455:Sgt. Pepper's Lonely Hearts Club Band 1068:Sgt. Pepper's Lonely Hearts Club Band 1066:album, "the most monumental piece on 850:Following "A Day in the Life" on the 272:Sgt. Pepper's Lonely Hearts Club Band 265:" is a song by the English rock band 62:Sgt. Pepper's Lonely Hearts Club Band 6190:Norwegian Wood (This Bird Has Flown) 5125: 4930:The Dawn of Indian Music in the West 4866:from the original on 20 October 2021 4833:from the original on 4 February 2021 4527:from the original on 28 January 2010 4393:Heritage, Stuart (18 January 2006). 4069: 3833:from the original on 21 January 2021 3825:Rock Critics admin (14 March 2014). 3467: 3386: 3146: 3049: 2953: 2896: 2796: 2587: 2385:from the original on 20 October 2021 2249:. London: Banyan Books. p. 55. 2028: 1916: 1177:were his sources of inspiration for 846:High-pitched tone and run-out groove 573: – matched that of " 393:'s insistence that he join them and 5008:Paul McCartney: Many Years From Now 4643:from the original on 20 August 2020 4595:from the original on 10 August 2020 4098:"Top Ten British Songs of All Time" 4078:from the original on 27 August 2011 4051:from the original on 30 August 2018 4020:from the original on 5 January 2018 3449:from the original on 1 January 2009 3440: 2923:from the original on 5 October 2012 2029:Cott, Jonathan (23 November 1968). 1642:N. Fawcett, Alfred Waters – bassoon 476:In his lyrics, Lennon mentions the 302:that were partly improvised in the 13: 6599:Easy Star's Lonely Hearts Dub Band 6474:Being for the Benefit of Mr. Kite! 6439:With a Little Help from My Friends 6337:With a Little Help from My Friends 5580:With a Little Help from My Friends 5168: 4629:Cohen, Howard (5 September 2017). 4293:from the original on 17 March 2009 4178:. 11 February 2008. Archived from 4150:"Beatles hailed 'best of British'" 4130:from the original on 28 March 2008 3586:from the original on 31 March 2008 3503:from the original on 19 April 2008 3494: 3312:Vaughn, Don R. (3 February 2008). 3128:from the original on 15 April 2008 2612:Ryan, Kevin; Kehew, Brian (2006). 2010:from the original on 2 August 2020 1931:from the original on 16 April 2016 1836:With a Little Help from My Friends 1462:, produced by Martin. Credited to 1375:Best Rock Instrumental Performance 1245:The 500 Greatest Songs of All Time 21:A Day in the Life (disambiguation) 14: 6939: 6878:Songs published by Northern Songs 6868:Songs written by Lennon–McCartney 6641:With a Little Help from My Fwends 5197: 4705:Browne, David (29 October 1993). 4674:from the original on 27 June 2021 4431:from the original on 1 March 2021 4338:"Lennon Original Lyrics for Sale" 4281:"The Greatest Songs of the 1960s" 4279:Linhardt, Alex (18 August 2006). 3717:from the original on 16 July 2020 3582:. Associated Press. 8 June 1967. 2527:from the original on 2 April 2019 2418:from the original on 8 April 2012 1446:Classic Rock: The Second Movement 1344: 1259: 593:Musical structure and development 5932:I'm Happy Just to Dance with You 5606:I'm Happy Just to Dance with You 5130:. New York: Three Rivers Press. 4698: 4655: 4622: 4607: 4575: 4559: 4539: 4513: 4494: 4469: 4443: 4272: 4242: 4230:from the original on 5 June 2013 4194: 4006:Murphy, Mekado (17 April 2015). 3999: 3987:from the original on 19 May 2017 3963: 3951:from the original on 3 June 2017 3927: 3818: 3696: 3413: 3147:Rowe, Matt (18 September 2015). 3028: 2659: 2474:from the original on 13 May 2016 1919:"The Return of the One-Man Band" 1845: 1824: 1606:, Donald Weekes, Henry Datyner, 1353:on the 1998 George Martin album 1151:", as evidence to show that "No 947: 36: 5998:I Don't Want to Spoil the Party 4152:. BBC News. 11 September 2005. 4070:Jian, Ghomeshi (January 2007). 3703:Wawzenek, Bryan (19 May 2017). 3610: 3515: 3220:The Beatles 'A Day in the Life' 3140: 3120:Mironneau, Serge; Macrow, Ade. 2749: 2723: 2680: 2503: 2486: 2447: 2430: 2357: 2335: 2317:. St. Martin's Press. pp. 1804: 1794: 1769: 1738: 1729: 1716: 1693: 1586:, counting, piano (final chord) 518: 492:The story had been sold to the 6898:British psychedelic rock songs 6267:You're Going to Lose That Girl 5635:Christmas Time (Is Here Again) 4664:"David Bowie, Young Americans" 2022: 1996: 1967: 1910: 1880: 1060:states that, as on the band's 757:on the end of his instrument. 597: 426:, the 21-year-old heir to the 409: 338:, the audio trademark for the 1: 6729:Tina in the Sky with Diamonds 6707:It Was Twenty Years Ago Today 6446:Lucy in the Sky with Diamonds 5050:Paul McCartney: The Biography 4481:British Phonographic Industry 4317:British Phonographic Industry 4039:Whitwell, Tom (26 May 2005). 3827:"1967 Jazz & Pop Results" 3682:. London: Music Sales Group. 2730:Wheeler, Brad (18 May 2021). 1858: 1840:Lucy in the Sky with Diamonds 1448:. It was also covered by the 1359:, which was used in the film 1339:British Phonographic Industry 956:. On 20 May 1967, during the 865: 349: 6928:Songs based on actual events 6229:" (Europe, Japan, Australia) 6227:While My Guitar Gently Weeps 5895:Do You Want to Know a Secret 5086:Schaffner, Nicholas (1978). 4662:Gavilá, Ana (January 2016). 2354:. Retrieved 3 February 2020. 1651:, Neil Sanders – French horn 1526: 647: 503:Lancashire Evening Telegraph 7: 6071:Got to Get You into My Life 5521:The Ballad of John and Yoko 4798:. London: The Bodley Head. 2919:. Digital.library.unt.edu. 2443:. London: Emap. p. 88. 2368:The Beatles: Off the Record 1460:soundtrack of the same name 1384:recorded a version for the 1365:, and on Beck's 2008 album 635:The track was refined with 10: 6944: 6613:Sgt. Pepper Knew My Father 5965:I Should Have Known Better 5800:I Should Have Known Better 4760: 3913:. SUNY Press. p. 48. 3029:Bona, Anda Mitchell-Dala. 2660:Bona, Anna Mitchell-Dala. 1917:Wray, John (18 May 2008). 1754:in 1968, the influence of 1592:– orchestral arrangement, 1532: 1391:Sgt. Pepper Knew My Father 1091:. As the closing track on 792:Final chord and completion 529:Turn on, tune in, drop out 18: 6738: 6650: 6590: 6565: 6549:Strawberry Fields Forever 6540: 6513:Good Morning Good Morning 6483: 6423: 6416: 6396: 6324: 6302: 6280: 6258: 6214: 6181: 6159: 6130: 6108: 6099: 6062: 6049:The Long and Winding Road 6040: 6018: 5985: 5853: 5831: 5824: 5787: 5754: 5732: 5699: 5692: 5666: 5644: 5615: 5602:The Beatles' Movie Medley 5593: 5567: 5545: 5501: 5468: 5433:Strawberry Fields Forever 5424: 5391: 5347: 5314: 5270: 5263: 5254: 5111:. London: HarperCollins. 5092:. New York: McGraw-Hill. 5033:. London: Omnibus Press. 4928:Lavezzoli, Peter (2006). 4890:Hertsgaard, Mark (1996). 4567:Wes Montgomery: Biography 4370:. Bonhams. Archived from 3876:Grushkin, Paul R (2008). 3416:"An A-Z of Beatles Songs" 3218:Unterberger, Richie. 2371:. London: Omnibus Press. 1983:www.beatlesinterviews.org 1442:London Symphony Orchestra 1308: 1297: 1282: 1271: 1268: 1043:and likened its music to 1005:Recalling the release of 1001:Recognition and reception 929:, included a version of " 420:Strawberry Fields Forever 404: 255: 224: 219: 206: 201: 197: 183: 169: 146: 130: 104: 91: 83: 68: 58: 47: 35: 30: 6888:Songs inspired by deaths 6402:50th Anniversary Edition 5844:I Saw Her Standing There 5840:I Want to Hold Your Hand 5741:I Want to Hold Your Hand 5071:. London: Random House. 4951:. London: Bounty Books. 4947:Lewisohn, Mark (2005) . 4846:Gould, Jonathan (2007). 4813:Everett, Walter (1999). 4551: – Review 3122:"Donovan Sessionography" 2695:. SOS Publications Group 1975:"John Lennon Interview: 1687: 1458:and was included on the 1089:the Mothers of Invention 713:, with guests including 500:. Kennedy had noticed a 16:1967 song by the Beatles 6883:Songs banned by the BBC 6678:The Beatles discography 5448:Baby, You're a Rich Man 5107:Sounes, Howard (2010). 5048:Norman, Philip (2016). 4932:. New York: Continuum. 4909:Howlett, Kevin (2017). 2996:Clark, Gregory (2017). 2161:Davies, Hunter (1968). 1517:can be found on the EP 995:More popular than Jesus 894:and the CD versions of 706:after the final verse. 587:Lennon's childhood home 6492:Within You Without You 6341:Within You Without You 6141:" (Germany, Australia) 5126:Winn, John C. (2009). 4668:Enchanting David Bowie 2364:Badman, Keith (2009). 1426:sound to smooth jazz, 1321:London for $ 100,000 ( 1216:". It placed first in 1131:Within You Without You 1079:"certainly was John's 805: 699: 665: 551:Other reference points 489: 375: 235: 6174:" (Europe, Australia) 4894:. London: Pan Books. 4772:The Beatles Anthology 4256:. 15 September 2021. 3710:Ultimate Classic Rock 3620:14 January 1968: B19. 3580:"Beatles' Song Nasty" 2687:Tingen, Paul (2017). 2614:Recording The Beatles 2546:Henke, James (2003). 1667:Michael Barnes – tuba 1664:, T. Moore – trombone 1569:, piano (final chord) 1369:, which won Beck the 926:The Beatles Anthology 799: 694: 674:Karlheinz Stockhausen 662:Karlheinz Stockhausen 655: 475: 363: 234: 72:26 May 1967 6893:Songs about cannabis 6807:Magical Mystery Tour 6684:Return to Pepperland 6606:Saluting Sgt. Pepper 6574:Only a Northern Song 6271:Tell Me What You See 6245:Back in the U.S.S.R. 5807:Back in the U.S.S.R. 5778:Things We Said Today 5767:If You Love Me, Baby 5444:All You Need Is Love 4768:The Beatles (2000). 4712:Entertainment Weekly 4124:"He One Mojo Filter" 3632:, pp. 269, 273. 1821:satellite broadcast. 1813:All You Need Is Love 1574:Additional musicians 1083:", referring to the 891:Imagine: John Lennon 450:William S. Burroughs 381:According to author 42:US sheet music cover 6918:RSO Records singles 6499:When I'm Sixty-Four 6168:Rock and Roll Music 6146:Roll Over Beethoven 5211:"A Day in the Life" 5089:The Beatles Forever 5067:Riley, Tim (2011). 4852:. London: Piatkus. 4500:Horowitz, Hal. 4457:on 17 November 2011 4344:. 18 January 2006. 3829:. rockcritics.com. 3254:on 22 February 2008 2668:on 20 February 2008 2006:. 21 January 1971. 1362:Across the Universe 1335:Give Peace a Chance 1265: 1199:Korg Wavestation EX 1011:The Beatles Forever 964:album, disc jockey 958:BBC Light Programme 882:". On the Beatles' 547:was a drug album." 209:"A Day in the Life" 31:"A Day in the Life" 6765:A Hard Day's Night 6744:The Beatles albums 6467:She's Leaving Home 6293:Here Comes the Sun 6234:Ob-La-Di, Ob-La-Da 6223:Ob-La-Di, Ob-La-Da 6150:Devil in Her Heart 6082:Ob-La-Di, Ob-La-Da 5961:A Hard Day's Night 5774:A Hard Day's Night 5382:We Can Work It Out 4565:Yanow, Scott. 4545:Yanow, Scott. 4374:on 2 February 2010 4100:. Top-Ten-10.com. 4013:The New York Times 3866:, pp. 261–62. 3787:The New York Times 3668:, pp. 280–81. 3422:on 26 October 2009 3320:The Clarion-Ledger 3302:, pp. 153–54. 3237:, pp. 97, 99. 3180:, pp. 387–88. 3098:, pp. 76, 82. 2992:Retail Price Index 2848:(September 1968). 2736:The Globe and Mail 2720:, pp. 117–18. 2515:"No change please" 2350:Text available at 2215:, pp. 339–40. 2074:, pp. 388–89. 1964:, pp. 229–30. 1924:The New York Times 1513:A live version by 1452:for the 1978 film 1264: 1035:The New York Times 1015:Nicholas Schaffner 960:'s preview of the 806: 719:Marianne Faithfull 672:composers such as 666: 660:composers such as 490: 236: 6863:The Beatles songs 6845: 6844: 6581:Carnival of Light 6536: 6535: 6527:A Day in the Life 6354: 6353: 6350: 6349: 6095: 6094: 5994:Eight Days a Week 5820: 5819: 5688: 5687: 5584:A Day in the Life 5514:Don't Let Me Down 5327:You Can't Do That 5323:Can't Buy Me Love 5189:978-0-8264-1746-6 5159:978-0-313-39171-2 5137:978-0-307-45239-9 5118:978-0-00-723705-0 5078:978-0-7535-4020-6 5059:978-0-316-32796-1 4982:978-1-55652-733-3 4958:978-0-7537-2545-0 4885:. pp. 72–89. 4859:978-0-7499-2988-6 4826:978-0-19-512941-0 4805:978-1-84792-218-2 4549:A Day in the Life 4206:The Rolling Stone 3920:978-0-7914-6715-2 3887:978-0-7603-2292-5 3738:, pp. 80–81. 3689:978-0-7119-8307-6 3618:Los Angeles Times 3441:Brennan, Joseph. 3153:The Morton Report 3070:978-0-312-11482-4 3037:on 4 January 2009 2956:, pp. 86–87. 2706:delay' aux track. 2623:978-0-9785200-0-7 2557:978-0-8118-3517-6 2496:Los Angeles Times 2460:. Da Capo Press. 2172:978-0-07-015457-5 1778:Beatles Anthology 1685: 1684: 1635:Basil Tschaikov, 1632:Roger Lord – oboe 1424:Riverside Records 1408:A Day in the Life 1371:2010 Grammy Award 1317:in an auction at 1306: 1305: 1301: 1157:Bohemian Rhapsody 1030:Richard Goldstein 1009:in his 1977 book 558:How I Won the War 478:Royal Albert Hall 263:A Day in the Life 259: 258: 232: 6935: 6913:Barry Gibb songs 6821:Yellow Submarine 6772:Beatles for Sale 6758:With the Beatles 6751:Please Please Me 6721:Yellow Submarine 6651:Related articles 6620:Sgt. Pepper Live 6541:Non-album single 6421: 6420: 6381: 6374: 6367: 6358: 6357: 6311:All Together Now 6249:Don't Pass Me By 6106: 6105: 5928:I'll Cry Instead 5862:Please Please Me 5829: 5828: 5697: 5696: 5415:Yellow Submarine 5400:Paperback Writer 5279:Please Please Me 5268: 5267: 5240: 5233: 5226: 5217: 5216: 5193: 5163: 5141: 5122: 5103: 5082: 5063: 5044: 5022: 4998: 4996: 4994: 4962: 4943: 4924: 4905: 4886: 4875: 4873: 4871: 4842: 4840: 4838: 4809: 4787: 4775: 4755: 4754: 4752: 4750: 4741:. Archived from 4735: 4729: 4728: 4726: 4724: 4715:. Archived from 4707:"Demolition Man" 4702: 4696: 4690: 4684: 4683: 4681: 4679: 4659: 4653: 4652: 4650: 4648: 4626: 4620: 4611: 4605: 4604: 4602: 4600: 4579: 4573: 4563: 4557: 4547:Wes Montgomery: 4543: 4537: 4536: 4534: 4532: 4517: 4511: 4498: 4492: 4491: 4489: 4487: 4473: 4467: 4466: 4464: 4462: 4453:. Archived from 4447: 4441: 4440: 4438: 4436: 4427:. 18 June 2010. 4417: 4411: 4410: 4408: 4406: 4397:. Hecklerspray. 4390: 4384: 4383: 4381: 4379: 4364: 4358: 4357: 4355: 4353: 4334: 4328: 4327: 4325: 4323: 4309: 4303: 4302: 4300: 4298: 4276: 4270: 4269: 4267: 4265: 4246: 4240: 4239: 4237: 4235: 4216: 4210: 4209: 4198: 4192: 4191: 4189: 4187: 4172: 4166: 4165: 4163: 4161: 4146: 4140: 4139: 4137: 4135: 4120: 4114: 4113: 4111: 4109: 4094: 4088: 4087: 4085: 4083: 4067: 4061: 4060: 4058: 4056: 4036: 4030: 4029: 4027: 4025: 4003: 3997: 3996: 3994: 3992: 3967: 3961: 3960: 3958: 3956: 3931: 3925: 3924: 3898: 3892: 3891: 3873: 3867: 3861: 3855: 3849: 3843: 3842: 3840: 3838: 3822: 3816: 3810: 3804: 3798: 3792: 3791: 3790:. p. II 24. 3781: 3775: 3769: 3763: 3757: 3751: 3745: 3739: 3733: 3727: 3726: 3724: 3722: 3700: 3694: 3693: 3675: 3669: 3663: 3657: 3651: 3645: 3639: 3633: 3627: 3621: 3614: 3608: 3602: 3596: 3595: 3593: 3591: 3576: 3567: 3566: 3556: 3550: 3544: 3538: 3537: 3519: 3513: 3512: 3510: 3508: 3495:Calkin, Graham. 3492: 3486: 3480: 3471: 3465: 3459: 3458: 3456: 3454: 3438: 3432: 3431: 3429: 3427: 3418:. Archived from 3411: 3405: 3399: 3390: 3384: 3373: 3367: 3358: 3352: 3343: 3342:, p. 20–24. 3337: 3331: 3330: 3328: 3326: 3317: 3309: 3303: 3297: 3291: 3285: 3276: 3270: 3264: 3263: 3261: 3259: 3250:. Archived from 3244: 3238: 3232: 3226: 3216: 3210: 3204: 3198: 3192: 3181: 3175: 3169: 3168: 3166: 3164: 3144: 3138: 3137: 3135: 3133: 3117: 3111: 3105: 3099: 3093: 3087: 3081: 3075: 3074: 3053: 3047: 3046: 3044: 3042: 3033:. Archived from 3026: 3015: 3014: 3012: 3010: 2988: 2982: 2976: 2957: 2951: 2945: 2939: 2933: 2932: 2930: 2928: 2912: 2900: 2894: 2888: 2882: 2876: 2870: 2869: 2867: 2865: 2856:. Archived from 2842: 2836: 2830: 2824: 2818: 2812: 2809:The Beatles 2000 2806: 2800: 2794: 2788: 2782: 2773: 2772: 2753: 2747: 2746: 2744: 2742: 2727: 2721: 2715: 2709: 2708: 2702: 2700: 2684: 2678: 2677: 2675: 2673: 2664:. Archived from 2657: 2640: 2634: 2628: 2627: 2609: 2603: 2597: 2591: 2585: 2574: 2568: 2562: 2561: 2543: 2537: 2536: 2534: 2532: 2513:(10 June 2007). 2507: 2501: 2500: 2490: 2484: 2483: 2481: 2479: 2451: 2445: 2444: 2434: 2428: 2427: 2425: 2423: 2404: 2395: 2394: 2392: 2390: 2361: 2355: 2352:Internet Archive 2349: 2339: 2333: 2332: 2305: 2299: 2293: 2287: 2286: 2284: 2282: 2277:on 19 April 2008 2273:. Archived from 2267: 2261: 2260: 2239: 2233: 2232: 2222: 2216: 2210: 2204: 2203: 2195: 2189: 2183: 2177: 2176: 2158: 2152: 2146: 2140: 2134: 2128: 2122: 2116: 2115: 2113: 2111: 2096: 2087: 2081: 2075: 2069: 2063: 2057: 2046: 2045: 2043: 2041: 2026: 2020: 2019: 2017: 2015: 2000: 1994: 1993: 1991: 1989: 1971: 1965: 1959: 1953: 1947: 1941: 1940: 1938: 1936: 1914: 1908: 1893: 1887: 1884: 1878: 1868: 1853: 1849: 1843: 1830:When EMI issued 1828: 1822: 1808: 1802: 1798: 1792: 1773: 1767: 1765: 1742: 1736: 1733: 1727: 1720: 1714: 1712: 1697: 1531: 1530: 1299: 1283:United Kingdom ( 1266: 1263: 1255: 1230: 1195:Macintosh Quadra 1150: 1114: 1103: 839:Please Please Me 787: 779: 775: 753:player placed a 534: 446:cut-up technique 372: 368: 277:Lennon–McCartney 233: 210: 188: 178:Lennon–McCartney 174: 142: 141: 137: 118:psychedelic rock 79: 77: 40: 28: 27: 6943: 6942: 6938: 6937: 6936: 6934: 6933: 6932: 6848: 6847: 6846: 6841: 6840: 6734: 6646: 6586: 6561: 6532: 6479: 6412: 6392: 6385: 6355: 6346: 6320: 6298: 6276: 6254: 6240:" (Philippines) 6210: 6177: 6155: 6152:" (Philippines) 6126: 6101: 6091: 6058: 6036: 6014: 5981: 5950:Ain't She Sweet 5910:P.S. I Love You 5888:There's a Place 5884:Twist and Shout 5849: 5816: 5811:Twist and Shout 5783: 5763:Ain't She Sweet 5750: 5728: 5723:P.S. I Love You 5684: 5662: 5657:Baby's in Black 5640: 5611: 5589: 5563: 5541: 5497: 5481:The Inner Light 5464: 5459:I Am the Walrus 5420: 5387: 5343: 5310: 5259: 5250: 5244: 5204:Alan W. Pollack 5200: 5190: 5176:Womack, Kenneth 5174: 5171: 5169:Further reading 5166: 5160: 5146:Womack, Kenneth 5138: 5119: 5100: 5079: 5060: 5041: 5019: 4992: 4990: 4983: 4959: 4940: 4902: 4869: 4867: 4860: 4836: 4834: 4827: 4806: 4784: 4763: 4758: 4748: 4746: 4745:on 16 June 2008 4737: 4736: 4732: 4722: 4720: 4703: 4699: 4691: 4687: 4677: 4675: 4660: 4656: 4646: 4644: 4627: 4623: 4612: 4608: 4598: 4596: 4581: 4580: 4576: 4564: 4560: 4544: 4540: 4530: 4528: 4519: 4518: 4514: 4499: 4495: 4485: 4483: 4475: 4474: 4470: 4460: 4458: 4449: 4448: 4444: 4434: 4432: 4419: 4418: 4414: 4404: 4402: 4391: 4387: 4377: 4375: 4366: 4365: 4361: 4351: 4349: 4336: 4335: 4331: 4321: 4319: 4311: 4310: 4306: 4296: 4294: 4277: 4273: 4263: 4261: 4248: 4247: 4243: 4233: 4231: 4218: 4217: 4213: 4200: 4199: 4195: 4185: 4183: 4174: 4173: 4169: 4159: 4157: 4148: 4147: 4143: 4133: 4131: 4126:. 5 June 2006. 4122: 4121: 4117: 4107: 4105: 4096: 4095: 4091: 4081: 4079: 4068: 4064: 4054: 4052: 4037: 4033: 4023: 4021: 4004: 4000: 3990: 3988: 3973:(14 May 2017). 3968: 3964: 3954: 3952: 3937:(26 May 2017). 3932: 3928: 3921: 3903:Womack, Kenneth 3899: 3895: 3888: 3874: 3870: 3862: 3858: 3850: 3846: 3836: 3834: 3823: 3819: 3811: 3807: 3799: 3795: 3782: 3778: 3770: 3766: 3758: 3754: 3746: 3742: 3734: 3730: 3720: 3718: 3701: 3697: 3690: 3676: 3672: 3664: 3660: 3652: 3648: 3640: 3636: 3628: 3624: 3615: 3611: 3603: 3599: 3589: 3587: 3578: 3577: 3570: 3557: 3553: 3545: 3541: 3520: 3516: 3506: 3504: 3493: 3489: 3481: 3474: 3466: 3462: 3452: 3450: 3439: 3435: 3425: 3423: 3412: 3408: 3400: 3393: 3385: 3376: 3368: 3361: 3353: 3346: 3338: 3334: 3324: 3322: 3310: 3306: 3298: 3294: 3286: 3279: 3271: 3267: 3257: 3255: 3246: 3245: 3241: 3233: 3229: 3217: 3213: 3205: 3201: 3193: 3184: 3176: 3172: 3162: 3160: 3145: 3141: 3131: 3129: 3118: 3114: 3106: 3102: 3094: 3090: 3082: 3078: 3071: 3054: 3050: 3040: 3038: 3027: 3018: 3008: 3006: 2989: 2985: 2977: 2960: 2952: 2948: 2940: 2936: 2926: 2924: 2910: 2904:Gilliland, John 2901: 2897: 2889: 2885: 2877: 2873: 2863: 2861: 2860:on 14 July 2014 2843: 2839: 2831: 2827: 2819: 2815: 2807: 2803: 2795: 2791: 2783: 2776: 2759:(25 May 2017). 2754: 2750: 2740: 2738: 2728: 2724: 2716: 2712: 2698: 2696: 2685: 2681: 2671: 2669: 2658: 2643: 2635: 2631: 2624: 2610: 2606: 2598: 2594: 2586: 2577: 2569: 2565: 2558: 2544: 2540: 2530: 2528: 2508: 2504: 2491: 2487: 2477: 2475: 2468: 2452: 2448: 2435: 2431: 2421: 2419: 2406: 2405: 2398: 2388: 2386: 2379: 2378:978-0-857120458 2362: 2358: 2340: 2336: 2329: 2306: 2302: 2294: 2290: 2280: 2278: 2269: 2268: 2264: 2257: 2240: 2236: 2224: 2223: 2219: 2211: 2207: 2196: 2192: 2184: 2180: 2173: 2159: 2155: 2147: 2143: 2135: 2131: 2123: 2119: 2109: 2107: 2102:. BBC Radio 2. 2098: 2097: 2090: 2082: 2078: 2070: 2066: 2058: 2049: 2039: 2037: 2027: 2023: 2013: 2011: 2002: 2001: 1997: 1987: 1985: 1973: 1972: 1968: 1960: 1956: 1950:Hertsgaard 1996 1948: 1944: 1934: 1932: 1915: 1911: 1894: 1890: 1885: 1881: 1869: 1865: 1861: 1856: 1850: 1846: 1829: 1825: 1809: 1805: 1799: 1795: 1774: 1770: 1763: 1760:Good Vibrations 1743: 1739: 1734: 1730: 1721: 1717: 1710: 1705:interview with 1698: 1694: 1690: 1660:Raymond Brown, 1600:Erich Gruenberg 1554:George Harrison 1529: 1483:Young Americans 1478:Young Americans 1397:Jazz guitarist 1347: 1311: 1276:Certified units 1262: 1253: 1228: 1191:Apple Macintosh 1163:James A. Moorer 1148: 1145:Freddie Mercury 1112: 1101: 1003: 950: 868: 848: 794: 785: 777: 773: 739:Michael Nesmith 650: 600: 595: 577:" (named after 553: 532: 521: 486:classical music 458: 448:popularised by 412: 407: 391:George Harrison 370: 366: 352: 251: 237: 227: 208: 184: 170: 139: 135: 134: 75: 73: 59:from the album 43: 24: 17: 12: 11: 5: 6941: 6931: 6930: 6925: 6920: 6915: 6910: 6905: 6903:Art rock songs 6900: 6895: 6890: 6885: 6880: 6875: 6870: 6865: 6860: 6843: 6842: 6839: 6838: 6831: 6824: 6817: 6810: 6803: 6796: 6789: 6782: 6775: 6768: 6761: 6754: 6747: 6740: 6739: 6736: 6735: 6733: 6732: 6725: 6717: 6710: 6703: 6695: 6687: 6680: 6675: 6670: 6665: 6660: 6654: 6652: 6648: 6647: 6645: 6644: 6637: 6630: 6623: 6616: 6609: 6602: 6594: 6592: 6591:Tribute albums 6588: 6587: 6585: 6584: 6577: 6569: 6567: 6563: 6562: 6560: 6559: 6552: 6544: 6542: 6538: 6537: 6534: 6533: 6531: 6530: 6523: 6516: 6509: 6502: 6495: 6487: 6485: 6481: 6480: 6478: 6477: 6470: 6463: 6456: 6453:Getting Better 6449: 6442: 6435: 6427: 6425: 6418: 6414: 6413: 6411: 6410: 6405: 6397: 6394: 6393: 6384: 6383: 6376: 6369: 6361: 6352: 6351: 6348: 6347: 6345: 6344: 6328: 6326: 6322: 6321: 6319: 6318: 6306: 6304: 6300: 6299: 6297: 6296: 6284: 6282: 6278: 6277: 6275: 6274: 6262: 6260: 6256: 6255: 6253: 6252: 6241: 6230: 6218: 6216: 6212: 6211: 6209: 6208: 6197: 6185: 6183: 6179: 6178: 6176: 6175: 6163: 6161: 6157: 6156: 6154: 6153: 6142: 6134: 6132: 6128: 6127: 6125: 6124: 6112: 6110: 6103: 6097: 6096: 6093: 6092: 6090: 6089: 6078: 6075:Helter Skelter 6066: 6064: 6060: 6059: 6057: 6056: 6044: 6042: 6038: 6037: 6035: 6034: 6022: 6020: 6016: 6015: 6013: 6012: 6001: 5989: 5987: 5983: 5982: 5980: 5979: 5968: 5957: 5954:Nobody's Child 5946: 5939:And I Love Her 5935: 5924: 5917:Sie liebt dich 5913: 5902: 5899:Thank You Girl 5891: 5880: 5869: 5866:From Me to You 5857: 5855: 5851: 5850: 5848: 5847: 5835: 5833: 5826: 5822: 5821: 5818: 5817: 5815: 5814: 5803: 5791: 5789: 5785: 5784: 5782: 5781: 5770: 5758: 5756: 5752: 5751: 5749: 5748: 5736: 5734: 5730: 5729: 5727: 5726: 5715: 5703: 5701: 5694: 5690: 5689: 5686: 5685: 5683: 5682: 5670: 5668: 5664: 5663: 5661: 5660: 5648: 5646: 5642: 5641: 5639: 5638: 5631:Free as a Bird 5627: 5619: 5617: 5613: 5612: 5610: 5609: 5597: 5595: 5591: 5590: 5588: 5587: 5571: 5569: 5565: 5564: 5562: 5561: 5549: 5547: 5543: 5542: 5540: 5539: 5528: 5525:Old Brown Shoe 5517: 5505: 5503: 5499: 5498: 5496: 5495: 5484: 5472: 5470: 5466: 5465: 5463: 5462: 5455:Hello, Goodbye 5451: 5440: 5428: 5426: 5422: 5421: 5419: 5418: 5407: 5395: 5393: 5389: 5388: 5386: 5385: 5374: 5363: 5356:Ticket to Ride 5351: 5349: 5345: 5344: 5342: 5341: 5330: 5318: 5316: 5312: 5311: 5309: 5308: 5297: 5294:Thank You Girl 5290:From Me to You 5286: 5274: 5272: 5265: 5261: 5260: 5255: 5252: 5251: 5243: 5242: 5235: 5228: 5220: 5214: 5213: 5199: 5198:External links 5196: 5195: 5194: 5188: 5170: 5167: 5165: 5164: 5158: 5142: 5136: 5123: 5117: 5104: 5098: 5083: 5077: 5064: 5058: 5045: 5039: 5023: 5017: 4999: 4981: 4967:MacDonald, Ian 4963: 4957: 4944: 4938: 4925: 4915:(CD booklet). 4906: 4900: 4887: 4876: 4858: 4843: 4825: 4810: 4804: 4792:Doggett, Peter 4788: 4782: 4764: 4762: 4759: 4757: 4756: 4730: 4719:on 10 May 2008 4697: 4695:, p. 217. 4685: 4654: 4621: 4606: 4574: 4558: 4538: 4512: 4493: 4468: 4442: 4412: 4385: 4359: 4329: 4304: 4271: 4241: 4211: 4193: 4182:on 17 May 2008 4167: 4141: 4115: 4089: 4062: 4031: 3998: 3962: 3935:Gilmore, Mikal 3926: 3919: 3907:Davis, Todd F. 3893: 3886: 3868: 3856: 3854:, p. 116. 3844: 3817: 3815:, p. 422. 3805: 3803:, p. 818. 3793: 3776: 3774:, p. 401. 3764: 3762:, p. 154. 3760:Lavezzoli 2006 3752: 3740: 3736:Schaffner 1978 3728: 3695: 3688: 3670: 3658: 3654:MacDonald 2005 3646: 3644:, p. 270. 3634: 3622: 3609: 3607:, p. 427. 3597: 3568: 3551: 3549:, p. 265. 3539: 3522:Anon. (2017). 3514: 3487: 3472: 3460: 3433: 3414:Wild, Andrew. 3406: 3404:, p. 122. 3391: 3389:, p. 103. 3374: 3372:, p. 109. 3359: 3344: 3332: 3304: 3300:Lavezzoli 2006 3292: 3277: 3275:, p. 417. 3265: 3239: 3227: 3211: 3209:, p. 343. 3199: 3182: 3170: 3139: 3112: 3100: 3088: 3086:, p. 166. 3076: 3069: 3057:Martin, George 3048: 3016: 3003:MeasuringWorth 2983: 2958: 2946: 2944:, p. 119. 2934: 2916:Pop Chronicles 2895: 2893:, p. 118. 2883: 2871: 2854:Jazz & Pop 2846:Sculatti, Gene 2837: 2835:, p. 165. 2825: 2813: 2801: 2789: 2787:, p. 121. 2774: 2767:) – via 2748: 2722: 2710: 2693:Sound On Sound 2679: 2641: 2639:, p. 230. 2637:MacDonald 2005 2629: 2622: 2604: 2602:, p. 120. 2592: 2575: 2563: 2556: 2538: 2502: 2485: 2466: 2446: 2429: 2396: 2377: 2356: 2334: 2327: 2300: 2298:, p. 325. 2288: 2262: 2255: 2234: 2217: 2205: 2190: 2188:, p. 324. 2178: 2171: 2153: 2151:, p. 164. 2141: 2139:, p. 229. 2137:MacDonald 2005 2129: 2127:, p. 380. 2117: 2088: 2086:, p. 329. 2076: 2064: 2062:, p. 228. 2060:MacDonald 2005 2047: 2021: 1995: 1966: 1962:MacDonald 2005 1954: 1942: 1909: 1895:J. DeRogatis, 1888: 1879: 1862: 1860: 1857: 1855: 1854: 1844: 1823: 1803: 1793: 1768: 1756:the Beach Boys 1751:Jazz & Pop 1737: 1728: 1715: 1691: 1689: 1686: 1683: 1682: 1681: 1680: 1674: 1668: 1665: 1662:Raymond Premru 1658: 1652: 1646: 1643: 1640: 1633: 1630: 1626:John Marson – 1624: 1621: 1618: 1613: 1612: 1611: 1604:David McCallum 1597: 1587: 1571: 1570: 1560: 1551: 1548:Paul McCartney 1545: 1528: 1525: 1520:Demolition Man 1508:Trey Anastasio 1504:Page McConnell 1399:Wes Montgomery 1380:English group 1346: 1345:Cover versions 1343: 1310: 1307: 1304: 1303: 1295: 1294: 1291: 1288: 1280: 1279: 1273: 1270: 1261: 1260:Certifications 1258: 1058:Walter Everett 1050:Jazz & Pop 1002: 999: 949: 946: 867: 864: 847: 844: 835: 793: 790: 783: 776:... I give up. 723:Keith Richards 649: 646: 599: 596: 594: 591: 563:Richard Lester 552: 549: 520: 517: 511:". His friend 480:, a symbol of 462:Far & Near 457: 454: 444:likens to the 411: 408: 406: 403: 359:Paul McCartney 351: 348: 285:Paul McCartney 275:. Credited to 257: 256: 253: 252: 250: 249: 244: 238: 225: 222: 221: 217: 216: 204: 203: 199: 198: 195: 194: 189: 181: 180: 175: 167: 166: 165: 164: 158: 150: 144: 143: 132: 128: 127: 126: 125: 123:orchestral pop 120: 115: 108: 102: 101: 95: 89: 88: 85: 81: 80: 70: 66: 65: 56: 55: 45: 44: 41: 33: 32: 15: 9: 6: 4: 3: 2: 6940: 6929: 6926: 6924: 6921: 6919: 6916: 6914: 6911: 6909: 6906: 6904: 6901: 6899: 6896: 6894: 6891: 6889: 6886: 6884: 6881: 6879: 6876: 6874: 6871: 6869: 6866: 6864: 6861: 6859: 6856: 6855: 6853: 6837: 6836: 6832: 6830: 6829: 6825: 6823: 6822: 6818: 6816: 6815: 6811: 6809: 6808: 6804: 6802: 6801: 6797: 6795: 6794: 6790: 6788: 6787: 6783: 6781: 6780: 6776: 6774: 6773: 6769: 6767: 6766: 6762: 6760: 6759: 6755: 6753: 6752: 6748: 6745: 6742: 6741: 6737: 6730: 6726: 6724: 6722: 6718: 6716: 6715: 6711: 6709: 6708: 6704: 6702: 6700: 6696: 6694: 6692: 6688: 6686: 6685: 6681: 6679: 6676: 6674: 6671: 6669: 6666: 6664: 6661: 6659: 6656: 6655: 6653: 6649: 6643: 6642: 6638: 6636: 6635: 6631: 6629: 6628: 6627:Sgt. Pepper's 6624: 6622: 6621: 6617: 6615: 6614: 6610: 6608: 6607: 6603: 6601: 6600: 6596: 6595: 6593: 6589: 6582: 6578: 6575: 6571: 6570: 6568: 6564: 6557: 6553: 6550: 6546: 6545: 6543: 6539: 6528: 6524: 6521: 6517: 6514: 6510: 6507: 6503: 6500: 6496: 6493: 6489: 6488: 6486: 6482: 6475: 6471: 6468: 6464: 6461: 6460:Fixing a Hole 6457: 6454: 6450: 6447: 6443: 6440: 6436: 6433: 6429: 6428: 6426: 6422: 6419: 6415: 6409: 6406: 6404: 6403: 6399: 6398: 6395: 6391: 6390: 6382: 6377: 6375: 6370: 6368: 6363: 6362: 6359: 6342: 6338: 6334: 6330: 6329: 6327: 6323: 6316: 6312: 6308: 6307: 6305: 6301: 6294: 6290: 6286: 6285: 6283: 6279: 6272: 6268: 6264: 6263: 6261: 6257: 6250: 6246: 6242: 6239: 6235: 6231: 6228: 6224: 6220: 6219: 6217: 6213: 6206: 6202: 6198: 6196:" (Australia) 6195: 6191: 6187: 6186: 6184: 6180: 6173: 6169: 6165: 6164: 6162: 6158: 6151: 6147: 6143: 6140: 6136: 6135: 6133: 6129: 6122: 6118: 6117:All My Loving 6114: 6113: 6111: 6107: 6104: 6098: 6087: 6083: 6079: 6076: 6072: 6068: 6067: 6065: 6061: 6054: 6050: 6046: 6045: 6043: 6039: 6032: 6028: 6024: 6023: 6021: 6017: 6010: 6009:Act Naturally 6006: 6002: 5999: 5995: 5991: 5990: 5988: 5984: 5977: 5973: 5969: 5966: 5962: 5958: 5955: 5951: 5947: 5944: 5940: 5936: 5933: 5929: 5925: 5922: 5918: 5914: 5911: 5907: 5903: 5900: 5896: 5892: 5889: 5885: 5881: 5878: 5874: 5870: 5867: 5863: 5859: 5858: 5856: 5852: 5845: 5841: 5837: 5836: 5834: 5830: 5827: 5823: 5812: 5808: 5804: 5801: 5797: 5793: 5792: 5790: 5786: 5779: 5775: 5771: 5768: 5764: 5760: 5759: 5757: 5753: 5746: 5742: 5738: 5737: 5735: 5731: 5724: 5720: 5716: 5713: 5709: 5705: 5704: 5702: 5698: 5695: 5691: 5680: 5676: 5672: 5671: 5669: 5665: 5658: 5654: 5650: 5649: 5647: 5643: 5636: 5632: 5628: 5625: 5624:Baby It's You 5621: 5620: 5618: 5614: 5607: 5603: 5599: 5598: 5596: 5592: 5585: 5581: 5577: 5573: 5572: 5570: 5566: 5559: 5555: 5551: 5550: 5548: 5544: 5537: 5536:Come Together 5533: 5529: 5526: 5522: 5518: 5515: 5511: 5507: 5506: 5504: 5500: 5493: 5489: 5485: 5482: 5478: 5474: 5473: 5471: 5467: 5460: 5456: 5452: 5449: 5445: 5441: 5438: 5434: 5430: 5429: 5427: 5423: 5416: 5412: 5411:Eleanor Rigby 5408: 5405: 5401: 5397: 5396: 5394: 5390: 5383: 5379: 5375: 5372: 5368: 5364: 5361: 5357: 5353: 5352: 5350: 5346: 5339: 5338:She's a Woman 5335: 5331: 5328: 5324: 5320: 5319: 5317: 5313: 5306: 5302: 5301:She Loves You 5298: 5295: 5291: 5287: 5284: 5280: 5276: 5275: 5273: 5269: 5266: 5262: 5258: 5253: 5248: 5241: 5236: 5234: 5229: 5227: 5222: 5221: 5218: 5212: 5210: 5205: 5202: 5201: 5191: 5185: 5182:. Continuum. 5181: 5177: 5173: 5172: 5161: 5155: 5151: 5147: 5143: 5139: 5133: 5129: 5124: 5120: 5114: 5110: 5105: 5101: 5099:0-07-055087-5 5095: 5091: 5090: 5084: 5080: 5074: 5070: 5065: 5061: 5055: 5051: 5046: 5042: 5040:0-7119-8308-9 5036: 5032: 5028: 5024: 5020: 5018:0-8050-5249-6 5014: 5010: 5009: 5004: 5000: 4988: 4984: 4978: 4974: 4973: 4968: 4964: 4960: 4954: 4950: 4945: 4941: 4939:0-8264-2819-3 4935: 4931: 4926: 4922: 4921:Apple Records 4918: 4914: 4913: 4907: 4903: 4901:0-330-33891-9 4897: 4893: 4888: 4884: 4883: 4877: 4865: 4861: 4855: 4851: 4850: 4844: 4832: 4828: 4822: 4818: 4817: 4811: 4807: 4801: 4797: 4793: 4789: 4785: 4783:0-8118-2684-8 4779: 4774: 4773: 4766: 4765: 4744: 4740: 4734: 4718: 4714: 4713: 4708: 4701: 4694: 4689: 4673: 4669: 4665: 4658: 4642: 4638: 4637: 4632: 4625: 4619: 4615: 4610: 4594: 4590: 4589: 4584: 4578: 4572: 4568: 4562: 4556: 4552: 4550: 4542: 4526: 4522: 4516: 4510: 4506: 4505: 4497: 4482: 4478: 4472: 4456: 4452: 4446: 4430: 4426: 4422: 4416: 4400: 4396: 4389: 4373: 4369: 4363: 4347: 4343: 4339: 4333: 4318: 4314: 4308: 4292: 4288: 4287: 4282: 4275: 4259: 4255: 4254:Rolling Stone 4251: 4245: 4229: 4225: 4224:Rolling Stone 4221: 4215: 4207: 4203: 4197: 4181: 4177: 4171: 4155: 4151: 4145: 4129: 4125: 4119: 4103: 4099: 4093: 4077: 4073: 4066: 4050: 4046: 4042: 4035: 4019: 4015: 4014: 4009: 4002: 3986: 3982: 3981: 3976: 3972: 3971:De Lisle, Tim 3966: 3950: 3946: 3945: 3944:Rolling Stone 3940: 3936: 3930: 3922: 3916: 3912: 3908: 3904: 3897: 3889: 3883: 3879: 3872: 3865: 3860: 3853: 3848: 3832: 3828: 3821: 3814: 3809: 3802: 3797: 3789: 3788: 3780: 3773: 3768: 3761: 3756: 3750:, p. 87. 3749: 3744: 3737: 3732: 3716: 3712: 3711: 3706: 3699: 3691: 3685: 3681: 3674: 3667: 3662: 3656:, p. 22. 3655: 3650: 3643: 3638: 3631: 3626: 3619: 3613: 3606: 3601: 3585: 3581: 3575: 3573: 3564: 3563: 3555: 3548: 3543: 3535: 3534:Apple Records 3531: 3528:(CD sleeve). 3527: 3526: 3518: 3502: 3498: 3491: 3485:, p. 81. 3484: 3479: 3477: 3470:, p. 91. 3469: 3464: 3448: 3444: 3437: 3421: 3417: 3410: 3403: 3398: 3396: 3388: 3383: 3381: 3379: 3371: 3370:Lewisohn 2005 3366: 3364: 3357:, p. 83. 3356: 3351: 3349: 3341: 3340:Lewisohn 2005 3336: 3321: 3316: 3308: 3301: 3296: 3290:, p. 83. 3289: 3284: 3282: 3274: 3269: 3253: 3249: 3243: 3236: 3235:Lewisohn 2005 3231: 3225: 3221: 3215: 3208: 3203: 3197:, p. 97. 3196: 3195:Lewisohn 2005 3191: 3189: 3187: 3179: 3174: 3158: 3154: 3150: 3143: 3127: 3123: 3116: 3110:, p. 82. 3109: 3104: 3097: 3092: 3085: 3080: 3072: 3066: 3062: 3058: 3052: 3036: 3032: 3025: 3023: 3021: 3005: 3004: 2999: 2993: 2987: 2981:, p. 96. 2980: 2979:Lewisohn 2005 2975: 2973: 2971: 2969: 2967: 2965: 2963: 2955: 2950: 2943: 2938: 2922: 2918: 2917: 2909: 2905: 2899: 2892: 2887: 2881:, p. 35. 2880: 2875: 2859: 2855: 2851: 2847: 2841: 2834: 2829: 2823:, p. 76. 2822: 2817: 2811:, p. 80. 2810: 2805: 2799:, p. 86. 2798: 2793: 2786: 2781: 2779: 2770: 2766: 2762: 2758: 2757:Giles Martin 2752: 2737: 2733: 2726: 2719: 2714: 2707: 2694: 2690: 2683: 2667: 2663: 2656: 2654: 2652: 2650: 2648: 2646: 2638: 2633: 2625: 2619: 2615: 2608: 2601: 2596: 2590:, p. 84. 2589: 2584: 2582: 2580: 2573:, p. 94. 2572: 2571:Lewisohn 2005 2567: 2559: 2553: 2549: 2542: 2526: 2522: 2521: 2516: 2512: 2506: 2498: 2497: 2489: 2473: 2469: 2467:9780306812705 2463: 2459: 2458: 2450: 2442: 2441: 2433: 2417: 2413: 2412:Rolling Stone 2409: 2403: 2401: 2384: 2380: 2374: 2370: 2369: 2360: 2353: 2347: 2346: 2338: 2330: 2328:0-312-25464-4 2324: 2320: 2316: 2315: 2310: 2304: 2297: 2292: 2276: 2272: 2266: 2258: 2256:0-9506402-6-3 2252: 2248: 2244: 2238: 2230: 2229: 2221: 2214: 2209: 2201: 2194: 2187: 2182: 2174: 2168: 2164: 2157: 2150: 2145: 2138: 2133: 2126: 2121: 2105: 2101: 2095: 2093: 2085: 2080: 2073: 2068: 2061: 2056: 2054: 2052: 2036: 2035:Rolling Stone 2032: 2025: 2009: 2005: 1999: 1984: 1980: 1978: 1970: 1963: 1958: 1951: 1946: 1930: 1926: 1925: 1920: 1913: 1906: 1905:0-634-05548-8 1902: 1898: 1892: 1883: 1876: 1872: 1867: 1863: 1848: 1841: 1837: 1833: 1827: 1820: 1819: 1814: 1807: 1797: 1790: 1786: 1785: 1780: 1779: 1772: 1761: 1757: 1753: 1752: 1748:, writing in 1747: 1746:Gene Sculatti 1744:According to 1741: 1732: 1725: 1719: 1708: 1704: 1703: 1696: 1692: 1678: 1677:Marijke Koger 1675: 1672: 1669: 1666: 1663: 1659: 1656: 1653: 1650: 1647: 1644: 1641: 1638: 1634: 1631: 1629: 1625: 1622: 1619: 1616: 1615: 1614: 1609: 1605: 1601: 1598: 1596:(final chord) 1595: 1591: 1590:George Martin 1588: 1585: 1581: 1578: 1577: 1576: 1575: 1568: 1564: 1561: 1559: 1555: 1552: 1549: 1546: 1543: 1540: 1539: 1538: 1537: 1533: 1524: 1522: 1521: 1516: 1511: 1509: 1505: 1501: 1497: 1495: 1494: 1489: 1485: 1484: 1479: 1475: 1471: 1469: 1465: 1461: 1457: 1456: 1451: 1447: 1443: 1438: 1437:album chart. 1436: 1434: 1429: 1425: 1422: 1418: 1414: 1413:Eleanor Rigby 1410: 1409: 1404: 1400: 1395: 1393: 1392: 1387: 1383: 1378: 1376: 1372: 1368: 1364: 1363: 1358: 1357: 1352: 1342: 1340: 1336: 1331: 1328: 1324: 1320: 1316: 1302: 1296: 1292: 1289: 1286: 1281: 1277: 1272:Certification 1267: 1257: 1252: 1251: 1246: 1242: 1241:Rolling Stone 1238: 1234: 1227: 1226: 1221: 1220: 1215: 1211: 1207: 1202: 1200: 1196: 1192: 1188: 1184: 1180: 1176: 1172: 1168: 1164: 1160: 1158: 1154: 1146: 1142: 1138: 1137: 1132: 1128: 1127:Mikal Gilmore 1124: 1123: 1122:Rolling Stone 1118: 1110: 1105: 1100: 1099: 1094: 1090: 1086: 1082: 1078: 1074: 1073:Philip Norman 1069: 1065: 1064: 1059: 1054: 1052: 1051: 1046: 1042: 1037: 1036: 1031: 1027: 1025: 1021: 1016: 1012: 1008: 998: 996: 991: 990: 985: 981: 980: 975: 974:Brian Epstein 970: 967: 966:Kenny Everett 963: 959: 955: 948:BBC radio ban 945: 943: 938: 937: 932: 928: 927: 922: 918: 917: 912: 911: 906: 905: 899: 897: 893: 892: 887: 886: 881: 877: 873: 863: 861: 857: 853: 843: 841: 840: 833: 831: 827: 823: 818: 816: 811: 803: 798: 789: 781: 771: 767: 763: 762:Mark Lewisohn 758: 756: 752: 749:paw, while a 748: 744: 740: 736: 732: 728: 724: 720: 716: 712: 707: 705: 698: 693: 690: 687: 683: 679: 678:Luciano Berio 675: 671: 663: 659: 654: 645: 643: 638: 633: 631: 626: 621: 616: 614: 610: 606: 605:Hammond organ 590: 588: 584: 583:the orphanage 580: 576: 572: 566: 564: 560: 559: 548: 546: 542: 538: 537:George Martin 530: 526: 516: 514: 510: 505: 504: 499: 495: 488:performances. 487: 483: 482:Victorian-era 479: 474: 470: 467: 463: 456:"4,000 holes" 453: 451: 447: 443: 442:Howard Sounes 438: 436: 435: 429: 425: 421: 417: 414:Music critic 402: 400: 396: 392: 388: 384: 383:Ian MacDonald 379: 374: 362: 360: 356: 347: 345: 344:popular music 341: 337: 333: 329: 325: 321: 320:Chris Cornell 317: 313: 308: 305: 301: 297: 293: 288: 286: 282: 278: 274: 273: 268: 264: 254: 248: 245: 243: 240: 239: 223: 218: 215: 211: 205: 200: 196: 193: 192:George Martin 190: 187: 182: 179: 176: 173: 172:Songwriter(s) 168: 162: 159: 156: 153: 152: 151: 149: 145: 133: 129: 124: 121: 119: 116: 114: 111: 110: 109: 107: 103: 99: 96: 94: 90: 86: 82: 71: 67: 64: 63: 57: 54: 50: 46: 39: 34: 29: 26: 22: 6908:1978 singles 6833: 6826: 6819: 6813: 6805: 6798: 6791: 6784: 6777: 6770: 6763: 6756: 6749: 6743: 6720: 6712: 6705: 6701:(soundtrack) 6698: 6690: 6682: 6673:William Kite 6668:Jann Haworth 6663:Pablo Fanque 6639: 6632: 6625: 6618: 6611: 6604: 6597: 6526: 6400: 6387: 6053:For You Blue 6031:What Goes On 5921:I'll Get You 5675:Now and Then 5583: 5477:Lady Madonna 5305:I'll Get You 5208: 5179: 5149: 5127: 5108: 5088: 5068: 5049: 5030: 5027:Miles, Barry 5007: 5003:Miles, Barry 4991:. 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Retrieved 2692: 2682: 2670:. Retrieved 2666:the original 2632: 2613: 2607: 2600:Everett 1999 2595: 2566: 2547: 2541: 2529:. Retrieved 2520:The Guardian 2518: 2505: 2494: 2488: 2476:. Retrieved 2456: 2449: 2439: 2432: 2420:. Retrieved 2411: 2387:. Retrieved 2367: 2359: 2343: 2337: 2313: 2309:Sheff, David 2303: 2291: 2281:18 September 2279:. Retrieved 2275:the original 2265: 2246: 2237: 2226: 2220: 2208: 2199: 2193: 2181: 2162: 2156: 2144: 2132: 2120: 2108:. Retrieved 2079: 2067: 2038:. Retrieved 2034: 2024: 2012:. Retrieved 1998: 1986:. Retrieved 1982: 1976: 1969: 1957: 1952:, p. 2. 1945: 1933:. Retrieved 1922: 1912: 1896: 1891: 1882: 1874: 1871:Everett 1999 1866: 1847: 1831: 1826: 1816: 1806: 1796: 1788: 1782: 1776: 1771: 1749: 1740: 1731: 1723: 1718: 1700: 1695: 1679:– tambourine 1573: 1572: 1535: 1534: 1518: 1512: 1498: 1492: 1481: 1472: 1453: 1445: 1439: 1432: 1406: 1396: 1389: 1388:compilation 1379: 1366: 1360: 1354: 1348: 1332: 1312: 1298: 1248: 1240: 1235:in 1967 for 1223: 1217: 1203: 1193:featured on 1161: 1152: 1141:Tim de Lisle 1134: 1120: 1116: 1108: 1106: 1096: 1092: 1080: 1076: 1067: 1061: 1055: 1048: 1033: 1028: 1019: 1010: 1006: 1004: 987: 977: 971: 961: 951: 941: 934: 924: 920: 914: 908: 902: 900: 895: 889: 883: 871: 869: 851: 849: 837: 826:David Crosby 819: 807: 766:Ron Richards 759: 708: 700: 695: 667: 634: 630:middle eight 617: 601: 567: 556: 554: 544: 522: 519:Drug culture 501: 493: 491: 465: 461: 459: 439: 432: 413: 398: 380: 376: 364: 353: 309: 289: 270: 262: 260: 220:Audio sample 60: 25: 6814:The Beatles 6786:Rubber Soul 6658:Peter Blake 6506:Lovely Rita 6408:Cover photo 6343:" (Germany) 6315:Hey Bulldog 6289:Oh! Darling 6194:Nowhere Man 6172:I'm a Loser 6027:Nowhere Man 5378:Day Tripper 5334:I Feel Fine 5257:Discography 5247:The Beatles 4917:The Beatles 4723:18 November 4693:Womack 2014 4678:22 December 4461:14 November 4072:"50 Tracks" 4045:Music Thing 3864:Norman 2016 3837:23 February 3801:Womack 2014 3748:Harris 2007 3666:Norman 2016 3530:The Beatles 3497:"Anthology" 3453:31 December 3426:31 December 3288:Harris 2007 3108:Harris 2007 3096:Harris 2007 3084:Sounes 2010 2833:Sounes 2010 2821:Harris 2007 2345:Hit Parader 2243:Frame, Pete 2163:The Beatles 2149:Sounes 2010 2110:31 December 2014:26 February 1935:16 December 1724:Sgt. Pepper 1707:David Sheff 1671:Tristan Fry 1655:David Mason 1637:Jack Brymer 1584:alarm clock 1563:Ringo Starr 1542:John Lennon 1536:The Beatles 1474:David Bowie 1468:Nowhere Man 1403:smooth jazz 1401:released a 1239:. In 2004, 1117:Sgt. Pepper 1093:Sgt. Pepper 1077:Sgt. Pepper 1041:T. S. Eliot 1024:Graham Nash 1020:Sgt. Pepper 1007:Sgt. Pepper 962:Sgt. Pepper 942:Sgt. Pepper 921:Anthology 2 916:Anthology 1 910:Anthology 3 904:Anthology 2 876:cross-faded 872:Sgt. Pepper 860:dog whistle 852:Sgt. Pepper 830:Lovely Rita 802:grand piano 770:the Hollies 735:Pattie Boyd 727:Brian Jones 715:Mick Jagger 670:avant-garde 658:avant-garde 598:Basic track 545:Sgt. Pepper 513:Terry Doran 509:Albert Hall 424:Tara Browne 410:Tara Browne 399:Sgt. Pepper 395:Ringo Starr 355:John Lennon 304:avant-garde 296:Tara Browne 281:John Lennon 267:the Beatles 202:Music video 186:Producer(s) 53:the Beatles 6858:1967 songs 6852:Categories 6828:Abbey Road 6556:Penny Lane 6317:" (Europe) 6251:" (Sweden) 6207:" (Europe) 6123:" (Canada) 5906:Love Me Do 5877:The Saints 5719:Love Me Do 5712:The Saints 5679:Love Me Do 5492:Revolution 5437:Penny Lane 5283:Ask Me Why 4837:18 October 4531:1 February 4502:Review of 3813:Gould 2007 3642:Miles 2001 3630:Miles 2001 3605:Gould 2007 3547:Miles 2001 3273:Gould 2007 3207:Riley 2011 3178:Gould 2007 2879:Gould 2007 2741:20 October 2699:26 October 2511:Moran, Joe 2478:27 October 2389:18 October 2296:Miles 1997 2228:Daily Mail 2213:Riley 2011 2200:The Lyrics 2186:Miles 1997 2125:Miles 1997 2084:Riley 2011 2072:Gould 2007 1859:References 1815:" for the 1801:happened." 1649:Alan Civil 1639:– clarinet 1608:Sidney Sax 1464:Barry Gibb 1356:In My Life 1214:In My Life 1187:Jim Reekes 1098:Waste Land 1085:1966 album 1081:Freak Out! 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