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Sgt. Pepper's Lonely Hearts Club Band

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1894:. Womack credits the track's "driving rock sound" with distinguishing it from the album's overtly psychedelic material; its lyrics inspire the listener "to usurp the past by living well and flourishing in the present". He cites it as a strong example of Lennon and McCartney's collaborative songwriting, particularly Lennon's addition of the line "It can't get no worse", which serves as a "sarcastic rejoinder" to McCartney's chorus: "It's getting better all the time". Lennon's contribution to the lyric also includes a confessional regarding his having been violent with female companions: "I used to be cruel to my woman". In Womack's opinion, the song encourages the listener to follow the speaker's example and "alter their own angst-ridden ways": "Man I was mean, but I'm changing my scene and I'm doing the best that I can." 1180: 613: 1906:" deals with McCartney's desire to let his mind wander freely and to express his creativity without the burden of self-conscious insecurities. Womack interprets the lyric as "the speaker's search for identity among the crowd", in particular the "quests for consciousness and connection" that differentiate individuals from society as a whole. MacDonald characterises it as a "distracted and introverted track", during which McCartney forgoes his "usual smooth design" in favour of "something more preoccupied". He cites Harrison's electric guitar solo as serving the track well, capturing its mood by conveying detachment. Womack notes McCartney's adaptation of the lyric "a hole in the roof where the rain leaks in" from 4963: 3355: 38: 1018: 2261: 2075: 1778: 1632: 990:". When the decision was made to re-record the basic track, Starr was summoned to the studio, but called off soon afterwards as the focus switched from rhythm to vocal tracking. Much of the bass guitar on the album was mixed upfront. Preferring to overdub his bass part last, McCartney tended to play other instruments when recording a song's backing track. This approach afforded him the time to devise bass lines that were melodically adventurous – one of the qualities he especially admired in Wilson's work on 2616:. When McCartney was asked why the Beatles did not include Elvis Presley among the musical artists, he replied: "Elvis was too important and too far above the rest even to mention." Starr was the only Beatle who offered no suggestions for the collage, telling Blake, "Whatever the others say is fine by me." The final cost for the cover art was nearly Β£3,000 (equivalent to Β£69,000 in 2023), an extravagant sum for a time when album covers would typically cost around Β£50 (equivalent to Β£1,100 in 2023). 916: 2063:
views the line "With our love we could save the world" as a concise reflection of the Beatles' idealism that soon inspired the Summer of Love. The track ends with a burst of laughter gleaned from a tape in the EMI archive; some listeners interpreted this as a mockery of the song, but Harrison explained: "It's a release after five minutes of sad music ... You were supposed to hear the audience anyway, as they listen to Sergeant Pepper's Show. That was the style of the album."
954:. Martin later described the decision to drop these two songs as "the biggest mistake of my professional life". In his judgment, "Strawberry Fields Forever", which he and the band spent an unprecedented 55 hours of studio time recording, "set the agenda for the whole album". He explained: "It was going to be a record ... couldn't be performed live: they were designed to be studio productions and that was the difference." McCartney declared: "Now our performance 2442:. Blake recalled of the concept: "I offered the idea that if they had just played a concert in the park, the cover could be a photograph of the group just after the concert with the crowd who had just watched the concert, watching them." He added, "If we did this by using cardboard cut-outs, it could be a magical crowd of whomever they wanted." According to McCartney, he himself provided the ink drawing on which Blake and Haworth based the design. The cover was 4809: 2497:. Author Ian Inglis views the tableau "as a guidebook to the cultural topography of the decade" that conveyed the increasing democratisation of society whereby "traditional barriers between 'high' and 'low' culture were being eroded", while Case cites it as the most explicit demonstration of pop culture's "continuity with the avant-gardes of yesteryear". The final grouping included Stockhausen and Carroll, along with singers such as 3280: 2646:, which Inglis describes as conveying "an obvious and immediate warmth ... which distances it from the sterility and artifice typical of such images". McCartney recalled the inner-gatefold image as an example of the Beatles' interest in "eye messages", adding: "So with Michael Cooper's inside photo, we all said, 'Now look into this camera and really say I love you! Really try and feel love; really give love through this!' 1923: 934:), marking the first time that the Beatles had come together since September. Afforded the luxury of a nearly limitless recording budget, and with no absolute deadline for completion, the band booked open-ended sessions that started at 7 pm and allowed them to work as late as they wanted. They began with "Strawberry Fields Forever", followed by two other songs that were thematically linked to their childhoods: " 4368: 4132:– would have seemed like "fanciful conceit". He writes: " cover has been regarded as groundbreaking in its visual and aesthetic properties, congratulated for its innovative and imaginative design, credited with providing an early impetus for the expansion of the graphic design industry into popular music, and perceived as largely responsible for the connections between art and pop to be made explicit." 4406: 4401: 4396: 4391: 4386: 4363: 4358: 4353: 4348: 4294: 4289: 4284: 4279: 4274: 4256: 4251: 4246: 4241: 4236: 4218: 4213: 4208: 4203: 4198: 3343:, he launched a campaign in 1970 to address the issue of American youth being "brainwashed" into taking drugs through the music of the Beatles and other rock artists. In the UK, according to historian David Simonelli, the album's obvious drug allusions inspired a hierarchy within the youth movement for the first time, based on listeners' ability to "get" psychedelia and align with the elite notion of 882:, principally for Lennon and Harrison. In a 1967 interview, Harrison said that the Beatles' ongoing success had encouraged them to continue developing musically and that, given their standing, "We can do things that please us without conforming to the standard pop idea. We are not only involved in pop music, but all music." McCartney envisioned the Beatles' alter egos being able to "do a bit of 2625: 3548:, with particularly effusive approbation coming from Rorem, Bernstein and Tynan, "as if every critic was seeking to outdo the other for the most lavish embrace of the Beatles' new direction". In Gendron's view, the cultural approbation represented American "highbrow" commentators (Rorem and Poirier) looking to establish themselves over their "low-middlebrow" equivalent, after 3499:... never before had an aesthetic and technical masterpiece enjoyed such popularity." Through the level of attention it received from the rock press and more culturally elite publications, the album achieved full cultural legitimisation for pop music and recognition for the medium as a genuine art form. Riley says that pop had been due this accreditation "at least as early as 17009: 788:. In February 1967, McCartney suggested that the new album should represent a performance by the fictional band. This alter ego group would give them the freedom to experiment musically by releasing them from their image as Beatles. Martin recalled that the concept was not discussed at the start of the sessions, but it subsequently gave the album "a life of its own". 4618:... These guys weren't just recording songs; they were inventing the stuff with which to make this record as they went along." Although the lyrics, particularly McCartney's, were "a far cry from the militancy of their American peers", he continues, "what was revolutionary was the sonic carpet that enveloped the ears and sent the listener spinning into other realms." 2716: 2339:
and Stockhausen. Womack describes Starr's performance as "one of his most inventive drum parts on record". The thunderous piano chord that concludes the track and the album was produced by recording Lennon, Starr, McCartney and Evans simultaneously sounding an E major chord on three separate pianos; Martin then augmented the sound with a harmonium.
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the recording's "use of common harmonic patterns and falling melodies" contributes to its overall cohesiveness, which he describes as narrative unity, but not necessarily conceptual unity. MacFarlane agrees, suggesting that with the exception of the reprise, the album lacks the melodic and harmonic continuity that is consistent with cyclic form.
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describes the cover as "one of the best-known works that pop art ever produced", while Norman calls it "the most famous album cover of all time". The Beatles' 1968 self-titled double LP became known as the White Album for its plain white sleeve, which the band chose as a contrast with the wave of psychedelic imagery and album covers inspired by
17017: 741:. Gould adds that McCartney's succumbing to peer pressure allowed Lennon "to play the role of psychedelic guide" to his songwriting partner, thereby facilitating a closer collaboration between the two than had been evident since early in the Beatles' career. For his part, Lennon had turned deeply introspective during the filming of 737:(or "acid") for the first time, having long resisted Lennon and Harrison's insistence that he join them and Starr in experiencing its perception-heightening effects. According to author Jonathan Gould, this initiation into LSD afforded McCartney the "expansive new sense of possibility" that defined the group's next project, 1796: 2186:, a piano solo by Martin, and a coda in which the Beatles indulge in panting, groaning and other vocalised sounds. In Gould's view, the track represents "the show-stopper in the Pepper Band's repertoire: a funny, sexy, extroverted song that comes closer to the spirit of rock 'n' roll than anything else on the album". 15804: 2279: 37: 3671:
imitated its production techniques, resulting in a rapid expansion of the producer's role. In this regard, Lennon and McCartney complained that Martin had received too much attention for his part in the album's creation, so beginning a feeling of resentment by the Beatles towards their longtime producer.
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labelled the Beatles "avatars of the new world order" and said that the LP "gave a voice to the feeling that the old ways were over" by stressing the need for cultural change based on a peaceful agenda. According to author Michael Frontani, the Beatles "legitimiz the lifestyle of the counterculture",
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movement. The musicologist Oliver Julien views the album as an embodiment of "the social, the musical, and more generally, the cultural changes of the 1960s". The album's primary value, according to Moore, is its ability to "capture, more vividly than almost anything contemporaneous, its own time and
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that blended songs together, giving the impression of a continuous live performance. Although both stereo and monaural mixes of the album were prepared, the Beatles were minimally involved in what they regarded as the less important stereo mix sessions, leaving the task to Martin and Emerick. Emerick
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Listening to each stage of their recording, once they've done the first couple of tracks, it's often hard to see what they're still looking for, it sounds so complete. Often the final complicated, well-layered version seems to have drowned the initial simple melody. But they know it's not right, even
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marks the beginning of McCartney's ascendancy as the Beatles' dominant creative force. He wrote more than half of the album's material while asserting increasing control over the recording of his compositions. In an effort to get the right sound, the Beatles attempted numerous re-takes of McCartney's
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wrote: "It is impossible to overstate its impact: from a contemporary Sixties perspective it was utterly mind-blowing and original. Looking back from a point when its sonic innovations have been integrated into the mainstream, it remains a wonky, colourful and wildly improbable pop classic, although
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introduced a template not only for creating album-oriented rock but also for consuming it, "with listeners no longer twisting the night away to an assortment of three-minute singles, but losing themselves in a succession of 20-minute album sides, taking a journey led by the artist". In Moore's view,
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that eschewed for the first time the standard white paper in favour of an abstract pattern of waves of maroon, red, pink and white. Included as a bonus gift was a sheet of cardboard cut-outs designed by Blake and Haworth. These consisted of a postcard-sized portrait of Sgt. Pepper (probably based on
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In MacFarlane's view, the Beatles "chose to employ an overarching thematic concept in an apparent effort to unify individual tracks". Everett contends that the album's "musical unity results ... from motivic relationships between key areas, particularly involving C, E, and G". Moore argues that
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high-frequency tone is heard; it was added at Lennon's suggestion with the intention that it would annoy dogs. This is followed by the sounds of backwards laughter and random gibberish that were pressed into the record's concentric run-out groove, which loops back into itself endlessly on any record
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style, Lennon, McCartney and Harrison go on to ask their bandmate questions about the meaning of friendship and true love; by the final verse, Starr provides unequivocal answers. In MacDonald's opinion, the lyric is "at once communal and personal ... meant as a gesture of inclusivity; everyone
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lead vocal that Womack credits with imparting an element of "earnestness in sharp contrast with the ironic distance of the title track". Written by Lennon and McCartney, the song's lyrics centre on a theme of questions, beginning with Starr asking the audience whether they would leave if he sang out
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employee Tony Bramwell, the proceedings were filmed on seven handheld cameras, with the band doing some of the filming. Following this event, the group considered making a television special based on the album. Each of the songs was to be represented with a clip directed by a different director, but
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were among the musician friends who visited them there. The band members also dressed up in psychedelic fashions, leading one session trumpeter to wonder whether they were in costume for a new film. Drug-taking was prevalent during the sessions, with Martin later recalling that the group would steal
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cover piqued a frenzy of analysis. Inglis cites it as the only example in popular music where the album art attracted as much attention as the album. He notes several elements of the cover that were interpreted as evidence of McCartney's death, including: the Beatles are supposedly standing about a
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appeared "bound to a moment" amid the year's culturally important music that had "dated in the sense that it speaks with unusually specific eloquence of a single point in history". Christgau said of the album's "dozen good songs and true", "Perhaps they're too precisely performed, but I'm not going
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journalism – wrote in 1981 that "Goldstein was right in his much-vilified review ... predicting that this record had the power to almost singlehandedly destroy rock and roll." He added: "In the sixties rock and roll began to think of itself as an 'art form'. Rock and roll is not an 'art form';
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contributed to the popular trend for military-style fashions as adopted by London's boutique shops. Following the LP's release, rock acts afforded cover art greater consideration and increasingly sought to create a thematic link between their album artwork and the record's musical statements. Riley
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emphasises the cover's "unprecedented correspondence between music and art, time and space". The cover helped to elevate album art as a respected topic for critical analysis whereby the "structures and cultures of popular music" could henceforth justify intellectual discourse in a way that – before
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established the standard for rock musicians, particularly British acts, to strive towards in their self-identification as artists rather than pop stars, whereby, as in the Romantic tradition, creative vision dominated at the expense of all commercial concerns. In the US, the album paved the way for
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MacDonald highlights the "rollicking" brass score, Starr's drumming and McCartney's "coruscating pseudo-Indian guitar solo" among the elements that convey a sense of aggression on a track he deems a "disgusted canter through the muck, mayhem, and mundanity of the human farmyard". A series of animal
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for "Strawberry Fields Forever". Womack views the track as an effective blending of a print source and music, while MacDonald describes it as "a spontaneous expression of its author's playful hedonism". Tasked by Lennon to evoke a circus atmosphere so vivid that he could "smell the sawdust", Martin
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became both "a milestone and a millstone in music history". In his view, it paled beside the band's previous two albums, since "There's about half the songs I like and the other half I can't stand." Lennon publicly disparaged the album in the years following its release, a turnaround that offended
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It was inevitable that some of the critical assessment of subsequent generations would grumble. Some have griped about the archness of the band-within-a-band concept, the elaborate studio artifice, the dominance of McCartney's songs (routinely but unfairly considered as lightweight and bourgeois),
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people then started thinking that you could spend a year making an album and they began to consider an album as a sound composition and not just a musical composition. The idea was gradually forming of a record being a performance in its own right and not just a reproduction of a live performance.
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The front of the LP includes a colourful collage featuring the Beatles in costume as Sgt. Pepper's Lonely Hearts Club Band, standing with a group of life-sized cardboard cut-outs of famous people. Each of the Beatles sports a heavy moustache, after Harrison had first grown one as a disguise during
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that are "too persuasive to ignore". These include evocations of the postwar Northern music-hall tradition, references to Northern industrial towns and Liverpool schooldays, Lewis Carroll-inspired imagery (acknowledging Lennon's favourite childhood reading), the use of brass instrumentation in the
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According to Martin, Lennon and McCartney were equally responsible for the decision to use an orchestra. Martin said that Lennon requested "a tremendous build-up, from nothing up to something absolutely like the end of the world", while McCartney realised this idea by drawing inspiration from Cage
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banned "A Day in the Life" from British radio because of the phrase "I'd love to turn you on"; the BBC stated that it could "encourage a permissive attitude towards drug-taking". Although Lennon and McCartney denied any drug-related interpretation of the song at the time, McCartney later suggested
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Author Robert Rodriguez writes that while Lennon, Harrison and Starr embraced the creative freedom afforded by McCartney's band-within-a-band idea, they "went along with the concept with varying degrees of enthusiasm". Studio personnel recalled that Lennon had "never seemed so happy" as during the
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as being "in other places, grown-up to an unprecedented, indeed perilous, degree". He concludes of this combination: "Its superabundance reflected a conscious wish on the Beatles' part to make amends to their fans for their abandonment of touring. Clamped between headphones in a recording studio,
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was "the catalyst for an explosion of mass enthusiasm for album-formatted rock that would revolutionize both the aesthetics and the economics of the record business in ways that far out-stripped the earlier pop explosions triggered by the Elvis phenomenon of 1956 and the Beatlemania phenomenon of
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magazine said that the new album was "like nearly everything the Beatles do, bizarre, wonderful, perverse, beautiful, exciting, provocative, exasperating, compassionate and mocking". He found "plenty of electronic gimmickry on the record" before concluding: "but that isn't the heart of the thing.
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fantasy ... that sets all the other songs in perspective", while shattering the illusion of "Pepperland" by introducing the "parallel universe of everyday life". MacDonald describes the track as "a song not of disillusionment with life itself, but of disenchantment with the limits of mundane
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MacDonald regards "Within You Without You" as "the most distant departure from the staple Beatles sound in their discography", and a work that represents the "conscience" of the LP through the lyrics' rejection of Western materialism. Womack calls it "quite arguably, the album's ethical soul" and
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they received an anonymous telegram stating: "Do not go to Tokyo. Your life is in danger." The threat was taken seriously in light of the controversy surrounding the tour among Japan's religious and conservative groups, with particular opposition to the Beatles' planned performances at the sacred
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poll of pop stars, DJs and journalists, the album was voted the worst ever made, with the magazine's editor, Mark Sutherland, commenting: "This poll shows people are sick and tired of having the Beatles rammed down their throats as the greatest rock band ever. It's time to make way for great new
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report stated that the backing vocals were recorded that night with Crosby's participation. Phillips later supported this and said that he too sang backing vocals with the three Beatles. However, Phillips' recollection is not supported by others, and the group vocals were instead overdubbed on 7
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by Anna Joshi and Amrit Gajjar, and tambura by Buddhadev Kansara on "Within You Without You", with eight violins and four cellos arranged and conducted by Harrison and Martin; clarinet trio on "When I'm Sixty-Four": Robert Burns, Henry MacKenzie, Frank Reidy, arranged and conducted by Martin and
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had led the way in recognising the Beatles' artistry, and over the new discipline of rock criticism. Gendron describes the discourse as one whereby, during a period that lasted for six months, "highbrow" composers and musicologists "jostl to pen the definitive effusive appraisal of the Beatles".
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to commemorate the anniversary, which was also celebrated with posters, billboards and other decorations in cities around the world. In Liverpool, the anniversary was the focus of a three-week cultural festival that included events dedicated to each of the album's thirteen songs. As part of the
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wrote that they had been "virtually incommunicado" over that time, leading a national newspaper to complain that the band were "contemplative, secretive and exclusive". Some of the journalists present were shocked by the Beatles' appearance, particularly that of Lennon and Harrison, as the band
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The first verse begins with what Womack characterises as "an invitation in the form of an imperative" through the line: "Picture yourself in a boat on a river", and continues with imaginative imagery, including "tangerine trees", "rocking horse people" and "newspaper taxis". The musical backing
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in February 1967 after EMI and Epstein pressured Martin for a single. When it failed to reach number one in the UK, British press agencies speculated that the group's run of success might have ended, with headlines such as "Beatles Fail to Reach the Top", "First Time in Four Years" and "Has the
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Although suspicious of McCartney's motives, Lennon and Harrison, together with Epstein, demonstrated their support by announcing that they too had taken LSD. In July, all four Beatles added their signatures to a petition demanding the legalisation of marijuana and paid for its publication in a
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between the artist and their audience. He argues that, paradoxically, the lyrics "exemplify the mindless rhetoric of rock concert banter" while "mock the very notion of a pop album's capacity for engendering authentic interconnection between artist and audience". In his view, the mixed message
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J37 four-track machines were well suited to reduction mixing, as the high quality of the recordings that they produced minimised the increased noise associated with the process. When recording the orchestra for "A Day in the Life", Martin synchronised a four-track recorder playing the Beatles'
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In this piece, Goldstein explained that, although the album was not on-par with the best of the Beatles' previous work, he considered it "better than 80 per cent of the music around". He also said that, underneath the production when "the compositions are stripped to their musical and lyrical
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as a "masterpiece of British psychedelia" and says that it represents the "epitome of the transformation of the recording studio into a compositional tool", marking the moment when "popular music entered the era of phonographic composition". Many acts copied the album's psychedelic sounds and
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According to Riley, the album "drew people together through the common experience of pop on a larger scale than ever before". In MacDonald's description, an "almost religious awe surrounded the LP"; he says that its impact was cross-generational, as "Young and old alike were entranced", and
2210:. The track uses the bluesy Mixolydian mode in A, which Everett credits with "perfectly express Lennon's grievance against complacency". According to Greene, the song contrasts sharply with "She's Leaving Home" by providing "the more 'avant-garde' subversive study of suburban life". The 1443:, "There was a very good spirit at that time between all the Beatles and ourselves. We were all conscious that we were doing something that was great." He said that while McCartney effectively led the project, and sometimes annoyed his bandmates, "Paul appreciated John's contribution on 1990:. Everett says that the track's use of Edwardian imagery thematically links it with the album's title song. Gould also views "Mr. Kite!" as a return to the LP's opening motif, albeit that of show business and with the focus now on performers and a show in a radically different setting. 6735:. Unaware that he was under the influence, Martin escorted him to the roof of the building for some fresh air and returned to the studio. When they learned that Lennon was alone on the rail-less rooftop, Harrison and McCartney rushed up to retrieve him and prevent a possible accident. 1342:. During the recording of Lennon's vocals, the tape speed was reduced from 50 cycles per second to 45, which produced a higher and thinner-sounding track when played back at the normal speed. For the album's title track, the recording of Starr's drum kit was enhanced by the use of 7062:
published an article discussing whether the album was "too advanced for the average pop fan". One reader complained that all the songs except "Sgt. Pepper" and "When I'm Sixty-Four" were "over our heads", adding, "The Beatles ought to stop being so clever and give us tunes we can
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that are sequenced – at Lennon's request – so that each successive animal could conceivably scare or devour the preceding one. The sound of a chicken clucking overlaps with a stray guitar note at the start of the next track, creating a seamless transition between the two songs.
3268:, the underground and mainstream press widely publicised the Beatles as leaders of youth culture, as well as "lifestyle revolutionaries". In Moore's description, the album "seems to have spoken (in a way no other has) for its generation". An educator referenced in a July 1967 3055:
as a "pop music master-class" and commented that, so considerable were its musical advances, "the only track that would have been conceivable in pop songs five years ago" was "With a Little Help from My Friends". Having been among the first British critics to fully appreciate
2983:, commentators sought to recognise artistry in pop music, particularly in the Beatles' work, and identify albums as refined artistic statements. In America, this approach had been heightened by the "Strawberry Fields Forever" / "Penny Lane" single, and was also exemplified by 3711:
the album was "pivotal" in heralding "the realignment of rock from its working-class roots to its subsequent place on the college circuit", as students increasingly embraced the genre and record companies launched labels targeted towards this new market. As another result of
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and pop, adding that its position following "Within You Without You" – a blend of Indian classical music and pop – demonstrates the diversity of the album's material. He says the music hall atmosphere is reinforced by McCartney's vocal delivery and the recording's use of
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The Beatles sought to inject an atmosphere of celebration into the recording sessions. Weary of the bland look inside EMI, they introduced psychedelic lighting to the studio space, including a device on which five red fluorescent tubes were fixed to a microphone stand, a
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informed Epstein that he was leaving the band, but he was persuaded to stay on the assurance that there would be no more tours. The group took a three-month break, during which they focused on individual interests. Harrison travelled to India for six weeks to study the
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with a harp. Music historian Doyle Greene views it as the first of the album's songs to address "the crisis of middle-class life in the late 1960s" and comments on its surprisingly conservative sentiments, given McCartney's absorption in the London avant-garde scene.
2825:". He says the most remarkable thing was its acceptance by adults who had turned against the Beatles when they became "gaunt and enigmatic", and how the group, recast as polished "masters of ceremony", were now "the very family favourites they'd sought to satirise". 6817:
to arrange the string section on "She's Leaving Home" since Martin was producing a session by another artist and was unable to meet with him straightaway. Martin was highly upset at McCartney's impatience, but conducted the musicians using the score more or less as
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but not more substantial". He suggested that Goldstein had fallen "victim to overanticipation", identifying his primary error as "allow all the filters and reverbs and orchestral effects and overdubs to deafen him to the stuff underneath, which was pretty nice".
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as a "spoiled" child and "an album of special effects, dazzling but ultimately fraudulent", and was critical of the Beatles for sacrificing their authenticity to become "cloistered composers". Although he admired "A Day in the Life", comparing it to a work by
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The Beatles' presentation as Sgt. Pepper's band resonated at a time when many young people in the UK and the US were seeking to redefine their own identity and were drawn to communities that espoused the transformational power of mind-altering drugs. In the
2093: 1389:, however, Lennon said he was depressed and that while McCartney was "full of confidence", he was "going through murder". Lennon explained his view of the album's concept: "Paul said, 'Come and see the show', I didn't. I said, 'I read the news today, oh boy. 8384: 2936:
initial commercial success exceeded that of all previous Beatles albums. In the UK, it was the best-selling album of 1967 and of the decade. According to figures published in 2009 by former Capitol executive David Kronemyer, further to estimates he gave in
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American radio stations interrupted their regular scheduling, playing the album virtually non-stop, often from start to finish. Emphasising its identity as a self-contained work, none of the songs were issued as singles at the time or available on spin-off
2408:. Norman partly agrees; he says that "In many ways, the album carried on the childhood and Liverpool theme with its circus and fairground effects, its pervading atmosphere of the traditional northern music hall that was in both its main creators' blood." 4574:, Chris Ingham said that, while the album's detractors typically bemoan McCartney's dominant role, the reliance on studio innovation, and the unconvincing concept, "as long as there are pairs of ears willing to disappear under headphones for forty minutes 1651: 6845:
When the audio contained in the run-out groove is played in reverse and slowed-down, McCartney can be heard shouting, "I will fuck you like Superman", with Starr and Harrison giggling in the background. The author Will Romano comments that, in this way,
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and the contemporaneous chic for military-style uniforms. MacDonald regards the song as a "satire on authority" that is "imbued with an exuberant interest in life that lifts the spirits, dispersing self-absorption". The arrangement includes a quartet of
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satisfied the ambitions of a staid, middle-age American audience keen to be seen as in tune with young people's tastes, and every major rock LP was subsequently given the same level of critical analysis. In 1977, the LP won Best British Album at the
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recalls: "We spent three weeks on the mono mixes and maybe three days on the stereo." Most listeners ultimately heard only the stereo version. He estimates that the group spent 700 hours on the LP, more than 30 times that of the first Beatles album,
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Blake said that Haworth conceived the idea to present the crowd as an imaginary audience. McCartney's original idea, according to Blake, was for the Beatles to pose in an Edwardian-era drawing room in front of a wall filled with portraits of their
2319:, and an interpolated middle part written and sung by McCartney. The first crescendo serves as a segue between the third verse and the middle part, leading to a bridge known as the "dream sequence". Lennon drew inspiration for the lyrics from a 1148:", Studio Two was transformed with Indian carpets placed on the walls, dimmed lighting and burning incense to evoke the requisite Indian mood. Lennon described the session as a "great swinging evening" with "400 Indian fellas" among the guests. 4092:
provides a "crucial locus in the assemblage of popular music and avant-garde/experimental music", notwithstanding the Beatles' presentation of the latter within formal song structures. He also says that, although the band are usually viewed as
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was given a rush-release in the UK, ahead of the scheduled date of 1 June. The band's eighth LP, it was the first Beatles album where the track listings were exactly the same for the UK and US versions. The US release took place on 2 June.
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Music papers started to slag us off ... because took five months to record, and I remember the great glee seeing in one of the papers how the Beatles have dried up ... and I was sitting rubbing my hands, saying "You just wait."
3610:. Because, of course, what made that record beautiful was the beautiful response it created in you; if your written response was true to your listening response, the writing would stand on its own as a creation on par with the record." 2799:
album was released. In every city in Europe and America the radio stations played  ... and everyone listened ... For a brief while the irreparable fragmented consciousness of the West was unified, at least in the minds of the
2157:
in an attempt to make McCartney sound younger. Everett comments that the lyric's protagonist is sometimes associated with the Lonely Hearts Club Band, but in his opinion the song is thematically unconnected to the others on the album.
7013:
According to Moore, Goldstein's position was an exception among a group of primarily positive contemporary reviewers that he characterises as the most for any single album at the time. He adds that some negative letters were sent to
1787: 577:'s opinion, they could "send out four waxworks ... and that would satisfy the crowds. Beatles concerts are nothing to do with music anymore. They're just bloody tribal rites." In June 1966, two days after finishing the album 749:", a song that provided the initial theme, regarding a Liverpool childhood, of the new album. On his return to London, Lennon embraced the city's arts culture, of which McCartney was a part, and shared his bandmate's interest in 6999:
with their rendition of "Sgt. Pepper". Epstein leased the Saville at the time, and Harrison and McCartney attended the performance. McCartney described the moment: "The curtains flew back and came walking forward playing 'Sgt.
1648: 15735: 3987:, and particularly in the audience's expectation that foremost artists will "progress" and perhaps "ascend to a watershed point at which influence, experience and ambition cohere into something that just might blow our minds". 2270: 1045:, the Beatles increasingly used session musicians, particularly for classical-inspired arrangements. Norman comments that Lennon's prominent vocal on some of McCartney's songs "hugely enhanced their atmosphere", particularly " 3306:
said of the album: "After the apocalypse of Hitler and the apocalypse of the Bomb, there was here an exclamation of joy, the rediscovery of joy and what it is to be alive." The American psychologist and counterculture figure
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Miles recalls hearing the album playing from "every shop" along King's Road and that it was similarly ubiquitous in the most fashionable areas of New York. He remembers the record as "the soundtrack to that summer, and that
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and Naphtali Wagner both see it as an album of various genres; Hannan says it features "a broad variety of musical and theatrical genres". According to Hannan and Wagner, the music incorporates the stylistic influences of
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as one of the 100 best albums of all time. Writing that year, Kevin Dettmar described it as "quite simply, the most important and influential rock-and-roll album ever recorded". It is featured in Chris Smith's 2009 book
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magazine, John Gabree complained that the Beatles were being afforded excessive praise by writers that were unfamiliar with rock music and unaware of the advances made by rival acts such as the Mothers of Invention and
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sessions where the group taped a basic track live with their usual stage instrumentation. MacDonald finds the Beatles' excitement tangibly translated on the recording, which is again augmented with ambient crowd noise.
2051:; none of the other Beatles played on the recording. He and Martin then worked on a Western string arrangement that imitated the slides and bends typical of Indian music. The song's pitch is derived from the eastern 1028:
Although Harrison's role as lead guitarist was limited during the sessions, Everett considers that "his contribution to the album is strong in several ways." He provided Indian instrumentation in the form of sitar,
8376: 2375:. In Lennon and Starr's view, only the first two songs and the reprise are conceptually connected. In a 1980 interview, Lennon stated that his compositions had nothing to do with the Sgt. Pepper concept, adding: " 1693:, welcoming the audience to a twentieth-anniversary reunion concert by Sgt. Pepper's band, who, led by Lennon, then sing a message of appreciation for the crowd's warm response. Womack says the lyric bridges the 12588: 7200:
LPs chart in late 1969, at the height of the "Paul is dead" rumours. One contention in this conspiracy theory was that McCartney had been replaced in the Beatles by a man named William Shears Campbell, or Billy
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sessions was never formalised as an album-wide concept, but he said that it served as a "device" or underlying theme throughout the project. MacDonald identifies allusions to the Beatles' upbringing throughout
2091: 3475:: " turned out to be no mere pop album but a cultural icon, embracing the constituent elements of the 60s' youth culture: pop art, garish fashion, drugs, instant mysticism and freedom from parental control." 1641: 15153: 2370:
opening song "the Beatles manufacture an artificial textual space in which to stage their art." The reprise of the title song appears on side two, just before the climactic "A Day in the Life", creating a
596:
arena. As an added precaution, 35,000 police were mobilised and tasked with protecting the group, who were transported from hotels to concert venues in armoured vehicles. The Beatles then performed in the
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of how he and Crosby played the LP all night in a Seattle hotel lobby to around a hundred entranced fans. Kantner later said: "Something enveloped the whole world at that time and it just exploded into a
3747:
Following the Beatles' example, many acts spent months in the studio creating their albums, focused on an artistic aesthetic and in the hope of winning critical approval. Among the many LPs influenced by
1811:
creates what Hannan views as one of the album's "most unusual sound combination". Womack describes the combination of these instruments and Lennon's vocals as the Beatles' "most vivid instance of musical
4569:
as "a revelation of how far artists could go in a recording studio with only four tracks, plenty of imagination, and a drug or two", but also "a masterwork of sonics, not songwriting". In his review for
4014:, due to the album's self-conscious lyrics, its studio experimentation, and its efforts to expand the barriers of conventional three-minute tracks. In addition to influencing Pink Floyd records such as 2893:
also quelled the furore that followed McCartney's repeated admission in mid-June that he had taken LSD. In Norman's description, this admission was indicative of how "invulnerable" McCartney felt after
2821:, a teenager in 1967, recalls listening to part of the album at a friend's house and then hearing the rest playing at the next house he visited as if the record was emanating communally from "one giant 4633:"previously unheard-of level of sophistication and fearless experimentation" and a work that combines a wide range of musical styles yet "Not once does the diversity seem forced". He concludes: "After 3820:
trap of trying to put out a 'progressive,' 'significant' and 'different' album, as revolutionary as the Beatles. But it couldn't be done, because only the Beatles can put out an album by the Beatles."
1056:", the basic track of which they had taped in February. The Beatles overdubbed random sounds and instrumentation before submitting it as the first of four new songs they were contracted to supply to 14047: 12994: 2699:, on 20 May. Everett played the entire album apart from "A Day in the Life". The day before Everett's broadcast, Epstein hosted a launch party for music journalists and disc jockeys at his house in 2670:, two sets of sergeant stripes, two lapel badges, and a stand-up cut-out of the band in their satin uniforms. Moore writes that the inclusion of these items helped fans "pretend to be in the band". 3602:
in 1969, Michael Lydon said that reviewers had had to invent "new criticism" to match pop's musical advances, since: "Writing had to be an appropriate response to the music; in writing about, say,
16445: 23846: 22871: 15554: 2170:" as a work of "full-tilt psychedelia" that contrasts sharply with the preceding track. Citing McCartney's recollection that he drew inspiration from learning that the American term for a female 14475: 4955:
in the UK and some 12,000 schools across the US listened to a radio special dedicated to the album on 2 June 1997. Aside from Radio 2's June 2007 project, the 40th anniversary was marked by the
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inner gatefold. McCartney (in blue) wears a badge on his left sleeve that bears the initials O.P.P. McCartney acquired the badge when the Beatles were on tour in Canada; the initials stand for "
20267: 16024: 7328:. In keeping with the channel's family image, the band members' comments on the role that drugs played in the album's creation were cut from the broadcast and replaced with alternative footage. 2422: 2092: 1350:. MacDonald credits the new recording technique with creating a "three-dimensional" sound that, along with other Beatles innovations, engineers in the US would soon adopt as standard practice. 450: 325:, and a sense of optimism and empowerment. Critics lauded the album for its innovations in songwriting, production and graphic design, for bridging a cultural divide between popular music and 4516:, John Harris said that, such was its "seismic and universal" impact and subsequent identification with 1967, a "fashion for trashing" the album had become commonplace. He attributed this to 4103:
moment", through its incorporation of self-conscious artistry, irony and pastiche, and "arguably marked rock music's entry into postmodernism as opposed to high-modernism". During the 1970s,
7096:" were purposely nonsensical and intended to confound commentators' analysis of the Beatles' work, particularly interpretations of "Lucy in the Sky with Diamonds". Harrison later said that 6836:
Lennon was unaware that most record players and speakers of the time were incapable of reproducing the tone, which many listeners would not hear until the release of the CD version in 1987.
14506: 17261: 5017:, plus six original compositions by Iverson, and a dawn-to-dusk celebration of Indian music was held in recognition of Harrison's absorption in the genre. The 50th anniversary edition of 2466:
on which fairground artist Joe Ephgrave painted the words of the album's title. In front of the drum is an arrangement of flowers that spell out "Beatles". The group are dressed in satin
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The last chord of the "Sgt. Pepper" reprise segues amid audience applause to acoustic guitar strumming and the start of what Moore calls "one of the most harrowing songs ever written". "
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In its opening line, "It was twenty years ago today", the song introduces a historical perspective on pop music, delivered in what music journalist Chris Ingham terms McCartney's "best
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TV special. Although a report in July stated that the plan had been scrapped, a filming schedule was drawn up for late in the year, by which point the Beatles were committed to making
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contended that the "friends" referred to in "With a Little Help from My Friends" were "assorted drugs". As part of an escalating national debate that triggered an investigation by the
3160:, Goldstein said that the songs lacked lyrical substance such that "tone overtakes meaning", an aesthetic he blamed on "posturing and put-on" in the form of production effects such as 20261: 20238: 4981: 4966: 3699:
1963". The music industry swiftly grew into a billion-dollar enterprise, although record company executives were blindsided by the appeal of new acts who defied established formulas.
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that the line referred to either drugs or sex. The meaning of "Lucy in the Sky with Diamonds" became the subject of speculation, as many believed that the title was code for LSD. In "
543: 4689:, based on submissions from around 50 British and American critics and broadcasters including Christgau and Marcus, and again in the 1987 edition. In the latter year, it also topped 2462:
style trends, while the group's clothing, in Gould's description, "spoofed the vogue in Britain for military fashions". The centre of the cover depicts the Beatles standing behind a
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became "an assembly process" whereby, "A lot of the time it ended up with just Paul playing the piano and Ringo keeping the tempo, and we weren't allowed to play as a band as much."
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single in February 1967 and left off the LP. The album was then loosely conceptualised as a performance by the fictional Sgt. Pepper band, an idea that was conceived after recording
340:
At the end of August 1966, the Beatles had permanently retired from touring and pursued individual interests for the next three months. During a return flight to London in November,
23326: 1311:" was the first example of the Beatles recording via direct injection (DI), which Townsend devised as a method for plugging electric guitars directly into the recording console. In 518:
for being "culturally, historically, or aesthetically significant". It has topped several critics' and listeners' polls for the best album of all time, including those published by
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Reising, Russell; LeBlanc, Jim (2009). "Magical Mystery Tours, and Other Trips: Yellow submarines, newspaper taxis, and the Beatles' psychedelic years". In Womack, Kenneth (ed.).
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as "playful but contrived" and "a Day-Glo tombstone for its time". Marcus believed that the album "strangled on its own conceits" while being "vindicated by world-wide acclaim".
2961:... could produce a lasting masterpiece that transcended the genre's lowly origins, while a new and legitimate niche called "rock journalism" was working up its own head of steam 1724:. Hannan describes the track's unorthodox stereo mix as "typical of the album", with the lead vocal in the right speaker during the verses, but in the left during the chorus and 22391: 15962: 584: 1326:
sessions in 1966 especially for the Beatles, who regularly expressed a desire for a technical alternative to having to record doubled lead vocals. Another important effect was
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was widely perceived by listeners as the soundtrack to the Summer of Love, during a year that author Peter Lavezzoli calls "a watershed moment in the West when the search for
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The album's lyrics were printed in full on the back cover, the first time this had been done on a rock LP. The record's inner sleeve featured artwork by the Dutch design team
2650:... if you look at it you'll see the big effort from the eyes." In Lennon's description, Cooper's photos of the band showed "two people who are flying , and two who aren't". 17013: 5496:
on "Being for the Benefit of Mr. Kite!", Hammond organ on "With a Little Help from My Friends", piano on "Getting Better", piano solo on "Lovely Rita"; final harmonium chord.
24017: 23270: 19116: 17218: 12844: 12233: 11989: 4748:", a ranking it retained in the revised list of 2012, and described the album as "the pinnacle of the Beatles' eight years as recording artists". The editors also said that 14962: 14110: 6804:
The backing track for "Fixing a Hole" was recorded at Regent Sound Studio, in central London, after the Beatles were unable to arrange a last-minute session at EMI Studios.
1433:
represents the group's last unified effort, displaying a cohesion that deteriorated immediately following the album's completion and entirely disappeared by the release of
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typical of the London avant-garde scene. The Beatles invited numerous friends and the session players wore formal dinner-wear augmented with fancy-dress props. Overseen by
644:
To the Beatles, playing such concerts had become a charade so remote from the new directions they were pursuing that not a single tune was attempted from the just-released
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sustained its immense popularity into the 21st century while breaking numerous sales records. With certified sales of 5.1 million copies in the UK, as of April 2019,
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that familiarised critics and listeners with the notion of a "concept and unified structure underlying a pop album", thus originating the term "concept album". Further to
2240:, the Beatles' road manager, suggested that since "Sgt. Pepper" opened the album, the fictional band should make an appearance near the end. Sung by all four Beatles, the 2084: 14188: 3209:, and located the band's work to electronic music; the magazine concluded that the album was "a historic departure in the progress of music – any music". Literary critic 13342: 12020: 2844:
in December 1980, while Norman writes: "A whole generation, still used to happy landmarks through life, would always remember exactly when and where they first played it
2750:
and highlights a photo from the event that shows Lennon shaking McCartney's hand "in an exaggeratedly congratulatory way, throwing his head back in sarcastic laughter".
1556:
were perceived by contemporary listeners as being drug-inspired, with 1967 marking the pinnacle of LSD's influence on pop music. Shortly before the album's release, the
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marks the emergence of McCartney as the Beatles' de facto producer, as Martin was increasingly absent near the end of late-night sessions that often lasted until dawn.
24057: 22880: 15046: 7753: 3392: 1942:. McCartney's narrative details the plight of a young woman escaping the control of her parents, and was inspired by a piece about teenage runaways published in the 20: 14877: 2926:
chart in the US for 15 weeks, from 1 July to 13 October 1967, and remained in the top 200 for 113 consecutive weeks. It also topped charts in many other countries.
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In the initial running order, dated 6 April, "Being for the Benefit of Mr. Kite!" was sequenced as the third track, following "With a Little Help from My Friends".
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Although few critics initially agreed with Richard Goldstein's criticism of the album, many came to appreciate his sentiments by the early 1980s. In his 1979 book
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arrival in late spring 1967 came at a most opportune moment in Western cultural history: mainstream journalism had at last warmed to the idea that the "rock" world
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player not equipped with an automatic needle return. Lennon can be heard saying, "Been so high", followed by McCartney's response: "Never could be any other way."
14149: 12659: 5435:; lead vocals on "With a Little Help from My Friends" and "Sgt. Pepper's Lonely Hearts Club Band (Reprise)"; harmonica, comb and tissue paper; final piano E chord 4524:' retreat into "nostalgia-tinged smugness" during the 1970s, combined with a general distaste for McCartney following Lennon's death. Citing its absence from the 3335:
McCartney's LSD admission formalised the link between rock music and drugs, and attracted scorn from American religious leaders and conservatives. Vice-president
23334: 22857: 21529: 15888: 11820: 14577: 13845: 13654: 13168: 4756:: "It has been called the most famous album in the history of popular music. It is certainly among the most written about. It is still being written about." On 3347:
artistry. Harrison was eager to separate the message of "Within You Without You" from the LSD experience, telling an interviewer: "It's nothing to do with pills
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article was reported to have said on the topic of music studies and its relevance to the day's youth: "If you want to know what youths are thinking and feeling
16140: 20557: 16565: 6683:, a keyboard instrument on which the keys triggered tape-recordings of a variety of instruments, enabling its user to play keyboard parts using those voices. 5948: 3530: 1202:
as the Beatles' "homage" to Stockhausen and Cage, adding that its "rich, tape-manipulated sound" shows the influence of electronic and experimental composer
1171:, remembered that residents of the neighbourhood opened their windows and listened without complaint to what they understood to be unreleased Beatles music. 17208:
Select "2019" in the "Anno" drop-down menu. Type "Sgt.Pepper's Lonely Hearts Club Band" in the "Filtra" field. Select "Album e Compilation" under "Sezione".
16491: 16307:[All of the Beatles' "Remastered" Albums Enter the Top 100: Grossing 2,310 Million Yen in One Week] (in Japanese). oricon.co.jp. 15 September 2009. 14037: 13409: 11344: 6692:
In a 2017 interview, Starr said with regard to Harrison's guitar contributions: "Actually, Paul and I were talking about him when we were both listening to
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second in the list in recognition of its influence on the album. In the liner notes to the 1997 CD reissue of the Beach Boys' album, Martin said: "Without
4834: 4053:, musicians increasingly explored literary and sociological themes in their concept albums and adopted its anti-establishment sentiments. It also inspired 1410:, Harrison said he had little interest in McCartney's concept of a fictitious group and that, after his experiences in India, "my heart was still out there 16412: 16360: 16280: 15855: 1083: 23401: 23056: 22384: 21092: 20379: 16527: 16515: 16195: 5761: 5308: 2233: 1357:
was the first pop album to be mastered without the momentary gaps that are typically placed between tracks as a point of demarcation. It made use of two
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that was marked by reduced ticket sales, relative to the group's record attendances in 1965, and subpar performances proved to be their last. The author
17152: 16887: 16503: 16434: 16254: 15544: 6436: 321:. The album had an immediate cross-generational impact and was associated with numerous touchstones of the era's youth culture, such as fashion, drugs, 23143: 21515: 14465: 4745: 3686:
as the album that "revolutionized rock and roll", while music journalists Andy Greene and Scott Plagenhoef credit it with marking the beginning of the
1218:
equipment, since eight-track tape recorders were not operational in commercial studios in London until late 1967. As with previous Beatles albums, the
4951:, which included interviews with the three surviving Beatles. Although there was no official campaign for the 30th anniversary, BBC Radio 2 broadcast 24012: 23572: 20961: 20224: 16899: 16866: 16601: 16013: 15670: 15404: 14532: 4658: 1259:
The production on "Strawberry Fields Forever" was especially complex, involving the innovative splicing of two takes that were recorded in different
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was among the top 20 best-selling albums of all time worldwide. As of 2011, it had sold more than 32 million copies worldwide, making it one of the
1037:, and Martin credited him with being the most committed of the Beatles in striving for new sounds. Starr's adoption of loose calfskin heads for his 648:
LP, whose arrangements were for the most part impossible to reproduce with the limitations imposed by their two-guitars-bass-and-drums stage lineup.
21328: 19838: 15584: 16334: 6939:'s recollection of attending a dinner party where "rich older women" sat on the floor and began singing the album's songs, and the description of 1271:, "we had got used to being asked to do the impossible, and we knew that the word 'no' didn't exist in the Beatles' vocabulary." A key feature of 1167:. There, at six in the morning, they played it at full volume with speakers set in open window frames. The group's friend and former press agent, 20549: 20291: 14498: 13618: 5528:
McCartney; saxophones on "Good Morning Good Morning", arranged and conducted by Martin and Lennon; and forty-piece orchestra, including strings,
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had taken a protracted beating from which it has perhaps yet to fully recover. Regularly challenged and overtaken in the Best Beatle Album stakes
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appeared shallow against the emotional backdrop of the political and social upheavals of American life. Simon Frith, in his overview of 1967 for
1682: 1308: 383: 17060: 13373: 11077: 10938:
cover featured the Beatles as the imaginary band alluded to in the album's title track, standing with a host of celebrities (secondary source);
9459:, p. 325: McCartney later suggested that the line was deliberately written to ambiguously refer to either illicit drugs or sexual activity. 7183:) as the only time that Indian-influenced albums have won in categories encompassing rock, classical music and jazz at the annual Grammy awards. 6731:
While recording the vocals for "Getting Better" on 21 March, Lennon started feeling ill, having accidentally taken LSD when he meant to take an
3447:– an album that contrasted sharply with the Beatles' message by "offer no escape" – became more relevant in a cultural climate typified by "the 1878:
identifies the track as a moment "in the album, the material world is completely clouded in the mythical by both text and musical atmosphere".
898:". He saw the group as "pushing frontiers" similar to other composers of the time, even though the Beatles did not "necessarily like what, say, 23997: 23433: 22377: 15203: 15092: 16929: 3016:
were positive, with the album receiving widespread critical acclaim. Schaffner said that the consensus was aptly summed up by Tom Phillips in
1565:", the reference to "Henry the Horse" contains two common slang terms for heroin. Fans speculated that Henry the Horse was a drug dealer and " 24007: 23425: 23065: 19742: 15427: 6763:"Sgt. Pepper" was crossfaded into "With a Little Help from My Friends" and the "Sgt. Pepper" reprise was crossfaded into "A Day in the Life". 5807: 4045:"is widely regarded as the first true concept album in popular music". According to author Martina Elicker, despite earlier examples, it was 19276: 15516: 14928: 9445:, p. 29: Lennon and McCartney's contemporary denial of an intentional reference to illicit drugs in the lyrics to "A Day in the Life"; 1396:
Everett describes Starr as having been "largely bored" during the sessions, with the drummer later lamenting: "The biggest memory I have of
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Sgt. pepper's que toca em cinco paginas desta edicao, e o terceiro mais vendido (290 mil). Perde Abbey Road (390 mil) e para Help (320 mil)
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on 28 January and 4 February. The album was completed on 21 April with the recording of random noises and voices that were included on the
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2004 list "The Music That Changed the World" and fifth in the same magazine's 2005 list "The 40 Greatest Psychedelic Albums of All Time".
4614:
has long been subsumed under "an avalanche of hyperbole", the album retains an enduring quality "because its sum is greater than its whole
3509:
has attained the kind of populist adoration that renowned works often assume regardless of their larger significance – it's the Beatles' '
2813:
conveyed the psychedelic experience so effectively to listeners unfamiliar with hallucinogenic drugs that "If such a thing as a cultural '
24042: 23992: 23982: 23972: 23810: 21321: 16803: 6251: 6211: 6080: 17087: 15463: 10204:, p. 178: Harrison singing and playing sitar and tambura on "Within You Without You", and contributors from the Asian Music Circle. 2244:
omits the brass section from the title track and has a faster tempo. With Harrison on lead guitar, it serves as a rare example from the
1353:
Artistic experimentation, such as the placement of random gibberish in the run-out groove, became one of the album's defining features.
772:
In November, during his and Evans' return flight from Kenya, McCartney had an idea for a song that eventually formed the impetus of the
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in UK chart history and the best-selling studio album there. It is one of the most commercially successful albums in the US, where the
2860:
was played in kiosks and stands there, and festival staff wore badges carrying Lennon's lyric "A splendid time is guaranteed for all".
18996:
Whiteley, Sheila (2008). "'Tangerine trees and marmalade skies': cultural agendas or optimistic escapism?". In Julien, Olivier (ed.).
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in April 1967. Following the release of the Beatles' single, in author Bernard Gendron's description, a "discursive frenzy" ensued as
1728:. McCartney returns as the master of ceremonies near the end of the song, announcing the entrance of an alter ego named Billy Shears. 23957: 23952: 23342: 22760: 22284: 21236: 17265: 17046: 6528: 6376: 4752:
was "the most important rock 'n' roll album ever made", a point to which June Skinner Sawyers adds, in her 2006 collection of essays
3544:, John Cage, Ned Rorem and Leonard Bernstein. According to Rodriguez, an element of exaggeration accompanied some of the acclaim for 19563: 18420: 17912: 16677: 14314: 12949: 12834: 7341:, EMI refused the request. Emerick was nevertheless the recipient of the 1968 Grammy Award for Best Engineered Album, Non-Classical. 6917:
grave, the hand above McCartney's head is regarded as a "symbol of death", and on the back cover, he is turned away from the camera.
1689:
warming up and an audience waiting for a concert, creating the illusion of the album as a live performance. McCartney serves as the
23962: 22021: 21761: 20754: 19106: 4931:, that located the album at the centre of the Summer of Love. The reissue peaked at number three on the UK Albums Chart and topped 1070:'s description, it was a "curious" session, but one that demonstrated the Beatles' "tremendous appetite for recording". During the 17222: 14100: 12223: 11997: 3694:, and for the first time in the history of the music industry, sales of albums outpaced those of singles. In Gould's description, 3403:' David Crosby later expressed surprise that by 1970 the album's powerful sentiments had not been enough to stop the Vietnam War. 2470:-coloured military-style uniforms that were manufactured by the London theatrical costumer M. Berman Ltd. Next to the Beatles are 2099:
Hannan writes: "The rich timbres of the clarinets give the mix a fuller, fatter sound than many of the other tracks on the album."
831:, and said that these elements encouraged him to think the Beatles could "get further out" than the Beach Boys had. He identified 23314: 23049: 17196: 16673: 15932: 14713: 14368: 6466: 6020: 4896:, which Moore recognises as "the most audacious" of all the interpretations of the Beatles' LP up to 1997; and the Flaming Lips' 226: 18817: 16308: 14990: 9335:, p. 76; rock and roll, vaudeville, big band, piano jazz, chamber, circus, avant-garde, Western and Indian classical music. 3872:, saying: "I learned from Lennon, McCartney and Harrison that it was OK for us to write about our lives and express what we felt 1866:, and tambura drone. Harrison also contributed a lead guitar part that doubles Lennon's vocal over the verses in the style of a 1615:
lyrics, identifying loss of innocence and the dangers of overindulgence in fantasies or illusions as the most prominent themes.
1245:
if they can't put it into words. Their dedication is impressive, gnawing away at the same song for stretches of ten hours each.
21140: 19939: 19925: 13332: 6786:, for the laughter. The opening ambient sounds were captured during the 10 February orchestral session for "A Day in the Life". 6331: 3915: 3637:
was the only album afforded a dedicated release. EMI marketed it as "the most important record ever released on compact disc".
1322:(ADT), a system that uses tape recorders to create a simultaneous doubling of a sound. ADT was invented by Townsend during the 16162: 14145: 6636:
car on a tour, and both Martin and McCartney remembered the band as envisioning the album as similarly touring in their place.
3223:
album one thinks not simply of the history of popular music but the history of this century." In his December 1967 column for
23655: 22400: 20949: 20458: 19870: 19246: 19086: 19067: 19048: 19026: 19007: 18986: 18967: 18942: 18920: 18896: 18870: 18846: 18827: 18806: 18774: 18711: 18690: 18671: 18650: 18629: 18605: 18586: 18542: 18494: 18475: 18432: 18409: 18390: 18365: 18323: 18299: 18280: 18258: 18237: 18213: 18185: 18161: 18142: 18101: 18079: 18054: 18029: 18004: 17983: 17962: 17941: 17922: 17860: 17841: 17805: 17777: 17758: 17737: 17716: 17695: 17676: 17657: 17634: 17610: 17567: 17546: 17524: 17500: 17476: 17455: 17432: 17388: 17360: 17317: 17298: 16816: 16382: 16085: 12066: 12028: 4852:. In July 2012, athletes donned Sgt. Pepper uniforms to pay tribute to the Beatles' album during the opening ceremony of the 4781: 3526: 2805:
era-defining, in that the "psychic shiver" it inspired across the world was "nothing less than a cinematic dissolve from one
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In a 1995 interview, McCartney recalled that the Liverpool childhood theme behind the first three songs recorded during the
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Rock, Counterculture and the Avant-Garde, 1966–1970: How the Beatles, Frank Zappa and the Velvet Underground Defined an Era
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magazine, the album had sold 2,360,423 copies in the US by 31 December 1967 and 3,372,581 copies by the end of the decade.
1526:
an effect. We were more consciously trying to keep it out. You wouldn't say, "I had some acid, baby, so groovy," but there
19884: 17039: 16749: 15275: 14569: 7745: 2703:
in central London. The event was a new initiative in pop promotion and furthered the significance of the album's release.
2128:'s seaside postcards. Its sparse arrangement includes clarinets, chimes and piano. Moore views the song as a synthesis of 22270: 21399: 20067: 19877: 19626: 19200: 14011: 11812: 4006:" for Indian classical music's acceptance in the West, with the genre having been fully absorbed into psychedelic music. 3437:"defined the year" by conveying the optimism and sense of empowerment at the centre of the youth movement. He added that 3009:
and other publications from the cultural mainstream increasingly voiced their "ecstatic approbation toward the Beatles".
2849: 1505:
classical music. Wagner feels the album's music reconciles the "diametrically opposed aesthetic ideals" of classical and
1315:'s opinion, the use of DI on the album's title track "afforded McCartney's bass with richer textures and tonal clarity". 1052:
Within an hour of completing the last overdubs on the album's songs, on 20 April 1967, the group returned to Harrison's "
950:
Bubble Burst?" In keeping with the band's approach to their previously issued singles, the songs were then excluded from
781: 23088: 23080: 17192: 7248:, declared the album "the low water point of rock 'n' roll", highlighting the Beatles' moustaches as indicative of this. 23512: 23302: 23042: 21954: 21912: 21582: 21344: 20486: 20333: 20298: 19802: 6623:
McCartney has said that the idea for the title came from his mishearing Evans asking for "salt and pepper" over a meal.
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and percussion on "A Day in the Life", arranged by Martin, Lennon and McCartney, and conducted by Martin and McCartney.
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hosting a meeting of British and American commentators to debate the extent of the album's social and cultural impact.
4892: 4685: 3522: 1966: 1938:" address the problem of alienation "between disagreeing peoples", particularly those distanced from each other by the 1854:, a favourite of Lennon's, inspired the song's atmosphere. According to MacDonald, "the lyric explicitly recreates the 1737: 1570: 1562: 503: 438: 23750: 18952:
Wagner, Naphtali (2008). "The Beatles' psycheclassical synthesis: psychedelic classicism and classical psychedelia in
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Among the recognised composers who helped legitimise the Beatles as serious musicians at the time were Luciano Berio,
3022:, when he called the LP "the most ambitious and most successful record album ever issued". Among Britain's pop press, 24027: 23838: 23679: 23441: 22951: 21666: 21624: 20793: 20500: 20191: 20013: 19844: 19171: 18797: 18750: 18565: 18521: 18454: 18344: 18120: 17901: 17882: 17410: 17341: 16061: 15835: 15776: 15577:"Liverpool Philharmonic Presents: George Harrison 'Within You Without You' The Story of The Beatles and Indian Music" 13644: 9275: 4898: 4265: 3415: 807:
writes that when reviewing their rivals' recent work in late 1966, the Beatles identified the most significant LP as
16136: 16107: 11708: 7143:. Crosby recalled that whereas previous Beatles releases might have brought out a competitive instinct in him, with 2840:
as "the biggest pop happening" to take place between the Beatles' debut on American television in February 1964 and
1698:
ironically serves to distance the group from their fans while simultaneously "gesturing toward" them as alter egos.
1600:
place". Whiteley agrees, crediting the album with "provid a historical snapshot of England during the run-up to the
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Elicker, Martina (2001). "Concept Albums: Song Cycles in Popular Music". In Wolf, Werner; Bernhart, Walter (eds.).
6008: 4714:, which polled 600,000 people across the UK. Among its appearances in other critics' polls, the album was third in 4030: 3443: 2005:
We're not trying to outwit the public. The whole idea is to try a little bit to lead people into different tastes.
1230:
down onto a master four-track machine, enabling the engineers to give the group a virtual multitrack studio. EMI's
1179: 13399: 11285:"50 Years Ago: The Beatles Experience an Amazing Series of Pre-'Sgt. Pepper' Highs and Lows – All on a Single Day" 560:
approach. We were not boys, we were men ... and thought of ourselves as artists rather than just performers.
23947: 23235: 23191: 23008: 22986: 22676: 22186: 22073: 21968: 21610: 20889: 20877: 19863: 19763: 19671: 4825: 3876:... More than any other record it gave me and my generation permission to branch out and do whatever we wanted." 3764: 3690:. For several years following its release, straightforward rock and roll was supplanted by a growing interest in 2989: 16408: 16356: 16276: 15851: 4862:
has been the subject of many tribute albums, including a multi-artist CD available with the March 2007 issue of
3715:, US record companies no longer altered the content of albums by major British acts such as the Rolling Stones, 612: 23488: 22474: 21884: 20985: 19932: 17229: 11701: 9213: 3630: 3429: 1948:. Lennon supplies a supporting vocal that conveys the parents' anguish and confusion. It is the first track on 1358: 780:
military band, for which Evans invented a name in the style of contemporary San Francisco-based groups such as
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The party marked the band's first group interaction with the press in close to a year. Norrie Drummond of the
24032: 23417: 23290: 22309: 22133: 20865: 20624: 20588: 20305: 19570: 19412: 17620: 17240: 15576: 6513: 5477: 5111: 4557: 4377: 3626: 3501: 3471: 2885:, the international broadcast served to confirm "the Beatles' evangelical role" amid the public's embrace of 2451: 1830: 1335: 978: 785: 434: 20707: 17211: 3560:
Aside from the attention afforded the album in literary and scholarly journals, the American jazz magazines
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concept. For this project, they continued the technological experimentation marked by their previous album,
24022: 23703: 23619: 23500: 22593: 21982: 21817: 21568: 20155: 20150: 19556: 17178: 16858: 15580: 15394: 14528: 6451: 5413:; harmonica, comb and tissue paper; handclaps, tambourine, maracas; lead vocals on "Within You Without You" 4824:. In the animated film, the Beatles travel to Pepperland and rescue Sgt. Pepper's band from evildoers, the 3758: 3537:. Its win in the Album of the Year category marked the first time that a rock LP had received this honour. 3185: 2654: 1406: 669:
philosophy. Having been the last of the Beatles to concede that their live performances had become futile,
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and the rise of a phonographic tradition in twentieth-century popular music". In Julien, Olivier (ed.).
17159: 17116: 16330: 1107:, the last of which they soon abandoned. Harrison later said the studio became the band's clubhouse for 839:, adding that " nicked a few ideas", although he felt it lacked the avant-garde quality he was seeking. 24052: 23942: 23727: 23691: 23536: 23389: 23112: 23104: 23096: 22929: 22323: 21898: 21870: 21554: 21441: 20781: 20472: 20085: 19524: 17705:
Goldstein, Richard (2006) . "We Still Need the Beatles, but ...". In Sawyers, June Skinner (ed.).
17141: 17098: 17080: 17070: 15342: 15280: 13567: 12664: 4962: 4878: 4696:
list of "The 100 Best Albums of the Last Twenty Years". In 1994, it was ranked first in Colin Larkin's
4147:
cover in its list of British masterpieces of twentieth-century art and design, placing it ahead of the
4112: 3737: 3201:
quoted musicologists and avant-garde composers who equated the standard of the Beatles' songwriting to
2965:... veryone wanted the Beatles to succeed – and to lead. The wind was at their back, and they knew it. 2666:, but also noted as being similar to a statue from Lennon's house that was used on the front cover), a 2447: 2020: 1414:... I was losing interest in being 'fab' at that point." Harrison added that, having enjoyed recording 1239:
devised a method for accomplishing this by using a 50 Hz control signal between the two machines.
734: 13608: 3354: 2898:; it made the band's drug-taking public knowledge and confirmed the link between the album and drugs. 2762:' advertising for the album emphasised that the Beatles and Sgt. Pepper's band were one and the same. 2286:
Womack describes the "sarcastic brass retort" that ends the sequence as the "most decisive moment" on
1725: 994:– and complemented the song's final arrangement. McCartney played keyboard instruments such as piano, 23715: 23465: 23377: 23278: 23148: 23136: 21701: 21360: 21176: 21104: 20913: 20408: 20372: 19531: 19132: 17787: 17185: 16540: 15208: 13365: 5290: 3895: 3868: 3794: 3514: 2742:
recalled that Lennon looked "haggard, old, ill" and clearly under the influence of drugs. Biographer
2635: 2195: 1850: 1750: 1465: 1319: 1280: 1214:", marking "an era of almost continuous technological experimentation". The album was recorded using 1078:", a McCartney-led experimental piece created for the Million Volt Light and Sound Rave, held at the 746: 371: 16467: 15878:"Swedish Charts 1966–1969/KvΓ€llstoppen – Listresultaten vecka fΓΆr vecka > Juni 1967 > 20 Juni" 6705:
During a 24 February overdubbing session for "Lovely Rita", the Beatles' guests included Crosby and
4603:, said the album was a "blast of avant-rock genius" but also "one of rock's most overrated albums". 4547:... it suffered more than any Beatles record from the long fall-out after punk, and even the band's 2712:
reporter described it as the first "listen-in" and typical of the Beatles' penchant for innovation.
2214:
varies across 5/4, 3/4 and 4/4, while the arrangement includes a horn section comprising members of
1086:, preceded by a high-pitched tone that could be heard by dogs but was inaudible to most human ears. 745:
in southern Spain in September 1966. His anxiety over his and the Beatles' future was reflected in "
433:, many of the recordings were coloured with sound effects and tape manipulation, as exemplified on " 23560: 22533: 21638: 21427: 21133: 20841: 20680: 20652: 19642: 19480: 19448: 19309: 18615: 16647: 16634: 5996: 4698: 3451:, the new political aggression, the rioting in the streets" during the 1970s. In a 1987 review for 3023: 2663: 2220: 1930:
Circus Royal poster from 1843 that inspired Lennon's lyrics to "Being for the Benefit of Mr. Kite!"
1875: 1291:. Relatively new modular effects units were used, such as running voices and instruments through a 1041:
ensured his drum kit had a deeper timbre than he had previously achieved with plastic heads. As on
846: 579: 526: 354: 239: 22894: 18229:
Read the Beatles: Classic and New Writings on the Beatles, Their Legacy, and Why They Still Matter
17708:
Read the Beatles: Classic and New Writings on the Beatles, Their Legacy, and Why They Still Matter
17586: 17380:
Read the Beatles: Classic and New Writings on the Beatles, Their Legacy, and Why They Still Matter
10884: 7122:... but it's not his album, folks, you know. And there's got to be a little bitterness over that." 4531:
best-albums list in 1985 after it had topped the magazine's previous poll, in 1974, Harris wrote:
3495:
achieved "a combination of popular success and critical acclaim unequaled in twentieth-century art
1716:
electric guitars as an early example of rock fusion. MacDonald agrees, describing the track as an
827:. McCartney was highly impressed with the "harmonic structures" and choice of instruments used on 22938: 22438: 22101: 21534: 20853: 20579: 20537: 20216: 20203: 19664: 18642:
Tell Tchaikovsky the News: Rock 'n' Roll, the Labor Question, and the Musicians' Union, 1942–1968
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as "George Martin's new album". Years later McCartney said: "I mean, we don't mind him helping us
6772:
The crowd noises were gleaned from EMI's tape archive, including audience sounds recorded at the
6610:
June has been "traditionally observed" over the ensuing decades, yet the true release date was 26
6156: 6105: 6091: 5827: 5594: 4711: 4619: 3846: 3594: 1439:(also known as the "White Album") in 1968. Martin recalled in 1987 that throughout the making of 1062: 718: 652:
On the Beatles' return to England, rumours began to circulate that they had decided to break up.
625: 531: 16841: 14878:"500 Greatest Albums of All Time" > "1. The Beatles, 'Sgt. Pepper's Lonely Hearts Club Band'" 14832: 7218:
are "miracles of intuition" that are "greater than the sum of their parts" while in comparison "
6795:
The song's lead guitar part was played by McCartney, who replaced an earlier effort by Harrison.
3092:
theatre critic, said it represented "a decisive moment in the history of Western civilisation".
23826: 23667: 23524: 22849: 22200: 21224: 20990: 20966: 20358: 20351: 20117: 19770: 19756: 18442: 17589:: 1000 Days That Shook the World (The Psychedelic Beatles – April 1, 1965 to December 26, 1967) 16795: 15913:
peaked at number five for two weeks beginning on 20 June 1967, but was the highest-charting LP.
15762: 15663: 14788: 14748: 10887:: 1000 Days That Shook the World (The Psychedelic Beatles – April 1, 1965 to December 26, 1967) 6582: 5254: 5236: 4813: 4637:, there were no rules to follow – rock and pop bands could try anything, for better or worse." 4494:
Once the Beatles' catalogue became available on CD in 1987, a critical consensus formed around
4069: 3833: 3438: 3340: 2684: 2120:" as a song "aimed chiefly at parents", borrowing heavily from the English music hall style of 2117: 2024: 1855: 1509:, achieving a "psycheclassical synthesis" of the two forms. Musicologist John Covach describes 1502: 1145: 935: 854: 422: 18226:(2006) . "The Beatles Revive Hopes of Progress in Pop Music". In Sawyers, June Skinner (ed.). 17557: 16982: 15459: 13846:"The Beatles' 'Sgt. Pepper's Lonely Hearts Club Band' at 50: Why It's Still Worth Celebrating" 11223:"Who's the Real Sgt. Pepper? New Beatles Book Unveils Identity of Soldier Seen on Album Cover" 8377:"Ringo Starr: The voice behind the yellow submarine and tank engine returns on Give More Love" 7028:
essentials", the LP was shown to be "an elaboration without improvement" on the group's music.
4702:. It was voted best album of all time in the 1998 "Music of the Millennium" poll conducted by 534:" poll. More than 32 million copies had been sold worldwide as of 2011. It remains one of the 23815: 23762: 23354: 21473: 21413: 21296: 21164: 20870: 20326: 20043: 19856: 19749: 19577: 19146: 18930: 18788: 18223: 18154:
The Complete Beatles Chronicle: The Definitive Day-by-Day Guide to the Beatles' Entire Career
18135:
The Complete Beatles Recording Sessions: The Official Story of the Abbey Road Years 1962–1970
18089: 17443: 16959: 16771: 15726:"Uncredited Indian musicians on Beatles' album 'Sgt. Pepper's Lonely Hearts Club Band' found" 15399: 12228: 11289: 9426:
Ezard, John (29 December 1967). "BBC and Film Board give order to play down on drug scenes".
5930: 5382: 5165: 4063: 3910: 3774: 3466: 3359: 3066: 3048: 2841: 2715: 2594: 1935: 758: 19605: 17254: 16718:(in Spanish). AsociaciΓ³n Mexicana de Productores de Fonogramas y Videogramas. Archived from 16199: 15486: 8565:"Beatles' 'Sgt. Pepper' at 50: When Pink Floyd, David Crosby Visited 'Lovely Rita' Sessions" 5503:, James W. Buck, John Burden, Tony Randall, arranged and conducted by Martin and McCartney; 3168:. As a near-lone voice of dissent, he was widely castigated for his views. Four days later, 2601:
are represented by a doll wearing a shirt emblazoned with a message of welcome to the band.
1295:. Several innovative production techniques feature prominently on the recordings, including 23932: 23786: 22569: 22059: 21831: 21559: 21188: 20882: 20723: 20666: 20543: 20517: 20465: 20433: 20099: 19911: 19784: 19728: 19707: 19700: 19634: 17815: 15237: 13219:"The Beatles: Sgt Pepper 50th Anniversary Edition review – peace, love and rock star ennui" 7245: 6777: 6587: 5934: 5847: 5789: 5779: 5030: 4853: 4740:, honouring the work as "culturally, historically, or aesthetically significant". In 2003, 4582:
will continue to cast its considerable spell." Among reviews of the 2009 remastered album,
4002:(or psychedelic rock) scene. Lavezzoli views it as a key factor in 1967's standing as the " 3962: 3458: 3137:
One of the few well-known American rock critics at the time, and another early champion of
3134:, as artists who operated "in that special territory where entertainment slips into art". 2869: 2774: 2747: 2431: 2379:
is called the first concept album, but it doesn't go anywhere ... it works because we
1690: 1215: 1053: 457: 257: 17091: 12941: 11284: 9307:, p. 61: "The album is made up of a broad variety of musical and theatrical genres"; 7151:... But it was inspiring; all I wanted to do was approach my music with the same freedom." 6715:
magazine showed Lennon, McCartney, Harrison and Crosby grouped around a microphone, and a
6696:
for the anniversary and saying how important George's work on guitar was on that record."
6391: 5895: 4910:
in June 2007. The programme contained new versions of the songs by artists such as Oasis,
3598:
started discussing rock as art, in terms usually reserved for jazz criticism. Writing for
3505:" in 1964. He adds that the timing of the album's release and its reception ensured that " 3413:'s parody of the counterculture and flower power on the Mothers of Invention's 1968 album 3276:... you cannot find anyone who speaks for them or to them more clearly than the Beatles." 3071:
It's the combination of imagination, cheek and skill that make this such a rewarding LP."
3032:
said the album was "clever and brilliant, from raucous to poignant and back again", while
2852:, the second event in the Summer of Love, organised by Taylor and held over 16–18 June in 1862:
includes a phrase played by McCartney on a Lowrey organ, treated with ADT to sound like a
8: 23529: 23211: 22087: 21676: 21487: 21248: 21061: 20672: 20170: 20138: 19980: 19918: 19809: 19714: 19619: 19464: 16799: 16669: 14836: 14042: 13750:, p. 64: the origins of progressive rock are "marked by the release of the Beatles' 13404: 12989: 11345:"Everything Fab Four: Celebrating the First Half-Century of 'Sgt. Pepper' Launch Parties" 10200:, p. 248: London-based Indian musicians and non-participation of the other Beatles; 9217: 7839: 7140: 6744:
Following the "Day in the Life" filming, the music press often reported on the idea of a
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as a six-disc box set. The first CD contains a new stereo remix of the album, created by
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satellite broadcast on 25 June before an audience estimated at 400 million. According to
2688: 2215: 1911: 1435: 1223: 515: 205: 22369: 18014:
Julien, Olivier (2008b). "'Their production will be second to none': An introduction to
17088:"Brazilian album certifications – The Beatles – Sgt. Pepper's Lonely Hearts Club Band" 16930:"Bryson Tiller Notches His First No. 1 Album on Billboard 200 Chart With 'True to Self'" 7167:
Grammy for Album of the Year along with wins for Shankar's collaboration with violinist
3570:
both began to cover rock music for the first time, with the latter changing its name to
2642:
The 30 March 1967 photo session with Cooper also produced the back cover and the inside
601:, where they were threatened and manhandled by its citizens for not visiting First Lady 23910: 23631: 23541: 22700: 22688: 22521: 22007: 21926: 21775: 21056: 20829: 20092: 19721: 18736: 18556:
The Ambient Century: From Mahler to Moby – The Evolution of Sound in the Electronic Age
18375:
Moore, Allan F. (2008). "The act you've known for all these years: a re-encounter with
17646: 17106:"Canadian album certifications – The Beatles – Sgt. Pepper's Lonely Hearts Club Band" 16911: 15924: 15730: 15097: 7039: 6940: 4922: 3784: 3753: 3225: 3147: 2792: 2598: 2121: 2048: 1713: 1021: 931: 919: 637: 363: 84: 19079:
Sound Pictures: The Life of Beatles Producer George Martin, The Later Years, 1966–2016
17237:"British album certifications – The Beatles – Sgt. Pepper's Lonely Hearts Club Band" 16302: 15000: 14705: 14360: 13758:, p. 69: "The beginnings of progressive rock are normally traced to the Beatles' 2738:
members' bohemian attire contrasted sharply with their former image. Music journalist
1002:, in addition to electric guitar on some songs, while Martin variously contributed on 23596: 22748: 22562: 22557: 22545: 22256: 22191: 22031: 21931: 21856: 21789: 21706: 21313: 21212: 21145: 20901: 20786: 20694: 20440: 20386: 19962: 19591: 19549: 19498: 19242: 19196: 19177: 19167: 19082: 19063: 19044: 19022: 19003: 18982: 18963: 18938: 18916: 18892: 18885: 18866: 18842: 18823: 18802: 18770: 18746: 18707: 18686: 18667: 18646: 18625: 18601: 18582: 18561: 18554: 18538: 18517: 18490: 18471: 18450: 18428: 18405: 18386: 18361: 18340: 18319: 18295: 18276: 18254: 18233: 18209: 18181: 18157: 18138: 18116: 18097: 18075: 18050: 18025: 18000: 17979: 17958: 17951:
Inglis, Ian (2008). "Cover story: magic, myth, and music". In Julien, Olivier (ed.).
17937: 17918: 17897: 17878: 17856: 17837: 17801: 17773: 17754: 17733: 17712: 17691: 17672: 17653: 17630: 17606: 17563: 17542: 17520: 17496: 17472: 17451: 17428: 17406: 17384: 17356: 17337: 17313: 17294: 17193:"Italian album certifications – The Beatles – Sgt.Pepper's Lonely Hearts Club Band" 17149:"French album certifications – The Beatles – Sgt. Pepper's Lonely Hearts Club Band" 17124:"Danish album certifications – The Beatles – Sgt. Pepper's Lonely Hearts Club Band" 16745: 16630: 16057: 15906: 15831: 15772: 15767: 15347: 15232: 14923: 14183: 12457: 7279: 6782: 6773: 6717: 6498: 6129: 6056: 5617: 5570: 5512: 5461: 5326: 4792:
2014 article "25 Albums With the Most Incredible Production", Emily Barker described
4461:, Christgau revisited the "supposedly epochal Works of Art" from 1967 and found that 4423: 4148: 4016: 3945: 3905: 3890: 3799: 3041:
reviewer called it "a beautiful and potent record, unique, clever, and stunning". In
3018: 2984: 2308: 2150: 2142: 1276: 1128: 1075: 750: 701: 442: 418: 390: 109: 3879:
Over subsequent decades, musical acts referred to their major artistic work as "our
3808:, all issued the following year. All rock albums were subsequently measured against 3465:"remains a central pillar of the mythology and iconography of the late '60s", while 2236:" follows as a segue to the album's finale. The hard-rocking song was written after 1447:. In terms of quantity, it wasn't great, but in terms of quality, it was enormous." 23905: 23798: 23774: 23453: 23258: 23167: 23155: 22973: 22960: 22807: 22783: 22724: 22664: 22652: 22503: 22462: 22450: 22337: 22242: 22172: 21940: 21747: 21446: 21284: 21260: 21200: 21152: 21032: 20858: 20805: 20798: 20631: 20617: 20610: 20479: 19816: 19777: 19421: 19403: 19394: 19285: 19141: 18740: 18465: 17370: 17065: 14174: 14105: 12078: 7058: 5713: 5529: 4887: 4868: 4599: 4315: 4011: 3940: 3675: 3619: 3582: 3380: 3230: 2582: 2530: 2518: 1987: 1720:
rather than a song, and a "fusion of Edwardian variety orchestra" and contemporary
1364: 1203: 1136: 754: 609:, for insisting on what they regarded as an exhausting and demoralising itinerary. 402: 358:(1966), this time without an absolute deadline for completion. Sessions began on 24 23755: 21464: 16077: 5499:
Session musicians – four French horns on "Sgt. Pepper's Lonely Hearts Club Band":
5395:
and Hammond organs; handclaps; vocalisations, sound effects, comb and tissue paper
5391:– lead, harmony and background vocals; bass and lead guitars; piano, grand piano, 2400:
style of park bandstand performances (familiar to McCartney through his visits to
1833:" contained a hidden reference to LSD, Lennon insisted that it was derived from a 23779: 23660: 23636: 23624: 23034: 22634: 22275: 21903: 21803: 21752: 21652: 21587: 21068: 20906: 20810: 20177: 20124: 19258: 19238:
The Act You've Known for All These Years: The Life, and Afterlife, of Sgt. Pepper
19236: 19190: 18997: 18957: 18910: 18860: 18792: 18764: 18701: 18661: 18640: 18619: 18576: 18532: 18380: 18355: 18334: 18313: 18248: 18227: 18203: 18175: 18069: 18044: 18019: 17994: 17973: 17952: 17870: 17820: 17795: 17748: 17727: 17706: 17624: 17600: 17514: 17490: 17466: 17378: 17331: 17288: 16081: 15487:"50th Anniversary of Sgt. Pepper's Lonely Hearts Club Band Celebrated World Wide" 14995: 14753: 14322: 13693: 13649: 13475: 11715: 10825: 7173: 7093: 6996: 6936: 6873: 6711: 6292: 6221: 6152: 6141: 5702: 5628: 5508: 5398: 5034: 4849: 4839: 4680: 3900: 3885: 3769: 3719:
and Donovan, and their LPs were released in the artists' intended configuration.
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and an article in the same newspaper relating to the death of Beatles friend and
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We were fed up with being the Beatles. We really hated that fucking four little
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to relate his psychedelic experiences and journey towards higher consciousness.
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The Fool also submitted a design for the LP cover, but the Beatles rejected it.
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The 1987 CD release attracted considerable media interest and coincided with a
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One of EMI's Studer J37 four-track tape recorders, the machines used to record
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Tell Me Why – The Beatles: Album by Album, Song by Song, the Sixties and After
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Reck, David (2008). "The Beatles and Indian Music". In Julien, Olivier (ed.).
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Sgt. Pepper's Lonely Hearts Club Band (50th Anniversary Deluxe Version) (book)
15685:
Sgt, Pepper's Lonely Hearts Club Band (50th Anniversary Deluxe Version) (book)
15395:"Release Date and Formats Revealed for Beatles Expanded 'Sgt. Pepper' Reissue" 13999: 3387:
credited the album as his inspiration for staging the attempted levitation of
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use – from "Lovely Rita", and "digging the weeds" from "When I'm Sixty-Four".
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Sessions began on 24 November 1966 in Studio Two at EMI Studios (subsequently
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While in London without his bandmates, McCartney took the hallucinogenic drug
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second followed by the White Album. In the third edition, published in 2000,
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is filled by a French horn quartet. Womack credits the recording's use of a
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Working Class Heroes: Rock Music and British Society in the 1960s and 1970s
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Reading the Beatles: Cultural Studies, Literary Criticism, and the Fab Four
17398: 17127: 17109: 16492:"Australiancharts.com – The Beatles – Sgt. Peppers Lonely Hearts Club Band" 15549: 15521: 15428:"How The Beatles' 'Sgt. Pepper' Was Retooled To Sound Fresh 50 Years Later" 14793: 14789:"How Robbie headed Amadeus in the race to be music's man of the millennium" 13613: 13223: 13163: 12839: 11325: 11195:, p. 236: the first time lyrics were printed in full on a rock album; 9451: 9428: 6944: 6896: 6814: 6606:
According to author Allen J. Wiener, the album's intended release date of 1
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was a meter maid, Gould deems it a celebration of an encounter that evokes
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The beginning of the first verse of "Sgt. Pepper's Lonely Hearts Club Band"
1605: 1596: 1588: 1494: 1304: 1236: 1168: 1152: 1112: 1038: 999: 887: 875: 818: 696: 662: 617: 461: 410: 330: 141: 22736: 17539:
Electric Shock: From the Gramophone to the iPhone – 125 Years of Pop Music
17236: 16631:"Offiziellecharts.de – The Beatles – Sgt. Peppers Lonely Hearts Club Band" 16561: 15146:"Flaming Lips, 'With a Little Help From My Fwends': Track-By-Track Review" 14466:"On World Music Day, A Salute to These Guys Who Made History 50 Years Ago" 5369:– lead, harmony and background vocals; rhythm, acoustic and lead guitars; 4593:
a little slighter and less cohesive than it may have seemed at the time."
1226:, a technique in which one to four tracks from one recorder are mixed and 857:, during the recording sessions McCartney repeatedly stated: "This is our 366:
with compositions inspired by the Beatles' youth, but after pressure from
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All We Are Saying: The Last Major Interview with John Lennon and Yoko Ono
18760: 18703:
Pop Culture Wars: Religion and the Role of Entertainment in American Life
18309: 17327: 17284: 17262:"American album certifications – The Beatles – Lonely Hearts Club Band" 15179: 13691:
Black, Johnny; Eccleston, Danny (March 2007). "'It's Our Sgt. Pepper!'".
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backing track to another one taping the orchestral overdub. The engineer
1156: 1116: 1104: 1046: 1014:. Lennon's songs similarly showed a preference for keyboard instruments. 1007: 995: 862: 823: 722: 714: 598: 574: 474: 310: 306: 290: 223: 174: 92: 50: 16888:"Swedishcharts.com – The Beatles – Sgt. Peppers Lonely Hearts Club Band" 16698: 16504:"Austriancharts.at – The Beatles – Sgt. Peppers Lonely Hearts Club Band" 15984: 7139:
decided to abandon her solo career as a folk singer and joined the band
3371:
district of San Francisco, the recognised centre of the counterculture,
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That Magic Feeling: The Beatles' Recorded Legacy, Volume Two, 1966–1970
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Between Montmartre and the Mudd Club: Popular Music and the Avant-Garde
17577: 16590:"Danishcharts.dk – The Beatles – Sgt. Pepper's Lonely Hearts Club Band" 15640:
Sgt. Pepper's Lonely Hearts Club Band (50th Anniversary Deluxe Version)
11813:"Sgt. Pepper's Lonely Hearts Club Band, The Beatles" > "Chart Facts" 7486:, pp. 295, 299: reduced ticket sales, record attendances in 1965; 7337:
Despite Martin's efforts to secure an engineer's credit for Emerick on
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The Beatles had often joked about Elvis Presley's decision to send his
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MacFarlane writes that, despite concerns regarding its thematic unity,
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Through its acceptance by "serious" composers, according to Schaffner,
3179:
Among the commentators who responded to Goldstein's critique, composer
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comprising randomly assembled recordings of harmoniums, harmonicas and
1944: 1821: 1709: 1670: 1522:
We didn't really shove the LP full of pot and drugs but, I mean, there
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to shape the sound of the recording, which included the application of
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The publication in the US of Lennon's remarks about the Beatles being "
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Sonic Alchemy: Visionary Music Producers and Their Maverick Recordings
17602:
Here, There and Everywhere: My Life Recording the Music of the Beatles
16900:"Swisscharts.com – The Beatles – Sgt. Peppers Lonely Hearts Club Band" 16796:"Oficjalna lista sprzedaΕΌy :: OLiS - Official Retail Sales Chart" 5448:– saxophones, trombones and French horn on "Good Morning Good Morning" 2929:
With 2.5 million copies sold within three months of its release,
2458:
his visit to India. The moustaches reflected the growing influence of
23893: 23819: 23732: 23708: 23684: 23517: 22819: 22705: 22657: 22617: 22351: 22205: 21959: 21460: 21116: 20978: 19328: 18880: 16670:"Album – Classifica settimanale WK 22 (dal 2017-05-26 al 2017-06-01)" 16602:"Dutchcharts.nl – The Beatles – Sgt. Peppers Lonely Hearts Club Band" 14435: 14096: 10954:, p. 236: the growing influence of hippie style on the Beatles; 7274: 6978: 6732: 6680: 5960: 5493: 5467: 5374: 4707: 4607: 4594: 4484:... and the only episodic interest of a perpetually tripping Lennon. 4450: 4156: 4104: 4094: 3999: 3970: 3965:
said that the album's influence resonates in the "identity games" of
3920: 3851: 3740:, whose work echoed the eclectic, mystical and escapist qualities of 3716: 3687: 3510: 3400: 3180: 3043: 2700: 2574: 2562: 2498: 2463: 2351: 2324: 2316: 1721: 1132: 1096: 1017: 895: 762: 692: 507: 478: 322: 104: 17444:"Progressive Rock, 'Close to the Edge,' and the Boundaries of Style" 15204:"It Was 40 Years Ago Today: Britain salutes Beatles' 'Sgt Pepper's'" 14146:"The Beatles – Sgt. Pepper's Lonely Hearts Club Band (staff review)" 11622:, p. 249: radio stations interrupted their regular scheduling; 10958:, p. 385: "spoofed the vogue in Britain for military fashions". 10942:, p. 248: standing with a host of celebrities (primary source). 5401:– harmony and background vocals; lead, rhythm and acoustic guitars; 4808: 3629:
to celebrate the best British music of the last 25 years as part of
3324:
at the album launch party, "Afghans" became a popular garment among
2624: 2031:, while its musical form and Indian instrumentation, such as sitar, 1623: 915: 22788: 21724: 21265: 21241: 21085: 21049: 21025: 20937: 18683:
Mountains Come Out of the Sky: The Illustrated History of Prog Rock
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has topped many "best album" lists. It was voted in first place in
4623: 4190: 4085: 3703: 3562: 3279: 3206: 3202: 3189:, credited the Beatles with possessing a "magic of genius" akin to 3005: 2822: 2643: 2522: 2328: 2154: 1952:
that eschews the use of guitars and drums, featuring only a string
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Beatles Gear: All the Fab Four's Instruments, from Stage to Studio
16528:"Ultratop.be – The Beatles – Sgt. Peppers Lonely Hearts Club Band" 16516:"Ultratop.be – The Beatles – Sgt. Peppers Lonely Hearts Club Band" 12627: 8264:, p. 110: harmonium on "Being for the Benefit of Mr. Kite!"; 6658:
Wilson was similarly impressed with the intricate bass playing on
5357:
According to Mark Lewisohn and Ian MacDonald, except where noted:
3298:
was the focus of much celebration by the counterculture. American
628:" then embroiled the band in controversy and protest in America's 573:
By late 1965, the Beatles had grown weary of live performance. In
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Psychedelic Popular Music: A History Through Musical Topic Theory
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for the murmuring, and Martin's recording of a 1961 comedy show,
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standing as the band's best work; the White Album also surpassed
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Fearing controversy, EMI rejected Lennon's request for images of
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The Rock Canon: Canonical Values in the Reception of Rock Albums
17818:(March 2007). "Sgt. Pepper: The Day the World Turned Day-Glo!". 17425:
Artificial Paradise: The Dark Side of the Beatles' Utopian Dream
12639: 12314:, p. 193: one of the few well-known American rock critics; 9243: 8989: 8987: 8326: 8295: 8252:, p. 104: Lowrey organ on "Lucy in the Sky with Diamonds"; 5385:; handclaps, tambourine, maracas, bass guitar on "Fixing a Hole" 4732:, and ten years later it was one of 50 recordings chosen by the 4107:
acts co-opted the Beatles' use of alter ego personas, including
3118:, particularly "A Day in the Life", which he likened to Eliot's 2474:
of the band members in their suits and moptop haircuts from the
1372:
was approximately Β£25,000 (equivalent to Β£573,000 in 2023).
1144:
made the idea prohibitive to EMI. For the 15 March session for "
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masterpiece the likes of which has rarely been matched since".
4123:
Inglis states that almost every account of the significance of
3375:
was viewed as a "code for life", according to music journalist
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a "masterpiece" and compared its lyrics with literary works by
2483: 2459: 2203: 2052: 2040: 1834: 1231: 800: 449:
April. The cover, which depicts the Beatles posing in front of
18912:
Working Class Mystic: A Spiritual Biography of George Harrison
17993:
Julien, Olivier (2008a). "Preface". In Julien, Olivier (ed.).
15324: 15322: 15295: 14604: 14499:"The best-selling albums of all time on the Official UK Chart" 13713: 13266: 12428: 12394: 12392: 8803: 8801: 8651: 8649: 8647: 8522: 8212:, p. 281: "one of the qualities he especially admired on 7004:... I put that down as one of the great honours of my career." 2039:
and tamburas, recalls the Hindu devotional tradition known as
938:", the first session for which took place on 6 December, and " 491:
chart in the United Kingdom and 15 weeks at number one on the
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were the three players "doing melodic bass lines at that time
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as "the last great pop album, the last LP ambitious to amuse
3358:
The album resonated with Vietnam War protestors at the 1967 "
3213:
wrote a laudatory appreciation of the Beatles in the journal
2791:
The closest Western Civilization has come to unity since the
2183: 2153:. Varispeeding was used on the track, raising its pitch by a 2032: 2028: 1871: 1486: 1401: 1260: 821:, the band's leader, had created in response to the Beatles' 796: 688: 658: 405:. It incorporates a range of stylistic influences, including 282: 45: 20753: 19212:"Why the Beatles' 'Sgt. Pepper' Hasn't Shown Signs of Aging" 19041:
Long and Winding Roads: The Evolving Artistry of the Beatles
18506:"The Spectacle of Alienation: Death, Loss, and the Crowd in 18177:
Revolution in the Head: The Beatles' Records and the Sixties
18039:
Julien, Olivier (2008c). "'A lucky man who made the grade':
17123: 15517:"Liverpool gears up to celebrate Sgt Pepper's 50th birthday" 14038:"The Beatles – Sgt Pepper's Lonely Hearts Club Band, review" 13502: 12751: 12489: 12341: 11699:
Frith, Simon (1981). "1967: The Year It All Came Together".
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as "a flawed masterpiece that can only echo the strength of
4466:
to complain." In his 1981 assessment, Simon Frith described
1769: 23505: 23382: 23359: 22219: 21301: 17014:
CΓ‘mara Argentina de Productores de Fonogramas y Videogramas
16893: 16859:"Top 100 Albumes – Semana 22: del 26.05.2017 al 01.06.2017" 16595: 15374: 15319: 15061: 14768: 13453: 13451: 13009: 12787: 12389: 12353: 12152: 12150: 12148: 11372:
Drummond, Norrie (27 May 1967). "Dinner with the Beatles".
11078:"Beatles' 'Sgt. Pepper' Artwork: 10 Things You Didn't Know" 10865: 10863: 10833: 9586: 9584: 9518: 9099: 9097: 8837: 8798: 8644: 8450: 7881: 7879: 7877: 7463: 7461: 5817: 5504: 4662: 4160: 3478: 3161: 2979:
coincided with a period when, with the advent of dedicated
1974: 1754:
could join in." Everett comments that the track's use of a
15307: 15015: 13081: 13057: 13045: 12886: 12876: 12874: 12691: 12679: 12477: 12293: 12110: 11793: 11745: 11626:, p. 205: some played the album from start to finish. 11461: 11427: 11425: 11423: 11421: 11252: 10731: 10729: 10496: 10460: 10227: 10225: 10155: 9901: 9853: 9784: 9782: 9559: 9557: 9477: 9276:"The Beatles' 'Sgt. Pepper': It Was Twenty Years Ago Today 9121: 9066: 8858:, p. 78: "continuous technological experimentation"; 8738: 8692: 8690: 8688: 8512: 8510: 8508: 8506: 8504: 8462: 8428: 8426: 8108: 7918: 7816: 7714: 7635: 7493: 7482:, p. 230: the Beatles' final commercial performance; 7446: 7257:
In the book's second edition, published four years later,
4938:
CDs chart. The album's 25th anniversary was observed with
4812:
French horn players performing as "Sgt. Pepper's band" at
4645: 4454:
rock and roll is a raw wail from the bottom of the guts."
3866:
as his influence when Pink Floyd created their 1973 album
3836:". Bley spent four years crafting her musical response to 3328:, and Westerners increasingly sought out the coats on the 2777:
and an alternative world view had reached critical mass".
803:
and other American popular musical traditions. The author
510:
to receive this honour; in 2003, it was inducted into the
19:
This article is about the 1967 album. For other uses, see
22399: 18999:
Sgt. Pepper and the Beatles: It Was Forty Years Ago Today
18959:
Sgt. Pepper and the Beatles: It Was Forty Years Ago Today
18578:
Sgt. Pepper and the Beatles: It Was Forty Years Ago Today
18382:
Sgt. Pepper and the Beatles: It Was Forty Years Ago Today
18205:
Sgt. Pepper and the Beatles: It Was Forty Years Ago Today
18071:
Sgt. Pepper and the Beatles: It Was Forty Years Ago Today
18064:
Kimsey, John (2008). "The Whatchamucallit in the garden:
18046:
Sgt. Pepper and the Beatles: It Was Forty Years Ago Today
18021:
Sgt. Pepper and the Beatles: It Was Forty Years Ago Today
17996:
Sgt. Pepper and the Beatles: It Was Forty Years Ago Today
17954:
Sgt. Pepper and the Beatles: It Was Forty Years Ago Today
17797:
Sgt. Pepper and the Beatles: It Was Forty Years Ago Today
17353:
Out of Our Heads: Rock 'n' Roll Before the Drugs Wore Off
16485: 15257: 15255: 15073: 15040: 14815: 14813: 14811: 14383: 14279: 13964: 13904: 13882: 13880: 13825: 13568:"The Influence of 'Sgt Pepper's Lonely Hearts Club Band'" 13538: 13514: 13369: 13195: 13033: 13021: 12727: 12513: 12416: 12329: 12162: 12043: 11840: 11838: 11721: 11629: 11485: 11449: 11374: 10850: 10848: 10777: 10615: 10520: 10472: 10448: 10381: 10297: 10212: 10210: 10167: 10103: 10055: 9971: 9956: 9922: 9920: 9918: 9916: 9889: 9827: 9825: 9823: 9821: 9794: 9745: 9743: 9741: 9671: 9661: 9659: 9657: 9655: 9462: 9231: 9008: 9006: 9004: 9002: 8924: 8825: 8786: 8353: 8343: 8341: 8316: 8314: 8312: 8310: 8283: 8271: 7957: 7935: 7933: 7844: 7415: 7391: 4820:
The Sgt. Pepper mythology was reimagined for the plot of
4703: 4551:-era revival mysteriously failed to improve its standing. 2994: 2733: 2482:. Amid the greenery are figurines of the Eastern deities 1762:
became commonplace in pop music following the release of
1557: 367: 19107:"Sgt. Pepper Sets the Stage: The Album as a Work of Art" 18534:
British Invasion: The Crosscurrents of Musical Influence
18402:
Rock: The Primary Text – Developing a Musicology of Rock
17875:
A Day in the Life: The Music and Artistry of the Beatles
17626:
The Beatles as Musicians: Revolver Through the Anthology
17310:
The Beatles Diary Volume 2: After the Break-Up 1970–2001
16624: 16580:" to retrieve the correct chart. Retrieved 6 June 2017. 16521: 16509: 15909:
combined sales for albums and singles in the one chart.
14943: 14872: 14870: 14395: 14343: 14341: 14339: 14296: 14294: 14231: 14125: 13976: 13813: 13801: 13725: 13674: 13672: 13585: 13526: 13448: 13393: 13391: 13314: 13312: 13159:"Brit awards winners list 2012: Every winner since 1977" 13105: 12964: 12910: 12763: 12739: 12703: 12561: 12549: 12525: 12365: 12281: 12181: 12179: 12177: 12145: 11901: 11665: 11589: 11555: 11553: 11551: 11536: 11509: 11382: 11199:, p. 96: the lyrics were printed on the back cover. 11174: 11162: 11150: 11128: 11126: 11124: 11052: 11015: 11013: 11011: 11009: 10968: 10966: 10964: 10860: 10537: 10508: 10436: 10031: 9932: 9640: 9628: 9581: 9496: 9494: 9492: 9379: 9377: 9255: 9109: 9094: 9018: 8948: 8912: 8762: 8714: 8702: 8399: 8096: 7896: 7894: 7874: 7680: 7678: 7676: 7674: 7659: 7583: 7571: 7549: 7547: 7458: 3979:, in the respect afforded adventurous musicians such as 3633:. When EMI issued the Beatles' catalogue on CD in 1987, 3312:
just as they did popular music, and formed the basis of
3250: 2872:" as a single in July, after performing the song on the 2189: 22078: 21808: 19256:
Irvin, Jim (Summer 2005). "The Beatles: After Pepper".
18068:
and fables of interference". In Julien, Olivier (ed.).
16842:
June 2017/40/ "Official Scottish Albums Chart Top 100"
16607: 16583: 16497: 15125: 14919:"'Pet Sounds Sessions': Body of Influence Put in a Box" 14662: 13892: 13765: 13701: 13238: 12871: 12811: 12775: 12715: 12404: 12255: 12253: 12251: 11891: 11889: 11757: 11565: 11418: 11202: 10726: 10630: 10593: 10591: 10484: 10345: 10222: 10131: 9995: 9983: 9779: 9686: 9569: 9554: 9530: 8685: 8632: 8608: 8501: 8489: 8479: 8477: 8423: 8141: 8139: 8020: 7974: 7972: 7864: 7862: 7780: 7690: 7647: 7559: 7534: 7532: 7403: 6868:
they managed to put on a live show more exciting, more
5470:– counting, harmonica, alarm clock, final piano E chord 4744:
placed it at number one in the magazine's list of the "
4665:
certified sales of 11 million copies in 1997. By 2000,
4505:
in many critics' estimation. In his feature article on
2027:" reflects his immersion in the teachings of the Hindu 1685:, starting with 10 seconds of the combined sounds of a 21343: 16881: 16716:"Top Album – Semanal (del 09 de Junio al 15 de Junio)" 15691: 15362: 15252: 14808: 14570:"Back in the Day: Sgt. Pepper taught the band to play" 14407: 14267: 14255: 14219: 14062: 13952: 13928: 13877: 13865: 13183: 12859: 12799: 12377: 12203: 11850: 11835: 11769: 11733: 11577: 11406: 11338: 11336: 11264: 11138: 11040: 11030: 11028: 10875: 10845: 10702: 10678: 10666: 10642: 10603: 10576: 10566: 10564: 10549: 10357: 10261: 10249: 10207: 10091: 9913: 9818: 9738: 9652: 9596: 9362: 8999: 8972: 8900: 8726: 8673: 8338: 8307: 8072: 8044: 7945: 7930: 7768: 7379: 4520:, as successive generations identified the album with 2404:), and the album cover's flower arrangement akin to a 1155:
of the completed album to the flat of American singer
21:
Sgt. Pepper's Lonely Hearts Club Band (disambiguation)
24003:
Grammy Award for Best Engineered Album, Non-Classical
17513:(2006). "The Beatles". In Kastan, David Scott (ed.). 17069:(in Portuguese). 1 June 1987. p. 37 – via 14867: 14855: 14728: 14686: 14674: 14650: 14336: 14306: 14291: 14243: 13940: 13916: 13669: 13561: 13559: 13557: 13555: 13553: 13436: 13388: 13309: 13285: 13212: 13210: 13117: 13093: 13069: 12922: 12898: 12615: 12501: 12174: 11862: 11781: 11677: 11653: 11548: 11497: 11473: 11394: 11304: 11121: 11109: 11097: 11006: 10961: 10913: 10792: 10765: 10753: 10690: 10408: 10369: 10273: 10143: 10067: 9877: 9806: 9767: 9726: 9714: 9542: 9489: 9374: 9350: 9133: 9054: 8813: 8750: 8661: 8541: 8539: 8537: 8411: 8175: 7906: 7891: 7804: 7792: 7726: 7702: 7671: 7544: 7244:
music." One of those polled, musician and journalist
6568:
Sales+streaming figures based on certification alone.
4882:, a multi-artist charity compilation released by the 3383:
offering "Beatle readings". American social activist
1998: 1552:
According to author George Case, all of the songs on
24018:
United States National Recording Registry recordings
18721:
Scapelliti, Christopher (June 2007). "The Making of
18318:(1st Hardcover ed.). Henry Holt & Company. 18202:
quest for extended form". In Julien, Olivier (ed.).
15536: 15510: 15508: 15113: 14898: 14592: 14547: 13789: 13490: 13424: 13400:"The Beatles: Sgt. Pepper's Lonely Hearts Club Band" 12835:"The Beatles: Sgt. Pepper's Lonely Hearts Club Band" 12537: 12248: 11886: 11641: 11437: 11240: 10588: 10321: 10309: 10019: 9506: 8620: 8474: 8231: 8219: 8187: 8136: 8084: 7996: 7984: 7969: 7859: 7623: 7529: 7517: 7505: 7018:
that he speculates were written by jazz enthusiasts.
6662:. McCartney later said that he, Wilson and Motown's 3320:
magazine in late 1967. Further to Lennon wearing an
2683:
The album was previewed on the pirate radio station
2619: 1127:
The 10 February session for orchestral overdubs on "
17729:
Can't Buy Me Love: The Beatles, Britain and America
16108:"Top Compact Disks (for week ending June 27, 1987)" 16050:
Oricon Album Chart Book: Complete Edition 1970–2005
15343:"TV Review: Fab Foray into Making of 'Sgt. Pepper'" 14212:, p. 258: "a Day-Glo tombstone for its time"; 12603: 12191: 11333: 11025: 10994: 10561: 9944: 8774: 8438: 8133:, p. 13: "set the agenda for the whole album". 7367: 7355: 2817:' is possible, it happened here." Music journalist 2746:likens the Beatles' presence to a gathering of the 2493:The cover collage includes 57 photographs and nine 2342:Riley characterises the song as a "postlude to the 2311:" consists of four verses by Lennon, a bridge, two 1744:. In his role as Billy Shears, Starr contributes a 1330:, a technique that the Beatles used extensively on 23573:Ladies & Gentlemen: The Best of George Michael 23064: 18884: 18663:Revolver: How the Beatles Reimagined Rock 'n' Roll 18553: 18357:The Beatles: Sgt. Pepper's Lonely Hearts Club Band 17645: 17559:Essays on the Song Cycle and on Defining the Field 17373:(2006) . "Robert Christgau: 'Secular Music', from 16615:The Beatles: Sgt. Peppers Lonely Hearts Club Band" 14031: 14029: 13645:"Was the Beatles' Sgt. Pepper a Signpost to Prog?" 13602: 13600: 13550: 13207: 12060: 12058: 9625:, p. 27: 10 seconds of introductory ambiance. 9621:, p. 23: the illusion of a live performance; 8596: 8534: 8268:, p. 120: grand piano on "A Day in the Life". 8256:, p. 106: Hohner Pianet on "Getting Better", 6679:"Strawberry Fields Forever" made prominent use of 3351:... It's just in your own head, the realisation." 3197:as a harbinger of a "golden Renaissance of Song". 2944: 2678: 2066: 1973:'s circus that he purchased at an antique shop in 20574:Sgt. Pepper's Lonely Hearts Club Band on the Road 19166:. London: Flame Tree Publishing. pp. 48–49. 16530:(in French). Hung Medien. Retrieved 2 June 2017. 16506:(in German). Hung Medien. Retrieved 8 June 2017. 15505: 12021:"How Many Records Did the Beatles Actually Sell?" 11323:Hutton, Jack (27 May 1967). "Beatles Listen-in". 6330: 4835:Sgt. Pepper's Lonely Hearts Club Band on the Road 2228:"Sgt. Pepper's Lonely Hearts Club Band (Reprise)" 1917: 1890:" to contain "the most ebullient performance" on 1338:" as having the most variations of tape speed on 1267:. Emerick remembers that during the recording of 1089: 498:chart in the United States. In 1968, it won four 24058:United States National Recording Registry albums 23924: 19839:Live! at the Star-Club in Hamburg, Germany; 1962 17732:(First Paperback ed.). Three Rivers Press. 17652:. Jackson, MS: University Press of Mississippi. 16912:June 2017/7502/ "Official Albums Chart Top 100" 16604:(in Dutch). Hung Medien. Retrieved 2 June 2017. 16518:(in Dutch). Hung Medien. Retrieved 2 June 2017. 15797:Top Albums/CDs – Volume 7, No. 21, Jul 22, 1967" 13609:"A History of Jazz: Carla Bley hears Sgt Pepper" 11367: 11365: 10429:, p. 116: "grievance against complacency"; 7746:"'You Gave Me The Answer' – Sgt. Pepper Special" 6903:cover as "a microcosm of the Underground world". 2252: 1829:Despite widespread suspicion that the title of " 1788:The beginning of "Lucy in the Sky with Diamonds" 1464:is composed mainly of rock and pop music, while 1368:, which cost Β£400 to produce. The final cost of 20380:Sgt. Pepper's Lonely Hearts Club Band (Reprise) 17892:Hoffmann, Frank W.; Bailey, William G. (1990). 17468:Good Vibrations: A History of Record Production 16699:June 2017/ "Oricon Top 50 Albums: 12 June 2017" 16078:"The Beatles > Artists > Official Charts" 15230: 15036:"25 Albums With the Most Incredible Production" 14169: 14167: 14026: 13993: 13991: 13638: 13636: 13597: 13136:Lydon, Michael (19 April 1969). "Paul Williams 12946:National Academy of Recording Arts and Sciences 12055: 9397:"Sold on Song Top 100: 38. 'A Day in the Life'" 8260:, p. 107: harpsichord on "Fixing a Hole"; 7840:"Paul McCartney: 'Elvis influenced Sgt Pepper'" 7324:first aired in the US in September 1992 on the 6564:Shipments figures based on certification alone. 5309:Sgt. Pepper's Lonely Hearts Club Band (Reprise) 4988:using first-generation tapes rather than their 3832:as one of the "50 key events in the history of 3640: 3606:, you had to try to write something as good as 2234:Sgt. Pepper's Lonely Hearts Club Band (Reprise) 865:stated that McCartney was inspired to record a 451:a tableau of celebrities and historical figures 425:classical music. With assistance from producer 22836:From 1968–1993, the category was discontinued. 18595: 18427:. Madison, WI: University of Wisconsin Press. 17936:(2nd ed.). London: Rough Guides/Penguin. 17891: 17746: 17448:Understanding Rock: Essays in Musical Analysis 16196:Associação Brasileira dos Produtores de Discos 15301: 15093:"Opening ceremony of the London 2012 Olympics" 14613: 14101:"The Beatles: The Long and Winding Repertoire" 14080: 13783: 13279: 12633: 11952: 11950: 11918: 11916: 11880: 11071: 11069: 11067: 10882:Humphries, Patrick (2002). "Picture Perfect". 10433:, p. 50: the bluesy Mixolydian mode in A. 9449:, p. 60: McCartney's immediate denial in 9162:, p. 253: they spent 700 hours recording 9158:cost Β£400 (equivalent to Β£9,170 in 2023); 4804:Adaptations, tributes and anniversary projects 4763:third such list, published in September 2020, 3949:(1999) as albums that "for better or for worse 3645: 1530:a feeling that something had happened between 795:reflect the Beatles' general immersion in the 705:and attended art showings, such as one at the 305:that advanced the roles of sound composition, 23988:Albums with cover art by Peter Blake (artist) 23050: 22865: 22385: 21329: 21093:Whatever People Say I Am, That's What I'm Not 20739: 20232: 19344: 19195:. Bloomington, IN: Indiana University Press. 19060:The Beatles Encyclopedia: Everything Fab Four 18600:. Cambridge, UK: Cambridge University Press. 18512:. In Womack, Kenneth; Davis, Todd F. (eds.). 18336:The Beatles Diary Volume 1: The Beatles Years 18289: 17595: 17516:The Oxford Encyclopedia of British Literature 17495:(Revised and updated ed.). W.W. Norton. 17153:Syndicat National de l'Γ‰dition Phonographique 16835: 11694: 11692: 11362: 10720: 10660: 10339: 9708: 9175: 9036: 8993: 8966: 8896:(Media notes). Apple/EMI Records. p. 29. 8879: 8859: 8855: 8558: 8556: 8554: 8205: 8169: 8157: 8130: 8038: 8014: 7440: 7424: 5515:section on "She's Leaving Home", arranged by 3485:The Oxford Encyclopedia of British Literature 3012:The vast majority of contemporary reviews of 2323:report on potholes in the Lancashire town of 2271:The "dream sequence" from "A Day in the Life" 2198:" after watching a television commercial for 1881: 728: 348:military band that formed the impetus of the 20164:The Beatles (The Original Studio Recordings) 17671:. Chicago, IL: University of Chicago Press. 17446:. In Covach, John; Boone, Graeme M. (eds.). 17040:"ARIA Charts – Accreditations – 2009 Albums" 16044: 16042: 15657:Elwood, Philip (3 June 1967). "The Beatles: 14564: 14562: 14459: 14457: 14164: 13988: 13633: 13366:"'A Day in the Life' lyrics to be auctioned" 4383: 4345: 4271: 4233: 4195: 4010:is commonly recognised as having originated 3580:, established American publications such as 1897: 24038:Psychedelic music albums by English artists 19369:Albums in the core catalogue are marked in 19189:Echard, William (2017). "The Later 1960s". 18551: 18250:Stranded: Rock and Roll for a Desert Island 17377:magazine". In Sawyers, June Skinner (ed.). 17326: 17167:"Gold-/Platin-Datenbank (The Beatles;  16804:Polish Society of the Phonographic Industry 16789: 16692: 15925:"The Beatles – Full official Chart History" 15757: 15755: 15753: 15267: 15233:"Defending the 'Sgt. Pepper' Cover Project" 14353: 11947: 11913: 11064: 10951: 10939: 10816: 9617:, p. 101: pit orchestra and audience; 9249: 8843: 8807: 8655: 8289: 7924: 7720: 7397: 6709:, Donovan's guitarist. Photos published in 6670:... all picking up on what each other did". 6560:Sales figures based on certification alone. 6311: 4480:the virtual freezing out of George Harrison 4439:Stranded: Rock and Roll for a Desert Island 3291:conveyed the flower power ideology of 1967. 2970:– Beatles biographer Robert Rodriguez, 2012 2137:, a harmonic pattern that can be traced to 2124:, while invoking images of the illustrator 1460:Among musicologists, Allan Moore says that 905: 717:used the break to spend time with his wife 605:. The group were angry with their manager, 23057: 23043: 22872: 22858: 22392: 22378: 21336: 21322: 20746: 20732: 20239: 20225: 19743:Extracts from the Album A Hard Day's Night 19351: 19337: 18720: 18699: 18425:The Guide to United States Popular Culture 18194: 17869: 17750:MusicHound Rock: The Essential Album Guide 17464: 17221:. Radioscope. 17 July 2011. Archived from 16555: 15947: 15545:"Beatles with a touch of Broadway shuffle" 14531:. Record Industry Association of America. 14319:... 50th Anniversary Edition album review" 13397: 13303: 12982: 12299: 12012: 11799: 11751: 11689: 11467: 10823:Irvin, Jim (March 2007). "The Big Bang!". 10810: 10786: 10502: 10161: 10049: 10013: 9907: 9859: 9761: 9199: 9127: 8744: 8708: 8590: 8551: 8528: 8362: 8277: 4626:considers the album to be a refinement of 4166: 4143:. In the late 1990s, the BBC included the 3998:was highly influential on bands in the US 3245: 2161: 1422:, he disliked how the group's approach on 620:, while on their final tour in August 1966 36: 21237:A Brief Inquiry into Online Relationships 19736:Extracts from the Film A Hard Day's Night 19318:Sgt. Pepper's Lonely Hearts Club Band 18979:The Beatles: The Ultimate Recording Guide 18841:. New York, NY: Oxford University Press. 18815: 18783: 18735: 18659: 18503: 18423:. In Browne, Ray B.; Browne, Pat (eds.). 18418: 18404:. Abingdon, UK; New York, NY: Routledge. 18292:Summer of Love: The Making of Sgt. Pepper 18290:Martin, George; Pearson, William (1994). 18170: 18110: 17704: 17629:. New York, NY: Oxford University Press. 17450:. New York, NY: Oxford University Press. 17369: 17266:Recording Industry Association of America 17047:Australian Recording Industry Association 17004: 17002: 16927: 16295: 16039: 15828:Suomi soi 4: Suuri suomalainen listakirja 15625: 15609: 15079: 14949: 14559: 14454: 14401: 14285: 14173: 14131: 14035: 13970: 13910: 13831: 13731: 13719: 13707: 13520: 13508: 13457: 13039: 13027: 12828: 12826: 12745: 12733: 12709: 12519: 12446: 12434: 12422: 12398: 12347: 12335: 12323: 12168: 12156: 12104: 12049: 12018: 11987: 11635: 11619: 11530: 11491: 11455: 11220: 11058: 10902:, p. 92: McCartney's design for the 10881: 10839: 10624: 10531: 10514: 10478: 10390: 10303: 10291: 10243: 10201: 10185: 10173: 10121: 10109: 10085: 10061: 9965: 9895: 9871: 9843: 9800: 9704: 9680: 9471: 9237: 9187: 9048: 8942: 8831: 8792: 8456: 8405: 8301: 8126: 8114: 8066: 7885: 7696: 7641: 7565: 7499: 7487: 7467: 7452: 7409: 7192:Due to the alleged clues in its artwork, 7110:The group were particularly annoyed that 4982:reissued for the album's 50th anniversary 3990: 3237:as "a consolidation, more intricate than 2901: 849:has also been cited as having influenced 632:. A public apology eased tensions, but a 301:is regarded by musicologists as an early 24013:Brit Award for British Album of the Year 22761:When We All Fall Asleep, Where Do We Go? 22285:When We All Fall Asleep, Where Do We Go? 20755:Brit Award for British Album of the Year 18995: 18537:. Lanham, MD: Rowman & Littlefield. 18151: 18129: 17685: 17643: 17519:. Vol. 1. Oxford University Press. 17419: 16905: 16214: 16070: 16006: 15977: 15750: 15621: 15605: 15542: 15067: 14825: 14312: 14091: 14089: 13982: 13898: 13843: 13591: 13532: 13330: 13216: 13015: 12983:Harrington, Richard (24 February 1993). 12970: 12934: 12793: 12769: 12657: 12645: 12567: 12555: 12531: 12359: 12287: 12064: 11907: 11371: 11282: 11192: 10543: 10402: 10197: 10037: 9646: 9634: 9563: 9524: 9483: 9442: 9331:, pp. 61–62: music hall and blues; 9315:, p. 76: the "multigenre nature of 9261: 9159: 9115: 9103: 9088: 9024: 8918: 8891: 8696: 8638: 8516: 8468: 8432: 8129:, p. 219: 55 hours of studio time; 8050: 8026: 8002: 7479: 7436: 7385: 4961: 4947:presentation of Martin's TV documentary 4807: 3531:Best Engineered Recording, Non-Classical 3479:Cultural legitimisation of popular music 3353: 3316:'s scope on these issues when launching 3278: 2848:..." The album's impact was felt at the 2714: 2623: 1921: 1196:The Ambient Century: From Mahler to Moby 1178: 1016: 914: 611: 20494:Sgt. Petsound's Lonely Hearts Club Band 19885:Get Back β€“ The Rooftop Performance 18905: 18862:Fab: An Intimate Life of Paul McCartney 18638: 18447:Shout!: The Beatles in Their Generation 18038: 18013: 17992: 17747:Graff, Gary; Durchholz, Daniel (1999). 17666: 17619: 17562:. Amsterdam & Atlanta, GA: Rodopi. 17555: 17533: 17509: 17397: 17197:Federazione Industria Musicale Italiana 16772:"VG-lista – Topp 40 Album uke 22, 2017" 16674:Federazione Industria Musicale Italiana 16304:γ‚Άγƒ»γƒ“γƒΌγƒˆγƒ«γ‚Ί"γƒͺγƒžγ‚Ήγ‚ΏγƒΌ"ε…¨16δ½œγƒˆγƒƒγƒ—100ε…₯γ‚Šγ€Œε£²δΈŠι‡‘ι‘γ―23.1億円」 15771:. St Ives, NSW: Australian Chart Book. 15709: 15682: 15637: 15514: 15340: 15313: 15231:Vozick-Levinson, Simon (9 April 2007). 15198: 15196: 14668: 14625: 14463: 14216:, p. 205: "playful but contrived". 14137: 13771: 13565: 13363: 13333:"Sgt. Pepper's Lonely Hearts Club Band" 13260: 13256: 13244: 13087: 13063: 13051: 12892: 12880: 12781: 12757: 12721: 12697: 12685: 12507: 12495: 12483: 12311: 12275: 12221: 12185: 12135: 12119: 11763: 11571: 11431: 11208: 11075: 11046: 10747: 10735: 10636: 10490: 10466: 10426: 10351: 10231: 10137: 10001: 9989: 9788: 9692: 9614: 9536: 9084: 9060: 8562: 8347: 8332: 8320: 8265: 8261: 8257: 8253: 8249: 8145: 8062: 7951: 7939: 7684: 7617: 7553: 7538: 7511: 6850:closes with nonsensical vocals just as 6645:In Emerick's opinion, the recording of 4646:Further public and critical recognition 4535:Though by no means universally degraded 4097:, the album "can be heard as a crucial 1624:"Sgt. Pepper's Lonely Hearts Club Band" 1275:is Martin and Emerick's liberal use of 23925: 19871:On Air β€“ Live at the BBC Volume 2 19358: 19161: 19105:Blackwell, Thomas (22 November 2009). 19076: 19057: 19035: 18976: 18951: 18929: 18855: 18801:. New York, NY: Simon & Schuster. 18769:(2000 ed.). St Martin's Griffin. 18680: 18598:The Cambridge Companion to the Beatles 18484: 18463: 18441: 18267: 18246: 18180:(3rd ed.). Chicago Review Press. 18088: 18063: 17950: 17931: 17910: 17814: 17786: 17767: 17485: 17441: 17336:. San Francisco, CA: Chronicle Books. 17307: 17283: 16999: 16902:. Hung Medien. Retrieved 7 June 2017. 16890:. Hung Medien. Retrieved 3 June 2017. 16592:. Hung Medien. Retrieved 7 June 2017. 16494:. Hung Medien. Retrieved 3 June 2017. 15734:. Press Trust of India. 10 June 2017. 15697: 15656: 15493:from the original on 21 September 2017 15466:from the original on 14 September 2017 15425: 15392: 15380: 15368: 15328: 15273: 15261: 15033: 14833:"The National Recording Registry 2003" 14819: 14774: 14535:from the original on 24 September 2014 14496: 14478:from the original on 27 September 2018 14413: 14389: 14347: 14300: 14273: 14261: 14225: 14209: 14152:from the original on 11 September 2012 14143: 14068: 13958: 13934: 13886: 13871: 13819: 13807: 13678: 13642: 13544: 13398:Plagenhoef, Scott (9 September 2009). 13291: 13201: 13189: 12865: 12832: 12823: 12805: 12621: 12383: 12315: 12209: 11856: 11844: 11775: 11739: 11727: 11683: 11583: 11559: 11479: 11412: 11342: 11322: 11270: 11196: 11168: 11144: 11132: 11115: 11019: 10988: 10984: 10972: 10899: 10869: 10854: 10759: 10750:, p. 164: see end note number 11. 10708: 10684: 10672: 10648: 10609: 10582: 10555: 10454: 10442: 10363: 10279: 10267: 10255: 10216: 10097: 10073: 9977: 9926: 9847: 9831: 9812: 9749: 9720: 9665: 9602: 9356: 9344: 9332: 9328: 9312: 9304: 9151: 9139: 9072: 9012: 8978: 8954: 8930: 8906: 8768: 8756: 8732: 8679: 8667: 8495: 8417: 8374: 8225: 8193: 8181: 8102: 7990: 7912: 7900: 7868: 7825: 7810: 7798: 7732: 7708: 7665: 7601: 7589: 7577: 7483: 7361: 7222:is tinged with conceit." He describes 4796:as "kaleidoscopic" and an "orchestral 3916:Mellon Collie and the Infinite Sadness 3722: 2561:; and the philosophers and scientists 1587:underlying philosophy not only to the 1580:The author Sheila Whiteley attributes 329:, and for reflecting the interests of 23998:Grammy Award for Best Pop Vocal Album 23200:Sgt. Pepper's Lonely Hearts Club Band 23132:Another Black and White Minstrel Show 23038: 22996:Sgt. Pepper's Lonely Hearts Club Band 22853: 22416:Sgt. Pepper's Lonely Hearts Club Band 22401:Grammy Award for Best Pop Vocal Album 22373: 21502:Sgt. Pepper's Lonely Hearts Club Band 21317: 20770:Sgt. Pepper's Lonely Hearts Club Band 20727: 20715:Sgt. Pepper's Lonely Hearts Club Band 20711: 20660:Sgt. Pepper's Lonely Hearts Club Band 20559:Sgt. Pepper's Lonely Hearts Club Band 20551:Sgt. Pepper's Lonely Hearts Club Band 20292:Sgt. Pepper's Lonely Hearts Club Band 20249:Sgt. Pepper's Lonely Hearts Club Band 20220: 19458:Sgt. Pepper's Lonely Hearts Club Band 19332: 19081:. Chicago, IL: Chicago Review Press. 18879: 18839:101 Albums That Changed Popular Music 18836: 18759: 18645:. Durham, NC: Duke University Press. 18614: 18530: 18508:Sgt. Pepper's Lonely Hearts Club Band 18489:. London: Weidenfeld & Nicolson. 18399: 18374: 18353: 18332: 18308: 18156:. Chicago, IL: Chicago Review Press. 17971: 17896:. Binghamton, NY: The Haworth Press. 17850: 17828: 17792:Sgt. Pepper's Lonely Hearts Club Band 17725: 17576: 17293:. San Francisco, CA: Backbeat Books. 17171:Sgt. Pepper's Lonely Hearts Club Band 16817:"Portuguese Charts: Albums – 22/2017" 16448:from the original on 25 December 2013 16437:Sgt. Pepper's Lonely Hearts Club Band 16383:"Portuguese Charts: Albums – 38/2009" 16363:from the original on 27 December 2011 16283:from the original on 14 December 2011 16224:Sgt. Pepper's Lonely Hearts Club Band 16165:Sgt. Pepper's Lonely Hearts Club Band 16056:, Tokyo: Oricon Entertainment. 2006. 16016:Sgt. Pepper's Lonely Hearts Club Band 15987:Sgt. Pepper's Lonely Hearts Club Band 15965:from the original on 15 November 2010 15911:Sgt. Pepper's Lonely Hearts Club Band 15858:from the original on 29 December 2011 15825: 15659:Sgt. Pepper's Lonely Hearts Club Band 15557:from the original on 24 December 2019 15484: 15143: 15131: 15119: 15021: 14963:"The 500 Greatest Albums of All Time" 14916: 14904: 14861: 14786: 14734: 14706:"Radiohead gun for Beatles' Revolver" 14692: 14680: 14656: 14598: 14553: 14442:from the original on 15 November 2018 14425: 14249: 14237: 14213: 14191:from the original on 22 February 2017 14086: 14002:Sgt. Pepper's Lonely Hearts Club Band 13946: 13922: 13795: 13760:Sgt. Pepper's Lonely Hearts Club Band 13755: 13752:Sgt. Pepper's Lonely Hearts Club Band 13747: 13743: 13657:from the original on 21 December 2019 13606: 13496: 13442: 13430: 13318: 13135: 13123: 13111: 13099: 13075: 12928: 12916: 12904: 12817: 12543: 12410: 12371: 12318:, pp. 262–63: early champion of 12271: 12259: 12139: 12131: 11956: 11922: 11895: 11868: 11787: 11698: 11671: 11659: 11647: 11623: 11607: 11595: 11542: 11515: 11503: 11443: 11400: 11388: 11310: 11258: 11246: 11180: 11156: 11103: 10955: 10931: 10919: 10907: 10822: 10798: 10771: 10696: 10597: 10430: 10414: 10375: 10327: 10315: 10149: 10125: 10025: 9938: 9883: 9773: 9732: 9622: 9618: 9590: 9575: 9548: 9512: 9500: 9456: 9446: 9425: 9407:from the original on 22 December 2006 9383: 9308: 9273: 9211: 8894:Sgt. Pepper's Lonely Hearts Club Band 8819: 8720: 8626: 8614: 8483: 8237: 8209: 8090: 8078: 7978: 7837: 7786: 7774: 7653: 7629: 7613: 7523: 7373: 6541: 6319:Sgt. Pepper's Lonely Hearts Club Band 5339: 5321: 5314:Lennon, McCartney, Harrison and Starr 5303: 5285: 5267: 5249: 5231: 5196: 5178: 5160: 5142: 5124: 5106: 5088: 5076:Sgt. Pepper's Lonely Hearts Club Band 5070: 5033:, except "Within You Without You" by 4978:Sgt. Pepper's Lonely Hearts Club Band 4845:Sgt. Pepper's Lonely Hearts Club Band 4782:101 Albums That Changed Popular Music 4176: 4020:, it was a source of inspiration for 3419:. By 1968, according to music critic 3251:Contemporary youth and counterculture 2425:Sgt. Pepper's Lonely Hearts Club Band 2206:from which he adapted for the song's 2116:MacDonald characterises McCartney's " 1309:Sgt. Pepper's Lonely Hearts Club Band 739:Sgt. Pepper's Lonely Hearts Club Band 538:of all time and was, as of 2018, the 278:Sgt. Pepper's Lonely Hearts Club Band 249:Sgt. Pepper's Lonely Hearts Club Band 197:Sgt. Pepper's Lonely Hearts Club Band 31:Sgt. Pepper's Lonely Hearts Club Band 24008:Grammy Hall of Fame Award recipients 23315:Glen Campbell's Twenty Golden Greats 19137:"I Have to Hide My Love Away? Help!" 19119:from the original on 29 January 2015 19021:. New York, NY: Three Rivers Press. 19016: 18574: 18275:. New York, NY: St. Martin's Press. 18222: 18113:The Dawn of Indian Music in the West 17582:Sgt Pepper's Lonely Hearts Club Band 17350: 16680:from the original on 25 January 2018 16389:from the original on 12 October 2012 16143:from the original on 26 October 2010 16027:from the original on 7 December 2013 15761: 15341:Willman, Chris (25 September 1992). 15193: 14843:from the original on 4 November 2014 14746: 14430:Sgt Pepper's Lonely Hearts Club Band 14179:"Christgau's Consumer Guide to 1967" 14113:from the original on 23 October 2013 14095: 14050:from the original on 4 November 2011 14036:McCormick, Neil (7 September 2009). 14014:from the original on 3 December 2018 13621:from the original on 7 December 2019 13331:DeCurtis, Anthony (27 August 1987). 13156: 12609: 12236:from the original on 5 November 2018 12197: 12086:from the original on 3 November 2018 11034: 11000: 10570: 9950: 9368: 9311:, pp. 18, 70–79: rock and pop; 8780: 8602: 8545: 8444: 8387:from the original on 2 February 2019 7963: 7147:"they were so far ahead of everybody 6276: 6190: 5550: 5037:. Track lengths and lead vocals per 3953:... would not have existed" without 3576:as a result. In addition, following 1961:"Being for the Benefit of Mr. Kite!" 1732:"With a Little Help from My Friends" 1595:and the non-violent approach of the 1174: 910: 835:as his main musical inspiration for 344:had an idea for a song involving an 76:6 December 1966 β€“ 21 April 1967 21400:The Button-Down Mind of Bob Newhart 20068:The Beatles Bootleg Recordings 1963 19878:The Beatles Bootleg Recordings 1963 18935:Beatles '66: The Revolutionary Year 18315:Paul McCartney: Many Years From Now 18096:. London: Oxford University Press. 16869:from the original on 24 August 2017 16415:from the original on 8 October 2012 16257:from the original on 4 January 2010 15738:from the original on 22 August 2018 15631: 15156:from the original on 22 August 2015 14716:from the original on 6 October 2014 14628:"A really infuriating top 200 list" 14509:from the original on 2 October 2019 13997: 13469: 13376:from the original on 6 January 2014 13171:from the original on 5 January 2016 12833:Murray, Charles Shaar (July 1987). 12591:from the original on 6 January 2014 12447:Goldstein, Richard (20 July 1967). 11823:from the original on 20 August 2018 9711:, pp. 66–67: (primary source). 9707:, p. 233: (secondary source); 8375:McCabe, Kathy (17 September 2017). 7756:from the original on 14 August 2017 7490:, p. 213: subpar performances. 7304:never would have happened ... 5440:Additional musicians and production 4876:. Other tribute recordings include 2850:Monterey International Pop Festival 1604:". Several scholars have applied a 1385:sessions. In a 1969 interview with 1060:for inclusion in the animated film 782:Big Brother and the Holding Company 673:collaborated with Beatles producer 546:of the album was released in 2017. 473:s release was a defining moment in 13: 24043:Art rock albums by English artists 23993:Grammy Award for Album of the Year 23983:Albums conducted by Paul McCartney 23973:Albums arranged by George Harrison 23513:Bat Out of Hell II: Back into Hell 21345:Grammy Award for Album of the Year 20459:Easy Star's Lonely Hearts Dub Band 20334:Being for the Benefit of Mr. Kite! 20299:With a Little Help from My Friends 19803:Souvenir of Their Visit to America 19098: 16984:Billboard – Top Pop Albums of 1968 16961:Billboard – Top Pop Albums of 1967 16823:from the original on 1 August 2017 16650:. Irish Recorded Music Association 16088:from the original on 13 March 2013 15807:from the original on 13 April 2015 15460:"Sgt. Pepper's Musical Revolution" 15276:"TV Show Analyses the Beatles Era" 15034:Barker, Emily (14 February 2014). 14931:from the original on 13 April 2014 13412:from the original on 7 August 2011 13138:Outlaw Blues: A Book of Rock Music 12997:from the original on 19 April 2019 12952:from the original on 15 April 2014 12847:from the original on 19 March 2013 12019:Kronemyer, David (25 April 2009). 11988:Kronemyer, David (29 April 2009). 7101:Martin and other studio personnel. 6195: 5373:, final piano E chord; harmonica, 5184:Being for the Benefit of Mr. Kite! 5094:With a Little Help from My Friends 4671:highest-selling albums of all time 2765: 2350:As "A Day in the Life" ends, a 15- 2259: 2073: 2043:. Harrison recorded the song with 1967:Being for the Benefit of Mr. Kite! 1934:In Everett's view, the lyrics to " 1776: 1738:With a Little Help from My Friends 1630: 1571:With a Little Help from My Friends 1563:Being for the Benefit of Mr. Kite! 1074:sessions, the band also recorded " 890:, a bit of Ravi Shankar, a bit of 439:Being for the Benefit of Mr. Kite! 14: 24069: 23978:Albums conducted by George Martin 23968:Albums arranged by Paul McCartney 23144:The Black and White Minstrel Show 21625:Still Crazy After All These Years 20950:(What's the Story) Morning Glory? 20501:With a Little Help from My Fwends 19846:The Beatles at the Hollywood Bowl 19301: 18798:The New Rolling Stone Album Guide 18666:. Milwaukee, WI: Backbeat Books. 18094:The Encyclopedia of Popular Music 17355:. Milwaukee, WI: Backbeat Books. 16752:from the original on 14 June 2017 16648:"Irish Albums Chart: 3 June 2017" 16444:(in Swedish). swedishcharts.com. 16311:from the original on 9 March 2013 15894:from the original on 5 March 2018 15587:from the original on 15 June 2017 15426:Titlow, John Paul (19 May 2017). 14638:from the original on 22 June 2018 14580:from the original on 26 July 2014 14371:from the original on 31 July 2017 14361:"Sgt Pepper scorned by new stars" 13345:from the original on 5 April 2014 4899:With a Little Help from My Fwends 4385: 4347: 4273: 4266:The Encyclopedia of Popular Music 4235: 4197: 4118: 3969:, in the ambitious song cycle of 3444:The Velvet Underground & Nico 3379:, with street people such as the 2868:. Instead, the Beatles released " 2620:Back cover, gatefold and cut-outs 1837:drawing by his four-year-old son 1222:recordings made extensive use of 886:, a bit of Stockhausen, a bit of 585:tour that started in West Germany 23958:Albums arranged by George Martin 23953:Albums produced by George Martin 22881:UK best-selling albums (by year) 19210:Gould, Jonathan (26 June 2017). 18795:; with Hoard, Christian (eds.). 18763:(1981). Golson, G. Barry (ed.). 18624:. Cambridge, MA: Da Capo Press. 17648:The Beatles: Image and the Media 17591:. London: Emap. pp. 102–05. 17061:"O sargento Pimenta faz 20 anos" 17053: 16975: 16952: 16940:from the original on 4 June 2017 16928:Caulfield, Keith (4 June 2017). 16921: 16851: 16809: 16764: 16734: 16708: 16662: 16640: 16619:Musiikkituottajat – IFPI Finland 16576:on the field besides the words " 16533: 16460: 16427: 16401: 16375: 16349: 16337:from the original on 21 May 2017 16323: 16269: 16243: 16184: 16155: 16129: 16100: 15935:from the original on 12 May 2016 15917: 15870: 15844: 15819: 15785: 15718: 15703: 15676: 15650: 15615: 15599: 15569: 15478: 15452: 15440:from the original on 20 May 2017 15419: 15407:from the original on 21 May 2017 15386: 15334: 15224: 15168: 15137: 15085: 15027: 14983: 14955: 14917:Crowe, Jerry (1 November 1997). 14910: 14780: 14740: 14698: 14619: 14521: 14490: 14419: 14203: 13837: 13737: 13684: 13463: 13364:Kokenes, Chris (30 April 2010). 13357: 13324: 13250: 13217:Petridis, Alexis (26 May 2017). 13150: 13129: 12976: 12651: 12573: 12440: 12305: 12265: 12215: 12125: 12074:Timing Was As Good As Its Music" 11981: 11805: 11613: 11316: 11276: 11221:Marinucci, Steve (13 May 2017). 11214: 11186: 11076:Fleming, Colin (30 March 2017). 10978: 10945: 10925: 10893: 10420: 10191: 10115: 9837: 9698: 9608: 9436: 9419: 9389: 9322: 9298: 9267: 9214:"John Lennon/Yoko Ono Interview" 9205: 9154:, p. 262: the recording of 9145: 9078: 8885: 8849: 7331: 7315: 7286: 7251: 7233: 7204: 7186: 7154: 7125: 7104: 7086: 7066: 7050: 7031: 7021: 7007: 6985: 6969: 6951: 6929: 6920: 6906: 6889: 6879: 6857: 6839: 6830: 6821: 6807: 6798: 6789: 6766: 6757: 6738: 6725: 6549: 6488: 5545: 5024: 4998:Sgt. Pepper's Musical Revolution 4404: 4399: 4394: 4389: 4384: 4366: 4361: 4356: 4351: 4346: 4292: 4287: 4282: 4277: 4272: 4254: 4249: 4244: 4239: 4234: 4216: 4211: 4206: 4201: 4196: 4031:In the Court of the Crimson King 3219:and said that "listening to the 2687:on 12 May and officially on the 2298:Problems playing this file? See 2275: 2107:Problems playing this file? See 2089: 1820:Problems playing this file? See 1792: 1669:Problems playing this file? See 1646: 1375: 445:". Recording was completed on 21 16:1967 studio album by the Beatles 23963:Albums arranged by Mike Leander 23434:Now That's What I Call Music 10 22074:How to Dismantle an Atomic Bomb 21969:The Miseducation of Lauryn Hill 20890:Listen Without Prejudice Vol. 1 19164:A Brief History of Album Covers 19062:. Santa Barbara, CA: ABC-CLIO. 18822:. Lanham, MD: Lexington Books. 18700:Romanowski, William D. (2006). 18639:Roberts, Michael James (2014). 18232:. New York, NY: Penguin Books. 17853:The Paul McCartney Encyclopedia 17276: 17219:"Latest Gold / Platinum Albums" 16863:Productores de MΓΊsica de EspaΓ±a 16198:(in Portuguese). Archived from 15830:(in Finnish). Helsinki: Tammi. 15768:Australian Chart Book 1970–1992 15515:Kennedy, Maev (23 March 2017). 15274:Jensen, Gregory (15 May 1987). 15049:from the original on 6 May 2016 14787:Wells, Matt (9 November 1999). 14464:Ghoshal, Somak (21 June 2017). 14313:Quantick, David (24 May 2017). 14144:Ponton, Jared (8 August 2010). 13566:Chilton, Martin (9 June 2020). 12222:Clayton, Peter (1 June 2017) . 11283:Wawzenek, Bryan (19 May 2017). 10910:, p. 333 (primary source). 8563:Runtagh, Jordan (29 May 2017). 8368: 8243: 8199: 8120: 8056: 7831: 7738: 7607: 7473: 6699: 6686: 6673: 6652: 6639: 6626: 6617: 5752:Belgian Albums Chart (Wallonia) 4746:500 Greatest Albums of All Time 4686:Critic's Choice: Top 200 Albums 4555:Writing in the 2004 edition of 4449:– the so-called "godfather" of 4076:Author Carys Wyn Jones locates 3816:, Wenner referred to "the post– 3814:Their Satanic Majesties Request 3765:Their Satanic Majesties Request 3521:won awards in four categories: 2990:Inside Pop: The Rock Revolution 2945:Contemporary critical reception 2679:Radio previews and launch party 2541:. Also included were comedians 2423:List of images on the cover of 1965:Lennon adapted the lyrics for " 1841:. A hallucinatory chapter from 1770:"Lucy in the Sky with Diamonds" 1573:", "take some tea" – slang for 1501:, avant-garde, and Western and 1400: ... is I learned to play 397:is considered one of the first 23842: β€“ Various artists (2018) 23437: β€“ Various artists (1987) 23429: β€“ Various artists (1986) 23426:Now That's What I Call Music 8 23421: β€“ Various artists (1985) 23413: β€“ Various artists (1984) 23405: β€“ Various artists (1983) 23338: β€“ Various artists (1978) 23330: β€“ Various artists (1977) 23274: β€“ Various artists (1972) 23195: β€“ Various artists (1966) 23116: β€“ Various artists (1960) 23108: β€“ Various artists (1959) 23100: β€“ Various artists (1958) 23092: β€“ Various artists (1957) 23084: β€“ Various artists (1956) 23066:UK Christmas number-one albums 20986:This Is My Truth Tell Me Yours 19933:A Collection of Beatles Oldies 18706:. Eugene, OR: Wipf and Stock. 18504:Northcutt, William N. (2006). 18419:Nagelberg, Kenneth M. (2001). 18360:. Cambridge University Press. 17934:The Rough Guide to the Beatles 17917:. Milwaukee, WI: Hal Leonard. 15543:Jennings, Luke (28 May 2017). 15144:Lynch, Joe (22 October 2014). 14626:Leopold, Todd (7 March 2007). 12658:Bonyhady, Tim (30 July 2021). 12326:, p. 83: scathing review. 12065:Hamilton, Jack (24 May 2017). 11963:The Official UK Charts Company 11929:The Official UK Charts Company 11343:Womack, Kenneth (9 May 2017). 7430: 7072:In the November 1967 issue of 6600: 5216: 5055: 5013:and "Penny Lane", arranged by 4908:Sgt. Pepper's 40th Anniversary 4828:. The album inspired the 1974 4710:, and in the following year's 3535:Best Album Cover, Graphic Arts 3416:We're Only in It for the Money 2416: 2194:Lennon was inspired to write " 1870:player accompanying an Indian 1608:strategy to their analysis of 1090:Studio ambience and happenings 1024:(formerly EMI Studios) in 2005 977:According to the musicologist 922:, where nearly every track on 853:. According to the biographer 776:concept. His idea involved an 540:UK's best-selling studio album 188:A Collection of Beatles Oldies 1: 23442:Private Collection: 1979–1988 20866:The First of a Million Kisses 20589:Tina in the Sky with Diamonds 20567:It Was Twenty Years Ago Today 20306:Lucy in the Sky with Diamonds 18956:". In Julien, Olivier (ed.). 18891:. Little, Brown and Company. 18487:Paul McCartney: The Biography 18379:". In Julien, Olivier (ed.). 18018:". In Julien, Olivier (ed.). 17894:Arts & Entertainment Fads 17794:". In Julien, Olivier (ed.). 17790:(2008). "The sound design of 17644:Frontani, Michael R. (2007). 17241:British Phonographic Industry 16541:"On The Charts: June 5, 2017" 16192:"De 14 a 20 de Setembro 2009" 15714:. The Beatles. Apple Records. 15687:. The Beatles. Apple Records. 15393:Deriso, Nick (4 April 2017). 14497:Copsey, Rob (11 April 2019). 13844:De Lisle, Tim (14 May 2017). 7348: 6935:MacDonald cites EMI chairman 6872:, than any since they'd left 6317:Certifications and sales for 5480:; tape loops, sound effects; 5112:Lucy in the Sky with Diamonds 4928:It Was Twenty Years Ago Today 4558:The Rolling Stone Album Guide 4378:The Rolling Stone Album Guide 4111:when he adopted the guise of 3828:viewed the album's effect on 3631:Elizabeth II's Silver Jubilee 3472:Encyclopedia of Popular Music 3258:It Was Twenty Years Ago Today 2438:designed the album cover for 1831:Lucy in the Sky with Diamonds 1736:The title track segues into " 1336:Lucy in the Sky with Diamonds 786:Quicksilver Messenger Service 709:where he met his future wife 549: 435:Lucy in the Sky with Diamonds 23402:Now That's What I Call Music 23236:Andy Williams' Greatest Hits 22067:& Various Artists (2004) 21611:Fulfillingness' First Finale 21516:By the Time I Get to Phoenix 20019:The Beatles' Christmas Album 19764:The Beatles' Million Sellers 19672:The Beatles' Long Tall Sally 19241:. Edinburgh, UK: Canongate. 18560:. New York, NY: Bloomsbury. 18195:MacFarlane, Thomas (2008). " 17834:The John Lennon Encyclopedia 17772:. Jefferson, NC: McFarland. 17688:Cultural Encyclopedia of LSD 17587:Mojo Special Limited Edition 17179:Bundesverband Musikindustrie 16572:: On the chart page, select 16023:(in Dutch). dutchcharts.nl. 15485:Sesto, Gino (20 June 2017). 14315:"The Beatles – Sgt. Pepper's 13643:Hughes, Rob (22 July 2014). 13607:Lewis, John (17 June 2011). 12461:. p. 14. Archived from 10885:Mojo Special Limited Edition 9274:Loder, Kurt (18 June 1987). 7043:, Leary adapted lyrics from 6899:, who in 1970 described the 6161: 6146: 6134: 6110: 6085: 6073: 6037: 6013: 6001: 5989: 5977: 5965: 5953: 5941: 5924: 5912: 5900: 5888: 5598: 5352: 5021:topped the UK Albums Chart. 4996:produced the TV documentary 4034:was intended as a homage to 3778:, all released in 1967; and 3658:– Producer and EMI engineer 3641:Development of popular music 3186:The New York Review of Books 2411: 2055:scale, which is akin to the 1318:Some of the mixing employed 665:and develop his interest in 616:The group, with disc jockey 544:remixed and expanded edition 7: 23271:20 All Time Hits of the 50s 22046:Speakerboxxx/The Love Below 21045:A Rush of Blood to the Head 20132:The Beatles: The Collection 19277:"Everything You Know About 18731:. Vol. 28, no. 6. 18247:Marcus, Greil, ed. (2007). 18115:. New York, NY: Continuum. 17978:. Abingdon, UK: Routledge. 17541:. London: The Bodley Head. 15801:Library and Archives Canada 12942:"10th Annual GRAMMY Awards" 11959:"Album Chart History: 1969" 11925:"Album Chart History: 1967" 10889:. London: Emap. p. 97. 7037:In his 1968 autobiography, 6993:the Jimi Hendrix Experience 6576: 5464:; tape loops, sound effects 4738:National Recording Registry 3646:Industry and market changes 3145:wrote a scathing review in 2579:Self-Realization Fellowship 2190:"Good Morning Good Morning" 1993: 1618: 1455: 699:. Lennon acted in the film 512:National Recording Registry 10: 24074: 23390:The John Lennon Collection 23291:Elton John's Greatest Hits 22577:and various artists (2004) 22022:O Brother, Where Art Thou? 21871:Unforgettable... with Love 21864:and Various Artists (1990) 21583:The Concert for Bangladesh 21555:Bridge over Troubled Water 21442:The Barbra Streisand Album 20782:Kings of the Wild Frontier 20473:Sgt. Pepper Knew My Father 20086:Yellow Submarine Songtrack 19850:Live at the Hollywood Bowl 19525:Introducing... The Beatles 18887:The Beatles: The Biography 18660:Rodriguez, Robert (2012). 18552:Prendergast, Mark (2003). 18516:. Albany, NY: SUNY Press. 18449:. New York, NY: Fireside. 17972:Jones, Carys Wyn (2016) . 17071:National Library of Brazil 16705:. Retrieved 10 June 2017. 16117:. 27 June 1987. p. 42 15994:(in German). Media Control 15302:Hoffmann & Bailey 1990 15281:United Press International 14614:Hoffmann & Bailey 1990 14081:Graff & Durchholz 1999 13784:Hoffmann & Bailey 1990 13470:Kot, Greg (20 June 1999). 13280:Hoffmann & Bailey 1990 12634:Reising & LeBlanc 2009 12025:Deconstructing Pop Culture 11957:Mawer, Sharon (May 2007). 11923:Mawer, Sharon (May 2007). 11881:Hoffmann & Bailey 1990 10906:cover (secondary source), 7177:) and for Duke Ellington ( 6995:opened a show at London's 6291: 6260: 6250: 6230: 6220: 6210: 6166: 6151: 6139: 6127: 6115: 6100: 6090: 6078: 6066: 6054: 6042: 6030: 6018: 6006: 5994: 5982: 5970: 5958: 5946: 5929: 5917: 5905: 5893: 5881: 5856: 5846: 5836: 5826: 5816: 5806: 5798: 5788: 5778: 5770: 5760: 5750: 5740: 5711: 5701: 5693: 5683: 5654: 5640: 5626: 5615: 5603: 5593: 5579: 5568: 5009:to four of the songs from 4879:Sgt. Pepper Knew My Father 4610:critic Chris Jones, while 3738:the Incredible String Band 3287:" bus (pictured in 2004). 3254: 2809:to another". In his view, 2673: 2420: 2363:According to Womack, with 2358: 2021:Hindustani classical music 1977:on the day of filming the 1969:" from an 1843 poster for 1124:away to "have something". 878:was another touchstone on 729:Inspiration and conception 583:, the group set off for a 18: 23873: 23742: 23620:Swing When You're Winning 23611: 23480: 23466:The Immaculate Collection 23418:Now – The Christmas Album 23369: 23279:Goodbye Yellow Brick Road 23250: 23149:George Mitchell Minstrels 23137:George Mitchell Minstrels 23123: 23072: 22888: 22834: 22775: 22644: 22513: 22430: 22407: 22300: 22149: 21998: 21847: 21692: 21545: 21390: 21361:The Music from Peter Gunn 21351: 21105:Favourite Worst Nightmare 21012: 20761: 20721: 20598: 20510: 20450: 20425: 20409:Strawberry Fields Forever 20400: 20373:Good Morning Good Morning 20343: 20283: 20276: 20256: 20201: 20109: 20077: 20035: 20006: 19972: 19903: 19894: 19830: 19794: 19692: 19685: 19656: 19557:The Beatles' Second Album 19541: 19532:Hear the Beatles Tell All 19516: 19509: 19385: 19378: 19367: 18977:Wiener, Allen J. (1992). 18865:. London: HarperCollins. 18816:Simonelli, David (2013). 18400:Moore, Allan F. (2018) . 18339:. London: Omnibus Press. 18111:Lavezzoli, Peter (2006). 17911:Howard, David N. (2004). 17667:Gendron, Bernard (2002). 17599:; Massey, Howard (2006). 17584:: The Complete Picture". 17465:Cunningham, Mark (1998). 17427:. Westport, CT: Praeger. 17312:. London: Omnibus Press. 17010:"Discos de oro y platino" 16918:. Retrieved 3 June 2017. 16848:. Retrieved 3 June 2017. 16806:. Retrieved 8 June 2017. 16637:. Retrieved 2 June 2017. 16621:. Retrieved 4 June 2017. 16357:"VG Lista – Album Top 40" 16139:. australian-charts.com. 15852:"VG Lista – Album Top 40" 15209:The Sydney Morning Herald 14991:"The All-Time 100 Albums" 13998:Erlwine, Stephen Thomas. 13157:Anon (22 February 2012). 12985:"Grammy's One-Track Mind" 10721:Emerick & Massey 2006 10661:Martin & Pearson 1994 10340:Emerick & Massey 2006 9709:Martin & Pearson 1994 9176:Martin & Pearson 1994 9037:Martin & Pearson 1994 8994:Emerick & Massey 2006 8967:Emerick & Massey 2006 8880:Emerick & Massey 2006 8860:Martin & Pearson 1994 8856:Martin & Pearson 1994 8335:, pp. 104, 106, 111. 8206:Emerick & Massey 2006 8170:Emerick & Massey 2006 8158:Martin & Pearson 1994 8131:Martin & Pearson 1994 8039:Emerick & Massey 2006 8015:Emerick & Massey 2006 7441:Martin & Pearson 1994 7425:Martin & Pearson 1994 7322:The Making of Sgt. Pepper 6557: 6546: 6526: 6511: 6496: 6485: 6464: 6449: 6434: 6419: 6404: 6389: 6374: 6353: 6338: 6327: 6324: 5540: 5519:and conducted by Martin; 5291:Good Morning Good Morning 5226: 5223: 5220: 5215: 5065: 5062: 5059: 5054: 4949:The Making of Sgt. Pepper 4640: 4441:, Greil Marcus described 4429: 4184: 4181: 4088:. Doyle Greene says that 3896:Around the World in a Day 3869:The Dark Side of the Moon 3759:After Bathing at Baxter's 3515:10th Annual Grammy Awards 2795:in 1815 was the week the 2636:Ontario Provincial Police 2219:noises appear during the 2196:Good Morning Good Morning 1874:singer. The music critic 1851:Through the Looking-Glass 1803:The recording's blend of 1320:automatic double tracking 1281:dynamic range compression 1198:, Mark Prendergast views 747:Strawberry Fields Forever 661:under the instruction of 524:magazine and in the book 372:Strawberry Fields Forever 270: 233: 222: 218: 181: 173: 161: 140: 124: 91: 80: 72: 57: 44: 35: 30: 24028:Fictional musical groups 23501:Greatest Hits: 1965–1992 22025:– Various Artists (2001) 21670:– Various Artists (1978) 21639:Songs in the Key of Life 21535:Blood, Sweat & Tears 21530:Blood, Sweat & Tears 21134:Florence and the Machine 20262:50th Anniversary Edition 19268:(subscription required). 19077:Womack, Kenneth (2018). 19058:Womack, Kenneth (2014). 18354:Moore, Allan F. (1997). 18152:Lewisohn, Mark (2010) . 18137:. London: Bounty Books. 17824:. pp. 72–77, 80–89. 17726:Gould, Jonathan (2007). 17686:Glausser, Wayne (2011). 16742:"NZ Top 40 Albums Chart" 16635:GfK Entertainment Charts 16562:"Czech Albums – Top 100" 16385:. portuguesecharts.com. 16303: 16172:(in French). ultratop.be 15673:(subscription required). 14747:Anon (31 January 1998). 12449:"I Blew My Cool Through 11718:(subscription required). 11714:18 November 2018 at the 10934:, pp. 391–395: the 7308:was an attempt to equal 6593: 6312:Certifications and sales 5808:New Zealand Albums Chart 4699:All Time Top 1000 Albums 4659:third-best-selling album 4028:. The band's 1969 debut 3727:According to Simonelli, 3381:Merry Band of Pranksters 3130:paired the Beatles with 2856:south of San Francisco. 2664:James Melville Babington 1999:"Within You Without You" 1450: 906:Recording and production 847:the Mothers of Invention 527:All Time Top 1000 Albums 401:LPs and a progenitor to 87:and Regent Sound, London 22439:Longing in Their Hearts 22102:River: The Joni Letters 21225:Gang Signs & Prayer 20854:...Nothing Like the Sun 20538:The Beatles discography 18485:Norman, Philip (2016). 18464:Norman, Philip (2008). 18253:(2 ed.). Da Capo. 16916:Official Charts Company 16846:Official Charts Company 16472:Official Charts Company 16359:. norwegiancharts.com. 15985:"Search: The Beatles – 15929:Official Charts Company 15854:. norwegiancharts.com. 15710:Howlett, Kevin (2017). 15683:Howlett, Kevin (2017). 15638:Howlett, Kevin (2017). 14503:Official Charts Company 12648:, pp. 125, 178–80. 12585:Pittsburgh Post-Gazette 12107:, pp. 211, 223–24. 11817:Official Charts Company 11610:, pp. 116–17, 119. 8892:Lewisohn, Mark (2009). 8866:"grew naturally out of 8304:, pp. 109, 191–93. 7604:, pp. 158, 160–61. 7261:was ranked first, with 6895:Inglis is paraphrasing 6863:Norman also identifies 6252:Australian Albums Chart 6212:Australian Albums Chart 6092:Portuguese Albums Chart 5985:Suomen virallinen lista 5828:Portuguese Albums Chart 5742:Australian Albums Chart 5685:Dutch Mega Albums Chart 4866:and a 2009 live album, 4620:Stephen Thomas Erlewine 4167:Retrospective appraisal 3850:– which combined rock, 3847:Escalator Over the Hill 3732:British groups such as 3595:San Francisco Chronicle 3527:Best Contemporary Album 3399:rally in October 1967. 3246:Sociocultural influence 2727:'s house on 19 May 1967 1429:In Lewisohn's opinion, 1210:"grew naturally out of 1206:. Martin recalled that 861:" The music journalist 626:more popular than Jesus 532:Music of the Millennium 23948:Capitol Records albums 23668:Curtain Call: The Hits 23525:Carry On up the Charts 22201:Random Access Memories 20991:Manic Street Preachers 20967:Manic Street Preachers 20878:The Raw and the Cooked 20352:Within You Without You 20118:The Beatles Collection 19940:Greatest Hits Volume 2 19926:Greatest Hits Volume 1 19757:Beatles for Sale No. 2 19162:Draper, Jason (2008). 19017:Winn, John C. (2009). 18937:. New York, NY: Ecco. 18470:. New York, NY: Ecco. 17932:Ingham, Chris (2006). 17768:Greene, Doyle (2016). 17308:Badman, Keith (2001). 15664:San Francisco Examiner 15661:(Capitol SMAS 2653)". 15176:"Sgt Pepper Recreated" 14999:. 2007. Archived from 13746:, pp. 18, 70–79; 6583:Outline of the Beatles 5818:Norwegian Albums Chart 5799:Japanese Albums Chart 5762:Brazilian Albums Chart 5694:Japanese Albums Chart 5237:Within You Without You 4973: 4817: 4767:appears at number 24. 4728:was inducted into the 4553: 4512:40th anniversary, for 4486: 4457:In a 1976 article for 4070:Jesus Christ Superstar 3991:Stylistic developments 3795:Ogdens' Nut Gone Flake 3762:, the Rolling Stones' 3655: 3439:the Velvet Underground 3363: 3292: 2987:'s television program 2967: 2915:albums chart (now the 2902:Commercial performance 2802: 2728: 2723:launch party, held at 2639: 2264: 2078: 2025:Within You Without You 2007: 1982:and Emerick created a 1931: 1856:psychedelic experience 1781: 1635: 1540: 1247: 1187: 1146:Within You Without You 1140:the cost of recording 1025: 966: 927: 695:, one of the Beatles' 650: 621: 562: 453:, was designed by the 389:A key work of British 317:, and the producer in 23763:Our Version of Events 23561:Let's Talk About Love 23343:Greatest Hits, Vol. 1 23012:(original soundtrack) 22990:(original soundtrack) 22955:(original soundtrack) 22933:(original soundtrack) 22911:(original soundtrack) 21560:Simon & Garfunkel 21474:September of My Years 21414:Judy at Carnegie Hall 21297:My 21st Century Blues 21165:Our Version of Events 20871:Fairground Attraction 20192:The Christmas Records 19857:First Live Recordings 19135:(14 September 2007). 18837:Smith, Chris (2009). 18681:Romano, Will (2010). 18531:Philo, Simon (2015). 18467:John Lennon: The Life 18333:Miles, Barry (2001). 17877:. London: Pan Books. 17753:. Visible Ink Press. 17471:. London: Sanctuary. 17442:Covach, John (1997). 17405:. London: Sanctuary. 17351:Case, George (2010). 17333:The Beatles Anthology 16578:CZ – ALBUMS – TOP 100 16411:. spanishcharts.com. 16279:. italiancharts.com. 16253:. finnishcharts.com. 15400:Ultimate Classic Rock 14749:"Spin of the Century" 14426:Jones, Chris (2007). 11290:Ultimate Classic Rock 9347:, pp. 76, 89–90. 7966:, pp. 69, 72–73. 7838:Staff (17 May 2007). 7616:, pp. 323, 333; 5383:comb and tissue paper 5332:Lennon with McCartney 5171:McCartney with Lennon 5029:All songs written by 4965: 4811: 4533: 4477: 3911:The Smashing Pumpkins 3775:Days of Future Passed 3650: 3360:March on the Pentagon 3357: 3322:Afghan sheepskin coat 3282: 2949: 2789: 2718: 2627: 2595:Paramahansa Yogananda 2577:. Harrison chose the 2421:Further information: 2263: 2085:"When I'm Sixty-Four" 2077: 2067:"When I'm Sixty-Four" 2003: 1925: 1886:MacDonald considers " 1780: 1760:double-plagal cadence 1634: 1520: 1407:The Beatles Anthology 1242: 1182: 1020: 961: 920:Abbey Road Studio Two 918: 759:Karlheinz Stockhausen 642: 615: 554: 378:" were released as a 281:is the eighth studio 61:26 May 1967 24033:1960s concept albums 23839:The Greatest Showman 23303:A Night at the Opera 22570:Genius Loves Company 22060:Genius Loves Company 21667:Saturday Night Fever 21590:& Friends (1972) 20883:Fine Young Cannibals 20667:Magical Mystery Tour 20544:Return to Pepperland 20466:Saluting Sgt. Pepper 20434:Only a Northern Song 20026:Tomorrow Never Knows 19912:The Beatles in Italy 19785:Magical Mystery Tour 19635:Magical Mystery Tour 19149:on 18 September 2007 18725:: Rock's Big Bang". 18273:All You Need is Ears 17851:Harry, Bill (2002). 16202:on 28 September 2011 15826:Nyman, Jake (2005). 15383:, pp. 569, 570. 15331:, pp. 479, 484. 15238:Entertainment Weekly 15024:, pp. xiii–xiv. 14777:, pp. 586, 640. 14712:. 3 September 2000. 14177:(20 December 1976). 14099:(8 September 2009). 13722:, pp. 6–7, 180. 12760:, pp. 217, 220. 12498:, pp. 195, 345. 12437:, pp. 212, 215. 11883:, pp. 281, 282. 11261:, pp. 264, 265. 10405:, pp. 101, 104. 10124:, pp. 237–238; 9252:, pp. 241, 242. 9202:, pp. 212, 396. 8531:, pp. 211, 392. 8065:, pp. 99, 100; 8017:, pp. 184, 190. 7269:was ranked third to 7210:According to Riley, 7092:Lennon's lyrics to " 6778:Queen Elizabeth Hall 6751:Magical Mystery Tour 6588:The Beatles timeline 6055:New Zealand Albums ( 5848:Swedish Albums Chart 5838:Spanish Albums Chart 5790:Italian Albums Chart 5780:Finnish Albums Chart 5771:Danish Albums Chart 5595:Finnish Albums Chart 5484:on "Fixing a Hole", 5454:– tambura, harmonica 4902:, released in 2014. 4842:, and the 1978 film 4489:– Chris Ingham, 2006 4172:Professional ratings 4084:as the beginning of 3889:magazine recognises 3459:Charles Shaar Murray 3075:, in his review for 2870:All You Need Is Love 2828:Writing in his book 2775:higher consciousness 2748:British royal family 2450:and photographed by 1918:"She's Leaving Home" 1691:master of ceremonies 1307:. The bass part on " 1151:The Beatles took an 1054:Only a Northern Song 258:Magical Mystery Tour 24023:Fictional sergeants 23542:Robson & Jerome 23537:Robson & Jerome 23530:the Beautiful South 22900:original soundtrack 22088:Taking the Long Way 21488:A Man and His Music 21375:Come Dance with Me! 20359:When I'm Sixty-Four 20171:The Beatles in Mono 20139:The Beatles Box Set 19981:Por Siempre Beatles 19810:Four by the Beatles 19715:The Beatles (No. 1) 19620:Yesterday and Today 18981:. Checkmark Books. 18742:The Beatles Forever 18737:Schaffner, Nicholas 17511:Dettmar, Kevin J.H. 15624:, pp. 232–53, 15612:, pp. 220–250. 14971:. 22 September 2020 14837:Library of Congress 14367:. 9 December 1998. 14043:The Daily Telegraph 12990:The Washington Post 12636:, pp. 91, 100. 12465:on 21 February 2014 11969:on 17 December 2007 11935:on 17 December 2007 11702:The History of Rock 9075:, pp. 170–171. 8208:, pp. 169–70; 8069:, pp. 212–223. 7292:The editors ranked 7141:Fairport Convention 7131:After listening to 6962:... You just could 6321: 6142:Schweizer Hitparade 5882:Australian Albums ( 5870: 5729: 5672: 5557: 5255:When I'm Sixty-Four 5212: 5051: 4990:subsequent mixdowns 4972:billboard in London 4957:University of Leeds 4941:The South Bank Show 4736:to be added to the 4734:Library of Congress 4730:Grammy Hall of Fame 4589:The Daily Telegraph 4228:The Daily Telegraph 4173: 3883:". In this regard, 3723:Albums and artistry 3469:states in his 1989 3430:The History of Rock 3151:. He characterised 3035:Disc and Music Echo 2719:The Beatles at the 2689:BBC Light Programme 2612:and Harrison's for 2478:era, borrowed from 2253:"A Day in the Life" 2118:When I'm Sixty-Four 2047:musicians from the 2045:London-based Indian 936:When I'm Sixty-Four 536:best-selling albums 516:Library of Congress 24048:Baroque pop albums 23938:The Beatles albums 23911:The Rolling Stones 23847:You're in My Heart 23192:The Sound of Music 23009:The Sound of Music 22987:The Sound of Music 22701:In the Lonely Hour 22689:Unorthodox Jukebox 22522:Two Against Nature 22192:Mumford & Sons 22008:Two Against Nature 21927:Jagged Little Pill 21776:No Jacket Required 21146:Mumford & Sons 21057:Permission to Land 20962:Everything Must Go 20830:No Jacket Required 20625:A Hard Day's Night 20604:The Beatles albums 20327:She's Leaving Home 20145:The Capitol Albums 20093:Let It Be... Naked 19578:The Beatles' Story 19564:A Hard Day's Night 19413:A Hard Day's Night 19325:(list of releases) 18685:. Backbeat Books. 15885:hitsallertijden.nl 15731:The Times of India 15628:, pp. 215–50. 15316:, pp. 436–37. 15098:The Globe and Mail 15070:, pp. 174–75. 15003:on 9 November 2007 14392:, pp. 72, 74. 14240:, pp. 204–05. 13786:, pp. 281–82. 13547:, pp. 87, 88. 13511:, pp. 204–05. 13472:"R.I.P. 33 R.P.M." 13306:, pp. 172–73. 13263:, pp. 166–67. 13204:, pp. 388–89. 13114:, pp. 420–21. 13090:, pp. 214–15. 13066:, pp. 1, 197. 13054:, pp. 197–98. 13018:, pp. 155–56. 12919:, pp. 229–30. 12895:, pp. 162–63. 12796:, pp. 179–81. 12700:, pp. 195–96. 12688:, pp. 194–95. 12486:, pp. 198–99. 12451:The New York Times 12374:, pp. 122–23. 12362:, pp. 176–77. 12350:, pp. 98, 99. 12122:, pp. 193–94. 11730:, pp. 294–95. 11674:, pp. 270–71. 11598:, pp. 418–19. 11545:, pp. 104–05. 11533:, pp. 249–50. 11518:, pp. 205–06. 11391:, pp. 691–92. 11183:, pp. 344–45. 11159:, pp. 391–95. 10813:, pp. 33, 37. 10469:, pp. 114–15. 10457:, pp. 177–78. 10294:, pp. 220–21. 10246:, pp. 243–44. 10188:, pp. 177–78. 10088:, pp. 237–38. 10052:, pp. 394–95. 10016:, pp. 217–18. 9980:, pp. 106–07. 9941:, pp. 314–15. 9874:, pp. 179–80. 9764:, pp. 117–18. 9593:, pp. 397–98. 9527:, pp. 15, 22. 9190:, pp. 206–07. 9051:, pp. 233–34. 8945:, pp. 217–20. 8933:, pp. 273–74. 8723:, pp. 387–88. 8617:, pp. 670–71. 8593:, pp. 148–49. 8471:, pp. 252–53. 8459:, pp. 224–25. 8105:, pp. 34, 42. 7789:, pp. 303–04. 7668:, pp. 332–33. 7656:, pp. 388–89. 7592:, pp. 364–65. 7580:, pp. 158–59. 7455:, pp. 212–13. 6966:get away from it." 6941:Jefferson Airplane 6316: 6067:Norwegian Albums ( 5997:Offizielle Top 100 5868: 5727: 5670: 5618:KvΓ€llstoppen Chart 5555: 5210: 5166:She's Leaving Home 5049: 4974: 4818: 4171: 3785:Odessey and Oracle 3754:Jefferson Airplane 3502:A Hard Day's Night 3364: 3293: 3193:and characterised 3148:The New York Times 2854:county fairgrounds 2793:Congress of Vienna 2729: 2640: 2599:The Rolling Stones 2265: 2166:Womack describes " 2079: 2049:Asian Music Circle 1936:She's Leaving Home 1932: 1782: 1636: 1188: 1131:" was staged as a 1080:Roundhouse Theatre 1026: 1022:Abbey Road Studios 932:Abbey Road Studios 928: 757:composers such as 638:Nicholas Schaffner 622: 421:, and Western and 335:the counterculture 331:contemporary youth 24053:Proto-prog albums 23943:Parlophone albums 23920: 23919: 23716:I Dreamed a Dream 23032: 23031: 22847: 22846: 22841: 22840: 22563:Justin Timberlake 22546:Come Away with Me 22367: 22366: 22032:Come Away with Me 21932:Alanis Morissette 21857:Back on the Block 21707:Christopher Cross 21702:Christopher Cross 21311: 21310: 20787:Adam and the Ants 20705: 20704: 20441:Carnival of Light 20396: 20395: 20387:A Day in the Life 20214: 20213: 20210: 20209: 19826: 19825: 19708:The Beatles' Hits 19681: 19680: 19652: 19651: 19592:The Early Beatles 19550:Meet the Beatles! 19248:978-1-84195-955-9 19088:978-0-912777-77-1 19069:978-0-313-39171-2 19050:978-0-8264-1746-6 19028:978-0-307-45239-9 19009:978-0-7546-6708-7 18988:978-0-8160-2511-4 18969:978-0-7546-6708-7 18944:978-0-06-247558-9 18922:978-0-8356-0900-5 18898:978-0-7394-6966-8 18872:978-0-00-723705-0 18848:978-0-19-537371-4 18829:978-0-7391-7051-9 18808:978-0-7432-0169-8 18776:978-0-312-25464-3 18713:978-1-59752-577-0 18692:978-1-61713-375-6 18673:978-1-61713-009-0 18652:978-0-8223-5475-8 18631:978-0-306-81120-3 18607:978-0-521-68976-2 18588:978-0-7546-6708-7 18544:978-0-8108-8626-1 18496:978-0-297-87075-3 18477:978-0-06-075402-0 18434:978-0-87972-821-2 18411:978-1-138-70224-0 18392:978-0-7546-6708-7 18367:978-0-521-57484-6 18325:978-0-8050-5248-0 18301:978-0-333-60398-7 18282:978-0-312-11482-4 18260:978-0-306-81532-4 18239:978-0-14-303732-3 18215:978-0-7546-6708-7 18187:978-1-55652-733-3 18163:978-1-56976-534-0 18144:978-0-7537-2545-0 18103:978-0-19-531373-4 18081:978-0-7546-6708-7 18056:978-0-7546-6708-7 18031:978-0-7546-6708-7 18006:978-0-7546-6708-7 17985:978-0-7546-6244-0 17964:978-0-7546-6708-7 17943:978-1-84836-525-4 17924:978-0-634-05560-7 17862:978-0-7535-0716-2 17843:978-0-7535-0404-8 17807:978-0-7546-6708-7 17779:978-1-4766-6214-5 17760:978-1-57859-061-2 17739:978-0-307-35338-2 17718:978-0-14-303732-3 17711:. Penguin Books. 17697:978-0-7864-4785-5 17678:978-0-226-28737-9 17659:978-1-57806-966-8 17636:978-0-19-512941-0 17612:978-1-59240-269-4 17569:978-90-420-1565-4 17548:978-1-84792-218-2 17526:978-0-19-516921-8 17502:978-0-393-33874-4 17478:978-1-86074-242-2 17457:978-0-19-535662-5 17434:978-0-313-34586-9 17390:978-0-14-303732-3 17383:. Penguin Books. 17371:Christgau, Robert 17362:978-0-87930-967-1 17319:978-0-7119-8307-6 17300:978-0-87930-731-8 17092:Pro-MΓΊsica Brasil 17090:(in Portuguese). 16746:Recorded Music NZ 16468:"UK Albums Chart" 16231:. danishcharts.dk 15581:liverpoolphil.com 15348:Los Angeles Times 15134:, pp. 67–68. 14924:Los Angeles Times 14630:. The Marquee at 14184:The Village Voice 14175:Christgau, Robert 13822:, pp. 30–31. 13810:, pp. 28–30. 12820:, pp. 59–60. 12458:The Village Voice 12413:, pp. 57–58. 12401:, pp. 83–84. 12142:, pp. 58–59. 11349:kennethwomack.com 11171:, pp. 98–99. 10872:, pp. 92–95. 10445:, pp. 26–27. 9578:, pp. 61–62. 9486:, pp. 18–19. 9371:, pp. 47–48. 8957:, pp. 27–28. 8771:, pp. 37–38. 8498:, pp. 28–29. 8081:, pp. 19–20. 7777:, pp. 20–21. 7752:. 26 April 2017. 7750:Paulmccartney.com 7644:, pp. 54–56. 7502:, pp. 58–59. 6783:Beyond the Fringe 6774:Royal Albert Hall 6718:Beat Instrumental 6574: 6573: 6569: 6565: 6561: 6475: 6473:sales since 2009 6392:Pro-MΓΊsica Brasil 6364: 6308: 6307: 6301: 6300: 6277:Decade-end charts 6272: 6271: 6187: 6186: 6180: 6179: 6130:Sverigetopplistan 6031:Japanese Albums ( 5894:Austrian Albums ( 5864: 5863: 5725: 5724: 5717:Top Compact Disks 5668: 5667: 5571:Kent Music Report 5556:Original release 5462:audio engineering 5349: 5348: 5327:A Day in the Life 5206: 5205: 4459:The Village Voice 4435: 4434: 4424:The Village Voice 4149:red telephone box 4017:Atom Heart Mother 3946:The Soft Bulletin 3906:The Seeds of Love 3800:the Pretty Things 3666:Julien describes 3523:Album of the Year 3170:The Village Voice 3143:Richard Goldstein 3019:The Village Voice 2985:Leonard Bernstein 2880:sociomusicologist 2309:A Day in the Life 2281: 2202:Corn Flakes, the 2143:The Ragtime Dance 2094: 1798: 1751:call-and-response 1652: 1515:proto-progressive 1277:signal processing 1175:Technical aspects 1129:A Day in the Life 1076:Carnival of Light 911:Recording history 743:How I Won the War 702:How I Won the War 687:and holidayed in 634:US tour in August 506:, the first rock 504:Album of the Year 443:A Day in the Life 274: 273: 266: 265: 214: 213: 24065: 23906:Hackney Diamonds 23775:Swings Both Ways 23489:Greatest Hits II 23454:...But Seriously 23259:Electric Warrior 23168:Beatles for Sale 23156:With the Beatles 23059: 23052: 23045: 23036: 23035: 22974:Beatles for Sale 22961:With the Beatles 22874: 22867: 22860: 22851: 22850: 22784:Future Nostalgia 22653:The Fame Monster 22463:Falling into You 22451:Turbulent Indigo 22394: 22387: 22380: 22371: 22370: 22360: 22346: 22332: 22318: 22293: 22279: 22265: 22251: 22237: 22223: 22209: 22195: 22181: 22167: 22142: 22128: 22110: 22096: 22082: 22068: 22054: 22040: 22026: 22016: 21991: 21977: 21963: 21955:Time Out of Mind 21949: 21941:Falling into You 21935: 21921: 21907: 21893: 21879: 21865: 21840: 21826: 21812: 21798: 21784: 21770: 21756: 21742: 21728: 21710: 21685: 21671: 21661: 21647: 21633: 21619: 21605: 21591: 21577: 21563: 21538: 21524: 21510: 21496: 21482: 21468: 21450: 21447:Barbra Streisand 21436: 21428:The First Family 21422: 21408: 21383: 21369: 21338: 21331: 21324: 21315: 21314: 21261:Future Nostalgia 20842:Brothers in Arms 20799:Barbra Streisand 20748: 20741: 20734: 20725: 20724: 20709: 20708: 20681:Yellow Submarine 20632:Beatles for Sale 20618:With the Beatles 20611:Please Please Me 20581:Yellow Submarine 20511:Related articles 20480:Sgt. Pepper Live 20401:Non-album single 20281: 20280: 20241: 20234: 20227: 20218: 20217: 20015:From Then to You 19973:Non-album tracks 19901: 19900: 19817:4 by the Beatles 19750:Beatles for Sale 19690: 19689: 19514: 19513: 19481:Yellow Submarine 19422:Beatles for Sale 19404:With the Beatles 19395:Please Please Me 19383: 19382: 19353: 19346: 19339: 19330: 19329: 19313: 19312: 19310:Official website 19297: 19295: 19293: 19266:Rock's Backpages 19263: 19252: 19228: 19226: 19224: 19206: 19185: 19158: 19156: 19154: 19145:. Archived from 19142:The New Republic 19128: 19126: 19124: 19092: 19073: 19054: 19032: 19013: 18992: 18973: 18948: 18926: 18902: 18890: 18876: 18852: 18833: 18812: 18793:Brackett, Nathan 18780: 18756: 18732: 18717: 18696: 18677: 18656: 18635: 18611: 18592: 18571: 18559: 18548: 18527: 18500: 18481: 18460: 18438: 18415: 18396: 18371: 18350: 18329: 18305: 18286: 18264: 18243: 18219: 18201: 18191: 18167: 18148: 18126: 18107: 18085: 18060: 18035: 18010: 17989: 17968: 17947: 17928: 17907: 17888: 17871:Hertsgaard, Mark 17866: 17847: 17825: 17811: 17783: 17764: 17743: 17722: 17701: 17682: 17663: 17651: 17640: 17616: 17592: 17573: 17552: 17530: 17506: 17482: 17461: 17438: 17416: 17394: 17366: 17347: 17323: 17304: 17270: 17269: 17258: 17252: 17251: 17249: 17247: 17233: 17227: 17226: 17225:on 24 July 2011. 17215: 17209: 17207: 17205: 17203: 17189: 17183: 17182: 17174: 17170: 17163: 17157: 17156: 17145: 17139: 17138: 17136: 17134: 17120: 17114: 17113: 17102: 17096: 17095: 17084: 17078: 17077: 17066:Jornal do Brasil 17057: 17051: 17050: 17044: 17036: 17030: 17029: 17027: 17025: 17016:. Archived from 17006: 16997: 16996: 16994: 16992: 16979: 16973: 16972: 16970: 16968: 16956: 16950: 16949: 16947: 16945: 16925: 16919: 16909: 16903: 16897: 16891: 16885: 16879: 16878: 16876: 16874: 16855: 16849: 16839: 16833: 16832: 16830: 16828: 16813: 16807: 16793: 16787: 16786: 16784: 16782: 16768: 16762: 16761: 16759: 16757: 16738: 16732: 16731: 16729: 16727: 16712: 16706: 16696: 16690: 16689: 16687: 16685: 16666: 16660: 16659: 16657: 16655: 16644: 16638: 16628: 16622: 16611: 16605: 16599: 16593: 16587: 16581: 16559: 16553: 16552: 16550: 16548: 16537: 16531: 16525: 16519: 16513: 16507: 16501: 16495: 16489: 16483: 16482: 16480: 16478: 16464: 16458: 16457: 16455: 16453: 16443: 16431: 16425: 16424: 16422: 16420: 16405: 16399: 16398: 16396: 16394: 16379: 16373: 16372: 16370: 16368: 16353: 16347: 16346: 16344: 16342: 16327: 16321: 16320: 16318: 16316: 16299: 16293: 16292: 16290: 16288: 16273: 16267: 16266: 16264: 16262: 16247: 16241: 16240: 16238: 16236: 16230: 16218: 16212: 16211: 16209: 16207: 16188: 16182: 16181: 16179: 16177: 16171: 16159: 16153: 16152: 16150: 16148: 16133: 16127: 16126: 16124: 16122: 16112: 16104: 16098: 16097: 16095: 16093: 16074: 16068: 16067: 16046: 16037: 16036: 16034: 16032: 16022: 16010: 16004: 16003: 16001: 15999: 15993: 15981: 15975: 15974: 15972: 15970: 15951: 15945: 15944: 15942: 15940: 15921: 15915: 15903: 15901: 15899: 15893: 15882: 15874: 15868: 15867: 15865: 15863: 15848: 15842: 15841: 15823: 15817: 15816: 15814: 15812: 15803:. 17 July 2013. 15789: 15783: 15782: 15759: 15748: 15747: 15745: 15743: 15722: 15716: 15715: 15707: 15701: 15695: 15689: 15688: 15680: 15674: 15671:Rock's Backpages 15668: 15654: 15648: 15647: 15635: 15629: 15619: 15613: 15603: 15597: 15596: 15594: 15592: 15573: 15567: 15566: 15564: 15562: 15540: 15534: 15533: 15531: 15529: 15512: 15503: 15502: 15500: 15498: 15482: 15476: 15475: 15473: 15471: 15456: 15450: 15449: 15447: 15445: 15423: 15417: 15416: 15414: 15412: 15390: 15384: 15378: 15372: 15366: 15360: 15359: 15357: 15355: 15338: 15332: 15326: 15317: 15311: 15305: 15299: 15293: 15292: 15290: 15288: 15271: 15265: 15259: 15250: 15249: 15247: 15245: 15228: 15222: 15221: 15219: 15217: 15200: 15191: 15190: 15188: 15186: 15172: 15166: 15165: 15163: 15161: 15141: 15135: 15129: 15123: 15117: 15111: 15110: 15108: 15106: 15089: 15083: 15077: 15071: 15065: 15059: 15058: 15056: 15054: 15031: 15025: 15019: 15013: 15012: 15010: 15008: 14987: 14981: 14980: 14978: 14976: 14959: 14953: 14947: 14941: 14940: 14938: 14936: 14914: 14908: 14902: 14896: 14895: 14893: 14891: 14874: 14865: 14859: 14853: 14852: 14850: 14848: 14829: 14823: 14817: 14806: 14805: 14803: 14801: 14784: 14778: 14772: 14766: 14765: 14763: 14761: 14744: 14738: 14732: 14726: 14725: 14723: 14721: 14702: 14696: 14690: 14684: 14678: 14672: 14666: 14660: 14654: 14648: 14647: 14645: 14643: 14623: 14617: 14611: 14602: 14596: 14590: 14589: 14587: 14585: 14566: 14557: 14551: 14545: 14544: 14542: 14540: 14529:"Top 100 Albums" 14525: 14519: 14518: 14516: 14514: 14494: 14488: 14487: 14485: 14483: 14461: 14452: 14451: 14449: 14447: 14423: 14417: 14411: 14405: 14399: 14393: 14387: 14381: 14380: 14378: 14376: 14357: 14351: 14345: 14334: 14333: 14331: 14329: 14318: 14310: 14304: 14298: 14289: 14283: 14277: 14271: 14265: 14259: 14253: 14247: 14241: 14235: 14229: 14223: 14217: 14207: 14201: 14200: 14198: 14196: 14171: 14162: 14161: 14159: 14157: 14148:. Sputnikmusic. 14141: 14135: 14129: 14123: 14122: 14120: 14118: 14093: 14084: 14078: 14072: 14066: 14060: 14059: 14057: 14055: 14033: 14024: 14023: 14021: 14019: 13995: 13986: 13980: 13974: 13968: 13962: 13956: 13950: 13944: 13938: 13932: 13926: 13920: 13914: 13908: 13902: 13896: 13890: 13884: 13875: 13869: 13863: 13862: 13860: 13858: 13841: 13835: 13829: 13823: 13817: 13811: 13805: 13799: 13793: 13787: 13781: 13775: 13769: 13763: 13741: 13735: 13729: 13723: 13717: 13711: 13705: 13699: 13698: 13688: 13682: 13676: 13667: 13666: 13664: 13662: 13640: 13631: 13630: 13628: 13626: 13604: 13595: 13589: 13583: 13582: 13580: 13578: 13563: 13548: 13542: 13536: 13530: 13524: 13518: 13512: 13506: 13500: 13494: 13488: 13487: 13485: 13483: 13467: 13461: 13455: 13446: 13440: 13434: 13428: 13422: 13421: 13419: 13417: 13395: 13386: 13385: 13383: 13381: 13361: 13355: 13354: 13352: 13350: 13328: 13322: 13316: 13307: 13301: 13295: 13289: 13283: 13277: 13264: 13259:, p. xvii; 13254: 13248: 13242: 13236: 13235: 13233: 13231: 13214: 13205: 13199: 13193: 13187: 13181: 13180: 13178: 13176: 13154: 13148: 13147: 13133: 13127: 13121: 13115: 13109: 13103: 13097: 13091: 13085: 13079: 13073: 13067: 13061: 13055: 13049: 13043: 13037: 13031: 13025: 13019: 13013: 13007: 13006: 13004: 13002: 12980: 12974: 12968: 12962: 12961: 12959: 12957: 12938: 12932: 12926: 12920: 12914: 12908: 12902: 12896: 12890: 12884: 12878: 12869: 12863: 12857: 12856: 12854: 12852: 12830: 12821: 12815: 12809: 12803: 12797: 12791: 12785: 12779: 12773: 12767: 12761: 12755: 12749: 12743: 12737: 12731: 12725: 12719: 12713: 12707: 12701: 12695: 12689: 12683: 12677: 12676: 12674: 12672: 12665:The Conversation 12655: 12649: 12643: 12637: 12631: 12625: 12619: 12613: 12607: 12601: 12600: 12598: 12596: 12577: 12571: 12565: 12559: 12553: 12547: 12541: 12535: 12529: 12523: 12517: 12511: 12505: 12499: 12493: 12487: 12481: 12475: 12474: 12472: 12470: 12444: 12438: 12432: 12426: 12420: 12414: 12408: 12402: 12396: 12387: 12381: 12375: 12369: 12363: 12357: 12351: 12345: 12339: 12333: 12327: 12309: 12303: 12297: 12291: 12285: 12279: 12269: 12263: 12257: 12246: 12245: 12243: 12241: 12219: 12213: 12207: 12201: 12195: 12189: 12183: 12172: 12166: 12160: 12154: 12143: 12138:, pp. 8–9; 12129: 12123: 12117: 12108: 12102: 12096: 12095: 12093: 12091: 12073: 12062: 12053: 12047: 12041: 12040: 12038: 12036: 12027:. Archived from 12016: 12010: 12009: 12007: 12005: 12000:on 12 March 2018 11996:. Archived from 11985: 11979: 11978: 11976: 11974: 11965:. Archived from 11954: 11945: 11944: 11942: 11940: 11931:. Archived from 11920: 11911: 11905: 11899: 11893: 11884: 11878: 11872: 11866: 11860: 11854: 11848: 11842: 11833: 11832: 11830: 11828: 11809: 11803: 11797: 11791: 11785: 11779: 11773: 11767: 11761: 11755: 11749: 11743: 11737: 11731: 11725: 11719: 11709:Rock's Backpages 11706: 11696: 11687: 11681: 11675: 11669: 11663: 11657: 11651: 11645: 11639: 11633: 11627: 11617: 11611: 11605: 11599: 11593: 11587: 11581: 11575: 11569: 11563: 11557: 11546: 11540: 11534: 11528: 11519: 11513: 11507: 11501: 11495: 11489: 11483: 11477: 11471: 11465: 11459: 11453: 11447: 11441: 11435: 11429: 11416: 11410: 11404: 11398: 11392: 11386: 11380: 11379: 11369: 11360: 11359: 11357: 11355: 11340: 11331: 11330: 11320: 11314: 11308: 11302: 11301: 11299: 11297: 11280: 11274: 11268: 11262: 11256: 11250: 11244: 11238: 11237: 11235: 11233: 11218: 11212: 11206: 11200: 11190: 11184: 11178: 11172: 11166: 11160: 11154: 11148: 11142: 11136: 11130: 11119: 11113: 11107: 11101: 11095: 11094: 11092: 11090: 11073: 11062: 11056: 11050: 11044: 11038: 11032: 11023: 11017: 11004: 10998: 10992: 10982: 10976: 10970: 10959: 10952:The Beatles 2000 10949: 10943: 10940:The Beatles 2000 10929: 10923: 10917: 10911: 10897: 10891: 10890: 10879: 10873: 10867: 10858: 10852: 10843: 10842:, p. 215fn. 10837: 10831: 10830: 10820: 10814: 10808: 10802: 10796: 10790: 10784: 10775: 10769: 10763: 10757: 10751: 10745: 10739: 10733: 10724: 10718: 10712: 10706: 10700: 10694: 10688: 10682: 10676: 10670: 10664: 10658: 10652: 10646: 10640: 10634: 10628: 10622: 10613: 10607: 10601: 10595: 10586: 10580: 10574: 10568: 10559: 10553: 10547: 10541: 10535: 10529: 10518: 10512: 10506: 10500: 10494: 10488: 10482: 10476: 10470: 10464: 10458: 10452: 10446: 10440: 10434: 10424: 10418: 10412: 10406: 10400: 10394: 10388: 10379: 10373: 10367: 10361: 10355: 10349: 10343: 10337: 10331: 10325: 10319: 10313: 10307: 10301: 10295: 10289: 10283: 10277: 10271: 10265: 10259: 10253: 10247: 10241: 10235: 10229: 10220: 10214: 10205: 10195: 10189: 10183: 10177: 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9156:Please Please Me 9149: 9143: 9137: 9131: 9125: 9119: 9113: 9107: 9101: 9092: 9082: 9076: 9070: 9064: 9058: 9052: 9046: 9040: 9034: 9028: 9022: 9016: 9010: 8997: 8991: 8982: 8976: 8970: 8964: 8958: 8952: 8946: 8940: 8934: 8928: 8922: 8916: 8910: 8904: 8898: 8897: 8889: 8883: 8877: 8871: 8853: 8847: 8844:Prendergast 2003 8841: 8835: 8829: 8823: 8817: 8811: 8808:The Beatles 2000 8805: 8796: 8790: 8784: 8778: 8772: 8766: 8760: 8754: 8748: 8742: 8736: 8730: 8724: 8718: 8712: 8706: 8700: 8694: 8683: 8677: 8671: 8665: 8659: 8656:The Beatles 2000 8653: 8642: 8636: 8630: 8624: 8618: 8612: 8606: 8600: 8594: 8588: 8582: 8581: 8579: 8577: 8560: 8549: 8543: 8532: 8526: 8520: 8514: 8499: 8493: 8487: 8481: 8472: 8466: 8460: 8454: 8448: 8442: 8436: 8430: 8421: 8415: 8409: 8403: 8397: 8396: 8394: 8392: 8372: 8366: 8360: 8351: 8345: 8336: 8330: 8324: 8318: 8305: 8299: 8293: 8290:Prendergast 2003 8287: 8281: 8275: 8269: 8247: 8241: 8235: 8229: 8223: 8217: 8203: 8197: 8191: 8185: 8179: 8173: 8167: 8161: 8155: 8149: 8143: 8134: 8124: 8118: 8117:, p. 218fn. 8112: 8106: 8100: 8094: 8088: 8082: 8076: 8070: 8060: 8054: 8048: 8042: 8036: 8030: 8024: 8018: 8012: 8006: 8000: 7994: 7988: 7982: 7976: 7967: 7961: 7955: 7949: 7943: 7937: 7928: 7925:The Beatles 2000 7922: 7916: 7910: 7904: 7898: 7889: 7883: 7872: 7866: 7857: 7856: 7854: 7852: 7835: 7829: 7823: 7814: 7808: 7802: 7796: 7790: 7784: 7778: 7772: 7766: 7765: 7763: 7761: 7742: 7736: 7730: 7724: 7721:Prendergast 2003 7718: 7712: 7706: 7700: 7694: 7688: 7682: 7669: 7663: 7657: 7651: 7645: 7639: 7633: 7627: 7621: 7611: 7605: 7599: 7593: 7587: 7581: 7575: 7569: 7563: 7557: 7551: 7542: 7536: 7527: 7521: 7515: 7509: 7503: 7497: 7491: 7477: 7471: 7465: 7456: 7450: 7444: 7434: 7428: 7422: 7413: 7407: 7401: 7398:The Beatles 2000 7395: 7389: 7383: 7377: 7371: 7365: 7359: 7342: 7335: 7329: 7319: 7313: 7290: 7284: 7255: 7249: 7237: 7231: 7208: 7202: 7196:returned to the 7190: 7184: 7166: 7160:Lavezzoli cites 7158: 7152: 7150: 7129: 7123: 7121: 7114:had referred to 7108: 7102: 7090: 7084: 7070: 7064: 7059:The Beatles Book 7056:In August 1967, 7054: 7048: 7035: 7029: 7025: 7019: 7011: 7005: 7003: 6989: 6983: 6976:full-page ad in 6973: 6967: 6961: 6955: 6949: 6933: 6927: 6924: 6918: 6910: 6904: 6893: 6887: 6883: 6877: 6861: 6855: 6843: 6837: 6834: 6828: 6825: 6819: 6813:McCartney hired 6811: 6805: 6802: 6796: 6793: 6787: 6770: 6764: 6761: 6755: 6742: 6736: 6729: 6723: 6703: 6697: 6690: 6684: 6677: 6671: 6669: 6656: 6650: 6643: 6637: 6630: 6624: 6621: 6615: 6613: 6609: 6604: 6567: 6563: 6559: 6512:United Kingdom ( 6471: 6360: 6322: 6315: 6281: 6280: 6200: 6199: 6191: 6128:Swedish Albums ( 6116:Spanish Albums ( 6043:Mexican Albums ( 6019:Italian Albums ( 5983:Finnish Albums ( 5918:Belgian Albums ( 5906:Belgian Albums ( 5871: 5867: 5857:UK Albums Chart 5730: 5726: 5673: 5669: 5561:Chart (1967–70) 5558: 5554: 5551: 5523:by Natwar Soni, 5488:, Lowrey organ, 5342: 5218: 5213: 5209: 5199: 5057: 5052: 5048: 5031:Lennon–McCartney 4976:On 26 May 2017, 4970:50th anniversary 4946: 4937: 4925:TV documentary, 4869:Sgt. Pepper Live 4822:Yellow Submarine 4791: 4762: 4754:Read the Beatles 4720: 4695: 4632: 4617: 4577: 4546: 4538: 4530: 4511: 4500: 4490: 4483: 4431: 4409: 4408: 4407: 4403: 4402: 4398: 4397: 4393: 4392: 4388: 4387: 4371: 4370: 4369: 4365: 4364: 4360: 4359: 4355: 4354: 4350: 4349: 4297: 4296: 4295: 4291: 4290: 4286: 4285: 4281: 4280: 4276: 4275: 4259: 4258: 4257: 4253: 4252: 4248: 4247: 4243: 4242: 4238: 4237: 4221: 4220: 4219: 4215: 4214: 4210: 4209: 4205: 4204: 4200: 4199: 4174: 4170: 4067:and the musical 4061:'s double album 4012:progressive rock 3952: 3941:the Flaming Lips 3875: 3852:Indo-jazz fusion 3676:Anthony DeCurtis 3662: 3498: 3350: 3332:in Afghanistan. 3275: 3231:Robert Christgau 3098: 3091: 3040: 2971: 2964: 2960: 2956: 2935: 2847: 2711: 2658:a photograph of 2649: 2633: 2583:Mahavatar Babaji 2531:Aubrey Beardsley 2519:Marlene Dietrich 2369: 2283: 2282: 2262: 2096: 2095: 2076: 2015: 1979:promotional film 1912:We're Gonna Move 1882:"Getting Better" 1847: 1800: 1799: 1779: 1749:of tune. In the 1701:The song's five- 1654: 1653: 1633: 1614: 1586: 1548: 1413: 1392: 1365:Please Please Me 1334:. Martin cites " 1297:direct injection 1255: 1224:reduction mixing 1204:Pierre Schaeffer 1063:Yellow Submarine 973: 755:electronic-music 569: 530:, and the UK's " 477:, heralding the 472: 448: 403:progressive rock 361: 296: 293:. Released on 26 235: 234: 183: 182: 136: 135: 131: 118: 68: 66: 40: 28: 27: 24073: 24072: 24068: 24067: 24066: 24064: 24063: 24062: 23923: 23922: 23921: 23916: 23869: 23780:Robbie Williams 23738: 23680:Beautiful World 23661:Robbie Williams 23637:Robbie Williams 23625:Robbie Williams 23607: 23476: 23365: 23246: 23119: 23068: 23063: 23033: 23028: 22952:West Side Story 22884: 22878: 22848: 22843: 22842: 22837: 22830: 22771: 22640: 22635:Black Eyed Peas 22509: 22426: 22403: 22398: 22368: 22363: 22349: 22335: 22321: 22307: 22296: 22282: 22276:Kacey Musgraves 22268: 22254: 22240: 22226: 22212: 22198: 22184: 22170: 22156: 22145: 22131: 22113: 22099: 22085: 22071: 22057: 22043: 22029: 22019: 22005: 21994: 21980: 21966: 21952: 21938: 21924: 21910: 21904:Whitney Houston 21896: 21882: 21868: 21854: 21843: 21829: 21815: 21804:The Joshua Tree 21801: 21787: 21773: 21762:Can't Slow Down 21759: 21753:Michael Jackson 21745: 21731: 21713: 21699: 21688: 21674: 21664: 21650: 21636: 21622: 21608: 21594: 21588:George Harrison 21580: 21566: 21552: 21541: 21527: 21513: 21499: 21485: 21471: 21453: 21439: 21425: 21411: 21397: 21386: 21372: 21358: 21347: 21342: 21312: 21307: 21069:Hopes and Fears 21008: 20811:Michael Jackson 20757: 20752: 20717: 20706: 20701: 20700: 20594: 20506: 20446: 20421: 20392: 20339: 20272: 20252: 20245: 20215: 20206: 20197: 20178:The U.S. Albums 20125:The Beatles Box 20105: 20073: 20031: 20002: 19968: 19896: 19890: 19864:Live at the BBC 19822: 19790: 19729:Long Tall Sally 19701:Twist and Shout 19677: 19665:Twist and Shout 19648: 19537: 19505: 19374: 19363: 19357: 19308: 19307: 19304: 19291: 19289: 19271: 19255: 19249: 19233:Heylin, Clinton 19231: 19222: 19220: 19209: 19203: 19202:978-0-253026590 19188: 19174: 19152: 19150: 19131: 19122: 19120: 19104: 19101: 19099:Further reading 19096: 19089: 19070: 19051: 19037:Womack, Kenneth 19029: 19010: 18989: 18970: 18945: 18923: 18899: 18873: 18849: 18830: 18809: 18777: 18753: 18745:. McGraw-Hill. 18714: 18693: 18674: 18653: 18632: 18608: 18589: 18568: 18545: 18524: 18497: 18478: 18457: 18435: 18412: 18393: 18368: 18347: 18326: 18302: 18283: 18261: 18240: 18216: 18199: 18188: 18164: 18145: 18123: 18104: 18082: 18057: 18032: 18007: 17986: 17965: 17944: 17925: 17904: 17885: 17863: 17844: 17808: 17788:Hannan, Michael 17780: 17761: 17740: 17719: 17698: 17679: 17660: 17637: 17621:Everett, Walter 17613: 17570: 17549: 17527: 17503: 17479: 17458: 17435: 17421:Courrier, Kevin 17413: 17403:George Harrison 17391: 17363: 17344: 17320: 17301: 17279: 17274: 17273: 17260: 17259: 17255: 17245: 17243: 17235: 17234: 17230: 17217: 17216: 17212: 17201: 17199: 17191: 17190: 17186: 17172: 17168: 17165: 17164: 17160: 17147: 17146: 17142: 17132: 17130: 17122: 17121: 17117: 17104: 17103: 17099: 17086: 17085: 17081: 17059: 17058: 17054: 17042: 17038: 17037: 17033: 17023: 17021: 17008: 17007: 17000: 16990: 16988: 16981: 16980: 16976: 16966: 16964: 16958: 16957: 16953: 16943: 16941: 16926: 16922: 16910: 16906: 16898: 16894: 16886: 16882: 16872: 16870: 16857: 16856: 16852: 16840: 16836: 16826: 16824: 16819:. Hung Medien. 16815: 16814: 16810: 16794: 16790: 16780: 16778: 16770: 16769: 16765: 16755: 16753: 16748:. 5 June 2017. 16740: 16739: 16735: 16725: 16723: 16722:on 11 July 2017 16714: 16713: 16709: 16701:(in Japanese). 16697: 16693: 16683: 16681: 16668: 16667: 16663: 16653: 16651: 16646: 16645: 16641: 16629: 16625: 16612: 16608: 16600: 16596: 16588: 16584: 16560: 16556: 16546: 16544: 16539: 16538: 16534: 16526: 16522: 16514: 16510: 16502: 16498: 16490: 16486: 16476: 16474: 16466: 16465: 16461: 16451: 16449: 16441: 16435:"The Beatles – 16433: 16432: 16428: 16418: 16416: 16409:"Album Top 100" 16407: 16406: 16402: 16392: 16390: 16381: 16380: 16376: 16366: 16364: 16355: 16354: 16350: 16340: 16338: 16329: 16328: 16324: 16314: 16312: 16305: 16301: 16300: 16296: 16286: 16284: 16275: 16274: 16270: 16260: 16258: 16249: 16248: 16244: 16234: 16232: 16228: 16222:"The Beatles – 16220: 16219: 16215: 16205: 16203: 16190: 16189: 16185: 16175: 16173: 16169: 16163:"The Beatles – 16161: 16160: 16156: 16146: 16144: 16135: 16134: 16130: 16120: 16118: 16110: 16106: 16105: 16101: 16091: 16089: 16082:UK Albums Chart 16076: 16075: 16071: 16064: 16048: 16047: 16040: 16030: 16028: 16020: 16014:"The Beatles – 16012: 16011: 16007: 15997: 15995: 15991: 15983: 15982: 15978: 15968: 15966: 15955:"Billboard 200" 15953: 15952: 15948: 15938: 15936: 15923: 15922: 15918: 15897: 15895: 15891: 15880: 15876: 15875: 15871: 15861: 15859: 15850: 15849: 15845: 15838: 15824: 15820: 15810: 15808: 15791: 15790: 15786: 15779: 15760: 15751: 15741: 15739: 15724: 15723: 15719: 15708: 15704: 15696: 15692: 15681: 15677: 15655: 15651: 15636: 15632: 15620: 15616: 15608:, p. 350; 15604: 15600: 15590: 15588: 15583:. 5 June 2017. 15575: 15574: 15570: 15560: 15558: 15541: 15537: 15527: 15525: 15513: 15506: 15496: 15494: 15483: 15479: 15469: 15467: 15458: 15457: 15453: 15443: 15441: 15424: 15420: 15410: 15408: 15391: 15387: 15379: 15375: 15367: 15363: 15353: 15351: 15339: 15335: 15327: 15320: 15312: 15308: 15300: 15296: 15286: 15284: 15272: 15268: 15260: 15253: 15243: 15241: 15229: 15225: 15215: 15213: 15202: 15201: 15194: 15184: 15182: 15174: 15173: 15169: 15159: 15157: 15142: 15138: 15130: 15126: 15118: 15114: 15104: 15102: 15091: 15090: 15086: 15078: 15074: 15066: 15062: 15052: 15050: 15032: 15028: 15020: 15016: 15006: 15004: 14989: 14988: 14984: 14974: 14972: 14961: 14960: 14956: 14948: 14944: 14934: 14932: 14915: 14911: 14903: 14899: 14889: 14887: 14876: 14875: 14868: 14860: 14856: 14846: 14844: 14831: 14830: 14826: 14818: 14809: 14799: 14797: 14785: 14781: 14773: 14769: 14759: 14757: 14754:The Irish Times 14745: 14741: 14733: 14729: 14719: 14717: 14704: 14703: 14699: 14691: 14687: 14679: 14675: 14667: 14663: 14655: 14651: 14641: 14639: 14624: 14620: 14612: 14605: 14597: 14593: 14583: 14581: 14576:. 1 June 2011. 14568: 14567: 14560: 14552: 14548: 14538: 14536: 14527: 14526: 14522: 14512: 14510: 14495: 14491: 14481: 14479: 14462: 14455: 14445: 14443: 14424: 14420: 14412: 14408: 14400: 14396: 14388: 14384: 14374: 14372: 14359: 14358: 14354: 14346: 14337: 14327: 14325: 14323:loudersound.com 14316: 14311: 14307: 14299: 14292: 14284: 14280: 14272: 14268: 14260: 14256: 14248: 14244: 14236: 14232: 14224: 14220: 14208: 14204: 14194: 14192: 14172: 14165: 14155: 14153: 14142: 14138: 14130: 14126: 14116: 14114: 14094: 14087: 14079: 14075: 14067: 14063: 14053: 14051: 14034: 14027: 14017: 14015: 13996: 13989: 13981: 13977: 13969: 13965: 13957: 13953: 13945: 13941: 13933: 13929: 13921: 13917: 13909: 13905: 13897: 13893: 13885: 13878: 13870: 13866: 13856: 13854: 13842: 13838: 13830: 13826: 13818: 13814: 13806: 13802: 13794: 13790: 13782: 13778: 13770: 13766: 13742: 13738: 13730: 13726: 13718: 13714: 13706: 13702: 13689: 13685: 13677: 13670: 13660: 13658: 13641: 13634: 13624: 13622: 13605: 13598: 13590: 13586: 13576: 13574: 13564: 13551: 13543: 13539: 13531: 13527: 13519: 13515: 13507: 13503: 13495: 13491: 13481: 13479: 13476:Chicago Tribune 13468: 13464: 13456: 13449: 13441: 13437: 13429: 13425: 13415: 13413: 13396: 13389: 13379: 13377: 13362: 13358: 13348: 13346: 13329: 13325: 13317: 13310: 13304:Hertsgaard 1996 13302: 13298: 13290: 13286: 13278: 13267: 13255: 13251: 13243: 13239: 13229: 13227: 13215: 13208: 13200: 13196: 13188: 13184: 13174: 13172: 13155: 13151: 13134: 13130: 13122: 13118: 13110: 13106: 13098: 13094: 13086: 13082: 13074: 13070: 13062: 13058: 13050: 13046: 13038: 13034: 13026: 13022: 13014: 13010: 13000: 12998: 12981: 12977: 12969: 12965: 12955: 12953: 12940: 12939: 12935: 12927: 12923: 12915: 12911: 12903: 12899: 12891: 12887: 12879: 12872: 12864: 12860: 12850: 12848: 12831: 12824: 12816: 12812: 12804: 12800: 12792: 12788: 12780: 12776: 12768: 12764: 12756: 12752: 12744: 12740: 12732: 12728: 12720: 12716: 12708: 12704: 12696: 12692: 12684: 12680: 12670: 12668: 12656: 12652: 12644: 12640: 12632: 12628: 12620: 12616: 12608: 12604: 12594: 12592: 12587:. 1 June 2007. 12579: 12578: 12574: 12566: 12562: 12554: 12550: 12542: 12538: 12530: 12526: 12518: 12514: 12506: 12502: 12494: 12490: 12482: 12478: 12468: 12466: 12445: 12441: 12433: 12429: 12421: 12417: 12409: 12405: 12397: 12390: 12382: 12378: 12370: 12366: 12358: 12354: 12346: 12342: 12334: 12330: 12310: 12306: 12300:Romanowski 2006 12298: 12294: 12286: 12282: 12274:, p. 420; 12270: 12266: 12258: 12249: 12239: 12237: 12220: 12216: 12208: 12204: 12196: 12192: 12184: 12175: 12167: 12163: 12155: 12146: 12134:, p. 420; 12130: 12126: 12118: 12111: 12103: 12099: 12089: 12087: 12071: 12063: 12056: 12048: 12044: 12034: 12032: 12031:on 6 March 2016 12017: 12013: 12003: 12001: 11986: 11982: 11972: 11970: 11955: 11948: 11938: 11936: 11921: 11914: 11906: 11902: 11894: 11887: 11879: 11875: 11867: 11863: 11855: 11851: 11843: 11836: 11826: 11824: 11811: 11810: 11806: 11800:Hertsgaard 1996 11798: 11794: 11786: 11782: 11774: 11770: 11762: 11758: 11752:Hertsgaard 1996 11750: 11746: 11738: 11734: 11726: 11722: 11716:Wayback Machine 11705:. pp. 4–8. 11697: 11690: 11682: 11678: 11670: 11666: 11658: 11654: 11646: 11642: 11634: 11630: 11618: 11614: 11606: 11602: 11594: 11590: 11582: 11578: 11570: 11566: 11558: 11549: 11541: 11537: 11529: 11522: 11514: 11510: 11502: 11498: 11494:, pp. 6–7. 11490: 11486: 11478: 11474: 11468:Scapelliti 2007 11466: 11462: 11454: 11450: 11442: 11438: 11430: 11419: 11411: 11407: 11399: 11395: 11387: 11383: 11378:. pp. 2–3. 11370: 11363: 11353: 11351: 11341: 11334: 11321: 11317: 11309: 11305: 11295: 11293: 11281: 11277: 11269: 11265: 11257: 11253: 11245: 11241: 11231: 11229: 11219: 11215: 11207: 11203: 11191: 11187: 11179: 11175: 11167: 11163: 11155: 11151: 11143: 11139: 11131: 11122: 11114: 11110: 11102: 11098: 11088: 11086: 11074: 11065: 11057: 11053: 11045: 11041: 11033: 11026: 11018: 11007: 10999: 10995: 10983: 10979: 10971: 10962: 10950: 10946: 10930: 10926: 10918: 10914: 10898: 10894: 10880: 10876: 10868: 10861: 10853: 10846: 10838: 10834: 10821: 10817: 10811:MacFarlane 2008 10809: 10805: 10797: 10793: 10787:MacFarlane 2008 10785: 10778: 10770: 10766: 10758: 10754: 10746: 10742: 10734: 10727: 10719: 10715: 10707: 10703: 10695: 10691: 10683: 10679: 10671: 10667: 10659: 10655: 10647: 10643: 10635: 10631: 10623: 10616: 10608: 10604: 10596: 10589: 10581: 10577: 10569: 10562: 10554: 10550: 10542: 10538: 10530: 10521: 10513: 10509: 10503:Hertsgaard 1996 10501: 10497: 10489: 10485: 10477: 10473: 10465: 10461: 10453: 10449: 10441: 10437: 10425: 10421: 10413: 10409: 10401: 10397: 10389: 10382: 10374: 10370: 10362: 10358: 10350: 10346: 10338: 10334: 10326: 10322: 10314: 10310: 10302: 10298: 10290: 10286: 10278: 10274: 10266: 10262: 10254: 10250: 10242: 10238: 10230: 10223: 10215: 10208: 10196: 10192: 10184: 10180: 10172: 10168: 10162:Hertsgaard 1996 10160: 10156: 10148: 10144: 10136: 10132: 10120: 10116: 10108: 10104: 10096: 10092: 10084: 10080: 10072: 10068: 10060: 10056: 10050:Hertsgaard 1996 10048: 10044: 10036: 10032: 10024: 10020: 10014:Hertsgaard 1996 10012: 10008: 10000: 9996: 9988: 9984: 9976: 9972: 9964: 9957: 9949: 9945: 9937: 9933: 9925: 9914: 9908:Hertsgaard 1996 9906: 9902: 9894: 9890: 9882: 9878: 9870: 9866: 9860:Hertsgaard 1996 9858: 9854: 9846:, p. 240; 9842: 9838: 9830: 9819: 9811: 9807: 9799: 9795: 9787: 9780: 9772: 9768: 9762:Hertsgaard 1996 9760: 9756: 9748: 9739: 9731: 9727: 9719: 9715: 9703: 9699: 9691: 9687: 9679: 9672: 9664: 9653: 9645: 9641: 9633: 9629: 9613: 9609: 9601: 9597: 9589: 9582: 9574: 9570: 9562: 9555: 9547: 9543: 9535: 9531: 9523: 9519: 9511: 9507: 9499: 9490: 9482: 9478: 9470: 9463: 9441: 9437: 9424: 9420: 9410: 9408: 9395: 9394: 9390: 9382: 9375: 9367: 9363: 9355: 9351: 9343: 9339: 9327: 9323: 9303: 9299: 9289: 9287: 9277: 9272: 9268: 9260: 9256: 9248: 9244: 9236: 9232: 9222: 9220: 9212:Miles (2019) . 9210: 9206: 9200:Hertsgaard 1996 9198: 9194: 9186: 9182: 9174: 9170: 9150: 9146: 9138: 9134: 9128:Scapelliti 2007 9126: 9122: 9114: 9110: 9102: 9095: 9087:, p. 162; 9083: 9079: 9071: 9067: 9059: 9055: 9047: 9043: 9035: 9031: 9023: 9019: 9011: 9000: 8992: 8985: 8977: 8973: 8965: 8961: 8953: 8949: 8941: 8937: 8929: 8925: 8917: 8913: 8905: 8901: 8890: 8886: 8878: 8874: 8854: 8850: 8842: 8838: 8830: 8826: 8818: 8814: 8806: 8799: 8791: 8787: 8779: 8775: 8767: 8763: 8755: 8751: 8745:Cunningham 1998 8743: 8739: 8731: 8727: 8719: 8715: 8709:Hertsgaard 1996 8707: 8703: 8695: 8686: 8678: 8674: 8666: 8662: 8654: 8645: 8637: 8633: 8625: 8621: 8613: 8609: 8601: 8597: 8591:Cunningham 1998 8589: 8585: 8575: 8573: 8561: 8552: 8544: 8535: 8529:Hertsgaard 1996 8527: 8523: 8515: 8502: 8494: 8490: 8482: 8475: 8467: 8463: 8455: 8451: 8443: 8439: 8431: 8424: 8416: 8412: 8404: 8400: 8390: 8388: 8373: 8369: 8363:Hertsgaard 1996 8361: 8354: 8346: 8339: 8331: 8327: 8319: 8308: 8300: 8296: 8288: 8284: 8278:Cunningham 1998 8276: 8272: 8248: 8244: 8236: 8232: 8224: 8220: 8204: 8200: 8192: 8188: 8180: 8176: 8168: 8164: 8156: 8152: 8144: 8137: 8125: 8121: 8113: 8109: 8101: 8097: 8089: 8085: 8077: 8073: 8061: 8057: 8049: 8045: 8037: 8033: 8025: 8021: 8013: 8009: 8001: 7997: 7989: 7985: 7977: 7970: 7962: 7958: 7950: 7946: 7938: 7931: 7923: 7919: 7911: 7907: 7899: 7892: 7884: 7875: 7867: 7860: 7850: 7848: 7836: 7832: 7824: 7817: 7809: 7805: 7797: 7793: 7785: 7781: 7773: 7769: 7759: 7757: 7744: 7743: 7739: 7731: 7727: 7719: 7715: 7707: 7703: 7695: 7691: 7683: 7672: 7664: 7660: 7652: 7648: 7640: 7636: 7628: 7624: 7612: 7608: 7600: 7596: 7588: 7584: 7576: 7572: 7564: 7560: 7552: 7545: 7537: 7530: 7522: 7518: 7510: 7506: 7498: 7494: 7478: 7474: 7466: 7459: 7451: 7447: 7439:, p. 211; 7435: 7431: 7423: 7416: 7408: 7404: 7396: 7392: 7384: 7380: 7372: 7368: 7360: 7356: 7351: 7346: 7345: 7336: 7332: 7320: 7316: 7291: 7287: 7256: 7252: 7238: 7234: 7209: 7205: 7191: 7187: 7174:West Meets East 7164: 7159: 7155: 7148: 7130: 7126: 7119: 7109: 7105: 7094:I Am the Walrus 7091: 7087: 7071: 7067: 7055: 7051: 7036: 7032: 7026: 7022: 7012: 7008: 7001: 6997:Saville Theatre 6990: 6986: 6974: 6970: 6959: 6956: 6952: 6937:Joseph Lockwood 6934: 6930: 6925: 6921: 6911: 6907: 6894: 6890: 6884: 6880: 6862: 6858: 6844: 6840: 6835: 6831: 6826: 6822: 6812: 6808: 6803: 6799: 6794: 6790: 6771: 6767: 6762: 6758: 6743: 6739: 6730: 6726: 6712:Beatles Monthly 6704: 6700: 6691: 6687: 6678: 6674: 6667: 6657: 6653: 6644: 6640: 6631: 6627: 6622: 6618: 6611: 6607: 6605: 6601: 6596: 6579: 6566: 6562: 6527:United States ( 6470: 6359: 6332:Certified units 6314: 6309: 6293:UK Albums Chart 6279: 6222:UK Albums Chart 6198: 6196:Year-end charts 6188: 6102:Scottish Albums 6079:Polish Albums ( 5995:German Albums ( 5959:Danish Albums ( 5931:Canadian Albums 5703:UK Albums Chart 5630:Record Retailer 5548: 5543: 5509:Sheila Bromberg 5507:, performed by 5399:George Harrison 5355: 5350: 5340: 5207: 5197: 5035:George Harrison 5027: 4944: 4935: 4854:London Olympics 4850:Robert Stigwood 4806: 4789: 4760: 4718: 4712:expanded survey 4693: 4681:Paul Gambaccini 4648: 4643: 4630: 4615: 4575: 4544: 4536: 4528: 4509: 4498: 4492: 4488: 4481: 4405: 4400: 4395: 4390: 4367: 4362: 4357: 4352: 4304:MusicHound Rock 4293: 4288: 4283: 4278: 4255: 4250: 4245: 4240: 4217: 4212: 4207: 4202: 4169: 4121: 4024:when he formed 4004:annus mirabilis 3993: 3950: 3901:Tears for Fears 3873: 3770:the Moody Blues 3725: 3664: 3657: 3648: 3643: 3517:in March 1968, 3496: 3481: 3348: 3273: 3264:In the wake of 3262: 3253: 3248: 3216:Partisan Review 3211:Richard Poirier 3096: 3089: 3073:Wilfrid Mellers 3038: 2993:, broadcast by 2975:The release of 2973: 2969: 2962: 2958: 2954: 2947: 2933: 2917:UK Albums Chart 2912:Record Retailer 2904: 2845: 2842:Lennon's murder 2768: 2766:Public reaction 2760:Capitol Records 2709: 2681: 2676: 2647: 2631: 2622: 2587:Lahiri Mahasaya 2567:Albert Einstein 2539:Albert Stubbins 2537:and footballer 2480:Madame Tussauds 2428: 2419: 2414: 2367: 2361: 2305: 2304: 2296: 2294: 2293: 2292: 2291: 2284: 2276: 2273: 2266: 2260: 2255: 2230: 2192: 2176:Swinging London 2164: 2147:The Blue Danube 2114: 2113: 2105: 2103: 2102: 2101: 2100: 2097: 2090: 2087: 2080: 2074: 2069: 2057:Mixolydian mode 2017: 2012:George Harrison 2009: 2001: 1996: 1963: 1920: 1900: 1898:"Fixing a Hole" 1884: 1845: 1827: 1826: 1818: 1816: 1815: 1814: 1813: 1801: 1793: 1790: 1783: 1777: 1772: 1734: 1681:opens with the 1676: 1675: 1667: 1665: 1664: 1663: 1662: 1655: 1647: 1644: 1637: 1631: 1626: 1621: 1612: 1584: 1550: 1542: 1458: 1453: 1411: 1390: 1378: 1289:signal limiting 1257: 1249: 1190:In his book on 1177: 1092: 975: 968: 913: 908: 731: 654:George Harrison 571: 564: 552: 488:Record Retailer 470: 446: 384:the title track 359: 294: 285:by the English 261: 252: 243: 209: 200: 191: 133: 129: 128: 114: 64: 62: 53: 24: 17: 12: 11: 5: 24071: 24061: 24060: 24055: 24050: 24045: 24040: 24035: 24030: 24025: 24020: 24015: 24010: 24005: 24000: 23995: 23990: 23985: 23980: 23975: 23970: 23965: 23960: 23955: 23950: 23945: 23940: 23935: 23918: 23917: 23915: 23914: 23902: 23890: 23877: 23875: 23871: 23870: 23868: 23867: 23864:Paul McCartney 23855: 23843: 23835: 23823: 23807: 23795: 23783: 23771: 23759: 23746: 23744: 23740: 23739: 23737: 23736: 23724: 23712: 23700: 23688: 23676: 23664: 23652: 23640: 23628: 23615: 23613: 23609: 23608: 23606: 23605: 23593: 23581: 23578:George Michael 23569: 23557: 23545: 23533: 23521: 23509: 23497: 23484: 23482: 23478: 23477: 23475: 23474: 23462: 23450: 23438: 23430: 23422: 23414: 23406: 23398: 23386: 23373: 23371: 23367: 23366: 23364: 23363: 23351: 23339: 23331: 23323: 23311: 23299: 23287: 23275: 23267: 23254: 23252: 23248: 23247: 23245: 23244: 23232: 23220: 23208: 23196: 23188: 23176: 23164: 23152: 23140: 23127: 23125: 23121: 23120: 23118: 23117: 23109: 23101: 23093: 23089:The King and I 23085: 23081:The King and I 23076: 23074: 23070: 23069: 23062: 23061: 23054: 23047: 23039: 23030: 23029: 23027: 23026: 23013: 23004: 22991: 22982: 22969: 22956: 22947: 22934: 22925: 22922:cast recording 22912: 22908:The King and I 22903: 22889: 22886: 22885: 22877: 22876: 22869: 22862: 22854: 22845: 22844: 22839: 22838: 22835: 22832: 22831: 22829: 22828: 22816: 22804: 22801:Olivia Rodrigo 22792: 22779: 22777: 22773: 22772: 22770: 22769: 22757: 22745: 22733: 22721: 22709: 22697: 22685: 22682:Kelly Clarkson 22673: 22661: 22648: 22646: 22642: 22641: 22639: 22638: 22626: 22614: 22602: 22590: 22587:Kelly Clarkson 22578: 22566: 22554: 22542: 22530: 22517: 22515: 22511: 22510: 22508: 22507: 22495: 22483: 22471: 22459: 22447: 22434: 22432: 22428: 22427: 22425: 22424: 22411: 22409: 22405: 22404: 22397: 22396: 22389: 22382: 22374: 22365: 22364: 22362: 22361: 22347: 22333: 22319: 22304: 22302: 22298: 22297: 22295: 22294: 22280: 22266: 22252: 22238: 22224: 22210: 22196: 22182: 22168: 22153: 22151: 22147: 22146: 22144: 22143: 22129: 22111: 22107:Herbie Hancock 22097: 22083: 22069: 22055: 22041: 22027: 22017: 22002: 22000: 21996: 21995: 21993: 21992: 21978: 21964: 21950: 21936: 21922: 21908: 21894: 21880: 21866: 21851: 21849: 21845: 21844: 21842: 21841: 21827: 21823:George Michael 21813: 21799: 21785: 21771: 21757: 21743: 21729: 21716:Double Fantasy 21711: 21696: 21694: 21690: 21689: 21687: 21686: 21672: 21662: 21648: 21634: 21620: 21606: 21592: 21578: 21564: 21549: 21547: 21543: 21542: 21540: 21539: 21525: 21511: 21497: 21483: 21469: 21451: 21437: 21423: 21409: 21394: 21392: 21388: 21387: 21385: 21384: 21370: 21355: 21353: 21349: 21348: 21341: 21340: 21333: 21326: 21318: 21309: 21308: 21306: 21305: 21293: 21281: 21269: 21257: 21245: 21233: 21221: 21209: 21197: 21185: 21182:Arctic Monkeys 21173: 21161: 21149: 21137: 21125: 21113: 21110:Arctic Monkeys 21101: 21098:Arctic Monkeys 21089: 21077: 21065: 21053: 21041: 21029: 21016: 21014: 21010: 21009: 21007: 21006: 20994: 20982: 20970: 20958: 20946: 20934: 20922: 20910: 20898: 20895:George Michael 20886: 20874: 20862: 20850: 20838: 20826: 20814: 20802: 20790: 20778: 20765: 20763: 20759: 20758: 20751: 20750: 20743: 20736: 20728: 20722: 20719: 20718: 20703: 20702: 20699: 20698: 20691: 20684: 20677: 20670: 20663: 20656: 20649: 20642: 20635: 20628: 20621: 20614: 20607: 20600: 20599: 20596: 20595: 20593: 20592: 20585: 20577: 20570: 20563: 20555: 20547: 20540: 20535: 20530: 20525: 20520: 20514: 20512: 20508: 20507: 20505: 20504: 20497: 20490: 20483: 20476: 20469: 20462: 20454: 20452: 20451:Tribute albums 20448: 20447: 20445: 20444: 20437: 20429: 20427: 20423: 20422: 20420: 20419: 20412: 20404: 20402: 20398: 20397: 20394: 20393: 20391: 20390: 20383: 20376: 20369: 20362: 20355: 20347: 20345: 20341: 20340: 20338: 20337: 20330: 20323: 20316: 20313:Getting Better 20309: 20302: 20295: 20287: 20285: 20278: 20274: 20273: 20271: 20270: 20265: 20257: 20254: 20253: 20244: 20243: 20236: 20229: 20221: 20212: 20211: 20208: 20207: 20202: 20199: 20198: 20196: 20195: 20188: 20181: 20174: 20167: 20160: 20159: 20158: 20153: 20142: 20135: 20128: 20121: 20113: 20111: 20107: 20106: 20104: 20103: 20096: 20089: 20081: 20079: 20075: 20074: 20072: 20071: 20064: 20063: 20062: 20057: 20052: 20039: 20037: 20033: 20032: 20030: 20029: 20022: 20010: 20008: 20004: 20003: 20001: 20000: 19993: 19984: 19976: 19974: 19970: 19969: 19967: 19966: 19959: 19957:("Blue Album") 19951: 19943: 19936: 19929: 19922: 19915: 19907: 19905: 19898: 19892: 19891: 19889: 19888: 19881: 19874: 19867: 19860: 19853: 19842: 19834: 19832: 19828: 19827: 19824: 19823: 19821: 19820: 19813: 19806: 19798: 19796: 19792: 19791: 19789: 19788: 19781: 19774: 19767: 19760: 19753: 19746: 19739: 19732: 19725: 19718: 19711: 19704: 19696: 19694: 19687: 19686:Extended plays 19683: 19682: 19679: 19678: 19676: 19675: 19668: 19660: 19658: 19654: 19653: 19650: 19649: 19647: 19646: 19639: 19630: 19623: 19616: 19609: 19602: 19595: 19588: 19581: 19574: 19567: 19560: 19553: 19545: 19543: 19539: 19538: 19536: 19535: 19528: 19520: 19518: 19511: 19507: 19506: 19504: 19503: 19494: 19485: 19476: 19462: 19453: 19444: 19435: 19426: 19417: 19408: 19399: 19389: 19387: 19380: 19376: 19375: 19368: 19365: 19364: 19356: 19355: 19348: 19341: 19333: 19327: 19326: 19314: 19303: 19302:External links 19300: 19299: 19298: 19275:(June 2017) . 19269: 19253: 19247: 19229: 19217:The New Yorker 19207: 19201: 19186: 19172: 19159: 19129: 19100: 19097: 19095: 19094: 19087: 19074: 19068: 19055: 19049: 19033: 19027: 19014: 19008: 18993: 18987: 18974: 18968: 18949: 18943: 18927: 18921: 18903: 18897: 18877: 18871: 18857:Sounes, Howard 18853: 18847: 18834: 18828: 18813: 18807: 18785:Sheffield, Rob 18781: 18775: 18757: 18751: 18733: 18718: 18712: 18697: 18691: 18678: 18672: 18657: 18651: 18636: 18630: 18612: 18606: 18593: 18587: 18572: 18566: 18549: 18543: 18528: 18522: 18501: 18495: 18482: 18476: 18461: 18455: 18443:Norman, Philip 18439: 18433: 18416: 18410: 18397: 18391: 18372: 18366: 18351: 18345: 18330: 18324: 18306: 18300: 18287: 18281: 18269:Martin, George 18265: 18259: 18244: 18238: 18220: 18214: 18192: 18186: 18172:MacDonald, Ian 18168: 18162: 18149: 18143: 18131:Lewisohn, Mark 18127: 18121: 18108: 18102: 18092:, ed. (2006). 18086: 18080: 18061: 18055: 18036: 18030: 18011: 18005: 17990: 17984: 17969: 17963: 17948: 17942: 17929: 17923: 17908: 17902: 17889: 17883: 17867: 17861: 17848: 17842: 17826: 17812: 17806: 17784: 17778: 17765: 17759: 17744: 17738: 17723: 17717: 17702: 17696: 17690:. MacFarland. 17683: 17677: 17664: 17658: 17641: 17635: 17617: 17611: 17597:Emerick, Geoff 17593: 17574: 17568: 17553: 17547: 17535:Doggett, Peter 17531: 17525: 17507: 17501: 17487:Davies, Hunter 17483: 17477: 17462: 17456: 17439: 17433: 17417: 17411: 17395: 17389: 17367: 17361: 17348: 17342: 17324: 17318: 17305: 17299: 17280: 17278: 17275: 17272: 17271: 17253: 17228: 17210: 17195:(in Italian). 17184: 17158: 17140: 17115: 17097: 17079: 17052: 17031: 17020:on 6 July 2011 17012:(in Spanish). 16998: 16974: 16951: 16920: 16904: 16892: 16880: 16861:(in Spanish). 16850: 16834: 16808: 16788: 16763: 16733: 16707: 16691: 16672:(in Italian). 16661: 16639: 16623: 16617:(in Finnish). 16606: 16594: 16582: 16554: 16543:. FYIMusicNews 16532: 16520: 16508: 16496: 16484: 16459: 16426: 16400: 16374: 16348: 16331:"Album Top 40" 16322: 16294: 16277:"Album Top 20" 16268: 16251:"Album Top 50" 16242: 16213: 16183: 16154: 16137:"Album Top 50" 16128: 16099: 16069: 16062: 16038: 16005: 15976: 15946: 15916: 15887:(in Swedish). 15869: 15843: 15836: 15818: 15784: 15777: 15749: 15717: 15702: 15700:, p. 256. 15690: 15675: 15649: 15630: 15626:MacDonald 2005 15614: 15610:MacDonald 2005 15598: 15568: 15535: 15504: 15477: 15451: 15418: 15385: 15373: 15371:, p. 479. 15361: 15333: 15318: 15306: 15304:, p. 283. 15294: 15266: 15264:, p. 388. 15251: 15223: 15192: 15167: 15136: 15124: 15112: 15101:. 27 July 2012 15084: 15082:, p. 171. 15080:Schaffner 1978 15072: 15060: 15026: 15014: 14982: 14954: 14950:Goldstein 2006 14942: 14909: 14897: 14866: 14864:, p. 149. 14854: 14824: 14822:, p. 819. 14807: 14779: 14767: 14739: 14737:, p. 148. 14727: 14697: 14695:, p. 147. 14685: 14683:, p. 145. 14673: 14671:, p. 124. 14661: 14659:, p. 144. 14649: 14618: 14616:, p. 282. 14603: 14591: 14558: 14546: 14520: 14489: 14453: 14418: 14416:, p. 818. 14406: 14402:Sheffield 2004 14394: 14382: 14352: 14335: 14305: 14290: 14288:, p. 106. 14286:Simonelli 2013 14278: 14276:, p. 135. 14266: 14264:, p. 122. 14254: 14252:, p. 203. 14242: 14230: 14228:, p. 248. 14218: 14202: 14187:. p. 69. 14163: 14136: 14132:Sheffield 2004 14124: 14109:. p. 59. 14085: 14073: 14071:, p. 489. 14061: 14025: 13987: 13985:, p. 172. 13975: 13973:, p. 113. 13971:Schaffner 1978 13963: 13961:, p. 264. 13951: 13949:, p. 212. 13939: 13937:, p. 368. 13927: 13925:, p. 844. 13915: 13913:, p. 127. 13911:Schaffner 1978 13903: 13891: 13889:, p. 102. 13876: 13874:, p. 101. 13864: 13836: 13834:, p. 232. 13832:MacDonald 2005 13824: 13812: 13800: 13788: 13776: 13774:, p. 231. 13764: 13736: 13732:Lavezzoli 2006 13724: 13720:Lavezzoli 2006 13712: 13708:Nagelberg 2001 13700: 13683: 13668: 13632: 13596: 13594:, p. 188. 13584: 13549: 13537: 13535:, p. 178. 13525: 13523:, p. 108. 13521:Simonelli 2013 13513: 13509:Schaffner 1978 13501: 13489: 13462: 13458:Schaffner 1978 13447: 13445:, p. 418. 13435: 13423: 13387: 13356: 13341:. p. 46. 13323: 13321:, p. 489. 13308: 13296: 13284: 13282:, p. 281. 13265: 13249: 13247:, p. 167. 13237: 13206: 13194: 13192:, p. 214. 13182: 13149: 13128: 13126:, p. 122. 13116: 13104: 13102:, p. 267. 13092: 13080: 13078:, p. 444. 13068: 13056: 13044: 13042:, p. 216. 13040:Rodriguez 2012 13032: 13030:, p. 212. 13028:Rodriguez 2012 13020: 13008: 12975: 12973:, p. 143. 12963: 12933: 12931:, p. 294. 12921: 12909: 12907:, p. 229. 12897: 12885: 12883:, p. 139. 12870: 12868:, p. 487. 12858: 12822: 12810: 12808:, p. 105. 12798: 12786: 12784:, p. 401. 12774: 12772:, p. 174. 12762: 12750: 12746:Schaffner 1978 12738: 12736:, p. 114. 12734:Simonelli 2013 12726: 12724:, p. 440. 12714: 12710:Schaffner 1978 12702: 12690: 12678: 12650: 12638: 12626: 12614: 12602: 12572: 12570:, p. 180. 12560: 12558:, p. 158. 12548: 12536: 12534:, p. 157. 12524: 12522:, p. 116. 12520:Christgau 2006 12512: 12500: 12488: 12476: 12439: 12435:Rodriguez 2012 12427: 12425:, p. 215. 12423:Rodriguez 2012 12415: 12403: 12399:Schaffner 1978 12388: 12386:, p. 130. 12376: 12364: 12352: 12348:Goldstein 2006 12340: 12338:, p. 214. 12336:Rodriguez 2012 12328: 12324:Schaffner 1978 12304: 12302:, p. 219. 12292: 12290:, p. 148. 12280: 12264: 12247: 12214: 12212:, p. 262. 12202: 12190: 12173: 12171:, p. 208. 12169:Rodriguez 2012 12161: 12157:Schaffner 1978 12144: 12124: 12109: 12105:Rodriguez 2012 12097: 12054: 12052:, p. 223. 12050:Rodriguez 2012 12042: 12011: 11980: 11946: 11912: 11910:, p. 147. 11900: 11885: 11873: 11871:, p. 347. 11861: 11859:, p. 180. 11849: 11847:, p. 813. 11834: 11804: 11802:, p. 197. 11792: 11790:, p. 430. 11780: 11778:, p. 499. 11768: 11766:, p. 215. 11756: 11754:, p. 196. 11744: 11742:, p. 280. 11732: 11720: 11688: 11676: 11664: 11662:, p. 103. 11652: 11640: 11638:, p. 107. 11636:Simonelli 2013 11628: 11620:MacDonald 2005 11612: 11600: 11588: 11586:, p. 497. 11576: 11574:, p. 373. 11564: 11547: 11535: 11531:MacDonald 2005 11520: 11508: 11506:, p. 205. 11496: 11492:Lavezzoli 2006 11484: 11472: 11470:, p. 104. 11460: 11458:, p. 197. 11456:Rodriguez 2012 11448: 11436: 11434:, p. 123. 11417: 11415:, p. 176. 11405: 11403:, p. 692. 11393: 11381: 11361: 11332: 11315: 11313:, p. 395. 11303: 11275: 11273:, p. 496. 11263: 11251: 11239: 11213: 11211:, p. 211. 11201: 11185: 11173: 11161: 11149: 11147:, p. 405. 11137: 11120: 11108: 11106:, p. 727. 11096: 11063: 11059:Schaffner 1978 11051: 11039: 11024: 11005: 10993: 10991:, p. 169. 10987:, p. 95; 10977: 10960: 10944: 10924: 10922:, p. 105. 10912: 10892: 10874: 10859: 10857:, p. 261. 10844: 10840:MacDonald 2005 10832: 10815: 10803: 10801:, p. 144. 10791: 10776: 10774:, p. 197. 10764: 10752: 10740: 10738:, p. 122. 10725: 10723:, p. 188. 10713: 10711:, p. 182. 10701: 10699:, p. 225. 10689: 10687:, p. 180. 10677: 10675:, p. 179. 10665: 10653: 10651:, p. 209. 10641: 10639:, p. 118. 10629: 10627:, p. 229. 10625:MacDonald 2005 10614: 10612:, p. 276. 10602: 10587: 10585:, p. 181. 10575: 10560: 10558:, p. 178. 10548: 10546:, p. 107. 10536: 10534:, p. 248. 10532:MacDonald 2005 10519: 10515:Schaffner 1978 10507: 10505:, p. 220. 10495: 10493:, p. 115. 10483: 10481:, p. 235. 10479:MacDonald 2005 10471: 10459: 10447: 10435: 10419: 10417:, p. 408. 10407: 10395: 10393:, p. 239. 10391:MacDonald 2005 10380: 10378:, p. 409. 10368: 10366:, p. 177. 10356: 10354:, p. 113. 10344: 10342:, p. 137. 10332: 10320: 10308: 10306:, p. 220. 10304:MacDonald 2005 10296: 10292:MacDonald 2005 10284: 10272: 10270:, p. 321. 10260: 10258:, p. 176. 10248: 10244:MacDonald 2005 10236: 10234:, p. 112. 10221: 10219:, p. 199. 10206: 10202:Lavezzoli 2006 10190: 10186:Lavezzoli 2006 10178: 10176:, p. 210. 10174:Rodriguez 2012 10166: 10164:, p. 394. 10154: 10152:, p. 404. 10142: 10140:, p. 110. 10130: 10122:MacDonald 2005 10114: 10112:, p. 238. 10110:MacDonald 2005 10102: 10100:, p. 175. 10090: 10086:MacDonald 2005 10078: 10066: 10064:, p. 245. 10062:MacDonald 2005 10054: 10042: 10040:, p. 103. 10030: 10018: 10006: 10004:, p. 108. 9994: 9992:, p. 107. 9982: 9970: 9968:, p. 236. 9966:MacDonald 2005 9955: 9943: 9931: 9929:, p. 173. 9912: 9910:, p. 216. 9900: 9898:, p. 241. 9896:MacDonald 2005 9888: 9886:, p. 216. 9876: 9872:Lavezzoli 2006 9864: 9862:, p. 215. 9852: 9844:MacDonald 2005 9836: 9834:, p. 172. 9817: 9805: 9803:, p. 247. 9801:MacDonald 2005 9793: 9791:, p. 103. 9778: 9776:, p. 214. 9766: 9754: 9752:, p. 171. 9737: 9735:, p. 398. 9725: 9713: 9705:MacDonald 2005 9697: 9695:, p. 101. 9685: 9683:, p. 233. 9681:MacDonald 2005 9670: 9668:, p. 169. 9651: 9649:, p. 101. 9639: 9637:, p. 248. 9627: 9607: 9605:, p. 197. 9595: 9580: 9568: 9553: 9551:, p. 140. 9541: 9539:, p. 166. 9529: 9517: 9505: 9503:, p. 697. 9488: 9476: 9474:, p. 240. 9472:MacDonald 2005 9461: 9435: 9418: 9388: 9386:, p. 265. 9373: 9361: 9349: 9337: 9321: 9297: 9266: 9264:, p. 237. 9254: 9242: 9240:, p. 137. 9238:Northcutt 2006 9230: 9204: 9192: 9188:Rodriguez 2012 9180: 9178:, p. 168. 9168: 9144: 9132: 9130:, p. 100. 9120: 9118:, p. 252. 9108: 9106:, p. 251. 9093: 9091:, p. 251. 9077: 9065: 9053: 9049:MacDonald 2005 9041: 9039:, p. 105. 9029: 9027:, p. 216. 9017: 9015:, p. 170. 8998: 8996:, p. 190. 8983: 8981:, p. 133. 8971: 8969:, p. 139. 8959: 8947: 8943:MacDonald 2005 8935: 8923: 8921:, p. 244. 8911: 8909:, p. 199. 8899: 8884: 8882:, p. 191. 8872: 8862:, p. 82: 8848: 8846:, p. 190. 8836: 8834:, p. 249. 8832:MacDonald 2005 8824: 8822:, p. 102. 8812: 8810:, p. 243. 8797: 8795:, p. 179. 8793:Lavezzoli 2006 8785: 8773: 8761: 8749: 8747:, p. 151. 8737: 8735:, p. 166. 8725: 8713: 8701: 8684: 8682:, p. 166. 8672: 8660: 8658:, p. 242. 8643: 8641:, p. 104. 8631: 8629:, p. 382. 8619: 8607: 8595: 8583: 8550: 8533: 8521: 8519:, p. 114. 8500: 8488: 8486:, p. 387. 8473: 8461: 8457:MacDonald 2005 8449: 8447:, p. 102. 8437: 8435:, p. 109. 8422: 8420:, p. 263. 8410: 8408:, p. 112. 8406:Rodriguez 2012 8398: 8367: 8365:, p. 172. 8352: 8350:, p. 212. 8337: 8325: 8323:, p. 100. 8306: 8302:Rodriguez 2012 8294: 8282: 8280:, p. 127. 8270: 8242: 8240:, p. 271. 8230: 8218: 8198: 8186: 8184:, p. 270. 8174: 8172:, p. 163. 8162: 8160:, p. 111. 8150: 8135: 8127:MacDonald 2005 8119: 8115:MacDonald 2005 8107: 8095: 8093:, p. 714. 8083: 8071: 8067:MacDonald 2005 8055: 8043: 8041:, p. 142. 8031: 8029:, p. 232. 8019: 8007: 7995: 7983: 7981:, p. 119. 7968: 7956: 7954:, p. 158. 7944: 7942:, p. 160. 7929: 7927:, p. 253. 7917: 7915:, p. 204. 7905: 7903:, p. 197. 7890: 7888:, p. 215. 7886:MacDonald 2005 7873: 7858: 7830: 7815: 7813:, p. 202. 7803: 7801:, p. 378. 7791: 7779: 7767: 7737: 7735:, p. 168. 7725: 7723:, p. 193. 7713: 7711:, p. 165. 7701: 7697:Rodriguez 2012 7689: 7670: 7658: 7646: 7642:Rodriguez 2012 7634: 7632:, p. 388. 7622: 7606: 7594: 7582: 7570: 7566:Rodriguez 2012 7558: 7543: 7528: 7526:, p. 367. 7516: 7504: 7500:Schaffner 1978 7492: 7488:MacDonald 2005 7472: 7470:, p. 213. 7468:MacDonald 2005 7457: 7453:MacDonald 2005 7445: 7429: 7414: 7412:, p. 212. 7410:MacDonald 2005 7402: 7400:, p. 229. 7390: 7388:, p. 210. 7378: 7376:, p. 303. 7366: 7353: 7352: 7350: 7347: 7344: 7343: 7330: 7326:Disney Channel 7314: 7285: 7250: 7232: 7203: 7185: 7180:Far East Suite 7169:Yehudi Menuhin 7153: 7124: 7103: 7085: 7065: 7049: 7030: 7020: 7006: 6984: 6968: 6965: 6950: 6928: 6919: 6905: 6888: 6878: 6871: 6856: 6838: 6829: 6820: 6806: 6797: 6788: 6765: 6756: 6737: 6724: 6707:Shawn Phillips 6698: 6685: 6672: 6664:James Jamerson 6651: 6638: 6625: 6616: 6598: 6597: 6595: 6592: 6591: 6590: 6585: 6578: 6575: 6572: 6571: 6555: 6554: 6551: 6548: 6544: 6543: 6539: 6538: 6535: 6532: 6524: 6523: 6520: 6517: 6509: 6508: 6505: 6502: 6494: 6493: 6490: 6487: 6483: 6482: 6479: 6476: 6462: 6461: 6458: 6455: 6447: 6446: 6443: 6440: 6432: 6431: 6428: 6425: 6417: 6416: 6413: 6410: 6402: 6401: 6398: 6395: 6387: 6386: 6383: 6380: 6372: 6371: 6368: 6365: 6362:1987 CD issue 6351: 6350: 6347: 6344: 6336: 6335: 6329: 6326: 6313: 6310: 6306: 6305: 6299: 6298: 6295: 6289: 6288: 6285: 6284:Chart (1960s) 6278: 6275: 6273: 6270: 6269: 6266: 6258: 6257: 6254: 6248: 6247: 6244: 6240: 6239: 6236: 6228: 6227: 6224: 6218: 6217: 6214: 6208: 6207: 6204: 6197: 6194: 6189: 6185: 6184: 6178: 6177: 6174: 6164: 6163: 6160: 6149: 6148: 6145: 6140:Swiss Albums ( 6137: 6136: 6133: 6125: 6124: 6121: 6113: 6112: 6109: 6098: 6097: 6094: 6088: 6087: 6084: 6076: 6075: 6072: 6064: 6063: 6060: 6052: 6051: 6048: 6040: 6039: 6036: 6028: 6027: 6024: 6016: 6015: 6012: 6007:Irish Albums ( 6004: 6003: 6000: 5992: 5991: 5988: 5980: 5979: 5976: 5971:Dutch Albums ( 5968: 5967: 5964: 5956: 5955: 5952: 5947:Czech Albums ( 5944: 5943: 5940: 5927: 5926: 5923: 5915: 5914: 5911: 5903: 5902: 5899: 5891: 5890: 5887: 5879: 5878: 5875: 5865: 5862: 5861: 5858: 5854: 5853: 5850: 5844: 5843: 5840: 5834: 5833: 5830: 5824: 5823: 5820: 5814: 5813: 5810: 5804: 5803: 5800: 5796: 5795: 5792: 5786: 5785: 5782: 5776: 5775: 5772: 5768: 5767: 5764: 5758: 5757: 5754: 5748: 5747: 5744: 5738: 5737: 5734: 5723: 5722: 5719: 5709: 5708: 5705: 5699: 5698: 5695: 5691: 5690: 5687: 5681: 5680: 5677: 5666: 5665: 5662: 5652: 5651: 5648: 5638: 5637: 5634: 5624: 5623: 5620: 5613: 5612: 5609: 5601: 5600: 5597: 5591: 5590: 5587: 5577: 5576: 5573: 5566: 5565: 5562: 5549: 5547: 5544: 5542: 5539: 5538: 5537: 5497: 5471: 5465: 5455: 5449: 5437: 5436: 5414: 5396: 5389:Paul McCartney 5386: 5354: 5351: 5347: 5346: 5343: 5337: 5336: 5333: 5330: 5323: 5319: 5318: 5315: 5312: 5305: 5301: 5300: 5297: 5294: 5287: 5283: 5282: 5279: 5276: 5269: 5265: 5264: 5261: 5258: 5251: 5247: 5246: 5243: 5240: 5233: 5229: 5228: 5225: 5222: 5219: 5208: 5204: 5203: 5200: 5194: 5193: 5190: 5187: 5180: 5176: 5175: 5172: 5169: 5162: 5158: 5157: 5154: 5151: 5144: 5140: 5139: 5136: 5133: 5130:Getting Better 5126: 5122: 5121: 5118: 5115: 5108: 5104: 5103: 5100: 5097: 5090: 5086: 5085: 5082: 5079: 5072: 5068: 5067: 5064: 5061: 5058: 5047: 5026: 5023: 5005:choreographed 4953:Pepper Forever 4890:'s 1992 album 4848:, produced by 4838:, directed by 4805: 4802: 4774:was chosen by 4647: 4644: 4642: 4639: 4597:, writing for 4584:Neil McCormick 4476: 4473: 4433: 4432: 4427: 4419: 4418: 4415: 4411: 4410: 4381: 4373: 4372: 4343: 4335: 4334: 4331: 4323: 4322: 4319: 4311: 4310: 4307: 4299: 4298: 4269: 4261: 4260: 4231: 4223: 4222: 4193: 4187: 4186: 4183: 4179: 4178: 4168: 4165: 4120: 4119:Graphic design 4117: 4113:Ziggy Stardust 4057:works such as 3992: 3989: 3976:American Idiot 3973:'s 2004 album 3967:Gnarls Barkley 3957:. Writing for 3724: 3721: 3649: 3647: 3644: 3642: 3639: 3625:, held by the 3573:Jazz & Pop 3480: 3477: 3461:asserted that 3369:Haight-Ashbury 3304:Allen Ginsberg 3270:New York Times 3252: 3249: 3247: 3244: 3158:Richard Wagner 3132:Duke Ellington 3127:The New Yorker 3121:The Waste Land 2981:rock criticism 2948: 2946: 2943: 2903: 2900: 2830:Electric Shock 2785:Langdon Winner 2767: 2764: 2680: 2677: 2675: 2672: 2668:fake moustache 2621: 2618: 2614:Mahatma Gandhi 2527:Marilyn Monroe 2472:wax sculptures 2452:Michael Cooper 2418: 2415: 2413: 2410: 2382: 2373:framing device 2360: 2357: 2295: 2285: 2274: 2269: 2268: 2267: 2258: 2257: 2256: 2254: 2251: 2229: 2226: 2212:time signature 2191: 2188: 2181:comb-and-paper 2172:traffic warden 2163: 2160: 2151:Johann Strauss 2104: 2098: 2088: 2083: 2082: 2081: 2072: 2071: 2070: 2068: 2065: 2002: 2000: 1997: 1995: 1992: 1962: 1959: 1940:generation gap 1919: 1916: 1899: 1896: 1888:Getting Better 1883: 1880: 1817: 1802: 1791: 1786: 1785: 1784: 1775: 1774: 1773: 1771: 1768: 1742:Hollywood Bowl 1733: 1730: 1710:brass ensemble 1666: 1659:Little Richard 1656: 1645: 1640: 1639: 1638: 1629: 1628: 1627: 1625: 1622: 1620: 1617: 1602:Summer of Love 1591:, but also to 1529: 1525: 1519: 1466:Michael Hannan 1457: 1454: 1452: 1449: 1377: 1374: 1313:Kenneth Womack 1293:Leslie speaker 1241: 1176: 1173: 1091: 1088: 1084:run-out groove 1058:United Artists 988:Getting Better 979:Walter Everett 971:Paul McCartney 960: 958:that record." 957: 912: 909: 907: 904: 869:after hearing 809:the Beach Boys 730: 727: 707:Indica Gallery 684:The Family Way 679:the soundtrack 671:Paul McCartney 594:Nippon Budokan 567:Paul McCartney 553: 551: 548: 483:Summer of Love 342:Paul McCartney 315:record sleeves 272: 271: 268: 267: 264: 263: 254: 245: 231: 230: 227:North American 220: 219: 216: 215: 212: 211: 202: 193: 179: 178: 171: 170: 165: 159: 158: 157: 156: 151: 144: 138: 137: 126: 122: 121: 120: 119: 112: 107: 102: 95: 89: 88: 82: 78: 77: 74: 70: 69: 59: 55: 54: 49: 42: 41: 33: 32: 15: 9: 6: 4: 3: 2: 24070: 24059: 24056: 24054: 24051: 24049: 24046: 24044: 24041: 24039: 24036: 24034: 24031: 24029: 24026: 24024: 24021: 24019: 24016: 24014: 24011: 24009: 24006: 24004: 24001: 23999: 23996: 23994: 23991: 23989: 23986: 23984: 23981: 23979: 23976: 23974: 23971: 23969: 23966: 23964: 23961: 23959: 23956: 23954: 23951: 23949: 23946: 23944: 23941: 23939: 23936: 23934: 23931: 23930: 23928: 23912: 23908: 23907: 23903: 23900: 23896: 23895: 23891: 23888: 23884: 23883: 23879: 23878: 23876: 23872: 23865: 23861: 23860: 23859:McCartney III 23856: 23853: 23849: 23848: 23844: 23841: 23840: 23836: 23833: 23829: 23828: 23824: 23821: 23817: 23813: 23812: 23808: 23805: 23801: 23800: 23796: 23793: 23789: 23788: 23784: 23781: 23777: 23776: 23772: 23769: 23765: 23764: 23760: 23757: 23756:Michael BublΓ© 23753: 23752: 23748: 23747: 23745: 23741: 23734: 23730: 23729: 23725: 23722: 23718: 23717: 23713: 23710: 23706: 23705: 23701: 23698: 23694: 23693: 23689: 23686: 23682: 23681: 23677: 23674: 23670: 23669: 23665: 23662: 23658: 23657: 23656:Greatest Hits 23653: 23650: 23646: 23645: 23644:Life for Rent 23641: 23638: 23634: 23633: 23629: 23626: 23622: 23621: 23617: 23616: 23614: 23610: 23603: 23599: 23598: 23594: 23591: 23587: 23586: 23582: 23579: 23575: 23574: 23570: 23567: 23563: 23562: 23558: 23555: 23551: 23550: 23546: 23543: 23539: 23538: 23534: 23531: 23527: 23526: 23522: 23519: 23515: 23514: 23510: 23507: 23503: 23502: 23498: 23495: 23491: 23490: 23486: 23485: 23483: 23479: 23472: 23468: 23467: 23463: 23460: 23456: 23455: 23451: 23448: 23447:Cliff Richard 23444: 23443: 23439: 23436: 23435: 23431: 23428: 23427: 23423: 23420: 23419: 23415: 23412: 23411: 23407: 23404: 23403: 23399: 23396: 23392: 23391: 23387: 23384: 23380: 23379: 23375: 23374: 23372: 23368: 23361: 23357: 23356: 23355:Super Trouper 23352: 23349: 23345: 23344: 23340: 23337: 23336: 23332: 23329: 23328: 23324: 23321: 23320:Glen Campbell 23317: 23316: 23312: 23309: 23305: 23304: 23300: 23297: 23293: 23292: 23288: 23285: 23281: 23280: 23276: 23273: 23272: 23268: 23265: 23261: 23260: 23256: 23255: 23253: 23249: 23242: 23241:Andy Williams 23238: 23237: 23233: 23230: 23226: 23225: 23221: 23218: 23214: 23213: 23209: 23206: 23202: 23201: 23197: 23194: 23193: 23189: 23186: 23182: 23181: 23177: 23174: 23170: 23169: 23165: 23162: 23158: 23157: 23153: 23150: 23146: 23145: 23141: 23138: 23134: 23133: 23129: 23128: 23126: 23122: 23115: 23114: 23113:South Pacific 23110: 23107: 23106: 23105:South Pacific 23102: 23099: 23098: 23097:South Pacific 23094: 23091: 23090: 23086: 23083: 23082: 23078: 23077: 23075: 23071: 23067: 23060: 23055: 23053: 23048: 23046: 23041: 23040: 23037: 23024: 23020: 23019: 23014: 23011: 23010: 23005: 23002: 22998: 22997: 22992: 22989: 22988: 22983: 22980: 22976: 22975: 22970: 22967: 22963: 22962: 22957: 22954: 22953: 22948: 22945: 22944:Elvis Presley 22941: 22940: 22935: 22932: 22931: 22930:South Pacific 22926: 22923: 22919: 22918: 22913: 22910: 22909: 22904: 22901: 22897: 22896: 22891: 22890: 22887: 22882: 22875: 22870: 22868: 22863: 22861: 22856: 22855: 22852: 22833: 22826: 22822: 22821: 22817: 22814: 22810: 22809: 22808:Harry's House 22805: 22802: 22798: 22797: 22793: 22790: 22786: 22785: 22781: 22780: 22778: 22774: 22767: 22766:Billie Eilish 22763: 22762: 22758: 22755: 22754:Ariana Grande 22751: 22750: 22746: 22743: 22739: 22738: 22734: 22731: 22727: 22726: 22722: 22719: 22715: 22714: 22710: 22707: 22703: 22702: 22698: 22695: 22691: 22690: 22686: 22683: 22679: 22678: 22674: 22671: 22667: 22666: 22662: 22659: 22655: 22654: 22650: 22649: 22647: 22643: 22636: 22632: 22631: 22627: 22624: 22620: 22619: 22615: 22612: 22611:Amy Winehouse 22608: 22607: 22606:Back to Black 22603: 22600: 22596: 22595: 22591: 22588: 22584: 22583: 22579: 22576: 22572: 22571: 22567: 22564: 22560: 22559: 22555: 22552: 22548: 22547: 22543: 22540: 22536: 22535: 22531: 22528: 22524: 22523: 22519: 22518: 22516: 22512: 22505: 22501: 22500: 22499:Brand New Day 22496: 22493: 22489: 22488: 22484: 22481: 22477: 22476: 22472: 22469: 22465: 22464: 22460: 22457: 22456:Joni Mitchell 22453: 22452: 22448: 22445: 22441: 22440: 22436: 22435: 22433: 22429: 22422: 22418: 22417: 22413: 22412: 22410: 22406: 22402: 22395: 22390: 22388: 22383: 22381: 22376: 22375: 22372: 22358: 22354: 22353: 22348: 22344: 22340: 22339: 22338:Harry's House 22334: 22330: 22326: 22325: 22320: 22316: 22312: 22311: 22306: 22305: 22303: 22299: 22291: 22290:Billie Eilish 22287: 22286: 22281: 22277: 22273: 22272: 22267: 22263: 22259: 22258: 22253: 22249: 22245: 22244: 22239: 22235: 22231: 22230: 22225: 22221: 22217: 22216: 22215:Morning Phase 22211: 22207: 22203: 22202: 22197: 22193: 22189: 22188: 22183: 22179: 22175: 22174: 22169: 22165: 22161: 22160: 22155: 22154: 22152: 22148: 22140: 22136: 22135: 22130: 22126: 22125:Alison Krauss 22122: 22118: 22117: 22112: 22108: 22104: 22103: 22098: 22094: 22090: 22089: 22084: 22080: 22076: 22075: 22070: 22066: 22062: 22061: 22056: 22052: 22048: 22047: 22042: 22038: 22034: 22033: 22028: 22024: 22023: 22018: 22014: 22010: 22009: 22004: 22003: 22001: 21997: 21989: 21985: 21984: 21979: 21975: 21971: 21970: 21965: 21961: 21957: 21956: 21951: 21947: 21943: 21942: 21937: 21933: 21929: 21928: 21923: 21919: 21915: 21914: 21913:MTV Unplugged 21909: 21905: 21901: 21900: 21899:The Bodyguard 21895: 21891: 21887: 21886: 21881: 21877: 21873: 21872: 21867: 21863: 21859: 21858: 21853: 21852: 21850: 21846: 21838: 21834: 21833: 21828: 21824: 21820: 21819: 21814: 21810: 21806: 21805: 21800: 21796: 21792: 21791: 21786: 21782: 21778: 21777: 21772: 21768: 21767:Lionel Richie 21764: 21763: 21758: 21754: 21750: 21749: 21744: 21740: 21736: 21735: 21730: 21726: 21722: 21718: 21717: 21712: 21708: 21704: 21703: 21698: 21697: 21695: 21691: 21683: 21679: 21678: 21673: 21669: 21668: 21663: 21659: 21658:Fleetwood Mac 21655: 21654: 21649: 21645: 21644:Stevie Wonder 21641: 21640: 21635: 21631: 21627: 21626: 21621: 21617: 21616:Stevie Wonder 21613: 21612: 21607: 21603: 21602:Stevie Wonder 21599: 21598: 21593: 21589: 21585: 21584: 21579: 21575: 21571: 21570: 21565: 21561: 21557: 21556: 21551: 21550: 21548: 21544: 21536: 21532: 21531: 21526: 21522: 21521:Glen Campbell 21518: 21517: 21512: 21508: 21504: 21503: 21498: 21494: 21493:Frank Sinatra 21490: 21489: 21484: 21480: 21479:Frank Sinatra 21476: 21475: 21470: 21466: 21465:JoΓ£o Gilberto 21462: 21458: 21457: 21456:Getz/Gilberto 21452: 21448: 21444: 21443: 21438: 21434: 21433:Vaughn Meader 21430: 21429: 21424: 21420: 21416: 21415: 21410: 21406: 21402: 21401: 21396: 21395: 21393: 21389: 21381: 21380:Frank Sinatra 21377: 21376: 21371: 21367: 21366:Henry Mancini 21363: 21362: 21357: 21356: 21354: 21350: 21346: 21339: 21334: 21332: 21327: 21325: 21320: 21319: 21316: 21303: 21299: 21298: 21294: 21291: 21287: 21286: 21285:Harry's House 21282: 21279: 21275: 21274: 21270: 21267: 21263: 21262: 21258: 21255: 21251: 21250: 21246: 21243: 21239: 21238: 21234: 21231: 21227: 21226: 21222: 21219: 21215: 21214: 21210: 21207: 21203: 21202: 21198: 21195: 21191: 21190: 21186: 21183: 21179: 21178: 21174: 21171: 21167: 21166: 21162: 21159: 21155: 21154: 21150: 21147: 21143: 21142: 21138: 21135: 21131: 21130: 21126: 21123: 21119: 21118: 21114: 21111: 21107: 21106: 21102: 21099: 21095: 21094: 21090: 21087: 21083: 21082: 21078: 21075: 21071: 21070: 21066: 21063: 21059: 21058: 21054: 21051: 21047: 21046: 21042: 21039: 21035: 21034: 21030: 21027: 21023: 21022: 21018: 21017: 21015: 21011: 21004: 21000: 20999: 20995: 20992: 20988: 20987: 20983: 20980: 20976: 20975: 20971: 20968: 20964: 20963: 20959: 20956: 20952: 20951: 20947: 20944: 20940: 20939: 20935: 20932: 20928: 20927: 20923: 20920: 20916: 20915: 20911: 20908: 20904: 20903: 20899: 20896: 20892: 20891: 20887: 20884: 20880: 20879: 20875: 20872: 20868: 20867: 20863: 20860: 20856: 20855: 20851: 20848: 20844: 20843: 20839: 20836: 20832: 20831: 20827: 20824: 20820: 20819: 20815: 20812: 20808: 20807: 20803: 20800: 20796: 20795: 20791: 20788: 20784: 20783: 20779: 20776: 20772: 20771: 20767: 20766: 20764: 20760: 20756: 20749: 20744: 20742: 20737: 20735: 20730: 20729: 20726: 20720: 20716: 20710: 20697: 20696: 20692: 20690: 20689: 20685: 20683: 20682: 20678: 20676: 20675: 20671: 20669: 20668: 20664: 20662: 20661: 20657: 20655: 20654: 20650: 20648: 20647: 20643: 20641: 20640: 20636: 20634: 20633: 20629: 20627: 20626: 20622: 20620: 20619: 20615: 20613: 20612: 20608: 20605: 20602: 20601: 20597: 20590: 20586: 20584: 20582: 20578: 20576: 20575: 20571: 20569: 20568: 20564: 20562: 20560: 20556: 20554: 20552: 20548: 20546: 20545: 20541: 20539: 20536: 20534: 20531: 20529: 20526: 20524: 20521: 20519: 20516: 20515: 20513: 20509: 20503: 20502: 20498: 20496: 20495: 20491: 20489: 20488: 20487:Sgt. Pepper's 20484: 20482: 20481: 20477: 20475: 20474: 20470: 20468: 20467: 20463: 20461: 20460: 20456: 20455: 20453: 20449: 20442: 20438: 20435: 20431: 20430: 20428: 20424: 20417: 20413: 20410: 20406: 20405: 20403: 20399: 20388: 20384: 20381: 20377: 20374: 20370: 20367: 20363: 20360: 20356: 20353: 20349: 20348: 20346: 20342: 20335: 20331: 20328: 20324: 20321: 20320:Fixing a Hole 20317: 20314: 20310: 20307: 20303: 20300: 20296: 20293: 20289: 20288: 20286: 20282: 20279: 20275: 20269: 20266: 20264: 20263: 20259: 20258: 20255: 20251: 20250: 20242: 20237: 20235: 20230: 20228: 20223: 20222: 20219: 20205: 20200: 20194: 20193: 20189: 20187: 20186: 20185:The Japan Box 20182: 20180: 20179: 20175: 20173: 20172: 20168: 20166: 20165: 20161: 20157: 20154: 20152: 20148: 20147: 20146: 20143: 20141: 20140: 20136: 20134: 20133: 20129: 20127: 20126: 20122: 20120: 20119: 20115: 20114: 20112: 20108: 20102: 20101: 20097: 20095: 20094: 20090: 20088: 20087: 20083: 20082: 20080: 20076: 20070: 20069: 20065: 20061: 20058: 20056: 20053: 20051: 20048: 20047: 20046: 20045: 20041: 20040: 20038: 20034: 20028: 20027: 20023: 20021: 20020: 20016: 20012: 20011: 20009: 20005: 19999: 19998: 19994: 19992: 19991: 19990: 19985: 19983: 19982: 19978: 19977: 19975: 19971: 19965: 19964: 19960: 19958: 19956: 19952: 19950: 19949:("Red Album") 19948: 19944: 19942: 19941: 19937: 19935: 19934: 19930: 19928: 19927: 19923: 19921: 19920: 19916: 19914: 19913: 19909: 19908: 19906: 19902: 19899: 19893: 19887: 19886: 19882: 19880: 19879: 19875: 19873: 19872: 19868: 19866: 19865: 19861: 19859: 19858: 19854: 19852: 19851: 19847: 19843: 19841: 19840: 19836: 19835: 19833: 19829: 19819: 19818: 19814: 19812: 19811: 19807: 19805: 19804: 19800: 19799: 19797: 19793: 19787: 19786: 19782: 19780: 19779: 19775: 19773: 19772: 19768: 19766: 19765: 19761: 19759: 19758: 19754: 19752: 19751: 19747: 19745: 19744: 19740: 19738: 19737: 19733: 19731: 19730: 19726: 19724: 19723: 19722:All My Loving 19719: 19717: 19716: 19712: 19710: 19709: 19705: 19703: 19702: 19698: 19697: 19695: 19691: 19688: 19684: 19674: 19673: 19669: 19667: 19666: 19662: 19661: 19659: 19655: 19645: 19644: 19640: 19638: 19637: 19636: 19631: 19629: 19628: 19624: 19622: 19621: 19617: 19615: 19614: 19610: 19608: 19607: 19603: 19601: 19600: 19596: 19594: 19593: 19589: 19587: 19586: 19582: 19580: 19579: 19575: 19573: 19572: 19571:Something New 19568: 19566: 19565: 19561: 19559: 19558: 19554: 19552: 19551: 19547: 19546: 19544: 19540: 19534: 19533: 19529: 19527: 19526: 19522: 19521: 19519: 19515: 19512: 19508: 19502: 19501: 19500: 19495: 19493: 19492: 19491: 19486: 19484: 19483: 19482: 19477: 19475: 19473: 19469: 19468: 19463: 19461: 19460: 19459: 19454: 19452: 19451: 19450: 19445: 19443: 19442: 19441: 19436: 19434: 19433: 19432: 19427: 19425: 19424: 19423: 19418: 19416: 19415: 19414: 19409: 19407: 19406: 19405: 19400: 19398: 19397: 19396: 19391: 19390: 19388: 19384: 19381: 19379:Studio albums 19377: 19372: 19366: 19361: 19354: 19349: 19347: 19342: 19340: 19335: 19334: 19331: 19324: 19320: 19319: 19315: 19311: 19306: 19305: 19288: 19287: 19282: 19280: 19279:Sgt. Pepper's 19274: 19270: 19267: 19264:Available at 19261: 19260: 19254: 19250: 19244: 19240: 19239: 19234: 19230: 19219: 19218: 19213: 19208: 19204: 19198: 19194: 19193: 19187: 19183: 19179: 19175: 19173:9781847862112 19169: 19165: 19160: 19148: 19144: 19143: 19138: 19134: 19133:Browne, David 19130: 19118: 19114: 19113: 19108: 19103: 19102: 19090: 19084: 19080: 19075: 19071: 19065: 19061: 19056: 19052: 19046: 19043:. Continuum. 19042: 19038: 19034: 19030: 19024: 19020: 19015: 19011: 19005: 19001: 19000: 18994: 18990: 18984: 18980: 18975: 18971: 18965: 18961: 18960: 18955: 18950: 18946: 18940: 18936: 18932: 18931:Turner, Steve 18928: 18924: 18918: 18914: 18913: 18908: 18907:Tillery, Gary 18904: 18900: 18894: 18889: 18888: 18882: 18878: 18874: 18868: 18864: 18863: 18858: 18854: 18850: 18844: 18840: 18835: 18831: 18825: 18821: 18820: 18814: 18810: 18804: 18800: 18799: 18794: 18790: 18789:"The Beatles" 18786: 18782: 18778: 18772: 18768: 18767: 18762: 18758: 18754: 18752:0-07-055087-5 18748: 18744: 18743: 18738: 18734: 18730: 18729: 18724: 18719: 18715: 18709: 18705: 18704: 18698: 18694: 18688: 18684: 18679: 18675: 18669: 18665: 18664: 18658: 18654: 18648: 18644: 18643: 18637: 18633: 18627: 18623: 18622: 18617: 18613: 18609: 18603: 18599: 18594: 18590: 18584: 18580: 18579: 18573: 18569: 18567:1-58234-323-3 18563: 18558: 18557: 18550: 18546: 18540: 18536: 18535: 18529: 18525: 18523:0-7914-6716-3 18519: 18515: 18511: 18509: 18502: 18498: 18492: 18488: 18483: 18479: 18473: 18469: 18468: 18462: 18458: 18456:0-684-83067-1 18452: 18448: 18444: 18440: 18436: 18430: 18426: 18422: 18417: 18413: 18407: 18403: 18398: 18394: 18388: 18384: 18383: 18378: 18373: 18369: 18363: 18359: 18358: 18352: 18348: 18346:0-7119-8308-9 18342: 18338: 18337: 18331: 18327: 18321: 18317: 18316: 18311: 18307: 18303: 18297: 18294:. Macmillan. 18293: 18288: 18284: 18278: 18274: 18270: 18266: 18262: 18256: 18252: 18251: 18245: 18241: 18235: 18231: 18230: 18225: 18224:Mann, William 18221: 18217: 18211: 18207: 18206: 18198: 18193: 18189: 18183: 18179: 18178: 18173: 18169: 18165: 18159: 18155: 18150: 18146: 18140: 18136: 18132: 18128: 18124: 18122:0-8264-2819-3 18118: 18114: 18109: 18105: 18099: 18095: 18091: 18090:Larkin, Colin 18087: 18083: 18077: 18073: 18072: 18067: 18062: 18058: 18052: 18048: 18047: 18042: 18037: 18033: 18027: 18023: 18022: 18017: 18012: 18008: 18002: 17998: 17997: 17991: 17987: 17981: 17977: 17976: 17970: 17966: 17960: 17956: 17955: 17949: 17945: 17939: 17935: 17930: 17926: 17920: 17916: 17915: 17909: 17905: 17903:0-86656-881-6 17899: 17895: 17890: 17886: 17884:0-330-33891-9 17880: 17876: 17872: 17868: 17864: 17858: 17854: 17849: 17845: 17839: 17835: 17831: 17827: 17823: 17822: 17817: 17813: 17809: 17803: 17799: 17798: 17793: 17789: 17785: 17781: 17775: 17771: 17766: 17762: 17756: 17752: 17751: 17745: 17741: 17735: 17731: 17730: 17724: 17720: 17714: 17710: 17709: 17703: 17699: 17693: 17689: 17684: 17680: 17674: 17670: 17665: 17661: 17655: 17650: 17649: 17642: 17638: 17632: 17628: 17627: 17622: 17618: 17614: 17608: 17604: 17603: 17598: 17594: 17590: 17588: 17583: 17579: 17575: 17571: 17565: 17561: 17560: 17554: 17550: 17544: 17540: 17536: 17532: 17528: 17522: 17518: 17517: 17512: 17508: 17504: 17498: 17494: 17493: 17488: 17484: 17480: 17474: 17470: 17469: 17463: 17459: 17453: 17449: 17445: 17440: 17436: 17430: 17426: 17422: 17418: 17414: 17412:1-86074-489-3 17408: 17404: 17400: 17399:Clayson, Alan 17396: 17392: 17386: 17382: 17381: 17376: 17372: 17368: 17364: 17358: 17354: 17349: 17345: 17343:0-8118-2684-8 17339: 17335: 17334: 17329: 17325: 17321: 17315: 17311: 17306: 17302: 17296: 17292: 17291: 17286: 17282: 17281: 17267: 17263: 17257: 17242: 17238: 17232: 17224: 17220: 17214: 17198: 17194: 17188: 17180: 17177:(in German). 17176: 17162: 17154: 17151:(in French). 17150: 17144: 17129: 17125: 17119: 17111: 17107: 17101: 17093: 17089: 17083: 17076: 17072: 17068: 17067: 17062: 17056: 17048: 17041: 17035: 17019: 17015: 17011: 17005: 17003: 16987:. p. 230 16986: 16985: 16978: 16963: 16962: 16955: 16939: 16935: 16931: 16924: 16917: 16913: 16908: 16901: 16896: 16889: 16884: 16868: 16864: 16860: 16854: 16847: 16843: 16838: 16822: 16818: 16812: 16805: 16801: 16797: 16792: 16777: 16773: 16767: 16751: 16747: 16743: 16737: 16721: 16717: 16711: 16704: 16700: 16695: 16679: 16675: 16671: 16665: 16649: 16643: 16636: 16633:(in German). 16632: 16627: 16620: 16616: 16610: 16603: 16598: 16591: 16586: 16579: 16575: 16574:22.TΓ½den 2017 16571: 16567: 16563: 16558: 16542: 16536: 16529: 16524: 16517: 16512: 16505: 16500: 16493: 16488: 16473: 16469: 16463: 16447: 16440: 16438: 16430: 16414: 16410: 16404: 16388: 16384: 16378: 16362: 16358: 16352: 16336: 16333:. charts.nz. 16332: 16326: 16310: 16306: 16298: 16282: 16278: 16272: 16256: 16252: 16246: 16227: 16225: 16217: 16201: 16197: 16193: 16187: 16168: 16166: 16158: 16142: 16138: 16132: 16116: 16109: 16103: 16087: 16083: 16079: 16073: 16065: 16063:4-87131-077-9 16059: 16055: 16051: 16045: 16043: 16026: 16019: 16017: 16009: 15990: 15988: 15980: 15964: 15960: 15956: 15950: 15934: 15930: 15926: 15920: 15914: 15910: 15908: 15890: 15886: 15879: 15873: 15857: 15853: 15847: 15839: 15837:951-31-2503-3 15833: 15829: 15822: 15806: 15802: 15798: 15796: 15788: 15780: 15778:0-646-11917-6 15774: 15770: 15769: 15764: 15758: 15756: 15754: 15737: 15733: 15732: 15727: 15721: 15713: 15706: 15699: 15694: 15686: 15679: 15672: 15669:Available at 15666: 15665: 15660: 15653: 15645: 15644:Apple Records 15641: 15634: 15627: 15623: 15622:Lewisohn 2010 15618: 15611: 15607: 15606:Lewisohn 2010 15602: 15586: 15582: 15578: 15572: 15556: 15552: 15551: 15546: 15539: 15524: 15523: 15518: 15511: 15509: 15492: 15488: 15481: 15465: 15461: 15455: 15439: 15435: 15434: 15429: 15422: 15406: 15402: 15401: 15396: 15389: 15382: 15377: 15370: 15365: 15350: 15349: 15344: 15337: 15330: 15325: 15323: 15315: 15310: 15303: 15298: 15283: 15282: 15277: 15270: 15263: 15258: 15256: 15240: 15239: 15234: 15227: 15212:. 1 June 2007 15211: 15210: 15205: 15199: 15197: 15181: 15177: 15171: 15155: 15151: 15147: 15140: 15133: 15128: 15122:, p. 67. 15121: 15116: 15100: 15099: 15094: 15088: 15081: 15076: 15069: 15068:Frontani 2007 15064: 15048: 15044: 15042: 15037: 15030: 15023: 15018: 15002: 14998: 14997: 14992: 14986: 14970: 14969: 14968:Rolling Stone 14964: 14958: 14952:, p. 97. 14951: 14946: 14930: 14926: 14925: 14920: 14913: 14907:, p. 57. 14906: 14901: 14886:. 31 May 2012 14885: 14884: 14883:Rolling Stone 14879: 14873: 14871: 14863: 14858: 14842: 14838: 14834: 14828: 14821: 14816: 14814: 14812: 14796: 14795: 14790: 14783: 14776: 14771: 14756: 14755: 14750: 14743: 14736: 14731: 14715: 14711: 14707: 14701: 14694: 14689: 14682: 14677: 14670: 14665: 14658: 14653: 14637: 14633: 14629: 14622: 14615: 14610: 14608: 14601:, p. 46. 14600: 14595: 14579: 14575: 14571: 14565: 14563: 14556:, p. 47. 14555: 14550: 14534: 14530: 14524: 14508: 14504: 14500: 14493: 14477: 14473: 14472: 14467: 14460: 14458: 14441: 14437: 14433: 14431: 14428:"The Beatles 14422: 14415: 14410: 14404:, p. 53. 14403: 14398: 14391: 14386: 14370: 14366: 14362: 14356: 14350:, p. 74. 14349: 14344: 14342: 14340: 14324: 14320: 14309: 14303:, p. 47. 14302: 14297: 14295: 14287: 14282: 14275: 14270: 14263: 14258: 14251: 14246: 14239: 14234: 14227: 14222: 14215: 14211: 14206: 14190: 14186: 14185: 14180: 14176: 14170: 14168: 14151: 14147: 14140: 14134:, p. 51. 14133: 14128: 14112: 14108: 14107: 14102: 14098: 14092: 14090: 14083:, p. 87. 14082: 14077: 14070: 14065: 14049: 14045: 14044: 14039: 14032: 14030: 14013: 14009: 14005: 14003: 14000:"The Beatles 13994: 13992: 13984: 13983:Frontani 2007 13979: 13972: 13967: 13960: 13955: 13948: 13943: 13936: 13931: 13924: 13919: 13912: 13907: 13901:, p. 11. 13900: 13899:Whiteley 2008 13895: 13888: 13883: 13881: 13873: 13868: 13853: 13852: 13847: 13840: 13833: 13828: 13821: 13816: 13809: 13804: 13798:, p. 49. 13797: 13792: 13785: 13780: 13773: 13768: 13761: 13757: 13753: 13749: 13745: 13740: 13734:, p. 63. 13733: 13728: 13721: 13716: 13709: 13704: 13697:. p. 86. 13696: 13695: 13687: 13681:, p. 89. 13680: 13675: 13673: 13656: 13652: 13651: 13646: 13639: 13637: 13620: 13616: 13615: 13610: 13603: 13601: 13593: 13592:Frontani 2007 13588: 13573: 13569: 13562: 13560: 13558: 13556: 13554: 13546: 13541: 13534: 13533:Courrier 2009 13529: 13522: 13517: 13510: 13505: 13499:, p. 65. 13498: 13493: 13478: 13477: 13473: 13466: 13460:, p. 84. 13459: 13454: 13452: 13444: 13439: 13433:, p. 72. 13432: 13427: 13411: 13407: 13406: 13401: 13394: 13392: 13375: 13371: 13367: 13360: 13344: 13340: 13339: 13338:Rolling Stone 13334: 13327: 13320: 13315: 13313: 13305: 13300: 13294:, p. 31. 13293: 13288: 13281: 13276: 13274: 13272: 13270: 13262: 13258: 13253: 13246: 13241: 13226: 13225: 13220: 13213: 13211: 13203: 13198: 13191: 13186: 13170: 13166: 13165: 13160: 13153: 13145: 13144: 13143:Rolling Stone 13139: 13132: 13125: 13120: 13113: 13108: 13101: 13096: 13089: 13084: 13077: 13072: 13065: 13060: 13053: 13048: 13041: 13036: 13029: 13024: 13017: 13016:Frontani 2007 13012: 12996: 12992: 12991: 12986: 12979: 12972: 12971:Glausser 2011 12967: 12951: 12947: 12943: 12937: 12930: 12925: 12918: 12913: 12906: 12901: 12894: 12889: 12882: 12877: 12875: 12867: 12862: 12846: 12842: 12841: 12836: 12829: 12827: 12819: 12814: 12807: 12802: 12795: 12794:Courrier 2009 12790: 12783: 12778: 12771: 12770:Courrier 2009 12766: 12759: 12754: 12748:, p. 86. 12747: 12742: 12735: 12730: 12723: 12718: 12712:, p. 77. 12711: 12706: 12699: 12694: 12687: 12682: 12667: 12666: 12661: 12654: 12647: 12646:Frontani 2007 12642: 12635: 12630: 12624:, p. 25. 12623: 12618: 12612:, p. 48. 12611: 12606: 12590: 12586: 12582: 12576: 12569: 12568:Courrier 2009 12564: 12557: 12556:Frontani 2007 12552: 12546:, p. 68. 12545: 12540: 12533: 12532:Frontani 2007 12528: 12521: 12516: 12509: 12504: 12497: 12492: 12485: 12480: 12464: 12460: 12459: 12454: 12452: 12443: 12436: 12431: 12424: 12419: 12412: 12407: 12400: 12395: 12393: 12385: 12380: 12373: 12368: 12361: 12360:Courrier 2009 12356: 12349: 12344: 12337: 12332: 12325: 12321: 12317: 12313: 12308: 12301: 12296: 12289: 12288:Frontani 2007 12284: 12277: 12273: 12268: 12262:, p. 59. 12261: 12256: 12254: 12252: 12235: 12231: 12230: 12225: 12218: 12211: 12206: 12200:, p. 96. 12199: 12194: 12187: 12182: 12180: 12178: 12170: 12165: 12159:, p. 83. 12158: 12153: 12151: 12149: 12141: 12137: 12133: 12128: 12121: 12116: 12114: 12106: 12101: 12085: 12081: 12080: 12075: 12070: 12061: 12059: 12051: 12046: 12030: 12026: 12022: 12015: 11999: 11995: 11991: 11984: 11968: 11964: 11960: 11953: 11951: 11934: 11930: 11926: 11919: 11917: 11909: 11908:Frontani 2007 11904: 11898:, p. 49. 11897: 11892: 11890: 11882: 11877: 11870: 11865: 11858: 11853: 11846: 11841: 11839: 11822: 11818: 11814: 11808: 11801: 11796: 11789: 11784: 11777: 11772: 11765: 11760: 11753: 11748: 11741: 11736: 11729: 11724: 11717: 11713: 11710: 11707:Available at 11704: 11703: 11695: 11693: 11686:, p. 36. 11685: 11680: 11673: 11668: 11661: 11656: 11650:, p. 48. 11649: 11644: 11637: 11632: 11625: 11621: 11616: 11609: 11604: 11597: 11592: 11585: 11580: 11573: 11568: 11562:, p. 87. 11561: 11556: 11554: 11552: 11544: 11539: 11532: 11527: 11525: 11517: 11512: 11505: 11500: 11493: 11488: 11482:, p. 42. 11481: 11476: 11469: 11464: 11457: 11452: 11446:, p. 19. 11445: 11440: 11433: 11428: 11426: 11424: 11422: 11414: 11409: 11402: 11397: 11390: 11385: 11377: 11376: 11368: 11366: 11350: 11346: 11339: 11337: 11328: 11327: 11319: 11312: 11307: 11292: 11291: 11286: 11279: 11272: 11267: 11260: 11255: 11249:, p. 57. 11248: 11243: 11228: 11224: 11217: 11210: 11205: 11198: 11194: 11193:Lewisohn 2010 11189: 11182: 11177: 11170: 11165: 11158: 11153: 11146: 11141: 11135:, p. 96. 11134: 11129: 11127: 11125: 11118:, p. 94. 11117: 11112: 11105: 11100: 11085: 11084: 11083:Rolling Stone 11079: 11072: 11070: 11068: 11061:, p. 85. 11060: 11055: 11049:, p. 81. 11048: 11043: 11037:, p. 46. 11036: 11031: 11029: 11022:, p. 93. 11021: 11016: 11014: 11012: 11010: 11003:, p. 68. 11002: 10997: 10990: 10986: 10981: 10975:, p. 95. 10974: 10969: 10967: 10965: 10957: 10953: 10948: 10941: 10937: 10933: 10928: 10921: 10916: 10909: 10905: 10901: 10896: 10888: 10886: 10878: 10871: 10866: 10864: 10856: 10851: 10849: 10841: 10836: 10829:. p. 78. 10828: 10827: 10819: 10812: 10807: 10800: 10795: 10789:, p. 33. 10788: 10783: 10781: 10773: 10768: 10762:, p. 20. 10761: 10756: 10749: 10744: 10737: 10732: 10730: 10722: 10717: 10710: 10705: 10698: 10693: 10686: 10681: 10674: 10669: 10663:, p. 56. 10662: 10657: 10650: 10645: 10638: 10633: 10626: 10621: 10619: 10611: 10606: 10600:, p. 52. 10599: 10594: 10592: 10584: 10579: 10573:, p. 99. 10572: 10567: 10565: 10557: 10552: 10545: 10544:Lewisohn 2005 10540: 10533: 10528: 10526: 10524: 10517:, p. 80. 10516: 10511: 10504: 10499: 10492: 10487: 10480: 10475: 10468: 10463: 10456: 10451: 10444: 10439: 10432: 10428: 10423: 10416: 10411: 10404: 10403:Lewisohn 2005 10399: 10392: 10387: 10385: 10377: 10372: 10365: 10360: 10353: 10348: 10341: 10336: 10330:, p. 46. 10329: 10324: 10318:, p. 47. 10317: 10312: 10305: 10300: 10293: 10288: 10282:, p. 56. 10281: 10276: 10269: 10264: 10257: 10252: 10245: 10240: 10233: 10228: 10226: 10218: 10213: 10211: 10203: 10199: 10198:Lewisohn 2010 10194: 10187: 10182: 10175: 10170: 10163: 10158: 10151: 10146: 10139: 10134: 10128:, p. 40. 10127: 10123: 10118: 10111: 10106: 10099: 10094: 10087: 10082: 10076:, p. 26. 10075: 10070: 10063: 10058: 10051: 10046: 10039: 10038:Lewisohn 2005 10034: 10028:, p. 37. 10027: 10022: 10015: 10010: 10003: 9998: 9991: 9986: 9979: 9974: 9967: 9962: 9960: 9953:, p. 90. 9952: 9947: 9940: 9935: 9928: 9923: 9921: 9919: 9917: 9909: 9904: 9897: 9892: 9885: 9880: 9873: 9868: 9861: 9856: 9850:, p. 172 9849: 9845: 9840: 9833: 9828: 9826: 9824: 9822: 9815:, p. 50. 9814: 9809: 9802: 9797: 9790: 9785: 9783: 9775: 9770: 9763: 9758: 9751: 9746: 9744: 9742: 9734: 9729: 9723:, p. 48. 9722: 9717: 9710: 9706: 9701: 9694: 9689: 9682: 9677: 9675: 9667: 9662: 9660: 9658: 9656: 9648: 9647:Lewisohn 2005 9643: 9636: 9635:Lewisohn 2010 9631: 9624: 9620: 9616: 9611: 9604: 9599: 9592: 9587: 9585: 9577: 9572: 9566:, p. 22. 9565: 9564:Whiteley 2008 9560: 9558: 9550: 9545: 9538: 9533: 9526: 9525:Whiteley 2008 9521: 9515:, p. 60. 9514: 9509: 9502: 9497: 9495: 9493: 9485: 9484:Whiteley 2008 9480: 9473: 9468: 9466: 9458: 9454: 9453: 9448: 9444: 9443:Glausser 2011 9439: 9431: 9430: 9422: 9406: 9402: 9398: 9392: 9385: 9380: 9378: 9370: 9365: 9359:, p. 31. 9358: 9353: 9346: 9341: 9334: 9330: 9325: 9318: 9314: 9310: 9306: 9301: 9286: 9285: 9284:Rolling Stone 9281: 9270: 9263: 9262:Lewisohn 2010 9258: 9251: 9246: 9239: 9234: 9219: 9215: 9208: 9201: 9196: 9189: 9184: 9177: 9172: 9165: 9161: 9160:Lewisohn 2010 9157: 9153: 9148: 9142:, p. 40. 9141: 9136: 9129: 9124: 9117: 9116:Lewisohn 2010 9112: 9105: 9104:Lewisohn 2010 9100: 9098: 9090: 9089:Lewisohn 2010 9086: 9081: 9074: 9069: 9062: 9057: 9050: 9045: 9038: 9033: 9026: 9025:Lewisohn 2010 9021: 9014: 9009: 9007: 9005: 9003: 8995: 8990: 8988: 8980: 8975: 8968: 8963: 8956: 8951: 8944: 8939: 8932: 8927: 8920: 8919:Lewisohn 2010 8915: 8908: 8903: 8895: 8888: 8881: 8876: 8869: 8865: 8861: 8857: 8852: 8845: 8840: 8833: 8828: 8821: 8816: 8809: 8804: 8802: 8794: 8789: 8783:, p. 88. 8782: 8777: 8770: 8765: 8759:, p. 82. 8758: 8753: 8746: 8741: 8734: 8729: 8722: 8717: 8710: 8705: 8699:, p. 96. 8698: 8697:Lewisohn 2005 8693: 8691: 8689: 8681: 8676: 8670:, p. 76. 8669: 8664: 8657: 8652: 8650: 8648: 8640: 8639:Lewisohn 2005 8635: 8628: 8623: 8616: 8611: 8605:, p. 47. 8604: 8599: 8592: 8587: 8572: 8571: 8570:Rolling Stone 8566: 8559: 8557: 8555: 8548:, p. 95. 8547: 8542: 8540: 8538: 8530: 8525: 8518: 8517:Lewisohn 2005 8513: 8511: 8509: 8507: 8505: 8497: 8492: 8485: 8480: 8478: 8470: 8469:Lewisohn 2010 8465: 8458: 8453: 8446: 8441: 8434: 8433:Lewisohn 2005 8429: 8427: 8419: 8414: 8407: 8402: 8386: 8382: 8378: 8371: 8364: 8359: 8357: 8349: 8344: 8342: 8334: 8329: 8322: 8317: 8315: 8313: 8311: 8303: 8298: 8292:, p. 83. 8291: 8286: 8279: 8274: 8267: 8263: 8259: 8255: 8251: 8246: 8239: 8234: 8228:, p. 44. 8227: 8222: 8215: 8211: 8207: 8202: 8196:, p. 52. 8195: 8190: 8183: 8178: 8171: 8166: 8159: 8154: 8147: 8142: 8140: 8132: 8128: 8123: 8116: 8111: 8104: 8099: 8092: 8087: 8080: 8075: 8068: 8064: 8059: 8053:, p. 89. 8052: 8051:Lewisohn 2005 8047: 8040: 8035: 8028: 8027:Lewisohn 2010 8023: 8016: 8011: 8004: 8003:Lewisohn 2005 7999: 7993:, p. 19. 7992: 7987: 7980: 7975: 7973: 7965: 7960: 7953: 7948: 7941: 7936: 7934: 7926: 7921: 7914: 7909: 7902: 7897: 7895: 7887: 7882: 7880: 7878: 7871:, p. 62. 7870: 7865: 7863: 7847: 7846: 7841: 7834: 7827: 7822: 7820: 7812: 7807: 7800: 7795: 7788: 7783: 7776: 7771: 7755: 7751: 7747: 7741: 7734: 7729: 7722: 7717: 7710: 7705: 7699:, p. 88. 7698: 7693: 7687:, p. 99. 7686: 7681: 7679: 7677: 7675: 7667: 7662: 7655: 7650: 7643: 7638: 7631: 7626: 7619: 7615: 7610: 7603: 7598: 7591: 7586: 7579: 7574: 7568:, p. 18. 7567: 7562: 7556:, p. 71. 7555: 7550: 7548: 7540: 7535: 7533: 7525: 7520: 7513: 7508: 7501: 7496: 7489: 7485: 7481: 7480:Lewisohn 2010 7476: 7469: 7464: 7462: 7454: 7449: 7442: 7438: 7437:Lewisohn 2010 7433: 7426: 7421: 7419: 7411: 7406: 7399: 7394: 7387: 7386:Lewisohn 2010 7382: 7375: 7370: 7364:, p. 31. 7363: 7358: 7354: 7340: 7334: 7327: 7323: 7318: 7311: 7307: 7303: 7299: 7295: 7289: 7282: 7281: 7276: 7272: 7268: 7264: 7260: 7254: 7247: 7242: 7236: 7229: 7225: 7221: 7217: 7213: 7207: 7199: 7195: 7189: 7182: 7181: 7176: 7175: 7170: 7163: 7157: 7146: 7142: 7138: 7134: 7128: 7117: 7113: 7107: 7099: 7095: 7089: 7082: 7077: 7076: 7069: 7061: 7060: 7053: 7046: 7042: 7041: 7034: 7024: 7017: 7010: 6998: 6994: 6988: 6981: 6980: 6972: 6963: 6954: 6948:renaissance." 6946: 6942: 6938: 6932: 6923: 6915: 6909: 6902: 6898: 6892: 6882: 6875: 6869: 6866: 6860: 6853: 6849: 6842: 6833: 6824: 6816: 6810: 6801: 6792: 6785: 6784: 6779: 6775: 6769: 6760: 6753: 6752: 6747: 6741: 6734: 6728: 6720: 6719: 6714: 6713: 6708: 6702: 6695: 6689: 6682: 6676: 6665: 6661: 6655: 6648: 6642: 6635: 6629: 6620: 6603: 6599: 6589: 6586: 6584: 6581: 6580: 6570: 6556: 6552: 6545: 6540: 6536: 6534:11Γ— Platinum 6533: 6530: 6525: 6521: 6519:18Γ— Platinum 6518: 6515: 6510: 6506: 6503: 6500: 6497:New Zealand ( 6495: 6491: 6484: 6480: 6477: 6474: 6468: 6463: 6459: 6456: 6453: 6448: 6444: 6441: 6438: 6433: 6429: 6426: 6423: 6418: 6414: 6411: 6408: 6403: 6399: 6396: 6393: 6388: 6384: 6381: 6378: 6373: 6369: 6366: 6363: 6357: 6352: 6348: 6345: 6342: 6337: 6333: 6328:Certification 6323: 6320: 6304: 6296: 6294: 6290: 6286: 6283: 6282: 6274: 6267: 6264: 6259: 6255: 6253: 6249: 6245: 6243:Chart (1968) 6242: 6241: 6237: 6234: 6229: 6225: 6223: 6219: 6215: 6213: 6209: 6205: 6203:Chart (1967) 6202: 6201: 6193: 6192: 6183: 6175: 6173: 6171: 6165: 6158: 6154: 6150: 6143: 6138: 6131: 6126: 6122: 6119: 6114: 6107: 6103: 6099: 6095: 6093: 6089: 6082: 6077: 6070: 6065: 6061: 6058: 6053: 6049: 6046: 6041: 6034: 6029: 6025: 6022: 6017: 6010: 6005: 5998: 5993: 5986: 5981: 5974: 5973:Album Top 100 5969: 5962: 5957: 5950: 5945: 5938: 5937: 5932: 5928: 5921: 5916: 5909: 5904: 5897: 5892: 5885: 5880: 5876: 5873: 5872: 5869:2017 reissue 5866: 5859: 5855: 5851: 5849: 5845: 5841: 5839: 5835: 5831: 5829: 5825: 5821: 5819: 5815: 5811: 5809: 5805: 5801: 5797: 5793: 5791: 5787: 5783: 5781: 5777: 5773: 5769: 5765: 5763: 5759: 5755: 5753: 5749: 5745: 5743: 5739: 5735: 5732: 5731: 5728:2009 reissue 5720: 5718: 5716: 5710: 5706: 5704: 5700: 5696: 5692: 5688: 5686: 5682: 5678: 5675: 5674: 5671:1987 reissue 5663: 5661: 5660:LP Hit-Parade 5659: 5653: 5649: 5647: 5645: 5639: 5635: 5633: 5631: 5625: 5621: 5619: 5614: 5610: 5607: 5602: 5596: 5592: 5588: 5586: 5584: 5578: 5574: 5572: 5567: 5563: 5560: 5559: 5553: 5552: 5546:Weekly charts 5535: 5531: 5526: 5522: 5518: 5514: 5510: 5506: 5502: 5501:Neill Sanders 5498: 5495: 5491: 5487: 5483: 5479: 5475: 5474:George Martin 5472: 5469: 5466: 5463: 5459: 5458:Geoff Emerick 5456: 5453: 5452:Neil Aspinall 5450: 5447: 5444: 5443: 5442: 5441: 5434: 5433:tubular bells 5431:, handclaps, 5430: 5426: 5422: 5418: 5415: 5412: 5408: 5404: 5400: 5397: 5394: 5390: 5387: 5384: 5380: 5379:sound effects 5376: 5372: 5371:Hammond organ 5368: 5365: 5364: 5363: 5362: 5358: 5344: 5341:Total length: 5338: 5334: 5331: 5328: 5324: 5320: 5316: 5313: 5310: 5306: 5302: 5298: 5295: 5292: 5288: 5284: 5280: 5277: 5274: 5270: 5266: 5262: 5259: 5256: 5252: 5248: 5244: 5241: 5238: 5234: 5230: 5214: 5201: 5198:Total length: 5195: 5191: 5188: 5185: 5181: 5177: 5173: 5170: 5167: 5163: 5159: 5155: 5152: 5149: 5148:Fixing a Hole 5145: 5141: 5137: 5134: 5131: 5127: 5123: 5119: 5116: 5113: 5109: 5105: 5101: 5098: 5095: 5091: 5087: 5083: 5080: 5077: 5073: 5069: 5053: 5046: 5044: 5043:Ian MacDonald 5040: 5039:Mark Lewisohn 5036: 5032: 5025:Track listing 5022: 5020: 5016: 5015:Ethan Iverson 5012: 5008: 5004: 4999: 4995: 4991: 4987: 4983: 4979: 4971: 4969: 4964: 4960: 4958: 4954: 4950: 4943: 4942: 4934: 4930: 4929: 4924: 4919: 4917: 4916:Kaiser Chiefs 4913: 4909: 4905: 4901: 4900: 4895: 4894: 4893:Sgt. Pepper's 4889: 4885: 4881: 4880: 4875: 4871: 4870: 4865: 4861: 4857: 4855: 4851: 4847: 4846: 4841: 4837: 4836: 4831: 4827: 4823: 4815: 4814:Live 8 London 4810: 4801: 4799: 4795: 4788: 4784: 4783: 4777: 4773: 4768: 4766: 4759: 4758:Rolling Stone 4755: 4751: 4747: 4743: 4742:Rolling Stone 4739: 4735: 4731: 4727: 4722: 4717: 4713: 4709: 4705: 4701: 4700: 4692: 4691:Rolling Stone 4688: 4687: 4683:'s 1978 book 4682: 4678: 4674: 4672: 4668: 4664: 4660: 4656: 4652: 4638: 4636: 4629: 4625: 4621: 4613: 4609: 4606:According to 4604: 4602: 4601: 4596: 4591: 4590: 4585: 4581: 4573: 4568: 4564: 4563:Rob Sheffield 4560: 4559: 4552: 4550: 4542: 4532: 4527: 4523: 4519: 4515: 4508: 4504: 4497: 4491: 4485: 4475: 4471: 4469: 4464: 4460: 4455: 4452: 4448: 4444: 4440: 4428: 4426: 4425: 4421: 4420: 4416: 4413: 4412: 4382: 4380: 4379: 4375: 4374: 4344: 4342: 4341: 4337: 4336: 4332: 4330: 4329: 4325: 4324: 4320: 4318: 4317: 4313: 4312: 4308: 4306: 4305: 4301: 4300: 4270: 4268: 4267: 4263: 4262: 4232: 4230: 4229: 4225: 4224: 4194: 4192: 4189: 4188: 4180: 4177:Review scores 4175: 4164: 4162: 4158: 4154: 4150: 4146: 4142: 4137: 4133: 4131: 4126: 4116: 4114: 4110: 4106: 4102: 4101: 4100:postmodernist 4096: 4091: 4087: 4083: 4079: 4074: 4072: 4071: 4066: 4065: 4060: 4056: 4052: 4048: 4044: 4039: 4037: 4033: 4032: 4027: 4023: 4019: 4018: 4013: 4009: 4005: 4001: 3997: 3988: 3986: 3982: 3978: 3977: 3972: 3968: 3964: 3960: 3956: 3948: 3947: 3942: 3938: 3937: 3932: 3928: 3927: 3922: 3918: 3917: 3912: 3908: 3907: 3902: 3898: 3897: 3892: 3888: 3887: 3882: 3877: 3871: 3870: 3865: 3861: 3857: 3853: 3849: 3848: 3844:triple album 3843: 3839: 3835: 3831: 3827: 3826: 3821: 3819: 3815: 3812:. Discussing 3811: 3807: 3806: 3801: 3797: 3796: 3791: 3787: 3786: 3781: 3777: 3776: 3771: 3767: 3766: 3761: 3760: 3755: 3751: 3745: 3743: 3739: 3735: 3730: 3720: 3718: 3714: 3709: 3705: 3702:Music critic 3700: 3697: 3693: 3692:extended form 3689: 3685: 3681: 3680:Rolling Stone 3677: 3672: 3669: 3663: 3661: 3654: 3638: 3636: 3632: 3628: 3624: 3621: 3616: 3611: 3609: 3605: 3601: 3600:Rolling Stone 3597: 3596: 3591: 3590: 3585: 3584: 3579: 3575: 3574: 3569: 3565: 3564: 3558: 3555: 3551: 3547: 3543: 3542:Aaron Copland 3538: 3536: 3532: 3528: 3524: 3520: 3516: 3512: 3508: 3504: 3503: 3494: 3490: 3489:Kevin Dettmar 3486: 3476: 3474: 3473: 3468: 3464: 3460: 3456: 3455: 3450: 3446: 3445: 3440: 3436: 3432: 3431: 3426: 3422: 3418: 3417: 3412: 3408: 3404: 3402: 3398: 3394: 3390: 3386: 3385:Abbie Hoffman 3382: 3378: 3374: 3370: 3361: 3356: 3352: 3346: 3342: 3338: 3333: 3331: 3327: 3323: 3319: 3318:Rolling Stone 3315: 3310: 3309:Timothy Leary 3305: 3301: 3297: 3290: 3286: 3281: 3277: 3271: 3267: 3261: 3259: 3243: 3240: 3236: 3232: 3228: 3227: 3222: 3218: 3217: 3212: 3208: 3204: 3200: 3196: 3192: 3188: 3187: 3183:, writing in 3182: 3177: 3175: 3171: 3167: 3163: 3159: 3154: 3150: 3149: 3144: 3140: 3135: 3133: 3129: 3128: 3123: 3122: 3117: 3113: 3112:Harold Pinter 3109: 3108:Edith Sitwell 3105: 3101: 3095: 3088: 3084: 3083:Kenneth Tynan 3080: 3079: 3078:New Statesman 3074: 3069: 3068: 3063: 3062:Peter Clayton 3059: 3054: 3050: 3046: 3045: 3037: 3036: 3031: 3030: 3029:Record Mirror 3025: 3021: 3020: 3015: 3010: 3008: 3007: 3002: 3001: 2996: 2992: 2991: 2986: 2982: 2978: 2972: 2966: 2953: 2942: 2940: 2932: 2927: 2925: 2923: 2918: 2914: 2913: 2908: 2899: 2897: 2892: 2889:. In the UK, 2888: 2884: 2881: 2877: 2876: 2871: 2867: 2861: 2859: 2855: 2851: 2843: 2839: 2835: 2834:Peter Doggett 2831: 2826: 2824: 2820: 2816: 2812: 2808: 2801: 2798: 2794: 2788: 2786: 2782: 2781: 2780:Rolling Stone 2776: 2772: 2763: 2761: 2756: 2751: 2749: 2745: 2744:Howard Sounes 2741: 2736: 2735: 2726: 2725:Brian Epstein 2722: 2717: 2713: 2708: 2707: 2702: 2698: 2697:Kenny Everett 2694: 2693:Where It's At 2690: 2686: 2671: 2669: 2665: 2661: 2656: 2651: 2645: 2637: 2630: 2626: 2617: 2615: 2611: 2607: 2602: 2600: 2596: 2592: 2591:Sri Yukteswar 2588: 2584: 2580: 2576: 2572: 2571:Sigmund Freud 2568: 2564: 2560: 2556: 2552: 2548: 2544: 2540: 2536: 2532: 2528: 2524: 2520: 2516: 2512: 2508: 2507:Marlon Brando 2505:; film stars 2504: 2500: 2496: 2491: 2489: 2485: 2481: 2477: 2473: 2469: 2465: 2461: 2455: 2453: 2449: 2448:Robert Fraser 2445: 2441: 2437: 2433: 2427: 2426: 2409: 2407: 2403: 2398: 2393: 2388: 2384: 2380: 2378: 2374: 2366: 2356: 2353: 2348: 2347:perception". 2345: 2340: 2336: 2334: 2330: 2326: 2322: 2318: 2314: 2310: 2303: 2301: 2289: 2272: 2250: 2247: 2243: 2239: 2238:Neil Aspinall 2235: 2225: 2222: 2217: 2213: 2209: 2205: 2201: 2197: 2187: 2185: 2182: 2177: 2173: 2169: 2162:"Lovely Rita" 2159: 2156: 2152: 2148: 2144: 2140: 2136: 2131: 2127: 2126:Donald McGill 2123: 2122:George Formby 2119: 2112: 2110: 2086: 2064: 2060: 2059:in the West. 2058: 2054: 2050: 2046: 2042: 2038: 2034: 2030: 2026: 2022: 2016: 2013: 2006: 1991: 1989: 1985: 1984:sound collage 1980: 1976: 1972: 1968: 1958: 1955: 1951: 1947: 1946: 1941: 1937: 1929: 1924: 1915: 1913: 1909: 1908:Elvis Presley 1905: 1904:Fixing a Hole 1895: 1893: 1889: 1879: 1877: 1873: 1869: 1865: 1859: 1857: 1853: 1852: 1844: 1843:Lewis Carroll 1840: 1836: 1832: 1825: 1823: 1810: 1806: 1789: 1767: 1765: 1761: 1757: 1752: 1747: 1743: 1739: 1729: 1727: 1723: 1719: 1715: 1711: 1707: 1704: 1699: 1696: 1692: 1688: 1687:pit orchestra 1684: 1680: 1674: 1672: 1660: 1643: 1616: 1611: 1607: 1603: 1598: 1594: 1590: 1583: 1578: 1576: 1572: 1568: 1567:Fixing a Hole 1564: 1559: 1555: 1549: 1546: 1539: 1537: 1533: 1527: 1523: 1518: 1516: 1512: 1508: 1504: 1500: 1496: 1492: 1488: 1484: 1480: 1476: 1472: 1471:rock and roll 1467: 1463: 1448: 1446: 1442: 1438: 1437: 1432: 1427: 1425: 1421: 1417: 1409: 1408: 1403: 1399: 1394: 1388: 1384: 1376:Band dynamics 1373: 1371: 1367: 1366: 1360: 1356: 1351: 1349: 1345: 1341: 1337: 1333: 1329: 1325: 1321: 1316: 1314: 1310: 1306: 1302: 1301:pitch control 1298: 1294: 1290: 1286: 1282: 1278: 1274: 1270: 1266: 1262: 1256: 1253: 1252:Hunter Davies 1246: 1240: 1238: 1233: 1229: 1225: 1221: 1217: 1213: 1209: 1205: 1201: 1197: 1193: 1192:ambient music 1186: 1181: 1172: 1170: 1166: 1162: 1158: 1154: 1149: 1147: 1143: 1138: 1134: 1130: 1125: 1122: 1118: 1114: 1110: 1106: 1102: 1098: 1087: 1085: 1081: 1077: 1073: 1069: 1068:Mark Lewisohn 1065: 1064: 1059: 1055: 1050: 1048: 1044: 1040: 1036: 1032: 1023: 1019: 1015: 1013: 1009: 1005: 1004:Hohner Pianet 1001: 997: 993: 989: 984: 980: 974: 972: 965: 959: 955: 953: 948: 947:double A-side 943: 941: 937: 933: 925: 921: 917: 903: 901: 897: 893: 889: 885: 881: 877: 873: 872: 868: 867:concept album 864: 860: 856: 855:Philip Norman 852: 848: 844: 843: 838: 834: 830: 826: 825: 820: 816: 815: 810: 806: 805:Ian MacDonald 802: 798: 794: 789: 787: 783: 779: 778:Edwardian-era 775: 770: 768: 767:Luciano Berio 764: 760: 756: 752: 748: 744: 740: 736: 726: 724: 720: 716: 712: 708: 704: 703: 698: 697:tour managers 694: 690: 686: 685: 681:for the film 680: 676: 675:George Martin 672: 668: 664: 660: 655: 649: 647: 641: 639: 635: 631: 627: 619: 614: 610: 608: 607:Brian Epstein 604: 603:Imelda Marcos 600: 595: 590: 586: 582: 581: 576: 570: 568: 561: 559: 547: 545: 541: 537: 533: 529: 528: 523: 522: 521:Rolling Stone 517: 513: 509: 505: 501: 500:Grammy Awards 497: 495: 490: 489: 484: 481:and the 1967 480: 476: 469: 465: 463: 459: 456: 452: 444: 440: 436: 432: 431:Geoff Emerick 429:and engineer 428: 427:George Martin 424: 420: 416: 412: 408: 404: 400: 396: 392: 387: 385: 381: 380:double A-side 377: 373: 370:, the songs " 369: 365: 357: 356: 351: 347: 343: 338: 336: 332: 328: 324: 320: 319:popular music 316: 312: 308: 307:extended form 304: 303:concept album 300: 292: 288: 284: 280: 279: 269: 260: 259: 255: 251: 250: 246: 242: 241: 237: 236: 232: 228: 225: 221: 217: 208: 207: 203: 199: 198: 194: 190: 189: 185: 184: 180: 176: 172: 169: 168:George Martin 166: 164: 160: 155: 152: 150: 147: 146: 145: 143: 139: 127: 123: 117: 113: 111: 108: 106: 103: 101: 98: 97: 96: 94: 90: 86: 83: 79: 75: 71: 60: 56: 52: 47: 43: 39: 34: 29: 26: 22: 23904: 23899:Taylor Swift 23892: 23880: 23857: 23845: 23837: 23825: 23816:Michael Ball 23809: 23797: 23785: 23773: 23761: 23749: 23726: 23714: 23702: 23690: 23678: 23666: 23654: 23642: 23630: 23618: 23595: 23590:Shania Twain 23585:Come On Over 23583: 23571: 23559: 23547: 23535: 23523: 23511: 23499: 23487: 23464: 23459:Phil Collins 23452: 23440: 23432: 23424: 23416: 23408: 23400: 23388: 23378:The Visitors 23376: 23353: 23341: 23333: 23325: 23313: 23301: 23289: 23277: 23269: 23257: 23234: 23222: 23210: 23199: 23198: 23190: 23178: 23166: 23154: 23142: 23130: 23111: 23103: 23095: 23087: 23079: 23016: 23007: 22995: 22994: 22985: 22972: 22959: 22950: 22937: 22928: 22917:My Fair Lady 22915: 22906: 22893: 22825:Taylor Swift 22818: 22813:Harry Styles 22806: 22794: 22782: 22759: 22747: 22735: 22723: 22718:Taylor Swift 22711: 22699: 22687: 22675: 22663: 22651: 22628: 22616: 22604: 22592: 22580: 22568: 22556: 22544: 22532: 22520: 22497: 22487:Ray of Light 22485: 22480:James Taylor 22473: 22461: 22449: 22444:Bonnie Raitt 22437: 22415: 22414: 22357:Taylor Swift 22350: 22343:Harry Styles 22336: 22322: 22315:Taylor Swift 22308: 22283: 22269: 22255: 22241: 22234:Taylor Swift 22227: 22213: 22199: 22185: 22171: 22157: 22139:Taylor Swift 22132: 22121:Robert Plant 22116:Raising Sand 22114: 22100: 22093:Dixie Chicks 22086: 22072: 22058: 22044: 22030: 22020: 22006: 21983:Supernatural 21981: 21967: 21953: 21939: 21925: 21918:Tony Bennett 21911: 21897: 21890:Eric Clapton 21883: 21876:Natalie Cole 21869: 21862:Quincy Jones 21855: 21837:Bonnie Raitt 21832:Nick of Time 21830: 21816: 21802: 21788: 21781:Phil Collins 21774: 21760: 21746: 21732: 21714: 21700: 21675: 21665: 21651: 21637: 21623: 21609: 21597:Innervisions 21595: 21581: 21567: 21553: 21528: 21514: 21501: 21500: 21486: 21472: 21454: 21440: 21426: 21419:Judy Garland 21412: 21398: 21373: 21359: 21295: 21290:Harry Styles 21283: 21271: 21259: 21247: 21235: 21223: 21211: 21199: 21187: 21175: 21163: 21151: 21141:Sigh No More 21139: 21127: 21115: 21103: 21091: 21079: 21067: 21062:The Darkness 21055: 21043: 21031: 21019: 21013:2001–present 20996: 20984: 20972: 20960: 20948: 20936: 20924: 20919:Annie Lennox 20912: 20900: 20888: 20876: 20864: 20852: 20847:Dire Straits 20840: 20835:Phil Collins 20828: 20818:Diamond Life 20816: 20804: 20792: 20780: 20769: 20768: 20714: 20693: 20686: 20679: 20673: 20665: 20659: 20658: 20651: 20644: 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In author 1061: 1051: 1042: 1027: 1000:Lowrey organ 991: 982: 976: 967: 962: 951: 944: 929: 926:was recorded 923: 902:was doing". 891: 888:Albert Ayler 879: 876:Indian music 874: 870: 858: 850: 840: 836: 832: 828: 822: 819:Brian Wilson 812: 792: 791:Portions of 790: 773: 771: 742: 738: 732: 700: 682: 663:Ravi Shankar 651: 645: 643: 623: 578: 572: 563: 555: 525: 519: 502:, including 493: 486: 467: 466: 462:Jann Haworth 394: 388: 362:November at 353: 349: 339: 298: 277: 276: 275: 256: 248: 247: 238: 204: 196: 195: 186: 46:Studio album 25: 23933:1967 albums 23852:Rod Stewart 23768:Emeli SandΓ© 23721:Susan Boyle 23697:Leona Lewis 23602:the Beatles 23566:Celine Dion 23554:Spice Girls 23395:John Lennon 23348:Rod Stewart 23327:Disco Fever 23229:the Beatles 23217:the Beatles 23212:The Beatles 23205:the Beatles 23185:the Beatles 23180:Rubber Soul 23173:the Beatles 23161:the Beatles 23023:The Beatles 23001:The Beatles 22979:The Beatles 22966:The Beatles 22883:(1956–1969) 22575:Ray Charles 22551:Norah Jones 22534:Lovers Rock 22468:Celine Dion 22421:The Beatles 22329:Jon Batiste 22271:Golden Hour 22164:Arcade Fire 22159:The Suburbs 22065:Ray Charles 22037:Norah Jones 21974:Lauryn Hill 21946:Celine Dion 21721:John Lennon 21677:52nd Street 21574:Carole King 21507:The Beatles 21405:Bob Newhart 21249:Psychodrama 21218:David Bowie 21170:Emeli SandΓ© 20998:The Man Who 20974:Urban Hymns 20931:Stereo MC's 20775:The Beatles 20713:Awards for 20674:The Beatles 20646:Rubber Soul 20518:Peter Blake 20366:Lovely Rita 20268:Cover photo 20204:Discography 19919:Los Beatles 19831:Live albums 19778:Nowhere Man 19613:Rubber Soul 19585:Beatles '65 19472:White Album 19467:The Beatles 19440:Rubber Soul 19360:The Beatles 19273:Rosen, Jody 19002:. Ashgate. 18962:. Ashgate. 18954:Sgt. Pepper 18723:Sgt. Pepper 18581:. Ashgate. 18421:"Acid Rock" 18385:. Ashgate. 18377:Sgt. Pepper 18208:. Ashgate. 18197:Sgt. Pepper 18074:. Ashgate. 18066:Sgt. Pepper 18049:. Ashgate. 18041:Sgt. Pepper 18024:. Ashgate. 18016:Sgt. Pepper 17999:. Ashgate. 17957:. Ashgate. 17830:Harry, Bill 17800:. Ashgate. 17578:Ellen, Mark 17492:The Beatles 17328:The Beatles 16477:16 November 16419:16 November 16393:16 November 16367:16 November 16341:16 November 16287:16 November 16261:16 November 16206:16 November 16147:16 November 15969:16 November 15862:16 November 15763:Kent, David 15698:Womack 2014 15642:(booklet). 15381:Badman 2001 15369:Badman 2001 15329:Badman 2001 15262:Badman 2001 15180:BBC Radio 2 15007:20 November 14847:19 November 14820:Womack 2014 14775:Badman 2001 14414:Womack 2014 14390:Harris 2007 14348:Harris 2007 14301:Ingham 2006 14274:Kimsey 2008 14262:Kimsey 2008 14226:Marcus 2007 14210:Marcus 2007 14069:Larkin 2006 13959:Norman 2016 13935:Turner 2016 13887:Inglis 2008 13872:Inglis 2008 13820:Greene 2016 13808:Greene 2016 13679:Harris 2007 13545:Harris 2007 13292:Howard 2004 13202:Badman 2001 13190:Badman 2001 12866:Larkin 2006 12806:Greene 2016 12622:Greene 2016 12384:Kimsey 2008 12316:Turner 2016 12278:, p. 9 12210:Turner 2016 12069:Sgt. Pepper 11857:Sounes 2010 11845:Womack 2014 11827:11 November 11776:Norman 2008 11740:Norman 2016 11728:Norman 1996 11684:Greene 2016 11584:Norman 2008 11560:Harris 2007 11480:Ingham 2006 11413:Sounes 2010 11271:Norman 2008 11197:Inglis 2008 11169:Inglis 2008 11145:Norman 2016 11133:Inglis 2008 11116:Inglis 2008 11020:Inglis 2008 10989:Sounes 2010 10985:Inglis 2008 10973:Inglis 2008 10936:Sgt. Pepper 10904:Sgt. Pepper 10900:Inglis 2008 10870:Inglis 2008 10855:Norman 2016 10760:Romano 2010 10709:Womack 2007 10685:Womack 2007 10673:Womack 2007 10649:Martin 1994 10610:Davies 2009 10583:Womack 2007 10556:Womack 2007 10455:Womack 2007 10443:Greene 2016 10364:Womack 2007 10280:Hannan 2008 10268:Davies 2009 10256:Womack 2007 10217:Ingham 2006 10098:Womack 2007 10074:Greene 2016 9978:Womack 2007 9927:Womack 2007 9848:Womack 2007 9832:Womack 2007 9813:Hannan 2008 9750:Womack 2007 9721:Hannan 2008 9666:Womack 2007 9603:Ingham 2006 9411:31 December 9401:BBC Radio 2 9357:Covach 1997 9345:Wagner 2008 9333:Wagner 2008 9329:Hannan 2008 9317:Sgt. Pepper 9313:Wagner 2008 9305:Hannan 2008 9290:14 November 9164:Sgt. Pepper 9152:Davies 2009 9140:Hannan 2008 9073:Womack 2007 9013:Womack 2007 8979:Kimsey 2008 8955:Howard 2004 8931:Davies 2009 8907:Babiuk 2002 8864:Sgt. Pepper 8769:Greene 2016 8757:Harris 2007 8733:Ingham 2006 8680:Sounes 2010 8668:Harris 2007 8496:Howard 2004 8418:Norman 2016 8381:News.com.au 8226:Turner 2016 8194:Hannan 2008 8182:Davies 2009 8103:Greene 2016 7991:Greene 2016 7913:Babiuk 2002 7901:Babiuk 2002 7869:Hannan 2008 7828:, chap. 10. 7826:Womack 2018 7811:Martin 1994 7799:Turner 2016 7733:Womack 2007 7709:Sounes 2010 7666:Turner 2016 7602:Womack 2007 7590:Turner 2016 7578:Sounes 2010 7484:Turner 2016 7362:Wiener 1992 7339:Sgt. Pepper 7302:Sgt. Pepper 7267:Sgt. Pepper 7263:Sgt. Pepper 7224:Sgt. Pepper 7220:Sgt. Pepper 7212:Rubber Soul 7194:Sgt. Pepper 7162:Sgt. Pepper 7145:Sgt. Pepper 7137:Sandy Denny 7133:Sgt. Pepper 7116:Sgt. Pepper 7098:Sgt. Pepper 7045:Sgt. Pepper 7040:High Priest 6991:On 4 June, 6914:Sgt. Pepper 6901:Sgt. Pepper 6865:Sgt. Pepper 6848:Sgt. Pepper 6746:Sgt. Pepper 6660:Rubber Soul 6647:Sgt. Pepper 6553:32,000,000 6537:11,000,000 6375:Australia ( 6354:Argentina ( 6339:Argentina ( 5569:Australian 5482:harpsichord 5446:Sounds Inc. 5417:Ringo Starr 5367:John Lennon 5361:The Beatles 5273:Lovely Rita 5224:Lead vocals 5063:Lead vocals 5019:Sgt. Pepper 5011:Sgt. Pepper 5003:Mark Morris 4994:Apple Corps 4968:Sgt. Pepper 4912:the Killers 4904:BBC Radio 2 4874:Cheap Trick 4860:Sgt. Pepper 4798:baroque pop 4794:Sgt. Pepper 4772:Sgt. Pepper 4765:Sgt. Pepper 4750:Sgt. Pepper 4726:Sgt. Pepper 4677:Sgt. Pepper 4667:Sgt. Pepper 4655:Sgt. Pepper 4651:Sgt. Pepper 4635:Sgt. Pepper 4612:Sgt. Pepper 4580:Sgt. Pepper 4567:Sgt. Pepper 4541:Sgt. Pepper 4507:Sgt. Pepper 4503:Sgt. Pepper 4468:Sgt. Pepper 4463:Sgt. Pepper 4443:Sgt. Pepper 4145:Sgt. Pepper 4141:Sgt. Pepper 4136:Sgt. Pepper 4130:Sgt. Pepper 4125:Sgt. Pepper 4109:David Bowie 4090:Sgt. Pepper 4082:Sgt. Pepper 4051:Sgt. Pepper 4047:Sgt. Pepper 4043:Sgt. Pepper 4036:Sgt. Pepper 4008:Sgt. Pepper 3996:Sgt. Pepper 3985:Wayne Coyne 3963:John Harris 3955:Sgt. Pepper 3939:(1997) and 3936:Be Here Now 3926:OK Computer 3881:Sgt. Pepper 3864:Sgt. Pepper 3840:– the 1971 3838:Sgt. Pepper 3834:dance music 3818:Sgt. Pepper 3810:Sgt. Pepper 3805:S.F. Sorrow 3790:Small Faces 3780:the Zombies 3750:Sgt. Pepper 3742:Sgt. Pepper 3729:Sgt. Pepper 3713:Sgt. Pepper 3708:Sgt. Pepper 3696:Sgt. Pepper 3684:Sgt. Pepper 3668:Sgt. Pepper 3635:Sgt. Pepper 3623:Brit Awards 3615:Sgt. Pepper 3608:Sgt. Pepper 3604:Sgt. Pepper 3578:Sgt. Pepper 3546:Sgt. Pepper 3519:Sgt. Pepper 3513:'." At the 3507:Sgt. Pepper 3493:Sgt. Pepper 3463:Sgt. Pepper 3449:Sex Pistols 3435:Sgt. Pepper 3425:Sgt. Pepper 3411:Frank Zappa 3407:Sgt. Pepper 3397:Vietnam War 3373:Sgt. Pepper 3341:US Congress 3337:Spiro Agnew 3314:Jann Wenner 3296:Sgt. Pepper 3289:Sgt. Pepper 3266:Sgt. Pepper 3235:Sgt. Pepper 3221:Sgt. Pepper 3195:Sgt. Pepper 3176:, in July. 3153:Sgt. Pepper 3116:T. S. Eliot 3104:Sgt. Pepper 3053:Sgt. Pepper 3024:Peter Jones 3014:Sgt. Pepper 2977:Sgt. Pepper 2952:Sgt. Pepper 2931:Sgt. Pepper 2909:topped the 2907:Sgt. Pepper 2896:Sgt. Pepper 2887:Sgt. Pepper 2883:Simon Frith 2858:Sgt. Pepper 2838:Sgt. Pepper 2811:Sgt. Pepper 2797:Sgt. Pepper 2783:magazine's 2771:Sgt. Pepper 2755:Sgt. Pepper 2753:On 26 May, 2740:Ray Coleman 2721:Sgt. Pepper 2629:Sgt. Pepper 2555:Oscar Wilde 2543:Stan Laurel 2515:Tony Curtis 2503:Bobby Breen 2476:Beatlemania 2440:Sgt. Pepper 2432:Peter Blake 2417:Front cover 2402:Sefton Park 2397:Sgt. Pepper 2392:Sgt. Pepper 2377:Sgt. Pepper 2365:Sgt. Pepper 2333:Tara Browne 2315:orchestral 2288:Sgt. Pepper 2246:Sgt. Pepper 2216:Sounds Inc. 2168:Lovely Rita 2023:-inspired " 2019:Harrison's 1950:Sgt. Pepper 1892:Sgt. Pepper 1848:1871 novel 1764:Sgt. Pepper 1695:fourth wall 1683:title track 1679:Sgt. Pepper 1610:Sgt. Pepper 1606:hermeneutic 1593:metaphysics 1582:Sgt. Pepper 1554:Sgt. Pepper 1545:John Lennon 1536:Sgt. Pepper 1511:Sgt. Pepper 1507:psychedelia 1462:Sgt. Pepper 1441:Sgt. Pepper 1436:The Beatles 1431:Sgt. Pepper 1424:Sgt. Pepper 1416:Rubber Soul 1398:Sgt. Pepper 1387:Barry Miles 1383:Sgt. Pepper 1370:Sgt. Pepper 1355:Sgt. Pepper 1340:Sgt. Pepper 1273:Sgt. Pepper 1220:Sgt. Pepper 1208:Sgt. Pepper 1200:Sgt. Pepper 1185:Sgt. Pepper 1161:King's Road 1157:Cass Elliot 1142:Sgt. Pepper 1117:Mick Jagger 1109:Sgt. Pepper 1105:stroboscope 1072:Sgt. Pepper 1047:Lovely Rita 1008:harpsichord 996:grand piano 983:Sgt. Pepper 952:Sgt. Pepper 924:Sgt. Pepper 894:, a bit of 880:Sgt. Pepper 863:Chet Flippo 851:Sgt. Pepper 837:Sgt. Pepper 824:Rubber Soul 793:Sgt. Pepper 774:Sgt. Pepper 751:avant-garde 715:Ringo Starr 599:Philippines 587:. While in 575:John Lennon 475:pop culture 468:Sgt. Pepper 458:Peter Blake 455:pop artists 419:avant-garde 395:Sgt. Pepper 391:psychedelia 364:EMI Studios 350:Sgt. Pepper 311:psychedelic 299:Sgt. Pepper 291:the Beatles 224:The Beatles 206:The Beatles 175:The Beatles 110:psychedelia 51:the Beatles 23927:Categories 23792:Ed Sheeran 23704:The Circus 23632:Escapology 23296:Elton John 23284:Elton John 23224:Abbey Road 23018:Abbey Road 22939:G.I. Blues 22920:(Broadway 22742:Ed Sheeran 22694:Bruno Mars 22630:The E.N.D. 22599:John Mayer 22527:Steely Dan 22262:Bruno Mars 22013:Steely Dan 21795:Paul Simon 21682:Billy Joel 21630:Paul Simon 21194:Ed Sheeran 21021:Parachutes 20688:Abbey Road 20416:Penny Lane 19599:Beatles VI 19490:Abbey Road 19112:PopMatters 18881:Spitz, Bob 18616:Riley, Tim 17855:. Virgin. 17836:. Virgin. 17605:. Gotham. 17246:2 February 16235:12 October 16176:15 January 15898:31 January 15132:Moore 1997 15120:Moore 1997 15022:Smith 2009 14905:Jones 2016 14862:Jones 2016 14735:Jones 2016 14693:Jones 2016 14681:Jones 2016 14657:Jones 2016 14599:Smith 2009 14554:Smith 2009 14513:23 October 14446:4 November 14250:Riley 2002 14238:Riley 2002 14214:Riley 2002 14156:23 October 14097:Kemp, Mark 14054:23 October 14046:. London. 14018:3 December 13947:Riley 2002 13923:Spitz 2005 13796:Jones 2016 13756:Moore 2018 13754:in 1967"; 13748:Moore 2018 13744:Moore 1997 13497:Moore 2018 13443:Gould 2007 13431:Moore 1997 13319:Gould 2007 13175:3 February 13124:Philo 2015 13112:Gould 2007 13100:Miles 2001 13076:Gould 2007 13001:24 January 12929:Miles 2001 12917:Riley 2002 12905:Riley 2002 12818:Moore 1997 12671:21 October 12595:7 November 12544:Moore 1997 12411:Moore 1997 12372:Philo 2015 12272:Gould 2007 12260:Moore 1997 12240:5 November 12229:Gramophone 12140:Moore 1997 12132:Gould 2007 12090:3 November 11973:23 October 11939:23 October 11896:Smith 2009 11869:Miles 1997 11788:Gould 2007 11672:Miles 2001 11660:Ellen 2002 11648:Smith 2009 11624:Riley 2002 11608:Philo 2015 11596:Gould 2007 11543:Ellen 2002 11516:Riley 2002 11504:Riley 2002 11444:Moore 1997 11401:Spitz 2005 11389:Spitz 2005 11311:Gould 2007 11259:Miles 2001 11247:Moore 1997 11181:Miles 1997 11157:Gould 2007 11104:Harry 2002 10956:Gould 2007 10932:Gould 2007 10920:Ellen 2002 10908:Miles 1997 10799:Moore 2008 10772:Sheff 1981 10697:Riley 2002 10598:Moore 1997 10431:Moore 1997 10415:Gould 2007 10376:Gould 2007 10328:Moore 1997 10316:Moore 1997 10150:Gould 2007 10126:Moore 1997 10026:Moore 1997 9939:Miles 1997 9884:Riley 2002 9774:Riley 2002 9733:Gould 2007 9623:Moore 1997 9619:Moore 1997 9591:Gould 2007 9576:Moore 1997 9549:Moore 2008 9513:Moore 1997 9501:Spitz 2005 9457:Miles 1997 9447:Moore 1997 9384:Miles 2001 9309:Moore 1997 8820:Ellen 2002 8721:Gould 2007 8627:Miles 1997 8615:Spitz 2005 8484:Gould 2007 8391:2 February 8238:Miles 1997 8214:Pet Sounds 8210:Miles 1997 8091:Harry 2002 8079:Moore 1997 7979:Philo 2015 7851:12 January 7787:Miles 1997 7775:Moore 1997 7654:Gould 2007 7630:Gould 2007 7614:Harry 2000 7524:Gould 2007 7374:Miles 1997 7349:References 7310:Pet Sounds 7298:Pet Sounds 7294:Pet Sounds 7239:In a 1998 6943:guitarist 6874:the Cavern 6852:Freak Out! 6547:Worldwide 6542:Summaries 6522:5,400,000 6118:PROMUSICAE 5922:Wallonia) 5910:Flanders) 5896:Γ–3 Austria 5658:Musikmarkt 5604:Norwegian 5425:tambourine 5411:swarmandal 5375:tape loops 5007:Pepperland 5001:festival, 4906:broadcast 4565:described 4518:iconoclasm 4163:motorcar. 4159:, and the 4153:Mary Quant 4095:modernists 4078:Pet Sounds 4055:rock opera 3842:avant-jazz 3830:Carla Bley 3734:Pink Floyd 3706:said that 3682:described 3457:magazine, 3283:A hippie " 3255:See also: 3233:described 3100:Jack Kroll 3067:Gramophone 3051:described 2836:describes 2819:Mark Ellen 2787:recalled: 2551:H.G. Wells 2549:; writers 2321:Daily Mail 2317:crescendos 2300:media help 2109:media help 1945:Daily Mail 1822:media help 1671:media help 1499:music hall 1483:piano jazz 1475:vaudeville 1359:crossfades 1216:four-track 1035:swarmandal 992:Pet Sounds 940:Penny Lane 892:Pet Sounds 884:B. B. King 871:Freak Out! 859:Freak Out! 842:Freak Out! 833:Pet Sounds 829:Pet Sounds 814:Pet Sounds 630:Bible Belt 550:Background 415:music hall 407:vaudeville 376:Penny Lane 297:May 1967, 229:chronology 177:chronology 149:Parlophone 65:1967-05-26 23894:Midnights 23820:Alfie Boe 23751:Christmas 23743:2011–2020 23733:Take That 23709:Take That 23685:Take That 23612:2001–2010 23518:Meat Loaf 23481:1991–2000 23370:1981–1990 23251:1971–1980 23124:1961–1970 23073:1956–1960 22984:1965-66: 22927:1959-60: 22820:Midnights 22749:Sweetener 22706:Sam Smith 22658:Lady Gaga 22618:Rockferry 22594:Continuum 22582:Breakaway 22558:Justified 22475:Hourglass 22352:Midnights 22257:24K Magic 22206:Daft Punk 21960:Bob Dylan 21885:Unplugged 21790:Graceland 21461:Stan Getz 21213:Blackstar 21117:Rockferry 20979:The Verve 20926:Connected 20762:1977–2000 20695:Let It Be 20044:Anthology 19955:1967–1970 19947:1962–1966 19771:Yesterday 19499:Let It Be 19281:Is Wrong" 19182:227198538 18915:. Quest. 18618:(2002) . 18445:(1996) . 18271:(1994) . 18133:(2005) . 17580:(2002). 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boxer 2523:Mae West 2495:waxworks 2329:Guinness 2221:fade-out 2155:semitone 2037:dilrubas 1994:Side two 1812:timbre". 1746:baritone 1718:overture 1661:holler". 1619:Side one 1575:cannabis 1532:Revolver 1479:big band 1456:Overview 1420:Revolver 1332:Revolver 1324:Revolver 1269:Revolver 1212:Revolver 1101:darkroom 1099:, a red 1043:Revolver 1039:tom-toms 817:, which 721:and son 711:Yoko Ono 646:Revolver 640:writes: 580:Revolver 399:art rock 355:Revolver 327:high art 240:Revolver 163:Producer 116:art rock 73:Recorded 58:Released 48: by 23827:Revival 23471:Madonna 22492:Madonna 22331:(2021) 22051:Outkast 21988:Santana 21734:Toto IV 21653:Rumours 21230:Stormzy 21081:X&Y 20078:Remixes 19542:Capitol 19517:Vee-Jay 19323:Discogs 19223:24 July 19153:24 July 17375:Esquire 17202:4 March 16726:11 July 16315:3 March 16121:23 July 15811:8 April 15742:13 June 15591:13 June 15561:9 March 15528:12 June 15462:. 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Index

Sgt. Pepper's Lonely Hearts Club Band (disambiguation)
The Beatles, holding marching band instruments and wearing colourful uniforms, stand near a grave covered with flowers that spell "Beatles". Standing behind the band are several dozen famous people.
Studio album
the Beatles
EMI
Genre
Rock
pop
psychedelia
art rock
Label
Parlophone
Capitol
Producer
George Martin
The Beatles
A Collection of Beatles Oldies
The Beatles
The Beatles
North American
Revolver
Magical Mystery Tour
album
rock
the Beatles
concept album
extended form
psychedelic
record sleeves
popular music

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

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