Revolver (Beatles album)

2158: 2726: 580:, had intended that 1966 would then follow the pattern of the previous two years, in terms of the band making a feature film and an accompanying album, followed by concert tours during the summer months. After the Beatles vetoed the proposed film project, the time allocated for filming became a further three months free of professional engagements. This was the longest period the band members had experienced outside the group collective since 1962, and it defied the convention that pop acts should be working almost continually. The group thereby had an unprecedented amount of time to prepare for a new album. 693: 1764:". The song marks the second time that a Beatles arrangement used a shifting metre, after "Love You To", as the foundation of 4/4 briefly switches to 3/4. Harrison recalled that he helped Lennon finish the composition, which involved joining three separate fragments of song. Having walked out of the session, McCartney may or may not have contributed bass guitar to the recording. In addition to lead guitar and harmony vocals, Harrison possibly performed the bass guitar part. The lyric was inspired in part by a conversation that Lennon and Harrison had with actor 2035: 1555: 1409: 1211: 773: 2270:. Turner views the selection of attire as reflective of the Beatles "still dressing similarly yet with an individual stamp"; he identifies the choice of sunglasses as another example of a unified yet personalised look, whereby the styles ranged from oblong-shaped lenses, for Lennon, to an oval-shaped pair worn by Starr. Gould, who describes Starr's glasses as "ludicrously bug-eyed", considers the cover design to be consistent with the "break with the past" ethos that had guided the album's creation. 3339:– that they had the key to current events and were somehow orchestrating them through their records." MacDonald highlights "the radically subversive" message of "Tomorrow Never Knows" – exhorting listeners to empty their minds of all ego- and material-related thought – as the inauguration of a "till-then élite-preserved concept of mind-expansion into pop, simultaneously drawing attention to consciousness-enhancing drugs and the ancient religious philosophies of the Orient". Author 1517:" as a "narrative about the perils of loneliness". The story involves the title character, who is an ageing spinster, and a lonely priest named Father McKenzie who writes "sermon that no one will hear". He presides over Rigby's funeral and acknowledges that despite his efforts, "no one was saved". The first McCartney composition to depart from the themes of a standard love song, its lyrics were the product of a group effort, with Harrison, Starr, Lennon and the latter's friend 1612:" as "Half acid dream, half latent Lennon laziness personified." As with "Rain", the basic track was recorded at a faster tempo before being subjected to varispeeding. The latter treatment, along with ADT, was also applied to Lennon's vocal as he sought to replicate, in MacDonald's description, a "papery old man's voice". For the guitar solo, Harrison recorded two separate lines: the first with a clean sound, while on the second, he played his Gibson SG through a 1015: 2542: 1871:, who recalled having to "busk" his part, with little guidance from McCartney or Martin at the overdubbing session. While recognising McCartney's "customary logic" in the song's musical structure, MacDonald comments on the sense of detachment conveyed in the lyrics to this "curiously phlegmatic account of the end of an affair". MacDonald suggests that McCartney was attempting to employ the same "dry cinematic eye" that director 3116: 3111: 3106: 3101: 3096: 3042: 3037: 3032: 3027: 3022: 3004: 2999: 2994: 2989: 2984: 2966: 2961: 2956: 2951: 2946: 2916: 2911: 2906: 2901: 2896: 2136:. Due to the exclusion of the three Lennon tracks, there were only two songs on the Capitol release for which he was the principal writer, compared with three by Harrison and six by McCartney. In Riley's opinion, aside from underplaying Lennon's contribution, his voice is thereby confined to a "sudden swing to the surreal" at the end of each LP side, which distorts the intended mood across the album. 1859:. Along with "Good Day Sunshine", which similarly dispensed with guitar parts for Harrison and Lennon, Rodriguez cites the track as an example of McCartney eschewing the group dynamic when recording his songs, a trend that would prove unpopular with his bandmates in later years. The recording features McCartney playing piano, bass and clavichord, accompanied by Starr on drums and percussion. The 31: 2227: 894:, Martin selected three Lennon-written songs, since the sessions had favoured his compositions thus far. Keen to limit the interruption to recording that multiple television appearances would create, the Beatles spent two days making promotional films for the "Paperback Writer" single. The first set of clips was filmed at EMI Studio 1 on 19 May by 2414:, "where, when Dorothy discovers herself transported from Kansas to Oz, the film dramatically changes from black-and-white to glorious technicolor". The album appeared a year before psychedelic drugs became a phenomenon in youth culture, and it was the source of confusion for the group's more conservative fans. A female writer later complained in 1486:, McCartney performed the song's guitar solo. The latter section was also edited onto the end of the original recording, ensuring that the track closed with the solo reprised over a fadeout. Rodriguez recognises "Taxman" as the first Beatles song written about "topical concerns"; he also cites its "abrasive sneer" as a precursor to the 1970s 2393:

people" set to string orchestration, and a "Harrison number on which he plays a long exotic solo on sitar". In Britain, EMI gradually distributed the album's songs to radio stations throughout July – a strategy that MacDonald describes as "building anticipation for what would clearly be a radical new phase in the group's recording career".

1966:, and the signals were heavily limited. A month later, a tape copy of these horn parts was superimposed with a slight delay, thereby doubling the presence of the brass contributions. Rodriguez terms the completed track "an R&B-styled shouter". Although cast in the form of a love song, McCartney described the lyric as "an ode to 1573: 1338:, musique concrète, as well as standard contemporary rock and pop. In Rodriguez's view, the influence of Indian music permeates the album. Aside from the sounds and vocal styling used on much of the recording, this influence is evident in the limited chord changes in some of the songs, suggesting an Indian-style 3896:

The following track listing is for the original release in all markets other than North America and was subsequently adopted as the standard version of the album for its international CD release in 1987. The original North American edition used this order except for omitting "I'm Only Sleeping", "And

3254:

is less impressed with the album, rating it a "B" and "the black sheep of the Beatles' catalog". Although he admires the psychedelic tone, he considers that this experimentalism renders the more standard pop songs, such as "Got to Get You into My Life" and "Here, There and Everywhere", "seemingly out

3158:

showed the four band members "peaking at the exact same time", and he deemed it to be "the best of the bunch, the letter that went unanswered" among a series of reciprocally influential musical statements exchanged between the Beatles and the Beach Boys over 1965–67. In a 2007 appraisal of the band's

2677:

lauded the new release, saying it was a work that would "change the direction of pop music". The reviewer highlighted its "electronic effects", McCartney's "penchant for the classics" and Harrison's "stunning use of the sitar" as diverse elements that distinguished the LP as a group effort, such that

5623:

Soon withdrawn by Capitol, the butcher cover had provoked interpretation as a comment by the Beatles on the US record-company policy of "mutilating the product", according to Everett. Epstein's attempts to quell any ill feeling towards the Beatles, in advance of the North American tour, were further

3225:

says that the album shows the band at their most unified and is a work in which "they introduce whole new vistas of sound yet still contain them within tightly structured and performed songs." He also attributes an acerbic quality to the album that psychedelia lacked once the genre succumbed to "the

1243:

and compressing the signal through a Fairchild limiter. MacDonald writes that, despite EMI Studios being technically inferior to many recording facilities in the United States, Starr's drumming on the album soon led to studios there "being torn apart and put back together again", as engineers sought

1234:

During the sessions, Emerick recorded McCartney's bass guitar amplifier via a loudspeaker, which Townsend had reconfigured to serve as a microphone, in order to give the bass more prominence than on previous Beatles releases. Although this particular technique was used only on the two songs selected

1182:

techniques. The Beatles each prepared loops at home, and a selection of these sounds were then added to the musical backing of "Tomorrow Never Knows". The process was carried out live, with multiple tape recorders running simultaneously, and some of the longer loops extending out of the control room

986:

marked the first time the Beatles integrated studio technology into the "conception of the recordings they made". He views this approach as reflective of the group's waning interest in live performance before crowds of screaming fans, "in favor of creating soundscapes without limitation" in a studio

2215:

Voormann's aim was to reflect the radical departure in sound represented, particularly by "Tomorrow Never Knows", and his choice of a black-and-white cover was in deliberate defiance of the preference for vivid colour. When he submitted his work to the Beatles, Epstein wept, overjoyed that Voormann

2107:

singing from the top of a high mountain. Reising describes "Tomorrow Never Knows" as the inspiration for an album that "illuminates a path dedicated to personal freedom and mind expansion". He views the song's message as a precursor to the more explicitly political statements the Beatles would make

3343:

writes that the album presented an alternative reality that contemporary listeners felt compelled to explore further; he describes it as "the first true drug album, not a pop record with some druggy insinuations, but an honest-to-heaven, steeped-in-the-out-there trip from the here and now into who

2211:

in 1966 and highly influential on fashion and design themes of the time. Voormann placed the various photos within the tangle of hair that connects the four faces. Turner writes that the drawings show each Beatle "in another state of consciousness", such that the older images appear to be tumbling

561:

album was released to wide critical acclaim. According to author David Howard, the limits of pop music "had been raised into the stratosphere" by the release, resulting in a shift in focus away from singles to creating albums of consistently high quality. The following January, the Beatles carried

1925:

effect used in "Love You To". Reising and LeBlanc cite the song as an early example of how from 1966 onwards the Beatles' lyrics "adopted an urgent tone, intent on channeling some essential knowledge, the psychological and/or philosophical epiphanies of LSD experience" to their increasingly aware

1693:

is established; according to Everett, "nowhere else does a Beatles introduction so well prepare a listener for the most striking and expressive tonal events that lie ahead." Womack characterises the song as a romantic ballad "about living in the here and now" and "fully experiencing the conscious

1360:

truth-revealing qualities of LSD over the illusions of bourgeois thinking; reject materialism in favour of Asian-inspired spirituality; and explore the overlap in meaning between a "trip" and travelling, resulting in narratives in which time and space become blurred. Where the songs do present as

607:

period", as do musicologists Russell Reising and Jim LeBlanc. Schaffner adds: "That adjective implies not only the influence of certain mind-altering chemicals, but also the freewheeling spectrum of wide-ranging colors that their new music seemed to evoke." Music journalist Carol Clerk describes

2392:

wrote a preview of the Beatles' new recordings in which he opined that some of them were "the most revolutionary ever made by a pop group". While avoiding mention of the official song titles, he highlighted Lennon's "The Void" for its electronic effects, along with a "McCartney song about lonely

5736:

feel right even for their fans who never experimented with psychedelics". He comments that the album demanded that fans "learn a new way of listening, develop a new kind of taste", and their loyalty in doing so was apposite to the norm that pop culture should adhere to "a familiar, frictionless

2705:

titled his review "Thinking Pop" and wrote that the three Beatles songwriters "habitually go outside the realm of sloppy love-theme, and find inspiration instead (as serious artists always must) in specific feelings and specific experiences". Highlighting the importance of McCartney's classical

1011:; instead, the band used the studio to create each song from what was often just an outline of a composition. Speaking shortly before the start of the sessions, Lennon said that they had considered making the album a continuous flow of tracks, without gaps to differentiate between each song. 2692:

magazine, described it as "an astonishing collection" that defied easy categorisation since much of the LP had no precedent in the context of pop music. Clayton concluded: "if there's anything wrong with the record at all it is that such a diet of newness might give the ordinary pop-picker

1359:

In its lyrical themes, the album marks a radical departure from the Beatles' past work, as a large majority of the songs avoid the subject of love. According to Reising and LeBlanc, the lyrics on this and the band's later psychedelic records capture the psychedelic culture's belief in the

1186:

The inclusion of reversed tape sounds on "Rain" (specifically, a portion of Lennon's vocal part) marked the first pop release to use this technique, although the Beatles had first used it in some of the tape loops and the overdubbed guitar solo on "Tomorrow Never Knows". The backwards (or

1644:

provided instrumentation such as tabla, tambura and sitar. Author Peter Lavezzoli recognises the song as "the first conscious attempt in pop to emulate a non-Western form of music in structure and instrumentation". Aside from playing sitar on the track, Harrison's contributions included

1427: 2777:

gave the US LP a mixed review, in which he admired "Love You To" and "Eleanor Rigby" but derided "Tomorrow Never Knows" and "Yellow Submarine". Williams lauded the album's musical range but found it lacked an integral quality, which he acknowledged was outside the group's control.

1284:

encapsulates not only "the spirit of the times" but the network of progressive social and cultural thinkers in which the Beatles had recently become immersed in London. According to Reising and LeBlanc, along with "Rain", it marks the start of the band's body of work embracing

3580:"steadily climbed in public estimation" to become recognised as the Beatles' finest work. Everett also attributes the "problem" regarding the album's standing in the US to the "inferior track listing" available to Americans until the CD release. In Britain, its supremacy over 3482:

musicians, and recognises their channelling of Indian and Western classical, Southern soul, and electronic musical styles into their work as unprecedented in popular music. He says that, through the band's efforts to faithfully translate their LSD-inspired vision into music,

3240:

as a "sonic landmark" that, in its lyrics, "matur pop from the stuff of teen dreams to a more serious pursuit that actively reflected and shaped the times in which its creators lived". He considers it to be McCartney's "maturation record" as a songwriter in the same way that

1433:

Womack characterises the solo as "like nothing else in the Beatles' corpus to date; for that matter, it hardly bears any resemblance to anything in the history of recorded music." He credits the track with "announc a sweeping shift in the essential nature" of the Beatles'

2439:

butcher sleeve, from the press, radio stations and retail outlets. As a result, at press conferences during the tour, questions were typically focused on religious matters rather than the band's new music. In addition, the group were vocal in their opposition to the

1733:

On 1 June, the Beatles and some of their friends enhanced the festive nautical atmosphere by adding sounds such as chains, bells, whistles, tubs of water and clinking glasses, all sourced from Studio 2's trap room. To fill the portion after the lyrics refer to a

1307:, together with their singles over those two years. The authors view Lennon and Harrison's compositions as the most overtly psychedelic and find the genre's traits evident in the album's instrumentation and soundscapes, and in its lyrical imagery. Music critic 829:", belatedly recognising its ascendance as the era's cultural capital, the Beatles drew inspiration from attending concerts by visiting artists, as well as film premieres, plays and other cultural events. From February through June, these musical acts included 2053: 663:

newspaper throughout March 1966, and reflected the transformation that was underway during the group's months of inactivity. Of the two principal songwriters, Cleave found Lennon to be intuitive, lazy and dissatisfied with fame and his surroundings in the

1379:

preoccupation with dreams and the references to death in the lyrics to "Tomorrow Never Knows". In Womack's estimation, the songs represent two important elements of the human life cycle that are "philosophical opposites". Echoing this point, music critic

1195:" was similarly unprecedented in pop music, in that Harrison deliberately composed and recorded his guitar parts with a view to how the notes would sound when the tape direction was corrected. Experimentation with backwards sounds was a key aspect of the 2678:

the four band members' "individual personalities are now showing through loud and clear". The writer concluded: "this is a brilliant album which underlines once and for all that the Beatles have definitely broken the bounds of what we used to call pop."

751:", the arrangement for which changed considerably between the initial take that day and the subsequent remake. This first version of "Tomorrow Never Knows", along with several other outtakes from the album sessions, was included on the 1996 compilation 2143:

marked the last time that Capitol issued an altered UK Beatles album for the North American market. When the Beatles re-signed with EMI in January 1967, their contract stipulated that Capitol could no longer alter the track listings of their albums.

3386:

as a "dramatic turning point" in recording history through its dedication to studio exploration over the "performability" of the songs, as this and subsequent Beatles albums reshaped listeners' preconceptions of a pop recording. In his review for

3435:, the album "signaled that in popular music, anything – any theme, any musical idea – could now be realized". Through the Beatles' example, psychedelia moved from its underground roots into the mainstream, thereby originating the longer-lasting 982:. With the Beatles increasingly involved in the production of their music, Martin's role as producer had changed to one of a facilitator and collaborator, whereby the band now relied on him to make their ideas a reality. According to Rodriguez, 1081:

limiters for recording. With no expectations of being able to re-create their new music within the confines of their live shows, the Beatles increasingly used outside contributors while making the album. This included the band's first use of a

1657:. Partly influenced by Harrison's use of LSD, the lyrics address the singer's desire for "immediate sexual gratification", according to Womack, and serve as a "rallying call to accept our inner hedonism and release our worldly inhibitions". 1571: 5555:

According to Rodriguez, this list seems the most likely combination of sounds fed into the track, although commentators have long disagreed on the precise content of the five loops. In place of the Mellotron sample, Ryan and Kehew list a

2844:

represents the pinnacle of pop music. No group has been as consistently creative as the Beatles, though the Spoonful and Beach Boys are coming closer all the time ... Rather than analyze the music we just suggest that you listen to

656:

for the Beatles to be interviewed separately for a series of articles that would explore each of the band members' personality and lifestyle beyond his identity as a Beatle. The articles were published in weekly instalments in London's

5583:

Gould finds this characteristic emphasised in the "Lead Singer" credits on both the cover and the record's face labels, which list an individual vocalist for each track, with none of the shared lead vocals that had been a feature of

5318:

In the 1950s, Meek had pioneered many recording techniques and had experimented with close-miking, a sound-capture technique favoured by Emerick. Meek's preeminence was usurped by the Beatles and other British rock 'n' roll bands in

917:

The camaraderie among the four Beatles was at its highest throughout this period. A disagreement between McCartney and his bandmates nevertheless resulted in McCartney walking out of the studio during the final session, for Lennon's

624:

since the spring of 1965. Through these experiences, the two musicians developed a fascination for Eastern philosophical concepts, particularly regarding the illusory nature of human existence. Despite his bandmates' urging, after

1564: 2516:' version of "Got to Get You into My Life", which McCartney co-produced, was a top ten hit. McCartney's ballads "Here, There and Everywhere" and "For No One" became highly popular among mainstream recording artists. In the UK, 2092:

drone played by Harrison on a tambura. Over the foundation of tambura, bass and drums, the five tape loops comprise various manipulated sounds: two separate sitar passages, played backwards and sped up; an orchestra sounding a

5371:

While Emerick said that McCartney was solely responsible for creating the tape loops, Martin credited all four members of the band. Rodriguez acknowledges McCartney as the initiator, and the likelihood that the other Beatles

3514:

Rodriguez praises Martin and Emerick's contribution to the album, saying that their talents were as essential to its success as the Beatles'. While also highlighting the importance of the production, David Howard writes that

3147:

found the Beatles "at the peak of their powers, competing with one another because nobody else could touch them"; he described it as "the best album the Beatles ever made, which means the best album by anybody". Writing for

1033:

The group's willingness to experiment was also evident in their dedication to finding or inventing sounds that captured the heightened perception they experienced through hallucinogenic drugs. The album made liberal use of

1572: 1471:(i.e. interest on savings and investments) above the top threshold. The song's spoken count-in is out of tempo with the performance that follows, a device that Riley credits with establishing the "new studio aesthetic of 1425: 1248:", to achieve McCartney's request for a "really biting" sound, and the horns on "Got to Get You into My Life". This was another break from convention, and the cause for alarm among the classically trained string players. 2216:

had managed to capture the experimental tone of the Beatles' new music. Voormann also designed a series of four images, titled "Wood Face", "Wool Face", "Triangle Face" and "Sun Face", which appeared on the front of the

1821:" was written primarily by Lennon, with McCartney saying he helped on the lyric and estimating the song as "80–20" to Lennon. Harrison and McCartney played dual lead-guitar parts on the recording, including an ascending 5196:

as marking "the authentic beginning of the psychedelic era". Among other commentators, Joe Harrington says that the Beatles' first "psychedelic experiments" appear on the 1965 album, and Christopher Bray recognises the

2781:

According to Turner, the album's combination of novel sounds and unusual subject matter "challenged all the conventions of pop" and it was the upcoming generation of writers who "got it immediately". In his article for

890:. Issued on 20 June, this album combined tracks that Capitol had omitted from the Beatles' previous US releases with songs that the band had originally issued on non-album singles. From the six completed recordings for 335:". The album was the Beatles' final recording project before their retirement as live performers and marked the group's most overt use of studio technology to date, building on the advances of their late 1965 release 3351:

announced the arrival of the "underground London" sound, supplanting that of Swinging London. Barry Miles describes the album as an "advertisement for the underground", and recalls that it resounded on the level of

2431:, on 29 August. In the US, the album's release was a secondary event to the controversy surrounding the recent publication there of Cleave's interview with Lennon, in which he remarked that the Beatles had become " 727:

in Memphis. In March 1966, Epstein investigated the possibility of their recording the new album at Stax, where, according to a letter written by Harrison two months later, the group intended to work with producer

2798:... be re-negotiated". He added: "it seems now that we will view this album in retrospect as a key work in the development of rock and roll into an artistic pursuit ..." Another writer identified by Turner, 5573:

Originally, the cover art for the album was going to be an image created by Freeman that included photos of each of the Beatles' faces revolving in circles repeatedly in layers. The band ultimately rejected the

2834:, Ian MacDonald says that the Beatles "initiated a second pop revolution – one which while galvanising their existing rivals and inspiring many new ones, left all of them far behind". In a February 1967 review, 2741:

Due to the controversies surrounding the Beatles during their tour, critical reaction in the US was muted relative to the band's previous releases. According to Rodriguez, in redefining the limits of pop music,

960:

very rapidly became the album where the Beatles would say, "OK, that sounds great, now let's play backwards or speeded up or slowed down." They tried everything backwards, just to see what things sounded like.

1893:" was written by Lennon, although McCartney has since stated he co-authored it. A guitar-based rock song in the style of "And Your Bird Can Sing", its lyrics celebrate a New York physician known for dispensing 1153:

The band's most experimental work during the sessions was channelled into the first song they attempted, "Tomorrow Never Knows". Lennon sang his vocal for the song through the twin revolving speakers inside a

1426: 341:. It has since become regarded as one of the greatest and most innovative albums in the history of popular music, with recognition centred on its range of musical styles, diverse sounds and lyrical content. 1166:, "Tomorrow Never Knows" marked the first time that a vocal was recorded using a microphone wired into the input of a Leslie speaker. Much of the backing track for the song consists of a series of prepared 5247:

began. He describes the Beatles as "the world's first household psychedelics" and "the first stars of any medium to metamorphose fully and obviously from perky and aboveboard to mysterious and covert".

2861:, with sound effects, Oriental drones, jazz bands, transcendentalist lyrics, all kinds of rhythmic and harmonic surprises, and a filter that made John Lennon sound like God singing through a foghorn". 5479:

contends that the argument that preceded McCartney's exit from the studio was LSD-related, since his lack of experience with the drug led Lennon to dismiss his suggestions for the song's arrangement.

5385:

has cited the album as a work that "showed how the studio could be used as an instrument" and partly inspired his relocation to London in the late 1960s, "to learn how people made records like this".

3680:

placed it at number 1 in its list of the "50 Greatest British Albums Ever" in 2000; four years later, the album topped the same magazine's list "The Music That Changed the World". In 2001, it topped

2051: 5763:

s most profound influence on the Beatles' contemporaries was through "its general emancipation from Western pop norms of melody, harmony, instrumentation, formal structure, rhythm, and engineering".

2006:" as "the greatest leap into the future" of the Beatles' recording career up to this point. The recording includes reverse guitar, processed vocals, and looped tape effects, accompanying a strongly 1809:. The song ends with group harmonies repeating the title phrase, creating an effect that Riley likens to a "cascade" of voices "enter from different directions, like sun peeping through the trees". 1793:" was written by McCartney, whose piano playing dominates the recording. The track was one of several contemporary songs that evoked the unusually hot and sunny English summer of 1966. Music critic 1742:. In the final verse, he repeats Starr's vocal lines in a manner that Gould likens to "an old vaudevillian with the crowd in the palm of his hand". Riley recognises the song as mixing the comedy of 5610:

The Beatles received death threats from Japanese ultra-nationalists and were confined in their hotel suite under heavy security during their time in Tokyo. The group then inadvertently snubbed the

1730:

and tell of life on a sea voyage accompanied by friends. Gould considers the song's childlike qualities to be "deceptive" and that, once in the studio, it became "a sophisticated sonic pastiche".

1388:... with a belief in metaphysical transcendence". Philo finds the Beatles' "countercultural engagement" evident on even the songs that present as standard pop. In Reising's view, all the songs on 1418: 3642:

has appeared high up in many lists of the best albums ever made, often in the top position. It was voted the third-best album of all time in the 1998 "Music of the Millennium" poll conducted by

3576:

has often surpassed it in lists of the group's best work. Sheffield cites the album's 1987 CD release, with the full complement of Lennon compositions, as marking the start of a process whereby

2052: 2722:

and the single as the year's best records, although she rued that, together with Mick Jagger, the Beatles had become aloof in that, "Unlike anybody else, they seemed to know what they wanted."

1616:. Beatles biographer Jonathan Gould views the solo as appearing to "suspend the laws of time and motion to simulate the half-coherence of the state between wakefulness and sleep". Musicologist 6006: 3211:

as "the ultimate modern pop album". While noting the diverse musical directions adopted by Lennon, McCartney and Harrison in their respective contributions, he states: "The biggest miracle of

12015: 11471: 2424:

marked the start of a change in the Beatles' core audience, as their young, female-dominated fanbase gave way to a following that increasingly comprised more serious-minded, male listeners.

5614:

in the Philippines by failing to attend a function in their honour, triggering a campaign of vilification in the national press and mob violence as the tour party attempted to leave Manila.

12626: 2203:. In his line drawings of the four Beatles (McCartney, Lennon, Harrison and Starr, clockwise from top-left), Voormann drew inspiration from the work of the nineteenth-century illustrator 1752:. Donovan later said that "Yellow Submarine" represented the Beatles' predicament as prisoners of their international fame, to which they reacted by singing an uplifting, communal song. 6313: 2714:

found the album "full of musical ingenuity" yet "controversial", and added: "There are parts that will split the pop fraternity neatly down the middle." In her round-up of 1966 for the

2549:

In America, Capitol were wary of the religious references in "Eleanor Rigby", given the ongoing controversy, and instead pushed "Yellow Submarine". The latter peaked at number 2 on the

2485:

In the UK, where "Eleanor Rigby" was the favoured side, the single became the best-selling song of 1966, after topping the national chart for four weeks during August and September. On

2246:

The LP's back cover included a photograph of the Beatles, in Riley's description, "shaded by the hip modesty of sunglasses and cigarette smoke". The photo was part of a series taken by

15515: 7367: 6519: 3487:

opened the doors to psychedelic rock (or acid rock)", while the primitive means by which it was recorded (on four-track equipment) inspired the work that artists such as Pink Floyd,

3391:, Plagenhoef says that the album not only "redefin what was expected from popular music", but recast the Beatles as "avatars for a transformative cultural movement". MacDonald cites 12123: 3813:

has assumed the status of cultural icon, approaching in its many avatars, its impact and its endurance the status of some of the definitive works of Anglo–American culture such as

3519:

was a "genre-transforming album", on which Martin and the Beatles had "obliterated recording studio conventions". Combined with the similarly "visionary" work of American producer

15168:

Reising, Russell; LeBlanc, Jim (2009). "Magical Mystery Tours, and Other Trips: Yellow submarines, newspaper taxis, and the Beatles' psychedelic years". In Womack, Kenneth (ed.).

2103:

played on either its flute, string or brass setting. The Leslie speaker treatment applied to Lennon's vocal originated from his request that Martin make him sound like he was the

2427:

The release coincided with a period of public relations challenges for the band, the combination of which led to their decision to retire from touring following the end of their

15799: 923: 633:

refused to try LSD. Intent on self-improvement, McCartney drew inspiration from the intellectual stimulation he experienced among London's arts scene, particularly its thriving

5637:

blares from window after window. John harmonizes with Paul in greengrocers and boutiques. George plays his sitar from cars stalled in traffic. Ringo ricochets from the dome of

2767:, "it is receiving only a fraction of the attention and respect due", and some Americans were overly focusing on the band's "political views". Writing in the recently launched 1829:", whereby Lennon sings to someone who has seen "seven wonders" yet is unable to empathise with him and his feelings of isolation. According to Gould, the song was directed at 1738:

playing, Martin and Emerick used a recording from EMI's library, splicing up the taped copy and rearranging the melody. Lennon shouted part of the mid-song ship's orders in an

676:, McCartney now attained an approximately equal position with him. In a further development, Harrison's interest in the music and culture of India, and his study of the Indian 3215:

may be that the Beatles covered so much new stylistic ground and executed it perfectly on one record, or it may be that all of it holds together perfectly." In his review for

10927: 14069: 11678: 7707: 1917:

employed in the song's melody, conveys the difficulties of achieving meaningful communication. The prominent backing vocals from Lennon and McCartney include Indian-style

1521:

all contributing. While Lennon and Harrison supplied harmonies beside McCartney's lead vocal, no Beatle played on the recording; instead, Martin arranged the track for a

10958: 1694:

moment". He notes that, with the preceding track, "Love You To", the album expresses "corresponding examinations of the human experience of physical and romantic love".

1689:. McCartney's double-tracked vocal was treated with varispeeding, resulting in a higher pitch at playback. The song's opening lines are sung in free time before its 4/4 1704:

The songs got more interesting, so with that the effects got more interesting. I think the drugs were kicking in a little more heavily on this album ... though we

451:

list for six weeks. Critical reaction was highly favourable in the UK but less so in the US amid the press's unease at the band's outspokenness on contemporary issues.

13268: 11304: 13491: 12312: 2706:

aesthetic, he recognised the band's ongoing success as "fair vindication" for popular taste in terms of its alignment with artistic merit. In their joint review for

364:

while addressing themes such as death and transcendence of material concerns. With no plans to reproduce their new material in concert, the band made liberal use of

5408: 3777:, writing in 2016, Voormann's cover is similarly recognised as "one of the finest pop artworks". The album has been the subject of several tribute albums, such as 11815: 11772: 1797:

describes it as a song that conveys "one of the first fine days of spring, just after you've fallen in love or started a vacation". The verses reflect aspects of

1392:

are linked, in that each line in "Tomorrow Never Knows", the closing track, is alluded to or explored in the lyrics to one or more of the tracks that precede it.

9942: 5651: 1974:, featured acoustic backing and organ, and a harmonised refrain of "I need your love", which was replaced by Harrison's guitar break on the more uptempo remake. 5719:

was, in author Bernard Gendron's description, "the first substantial rock review devoted to one album to appear in any nonrock magazine with accreditory power".

3447:, Walter Everett views the album's "experimental timbres, rhythms, tonal structures, and poetic texts" as the inspiration for many of the bands that formed the 991:

tape machines were placed in the studio's control room, alongside the producer and balance engineer, rather than in a dedicated machine room. The Beatles' new

13325: 11235: 13177: 2044: 1346:

contained " most sustained deployment of Indian instruments, musical form and even religious philosophy" heard in popular music up to that time. Writing for

1259:

sessions introduced into the recording world for the first time. Ryan and Kehew quote Emerick as saying: "I know for a fact that, from the day it came out,

13439: 5597:

Despite its origins as an innocent children's song, "Yellow Submarine" was adopted by the counterculture as a song promoting drugs, namely the barbiturate

2368:

We'll lose some fans with , but we'll also gain some. The fans we'll probably lose will be the ones who like the things about us that we never liked anyway

1801:, while McCartney also acknowledged the influence of the Lovin' Spoonful on the composition. Overdubbed by Martin, the piano solo on the track recalls the 13625: 13577: 11578: 11373: 3193:, said that it marked the group's arrival as "psychedelic gurus" and was a work in which the Beatles "revolutionized their own style and rock music itself 2234:'s photo session that produced the back-cover image used on the LP. George Harrison (third from left) is seen holding a transparency of the controversial 16887: 16882: 1760:

The light atmosphere of "Yellow Submarine" is broken by what Riley terms "the outwardly harnessed, but inwardly raging guitar" that introduces Lennon's "

13465: 12728: 2461:

said that, as if in response to the antagonism being shown towards the band in the US, "British youth has flipped completely over the new Beatle album,

5411:

in September 1965. Aside from the financial imposition, Harrison was alarmed that the money was being used to fund the manufacture of military weapons.

3693: 520: 5996: 12007: 1244:

to replicate the innovative sounds achieved by the Beatles. The preference for close-miking instruments extended to the orchestral strings used on "

16867: 16439: 11468: 5305:

The change in the dynamic between the Beatles and Martin began in 1964. Speaking about his role in 1966, Martin said: "I've changed from being the

5260:, then a member of the Stax house band and studio staff, believed that he would be producing the sessions, based on his conversations with Epstein. 4744: 1934:

are the first examples of pop music "giving voice to the complexities of the breakthrough experience" afforded by LSD and other psychedelic drugs.

13551: 12634: 1042:. Emerick said that the Beatles encouraged the studio staff to break from standard recording practices, adding: "It was implanted when we started 12784: 2595: 2316:, until they discovered that another band had already used it. When discussing possible alternatives, during their German tour, Lennon opted for 1913:" about "the avalanche of thoughts" that he found hard to express in words. Supporting the lyrics, his stammering guitar riff, combined with the 12751: 10852: 6957: 3773:"to honor recordings of lasting qualitative or historical significance that are at least 25 years old". According to art and culture journalist 2630:

returned to the UK Albums Chart the following month, peaking at number 55, while the 2009 remastered album reached number 9. In 2013, after the

12924: 3183:

says that the album "completed transformation from the mop tops of three years earlier into bold, groundbreaking experimental rockers", while

1640:" in 1965. He recorded the track with only minimal contributions from Starr and McCartney, and no input from Lennon; Indian musicians from the 908:, in west London. In the face of fans' complaints of an aloofness in their new work, however, the band conceded to making a live appearance on 8705: 806:

The band had worked on ten songs, including both sides of the upcoming single, by 1 May, when they interrupted the sessions to perform at the

16872: 16343: 15505: 7359: 6230: 5728:

In Nick Bromell's recollection, many teenagers would soon experiment with psychedelic drugs, but through the existential questions raised by

4766: 1825:

that Riley terms "magnetic ... everything sticks to it". Riley describes the composition as a "shaded putdown" in the style of Dylan's "

411:

In the United Kingdom, the album's 14 tracks were gradually distributed to radio stations in the weeks before its release. In North America,

6511: 6303: 16764: 16336: 15951: 10702: 3851: 1772:, were under the influence of LSD. During the conversation, Fonda commented, "I know what it's like to be dead", because as a child he had 1364:, the authors continue, love is often conveyed as a unifying force among many, rather than between two individuals, or as a "way of life". 12115: 3331:

MacDonald deems Lennon's remark about the Beatles' "god-like status" in March 1966 to have been "fairly realistic", given the reaction to

13798: 12817: 4928: 3169:

as the two "essential classics" in the Beatles' canon and described it as "Always the rock fraternity's favourite (and the blueprint for

2634:

altered its sales award protocol, the album was certified Platinum based on UK sales since 1994. In January 2014, the Capitol version of

2250:

during the filming at Abbey Road on 19 May and demonstrated the Beatles' adoption of fashions from boutiques that had recently opened in

13918: 12045: 8679: 1235:

for the May 1966 single, an enhanced bass sound was a feature of much of the album. Emerick also ensured a greater presence for Starr's

16862: 16857: 12594: 1239:, by inserting an item of clothing inside the structure, to dampen the sound, and then moving the microphone to just 3 inches from the 1138:

to automatically create a doubled vocal track. The standard method had been to double the vocal by singing the same piece twice onto a

11739: 3623:, whereby an album serves as an "eclectic collection of diverse songs", continues to influence modern popular music. He characterises 2508:, the album was number 1 for nine weeks. By October, at least ten of the LP's songs had been covered by other artists and reviewed by 1490:

movement. Completed with input from Lennon, the lyrics refer by name to Wilson, who had just been re-elected as prime minister in the

16852: 16847: 14073: 13897: 13750: 13725: 5122: 5009: 4902: 2575: 1502: 1215: 1162:. The effect was employed throughout the initial take of the song but only during the second half of the remake. According to author 536: 16164: 12925:"Giles Martin Details Beatles' 'Revolver' Deluxe Edition and Remix: In 1966 Sessions, 'You Can Hear Them Unwrapping Their Presents'" 4785: 4350:

engineer; piano on "Good Day Sunshine" and "Tomorrow Never Knows"; Hammond organ on "Got to Get You into My Life"; tape loop of the

30: 16058: 15881: 11052: 5334: 1291: 499: 251: 11668: 11504: 10935: 5826:, Medsker similarly opined that "It's taken almost 30 years for music historians to put the Beatles work into proper perspective. 5420:

Lennon later said he wrote 70 per cent of the lyrics, which McCartney refuted, saying that Lennon contributed "about half a line".

3841:

Along with the rest of the Beatles catalogue, the album was first issued on compact disc in 1987. In 2009, Apple and EMI released

3809:

and Revolver Films as other examples that appear to honour the 1966 album. In his view, "Like few other rock and roll recordings,

1984:

This is easily the most amazing new thing we've ever come up with. Some people might say it sounds like a terrible mess of a sound

1199:

sessions, as was the use of the Leslie speaker effect. The band's interest in the tones that resulted from varying tape speed (or

1126:

and "formalized this approach into what is now an accepted option for pop music making". A key production technique they used was

13997: 13673: 11542: 7697: 6097: 5715:

graduate, Goldstein was the first dedicated rock critic to be appointed at an established American publication. His appraisal of

5065: 1046:

that every instrument should sound unlike itself: a piano shouldn't sound like a piano, a guitar shouldn't sound like a guitar."

486: 457:

expanded the boundaries of pop music, revolutionised standard practices in studio recording, advanced principles espoused by the

220: 14009:

Select "2019" in the "Anno" drop-down menu. Type "Revolver" in the "Filtra" field. Select "Album e Compilation" under "Sezione".

13525: 12669: 5899: 16540: 16526: 11604: 11066: 5429:

In Riley's opinion, the track "domesticates" the "eroticisms" of "Love You To", drawing comparison with the concise writing of

5000: 3463:

attributes the development of the Los Angeles and San Francisco music scenes, including subsequent releases by the Beach Boys,

2605:

was the eighth-highest-selling album of the year in the US. Although commercially successful, it ranked only equal tenth (with

2157: 1384:

writes that, just as "embracing life means accepting death", the fourteen tracks "link a disillusioned view of the modern world

1070: 938:. Final mixing of the album took place on 22 June. The Beatles celebrated the project's completion by attending the opening of 13763: 5398:", but comment that the latter adds to the LP's "atmospheric diversity", which was a key characteristic of psychedelic albums. 2139:

The eleven-song North American LP was the band's tenth album on Capitol Records and twelfth US album in total. The release of

16471: 15460: 15441: 15419: 15400: 15378: 15334: 15312: 15290: 15244: 15222: 15201: 15177: 15135: 15114: 15074: 15053: 15001: 14948: 14900: 14876: 14857: 14835: 14794: 14775: 14753: 14732: 14713: 14675: 14612: 14563: 14542: 14523: 14504: 14481: 14462: 14438: 14416: 14391: 14368: 14346: 14306: 14287: 14218: 14174: 14153: 14129: 14110: 13126: 10966: 10619: 5546:

Lennon later said "The Void" would have been a more suitable title, but he was concerned about its obvious drug connotations.

2615:

in 1970. According to figures published in 2009 by former Capitol executive David Kronemyer, further to estimates he gave in

2502:

entered at number 1 and stayed there for seven weeks during its 34-week run in the top 40. On the national chart compiled by

1897:

injections to his patients. On the recording, the hard-driving performance is interrupted by two bridge sections where, over

1726:" as a children's song and for Starr's vocal spot on the album. The lyrics were written with assistance from Scottish singer 13599: 11301: 5675:, who held a grudge against the Beatles from 1964, also disparaged the album when invited to give a rundown of the songs in 2444:, a stand that further redefined their public image in the US. The Beatles did not attempt to perform any of the songs from 16626: 13647: 13487: 13347: 13148: 12304: 4940: 4796: 2619:

magazine, the album had sold 1,187,869 copies in the US by 31 December 1966 and 1,725,276 copies by the end of the decade.

2458: 2334: 1637: 1491: 16485: 13968: 13890: 13413: 11194: 2281:. The latter image proved instantly controversial in America due to its depiction of dismembered baby dolls and raw meat. 16668: 16478: 14237: 5277:, in north-west London, this was the last concert that the Beatles played before a paying audience in the United Kingdom. 3631:, it was the product of a collaborative effort, with "the group as a whole being fully vested in creating Beatle music". 3608:"does everything Sgt Pepper did, except it did it first and often better. It just wasn't as well-packaged and marketed." 2649: 2513: 1583:, Indian-style guitar solo that Harrison played in reverse order during the recording. Martin then reversed the tape and 13993: 13264: 13242: 12377: 5492:, the Beatles first recorded the song in the style of the Byrds, with prominent harmony vocals and Harrison playing his 1992:

people listen to it with open ears. It's like the Indian stuff. You mustn't listen to Eastern music with a Western ear.

668:

countryside, while McCartney conveyed confidence and a hunger for knowledge and new creative possibilities. In his book

16403: 15787: 15586: 11782: 3263:... that makes listening to it an uncomfortable trip. It's easy to admire, even to be awed by, but some listeners find 2774: 2591: 15543: 13170: 11805: 9939: 2556:, making it, in Gould's description, "the first 'designated' Beatles single since 1963" not to top that chart. On the 1069:

into their work for the first time. The guitar sound on the album was more robust than before, through the use of new

16792: 16614: 16445: 15359: 15268: 15158: 15095: 15034: 14967: 14922: 14813: 14694: 14656: 14634: 14589: 14327: 14261: 14197: 13110: 13037: 12412: 2063:, Lennon's drug-inspired song "has been described as the most effective evocation of a LSD experience ever recorded". 1970:, like someone else might write an ode to chocolate or a good claret". The initial version of the song, as issued on 1142:

tape, a task Lennon particularly disliked. The Beatles were delighted with the invention, and used it extensively on

1123: 790:. The album's creation coincided with international recognition of London's role as a cultural capital. According to 732:. The idea was abandoned after locals began descending on the Stax building, as were alternative plans to use either 13290: 3684:'s "100 Greatest Albums", compiled from a poll of more than 500 journalists, music executives and artists. In 2003, 3313:... As they took their audience through a radically defamiliarized acoustic universe, these sounds were essentially 2124:"I'm Only Sleeping", "And Your Bird Can Sing" and "Doctor Robert" were the tracks omitted from Capitol's version of 503:(1967) in many critics' estimation as the Beatles' best album. It was ranked first in the 1998 and 2000 editions of 15944: 13321: 3360:. He says it established rock 'n' roll as an art form and identifies its "trailblazing" quality as the impetus for 2274: 2235: 2020:, which equates the realisations brought about through LSD with the spiritually enlightened state achieved through 1959: 11232: 3443:

with "set the stage for an important subgenre of psychedelic music, that of the messianic pronouncement". As with

3259:, Chris Ingham describes it as "clearly brilliant" but adds: "There's an edge to the sound and a danger in the air 16842: 16464: 16364: 16272: 11119: 5510: 2522: 12278: 3712:

s list of "The 100 Greatest British Albums", compiled by a panel of 100 contributors. In 2006, it was chosen by

3548:, they had mapped out the pop universe so perfectly that all they could do next was tear it up and start again. 2725: 2420:

that 1966 represented the end of "The Beatles we used to know before they went stark, raving mad". In this way,

16877: 16533: 13621: 13573: 13518:["All of the Beatles' 'Remastered' Albums Enter the Top 100: Grossing 2,310 Million Yen In One Week"]. 11370: 10886: 5328:

This technique was instead used for the first time on a pop album when the Beatles released their follow-up to

3366: 2401:

single with "Yellow Submarine". The pairing of a ballad devoid of any instrumentation played by a Beatle and a

2247: 2231: 199: 12761: 11568: 1539:. In Riley's opinion, "the corruption of 'Taxman' and the utter finality of Eleanor's fate makes the world of 1146:. ADT soon became a standard pop production technique, and led to related developments such as the artificial 16892: 16171: 16013: 15846: 14448: 14048: 13461: 12718: 7936: 5698:

Reviewing the album in late July, Cleave wrote, "I am tired of wondering how the Beatles keep it up, but how

5107: 4458:: horn section on "Got to Get You into My Life" arranged and conducted by George Martin (with Paul McCartney) 4347: 3604:

being relatively overlooked. Kot concluded that the ensuing decades had seen this impression reversed, since

3596:

identified the "More popular than Christ" controversy and the attention subsequently afforded the release of

3459:" as much as it broke new ground in pop by being "fundamentally unlike any rock album that had preceded it". 3135: 3087: 3013: 2631: 2200: 1617: 729: 528: 13435: 16756: 16751: 16157: 15804: 14271: 13943: 11017: 3496: 2734: 2428: 2410: 1587:

it into the track, achieving what MacDonald describes as "smeared crescendi" and "womblike sucking noises".

567: 426: 15149:: 'Tomorrow Never Knows' and the Coherence of the Impossible". In Womack, Kenneth; Davis, Todd F. (eds.). 14166:

The Absolute Essentials of Songwriting Success – From Song Dog to Top Dog: Making It in the Music Business

5813:

the Beatles' best album but also, in the edition issued by Capitol, their "most artistically compromised".

3335:. He adds: "The album's aural invention was so masterful that it seemed to Western youth that The Beatles 2545:

Capitol's trade ad for the album's double A-side single, favouring "Yellow Submarine" over "Eleanor Rigby"

2273:

During the same photo shoot, Whitaker took pictures of the Beatles examining orange transparencies of his

16832: 16732: 15937: 15729: 5872:

The first VG-lista albums chart was published on 1 January 1967, almost five months after the release of

5752: 4733: 4309: 4186: 2383: 1943: 1087: 642: 572: 458: 13547: 2024:. Originally known as "Mark I", and then briefly "The Void", the eventual title came via one of Starr's 1708:

take certain substances, we never did it to a great extent at the session. We were really hard workers.

1475:". Harrison's vocals on the track were treated with heavy compression and ADT. In addition to playing a 16837: 16686: 16125: 15662: 5834:... In the last couple years, however, revisionist history has actually changed things for the better. 5395: 5309:

to four Herberts from Liverpool to what I am now, clinging on to the last vestiges of recording power."

4007: 3503:

and tape manipulation employed on "Tomorrow Never Knows" as having "a profound effect on everyone from

2208: 2015: 1666: 1633: 1170:, an idea that originated with McCartney and was influenced by the work of avant-garde artists such as 621: 397: 357: 5702:

they keep it up?" and she concluded, "Never have I been able to recommend an LP with more conviction."

5243:, this transformation took place between November 1965 and the following April, when the sessions for 3527:, the recording studio had become "its own instrument; record production had been elevated into art." 1653:

as unprecedented in the Beatles' work and a characteristic that would go on to feature prominently on

16132: 15609: 10848: 8990: 3865: 3766: 3304:

released into the world were at once the antithesis of the human and a provocative indication of the

2818:, saying that the band's lyrics would provide the basis for scholarly analysis well into the future. 2397:

was released there on 5 August and on 8 August in the United States. "Eleanor Rigby" was issued as a

2113: 1219: 1127: 1035: 540: 365: 2763:

as "a musical creation of exceptional excellence" but lamented that, amid the continued acclaim for

2578:(RIAA), recognising the album as a "million seller", during their 24 August press conference at the 672:, Robert Rodriguez writes that, whereas Lennon had been the Beatles' dominant creative force before 348:

after taking a three-month break at the start of 1966, and during a period when London was feted as

16243: 16081: 15902: 15187: 5339: 3660: 2711: 2586:

was number 1 there for six weeks and remained on the chart until mid February 1968. In March 1967,

1839:

magazine, in which Sinatra was lauded as "the fully emancipated male ... the man who can have

1381: 842: 509: 376:, close audio miking, and instruments outside of their standard live set-up. Among its tracks are " 15012: 13840: 13695: 11713: 6227: 2258:

designers they had favoured previously. From these Chelsea boutiques, Lennon wore a long-collared

1901:

and chiming guitar chords, the group vocals suggest a choir praising the doctor for his services.

1352:, Jack Hamilton calls the album's music "avante-garde R&B", showcasing the musicians' debt to 16804: 16265: 15810: 15782: 15669: 12888: 11777: 11021: 10706: 10615: 6436: 5523: 5256:

Rather than security concerns, Harrison's letter cites financial considerations as the obstacle.

4528: 4421: 4025: 3740: 3651: 3200: 3161: 2432: 1951: 1723: 1499: 1303: 1095: 884:, EMI's North American counterpart, to supply three new songs for an upcoming US release, titled 434: 332: 286: 14251: 13210: 10710: 16718: 16371: 16357: 15701: 15579: 15300: 15022: 15015:: 1000 Days That Shook the World (The Psychedelic Beatles – April 1, 1965 to December 26, 1967) 13811: 13790: 12475: 12435: 10559: 10231:

Hall, Tony (14 May 1966). "Beatle Tracks Are the Most Revolutionary Ever Made by a Pop Group".

8029: 5789: 5638: 5165: 4114: 3499:

were able to achieve with advances in studio technology. Turner also highlights the pioneering

2830: 2192: 1868: 1818: 1353: 868: 838: 791: 14208: 12813: 12037: 9098: 5624:

frustrated by the publication of derogatory remarks about America from McCartney and Harrison.

5407:

According to MacDonald, this was the "price" the Beatles paid alongside their being appointed

16644: 16457: 16350: 16178: 15344: 14869:

The Complete Beatles Chronicle: The Definitive Day-by-Day Guide to the Beatles' Entire Career

14850:

The Complete Beatles Recording Sessions: The Official Story of the Abbey Road Years 1962–1970

11178: 5859:

published its first Top LPs chart on 2 January 1967, almost five months after the release of

3655: 2688: 2060: 1826: 1277: 1171: 1049:

In their search for new sounds, the band incorporated musical instruments such as the Indian

504: 489:. Aided by the 1987 international CD release, which standardised its content to the original 16206: 13391: 13369: 12604: 11749: 652:

While arranging dates for the band's world tour, Epstein agreed to a proposal by journalist

16827: 16700: 16512: 16385: 16329: 16308: 16301: 16235: 15888: 15736: 15648: 13746: 13699: 13298: 13215: 12756: 12694: 12308: 11810: 10891: 10314: 5343: 5170: 4856: 4443: 4305: 4204: 3971: 3898: 3746: 3250: 2109: 2003: 1609: 1297: 1192: 1139: 1039: 988: 895: 748: 692: 377: 373: 15479: 13922: 13171:"Swedish Charts 1966–1969/Kvällstoppen – Listresultaten vecka för vecka > Augusti 1966" 5024: 4682: 2408:

Schaffner likens the Beatles' 1966 recordings to the moment of transformation in the film

2358:. They confirmed their choice in a telegram to EMI, sent from the Tokyo Hilton on 2 July. 802:

bistros and England soccer stripes. It was the British accent, once again all-conquering."

8: 16771: 16739: 16581: 16519: 16410: 16315: 16220: 16065: 15894: 15793: 15765: 14823: 13794: 13721: 12901: 11044: 7702: 6092: 5677: 5667:, an English "pop-star-turned-pundit" who dismissed it as "pseudo-intellectual rubbish". 5236: 4755: 3857: 3805: 3670: 3340: 3232: 3217: 3075: 2975: 2815: 2470: 2263: 1877: 1255:, ADT, backwards recording and close-miked drums were among the nine techniques that the 886: 766: 421: 405: 233: 15124:

Reising, Russell (2002). "Introduction: 'Of the beginning'". In Reising, Russell (ed.).

15046:

The Album: A Guide to Pop Music's Most Provocative, Influential, and Important Creations

5394:

Reising and LeBlanc find little psychedelic content in McCartney's "Eleanor Rigby" and "

1179: 16693: 16322: 15722: 15388: 15254: 15087:

The Ambient Century: From Mahler to Moby – The Evolution of Sound in the Electronic Age

14937: 14493: 14317: 12929: 12723: 11613: 11492: 7199:"Why modern audio recording might not exist without British DIY audio pioneer Joe Meek" 5776:

as the forerunner to songs celebrating recreational drugs – whether LSD, amphetamines,

5455: 5447: 5355: 4399: 4168: 3285:, finding the latter "somewhat cluttered" but nevertheless worthy of a "high A minus". 3189: 2937: 2329: 1914: 1910: 1835: 1794: 1641: 1535: 1022: 992: 724: 720: 600: 532: 80: 14384:

The Complete History of Guitar World: 30 Years of Music, Magic & Six-String Mayhem

13865: 13669: 11853: 11530: 6087: 2469:

writes that, amid the fine weather of the 1966 summer and England's recent win in the

16563: 16192: 16150: 16099: 15916: 15694: 15676: 15572: 15456: 15437: 15415: 15396: 15374: 15355: 15330: 15308: 15286: 15264: 15240: 15218: 15197: 15173: 15154: 15131: 15127:"Every Sound There Is": The Beatles' Revolver and the Transformation of Rock and Roll 15110: 15091: 15085: 15070: 15049: 15030: 14997: 14963: 14944: 14918: 14896: 14872: 14853: 14831: 14809: 14790: 14771: 14749: 14728: 14709: 14690: 14671: 14652: 14630: 14608: 14601: 14585: 14559: 14538: 14519: 14500: 14477: 14458: 14434: 14412: 14387: 14364: 14342: 14323: 14302: 14283: 14257: 14233: 14214: 14193: 14186: 14170: 14149: 14125: 14106: 14023: 13844: 13513: 13195: 13106: 13033: 12679: 10563: 10560:"Report from Swinging London: 'Revolver' Revolution [Pop Eye: On 'Revolver']" 5086: 4952: 4807: 4551: 4492: 4361: 4096: 4043: 3800: 3770: 3468: 3375: 3353: 2696: 2550: 2453: 2226: 1790: 1761: 1464: 1286: 919: 524: 353: 105: 11618: 5847:

All lead vocalist credits and track lengths per Harry Castleman and Walter Podrazik.

5650:"Eleanor Rigby" was also recognised at the 1967 Grammys, where McCartney won in the 4312:, handclaps, finger snaps; tape loops; lead and backing vocals on "Yellow Submarine" 904:

The following day, the group shot further clips for the two songs in the grounds of

16417: 16378: 16022: 16004: 15995: 15853: 15839: 15832: 15758: 15258: 11673: 11564: 11500: 11488: 11294: 11070: 6220: 5908: 5531: 5430: 5292: 4640: 4286: – lead, harmony and backing vocals; lead, acoustic, rhythm and bass guitars; 3750:

placed the album at number 1 in its "All-Time Greatest" albums. In September 2020,

3500: 3456: 3448: 3175: 3063: 2854: 2302: 2259: 2204: 2176: 2089: 2081: 1963: 1872: 1613: 1530: 1526: 1348: 1312: 900: 762: 733: 659: 482: 470: 462: 401: 110: 10611: 7360:"The Beatles' 'Revolver': Guide to the Songs, Instruments and Recording Equipment" 3654:, which polled 600,000 people across the UK. Also in 1998, it was ranked first in 2790:

as "a revolutionary record" that was "as important to the expansion of pop as was

16778: 16725: 15547: 15510: 15488: 15212: 15191: 15125: 15064: 14983: 14890: 14743: 14644: 14578: 14553: 14452: 14164: 14143: 13869: 13768: 12674: 12440: 12408: 11475: 11377: 11308: 11239: 11048: 9986: 9946: 8710: 6234: 5747: 5505:

Although once thought to be Dr Charles Roberts, whose celebrity clients included

5287: 5240: 5223: 5202: 4915: 4817: 4629: 4562: 4455: 4451: 4343: 4283: 4268: 3902: 3829: 3814: 3783: 3714: 3611:

Rodriguez writes that, whereas most contemporary acts shy away from attempting a

3436: 3400: 3371: 2640: 2495: 2487: 2416: 2251: 2171: 1967: 1584: 1468: 1210: 910: 881: 826: 821: 743:

Recording for the album instead began at EMI Studio 3 in London on 6 April, with

696: 617: 438: 416: 349: 156: 147: 14019: 4276: – lead, harmony and backing vocals; bass, rhythm and lead guitars; piano, 3317:

sounds. They kept forcing their audience to ask: what is this I'm listening to?

2574:

s five-week run at the top. The Beatles were presented with gold discs from the

1768:

in Los Angeles in August 1965, while all three, along with Starr and members of

1315:

genre, which accompanied the emergence of counterculture ideology in the 1960s.

922:", on 21 June, two days before the band were due to fly to West Germany for the 16185: 15429: 13086: 5712: 5296:, on 27 May, while Shankar agreed to become Harrison's sitar teacher on 1 June. 4515: 4439: 4273: 3796: 3554: 3488: 3404: 3222: 3170: 2611:) on the list of the Beatles' biggest-selling albums in the US, as supplied by 2255: 2217: 2188: 2166: 2085: 1918: 1773: 1690: 1678: 1483: 1368: 1155: 1108:

There are sounds that nobody else has done yet – I mean nobody ... ever.

905: 858: 799: 780: 772: 700: 684:

is widely viewed as "the album on which Harrison came of age as a songwriter".

653: 646: 630: 478: 265: 15193:

Tell Me Why – The Beatles: Album by Album, Song by Song, the Sixties and After

14037: 857:. During mid-May, Lennon and McCartney attended a private listening party for 16821: 16785: 16554: 16546: 15715: 15641: 15506:"Why 'Revolver' Still Matters: The 50th Anniversary of a Beatles Masterpiece" 15278: 14910: 14886: 14845: 14426: 14406: 14356: 14275: 14062: 13238: 12792: 12630: 12119: 12011: 11573: 11225: 10928:"Deconstructing Pop Culture: How Many Records Did the Beatles Actually Sell?" 10233: 8683: 6962: 6610: 6515: 6308: 5793: 5664: 5611: 5537:", which included a newly written verse referring to "the psychedelic blues". 5506: 5476: 5463: 5382: 5351: 5306: 5274: 5257: 4576: 4405:

Alf Bicknell – sound effects and background vocals on "Yellow Submarine"

4377: 4357: 4351: 4339: 4248: 4150: 3953: 3885: 3881: 3877: 3774: 3718:

magazine as one of the 100 best albums and topped a similar list compiled by

3612: 3431: 3184: 3140: 2925: 2679: 2579: 2557: 2466: 2405:

marked a significant departure from the usual content of the band's singles.

2398: 2388: 2011: 1890: 1830: 1744: 1650: 1605: 1514: 1460: 1339: 1327: 1308: 1245: 1223: 1175: 1159: 1147: 1135: 1091: 1078: 1007:. Emerick recalled that no preproduction or rehearsal process took place for 1000: 996: 967: 850: 830: 798:

captured the confidence of summer 1966: "It was hot pavements, open windows,

769:", which were issued as the A- and B-side of a non-album single in late May. 744: 708: 577: 515: 445: 381: 328: 324: 282: 161: 13053: 8706:"How Brian Wilson heard 'Rubber Soul,' got baked and wrote 'God Only Knows'" 3413:

has been recognised as having inspired new subgenres of music, anticipating

1962:. To capture the desired sound, microphones were placed in the bells of the 1947: 16597: 16589: 15537: 15322: 15151:

Reading the Beatles: Cultural Studies, Literary Criticism, and the Fab Four

14474:

The Foundations of Rock: From "Blue Suede Shoes" to "Suite: Judy Blue Eyes"

14247: 14012: 13947: 12480: 12476:"How Robbie headed Amadeus in the race to be music's man of the millennium" 12335: 11198: 9956: 9951: 7363: 7198: 5493: 5039: 4264: 3873: 3788: 3726: 3705: 3696:", a position it retained on the magazine's revised list nine years later. 3676: 3559: 3520: 3504: 3422: 3323: 3256: 3227: 2799: 2730: 2701: 2504: 2402: 1955: 1927: 1806: 1739: 1682: 1522: 1518: 1495: 1131: 1083: 939: 931: 854: 389: 312: 135: 14044: 12404: 11461:"Platter Chatter: Albums from The Beatles, Donovan, Ravi Shankar et al.". 3634: 2266:, while Harrison was dressed in a wide-lapelled velvet jacket designed by 2195:

during the early 1960s. Voormann's artwork was part line drawing and part

2017:

The Psychedelic Experience: A Manual Based on The Tibetan Book of the Dead

16660: 16655: 16650: 16213: 16040: 15960: 15867: 15655: 14932: 14139: 14098: 13883: 11463: 8996: 7968: 7941: 6605: 5785: 5451: 5443: 5347: 4890: 4715: 4671: 4393: 4383: 4364:

and mixing engineer; tape loop of the marching band on "Yellow Submarine"

4333: 4301: 4244: 3989: 3824: 3572:

had long been identified as the Beatles' greatest album, since the 2000s

3479: 3464: 3426: 3414: 2836: 2811: 2747: 2612: 2441: 2267: 2220: 2025: 1954:

nightclub in February. The horn players on the track included members of

1894: 1860: 1765: 1749: 1714: 1629: 1580: 1252: 1188: 1163: 834: 753: 704: 638: 634: 626: 613: 604: 563: 557: 552: 474: 466: 430: 393: 361: 337: 320: 217: 181: 168: 88: 43: 12956: 7980: 3293: 2099:

chord; McCartney's laughter, sped up to resemble a seagull's cry; and a

1950:

and written by McCartney after he had seen Stevie Wonder perform at the

16199: 16090: 15909: 15708: 15553: 15412:

That Magic Feeling: The Beatles' Recorded Legacy, Volume Two, 1966–1970

15232: 15105:

Reck, David B. (2009). "India/South India". In Titon, Jeff Todd (ed.).

14994:

Beatlemania: Technology, Business, and Teen Culture in Cold War America

14763: 14622: 14573: 14516:

Between Montmartre and the Mudd Club: Popular Music and the Avant-Garde

13819: 13057: 12382: 11744: 9940:"How I drew a pop art masterpiece for the Beatles – a snip at just £50" 5668: 5527: 5442:

Aside from the band, and Martin and Emerick, the participants included

4619: 4590: 4503: 4433: 4409: 4329: 4277: 4256: 4247: – lead, harmony and backing vocals; rhythm and acoustic guitars; 4132: 3758:

at number 11 on its new list of the "500 Greatest Albums of All Time".

3492: 3361: 3277: 3150: 3051: 2807: 2769: 2298: 2104: 2072: 2021: 2007: 1864: 1856: 1852: 1798: 1735: 1596: 1443: 1066: 1062: 1058: 863: 816: 490: 316: 142: 95: 14768:

This Bird Has Flown: The Enduring Beauty of Rubber Soul Fifty Years On

14687:

Sonic Alchemy: Visionary Music Producers and Their Maverick Recordings

14431:

Here, There and Everywhere: My Life Recording the Music of the Beatles

13936: 13911: 13791:"Oficjalna lista sprzedaży :: OLiS - Official Retail Sales Chart" 13208: 3730:

readers chose it as the tenth best guitar album of all time. In 2010,

3478:

Steve Turner likens the Beatles' creative approach in 1966 to that of

1371:

writes of the Beatles exploring "phenomenologies of consciousness" on

589:... one thing's for sure – the next LP is going to be very different. 15929: 13986: 13081: 12343: 11363: 5797: 5672: 5561: 5459: 4429: 4371: 4367: 4260: 4252: 3884:, as well as the original mono mix, session recordings, demos and an 3819: 3720: 3647: 3418: 3180: 2752: 2100: 1898: 1769: 1487: 1476: 1361: 1335: 1323: 1236: 1200: 1167: 1074: 1014: 846: 385: 369: 100: 15305:

Yeah! Yeah! Yeah!: The Story of Pop Music from Bill Haley to Beyoncé

15107:

Worlds of Music: An Introduction to the Music of the World's Peoples

10766: 10764: 10270: 3356:

among members of the movement, including those who soon founded the

1230:

sessions and contributed to the robust sounds captured on the album.

1003:

describes as an "English audio experimentalist" in the tradition of

12041: 11538: 11314: 10318: 9102: 8033: 7793: 7791: 7547: 6001: 5997:"How the Beatles' 'Revolver' Gave Brian Wilson a Nervous Breakdown" 5598: 5557: 5509:, the eponymous doctor was Robert Freymann, who was struck off the 4704: 4693: 4539: 3842: 3735: 3593: 3370:

and for Brian Wilson to complete the Beach Boys' "mini-symphony", "

3357: 3306: 3267:

a little harder to love." In retrospect, Christgau says he prefers

3204: 2888: 2849:

three or four times a day and marvel ..." Later that year, in

2541: 2294: 1649:-effected electric guitar. Everett identifies the song's change of 1646: 1456: 1240: 1073:

amplifiers; the choice of guitars, which included Harrison using a

1004: 747:

again serving as producer. The first track attempted was Lennon's "

14319:

All Together Now: The First Complete Beatles Discography 1961–1975

14103:

Beatles Gear: All the Fab Four's Instruments, from Stage to Studio

12305:"The Beatles' 'Revolver' Turns 50: Classic Track-by-Track Rundown" 9733: 4235:

According to Mark Lewisohn and Ian MacDonald, except where noted:

2638:

was issued on CD for the first time, both as part of the Beatles'

680:, had inspired him as a composer. According to author Ian Inglis, 15558: 10761: 10737: 10634: 9468: 9278: 8546: 8510: 8143: 8131: 7672: 7203: 5270: 4447: 4387: 4291: 3627:

as "the Beatles' artistic high-water mark" and says that, unlike

3585: 2857:

said the album was "twice as good and four times as startling as

2305:

pun", since, more so than on their previous albums, the focus of

2196: 1922: 1802: 1727: 1050: 14745:

The Rock Canon: Canonical Values in the Reception of Rock Albums

14230:

Strange Sounds: Offbeat Instruments and Sonic Experiments in Pop

9218: 8095: 7788: 7618: 7336: 6412: 1855:" was inspired by McCartney's relationship with English actress 15634: 13520: 10151: 10149: 9847: 9845: 8011: 8009: 8007: 7937:"Prophets, Seers & Sages: Tony Visconti's Favourite Albums" 7477: 7475: 7230: 7149: 6958:"Celebrating 'Revolver': Beatles' First On-Purpose Masterpiece" 6587: 6585: 6157: 5777: 5358:" as anticipating the "continuous stream of sound" achieved on 4413: 4295: 3935: 3897:

Your Bird Can Sing" and "Doctor Robert". All tracks written by

3403:" and "Rain", helped guide the counterculture towards the 1967 2750:, a form of journalism that only became commonplace from 1967. 2538:

were jointly recognised as the magazine's "Album of the Year".

2207:, who was the subject of a long-running exhibition at London's 1833:

after Lennon had read a hagiographic article on the singer, in

1452: 1331: 873: 737: 665: 15327:

Working Class Mystic: A Spiritual Biography of George Harrison

12174: 12060: 11395: 10510: 10395: 10349: 10347: 10022: 9348: 8321: 8244: 7992: 7875: 5663:

According to Schaffner, one of the album's few detractors was

5522:

Bromell qualifies the statement by saying, "If we don't count

3734:

was named the best pop album by the official newspaper of the

1620:

likens the song to a "particularly expressive text painting".

987:

environment. For the first time at EMI Studios, the company's

16031: 15860: 14828:

Ready, Steady, Go!: Swinging London and the Invention of Cool

14192:(4th ed.). New York, NY: Fireside/Simon & Schuster. 14020:"New Zealand album certifications – The Beatles – Revolver" 12980: 12008:"500 Greatest Albums of All Time: 3. The Beatles, 'Revolver'" 11645: 9857: 8600: 8215: 7863: 6645: 4425: 4417: 4323: 4287: 3872:

was released. It includes a new stereo remix of the album by

3508: 2607: 2309:

appears to rotate from one Beatle to another with each song.

1204: 1054: 715:

The Beatles had hoped to work in a more modern facility than

677: 38: 15434:

Long and Winding Roads: The Evolving Artistry of the Beatles

15010: 14892:

Revolution in the Head: The Beatles' Records and the Sixties

14400: 13209:

Ovens, Don (dir. reviews & charts) (17 September 1966).

13011: 13009: 13007: 12222: 12210: 11975: 11693: 11338: 11099: 11089: 11087: 11067:"The Beatles to release new 13CD box set of their US albums" 10725: 10646: 10589: 10476: 10474: 10260: 10258: 10256: 10146: 10113: 10082: 10001: 9967: 9965: 9842: 9745: 9709: 9685: 9311: 9309: 9307: 9305: 9027: 9003: 8578: 8576: 8476: 8474: 8004: 7851: 7839: 7776: 7727: 7725: 7662: 7660: 7647: 7645: 7630: 7472: 7399: 7397: 7327: 7168: 7166: 7164: 6763: 6582: 6442: 6184: 5286:

Among these meetings, Lennon participated in the filming of

2128:. In the case of "I'm Only Sleeping", the version issued on 352:. Regarded by some commentators as the start of the group's 15564: 13919:"Brazilian album certifications – The Beatles – Revolver" 12944: 12599: 12455: 12357: 12150: 11956: 11219:

Green, Richard; Jones, Peter (30 July 1966). "The Beatles:

11055:

from the original on 10 April 2014. Retrieved 26 June 2017.

10534: 10371: 10344: 10282: 10094: 9649: 9372: 9254: 9206: 8755: 8083: 7887: 7559: 7139: 7137: 7124: 7122: 6977: 6669: 6635: 6633: 6631: 6534: 6304:"Beatles' Acid Test: How LSD Opened the Door to 'Revolver'" 6264: 5781: 5641:. The Beatles are harder to avoid than even the American ." 3439:

style. Russell Reising and Jim LeBlanc credit the songs on

2683: 2626:

standardised the track listing to the original UK version.

1822: 1673:

sessions. His inspiration for the song was the Beach Boys'

1636:

as a composer, following his introduction of the sitar on "

1094:

extensively, during a party-style overdubbing session for "

485:-inspired line drawing with photo collage and won the 1967 15349:

A Hard Day's Write: The Stories Behind Every Beatles Song

14668:

Understanding Records: A Field Guide to Recording Practice

14070:"American album certifications – The Beatles – Revolver" 13944:"Canadian album certifications – The Beatles – Revolver" 12968: 12627:"500 Greatest Albums of All Time: The Beatles, 'Revolver'" 11984: 10612:"Beatles" > "Albums" > "Revolver" > "Chart Facts" 9789: 9787: 9432: 8970: 8624: 8423: 8191: 7899: 7803: 7608: 7606: 7604: 7602: 7462: 7460: 7218: 7178: 7095: 6845: 6843: 6801: 6512:"Read Previously Unknown George Harrison Letter From 1966" 6424: 6276: 6147: 6145: 6112: 3674:, and it was first again in the 2000 edition of the book. 2435:". This episode followed the unfavourable reaction to the 1942:

Described by Riley as the album's "most derivative cut", "

1937: 1921:

ornamentation in McCartney's high harmony, similar to the

1669:" is a ballad that McCartney wrote towards the end of the 1543:

more ominous than any other pair of opening songs could."

978:

furthered the spirit of studio experimentation evident on

14361:

Turn on Your Mind: Four Decades of Great Psychedelic Rock

14299:

Out of Our Heads: Rock 'n' Roll Before the Drugs Wore Off

14045:"British album certifications – The Beatles – Revolver" 13994:"Italian album certifications – The Beatles – Revolver" 13211:"Billboard Top LP's (For Week Ending September 17, 1966)" 13004: 12992: 12562: 12560: 12558: 12282: 12162: 11884: 11443: 11383: 11257: 11155: 11153: 11138: 11084: 10907: 10831: 10829: 10827: 10788: 10471: 10253: 10214: 10212: 10197: 10185: 9962: 9917: 9893: 9881: 9830: 9799: 9601: 9591: 9589: 9550: 9528: 9526: 9489: 9487: 9485: 9483: 9420: 9408: 9384: 9326: 9324: 9302: 9172: 9170: 9155: 9143: 9116: 9075: 9063: 9015: 8902: 8890: 8854: 8844: 8842: 8779: 8745: 8743: 8659: 8649: 8647: 8645: 8643: 8641: 8639: 8588: 8573: 8563: 8561: 8534: 8498: 8471: 8435: 8411: 8401: 8399: 8372: 8362: 8360: 8333: 8234: 8232: 8230: 8071: 7918: 7916: 7914: 7815: 7764: 7754: 7752: 7722: 7657: 7642: 7511: 7394: 7161: 7025: 7023: 7021: 7019: 6896: 6894: 6830: 6828: 6693: 6240: 6033: 3781:, a multi-artist CD included with the July 2006 issue of 3681: 3643: 3589: 3540:

There's a case to be made that the Beatles went on to do

1685:

had been inspired to write after repeatedly listening to

1660: 1301:

and the new songs recorded in 1967 for the animated film

1018: 808: 716: 15109:(5th ed.). Belmont, CA: Schirmer Cengage Learning. 15066:

British Invasion: The Crosscurrents of Musical Influence

14895:(2nd rev. ed.). Chicago, IL: Chicago Review Press. 14649:

A Day in the Life: The Music and Artistry of the Beatles

14454:

The Beatles as Musicians: Revolver Through the Anthology

14253:

Tomorrow Never Knows: Rock and Psychedelics in the 1960s

14122:

The Beatles Diary Volume 2: After the Break-Up 1970–2001

12832: 12577: 12575: 12246: 12186: 11932: 11835: 11833: 11245: 10981: 10776: 10749: 10682: 10522: 10431: 10419: 10359: 10332: 10294: 10070: 10010: 9820: 9818: 9816: 9814: 9762: 9760: 9538: 9511: 9444: 9396: 9242: 9230: 9133: 9131: 8936: 8934: 8921: 8919: 8917: 8803: 8730: 8728: 8612: 8287: 8285: 8283: 8179: 7487: 7433: 7382: 7295: 7293: 7134: 7119: 7083: 7006: 7004: 6989: 6918: 6879: 6813: 6789: 6732: 6705: 6628: 6558: 6546: 6464: 6340: 6060: 5978: 5976: 5974: 5947: 5205:" as inaugurating the group's "high psychedelic period". 3849:

was also included in the box sets released at the time,

3197:... with the boldest innovations of the band's career". 2297:

and the "revolving" motion of a record as it plays on a

2084:

ceremony. The song's harmonic structure is derived from

1988:... But the song ought to be looked on as interesting – 1134:

invented on 6 April. This technique employed two linked

1122:, the Beatles advanced Meek's strategy of employing the 723:

and were impressed with the sound on records created at

641:

as his guide, he became immersed in the nascent British

612:

as having been "decisively informed by acid", following

14377: 13198:

combined sales for albums and singles in the one chart.

12844: 12785:"The 500 Greatest Albums of All Time: 11. The Beatles, 12700: 12258: 12234: 12198: 11908: 11431: 11419: 11326: 10383: 10112:

Hunt, Chris (ed.). "Here, There & Everywhere". In:

9784: 9721: 8878: 8866: 8309: 7599: 7457: 7445: 7409: 7071: 6930: 6840: 6779: 6777: 6775: 6744: 6722: 6720: 6376: 6352: 6328: 6252: 6142: 6081: 6079: 6077: 6075: 6050: 6048: 5959: 3888:

containing new mixes of "Paperback Writer" and "Rain".

3635:

Appearances on best-album lists and further recognition

3544:

because there was nowhere else to go but too far. With

2644:

box set and as an individual release. As of that year,

2010:, repetitive drum-beat. Lennon adapted the lyrics from 942:, a nightclub in which Harrison had a financial stake. 877:

in London, inspired by the contemporary fashion scene.

419:, with the omitted three appearing on the June 1966 LP 388:; "Eleanor Rigby", a song about loneliness featuring a 323:. It was released on 5 August 1966, accompanied by the 13764:"Billboard Japan Hot Albums – Week of 2 November 2022" 12868: 12555: 12519: 12116:"100 Greatest Beatles Songs: 37. 'She Said, She Said'" 12096: 12084: 12072: 11872: 11633: 11269: 11150: 10993: 10824: 10658: 10577: 10498: 10486: 10209: 10173: 10161: 10122: 10058: 10046: 9869: 9772: 9673: 9661: 9613: 9586: 9574: 9523: 9480: 9360: 9321: 9266: 9194: 9167: 9051: 9039: 8958: 8946: 8839: 8827: 8791: 8740: 8680:"Brian Wilson Holds Out Hope for New Beach Boys Music" 8636: 8558: 8447: 8396: 8357: 8297: 8268: 8256: 8227: 8203: 8155: 8119: 8047: 7956: 7911: 7749: 7535: 7523: 7499: 7421: 7278: 7266: 7242: 7107: 7059: 7016: 6891: 6825: 6400: 6364: 2567:

hit number 1 on 10 September, a week after the end of

12856: 12743: 12649: 12572: 12531: 12507: 12495: 11920: 11830: 11407: 11357:

Uncredited writer (10 September 1966). "The Beatles:

10867: 10812: 10459: 10407: 10241: 10134: 9984:

O'Gorman, Martin (July 2006). "Painted from Memory".

9905: 9811: 9757: 9562: 9499: 9336: 9182: 9128: 8931: 8914: 8815: 8725: 8522: 8486: 8459: 8384: 8345: 8280: 8167: 8107: 8059: 7827: 7290: 7254: 7047: 7001: 6906: 6867: 6855: 6657: 6616: 6488: 6476: 6388: 6174: 6172: 6129: 6127: 5971: 5923: 5146:

Sales+streaming figures based on certification alone.

3876:, with the help of de-mixing technology developed by 3584:

was one of the cultural revisions established by the

3294:

Development of popular music and 1960s counterculture

2794:", and one that demanded that the genre's "boundaries 2520:

was the second highest-selling album of 1966, behind

1812: 1077:

as his preferred instrument; and the introduction of

356:

period, the songs reflect their interest in the drug

14280:

The Love You Make: An Insider's Story of the Beatles

12543: 12138: 11944: 11896: 9934: 9932: 9637: 9456: 7737: 7305: 7035: 6951: 6949: 6947: 6945: 6772: 6717: 6681: 6570: 6072: 6045: 6021: 5830:

carried the title of best album of all time for ages

5633:

In Goldstein's description of London: "The sound of

5155:

BPI certification awarded only for sales since 1994.

4280:; tape loops, sound effects; handclaps, finger snaps 14555:

Can't Buy Me Love: The Beatles, Britain and America

13149:"VG-Lista / Norwegian Charts – Albums – 01.01.1967" 12005: 12001: 11999: 11598: 11596: 10800: 10670: 10034: 9625: 9290: 8767: 6452: 6196: 5935: 3600:in 1967 as the two factors that had contributed to 2477:was the nation's "soundtrack album of the season". 1977: 1459:paid by top earners like the Beatles, which, under 934:sessions, and compares with less than 80 hours for 15214:Revolver: How the Beatles Reimagined Rock 'n' Roll 15153:. Albany, NY: State University of New York Press. 14936: 14600: 14577: 14535:The British Pop Music Film: The Beatles and Beyond 14492: 14185: 13291:"Top Compact Disks (for week ending May 30, 1987)" 12603:. Associated Press. 4 January 2001. Archived from 11974:MacDonald, Ian. "The Psychedelic Experience". In: 9697: 9092: 9090: 7691: 7689: 7687: 7322: 7320: 6505: 6503: 6297: 6295: 6293: 6291: 6169: 6124: 2312:The group had originally wanted to call the album 1930:, "I Want to Tell You" and the next two tracks on 1565:The backwards guitar solo from "I'm Only Sleeping" 1263:changed the way that everyone else made records." 1203:) extended to recording a basic track at a faster 670:Revolver: How the Beatles Reimagined Rock 'n' Roll 400:. The sessions also produced a non-album single, " 14996:. Baltimore, MD: Johns Hopkins University Press. 14789:(4th ed.). London: Oxford University Press. 14603:Sonic Cool: The Life & Death of Rock 'n' Roll 14337:Clough, Matthew H.; Fallows, Colin, eds. (2010). 14315: 14184:Brackett, Nathan; Hoard, Christian, eds. (2004). 12962: 12668:Tyrangiel, Josh; Light, Alan (13 November 2006). 11356: 10959:"How Many Records Did the Beatles Actually Sell?" 10770: 10743: 10640: 10276: 9929: 8982: 8703: 7353: 7351: 6942: 4999: 3407:due to the widespread popularity of the Beatles. 2199:, using photographs mostly taken over 1964–65 by 1904: 16819: 16440:Live! at the Star-Club in Hamburg, Germany; 1962 14499:. Jackson, MS: University Press of Mississippi. 12375: 11996: 11593: 10553: 10551: 10549: 6218:Clerk, Carol (January 2002). "George Harrison". 5652:Best Contemporary/R&R Solo Vocal Performance 5188:Alternatively, George Case, writing in his book 3901:, except for songs with asterisks, which are by 2601:Based on retail sales up to early October 1966, 2191:, one of the Beatles' oldest friends from their 2132:was a different mix from that included on EMI's 1784: 1755: 1546: 425:. The release there coincided with the Beatles' 15800:1966 tour of Germany, Japan and the Philippines 11524: 11522: 9087: 7684: 7317: 6500: 6288: 5142:Shipments figures based on certification alone. 4402: – background vocals on "Yellow Submarine" 4396: – background vocals on "Yellow Submarine" 4380: – background vocals on "Yellow Submarine" 2080:Lennon intended the track as an evocation of a 1697: 1342:. According to cultural historian Simon Philo, 880:On 16 May, Epstein responded to a request from 487:Grammy Award for Best Album Cover, Graphic Arts 15167: 14708:(2nd ed.). London: Rough Guides/Penguin. 14572: 14316:Castleman, Harry; Podrazik, Walter J. (1976). 12667: 12619: 12378:"Re-meet the Beatles: The Records – 1964–1965" 12066: 11733: 11731: 11669:"The Beatles: The Long and Winding Repertoire" 11662: 11660: 11651: 11288:Cleave, Maureen (30 July 1966). "The Beatles: 9474: 8516: 8149: 8137: 7986: 7974: 7797: 7678: 7348: 6213: 6211: 6163: 3530: 2187:was created by German-born bassist and artist 1375:, and he cites as examples "I'm Only Sleeping" 1207:than they intended the song to sound on disc. 1029:took place in the complex's intimate Studio 3. 15945: 15580: 15453:The Beatles Encyclopedia: Everything Fab Four 15172:. Cambridge, UK: Cambridge University Press. 14960:The Beatles Diary Volume 1: The Beatles Years 14909: 14425: 14341:. Liverpool, UK: Liverpool University Press. 14336: 14183: 12719:"From the Pope to Pop: Vatican's Top 10 List" 11699: 11012: 11010: 11008: 10546: 10000:Nash, Pete. "Money! It's What We Want!". In: 9863: 8015: 7869: 7636: 7624: 7236: 7155: 3255:of place" within the collection. Writing for 2594:. Voormann's cover design won the Grammy for 1025:(pictured in 2005). Most of the sessions for 926:. The Beatles spent over 220 hours recording 16765:The Beatles (The Original Studio Recordings) 14518:. Chicago, IL: University of Chicago Press. 14256:. Chicago, IL: University of Chicago Press. 13891:"ARIA Charts – Accreditations – 2009 Albums" 13740: 12279:"Why Revolver is the greatest Beatles album" 12030: 11773:"The Beatles – A guide to their best albums" 11519: 11350: 11172:Clayton, Peter (October 1966). "The Beatles 11040: 11038: 11018:"Revolver (1987 Version)" > "Chart Facts" 10606: 10604: 9983: 5746:While recognising it as the inspiration for 3451:genre in the early 1970s. He also considers 3395:as a musical statement that, further to the 3093: 3019: 2981: 2943: 2893: 2864: 1884: 1508: 585:Literally anything . Electronic music, jokes 15970:Albums in the core catalogue are marked in 15387: 15083: 14584:. Farmington Hills, MI: Visible Ink Press. 14270: 14138: 13799:Polish Society of the Phonographic Industry 13784: 13696:"The Beatles Chart History (Greece Albums)" 13054:"CHUM Hit Parade (week of August 22, 1966)" 13027: 12363: 11728: 11657: 11557: 11064: 10694: 10540: 9212: 8976: 8761: 8089: 7224: 7101: 6208: 6118: 6039: 5138:Sales figures based on certification alone. 4390:and background vocals on "Yellow Submarine" 4374:and background vocals on "Yellow Submarine" 1926:audience. According to author and academic 1158:cabinet, which was designed for use with a 513:and third in the 2003 and 2012 editions of 16888:Rhythm and blues albums by English artists 16883:Psychedelic rock albums by English artists 16344:Extracts from the Album A Hard Day's Night 16227: 15952: 15938: 15587: 15573: 14643: 14598: 14580:MusicHound Rock: The Essential Album Guide 13747:"Album Top 40 slágerlista – 2022. 44. hét" 13032:. Turramurra, NSW: Australian Chart Book. 12886: 11563: 11218: 11192: 11005: 10950: 8630: 8429: 7905: 7809: 7357: 7172: 6591: 6190: 6133: 6085: 4416:; Stephen Shingles, John Underwood – 1623: 1479:-inflected bass part reminiscent of Motown 867:album, and McCartney met Italian director 29: 16337:Extracts from the Film A Hard Day's Night 15253: 15210: 14915:Summer of Love: The Making of Sgt. Pepper 14885: 14803: 14476:. New York, NY: Oxford University Press. 14457:. New York, NY: Oxford University Press. 14355: 14169:. Van Nuys, CA: Alfred Music Publishing. 14074:Recording Industry Association of America 13898:Australian Recording Industry Association 13726:Australian Recording Industry Association 13103:Suomi soi 4: Suuri suomalainen listakirja 12998: 12986: 12302: 12228: 12216: 12180: 11990: 11890: 11851: 11705: 11487: 11401: 11389: 11344: 11320: 11251: 11105: 11093: 11035: 10956: 10925: 10913: 10794: 10782: 10731: 10688: 10601: 10595: 10557: 10516: 10449: 10401: 10377: 10353: 10338: 10300: 10264: 10203: 10155: 10100: 10088: 10016: 9971: 9887: 9851: 9793: 9715: 9691: 9655: 9556: 9517: 9450: 9426: 9414: 9354: 9315: 9284: 9260: 9224: 9161: 9122: 9081: 9069: 9033: 9021: 9009: 8908: 8896: 8860: 8618: 8582: 8552: 8504: 8480: 8441: 8417: 8339: 8327: 8250: 8221: 8101: 8077: 7998: 7934: 7881: 7857: 7845: 7821: 7782: 7770: 7731: 7695: 7666: 7651: 7581: 7577: 7565: 7553: 7481: 7439: 7403: 7358:Scapelliti, Christopher (5 August 2016). 7196: 7184: 7143: 7128: 6983: 6955: 6936: 6885: 6849: 6807: 6795: 6675: 6651: 6639: 6540: 6470: 6430: 6370: 6334: 6270: 6258: 6151: 6066: 5982: 5965: 5929: 5342:nevertheless identifies the segues from " 2576:Recording Industry Association of America 2480: 1846: 1455:" as a protest against the high marginal 1322:covers a wide range of styles, including 849:(with whom they socialised extensively), 537:Recording Industry Association of America 15477: 15393:The Unreleased Beatles: Music & Film 15069:. Lanham, MD: Rowman & Littlefield. 14866: 14844: 14490: 12974: 12950: 12749: 12369: 11712:Campbell, Hernan M. (27 February 2012). 11711: 11602: 11195:"The Beatles release Revolver – archive" 10987: 10389: 10288: 8872: 8315: 7893: 7612: 7466: 7065: 7029: 6900: 6834: 5897: 5290:'s documentary about Dylan's 1966 tour, 3588:phenomenon in the 1990s. Writing on the 2724: 2540: 2225: 2156: 2119: 1209: 1124:recording studio as a musical instrument 1090:", and the first time they incorporated 1013: 945: 771: 691: 16868:Albums with cover art by Klaus Voormann 16486:Get Back – The Rooftop Performance 15503: 15354:. New York, NY: Carlton/HarperCollins. 15321: 15299: 15283:Fab: An Intimate Life of Paul McCartney 15144: 15123: 15027:Shout!: The Beatles in Their Generation 14991: 14665: 14537:. Basingstoke, UK: Palgrave Macmillan. 14513: 14471: 14447: 14246: 13998:Federazione Industria Musicale Italiana 13974:. Cash Box. 29 October 1966. p. 76 13515:ザ・ビートルズ"リマスター"全16作トップ100入り「売上金額は23.1億円」 13076: 13074: 13015: 12922: 12862: 12850: 12838: 12595:"Beatles' 'Revolver' judged best album" 12537: 12513: 12264: 12240: 12102: 12090: 12078: 11962: 11914: 11878: 11806:"Album Review: The Beatles – Revolver " 11737: 11437: 11425: 11413: 11332: 11171: 10664: 10652: 10480: 10312: 9751: 9739: 9727: 9607: 9493: 9438: 9390: 9366: 9176: 9149: 9096: 9057: 9045: 8988: 8964: 8848: 8797: 8749: 8665: 8606: 8567: 8540: 8405: 8303: 8238: 8197: 8053: 8027: 7415: 7388: 7113: 6995: 6301: 6246: 4837:2020–2021 weekly chart performance for 3288: 2660: 1467:government, amounted to 95 per cent of 603:cites 1966 as the start of the band's " 16820: 16472:On Air – Live at the BBC Volume 2 15959: 15518:from the original on 18 September 2020 15450: 15428: 15368: 15343: 15277: 15231: 15170:The Cambridge Companion to the Beatles 15043: 15021: 14784: 14725:The Words and Music of George Harrison 14722: 14703: 14684: 14282:. New York, NY: New American Library. 14210:1965: The Year Modern Britain Was Born 14162: 14148:. San Francisco, CA: Chronicle Books. 14119: 14097: 12874: 12783:Fine, Jason, ed. (22 September 2020). 12566: 12525: 12461: 12333: 12204: 12192: 12168: 12156: 12144: 12126:from the original on 24 September 2011 11839: 11803: 11639: 11569:"Chuck Klosterman Repeats The Beatles" 11449: 11287: 11275: 11263: 11193:Greenfield, Edward (15 August 2016) . 11159: 11144: 11117: 10999: 10835: 10583: 10504: 10492: 10453: 10437: 10413: 10218: 10191: 10179: 10167: 10128: 10064: 10052: 10028: 9923: 9899: 9875: 9836: 9805: 9778: 9766: 9679: 9667: 9619: 9595: 9544: 9532: 9378: 9330: 9272: 9200: 8952: 8884: 8833: 8785: 8677: 8653: 8594: 8453: 8390: 8378: 8366: 8274: 8262: 8209: 8161: 8125: 8065: 7962: 7922: 7833: 7758: 7589: 7541: 7529: 7517: 7505: 7493: 7342: 7299: 7284: 7248: 7089: 7053: 7010: 6924: 6912: 6873: 6819: 6738: 6726: 6711: 6663: 6622: 6564: 6552: 6509: 6494: 6482: 6458: 6418: 6394: 6382: 6346: 6282: 6086:Plagenhoef, Scott (9 September 2009). 6027: 5941: 5893: 5891: 4436:by George Martin (with Paul McCartney) 3845:versions of the Beatles albums on CD. 740:'s Hitsville USA facility in Detroit. 16059:Sgt. Pepper's Lonely Hearts Club Band 15933: 15882:Sgt. Pepper's Lonely Hearts Club Band 15568: 15395:. San Francisco, CA: Backbeat Books. 15186: 15062: 14976: 14957: 14931: 14871:. Chicago, IL: Chicago Review Press. 14762: 14741: 14621: 14551: 14532: 14411:. New York, NY: Rolling Stone Press. 14232:. San Francisco, CA: Backbeat Books. 14227: 14105:. San Francisco, CA: Backbeat Books. 13600:"Portuguese Charts: Albums – 39/2009" 13580:from the original on 27 December 2011 13100: 12887:Richardson, Mark (7 September 2009). 12717:Wakin, Daniel J. (14 February 2010). 12716: 12655: 12581: 12549: 12501: 12473: 12415:from the original on 2 September 2016 12252: 11950: 11938: 11926: 11770: 10873: 10818: 10755: 10700: 10558:Goldstein, Richard (27 March 2020) . 10528: 10465: 10425: 10365: 10247: 10140: 10076: 9911: 9824: 9643: 9631: 9568: 9505: 9402: 9342: 9248: 9236: 9188: 9137: 8940: 8925: 8821: 8809: 8734: 8528: 8492: 8465: 8351: 8291: 8185: 8173: 8113: 7935:Marszalek, Julian (31 October 2012). 7743: 7451: 7311: 7260: 7077: 7041: 6783: 6750: 6699: 6687: 6603:Liner notes by Mark Lewisohn (1996). 6576: 6358: 6217: 6054: 5953: 5335:Sgt. Pepper's Lonely Hearts Club Band 4298:, tambourine, handclaps, finger snaps 4217: 4199: 4181: 4163: 4145: 4127: 4109: 4091: 4056: 4038: 4020: 4002: 3984: 3966: 3948: 3930: 2874: 2655: 1632:" marked Harrison's first foray into 1400: 1311:views the LP as an early work in the 1292:Sgt. Pepper's Lonely Hearts Club Band 995:on the project was nineteen-year-old 500:Sgt. Pepper's Lonely Hearts Club Band 444:in the UK for seven weeks and the US 252:Sgt. Pepper's Lonely Hearts Club Band 16873:Grammy Hall of Fame Award recipients 15414:. New York, NY: Three Rivers Press. 15409: 15104: 14822: 14806:The Dawn of Indian Music in the West 14296: 14206: 13328:from the original on 26 October 2010 13183:from the original on 14 October 2012 13071: 12820:from the original on 22 January 2011 12782: 12433: 12376:PopMatters staff (9 November 2009). 12048:from the original on 8 December 2016 11902: 11681:from the original on 23 October 2013 11666: 11528: 11045:"Beatles albums finally go platinum" 10806: 10676: 10230: 10040: 9703: 9580: 9462: 9296: 8773: 7696:McCormick, Neil (7 September 2009). 7593: 7585: 7427: 7272: 6861: 6406: 6202: 6178: 6088:"The Beatles: Revolver Album Review" 5994: 5904:Was Their Avant-Garde R&B Album" 4467: 4304: – drums; tambourine, maracas, 3769:, an award bestowed by the American 3475:, particularly "She Said She Said". 2669:was highly favourable. Having found 1867:, the principal horn player for the 1251:According to authors Kevin Ryan and 1130:(ADT), which EMI technical engineer 1118:Author Mark Brend writes that, with 687: 570:, for inclusion in the concert film 566:on live recordings taken from their 433:'s remark that the band had become " 16669:The Beatles Bootleg Recordings 1963 16479:The Beatles Bootleg Recordings 1963 15371:Beatles '66: The Revolutionary Year 15130:. Farnham, UK: Ashgate Publishing. 14939:Paul McCartney: Many Years from Now 13628:from the original on 8 October 2012 13574:"VG Lista – Album Top 40 (38/2009)" 13468:from the original on 4 January 2010 13442:from the original on 5 October 2017 13271:from the original on 5 October 2017 12923:Willman, Chris (7 September 2022). 12731:from the original on 4 October 2018 12276: 12018:from the original on 4 October 2018 12006:Rolling Stone staff (31 May 2012). 11852:Christgau, Robert (18 March 2020). 11804:Coplan, Chris (20 September 2009). 10855:from the original on 14 August 2017 10622:from the original on 4 October 2013 6522:from the original on 22 August 2017 5888: 4428:: string octet on "Eleanor Rigby", 4317:Additional musicians and production 3429:, among other styles. According to 3154:that year, David Medsker said that 2514:Cliff Bennett and the Rebel Rousers 2451:Reporting on "Swinging London" for 1222:. Fairchild's mono equivalent, the 950: 543:of the album was released in 2022. 13: 16404:Souvenir of Their Visit to America 15788:Recording practices of the Beatles 15471: 15237:1966: The Year the Decade Exploded 14576:; Durchholz, Daniel, eds. (1999). 14322:. New York, NY: Ballantine Books. 13676:from the original on 4 August 2017 13524:(in Japanese). 15 September 2009. 13494:from the original on 18 April 2017 13436:"Dutch Album Top 100 (26/09/2009)" 13176:(in Swedish). hitsallertijden.nl. 12303:Marinucci, Steve (5 August 2016). 11771:Yates, Henry (14 November 2017) . 10957:Kronemyer, David (25 April 2009). 10926:Kronemyer, David (29 April 2009). 8678:Baltin, Steve (9 September 2012). 8030:"The Beatles 'I Want to Tell You'" 6762:Gill, Andy. "Car Sick Blues". In: 6138:. London: IPC Ignite!. p. 36. 5995:Moss, Charles J. (3 August 2016). 5898:Hamilton, Jack (28 October 2022). 4871:2022 weekly chart performance for 4412:, John Sharpe, Jurgen Hess – 2592:Grammy Award for Album of the Year 2045:Sample from "Tomorrow Never Knows" 2033: 1553: 1407: 1226:, was used extensively during the 898:, director of the popular TV show 461:, and inspired the development of 392:as its only musical backing; and " 14: 16904: 16863:Albums conducted by George Martin 16858:Albums arranged by Paul McCartney 16447:The Beatles at the Hollywood Bowl 15531: 15217:. Milwaukee, WI: Backbeat Books. 14787:The Encyclopedia of Popular Music 14770:. Milwaukee, WI: Backbeat Books. 14386:. Milwaukee, WI: Backbeat Books. 14339:Astrid Kirchherr: A Retrospective 14301:. Milwaukee, WI: Backbeat Books. 14188:The New Rolling Stone Album Guide 13528:from the original on 9 March 2013 13245:from the original on 6 March 2012 13030:Australian Chart Book (1940–1969) 12315:from the original on 16 June 2017 11818:from the original on 13 June 2017 11545:from the original on 25 June 2017 11507:from the original on 4 March 2016 9099:"The Beatles 'Good Day Sunshine'" 8704:Denver Post staff (2 July 2015). 7370:from the original on 17 June 2017 7326:Irvin, Jim. "Into Tomorrow". In: 6316:from the original on 13 July 2019 6302:Gilmore, Mikal (25 August 2016). 6100:from the original on 20 June 2017 5560:or acoustic guitar, treated with 5475:Like Rodriguez, music journalist 4980: 4776:Norwegian VG-lista Top 40 Albums 3095: 3021: 2983: 2945: 2895: 16853:Albums arranged by George Martin 16848:Albums produced by George Martin 15541:at the Beatles' official website 15504:Timberg, Scott (5 August 2016). 15478:Ockerman, Emma (5 August 2016). 15196:. Cambridge, MA: Da Capo Press. 14913:; with Pearson, William (1994). 14495:The Beatles: Image and the Media 14213:. London: Simon & Schuster. 13961: 13858: 13833: 13804: 13756: 13714: 13688: 13662: 13640: 13614: 13592: 13566: 13554:from the original on 21 May 2017 13540: 13506: 13480: 13454: 13428: 13406: 13384: 13362: 13340: 13314: 13283: 13257: 13231: 13202: 13163: 13141: 13119: 13094: 13046: 13021: 12916: 12880: 12806: 12776: 12710: 12661: 12587: 12467: 12427: 12397: 12327: 12296: 12270: 12108: 11968: 11845: 11797: 11764: 11738:Medsker, David (29 March 2004). 11714:"Review: The Beatles – Revolver" 11581:from the original on 22 May 2013 11481: 11455: 11281: 11212: 11186: 11165: 11111: 11065:Uncut staff (12 December 2013). 11058: 10919: 10879: 10841: 10443: 10306: 10224: 10106: 9994: 9977: 8697: 8671: 8021: 7928: 7710:from the original on 17 May 2017 7698:"The Beatles – Revolver, review" 7571: 6956:Sheffield, Rob (5 August 2016). 5866: 5850: 5841: 5816: 5803: 5766: 5740: 5722: 5705: 5692: 5657: 5644: 5627: 5617: 5604: 5591: 5577: 5567: 5549: 5540: 5516: 5499: 5482: 5469: 5436: 5423: 5414: 5401: 5388: 5375: 5365: 5322: 5055: 3891: 3455:to be "an innovative example of 3382:, author Jay Hodgson highlights 3374:". Citing composer and producer 3114: 3109: 3104: 3099: 3094: 3040: 3035: 3030: 3025: 3020: 3002: 2997: 2992: 2987: 2982: 2964: 2959: 2954: 2949: 2944: 2914: 2909: 2904: 2899: 2894: 2746:emphasised the need for genuine 2289:The album's title, like that of 2071:Problems playing this file? See 2049: 1595:Problems playing this file? See 1569: 1442:Problems playing this file? See 1423: 1174:who regularly experimented with 645:movement, which soon emerged as 429:and the controversy surrounding 16:1966 studio album by the Beatles 15455:. Santa Barbara, CA: ABC-CLIO. 13241:(in German). charts-surfer.de. 13105:(in Finnish). Helsinki: Tammi. 12474:Wells, Matt (9 November 1999). 11667:Kemp, Mark (8 September 2009). 9938:Stummer, Robin (23 July 2016). 7197:Cleveland, Barry (March 2014). 7190: 6756: 6597: 6134:Sutherland, Steve, ed. (2003). 6009:from the original on 8 May 2017 5312: 5299: 5280: 5263: 5250: 5229: 5208: 5182: 4808:Sverigetopplistan Albums Top 60 4705:Ultratop 200 Albums (Walloonia) 3694:500 Greatest Albums of All Time 3619:, the prototype established by 2338:LP. Other suggestions included 2324:, and Starr jokingly suggested 2223:for each of the album's songs. 1997:– George Harrison, October 1966 1579:"I'm Only Sleeping" features a 1318:Through its individual tracks, 629:had also partaken of the drug, 521:500 Greatest Albums of All Time 477:. The album cover, designed by 16534:A Collection of Beatles Oldies 15048:. Santa Barbara, CA: Praeger. 14727:. Santa Barbara, CA: Praeger. 14706:The Rough Guide to the Beatles 14689:. Milwaukee, WI: Hal Leonard. 14607:. Milwaukee, WI: Hal Leonard. 14433:. New York, NY: Gotham Books. 14363:. Milwaukee, WI: Hal Leonard. 13801:. Retrieved 10 November 2022. 13753:. Retrieved 10 November 2022. 11467:. February 1967. Available at 11126:. London: Time Inc. p. 78 10895:. 24 December 1966. p. 34 10707:The Official UK Charts Company 5988: 4818:Swiss Hitparade Albums Top 100 4694:Ultratop 200 Albums (Flanders) 4076: 3915: 3866:a remixed and expanded edition 3650:, and in the following year's 3367:The Piper at the Gates of Dawn 2786:, Richard Goldstein described 2673:"almost monotonous" at times, 2596:Best Album Cover, Graphic Arts 2301:. Gould views the title as a " 2293:, is a pun, referring to both 2088:and is based on a high-volume 2002:Rodriguez describes Lennon's " 1513:Womack describes McCartney's " 1101: 380:", incorporating heavy Indian 200:A Collection of Beatles Oldies 1: 15307:. New York, NY: W.W. Norton. 15263:. New York, NY: McGraw-Hill. 15239:. London: Faber & Faber. 14491:Frontani, Michael R. (2007). 14049:British Phonographic Industry 12963:Castleman & Podrazik 1976 12633:. 31 May 2009. Archived from 12405:"The music of the millennium" 11120:"July–September: LPs/Singles" 10771:Castleman & Podrazik 1976 10744:Castleman & Podrazik 1976 10641:Castleman & Podrazik 1976 10315:"The Beatles 'Eleanor Rigby'" 10277:Castleman & Podrazik 1976 5882: 4734:Finnish Official Albums Chart 4473:Weekly chart performance for 4294:; tape loops, sound effects; 3136:The Rolling Stone Album Guide 3088:The Rolling Stone Album Guide 3014:Encyclopedia of Popular Music 2665:In Britain, the reception to 2632:British Phonographic Industry 2622:The April 1987 CD release of 2108:over the next two years, in " 1938:"Got to Get You into My Life" 1875:had adopted in his 1965 film 1419:The guitar solo from "Taxman" 924:first leg of their world tour 784: 620:'s continued use of the drug 546: 529:British Phonographic Industry 360:, Eastern philosophy and the 16620:The Beatles' Christmas Album 16365:The Beatles' Million Sellers 16273:The Beatles' Long Tall Sally 15594: 15329:. Wheaton, IL: Quest Books. 15090:. New York, NY: Bloomsbury. 15013:Mojo Special Limited Edition 14943:. New York, NY: Henry Holt. 14627:The Ringo Starr Encyclopedia 13841:"Veckolista Album, vecka 44" 13622:"Album Top 100 (13/09/2009)" 13090:. 2 January 1967. p. 5. 13067:– via chumtribute.com. 11977:Mojo Special Limited Edition 10115:Mojo Special Limited Edition 10003:Mojo Special Limited Edition 7329:Mojo Special Limited Edition 6765:Mojo Special Limited Edition 6510:Greene, Andy (25 May 2015). 4945: 4933: 4907: 4532: 4522: 4508: 4230: 3791:have named themselves after 3523:, Howard continues, through 3497:the Electric Light Orchestra 2729:The group (with disc jockey 2147: 1722:McCartney and Lennon wrote " 1661:"Here, There and Everywhere" 825:magazine dubbed London "the 541:remixed and expanded edition 7: 16733:The Beatles: The Collection 15730:Got to Get You into My Life 15436:. New York, NY: Continuum. 14977:Miles, Barry (July 2006). " 14808:. New York, NY: Continuum. 14785:Larkin, Colin, ed. (2006). 14748:. Abingdon, UK: Routledge. 14670:. New York, NY: Continuum. 14599:Harrington, Joe S. (2002). 13548:"Album Top 40 (14/09/2009)" 13322:"Album Top 50 (27/09/2009)" 12277:Kot, Greg (5 August 2016). 10703:"Album Chart History: 1966" 5753:In Search of the Lost Chord 5159: 4683:Ö3 Top 40 Longplay (Albums) 4187:Got to Get You into My Life 3858:The Beatles in Mono Box Set 3852:The Beatles: Stereo Box Set 3836: 3592:'s website in August 2016, 2377:– Paul McCartney, June 1966 2354:before the band settled on 2320:in response to McCartney's 1944:Got to Get You into My Life 1779: 1525:, drawing inspiration from 1395: 1271: 1088:Got to Get You into My Life 757:. Also recorded during the 573:The Beatles at Shea Stadium 415:was reduced to 11 songs by 10: 16909: 16687:Yellow Submarine Songtrack 16451:Live at the Hollywood Bowl 16126:Introducing... The Beatles 15663:Here, There and Everywhere 15484:and a Half-Century of LSD" 15211:Rodriguez, Robert (2012). 15145:Reising, Russell (2006). " 15084:Prendergast, Mark (2003). 15029:. New York, NY: Fireside. 14742:Jones, Carys Wyn (2016) . 14207:Bray, Christopher (2014). 14090: 13722:"ARIA Top 50 Albums Chart" 13239:"Charts-Surfer: Liedsuche" 12067:Reising & LeBlanc 2009 11652:Graff & Durchholz 1999 11529:Erlewine, Stephen Thomas. 11118:Mulvey, John, ed. (2015). 10963:Deconstructing Pop Culture 10701:Mawer, Sharon (May 2007). 9742:, pp. 111–12, 113–14. 9475:Reising & LeBlanc 2009 8517:Reising & LeBlanc 2009 8150:Reising & LeBlanc 2009 8138:Reising & LeBlanc 2009 7987:Reising & LeBlanc 2009 7977:, pp. 94–95, 99, 105. 7975:Reising & LeBlanc 2009 7798:Reising & LeBlanc 2009 7679:Reising & LeBlanc 2009 6421:, pp. 88, 94–95, 119. 6164:Reising & LeBlanc 2009 5396:Here, There and Everywhere 4826: 4816: 4805: 4794: 4783: 4775: 4764: 4753: 4742: 4732: 4724: 4713: 4702: 4691: 4680: 4669: 4638: 4628: 4617: 4588: 4574: 4560: 4549: 4537: 4527: 4513: 4501: 4490: 4008:Here, There and Everywhere 3692:third on its list of the " 3347:According to Simon Philo, 3300:The unearthly sounds that 2361: 2209:Victoria and Albert Museum 2152: 1667:Here, There and Everywhere 1634:Hindustani classical music 1289:, which continued through 398:Hindustani classical music 350:the era's cultural capital 16802: 16710: 16678: 16636: 16607: 16573: 16504: 16495: 16431: 16395: 16293: 16286: 16257: 16158:The Beatles' Second Album 16142: 16133:Hear the Beatles Tell All 16117: 16110: 15986: 15979: 15968: 15820: 15775: 15750: 15686: 15626: 15619: 15604: 15285:. London: HarperCollins. 15044:Perone, James E. (2012). 14962:. London: Omnibus Press. 14830:. London: Fourth Estate. 14804:Lavezzoli, Peter (2006). 14685:Howard, David N. (2004). 14514:Gendron, Bernard (2002). 14429:; Massey, Howard (2006). 14124:. London: Omnibus Press. 13324:. australian-charts.com. 13302:. 30 May 1987. p. 54 12750:EW staff (15 July 2013). 12670:"The All-Time 100 Albums" 11700:Brackett & Hoard 2004 11493:"Columns: December 1967 ( 11323:, pp. 172, 174, 176. 11238:19 September 2020 at the 11124:The History of Rock: 1966 9959:. Retrieved 26 June 2017. 9864:Clough & Fallows 2010 8992:Revolver: Special Edition 8016:Brackett & Hoard 2004 7989:, pp. 94–95, 98–100. 7870:Emerick & Massey 2006 7637:Martin & Pearson 1994 7625:Emerick & Massey 2006 7556:, pp. 190fn, 224–25. 7345:, pp. 182, 184, 185. 7237:Emerick & Massey 2006 7156:Emerick & Massey 2006 5239:, writing in his book on 5218:was "the acid album" and 5214:In Lennon's description, 5135: 5120: 5105: 5084: 5063: 5052: 5037: 5022: 5007: 4996: 4993: 4962: 4950: 4938: 4926: 4912: 4900: 4888: 4881: 4878: 4854: 4847: 4844: 4797:PROMUSICAE Top 100 Albums 4462: 4267:; tambourine, handclaps, 4086: 4083: 4080: 4075: 3925: 3922: 3919: 3914: 2882: 2879: 2865:Retrospective assessments 2328:, a play on the title of 1128:automatic double tracking 999:, whom author and critic 966:– EMI recording engineer 930:– a figure that excludes 843:the Mamas & the Papas 594:– John Lennon, March 1966 523:". It has been certified 366:automatic double tracking 300: 275: 264: 227: 216: 212: 175: 167: 155: 134: 118: 87: 76: 65: 50: 37: 28: 23: 15451:Womack, Kenneth (2014). 14867:Lewisohn, Mark (2010) . 14852:. London: Bounty Books. 14629:. London: Virgin Books. 14552:Gould, Jonathan (2007). 14472:Everett, Walter (2009). 13670:"The Beatles – Revolver" 13648:"The Beatles – Revolver" 13514: 13488:"The Beatles – Revolver" 13462:"Album Top 50 (38/2009)" 13414:"The Beatles – Revolver" 13392:"The Beatles – Revolver" 13370:"The Beatles – Revolver" 13348:"The Beatles – Revolver" 13265:"The Beatles – Revolver" 13127:"The Beatles – Revolver" 12434:Anon (31 January 1998). 11478:(subscription required). 11380:(subscription required). 11376:6 September 2015 at the 11311:(subscription required). 11292:(Parlophone PMC 7009)". 11242:(subscription required). 6237:(subscription required). 6233:15 December 2014 at the 5511:New York Medical Society 5176: 4716:Tracklisten Album Top-40 3703:appeared at number 2 in 3661:All Time Top 1000 Albums 3380:The Producer as Composer 3173:'s career)". Writing in 3165:magazine paired it with 2530:readers' poll for 1966, 2318:Four Sides to the Circle 2284: 1946:" was influenced by the 1909:Harrison said he wrote " 1813:"And Your Bird Can Sing" 1503:Leader of the Opposition 1266: 519:magazine's list of the " 510:All Time Top 1000 Albums 437:". The album topped the 15811:More popular than Jesus 15783:The Beatles discography 15546:11 January 2016 at the 14992:Millard, André (2012). 14981:: The Tripping Point". 14533:Glynn, Stephen (2013). 13812:"Top 100 Albums Weekly" 13576:. norwegiancharts.com. 11740:"The Beatles: Revolver" 11603:Du Noyer, Paul (2004). 11474:22 October 2022 at the 11307:22 October 2022 at the 11022:Official Charts Company 10616:Official Charts Company 10031:, pp. 183–85, 276. 9287:, pp. 136, 143–44. 8989:Howlett, Kevin (2022). 8555:, pp. 171, 174–75. 6040:Brown & Gaines 2002 5822:In his 2004 review for 5524:the Holy Modal Rounders 4725:Dutch MegaChart Albums 4386: – sound effects, 3230:". Scott Plagenhoef of 3201:Stephen Thomas Erlewine 3159:albums, Henry Yates of 3133:In the 2004 edition of 2718:, Maureen Cleave named 2494:s LPs chart (later the 2433:more popular than Jesus 1529:'s 1960 film score for 1183:and down the corridor. 576:. The group's manager, 435:more popular than Jesus 292:Released: 5 August 1966 54:5 August 1966 16843:Capitol Records albums 16719:The Beatles Collection 16541:Greatest Hits Volume 2 16527:Greatest Hits Volume 1 16358:Beatles for Sale No. 2 15702:And Your Bird Can Sing 15410:Winn, John C. (2009). 15373:. New York, NY: Ecco. 15369:Turner, Steve (2016). 14704:Ingham, Chris (2006). 14120:Badman, Keith (2001). 13602:. portuguesecharts.com 12965:, pp. 55, 157–66. 12752:"10 All-Time Greatest" 12334:Easlea, Daryl (2007). 10851:. awardsandshows.com. 8104:, pp. 194fn, 198. 5790:the Velvet Underground 5166:Outline of the Beatles 4424:, Norman Jones – 4115:And Your Bird Can Sing 3765:was inducted into the 3550: 3471:, to the influence of 3322:– Author and academic 3319: 2831:Revolution in the Head 2828:s release in his book 2738: 2590:was nominated for the 2546: 2481:Commercial performance 2374: 2243: 2180: 2169:drew inspiration from 2038: 1994: 1978:"Tomorrow Never Knows" 1869:Philharmonia Orchestra 1819:And Your Bird Can Sing 1710: 1558: 1412: 1354:African-American music 1231: 1113:– Paul McCartney, 1966 1110: 1030: 963: 869:Michelangelo Antonioni 803: 712: 711:at EMI Studios in 1966 591: 16878:The Beatles and India 16793:The Christmas Records 16458:First Live Recordings 15063:Philo, Simon (2015). 15017:. London: Emap. 2002. 14958:Miles, Barry (2001). 14917:. London: Macmillan. 14666:Hodgson, Jay (2010). 14651:. London: Pan Books. 14297:Case, George (2010). 14163:Bishop, Rand (2010). 14145:The Beatles Anthology 13624:. spanishcharts.com. 13490:. italiancharts.com. 13151:. norwegiancharts.com 13129:. norwegiancharts.com 12814:"Grammy Hall of Fame" 12436:"Spin of the Century" 12122:. 19 September 2011. 10887:"Top Records of 1966" 10452:, pp. xii, 176; 10313:Unterberger, Richie. 9227:, p. 43, 123–24. 9097:Unterberger, Richie. 8609:, pp. 40–41, 66. 8028:Unterberger, Richie. 6136:NME Originals: Lennon 5496:twelve-string guitar. 4913:Japanese Hot Albums ( 4354:on "Yellow Submarine" 3538: 3298: 3245:had been for Lennon. 2728: 2544: 2366: 2229: 2160: 2120:North American format 2037: 1982: 1827:Positively 4th Street 1776:during an operation. 1702: 1557: 1492:1966 general election 1411: 1213: 1172:Karlheinz Stockhausen 1106: 1017: 955: 946:Production techniques 775: 719:'s London studios at 695: 583: 344:The Beatles recorded 16893:Collage album covers 16627:Tomorrow Never Knows 16513:The Beatles in Italy 16386:Magical Mystery Tour 16236:Magical Mystery Tour 15889:Magical Mystery Tour 15737:Tomorrow Never Knows 14723:Inglis, Ian (2010). 14228:Brend, Mark (2005). 13969:"Cash Box - Germany" 13464:. finishcharts.com. 13101:Nyman, Jake (2005). 13028:Kent, David (2005). 12757:Entertainment Weekly 12464:, pp. 586, 640. 12183:, pp. xii–xiii. 12159:, pp. 404, 414. 11811:Consequence of Sound 11567:(8 September 2009). 11404:, pp. 155, 175. 11051:. 2 September 2013. 10849:"Grammy Awards 1967" 10655:, pp. xiii, 68. 10519:, pp. xii, 174. 10404:, pp. 189, 250. 9754:, pp. 111, 119. 9381:, pp. 231, 232. 9357:, pp. 121, 123. 8330:, pp. xiii, 17. 8253:, pp. 200, 426. 8001:, pp. xi, 8–10. 7884:, pp. 113, 134. 6702:, pp. 226, 336. 6654:, pp. 195, 196. 6285:, pp. 132, 184. 5956:, pp. 206, 225. 5756:, Everett says that 5732:, the Beatles "made 5513:'s register in 1975. 5338:. Author and critic 5171:The Beatles timeline 4529:Finnish Albums Chart 4446:, Les Condon – 4322:Anil Bhagwat – 4205:Tomorrow Never Knows 3864:On 28 October 2022, 3795:, and Reising lists 3747:Entertainment Weekly 3741:L'Osservatore Romano 3664:, directly ahead of 3289:Influence and legacy 3251:Consequence of Sound 2870:Professional ratings 2710:, Richard Green and 2661:Contemporary reviews 2348:Freewheelin' Beatles 2332:' recently released 2230:Colour outtake from 2110:All You Need Is Love 2059:According to author 2004:Tomorrow Never Knows 1905:"I Want to Tell You" 1298:Magical Mystery Tour 896:Michael Lindsay-Hogg 817:Poll-Winners Concert 749:Tomorrow Never Knows 459:1960s counterculture 378:Tomorrow Never Knows 16772:The Beatles in Mono 16740:The Beatles Box Set 16582:Por Siempre Beatles 16411:Four by the Beatles 16316:The Beatles (No. 1) 16221:Yesterday and Today 15794:Yesterday and Today 15389:Unterberger, Richie 15260:The Beatles Forever 15255:Schaffner, Nicholas 14558:. London: Piatkus. 13816:El portal de Música 13650:. swedishcharts.com 13350:. austriancharts.at 12989:, pp. 185–211. 12607:on 13 November 2004 12411:. 24 January 1998. 11965:, pp. viii–ix. 11501:robertchristgau.com 10713:on 17 December 2007 8224:, pp. 14, 200. 7703:The Daily Telegraph 5772:He also recognises 5678:Disc and Music Echo 5454:(Harrison's wife), 4990: 4986:Certifications for 4889:Australian Albums ( 4875: 4841: 4756:Oricon Albums Chart 4658: 4606: 4477: 4072: 3911: 3767:Grammy Hall of Fame 3307:mysterium tremendum 3226:woolly politics of 3218:The Daily Telegraph 2976:The Daily Telegraph 2871: 2816:William Shakespeare 2759:reviewer described 2648:had been certified 2569:Yesterday and Today 2437:Yesterday and Today 2429:North American tour 2279:Yesterday and Today 2264:Granny Takes a Trip 2240:Yesterday and Today 2130:Yesterday and Today 1785:"Good Day Sunshine" 1756:"She Said She Said" 1748:with the satire of 1681:", which, in turn, 1547:"I'm Only Sleeping" 887:Yesterday and Today 839:the Lovin' Spoonful 599:Beatles biographer 422:Yesterday and Today 234:Yesterday and Today 16833:The Beatles albums 16746:The Capitol Albums 16694:Let It Be... Naked 16179:The Beatles' Story 16165:A Hard Day's Night 16014:A Hard Day's Night 15847:A Hard Day's Night 15826:The Beatles albums 15723:I Want to Tell You 15561:(list of releases) 13702:. 10 December 2021 13438:. dutchcharts.nl. 13267:. dutchcharts.nl. 12953:, pp. 352–54. 12764:on 17 October 2013 12724:The New York Times 12682:on 9 November 2007 12255:, pp. 181–82. 12231:, pp. xi–xii. 12219:, pp. 228–29. 12171:, pp. 404–05. 11941:, pp. 72, 77. 11452:, pp. 262–63. 11347:, pp. 174–75. 11266:, pp. 260–61. 11147:, pp. 261–62. 11108:, pp. 49, 64. 10758:, pp. 356–57. 10734:, pp. 184–85. 10598:, pp. 172–73. 10531:, pp. 108–09. 10456:, pp. 323–24. 10428:, pp. 338–39. 10368:, pp. 120–21. 10291:, pp. 350–51. 10279:, pp. 55, 56. 10194:, pp. 239–40. 10158:, pp. 155–56. 10091:, pp. 163–64. 10079:, pp. 348–49. 9945:7 May 2017 at the 9926:, pp. 210–11. 9902:, pp. 209–10. 9854:, pp. 156–57. 9839:, pp. 767–68. 9808:, pp. 769–70. 9718:, pp. 108–09. 9694:, pp. 188–89. 9477:, pp. 99–100. 9441:, pp. 57, 58. 9405:, pp. 195–96. 9251:, pp. 359–60. 9239:, pp. 192–93. 9036:, pp. 91, 92. 9012:, pp. 211–12. 8812:, pp. 355–56. 8788:, pp. 140–41. 8597:, pp. 583–84. 8519:, pp. 95, 96. 8381:, pp. 137–39. 8200:, pp. 113–14. 8188:, pp. 110–11. 8152:, pp. 107–08. 8140:, pp. 99–105. 7896:, pp. 77, 79. 7860:, pp. 189–90. 7848:, pp. 105–06. 7785:, pp. 130–31. 7681:, pp. 94, 95. 7627:, pp. 111–12. 7520:, pp. 143–44. 7484:, pp. 100–01. 7239:, pp. 117–18. 7158:, pp. 48, 86. 7092:, pp. 20, 23. 7080:, pp. 195–96. 6986:, pp. 146–49. 6927:, pp. 317–18. 6822:, pp. 174–75. 6753:, pp. 226–32. 6741:, pp. 204–06. 6714:, pp. 268–69. 6678:, pp. 4, 6–7. 6594:, pp. 177–78. 6567:, pp. 127–28. 6555:, pp. 128–29. 6543:, pp. 103–04. 6409:, pp. 240–41. 6361:, pp. 314–15. 6349:, pp. 140–42. 6273:, pp. 236–37. 6249:, pp. 35, 51. 6193:, pp. 190–91. 5784:– by Hendrix, the 5458:and Beatles aides 5456:Marianne Faithfull 5448:the Rolling Stones 5381:American producer 5356:I Want to Tell You 4985: 4901:Hungarian Albums ( 4870: 4836: 4656: 4604: 4552:Kvällstoppen Chart 4472: 4400:Marianne Faithfull 4169:I Want to Tell You 4070: 3909: 3724:. That same year, 3187:, in a review for 2869: 2739: 2656:Critical reception 2547: 2523:The Sound of Music 2330:the Rolling Stones 2254:, rather than the 2244: 2181: 2039: 1952:Scotch of St James 1911:I Want to Tell You 1863:solo was added by 1795:Richie Unterberger 1698:"Yellow Submarine" 1642:Asian Music Circle 1559: 1413: 1367:Author and critic 1232: 1191:) guitar solo on " 1040:tonal equalisation 1031: 1023:Abbey Road Studios 993:recording engineer 804: 713: 601:Nicholas Schaffner 551:In December 1965, 427:final concert tour 16838:Parlophone albums 16815: 16814: 16811: 16810: 16427: 16426: 16309:The Beatles' Hits 16282: 16281: 16253: 16252: 16193:The Early Beatles 16151:Meet the Beatles! 15927: 15926: 15746: 15745: 15695:Good Day Sunshine 15677:She Said She Said 15649:I'm Only Sleeping 15462:978-0-313-39171-2 15443:978-0-8264-1746-6 15421:978-0-307-45239-9 15402:978-0-87930-892-6 15380:978-0-06-247558-9 15336:978-0-8356-0900-5 15314:978-0-393-24269-0 15292:978-0-00-723705-0 15246:978-0-571-27763-6 15224:978-1-61713-009-0 15203:978-0-306-81120-3 15179:978-0-521-68976-2 15137:978-0-7546-0557-7 15116:978-0-534-59539-5 15076:978-0-8108-8626-1 15055:978-0-313-37906-2 15003:978-1-4214-0525-4 14987:. pp. 70–77. 14950:978-0-8050-5248-0 14902:978-1-55652-733-3 14878:978-1-56976-534-0 14859:978-0-7537-2545-0 14837:978-1-84115-226-4 14796:978-0-19-531373-4 14777:978-1-61713-573-6 14755:978-0-7546-6244-0 14734:978-0-313-37532-3 14715:978-1-84836-525-4 14677:978-1-4411-5607-5 14614:978-0-634-02861-8 14565:978-0-7499-2988-6 14544:978-0-230-39222-9 14525:978-0-226-28737-9 14506:978-1-57806-966-8 14483:978-0-19-531024-5 14464:978-0-19-512941-0 14440:978-1-59240-269-4 14418:978-0-7432-3581-5 14393:978-0-87930-992-3 14370:978-0-634-05548-5 14348:978-1-84631-477-3 14308:978-0-87930-967-1 14289:978-0-451-20735-7 14220:978-1-84983-387-5 14176:978-0-7390-7191-5 14155:978-0-8118-2684-6 14131:978-0-7119-8307-6 14112:978-0-87930-731-8 14024:Recorded Music NZ 13923:Pro-Música Brasil 13921:(in Portuguese). 13866:"UK Album Charts" 13845:Sverigetopplistan 13728:. 7 November 2022 13416:. danishcharts.dk 13082:"RPM 25: Top LPs" 13018:, pp. 56–57. 12977:, pp. 70–85. 12195:, pp. 2, 20. 12038:"Psychedelic Pop" 11858:And It Don't Stop 11565:Klosterman, Chuck 11491:(December 1967). 11489:Christgau, Robert 10483:, pp. 69–70. 10440:, pp. 37–38. 10380:, pp. 65–66. 10356:, pp. 53–54. 10103:, pp. 55–56. 9610:, pp. 34–35. 9583:, pp. 8, 26. 9547:, pp. 97–98. 9393:, pp. 45–46. 9263:, pp. 79–80. 9152:, pp. 58–59. 8668:, pp. 59–60. 8543:, pp. 50–51. 7800:, pp. 95–96. 7568:, pp. 71–72. 7496:, pp. 22–23. 7454:, pp. 55–56. 7430:, pp. 22–23. 7275:, pp. 30–31. 6998:, pp. 64–65. 6864:, pp. 19–20. 6810:, pp. 77–78. 6449:, pp. 36–37. 6433:, pp. 12–14. 6385:, pp. 77–78. 6224:. pp. 45–46. 6166:, pp. 93–94. 5344:I'm Only Sleeping 5152: 5151: 5147: 5143: 5139: 5095: 5074: 5072:sales since 2009 5025:Pro-Música Brasil 4977: 4976: 4970: 4969: 4953:Sverigetopplistan 4868: 4867: 4834: 4833: 4786:AFP Top 50 Albums 4745:FIMI Albums Chart 4652: 4651: 4644:Top Compact Disks 4602: 4601: 4493:Kent Music Report 4227: 4226: 4097:Good Day Sunshine 4066: 4065: 4044:She Said She Said 3972:I'm Only Sleeping 3779:Revolver Reloaded 3771:Recording Academy 3469:the Grateful Dead 3376:Virgil Moorefield 3354:experimental jazz 3131: 3130: 2784:The Village Voice 2697:Edward Greenfield 2459:Richard Goldstein 2454:The Village Voice 2448:during the tour. 2382:In mid-May 1966, 2344:Beatles on Safari 2340:Bubble and Squeak 2295:a kind of handgun 2161:For the cover of 2054: 1964:brass instruments 1791:Good Day Sunshine 1762:She Said She Said 1610:I'm Only Sleeping 1574: 1428: 1193:I'm Only Sleeping 974:The sessions for 920:She Said She Said 819:. At a time when 688:Recording history 384:and a collage of 304: 303: 260: 259: 208: 207: 16900: 16616:From Then to You 16574:Non-album tracks 16502: 16501: 16418:4 by the Beatles 16351:Beatles for Sale 16291: 16290: 16115: 16114: 16082:Yellow Submarine 16023:Beatles for Sale 16005:With the Beatles 15996:Please Please Me 15984: 15983: 15954: 15947: 15940: 15931: 15930: 15903:Yellow Submarine 15854:Beatles for Sale 15840:With the Beatles 15833:Please Please Me 15776:Related articles 15759:Paperback Writer 15751:Non-album single 15670:Yellow Submarine 15624: 15623: 15589: 15582: 15575: 15566: 15565: 15527: 15525: 15523: 15500: 15498: 15496: 15466: 15447: 15425: 15406: 15384: 15365: 15340: 15318: 15296: 15274: 15250: 15228: 15207: 15183: 15164: 15141: 15120: 15101: 15080: 15059: 15040: 15018: 15007: 14988: 14973: 14954: 14942: 14928: 14906: 14882: 14863: 14841: 14819: 14800: 14781: 14759: 14738: 14719: 14700: 14681: 14662: 14645:Hertsgaard, Mark 14640: 14618: 14606: 14595: 14583: 14569: 14548: 14529: 14510: 14498: 14487: 14468: 14444: 14422: 14397: 14374: 14352: 14333: 14312: 14293: 14267: 14243: 14224: 14203: 14191: 14180: 14159: 14135: 14116: 14085: 14084: 14082: 14080: 14066: 14060: 14059: 14057: 14055: 14041: 14035: 14034: 14032: 14030: 14016: 14010: 14008: 14006: 14004: 13990: 13984: 13983: 13981: 13979: 13973: 13965: 13959: 13958: 13956: 13954: 13940: 13934: 13933: 13931: 13929: 13915: 13909: 13908: 13906: 13904: 13895: 13887: 13881: 13880: 13878: 13876: 13862: 13856: 13855: 13853: 13851: 13837: 13831: 13830: 13828: 13826: 13808: 13802: 13788: 13782: 13781: 13779: 13777: 13760: 13754: 13749:(in Hungarian). 13744: 13738: 13737: 13735: 13733: 13718: 13712: 13711: 13709: 13707: 13692: 13686: 13685: 13683: 13681: 13672:. hitparade.ch. 13666: 13660: 13659: 13657: 13655: 13644: 13638: 13637: 13635: 13633: 13618: 13612: 13611: 13609: 13607: 13596: 13590: 13589: 13587: 13585: 13570: 13564: 13563: 13561: 13559: 13544: 13538: 13537: 13535: 13533: 13510: 13504: 13503: 13501: 13499: 13484: 13478: 13477: 13475: 13473: 13458: 13452: 13451: 13449: 13447: 13432: 13426: 13425: 13423: 13421: 13410: 13404: 13403: 13401: 13399: 13388: 13382: 13381: 13379: 13377: 13366: 13360: 13359: 13357: 13355: 13344: 13338: 13337: 13335: 13333: 13318: 13312: 13311: 13309: 13307: 13295: 13287: 13281: 13280: 13278: 13276: 13261: 13255: 13254: 13252: 13250: 13235: 13229: 13228: 13226: 13224: 13206: 13200: 13192: 13190: 13188: 13182: 13175: 13167: 13161: 13160: 13158: 13156: 13145: 13139: 13138: 13136: 13134: 13123: 13117: 13116: 13098: 13092: 13091: 13078: 13069: 13068: 13066: 13064: 13050: 13044: 13043: 13025: 13019: 13013: 13002: 12996: 12990: 12984: 12978: 12972: 12966: 12960: 12954: 12948: 12942: 12941: 12939: 12937: 12920: 12914: 12913: 12911: 12909: 12884: 12878: 12872: 12866: 12860: 12854: 12848: 12842: 12841:, pp. 9–10. 12836: 12830: 12829: 12827: 12825: 12810: 12804: 12803: 12801: 12799: 12793:rollingstone.com 12780: 12774: 12773: 12771: 12769: 12760:. Archived from 12747: 12741: 12740: 12738: 12736: 12714: 12708: 12698: 12692: 12691: 12689: 12687: 12678:. Archived from 12665: 12659: 12653: 12647: 12646: 12644: 12642: 12637:on 26 March 2014 12631:rollingstone.com 12623: 12617: 12616: 12614: 12612: 12591: 12585: 12579: 12570: 12564: 12553: 12547: 12541: 12535: 12529: 12523: 12517: 12511: 12505: 12499: 12493: 12492: 12490: 12488: 12471: 12465: 12459: 12453: 12452: 12450: 12448: 12431: 12425: 12424: 12422: 12420: 12401: 12395: 12394: 12392: 12390: 12373: 12367: 12364:Prendergast 2003 12361: 12355: 12354: 12352: 12350: 12331: 12325: 12324: 12322: 12320: 12300: 12294: 12293: 12291: 12289: 12274: 12268: 12262: 12256: 12250: 12244: 12238: 12232: 12226: 12220: 12214: 12208: 12207:, pp. 2, 3. 12202: 12196: 12190: 12184: 12178: 12172: 12166: 12160: 12154: 12148: 12142: 12136: 12135: 12133: 12131: 12120:rollingstone.com 12112: 12106: 12100: 12094: 12088: 12082: 12076: 12070: 12064: 12058: 12057: 12055: 12053: 12034: 12028: 12027: 12025: 12023: 12012:rollingstone.com 12003: 11994: 11988: 11982: 11972: 11966: 11960: 11954: 11948: 11942: 11936: 11930: 11924: 11918: 11912: 11906: 11900: 11894: 11888: 11882: 11876: 11870: 11869: 11867: 11865: 11849: 11843: 11837: 11828: 11827: 11825: 11823: 11801: 11795: 11794: 11792: 11790: 11785:on 18 April 2019 11781:. Archived from 11768: 11762: 11761: 11759: 11757: 11748:. Archived from 11735: 11726: 11725: 11723: 11721: 11709: 11703: 11697: 11691: 11690: 11688: 11686: 11664: 11655: 11649: 11643: 11637: 11631: 11630: 11628: 11626: 11617:. Archived from 11600: 11591: 11590: 11588: 11586: 11561: 11555: 11554: 11552: 11550: 11526: 11517: 11516: 11514: 11512: 11485: 11479: 11469:Rock's Backpages 11459: 11453: 11447: 11441: 11435: 11429: 11423: 11417: 11411: 11405: 11399: 11393: 11387: 11381: 11371:Rock's Backpages 11368: 11354: 11348: 11342: 11336: 11330: 11324: 11318: 11312: 11302:Rock's Backpages 11299: 11295:Evening Standard 11285: 11279: 11273: 11267: 11261: 11255: 11249: 11243: 11233:Rock's Backpages 11230: 11216: 11210: 11209: 11207: 11205: 11190: 11184: 11183: 11169: 11163: 11157: 11148: 11142: 11136: 11135: 11133: 11131: 11115: 11109: 11103: 11097: 11091: 11082: 11081: 11079: 11077: 11062: 11056: 11042: 11033: 11032: 11030: 11028: 11014: 11003: 10997: 10991: 10985: 10979: 10978: 10976: 10974: 10965:. Archived from 10954: 10948: 10947: 10945: 10943: 10938:on 12 March 2018 10934:. Archived from 10923: 10917: 10911: 10905: 10904: 10902: 10900: 10883: 10877: 10871: 10865: 10864: 10862: 10860: 10845: 10839: 10833: 10822: 10816: 10810: 10804: 10798: 10792: 10786: 10780: 10774: 10768: 10759: 10753: 10747: 10741: 10735: 10729: 10723: 10722: 10720: 10718: 10709:. Archived from 10698: 10692: 10686: 10680: 10674: 10668: 10662: 10656: 10650: 10644: 10638: 10632: 10631: 10629: 10627: 10608: 10599: 10593: 10587: 10581: 10575: 10574: 10572: 10570: 10564:villagevoice.com 10555: 10544: 10541:Unterberger 2006 10538: 10532: 10526: 10520: 10514: 10508: 10502: 10496: 10490: 10484: 10478: 10469: 10463: 10457: 10447: 10441: 10435: 10429: 10423: 10417: 10411: 10405: 10399: 10393: 10387: 10381: 10375: 10369: 10363: 10357: 10351: 10342: 10336: 10330: 10329: 10327: 10325: 10310: 10304: 10298: 10292: 10286: 10280: 10274: 10268: 10262: 10251: 10245: 10239: 10238: 10228: 10222: 10216: 10207: 10201: 10195: 10189: 10183: 10177: 10171: 10165: 10159: 10153: 10144: 10138: 10132: 10126: 10120: 10110: 10104: 10098: 10092: 10086: 10080: 10074: 10068: 10062: 10056: 10050: 10044: 10038: 10032: 10026: 10020: 10014: 10008: 9998: 9992: 9991: 9981: 9975: 9969: 9960: 9936: 9927: 9921: 9915: 9909: 9903: 9897: 9891: 9885: 9879: 9873: 9867: 9861: 9855: 9849: 9840: 9834: 9828: 9822: 9809: 9803: 9797: 9791: 9782: 9776: 9770: 9764: 9755: 9749: 9743: 9737: 9731: 9725: 9719: 9713: 9707: 9701: 9695: 9689: 9683: 9677: 9671: 9665: 9659: 9658:, p. 188fn. 9653: 9647: 9641: 9635: 9629: 9623: 9617: 9611: 9605: 9599: 9593: 9584: 9578: 9572: 9566: 9560: 9554: 9548: 9542: 9536: 9530: 9521: 9515: 9509: 9503: 9497: 9491: 9478: 9472: 9466: 9460: 9454: 9448: 9442: 9436: 9430: 9424: 9418: 9412: 9406: 9400: 9394: 9388: 9382: 9376: 9370: 9364: 9358: 9352: 9346: 9340: 9334: 9328: 9319: 9313: 9300: 9294: 9288: 9282: 9276: 9270: 9264: 9258: 9252: 9246: 9240: 9234: 9228: 9222: 9216: 9213:Unterberger 2006 9210: 9204: 9198: 9192: 9186: 9180: 9174: 9165: 9159: 9153: 9147: 9141: 9135: 9126: 9120: 9114: 9113: 9111: 9109: 9094: 9085: 9079: 9073: 9067: 9061: 9055: 9049: 9043: 9037: 9031: 9025: 9019: 9013: 9007: 9001: 9000: 8999:. Apple Records. 8986: 8980: 8977:The Beatles 2000 8974: 8968: 8962: 8956: 8950: 8944: 8938: 8929: 8923: 8912: 8906: 8900: 8894: 8888: 8882: 8876: 8870: 8864: 8858: 8852: 8846: 8837: 8831: 8825: 8819: 8813: 8807: 8801: 8795: 8789: 8783: 8777: 8771: 8765: 8762:The Beatles 2000 8759: 8753: 8747: 8738: 8732: 8723: 8722: 8720: 8718: 8701: 8695: 8694: 8692: 8690: 8684:rollingstone.com 8675: 8669: 8663: 8657: 8651: 8634: 8628: 8622: 8616: 8610: 8604: 8598: 8592: 8586: 8580: 8571: 8565: 8556: 8550: 8544: 8538: 8532: 8526: 8520: 8514: 8508: 8502: 8496: 8490: 8484: 8478: 8469: 8463: 8457: 8451: 8445: 8439: 8433: 8427: 8421: 8415: 8409: 8403: 8394: 8388: 8382: 8376: 8370: 8364: 8355: 8349: 8343: 8337: 8331: 8325: 8319: 8313: 8307: 8301: 8295: 8289: 8278: 8272: 8266: 8260: 8254: 8248: 8242: 8236: 8225: 8219: 8213: 8207: 8201: 8195: 8189: 8183: 8177: 8171: 8165: 8159: 8153: 8147: 8141: 8135: 8129: 8123: 8117: 8111: 8105: 8099: 8093: 8090:Prendergast 2003 8087: 8081: 8075: 8069: 8063: 8057: 8051: 8045: 8044: 8042: 8040: 8025: 8019: 8013: 8002: 7996: 7990: 7984: 7978: 7972: 7966: 7960: 7954: 7953: 7951: 7949: 7932: 7926: 7920: 7909: 7903: 7897: 7891: 7885: 7879: 7873: 7867: 7861: 7855: 7849: 7843: 7837: 7831: 7825: 7819: 7813: 7807: 7801: 7795: 7786: 7780: 7774: 7768: 7762: 7756: 7747: 7741: 7735: 7729: 7720: 7719: 7717: 7715: 7693: 7682: 7676: 7670: 7664: 7655: 7649: 7640: 7634: 7628: 7622: 7616: 7610: 7597: 7575: 7569: 7563: 7557: 7551: 7545: 7539: 7533: 7527: 7521: 7515: 7509: 7503: 7497: 7491: 7485: 7479: 7470: 7464: 7455: 7449: 7443: 7437: 7431: 7425: 7419: 7413: 7407: 7401: 7392: 7386: 7380: 7379: 7377: 7375: 7355: 7346: 7340: 7334: 7324: 7315: 7309: 7303: 7297: 7288: 7282: 7276: 7270: 7264: 7258: 7252: 7246: 7240: 7234: 7228: 7225:Prendergast 2003 7222: 7216: 7215: 7213: 7211: 7194: 7188: 7187:, p. 190fn. 7182: 7176: 7170: 7159: 7153: 7147: 7141: 7132: 7126: 7117: 7111: 7105: 7102:The Beatles 2000 7099: 7093: 7087: 7081: 7075: 7069: 7063: 7057: 7051: 7045: 7039: 7033: 7027: 7014: 7008: 6999: 6993: 6987: 6981: 6975: 6974: 6972: 6970: 6953: 6940: 6934: 6928: 6922: 6916: 6910: 6904: 6898: 6889: 6883: 6877: 6871: 6865: 6859: 6853: 6847: 6838: 6832: 6823: 6817: 6811: 6805: 6799: 6793: 6787: 6781: 6770: 6760: 6754: 6748: 6742: 6736: 6730: 6724: 6715: 6709: 6703: 6697: 6691: 6685: 6679: 6673: 6667: 6661: 6655: 6649: 6643: 6637: 6626: 6620: 6614: 6601: 6595: 6589: 6580: 6574: 6568: 6562: 6556: 6550: 6544: 6538: 6532: 6531: 6529: 6527: 6516:rollingstone.com 6507: 6498: 6492: 6486: 6480: 6474: 6468: 6462: 6456: 6450: 6440: 6434: 6428: 6422: 6416: 6410: 6404: 6398: 6392: 6386: 6380: 6374: 6368: 6362: 6356: 6350: 6344: 6338: 6332: 6326: 6325: 6323: 6321: 6299: 6286: 6280: 6274: 6268: 6262: 6256: 6250: 6244: 6238: 6228:Rock's Backpages 6225: 6215: 6206: 6200: 6194: 6188: 6182: 6176: 6167: 6161: 6155: 6149: 6140: 6139: 6131: 6122: 6119:Unterberger 2006 6116: 6110: 6109: 6107: 6105: 6083: 6070: 6064: 6058: 6052: 6043: 6037: 6031: 6025: 6019: 6018: 6016: 6014: 5992: 5986: 5980: 5969: 5963: 5957: 5951: 5945: 5939: 5933: 5927: 5921: 5920: 5918: 5916: 5895: 5877: 5870: 5864: 5854: 5848: 5845: 5839: 5833: 5820: 5814: 5807: 5801: 5770: 5764: 5762: 5744: 5738: 5726: 5720: 5709: 5703: 5696: 5690: 5685:was inferior to 5661: 5655: 5648: 5642: 5631: 5625: 5621: 5615: 5608: 5602: 5595: 5589: 5581: 5575: 5571: 5565: 5553: 5547: 5544: 5538: 5536: 5532:Hesitation Blues 5526:' 1964 cover of 5520: 5514: 5503: 5497: 5486: 5480: 5473: 5467: 5440: 5434: 5431:Rodgers and Hart 5427: 5421: 5418: 5412: 5405: 5399: 5392: 5386: 5379: 5373: 5369: 5363: 5326: 5320: 5316: 5310: 5303: 5297: 5293:Eat the Document 5284: 5278: 5267: 5261: 5254: 5248: 5233: 5227: 5212: 5206: 5190:Out of Our Heads 5186: 5156: 5145: 5141: 5137: 5106:United Kingdom ( 5091: 5070: 4991: 4984: 4963:UK Albums Chart 4951:Swedish Albums ( 4939:Spanish Albums ( 4876: 4869: 4845:Chart (2020–21) 4842: 4835: 4827:UK Albums Chart 4659: 4655: 4620:MegaChart Albums 4607: 4603: 4481:Chart (1966–68) 4478: 4471: 4468: 4326:on "Love You To" 4220: 4078: 4073: 4069: 4059: 4026:Yellow Submarine 3917: 3912: 3908: 3899:Lennon–McCartney 3797:Revolver Records 3711: 3564: 3531:Ascendancy over 3457:electronic music 3449:progressive rock 3327: 3312: 3262: 3248:Chris Coplan of 3196: 3119: 3118: 3117: 3113: 3112: 3108: 3107: 3103: 3102: 3098: 3097: 3045: 3044: 3043: 3039: 3038: 3034: 3033: 3029: 3028: 3024: 3023: 3007: 3006: 3005: 3001: 3000: 2996: 2995: 2991: 2990: 2986: 2985: 2969: 2968: 2967: 2963: 2962: 2958: 2957: 2953: 2952: 2948: 2947: 2919: 2918: 2917: 2913: 2912: 2908: 2907: 2903: 2902: 2898: 2897: 2872: 2868: 2855:Robert Christgau 2827: 2797: 2758: 2737:, in August 1966 2735:their final tour 2716:Evening Standard 2573: 2493: 2411:The Wizard of Oz 2378: 2371: 2205:Aubrey Beardsley 2177:Aubrey Beardsley 2098: 2097: 2082:Tibetan Buddhist 2056: 2055: 2036: 1998: 1987: 1873:John Schlesinger 1774:technically died 1724:Yellow Submarine 1718: 1576: 1575: 1556: 1531:Alfred Hitchcock 1527:Bernard Herrmann 1482: 1451:Harrison wrote " 1430: 1429: 1410: 1387: 1378: 1313:psychedelic rock 1304:Yellow Submarine 1180:musique concrète 1114: 1096:Yellow Submarine 970: 951:Studio aesthetic 901:Ready Steady Go! 814: 789: 786: 763:Paperback Writer 734:Atlantic Studios 660:Evening Standard 637:community. With 595: 588: 483:Aubrey Beardsley 471:progressive rock 463:psychedelic rock 404:", backed with " 402:Paperback Writer 396:", a foray into 333:Yellow Submarine 293: 290: 287:Yellow Submarine 229: 228: 177: 176: 130: 129: 125: 71: 61: 59: 33: 21: 20: 16908: 16907: 16903: 16902: 16901: 16899: 16898: 16897: 16818: 16817: 16816: 16807: 16798: 16779:The U.S. Albums 16726:The Beatles Box 16706: 16674: 16632: 16603: 16569: 16497: 16491: 16465:Live at the BBC 16423: 16391: 16330:Long Tall Sally 16302:Twist and Shout 16278: 16266:Twist and Shout 16249: 16138: 16106: 15975: 15964: 15958: 15928: 15923: 15922: 15816: 15771: 15742: 15682: 15615: 15610:Special Edition 15600: 15593: 15548:Wayback Machine 15534: 15521: 15519: 15494: 15492: 15474: 15472:Further reading 15469: 15463: 15444: 15430:Womack, Kenneth 15422: 15403: 15381: 15362: 15337: 15315: 15293: 15271: 15247: 15225: 15204: 15180: 15161: 15138: 15117: 15098: 15077: 15056: 15037: 15004: 14970: 14951: 14925: 14903: 14879: 14860: 14838: 14816: 14797: 14778: 14756: 14735: 14716: 14697: 14678: 14659: 14637: 14615: 14592: 14566: 14545: 14526: 14507: 14484: 14465: 14449:Everett, Walter 14441: 14419: 14401:The Editors of 14394: 14371: 14349: 14330: 14309: 14290: 14264: 14240: 14239:978-0-879308551 14221: 14200: 14177: 14156: 14132: 14113: 14093: 14088: 14078: 14076: 14068: 14067: 14063: 14053: 14051: 14043: 14042: 14038: 14028: 14026: 14018: 14017: 14013: 14002: 14000: 13992: 13991: 13987: 13977: 13975: 13971: 13967: 13966: 13962: 13952: 13950: 13942: 13941: 13937: 13927: 13925: 13917: 13916: 13912: 13902: 13900: 13893: 13889: 13888: 13884: 13874: 13872: 13870:UK Albums Chart 13864: 13863: 13859: 13849: 13847: 13839: 13838: 13834: 13824: 13822: 13810: 13809: 13805: 13789: 13785: 13775: 13773: 13769:Billboard Japan 13762: 13761: 13757: 13745: 13741: 13731: 13729: 13720: 13719: 13715: 13705: 13703: 13694: 13693: 13689: 13679: 13677: 13668: 13667: 13663: 13653: 13651: 13646: 13645: 13641: 13631: 13629: 13620: 13619: 13615: 13605: 13603: 13598: 13597: 13593: 13583: 13581: 13572: 13571: 13567: 13557: 13555: 13546: 13545: 13541: 13531: 13529: 13516: 13512: 13511: 13507: 13497: 13495: 13486: 13485: 13481: 13471: 13469: 13460: 13459: 13455: 13445: 13443: 13434: 13433: 13429: 13419: 13417: 13412: 13411: 13407: 13397: 13395: 13390: 13389: 13385: 13375: 13373: 13368: 13367: 13363: 13353: 13351: 13346: 13345: 13341: 13331: 13329: 13320: 13319: 13315: 13305: 13303: 13293: 13289: 13288: 13284: 13274: 13272: 13263: 13262: 13258: 13248: 13246: 13237: 13236: 13232: 13222: 13220: 13207: 13203: 13186: 13184: 13180: 13173: 13169: 13168: 13164: 13154: 13152: 13147: 13146: 13142: 13132: 13130: 13125: 13124: 13120: 13113: 13099: 13095: 13080: 13079: 13072: 13062: 13060: 13052: 13051: 13047: 13040: 13026: 13022: 13014: 13005: 12997: 12993: 12985: 12981: 12973: 12969: 12961: 12957: 12949: 12945: 12935: 12933: 12921: 12917: 12907: 12905: 12885: 12881: 12873: 12869: 12861: 12857: 12853:, pp. 8–9. 12849: 12845: 12837: 12833: 12823: 12821: 12812: 12811: 12807: 12797: 12795: 12781: 12777: 12767: 12765: 12748: 12744: 12734: 12732: 12715: 12711: 12699: 12695: 12685: 12683: 12666: 12662: 12654: 12650: 12640: 12638: 12625: 12624: 12620: 12610: 12608: 12593: 12592: 12588: 12580: 12573: 12565: 12556: 12548: 12544: 12536: 12532: 12524: 12520: 12512: 12508: 12500: 12496: 12486: 12484: 12472: 12468: 12460: 12456: 12446: 12444: 12441:The Irish Times 12432: 12428: 12418: 12416: 12409:BBC News Online 12403: 12402: 12398: 12388: 12386: 12374: 12370: 12362: 12358: 12348: 12346: 12332: 12328: 12318: 12316: 12301: 12297: 12287: 12285: 12275: 12271: 12263: 12259: 12251: 12247: 12239: 12235: 12227: 12223: 12215: 12211: 12203: 12199: 12191: 12187: 12179: 12175: 12167: 12163: 12155: 12151: 12143: 12139: 12129: 12127: 12114: 12113: 12109: 12101: 12097: 12089: 12085: 12077: 12073: 12065: 12061: 12051: 12049: 12036: 12035: 12031: 12021: 12019: 12004: 11997: 11993:, p. xiii. 11989: 11985: 11973: 11969: 11961: 11957: 11949: 11945: 11937: 11933: 11925: 11921: 11913: 11909: 11901: 11897: 11889: 11885: 11877: 11873: 11863: 11861: 11850: 11846: 11838: 11831: 11821: 11819: 11802: 11798: 11788: 11786: 11769: 11765: 11755: 11753: 11752:on 19 June 2013 11736: 11729: 11719: 11717: 11710: 11706: 11698: 11694: 11684: 11682: 11665: 11658: 11650: 11646: 11638: 11634: 11624: 11622: 11601: 11594: 11584: 11582: 11562: 11558: 11548: 11546: 11527: 11520: 11510: 11508: 11486: 11482: 11476:Wayback Machine 11460: 11456: 11448: 11444: 11436: 11432: 11424: 11420: 11412: 11408: 11400: 11396: 11388: 11384: 11378:Wayback Machine 11367:. pp. 2–3. 11355: 11351: 11343: 11339: 11331: 11327: 11319: 11315: 11309:Wayback Machine 11286: 11282: 11274: 11270: 11262: 11258: 11250: 11246: 11240:Wayback Machine 11223:(Parlophone)". 11217: 11213: 11203: 11201: 11199:theguardian.com 11191: 11187: 11170: 11166: 11158: 11151: 11143: 11139: 11129: 11127: 11116: 11112: 11104: 11100: 11092: 11085: 11075: 11073: 11063: 11059: 11043: 11036: 11026: 11024: 11016: 11015: 11006: 10998: 10994: 10986: 10982: 10972: 10970: 10969:on 6 March 2016 10955: 10951: 10941: 10939: 10924: 10920: 10912: 10908: 10898: 10896: 10885: 10884: 10880: 10872: 10868: 10858: 10856: 10847: 10846: 10842: 10834: 10825: 10817: 10813: 10805: 10801: 10793: 10789: 10781: 10777: 10769: 10762: 10754: 10750: 10742: 10738: 10730: 10726: 10716: 10714: 10699: 10695: 10687: 10683: 10675: 10671: 10663: 10659: 10651: 10647: 10639: 10635: 10625: 10623: 10610: 10609: 10602: 10594: 10590: 10582: 10578: 10568: 10566: 10556: 10547: 10539: 10535: 10527: 10523: 10515: 10511: 10503: 10499: 10491: 10487: 10479: 10472: 10464: 10460: 10448: 10444: 10436: 10432: 10424: 10420: 10412: 10408: 10400: 10396: 10388: 10384: 10376: 10372: 10364: 10360: 10352: 10345: 10337: 10333: 10323: 10321: 10311: 10307: 10299: 10295: 10287: 10283: 10275: 10271: 10263: 10254: 10246: 10242: 10229: 10225: 10217: 10210: 10202: 10198: 10190: 10186: 10178: 10174: 10166: 10162: 10154: 10147: 10139: 10135: 10127: 10123: 10111: 10107: 10099: 10095: 10087: 10083: 10075: 10071: 10063: 10059: 10051: 10047: 10039: 10035: 10027: 10023: 10015: 10011: 9999: 9995: 9982: 9978: 9970: 9963: 9957:theguardian.com 9947:Wayback Machine 9937: 9930: 9922: 9918: 9910: 9906: 9898: 9894: 9886: 9882: 9874: 9870: 9862: 9858: 9850: 9843: 9835: 9831: 9823: 9812: 9804: 9800: 9792: 9785: 9777: 9773: 9765: 9758: 9750: 9746: 9738: 9734: 9726: 9722: 9714: 9710: 9702: 9698: 9690: 9686: 9678: 9674: 9666: 9662: 9654: 9650: 9642: 9638: 9630: 9626: 9618: 9614: 9606: 9602: 9594: 9587: 9579: 9575: 9567: 9563: 9555: 9551: 9543: 9539: 9531: 9524: 9516: 9512: 9504: 9500: 9492: 9481: 9473: 9469: 9461: 9457: 9449: 9445: 9437: 9433: 9425: 9421: 9413: 9409: 9401: 9397: 9389: 9385: 9377: 9373: 9365: 9361: 9353: 9349: 9341: 9337: 9329: 9322: 9314: 9303: 9295: 9291: 9283: 9279: 9271: 9267: 9259: 9255: 9247: 9243: 9235: 9231: 9223: 9219: 9211: 9207: 9199: 9195: 9187: 9183: 9175: 9168: 9160: 9156: 9148: 9144: 9136: 9129: 9121: 9117: 9107: 9105: 9095: 9088: 9080: 9076: 9068: 9064: 9056: 9052: 9044: 9040: 9032: 9028: 9020: 9016: 9008: 9004: 8987: 8983: 8975: 8971: 8963: 8959: 8951: 8947: 8939: 8932: 8924: 8915: 8907: 8903: 8895: 8891: 8887:, p. 1027. 8883: 8879: 8871: 8867: 8859: 8855: 8847: 8840: 8832: 8828: 8820: 8816: 8808: 8804: 8796: 8792: 8784: 8780: 8772: 8768: 8760: 8756: 8748: 8741: 8733: 8726: 8716: 8714: 8711:The Denver Post 8702: 8698: 8688: 8686: 8676: 8672: 8664: 8660: 8652: 8637: 8631:Hertsgaard 1996 8629: 8625: 8617: 8613: 8605: 8601: 8593: 8589: 8581: 8574: 8566: 8559: 8551: 8547: 8539: 8535: 8527: 8523: 8515: 8511: 8503: 8499: 8491: 8487: 8479: 8472: 8464: 8460: 8452: 8448: 8440: 8436: 8430:Hertsgaard 1996 8428: 8424: 8416: 8412: 8404: 8397: 8389: 8385: 8377: 8373: 8365: 8358: 8350: 8346: 8338: 8334: 8326: 8322: 8314: 8310: 8302: 8298: 8290: 8281: 8273: 8269: 8261: 8257: 8249: 8245: 8237: 8228: 8220: 8216: 8208: 8204: 8196: 8192: 8184: 8180: 8172: 8168: 8160: 8156: 8148: 8144: 8136: 8132: 8124: 8120: 8112: 8108: 8100: 8096: 8088: 8084: 8076: 8072: 8064: 8060: 8052: 8048: 8038: 8036: 8026: 8022: 8014: 8005: 7997: 7993: 7985: 7981: 7973: 7969: 7961: 7957: 7947: 7945: 7933: 7929: 7921: 7912: 7906:Hertsgaard 1996 7904: 7900: 7892: 7888: 7880: 7876: 7868: 7864: 7856: 7852: 7844: 7840: 7832: 7828: 7820: 7816: 7810:Hertsgaard 1996 7808: 7804: 7796: 7789: 7781: 7777: 7769: 7765: 7757: 7750: 7742: 7738: 7730: 7723: 7713: 7711: 7694: 7685: 7677: 7673: 7665: 7658: 7650: 7643: 7635: 7631: 7623: 7619: 7611: 7600: 7592:, p. 116; 7580:, p. 190; 7576: 7572: 7564: 7560: 7552: 7548: 7540: 7536: 7528: 7524: 7516: 7512: 7504: 7500: 7492: 7488: 7480: 7473: 7465: 7458: 7450: 7446: 7438: 7434: 7426: 7422: 7414: 7410: 7402: 7395: 7391:, p. viii. 7387: 7383: 7373: 7371: 7364:guitarworld.com 7356: 7349: 7341: 7337: 7325: 7318: 7310: 7306: 7298: 7291: 7283: 7279: 7271: 7267: 7259: 7255: 7247: 7243: 7235: 7231: 7223: 7219: 7209: 7207: 7195: 7191: 7183: 7179: 7173:Hertsgaard 1996 7171: 7162: 7154: 7150: 7142: 7135: 7127: 7120: 7112: 7108: 7100: 7096: 7088: 7084: 7076: 7072: 7064: 7060: 7052: 7048: 7040: 7036: 7028: 7017: 7009: 7002: 6994: 6990: 6982: 6978: 6968: 6966: 6954: 6943: 6935: 6931: 6923: 6919: 6911: 6907: 6899: 6892: 6884: 6880: 6872: 6868: 6860: 6856: 6848: 6841: 6833: 6826: 6818: 6814: 6806: 6802: 6794: 6790: 6782: 6773: 6761: 6757: 6749: 6745: 6737: 6733: 6725: 6718: 6710: 6706: 6698: 6694: 6686: 6682: 6674: 6670: 6662: 6658: 6650: 6646: 6638: 6629: 6621: 6617: 6602: 6598: 6592:Hertsgaard 1996 6590: 6583: 6575: 6571: 6563: 6559: 6551: 6547: 6539: 6535: 6525: 6523: 6508: 6501: 6493: 6489: 6481: 6477: 6469: 6465: 6457: 6453: 6443:The Editors of 6441: 6437: 6429: 6425: 6417: 6413: 6405: 6401: 6393: 6389: 6381: 6377: 6369: 6365: 6357: 6353: 6345: 6341: 6333: 6329: 6319: 6317: 6300: 6289: 6281: 6277: 6269: 6265: 6257: 6253: 6245: 6241: 6235:Wayback Machine 6216: 6209: 6201: 6197: 6191:Harrington 2002 6189: 6185: 6177: 6170: 6162: 6158: 6150: 6143: 6132: 6125: 6117: 6113: 6103: 6101: 6084: 6073: 6065: 6061: 6053: 6046: 6038: 6034: 6026: 6022: 6012: 6010: 5993: 5989: 5981: 5972: 5964: 5960: 5952: 5948: 5940: 5936: 5928: 5924: 5914: 5912: 5896: 5889: 5885: 5880: 5871: 5867: 5855: 5851: 5846: 5842: 5831: 5821: 5817: 5808: 5804: 5771: 5767: 5760: 5748:the Moody Blues 5745: 5741: 5727: 5723: 5710: 5706: 5697: 5693: 5662: 5658: 5649: 5645: 5632: 5628: 5622: 5618: 5609: 5605: 5596: 5592: 5582: 5578: 5572: 5568: 5554: 5550: 5545: 5541: 5534: 5521: 5517: 5504: 5500: 5487: 5483: 5474: 5470: 5441: 5437: 5428: 5424: 5419: 5415: 5406: 5402: 5393: 5389: 5380: 5376: 5370: 5366: 5327: 5323: 5317: 5313: 5304: 5300: 5288:D.A. Pennebaker 5285: 5281: 5268: 5264: 5255: 5251: 5241:Swinging London 5234: 5230: 5213: 5209: 5187: 5183: 5179: 5162: 5154: 5144: 5140: 5121:United States ( 5090: 5069: 5001:Certified units 4983: 4978: 4927:Polish Albums ( 4916:Billboard Japan 4883: 4855:Greece Albums ( 4849: 4630:UK Albums Chart 4564:Record Retailer 4506:'s Album Index 4485: 4465: 4456:tenor saxophone 4452:Alan Branscombe 4336:on "For No One" 4284:George Harrison 4233: 4228: 4218: 4067: 4057: 3903:George Harrison 3894: 3839: 3815:Herman Melville 3709: 3652:expanded survey 3637: 3615:in the vein of 3566: 3552: 3536: 3437:psychedelic pop 3372:Good Vibrations 3329: 3321: 3310: 3296: 3291: 3260: 3194: 3115: 3110: 3105: 3100: 3052:MusicHound Rock 3041: 3036: 3031: 3026: 3003: 2998: 2993: 2988: 2965: 2960: 2955: 2950: 2915: 2910: 2905: 2900: 2867: 2825: 2795: 2756: 2663: 2658: 2571: 2512:. Among these, 2496:UK Albums Chart 2491: 2488:Record Retailer 2483: 2417:Beatles Monthly 2380: 2376: 2369: 2364: 2326:After Geography 2287: 2275:"butcher cover" 2248:Robert Whitaker 2236:"butcher cover" 2232:Robert Whitaker 2212:out from them. 2193:time in Hamburg 2172:The Yellow Book 2155: 2150: 2122: 2095: 2094: 2078: 2077: 2069: 2067: 2066: 2065: 2064: 2057: 2050: 2047: 2040: 2034: 2000: 1996: 1985: 1980: 1960:the Blue Flames 1940: 1907: 1887: 1885:"Doctor Robert" 1849: 1815: 1787: 1782: 1758: 1720: 1712: 1700: 1663: 1626: 1602: 1601: 1593: 1591: 1590: 1589: 1588: 1577: 1570: 1567: 1560: 1554: 1549: 1511: 1509:"Eleanor Rigby" 1480: 1469:unearned income 1449: 1448: 1440: 1438: 1437: 1436: 1435: 1431: 1424: 1421: 1414: 1408: 1403: 1398: 1385: 1376: 1274: 1269: 1116: 1112: 1104: 972: 965: 953: 948: 911:Top of the Pops 882:Capitol Records 812: 787: 777:Swinging London 761:sessions were " 736:in New York or 690: 647:the underground 618:George Harrison 597: 593: 586: 549: 525:double platinum 440:Record Retailer 417:Capitol Records 315:by the English 311:is the seventh 296: 291: 280: 279: 255: 246: 237: 203: 194: 185: 127: 123: 122: 69: 57: 55: 46: 17: 12: 11: 5: 16906: 16896: 16895: 16890: 16885: 16880: 16875: 16870: 16865: 16860: 16855: 16850: 16845: 16840: 16835: 16830: 16813: 16812: 16809: 16808: 16803: 16800: 16799: 16797: 16796: 16789: 16782: 16775: 16768: 16761: 16760: 16759: 16754: 16743: 16736: 16729: 16722: 16714: 16712: 16708: 16707: 16705: 16704: 16697: 16690: 16682: 16680: 16676: 16675: 16673: 16672: 16665: 16664: 16663: 16658: 16653: 16640: 16638: 16634: 16633: 16631: 16630: 16623: 16611: 16609: 16605: 16604: 16602: 16601: 16594: 16585: 16577: 16575: 16571: 16570: 16568: 16567: 16560: 16558:("Blue Album") 16552: 16544: 16537: 16530: 16523: 16516: 16508: 16506: 16499: 16493: 16492: 16490: 16489: 16482: 16475: 16468: 16461: 16454: 16443: 16435: 16433: 16429: 16428: 16425: 16424: 16422: 16421: 16414: 16407: 16399: 16397: 16393: 16392: 16390: 16389: 16382: 16375: 16368: 16361: 16354: 16347: 16340: 16333: 16326: 16319: 16312: 16305: 16297: 16295: 16288: 16287:Extended plays 16284: 16283: 16280: 16279: 16277: 16276: 16269: 16261: 16259: 16255: 16254: 16251: 16250: 16248: 16247: 16240: 16231: 16224: 16217: 16210: 16203: 16196: 16189: 16182: 16175: 16168: 16161: 16154: 16146: 16144: 16140: 16139: 16137: 16136: 16129: 16121: 16119: 16112: 16108: 16107: 16105: 16104: 16095: 16086: 16077: 16063: 16054: 16045: 16036: 16027: 16018: 16009: 16000: 15990: 15988: 15981: 15977: 15976: 15969: 15966: 15965: 15957: 15956: 15949: 15942: 15934: 15925: 15924: 15921: 15920: 15913: 15906: 15899: 15892: 15885: 15878: 15871: 15864: 15857: 15850: 15843: 15836: 15829: 15822: 15821: 15818: 15817: 15815: 15814: 15807: 15802: 15797: 15790: 15785: 15779: 15777: 15773: 15772: 15770: 15769: 15762: 15754: 15752: 15748: 15747: 15744: 15743: 15741: 15740: 15733: 15726: 15719: 15712: 15705: 15698: 15690: 15688: 15684: 15683: 15681: 15680: 15673: 15666: 15659: 15652: 15645: 15638: 15630: 15628: 15621: 15617: 15616: 15614: 15613: 15605: 15602: 15601: 15592: 15591: 15584: 15577: 15569: 15563: 15562: 15550: 15533: 15532:External links 15530: 15529: 15528: 15501: 15480:"The Beatles' 15473: 15470: 15468: 15467: 15461: 15448: 15442: 15426: 15420: 15407: 15401: 15385: 15379: 15366: 15360: 15341: 15335: 15319: 15313: 15297: 15291: 15279:Sounes, Howard 15275: 15269: 15251: 15245: 15229: 15223: 15208: 15202: 15184: 15178: 15165: 15159: 15147:Vacio Luminoso 15142: 15136: 15121: 15115: 15102: 15096: 15081: 15075: 15060: 15054: 15041: 15035: 15023:Norman, Philip 15019: 15008: 15002: 14989: 14974: 14968: 14955: 14949: 14929: 14923: 14911:Martin, George 14907: 14901: 14887:MacDonald, Ian 14883: 14877: 14864: 14858: 14846:Lewisohn, Mark 14842: 14836: 14820: 14814: 14801: 14795: 14782: 14776: 14760: 14754: 14739: 14733: 14720: 14714: 14701: 14695: 14682: 14676: 14663: 14657: 14641: 14635: 14619: 14613: 14596: 14590: 14570: 14564: 14549: 14543: 14530: 14524: 14511: 14505: 14488: 14482: 14469: 14463: 14445: 14439: 14427:Emerick, Geoff 14423: 14417: 14398: 14392: 14375: 14369: 14357:DeRogatis, Jim 14353: 14347: 14334: 14328: 14313: 14307: 14294: 14288: 14276:Gaines, Steven 14268: 14262: 14244: 14238: 14225: 14219: 14204: 14198: 14181: 14175: 14160: 14154: 14136: 14130: 14117: 14111: 14094: 14092: 14089: 14087: 14086: 14061: 14036: 14011: 13996:(in Italian). 13985: 13960: 13935: 13910: 13882: 13857: 13832: 13803: 13783: 13755: 13739: 13713: 13687: 13661: 13639: 13613: 13591: 13565: 13539: 13505: 13479: 13453: 13427: 13405: 13383: 13361: 13339: 13313: 13282: 13256: 13230: 13201: 13162: 13140: 13118: 13111: 13093: 13070: 13045: 13038: 13020: 13003: 13001:, p. 109. 12999:Rodriguez 2012 12991: 12987:MacDonald 2005 12979: 12967: 12955: 12943: 12915: 12879: 12877:, p. 387. 12867: 12855: 12843: 12831: 12816:. grammy.org. 12805: 12775: 12742: 12709: 12707:, p. 281. 12693: 12660: 12658:, p. 149. 12648: 12618: 12586: 12584:, p. 150. 12571: 12569:, p. 769. 12554: 12542: 12530: 12528:, p. 671. 12518: 12506: 12504:, p. 147. 12494: 12466: 12454: 12426: 12396: 12368: 12366:, p. 180. 12356: 12326: 12295: 12269: 12267:, p. 531. 12257: 12245: 12243:, p. 329. 12233: 12229:Rodriguez 2012 12221: 12217:Rodriguez 2012 12209: 12197: 12185: 12181:Rodriguez 2012 12173: 12161: 12149: 12137: 12107: 12095: 12083: 12071: 12069:, p. 100. 12059: 12029: 11995: 11991:Rodriguez 2012 11983: 11967: 11955: 11943: 11931: 11929:, p. 112. 11919: 11917:, p. 101. 11907: 11905:, p. 241. 11895: 11893:, p. 213. 11891:MacDonald 2005 11883: 11871: 11844: 11829: 11796: 11763: 11727: 11716:. Sputnikmusic 11704: 11692: 11677:. p. 59. 11656: 11644: 11642:, p. 489. 11632: 11592: 11556: 11518: 11480: 11454: 11442: 11440:, p. 192. 11430: 11428:, p. 191. 11418: 11406: 11402:Rodriguez 2012 11394: 11392:, p. 175. 11390:Rodriguez 2012 11382: 11349: 11345:Rodriguez 2012 11337: 11335:, p. 189. 11325: 11321:Rodriguez 2012 11313: 11280: 11278:, p. 545. 11268: 11256: 11252:Schaffner 1978 11244: 11211: 11185: 11182:. p. 233. 11164: 11162:, p. 262. 11149: 11137: 11110: 11106:Schaffner 1978 11098: 11096:, p. 176. 11094:Rodriguez 2012 11083: 11057: 11034: 11004: 11002:, p. 388. 10992: 10990:, p. 201. 10980: 10949: 10918: 10916:, p. 216. 10914:Schaffner 1978 10906: 10878: 10876:, p. 259. 10866: 10840: 10838:, p. 770. 10823: 10821:, p. 244. 10811: 10799: 10797:, p. 174. 10795:Rodriguez 2012 10787: 10783:Schaffner 1978 10775: 10773:, p. 359. 10760: 10748: 10746:, p. 349. 10736: 10732:Rodriguez 2012 10724: 10693: 10689:Schaffner 1978 10681: 10669: 10657: 10645: 10643:, p. 338. 10633: 10600: 10596:Rodriguez 2012 10588: 10586:, p. 142. 10576: 10545: 10543:, p. 152. 10533: 10521: 10517:Rodriguez 2012 10509: 10507:, p. 275. 10497: 10495:, p. 203. 10485: 10470: 10468:, p. 233. 10458: 10450:Rodriguez 2012 10442: 10430: 10418: 10406: 10402:Rodriguez 2012 10394: 10382: 10378:Rodriguez 2012 10370: 10358: 10354:Schaffner 1978 10343: 10339:Schaffner 1978 10331: 10305: 10301:Schaffner 1978 10293: 10281: 10269: 10267:, p. 192. 10265:MacDonald 2005 10252: 10250:, p. 110. 10240: 10223: 10221:, p. 137. 10208: 10206:, p. 155. 10204:Rodriguez 2012 10196: 10184: 10182:, p. 285. 10172: 10170:, p. 216. 10160: 10156:Rodriguez 2012 10145: 10143:, p. 349. 10133: 10131:, p. 239. 10121: 10105: 10101:Schaffner 1978 10093: 10089:Rodriguez 2012 10081: 10069: 10067:, p. 185. 10057: 10055:, p. 183. 10045: 10033: 10021: 10017:Rodriguez 2012 10009: 10007:, p. 141. 9993: 9976: 9974:, p. 157. 9972:Rodriguez 2012 9961: 9928: 9916: 9914:, p. 134. 9904: 9892: 9890:, p. 156. 9888:Rodriguez 2012 9880: 9878:, p. 209. 9868: 9866:, p. 118. 9856: 9852:Rodriguez 2012 9841: 9829: 9827:, p. 348. 9810: 9798: 9794:Rodriguez 2012 9783: 9781:, p. 318. 9771: 9756: 9744: 9732: 9730:, p. 181. 9720: 9716:Rodriguez 2012 9708: 9696: 9692:MacDonald 2005 9684: 9682:, p. 142. 9672: 9670:, p. 487. 9660: 9656:MacDonald 2005 9648: 9636: 9624: 9622:, p. 135. 9612: 9600: 9598:, p. 146. 9585: 9573: 9571:, p. 190. 9561: 9559:, p. 111. 9557:Rodriguez 2012 9549: 9537: 9535:, p. 182. 9522: 9518:DeRogatis 2003 9510: 9508:, p. 107. 9498: 9479: 9467: 9465:, p. 297. 9455: 9451:Rodriguez 2012 9443: 9431: 9429:, p. 208. 9427:MacDonald 2005 9419: 9417:, p. 122. 9415:Rodriguez 2012 9407: 9395: 9383: 9371: 9359: 9355:Rodriguez 2012 9347: 9345:, p. 290. 9335: 9333:, p. 231. 9320: 9318:, p. 205. 9316:MacDonald 2005 9301: 9289: 9285:Rodriguez 2012 9277: 9275:, p. 144. 9265: 9261:Rodriguez 2012 9253: 9241: 9229: 9225:Rodriguez 2012 9217: 9215:, p. 142. 9205: 9203:, p. 160. 9193: 9191:, p. 192. 9181: 9166: 9164:, p. 199. 9162:MacDonald 2005 9154: 9142: 9140:, p. 191. 9127: 9125:, p. 144. 9123:Rodriguez 2012 9115: 9086: 9084:, p. 209. 9082:MacDonald 2005 9074: 9072:, p. 143. 9070:Rodriguez 2012 9062: 9050: 9038: 9034:Rodriguez 2012 9026: 9024:, p. 149. 9022:Rodriguez 2012 9014: 9010:MacDonald 2005 9002: 8981: 8969: 8957: 8955:, p. 295. 8945: 8943:, p. 188. 8930: 8928:, p. 356. 8913: 8911:, p. 140. 8909:Rodriguez 2012 8901: 8899:, p. 142. 8897:Rodriguez 2012 8889: 8877: 8865: 8863:, p. 206. 8861:MacDonald 2005 8853: 8838: 8836:, p. 188. 8826: 8824:, p. 355. 8814: 8802: 8790: 8778: 8766: 8764:, p. 212. 8754: 8739: 8737:, p. 186. 8724: 8696: 8670: 8658: 8656:, p. 140. 8635: 8633:, p. 184. 8623: 8619:Rodriguez 2012 8611: 8599: 8587: 8585:, p. 175. 8583:Lavezzoli 2006 8572: 8557: 8553:Lavezzoli 2006 8545: 8533: 8531:, p. 353. 8521: 8509: 8507:, p. 130. 8505:Rodriguez 2012 8497: 8495:, p. 238. 8485: 8483:, p. 202. 8481:MacDonald 2005 8470: 8468:, p. 185. 8458: 8456:, p. 137. 8446: 8444:, p. 203. 8442:MacDonald 2005 8434: 8432:, p. 182. 8422: 8420:, p. 204. 8418:MacDonald 2005 8410: 8395: 8383: 8371: 8369:, p. 138. 8356: 8354:, p. 183. 8344: 8342:, p. 200. 8340:MacDonald 2005 8332: 8328:Rodriguez 2012 8320: 8308: 8296: 8294:, p. 182. 8279: 8277:, p. 135. 8267: 8265:, p. 131. 8255: 8251:MacDonald 2005 8243: 8226: 8222:MacDonald 2005 8214: 8212:, p. 136. 8202: 8190: 8178: 8176:, p. 181. 8166: 8164:, p. 139. 8154: 8142: 8130: 8128:, p. 406. 8118: 8116:, p. 111. 8106: 8102:MacDonald 2005 8094: 8092:, p. 206. 8082: 8080:, p. 115. 8078:Rodriguez 2012 8070: 8058: 8046: 8020: 8003: 7999:DeRogatis 2003 7991: 7979: 7967: 7965:, p. 415. 7955: 7927: 7925:, p. 405. 7910: 7908:, p. 188. 7898: 7886: 7882:Rodriguez 2012 7874: 7872:, p. 127. 7862: 7858:MacDonald 2005 7850: 7846:Rodriguez 2012 7838: 7826: 7824:, p. 119. 7822:Rodriguez 2012 7814: 7812:, p. 180. 7802: 7787: 7783:Rodriguez 2012 7775: 7773:, p. 197. 7771:MacDonald 2005 7763: 7761:, p. 191. 7748: 7736: 7734:, p. 131. 7732:Rodriguez 2012 7721: 7683: 7671: 7669:, p. 191. 7667:MacDonald 2005 7656: 7654:, p. 108. 7652:Rodriguez 2012 7641: 7629: 7617: 7598: 7584:, p. 64; 7582:Schaffner 1978 7578:MacDonald 2005 7570: 7566:Rodriguez 2012 7558: 7554:MacDonald 2005 7546: 7544:, p. 184. 7534: 7532:, p. 144. 7522: 7510: 7508:, p. 202. 7498: 7486: 7482:Rodriguez 2012 7471: 7456: 7444: 7440:Schaffner 1978 7432: 7420: 7418:, p. 112. 7408: 7406:, p. 112. 7404:Rodriguez 2012 7393: 7381: 7347: 7335: 7316: 7304: 7289: 7287:, p. 414. 7277: 7265: 7263:, p. 196. 7253: 7251:, p. 170. 7241: 7229: 7227:, p. 189. 7217: 7189: 7185:MacDonald 2005 7177: 7175:, p. 179. 7160: 7148: 7146:, p. xiv. 7144:Rodriguez 2012 7133: 7131:, p. xii. 7129:Rodriguez 2012 7118: 7116:, p. 179. 7106: 7104:, p. 206. 7094: 7082: 7070: 7058: 7056:, p. 214. 7046: 7044:, p. 234. 7034: 7015: 7013:, p. 404. 7000: 6988: 6984:Rodriguez 2012 6976: 6941: 6937:Rodriguez 2012 6929: 6917: 6915:, p. 182. 6905: 6890: 6888:, p. 159. 6886:Rodriguez 2012 6878: 6876:, p. 146. 6866: 6854: 6850:Rodriguez 2012 6839: 6824: 6812: 6808:Rodriguez 2012 6800: 6798:, p. 176. 6796:Lavezzoli 2006 6788: 6786:, p. 231. 6771: 6755: 6743: 6731: 6716: 6704: 6692: 6690:, p. 230. 6680: 6676:Rodriguez 2012 6668: 6666:, p. 270. 6656: 6652:MacDonald 2005 6644: 6642:, p. 107. 6640:Rodriguez 2012 6627: 6625:, p. 553. 6615: 6596: 6581: 6579:, p. 228. 6569: 6557: 6545: 6541:Rodriguez 2012 6533: 6499: 6497:, p. 253. 6487: 6485:, p. 127. 6475: 6473:, p. 103. 6471:Rodriguez 2012 6463: 6451: 6435: 6431:Rodriguez 2012 6423: 6411: 6399: 6397:, p. 126. 6387: 6375: 6371:Rodriguez 2012 6363: 6351: 6339: 6335:Rodriguez 2012 6327: 6287: 6275: 6271:Rodriguez 2012 6263: 6259:Schaffner 1978 6251: 6239: 6207: 6205:, p. 271. 6195: 6183: 6168: 6156: 6152:Schaffner 1978 6141: 6123: 6121:, p. 141. 6111: 6071: 6069:, p. 185. 6067:MacDonald 2005 6059: 6057:, p. 237. 6044: 6042:, p. 184. 6032: 6030:, p. 177. 6020: 5987: 5983:Rodriguez 2012 5970: 5968:, p. 429. 5966:MacDonald 2005 5958: 5946: 5934: 5930:Rodriguez 2012 5922: 5900:"The Beatles' 5886: 5884: 5881: 5879: 5878: 5865: 5849: 5840: 5815: 5802: 5780:, cannabis or 5765: 5739: 5735: 5721: 5713:New Journalism 5704: 5701: 5691: 5681:. Davies said 5656: 5643: 5626: 5616: 5603: 5590: 5576: 5566: 5548: 5539: 5515: 5498: 5481: 5468: 5435: 5422: 5413: 5400: 5387: 5374: 5364: 5321: 5311: 5298: 5279: 5262: 5249: 5228: 5207: 5180: 5178: 5175: 5174: 5173: 5168: 5161: 5158: 5150: 5149: 5133: 5132: 5129: 5126: 5118: 5117: 5114: 5111: 5103: 5102: 5099: 5096: 5082: 5081: 5078: 5075: 5061: 5060: 5057: 5054: 5050: 5049: 5046: 5043: 5035: 5034: 5031: 5028: 5020: 5019: 5016: 5013: 5005: 5004: 4998: 4995: 4982: 4981:Certifications 4979: 4975: 4974: 4968: 4967: 4964: 4960: 4959: 4956: 4948: 4947: 4944: 4936: 4935: 4932: 4924: 4923: 4920: 4910: 4909: 4906: 4898: 4897: 4894: 4886: 4885: 4880: 4866: 4865: 4862: 4852: 4851: 4846: 4832: 4831: 4828: 4824: 4823: 4820: 4814: 4813: 4810: 4803: 4802: 4799: 4792: 4791: 4788: 4781: 4780: 4777: 4773: 4772: 4769: 4762: 4761: 4758: 4751: 4750: 4747: 4740: 4739: 4736: 4730: 4729: 4726: 4722: 4721: 4718: 4711: 4710: 4707: 4700: 4699: 4696: 4689: 4688: 4685: 4678: 4677: 4674: 4667: 4666: 4663: 4653: 4650: 4649: 4646: 4636: 4635: 4632: 4626: 4625: 4622: 4615: 4614: 4611: 4600: 4599: 4596: 4586: 4585: 4582: 4572: 4571: 4568: 4558: 4557: 4554: 4547: 4546: 4543: 4535: 4534: 4531: 4525: 4524: 4521: 4511: 4510: 4507: 4499: 4498: 4495: 4488: 4487: 4482: 4466: 4464: 4461: 4460: 4459: 4440:Eddie Thornton 4437: 4408:Tony Gilbert, 4406: 4403: 4397: 4391: 4381: 4375: 4365: 4355: 4337: 4327: 4314: 4313: 4299: 4281: 4274:Paul McCartney 4271: 4232: 4229: 4225: 4224: 4221: 4215: 4214: 4211: 4208: 4201: 4197: 4196: 4193: 4190: 4183: 4179: 4178: 4175: 4172: 4165: 4161: 4160: 4157: 4154: 4147: 4143: 4142: 4139: 4136: 4129: 4125: 4124: 4121: 4118: 4111: 4107: 4106: 4103: 4100: 4093: 4089: 4088: 4085: 4082: 4079: 4068: 4064: 4063: 4060: 4054: 4053: 4050: 4047: 4040: 4036: 4035: 4032: 4029: 4022: 4018: 4017: 4014: 4011: 4004: 4000: 3999: 3996: 3993: 3986: 3982: 3981: 3978: 3975: 3968: 3964: 3963: 3960: 3957: 3950: 3946: 3945: 3942: 3939: 3932: 3928: 3927: 3924: 3921: 3918: 3907: 3893: 3890: 3838: 3835: 3636: 3633: 3563:magazine, 2000 3555:David Quantick 3537: 3535: 3529: 3405:Summer of Love 3338: 3316: 3297: 3295: 3292: 3290: 3287: 3223:Neil McCormick 3171:Noel Gallagher 3129: 3128: 3125: 3121: 3120: 3091: 3083: 3082: 3079: 3071: 3070: 3067: 3059: 3058: 3055: 3047: 3046: 3017: 3009: 3008: 2979: 2971: 2970: 2941: 2933: 2932: 2929: 2921: 2920: 2891: 2885: 2884: 2881: 2877: 2876: 2866: 2863: 2748:rock criticism 2693:indigestion." 2662: 2659: 2657: 2654: 2582:in Hollywood. 2482: 2479: 2365: 2363: 2360: 2286: 2283: 2256:Carnaby Street 2218:Northern Songs 2201:Robert Freeman 2189:Klaus Voormann 2183:The cover for 2167:Klaus Voormann 2154: 2151: 2149: 2146: 2121: 2118: 2068: 2058: 2048: 2043: 2042: 2041: 2032: 2031: 2030: 1991: 1981: 1979: 1976: 1939: 1936: 1906: 1903: 1886: 1883: 1848: 1845: 1842: 1814: 1811: 1786: 1783: 1781: 1778: 1757: 1754: 1707: 1701: 1699: 1696: 1691:time signature 1679:God Only Knows 1662: 1659: 1638:Norwegian Wood 1625: 1622: 1618:Walter Everett 1592: 1578: 1568: 1563: 1562: 1561: 1552: 1551: 1550: 1548: 1545: 1510: 1507: 1484:James Jamerson 1439: 1432: 1422: 1417: 1416: 1415: 1406: 1405: 1404: 1402: 1399: 1397: 1394: 1369:Kenneth Womack 1273: 1270: 1268: 1265: 1136:tape recorders 1105: 1103: 1100: 954: 952: 949: 947: 944: 906:Chiswick House 859:the Beach Boys 781:Carnaby Street 689: 686: 654:Maureen Cleave 643:counterculture 631:Paul McCartney 582: 548: 545: 497:has surpassed 479:Klaus Voormann 374:reversed tapes 302: 301: 298: 297: 295: 294: 276: 273: 272: 262: 261: 258: 257: 248: 239: 225: 224: 221:North American 214: 213: 210: 209: 206: 205: 196: 187: 173: 172: 165: 164: 159: 153: 152: 151: 150: 145: 138: 132: 131: 120: 116: 115: 114: 113: 108: 103: 98: 91: 85: 84: 78: 74: 73: 67: 63: 62: 52: 48: 47: 42: 35: 34: 26: 25: 15: 9: 6: 4: 3: 2: 16905: 16894: 16891: 16889: 16886: 16884: 16881: 16879: 16876: 16874: 16871: 16869: 16866: 16864: 16861: 16859: 16856: 16854: 16851: 16849: 16846: 16844: 16841: 16839: 16836: 16834: 16831: 16829: 16826: 16825: 16823: 16806: 16801: 16795: 16794: 16790: 16788: 16787: 16786:The Japan Box 16783: 16781: 16780: 16776: 16774: 16773: 16769: 16767: 16766: 16762: 16758: 16755: 16753: 16749: 16748: 16747: 16744: 16742: 16741: 16737: 16735: 16734: 16730: 16728: 16727: 16723: 16721: 16720: 16716: 16715: 16713: 16709: 16703: 16702: 16698: 16696: 16695: 16691: 16689: 16688: 16684: 16683: 16681: 16677: 16671: 16670: 16666: 16662: 16659: 16657: 16654: 16652: 16649: 16648: 16647: 16646: 16642: 16641: 16639: 16635: 16629: 16628: 16624: 16622: 16621: 16617: 16613: 16612: 16610: 16606: 16600: 16599: 16595: 16593: 16592: 16591: 16586: 16584: 16583: 16579: 16578: 16576: 16572: 16566: 16565: 16561: 16559: 16557: 16553: 16551: 16550:("Red Album") 16549: 16545: 16543: 16542: 16538: 16536: 16535: 16531: 16529: 16528: 16524: 16522: 16521: 16517: 16515: 16514: 16510: 16509: 16507: 16503: 16500: 16494: 16488: 16487: 16483: 16481: 16480: 16476: 16474: 16473: 16469: 16467: 16466: 16462: 16460: 16459: 16455: 16453: 16452: 16448: 16444: 16442: 16441: 16437: 16436: 16434: 16430: 16420: 16419: 16415: 16413: 16412: 16408: 16406: 16405: 16401: 16400: 16398: 16394: 16388: 16387: 16383: 16381: 16380: 16376: 16374: 16373: 16369: 16367: 16366: 16362: 16360: 16359: 16355: 16353: 16352: 16348: 16346: 16345: 16341: 16339: 16338: 16334: 16332: 16331: 16327: 16325: 16324: 16323:All My Loving 16320: 16318: 16317: 16313: 16311: 16310: 16306: 16304: 16303: 16299: 16298: 16296: 16292: 16289: 16285: 16275: 16274: 16270: 16268: 16267: 16263: 16262: 16260: 16256: 16246: 16245: 16241: 16239: 16238: 16237: 16232: 16230: 16229: 16225: 16223: 16222: 16218: 16216: 16215: 16211: 16209: 16208: 16204: 16202: 16201: 16197: 16195: 16194: 16190: 16188: 16187: 16183: 16181: 16180: 16176: 16174: 16173: 16172:Something New 16169: 16167: 16166: 16162: 16160: 16159: 16155: 16153: 16152: 16148: 16147: 16145: 16141: 16135: 16134: 16130: 16128: 16127: 16123: 16122: 16120: 16116: 16113: 16109: 16103: 16102: 16101: 16096: 16094: 16093: 16092: 16087: 16085: 16084: 16083: 16078: 16076: 16074: 16070: 16069: 16064: 16062: 16061: 16060: 16055: 16053: 16052: 16051: 16046: 16044: 16043: 16042: 16037: 16035: 16034: 16033: 16028: 16026: 16025: 16024: 16019: 16017: 16016: 16015: 16010: 16008: 16007: 16006: 16001: 15999: 15998: 15997: 15992: 15991: 15989: 15985: 15982: 15980:Studio albums 15978: 15973: 15967: 15962: 15955: 15950: 15948: 15943: 15941: 15936: 15935: 15932: 15919: 15918: 15914: 15912: 15911: 15907: 15905: 15904: 15900: 15898: 15897: 15893: 15891: 15890: 15886: 15884: 15883: 15879: 15877: 15876: 15872: 15870: 15869: 15865: 15863: 15862: 15858: 15856: 15855: 15851: 15849: 15848: 15844: 15842: 15841: 15837: 15835: 15834: 15830: 15827: 15824: 15823: 15819: 15812: 15808: 15806: 15803: 15801: 15798: 15796: 15795: 15791: 15789: 15786: 15784: 15781: 15780: 15778: 15774: 15767: 15763: 15760: 15756: 15755: 15753: 15749: 15738: 15734: 15731: 15727: 15724: 15720: 15717: 15716:Doctor Robert 15713: 15710: 15706: 15703: 15699: 15696: 15692: 15691: 15689: 15685: 15678: 15674: 15671: 15667: 15664: 15660: 15657: 15653: 15650: 15646: 15643: 15642:Eleanor Rigby 15639: 15636: 15632: 15631: 15629: 15625: 15622: 15618: 15612: 15611: 15607: 15606: 15603: 15599: 15598: 15590: 15585: 15583: 15578: 15576: 15571: 15570: 15567: 15560: 15556: 15555: 15551: 15549: 15545: 15542: 15540: 15536: 15535: 15517: 15513: 15512: 15507: 15502: 15491: 15490: 15485: 15483: 15476: 15475: 15464: 15458: 15454: 15449: 15445: 15439: 15435: 15431: 15427: 15423: 15417: 15413: 15408: 15404: 15398: 15394: 15390: 15386: 15382: 15376: 15372: 15367: 15363: 15361:0-06-273698-1 15357: 15353: 15350: 15346: 15345:Turner, Steve 15342: 15338: 15332: 15328: 15324: 15323:Tillery, Gary 15320: 15316: 15310: 15306: 15302: 15298: 15294: 15288: 15284: 15280: 15276: 15272: 15270:0-07-055087-5 15266: 15262: 15261: 15256: 15252: 15248: 15242: 15238: 15234: 15230: 15226: 15220: 15216: 15215: 15209: 15205: 15199: 15195: 15194: 15189: 15185: 15181: 15175: 15171: 15166: 15162: 15160:0-7914-6716-3 15156: 15152: 15148: 15143: 15139: 15133: 15129: 15128: 15122: 15118: 15112: 15108: 15103: 15099: 15097:1-58234-323-3 15093: 15089: 15088: 15082: 15078: 15072: 15068: 15067: 15061: 15057: 15051: 15047: 15042: 15038: 15036:0-684-83067-1 15032: 15028: 15024: 15020: 15016: 15014: 15009: 15005: 14999: 14995: 14990: 14986: 14985: 14980: 14975: 14971: 14969:0-7119-8308-9 14965: 14961: 14956: 14952: 14946: 14941: 14940: 14934: 14930: 14926: 14924:0-333-60398-2 14920: 14916: 14912: 14908: 14904: 14898: 14894: 14893: 14888: 14884: 14880: 14874: 14870: 14865: 14861: 14855: 14851: 14847: 14843: 14839: 14833: 14829: 14825: 14821: 14817: 14815:0-8264-2819-3 14811: 14807: 14802: 14798: 14792: 14788: 14783: 14779: 14773: 14769: 14765: 14761: 14757: 14751: 14747: 14746: 14740: 14736: 14730: 14726: 14721: 14717: 14711: 14707: 14702: 14698: 14696:0-634-05560-7 14692: 14688: 14683: 14679: 14673: 14669: 14664: 14660: 14658:0-330-33891-9 14654: 14650: 14646: 14642: 14638: 14636:0-7535-0843-5 14632: 14628: 14624: 14620: 14616: 14610: 14605: 14604: 14597: 14593: 14591:1-57859-061-2 14587: 14582: 14581: 14575: 14571: 14567: 14561: 14557: 14556: 14550: 14546: 14540: 14536: 14531: 14527: 14521: 14517: 14512: 14508: 14502: 14497: 14496: 14489: 14485: 14479: 14475: 14470: 14466: 14460: 14456: 14455: 14450: 14446: 14442: 14436: 14432: 14428: 14424: 14420: 14414: 14410: 14409: 14404: 14403:Rolling Stone 14399: 14395: 14389: 14385: 14381: 14376: 14372: 14366: 14362: 14358: 14354: 14350: 14344: 14340: 14335: 14331: 14329:0-345-25680-8 14325: 14321: 14320: 14314: 14310: 14304: 14300: 14295: 14291: 14285: 14281: 14277: 14273: 14269: 14265: 14263:0-226-07562-1 14259: 14255: 14254: 14249: 14248:Bromell, Nick 14245: 14241: 14235: 14231: 14226: 14222: 14216: 14212: 14211: 14205: 14201: 14199:0-7432-0169-8 14195: 14190: 14189: 14182: 14178: 14172: 14168: 14167: 14161: 14157: 14151: 14147: 14146: 14141: 14137: 14133: 14127: 14123: 14118: 14114: 14108: 14104: 14100: 14096: 14095: 14075: 14071: 14065: 14050: 14046: 14040: 14025: 14021: 14015: 13999: 13995: 13989: 13970: 13964: 13949: 13945: 13939: 13924: 13920: 13914: 13899: 13892: 13886: 13871: 13867: 13861: 13846: 13842: 13836: 13821: 13817: 13813: 13807: 13800: 13796: 13792: 13787: 13772:(in Japanese) 13771: 13770: 13765: 13759: 13752: 13748: 13743: 13727: 13723: 13717: 13701: 13697: 13691: 13675: 13671: 13665: 13649: 13643: 13627: 13623: 13617: 13601: 13595: 13579: 13575: 13569: 13553: 13550:. charts.nz. 13549: 13543: 13527: 13523: 13522: 13517: 13509: 13493: 13489: 13483: 13467: 13463: 13457: 13441: 13437: 13431: 13415: 13409: 13394:. ultratop.be 13393: 13387: 13372:. ultratop.be 13371: 13365: 13349: 13343: 13327: 13323: 13317: 13301: 13300: 13292: 13286: 13270: 13266: 13260: 13244: 13240: 13234: 13218: 13217: 13212: 13205: 13199: 13197: 13179: 13172: 13166: 13150: 13144: 13128: 13122: 13114: 13112:951-31-2503-3 13108: 13104: 13097: 13089: 13088: 13083: 13077: 13075: 13059: 13055: 13049: 13041: 13039:0-646-44439-5 13035: 13031: 13024: 13017: 13012: 13010: 13008: 13000: 12995: 12988: 12983: 12976: 12975:Lewisohn 2005 12971: 12964: 12959: 12952: 12951:Lewisohn 2010 12947: 12932: 12931: 12926: 12919: 12904: 12903: 12898: 12896: 12892: 12889:"The Beatles 12883: 12876: 12871: 12864: 12859: 12852: 12847: 12840: 12835: 12819: 12815: 12809: 12794: 12790: 12788: 12779: 12763: 12759: 12758: 12753: 12746: 12730: 12726: 12725: 12720: 12713: 12706: 12704: 12697: 12681: 12677: 12676: 12671: 12664: 12657: 12652: 12636: 12632: 12628: 12622: 12606: 12602: 12601: 12596: 12590: 12583: 12578: 12576: 12568: 12563: 12561: 12559: 12552:, p. 72. 12551: 12546: 12539: 12534: 12527: 12522: 12515: 12510: 12503: 12498: 12483: 12482: 12477: 12470: 12463: 12458: 12443: 12442: 12437: 12430: 12414: 12410: 12406: 12400: 12385: 12384: 12379: 12372: 12365: 12360: 12345: 12341: 12339: 12336:"The Beatles 12330: 12314: 12310: 12309:billboard.com 12306: 12299: 12284: 12280: 12273: 12266: 12261: 12254: 12249: 12242: 12237: 12230: 12225: 12218: 12213: 12206: 12201: 12194: 12189: 12182: 12177: 12170: 12165: 12158: 12153: 12146: 12141: 12125: 12121: 12117: 12111: 12105:, p. 67. 12104: 12099: 12093:, p. 31. 12092: 12087: 12081:, p. 95. 12080: 12075: 12068: 12063: 12047: 12043: 12039: 12033: 12017: 12013: 12009: 12002: 12000: 11992: 11987: 11981:, p. 32. 11980: 11978: 11971: 11964: 11959: 11953:, p. 77. 11952: 11947: 11940: 11935: 11928: 11923: 11916: 11911: 11904: 11899: 11892: 11887: 11881:, p. 98. 11880: 11875: 11859: 11855: 11848: 11842:, p. 41. 11841: 11836: 11834: 11817: 11813: 11812: 11807: 11800: 11784: 11780: 11779: 11774: 11767: 11751: 11747: 11746: 11741: 11734: 11732: 11715: 11708: 11702:, p. 51. 11701: 11696: 11680: 11676: 11675: 11670: 11663: 11661: 11654:, p. 88. 11653: 11648: 11641: 11636: 11621:on 4 May 2006 11620: 11616: 11615: 11610: 11608: 11605:"The Beatles 11599: 11597: 11580: 11576: 11575: 11574:The A.V. Club 11570: 11566: 11560: 11544: 11540: 11536: 11534: 11531:"The Beatles 11525: 11523: 11506: 11502: 11498: 11496: 11490: 11484: 11477: 11473: 11470: 11466: 11465: 11458: 11451: 11446: 11439: 11434: 11427: 11422: 11415: 11410: 11403: 11398: 11391: 11386: 11379: 11375: 11372: 11369:Available at 11366: 11365: 11360: 11353: 11346: 11341: 11334: 11329: 11322: 11317: 11310: 11306: 11303: 11300:Available at 11297: 11296: 11291: 11284: 11277: 11272: 11265: 11260: 11254:, p. 64. 11253: 11248: 11241: 11237: 11234: 11231:Available at 11228: 11227: 11226:Record Mirror 11222: 11215: 11200: 11196: 11189: 11181: 11180: 11175: 11168: 11161: 11156: 11154: 11146: 11141: 11125: 11121: 11114: 11107: 11102: 11095: 11090: 11088: 11072: 11068: 11061: 11054: 11050: 11046: 11041: 11039: 11023: 11019: 11013: 11011: 11009: 11001: 10996: 10989: 10988:Lewisohn 2005 10984: 10968: 10964: 10960: 10953: 10937: 10933: 10929: 10922: 10915: 10910: 10894: 10893: 10888: 10882: 10875: 10870: 10854: 10850: 10844: 10837: 10832: 10830: 10828: 10820: 10815: 10809:, p. 59. 10808: 10803: 10796: 10791: 10785:, p. 69. 10784: 10779: 10772: 10767: 10765: 10757: 10752: 10745: 10740: 10733: 10728: 10712: 10708: 10704: 10697: 10691:, p. 63. 10690: 10685: 10679:, p. 38. 10678: 10673: 10667:, p. 68. 10666: 10661: 10654: 10649: 10642: 10637: 10621: 10617: 10613: 10607: 10605: 10597: 10592: 10585: 10580: 10565: 10561: 10554: 10552: 10550: 10542: 10537: 10530: 10525: 10518: 10513: 10506: 10501: 10494: 10489: 10482: 10477: 10475: 10467: 10462: 10455: 10451: 10446: 10439: 10434: 10427: 10422: 10416:, p. 37. 10415: 10410: 10403: 10398: 10392:, p. 97. 10391: 10390:Frontani 2007 10386: 10379: 10374: 10367: 10362: 10355: 10350: 10348: 10341:, p. 54. 10340: 10335: 10320: 10316: 10309: 10303:, p. 62. 10302: 10297: 10290: 10289:Lewisohn 2010 10285: 10278: 10273: 10266: 10261: 10259: 10257: 10249: 10244: 10237:. p. 10. 10236: 10235: 10234:Record Mirror 10227: 10220: 10215: 10213: 10205: 10200: 10193: 10188: 10181: 10176: 10169: 10164: 10157: 10152: 10150: 10142: 10137: 10130: 10125: 10119:, p. 64. 10118: 10116: 10109: 10102: 10097: 10090: 10085: 10078: 10073: 10066: 10061: 10054: 10049: 10043:, p. 20. 10042: 10037: 10030: 10025: 10019:, p. 85. 10018: 10013: 10006: 10004: 9997: 9990:. p. 77. 9989: 9988: 9980: 9973: 9968: 9966: 9958: 9954: 9953: 9948: 9944: 9941: 9935: 9933: 9925: 9920: 9913: 9908: 9901: 9896: 9889: 9884: 9877: 9872: 9865: 9860: 9853: 9848: 9846: 9838: 9833: 9826: 9821: 9819: 9817: 9815: 9807: 9802: 9795: 9790: 9788: 9780: 9775: 9769:, p. 99. 9768: 9763: 9761: 9753: 9748: 9741: 9736: 9729: 9724: 9717: 9712: 9705: 9700: 9693: 9688: 9681: 9676: 9669: 9664: 9657: 9652: 9646:, p. 76. 9645: 9640: 9633: 9628: 9621: 9616: 9609: 9604: 9597: 9592: 9590: 9582: 9577: 9570: 9565: 9558: 9553: 9546: 9541: 9534: 9529: 9527: 9520:, p. 45. 9519: 9514: 9507: 9502: 9496:, p. 89. 9495: 9490: 9488: 9486: 9484: 9476: 9471: 9464: 9459: 9453:, p. 68. 9452: 9447: 9440: 9435: 9428: 9423: 9416: 9411: 9404: 9399: 9392: 9387: 9380: 9375: 9369:, p. 45. 9368: 9363: 9356: 9351: 9344: 9339: 9332: 9327: 9325: 9317: 9312: 9310: 9308: 9306: 9299:, p. 18. 9298: 9293: 9286: 9281: 9274: 9269: 9262: 9257: 9250: 9245: 9238: 9233: 9226: 9221: 9214: 9209: 9202: 9197: 9190: 9185: 9179:, p. 46. 9178: 9173: 9171: 9163: 9158: 9151: 9146: 9139: 9134: 9132: 9124: 9119: 9104: 9100: 9093: 9091: 9083: 9078: 9071: 9066: 9060:, p. 62. 9059: 9054: 9048:, p. 52. 9047: 9042: 9035: 9030: 9023: 9018: 9011: 9006: 8998: 8994: 8993: 8985: 8979:, p. 97. 8978: 8973: 8967:, p. 66. 8966: 8961: 8954: 8949: 8942: 8937: 8935: 8927: 8922: 8920: 8918: 8910: 8905: 8898: 8893: 8886: 8881: 8875:, p. 81. 8874: 8873:Lewisohn 2005 8869: 8862: 8857: 8851:, p. 57. 8850: 8845: 8843: 8835: 8830: 8823: 8818: 8811: 8806: 8800:, p. 56. 8799: 8794: 8787: 8782: 8776:, p. 22. 8775: 8770: 8763: 8758: 8752:, p. 60. 8751: 8746: 8744: 8736: 8731: 8729: 8713: 8712: 8707: 8700: 8685: 8681: 8674: 8667: 8662: 8655: 8650: 8648: 8646: 8644: 8642: 8640: 8632: 8627: 8621:, p. 66. 8620: 8615: 8608: 8603: 8596: 8591: 8584: 8579: 8577: 8570:, p. 40. 8569: 8564: 8562: 8554: 8549: 8542: 8537: 8530: 8525: 8518: 8513: 8506: 8501: 8494: 8489: 8482: 8477: 8475: 8467: 8462: 8455: 8450: 8443: 8438: 8431: 8426: 8419: 8414: 8408:, p. 51. 8407: 8402: 8400: 8393:, p. 63. 8392: 8387: 8380: 8375: 8368: 8363: 8361: 8353: 8348: 8341: 8336: 8329: 8324: 8318:, p. 76. 8317: 8316:Lewisohn 2005 8312: 8306:, p. 49. 8305: 8300: 8293: 8288: 8286: 8284: 8276: 8271: 8264: 8259: 8252: 8247: 8241:, p. 48. 8240: 8235: 8233: 8231: 8223: 8218: 8211: 8206: 8199: 8194: 8187: 8182: 8175: 8170: 8163: 8158: 8151: 8146: 8139: 8134: 8127: 8122: 8115: 8110: 8103: 8098: 8091: 8086: 8079: 8074: 8068:, p. 83. 8067: 8062: 8056:, p. 80. 8055: 8050: 8035: 8031: 8024: 8018:, p. 53. 8017: 8012: 8010: 8008: 8000: 7995: 7988: 7983: 7976: 7971: 7964: 7959: 7944: 7943: 7938: 7931: 7924: 7919: 7917: 7915: 7907: 7902: 7895: 7894:Lewisohn 2005 7890: 7883: 7878: 7871: 7866: 7859: 7854: 7847: 7842: 7836:, p. 84. 7835: 7830: 7823: 7818: 7811: 7806: 7799: 7794: 7792: 7784: 7779: 7772: 7767: 7760: 7755: 7753: 7746:, p. 56. 7745: 7740: 7733: 7728: 7726: 7709: 7705: 7704: 7699: 7692: 7690: 7688: 7680: 7675: 7668: 7663: 7661: 7653: 7648: 7646: 7639:, p. 80. 7638: 7633: 7626: 7621: 7615:, p. 72. 7614: 7613:Lewisohn 2005 7609: 7607: 7605: 7603: 7596:, p. 30. 7595: 7591: 7588:, p. 8; 7587: 7583: 7579: 7574: 7567: 7562: 7555: 7550: 7543: 7538: 7531: 7526: 7519: 7514: 7507: 7502: 7495: 7490: 7483: 7478: 7476: 7469:, p. 70. 7468: 7467:Lewisohn 2005 7463: 7461: 7453: 7448: 7442:, p. 60. 7441: 7436: 7429: 7424: 7417: 7412: 7405: 7400: 7398: 7390: 7385: 7369: 7365: 7361: 7354: 7352: 7344: 7339: 7333:, p. 45. 7332: 7330: 7323: 7321: 7314:, p. 31. 7313: 7308: 7302:, p. 40. 7301: 7296: 7294: 7286: 7281: 7274: 7269: 7262: 7257: 7250: 7245: 7238: 7233: 7226: 7221: 7206: 7205: 7200: 7193: 7186: 7181: 7174: 7169: 7167: 7165: 7157: 7152: 7145: 7140: 7138: 7130: 7125: 7123: 7115: 7110: 7103: 7098: 7091: 7086: 7079: 7074: 7068:, p. 74. 7067: 7066:Lewisohn 2005 7062: 7055: 7050: 7043: 7038: 7032:, p. 84. 7031: 7030:Lewisohn 2005 7026: 7024: 7022: 7020: 7012: 7007: 7005: 6997: 6992: 6985: 6980: 6965: 6964: 6963:Rolling Stone 6959: 6952: 6950: 6948: 6946: 6939:, p. 77. 6938: 6933: 6926: 6921: 6914: 6909: 6903:, p. 79. 6902: 6901:Lewisohn 2005 6897: 6895: 6887: 6882: 6875: 6870: 6863: 6858: 6852:, p. 25. 6851: 6846: 6844: 6837:, p. 78. 6836: 6835:Lewisohn 2005 6831: 6829: 6821: 6816: 6809: 6804: 6797: 6792: 6785: 6780: 6778: 6776: 6769:, p. 49. 6768: 6766: 6759: 6752: 6747: 6740: 6735: 6729:, p. 36. 6728: 6723: 6721: 6713: 6708: 6701: 6696: 6689: 6684: 6677: 6672: 6665: 6660: 6653: 6648: 6641: 6636: 6634: 6632: 6624: 6619: 6612: 6611:Apple Records 6608: 6607: 6600: 6593: 6588: 6586: 6578: 6573: 6566: 6561: 6554: 6549: 6542: 6537: 6521: 6517: 6513: 6506: 6504: 6496: 6491: 6484: 6479: 6472: 6467: 6460: 6455: 6448: 6446: 6445:Rolling Stone 6439: 6432: 6427: 6420: 6415: 6408: 6403: 6396: 6391: 6384: 6379: 6372: 6367: 6360: 6355: 6348: 6343: 6337:, p. 71. 6336: 6331: 6315: 6311: 6310: 6309:Rolling Stone 6305: 6298: 6296: 6294: 6292: 6284: 6279: 6272: 6267: 6261:, p. 55. 6260: 6255: 6248: 6243: 6236: 6232: 6229: 6226:Available at 6223: 6222: 6214: 6212: 6204: 6199: 6192: 6187: 6181:, p. 27. 6180: 6175: 6173: 6165: 6160: 6154:, p. 53. 6153: 6148: 6146: 6137: 6130: 6128: 6120: 6115: 6099: 6095: 6094: 6089: 6082: 6080: 6078: 6076: 6068: 6063: 6056: 6051: 6049: 6041: 6036: 6029: 6024: 6008: 6004: 6003: 5998: 5991: 5984: 5979: 5977: 5975: 5967: 5962: 5955: 5950: 5944:, p. 64. 5943: 5938: 5931: 5926: 5911: 5910: 5905: 5903: 5894: 5892: 5887: 5875: 5869: 5862: 5858: 5853: 5844: 5837: 5829: 5825: 5819: 5812: 5806: 5799: 5795: 5794:Primal Scream 5791: 5787: 5783: 5779: 5775: 5769: 5759: 5755: 5754: 5750:' 1968 album 5749: 5743: 5733: 5731: 5725: 5718: 5714: 5708: 5699: 5695: 5688: 5684: 5680: 5679: 5674: 5670: 5666: 5665:Jonathan King 5660: 5653: 5647: 5640: 5636: 5630: 5620: 5613: 5612:Marcos regime 5607: 5600: 5594: 5587: 5580: 5570: 5563: 5559: 5552: 5543: 5533: 5529: 5525: 5519: 5512: 5508: 5507:Edie Sedgwick 5502: 5495: 5491: 5485: 5478: 5477:Mikal Gilmore 5472: 5465: 5464:Neil Aspinall 5461: 5457: 5453: 5449: 5445: 5439: 5432: 5426: 5417: 5410: 5404: 5397: 5391: 5384: 5383:Tony Visconti 5378: 5368: 5361: 5357: 5353: 5352:Doctor Robert 5349: 5345: 5341: 5337: 5336: 5331: 5325: 5315: 5308: 5302: 5295: 5294: 5289: 5283: 5276: 5272: 5266: 5259: 5258:Steve Cropper 5253: 5246: 5242: 5238: 5235:According to 5232: 5225: 5221: 5217: 5211: 5204: 5200: 5195: 5192:, identifies 5191: 5185: 5181: 5172: 5169: 5167: 5164: 5163: 5157: 5148: 5134: 5130: 5127: 5124: 5119: 5115: 5112: 5109: 5104: 5100: 5097: 5094: 5088: 5085:New Zealand ( 5083: 5079: 5076: 5073: 5067: 5062: 5058: 5051: 5047: 5044: 5041: 5036: 5032: 5029: 5026: 5021: 5017: 5014: 5011: 5006: 5002: 4997:Certification 4992: 4989: 4973: 4965: 4961: 4957: 4954: 4949: 4942: 4937: 4930: 4925: 4921: 4918: 4917: 4911: 4904: 4899: 4895: 4892: 4887: 4879:Chart (2022) 4877: 4874: 4863: 4860: 4859: 4853: 4843: 4840: 4829: 4825: 4821: 4819: 4815: 4811: 4809: 4804: 4800: 4798: 4793: 4789: 4787: 4782: 4778: 4774: 4770: 4768: 4763: 4759: 4757: 4752: 4748: 4746: 4741: 4737: 4735: 4731: 4727: 4723: 4719: 4717: 4712: 4708: 4706: 4701: 4697: 4695: 4690: 4686: 4684: 4679: 4675: 4673: 4668: 4664: 4661: 4660: 4657:2009 reissue 4654: 4647: 4645: 4643: 4637: 4633: 4631: 4627: 4623: 4621: 4616: 4612: 4609: 4608: 4605:1987 reissue 4597: 4595: 4594:LP Hit-Parade 4593: 4587: 4583: 4581: 4579: 4573: 4569: 4567: 4565: 4559: 4555: 4553: 4548: 4544: 4541: 4536: 4530: 4526: 4520: 4518: 4512: 4505: 4500: 4496: 4494: 4489: 4483: 4480: 4479: 4476: 4470: 4469: 4457: 4453: 4450:; Peter Coe, 4449: 4445: 4441: 4438: 4435: 4431: 4427: 4423: 4422:Derek Simpson 4419: 4415: 4411: 4407: 4404: 4401: 4398: 4395: 4392: 4389: 4385: 4382: 4379: 4378:Neil Aspinall 4376: 4373: 4369: 4366: 4363: 4359: 4358:Geoff Emerick 4356: 4353: 4352:marching band 4349: 4345: 4341: 4340:George Martin 4338: 4335: 4331: 4328: 4325: 4321: 4320: 4319: 4318: 4311: 4307: 4303: 4300: 4297: 4293: 4289: 4285: 4282: 4279: 4275: 4272: 4270: 4266: 4265:sound effects 4262: 4258: 4254: 4250: 4249:Hammond organ 4246: 4243: 4242: 4241: 4240: 4236: 4222: 4219:Total length: 4216: 4212: 4209: 4206: 4202: 4198: 4194: 4191: 4188: 4184: 4180: 4176: 4173: 4170: 4166: 4162: 4158: 4155: 4152: 4151:Doctor Robert 4148: 4144: 4140: 4137: 4134: 4130: 4126: 4122: 4119: 4116: 4112: 4108: 4104: 4101: 4098: 4094: 4090: 4074: 4061: 4058:Total length: 4055: 4051: 4048: 4045: 4041: 4037: 4033: 4030: 4027: 4023: 4019: 4015: 4012: 4009: 4005: 4001: 3997: 3994: 3991: 3987: 3983: 3979: 3976: 3973: 3969: 3965: 3961: 3958: 3955: 3954:Eleanor Rigby 3951: 3947: 3943: 3940: 3937: 3933: 3929: 3913: 3906: 3904: 3900: 3892:Track listing 3889: 3887: 3883: 3882:WingNut Films 3879: 3878:Peter Jackson 3875: 3871: 3867: 3862: 3860: 3859: 3854: 3853: 3848: 3844: 3834: 3832: 3831: 3826: 3822: 3821: 3816: 3812: 3808: 3807: 3802: 3798: 3794: 3790: 3789:tribute bands 3786: 3785: 3780: 3776: 3775:Robin Stummer 3772: 3768: 3764: 3759: 3757: 3753: 3752:Rolling Stone 3749: 3748: 3743: 3742: 3737: 3733: 3729: 3728: 3723: 3722: 3717: 3716: 3708: 3707: 3702: 3697: 3695: 3691: 3687: 3686:Rolling Stone 3683: 3679: 3678: 3673: 3672: 3667: 3663: 3662: 3657: 3653: 3649: 3645: 3641: 3632: 3630: 3626: 3622: 3618: 3614: 3613:concept album 3609: 3607: 3603: 3599: 3595: 3591: 3587: 3583: 3579: 3575: 3571: 3565: 3562: 3561: 3557:, writing in 3556: 3549: 3547: 3543: 3542:Sgt. Pepper's 3534: 3528: 3526: 3522: 3518: 3512: 3510: 3506: 3502: 3498: 3494: 3490: 3486: 3481: 3476: 3474: 3470: 3466: 3462: 3461:Rolling Stone 3458: 3454: 3450: 3446: 3442: 3438: 3434: 3433: 3432:Rolling Stone 3428: 3424: 3420: 3416: 3412: 3408: 3406: 3402: 3398: 3394: 3390: 3385: 3381: 3377: 3373: 3369: 3368: 3363: 3359: 3355: 3350: 3345: 3344:knew where". 3342: 3336: 3334: 3328: 3325: 3318: 3314: 3309: 3308: 3303: 3286: 3284: 3280: 3279: 3274: 3270: 3266: 3258: 3253: 3252: 3246: 3244: 3239: 3235: 3234: 3229: 3224: 3220: 3219: 3214: 3210: 3206: 3202: 3198: 3192: 3191: 3186: 3185:Paul Du Noyer 3182: 3178: 3177: 3172: 3168: 3167:Sgt. Pepper's 3164: 3163: 3157: 3153: 3152: 3146: 3142: 3141:Rob Sheffield 3138: 3137: 3126: 3123: 3122: 3092: 3090: 3089: 3085: 3084: 3080: 3078: 3077: 3073: 3072: 3068: 3066: 3065: 3061: 3060: 3056: 3054: 3053: 3049: 3048: 3018: 3016: 3015: 3011: 3010: 2980: 2978: 2977: 2973: 2972: 2942: 2940: 2939: 2935: 2934: 2930: 2928: 2927: 2926:The A.V. Club 2923: 2922: 2892: 2890: 2887: 2886: 2878: 2875:Review scores 2873: 2862: 2860: 2856: 2852: 2848: 2843: 2839: 2838: 2833: 2832: 2824: 2819: 2817: 2813: 2809: 2805: 2801: 2793: 2789: 2785: 2779: 2776: 2775:Paul Williams 2772: 2771: 2766: 2762: 2755: 2754: 2749: 2745: 2736: 2732: 2727: 2723: 2721: 2717: 2713: 2709: 2708:Record Mirror 2704: 2703: 2698: 2694: 2691: 2690: 2685: 2681: 2680:Peter Clayton 2676: 2672: 2668: 2653: 2652:by the RIAA. 2651: 2647: 2643: 2642: 2637: 2633: 2629: 2625: 2620: 2618: 2614: 2610: 2609: 2604: 2599: 2597: 2593: 2589: 2585: 2581: 2580:Capitol Tower 2577: 2570: 2566: 2562: 2560: 2555: 2553: 2543: 2539: 2537: 2533: 2529: 2525: 2524: 2519: 2515: 2511: 2507: 2506: 2501: 2497: 2490: 2489: 2478: 2476: 2472: 2468: 2467:Howard Sounes 2464: 2460: 2456: 2455: 2449: 2447: 2443: 2438: 2434: 2430: 2425: 2423: 2419: 2418: 2413: 2412: 2406: 2404: 2400: 2399:double A-side 2396: 2391: 2390: 2389:Record Mirror 2385: 2379: 2373: 2359: 2357: 2353: 2349: 2345: 2341: 2337: 2336: 2331: 2327: 2323: 2319: 2315: 2310: 2308: 2304: 2300: 2296: 2292: 2282: 2280: 2276: 2271: 2269: 2265: 2261: 2257: 2253: 2249: 2241: 2237: 2233: 2228: 2224: 2222: 2219: 2213: 2210: 2206: 2202: 2198: 2194: 2190: 2186: 2178: 2174: 2173: 2168: 2164: 2159: 2145: 2142: 2137: 2135: 2131: 2127: 2117: 2115: 2111: 2106: 2102: 2091: 2087: 2083: 2076: 2074: 2062: 2046: 2029: 2027: 2023: 2019: 2018: 2013: 2012:Timothy Leary 2009: 2005: 1999: 1993: 1989: 1975: 1973: 1969: 1965: 1961: 1957: 1953: 1949: 1945: 1935: 1933: 1929: 1924: 1920: 1916: 1912: 1902: 1900: 1896: 1892: 1891:Doctor Robert 1882: 1880: 1879: 1874: 1870: 1866: 1862: 1858: 1854: 1844: 1840: 1838: 1837: 1832: 1831:Frank Sinatra 1828: 1824: 1820: 1810: 1808: 1804: 1800: 1796: 1792: 1777: 1775: 1771: 1767: 1763: 1753: 1751: 1747: 1746: 1745:The Goon Show 1741: 1737: 1731: 1729: 1725: 1719: 1716: 1709: 1705: 1695: 1692: 1688: 1684: 1680: 1676: 1672: 1668: 1658: 1656: 1652: 1648: 1643: 1639: 1635: 1631: 1624:"Love You To" 1621: 1619: 1615: 1611: 1607: 1606:Peter Doggett 1600: 1598: 1586: 1582: 1566: 1544: 1542: 1538: 1537: 1532: 1528: 1524: 1520: 1516: 1515:Eleanor Rigby 1506: 1504: 1501: 1497: 1493: 1489: 1485: 1478: 1474: 1470: 1466: 1462: 1461:Harold Wilson 1458: 1454: 1447: 1445: 1420: 1393: 1391: 1383: 1374: 1370: 1365: 1363: 1357: 1355: 1351: 1350: 1345: 1341: 1337: 1333: 1329: 1328:chamber music 1325: 1321: 1316: 1314: 1310: 1309:Jim DeRogatis 1306: 1305: 1300: 1299: 1294: 1293: 1288: 1283: 1279: 1264: 1262: 1258: 1254: 1249: 1247: 1246:Eleanor Rigby 1242: 1238: 1229: 1225: 1221: 1217: 1212: 1208: 1206: 1202: 1198: 1194: 1190: 1184: 1181: 1177: 1176:magnetic tape 1173: 1169: 1165: 1161: 1160:Hammond organ 1157: 1151: 1149: 1148:chorus effect 1145: 1141: 1137: 1133: 1129: 1125: 1121: 1115: 1109: 1099: 1097: 1093: 1092:sound effects 1089: 1085: 1080: 1079:Fairchild 660 1076: 1072: 1068: 1064: 1060: 1056: 1052: 1047: 1045: 1041: 1037: 1028: 1024: 1020: 1016: 1012: 1010: 1006: 1002: 1001:Ian MacDonald 998: 997:Geoff Emerick 994: 990: 985: 981: 977: 971: 969: 968:Geoff Emerick 962: 959: 943: 941: 937: 933: 929: 925: 921: 915: 913: 912: 907: 903: 902: 897: 893: 889: 888: 883: 878: 876: 875: 871:, who filmed 870: 866: 865: 860: 856: 852: 851:Luciano Berio 848: 844: 840: 836: 832: 831:Stevie Wonder 828: 827:Swinging City 824: 823: 818: 811: 810: 801: 797: 793: 792:Philip Norman 782: 778: 774: 770: 768: 764: 760: 756: 755: 750: 746: 745:George Martin 741: 739: 735: 731: 726: 722: 718: 710: 709:George Martin 706: 702: 698: 694: 685: 683: 679: 675: 671: 667: 662: 661: 655: 650: 648: 644: 640: 636: 632: 628: 623: 619: 615: 611: 606: 602: 596: 590: 581: 579: 578:Brian Epstein 575: 574: 569: 565: 560: 559: 554: 544: 542: 538: 534: 530: 526: 522: 518: 517: 516:Rolling Stone 512: 511: 506: 502: 501: 496: 492: 488: 484: 480: 476: 472: 468: 464: 460: 456: 452: 450: 448: 443: 441: 436: 432: 428: 424: 423: 418: 414: 409: 407: 403: 399: 395: 391: 387: 383: 379: 375: 371: 367: 363: 359: 355: 351: 347: 342: 340: 339: 334: 330: 329:Eleanor Rigby 326: 325:double A-side 322: 318: 314: 310: 309: 299: 288: 284: 283:Eleanor Rigby 278: 277: 274: 271: 267: 263: 254: 253: 249: 245: 244: 240: 236: 235: 231: 230: 226: 222: 219: 215: 211: 202: 201: 197: 193: 192: 188: 184: 183: 179: 178: 174: 170: 166: 163: 162:George Martin 160: 158: 154: 149: 146: 144: 141: 140: 139: 137: 133: 121: 117: 112: 109: 107: 104: 102: 99: 97: 94: 93: 92: 90: 86: 82: 79: 75: 68: 64: 53: 49: 45: 40: 36: 32: 27: 22: 19: 16791: 16784: 16777: 16770: 16763: 16745: 16738: 16731: 16724: 16717: 16699: 16692: 16685: 16667: 16643: 16625: 16619: 16615: 16598:Mono Masters 16596: 16590:Past Masters 16588: 16587: 16580: 16562: 16555: 16547: 16539: 16532: 16525: 16518: 16511: 16498:compilations 16484: 16477: 16470: 16463: 16456: 16450: 16446: 16438: 16416: 16409: 16402: 16384: 16377: 16370: 16363: 16356: 16349: 16342: 16335: 16328: 16321: 16314: 16307: 16300: 16271: 16264: 16242: 16234: 16233: 16226: 16219: 16212: 16205: 16198: 16191: 16184: 16177: 16170: 16163: 16156: 16149: 16131: 16124: 16098: 16097: 16089: 16088: 16080: 16079: 16072: 16067: 16066: 16057: 16056: 16049: 16048: 16047: 16039: 16038: 16030: 16029: 16021: 16020: 16012: 16011: 16003: 16002: 15994: 15993: 15971: 15915: 15908: 15901: 15895: 15887: 15880: 15874: 15873: 15866: 15859: 15852: 15845: 15838: 15831: 15825: 15805:1966 US tour 15792: 15608: 15596: 15595: 15552: 15538: 15522:18 September 15520:. Retrieved 15509: 15493:. Retrieved 15487: 15481: 15452: 15433: 15411: 15392: 15370: 15352: 15348: 15326: 15304: 15301:Stanley, Bob 15282: 15259: 15236: 15213: 15192: 15169: 15150: 15146: 15126: 15106: 15086: 15065: 15045: 15026: 15011: 14993: 14982: 14978: 14959: 14938: 14933:Miles, Barry 14914: 14891: 14868: 14849: 14827: 14805: 14786: 14767: 14744: 14724: 14705: 14686: 14667: 14648: 14626: 14602: 14579: 14554: 14534: 14515: 14494: 14473: 14453: 14430: 14407: 14402: 14383: 14380:Guitar World 14379: 14360: 14338: 14318: 14298: 14279: 14272:Brown, Peter 14252: 14229: 14209: 14187: 14165: 14144: 14121: 14102: 14099:Babiuk, Andy 14079:15 September 14077:. Retrieved 14064: 14054:15 September 14052:. Retrieved 14039: 14027:. Retrieved 14014: 14001:. Retrieved 13988: 13976:. Retrieved 13963: 13953:15 September 13951:. Retrieved 13948:Music Canada 13938: 13926:. Retrieved 13913: 13903:15 September 13901:. Retrieved 13885: 13873:. Retrieved 13860: 13848:. Retrieved 13835: 13823:. Retrieved 13815: 13806: 13786: 13774:. Retrieved 13767: 13758: 13742: 13730:. Retrieved 13716: 13704:. Retrieved 13690: 13678:. Retrieved 13664: 13652:. Retrieved 13642: 13630:. Retrieved 13616: 13604:. Retrieved 13594: 13582:. Retrieved 13568: 13556:. Retrieved 13542: 13530:. Retrieved 13521:Oricon Style 13519: 13508: 13496:. Retrieved 13482: 13470:. Retrieved 13456: 13444:. Retrieved 13430: 13418:. Retrieved 13408: 13396:. Retrieved 13386: 13374:. Retrieved 13364: 13352:. Retrieved 13342: 13330:. Retrieved 13316: 13306:26 September 13304:. Retrieved 13297: 13285: 13273:. Retrieved 13259: 13247:. Retrieved 13233: 13221:. Retrieved 13219:. p. 46 13214: 13204: 13196:Kvällstoppen 13193: 13185:. Retrieved 13165: 13153:. Retrieved 13143: 13131:. Retrieved 13121: 13102: 13096: 13085: 13061:. Retrieved 13048: 13029: 13023: 13016:Everett 1999 12994: 12982: 12970: 12958: 12946: 12934:. Retrieved 12928: 12918: 12906:. Retrieved 12900: 12894: 12890: 12882: 12870: 12865:, p. 9. 12863:Reising 2002 12858: 12851:Reising 2002 12846: 12839:Reising 2002 12834: 12822:. Retrieved 12808: 12798:24 September 12796:. Retrieved 12786: 12778: 12766:. Retrieved 12762:the original 12755: 12745: 12733:. Retrieved 12722: 12712: 12703:Guitar World 12702: 12696: 12684:. Retrieved 12680:the original 12673: 12663: 12651: 12639:. Retrieved 12635:the original 12621: 12609:. Retrieved 12605:the original 12598: 12589: 12545: 12540:, p. 2. 12538:Reising 2002 12533: 12521: 12516:, p. 3. 12514:Reising 2002 12509: 12497: 12485:. Retrieved 12481:The Guardian 12479: 12469: 12457: 12445:. Retrieved 12439: 12429: 12417:. Retrieved 12399: 12387:. Retrieved 12381: 12371: 12359: 12347:. Retrieved 12337: 12329: 12317:. Retrieved 12298: 12286:. Retrieved 12272: 12265:Stanley 2014 12260: 12248: 12241:Everett 1999 12236: 12224: 12212: 12200: 12188: 12176: 12164: 12152: 12147:, p. 6. 12140: 12128:. Retrieved 12110: 12103:Everett 1999 12098: 12091:Everett 1999 12086: 12079:Everett 1999 12074: 12062: 12050:. Retrieved 12032: 12020:. Retrieved 11986: 11976: 11970: 11963:Hodgson 2010 11958: 11946: 11934: 11922: 11915:Bromell 2002 11910: 11898: 11886: 11879:Bromell 2002 11874: 11862:. Retrieved 11857: 11847: 11820:. Retrieved 11809: 11799: 11787:. Retrieved 11783:the original 11778:Classic Rock 11776: 11766: 11754:. Retrieved 11750:the original 11743: 11718:. Retrieved 11707: 11695: 11683:. Retrieved 11672: 11647: 11635: 11623:. Retrieved 11619:the original 11612: 11606: 11583:. Retrieved 11572: 11559: 11547:. Retrieved 11532: 11509:. Retrieved 11494: 11483: 11462: 11457: 11445: 11438:Gendron 2002 11433: 11426:Gendron 2002 11421: 11416:, p. 7. 11414:Reising 2002 11409: 11397: 11385: 11362: 11361:(Capitol)". 11358: 11352: 11340: 11333:Gendron 2002 11328: 11316: 11293: 11289: 11283: 11271: 11259: 11247: 11224: 11220: 11214: 11202:. Retrieved 11188: 11177: 11173: 11167: 11140: 11128:. Retrieved 11123: 11113: 11101: 11074:. Retrieved 11060: 11025:. Retrieved 10995: 10983: 10971:. Retrieved 10967:the original 10962: 10952: 10940:. Retrieved 10936:the original 10931: 10921: 10909: 10897:. Retrieved 10890: 10881: 10869: 10857:. Retrieved 10843: 10814: 10802: 10790: 10778: 10751: 10739: 10727: 10715:. Retrieved 10711:the original 10696: 10684: 10672: 10665:Everett 1999 10660: 10653:Everett 1999 10648: 10636: 10624:. Retrieved 10591: 10579: 10567:. Retrieved 10536: 10524: 10512: 10500: 10488: 10481:Everett 1999 10461: 10445: 10433: 10421: 10409: 10397: 10385: 10373: 10361: 10334: 10322:. Retrieved 10308: 10296: 10284: 10272: 10243: 10232: 10226: 10199: 10187: 10175: 10163: 10136: 10124: 10114: 10108: 10096: 10084: 10072: 10060: 10048: 10036: 10024: 10012: 10002: 9996: 9985: 9979: 9952:The Observer 9950: 9919: 9907: 9895: 9883: 9871: 9859: 9832: 9801: 9796:, p. 6. 9774: 9752:Reising 2006 9747: 9740:Reising 2006 9735: 9728:Millard 2012 9723: 9711: 9706:, p. 8. 9699: 9687: 9675: 9663: 9651: 9639: 9634:, p. 3. 9627: 9615: 9608:Everett 1999 9603: 9576: 9564: 9552: 9540: 9513: 9501: 9494:Bromell 2002 9470: 9458: 9446: 9439:Everett 1999 9434: 9422: 9410: 9398: 9391:Everett 1999 9386: 9374: 9367:Everett 1999 9362: 9350: 9338: 9292: 9280: 9268: 9256: 9244: 9232: 9220: 9208: 9196: 9184: 9177:Everett 1999 9157: 9150:Everett 1999 9145: 9118: 9106:. Retrieved 9077: 9065: 9058:Everett 1999 9053: 9046:Tillery 2011 9041: 9029: 9017: 9005: 8991: 8984: 8972: 8965:Everett 1999 8960: 8948: 8904: 8892: 8880: 8868: 8856: 8849:Everett 1999 8829: 8817: 8805: 8798:Everett 1999 8793: 8781: 8769: 8757: 8750:Everett 1999 8715:. Retrieved 8709: 8699: 8687:. Retrieved 8673: 8666:Everett 1999 8661: 8626: 8614: 8607:Everett 1999 8602: 8590: 8568:Everett 1999 8548: 8541:Everett 1999 8536: 8524: 8512: 8500: 8488: 8461: 8449: 8437: 8425: 8413: 8406:Everett 1999 8386: 8374: 8347: 8335: 8323: 8311: 8304:Everett 1999 8299: 8270: 8258: 8246: 8239:Everett 1999 8217: 8205: 8198:Reising 2006 8193: 8181: 8169: 8157: 8145: 8133: 8121: 8109: 8097: 8085: 8073: 8061: 8054:Everett 2009 8049: 8037:. Retrieved 8023: 7994: 7982: 7970: 7958: 7946:. Retrieved 7940: 7930: 7901: 7889: 7877: 7865: 7853: 7841: 7829: 7817: 7805: 7778: 7766: 7739: 7712:. Retrieved 7701: 7674: 7632: 7620: 7573: 7561: 7549: 7537: 7525: 7513: 7501: 7489: 7447: 7435: 7423: 7416:Reising 2006 7411: 7389:Hodgson 2010 7384: 7372:. Retrieved 7338: 7328: 7307: 7280: 7268: 7256: 7244: 7232: 7220: 7208:. Retrieved 7202: 7192: 7180: 7151: 7114:Millard 2012 7109: 7097: 7085: 7073: 7061: 7049: 7037: 6996:Everett 1999 6991: 6979: 6967:. Retrieved 6961: 6932: 6920: 6908: 6881: 6869: 6857: 6815: 6803: 6791: 6764: 6758: 6746: 6734: 6707: 6695: 6683: 6671: 6659: 6647: 6618: 6613:. pp. 18–19. 6609:CD booklet. 6604: 6599: 6572: 6560: 6548: 6536: 6524:. Retrieved 6490: 6478: 6466: 6461:, p. 7. 6454: 6444: 6438: 6426: 6414: 6402: 6390: 6378: 6373:, p. 8. 6366: 6354: 6342: 6330: 6318:. Retrieved 6307: 6278: 6266: 6254: 6247:Tillery 2011 6242: 6219: 6198: 6186: 6159: 6135: 6114: 6102:. Retrieved 6091: 6062: 6035: 6023: 6011:. Retrieved 6000: 5990: 5985:, p. 7. 5961: 5949: 5937: 5932:, p. 4. 5925: 5913:. Retrieved 5907: 5901: 5873: 5868: 5860: 5856: 5852: 5843: 5835: 5827: 5823: 5818: 5810: 5809:Riley calls 5805: 5773: 5768: 5757: 5751: 5742: 5729: 5724: 5716: 5707: 5694: 5686: 5682: 5676: 5659: 5646: 5639:Saint Paul's 5634: 5629: 5619: 5606: 5593: 5585: 5579: 5569: 5551: 5542: 5518: 5501: 5494:Rickenbacker 5489: 5488:As heard on 5484: 5471: 5438: 5425: 5416: 5403: 5390: 5377: 5372:contributed. 5367: 5359: 5333: 5329: 5324: 5314: 5301: 5291: 5282: 5265: 5252: 5244: 5231: 5219: 5215: 5210: 5198: 5193: 5189: 5184: 5153: 5136: 5128:5× Platinum 5113:2× Platinum 5092: 5071: 5045:2× Platinum 5040:Music Canada 4987: 4971: 4914: 4872: 4857: 4838: 4767:RIANZ Albums 4765:New Zealand 4641: 4591: 4589:West German 4577: 4563: 4516: 4474: 4430:orchestrated 4316: 4315: 4269:finger snaps 4238: 4237: 4234: 3895: 3874:Giles Martin 3869: 3863: 3856: 3850: 3846: 3840: 3828: 3818: 3810: 3804: 3792: 3782: 3778: 3762: 3760: 3755: 3751: 3745: 3739: 3731: 3727:Guitar World 3725: 3719: 3713: 3706:The Observer 3704: 3700: 3698: 3689: 3685: 3675: 3669: 3665: 3659: 3656:Colin Larkin 3639: 3638: 3628: 3624: 3620: 3616: 3610: 3605: 3601: 3597: 3581: 3577: 3573: 3569: 3567: 3558: 3551: 3545: 3541: 3539: 3532: 3524: 3521:Phil Spector 3516: 3513: 3505:Jimi Hendrix 3484: 3477: 3472: 3460: 3452: 3444: 3440: 3430: 3423:baroque rock 3410: 3409: 3396: 3392: 3388: 3383: 3379: 3365: 3348: 3346: 3332: 3330: 3324:Nick Bromell 3320: 3305: 3301: 3299: 3282: 3276: 3272: 3268: 3264: 3257:Rough Guides 3249: 3247: 3242: 3237: 3231: 3228:flower power 3216: 3212: 3208: 3199: 3188: 3174: 3166: 3162:Classic Rock 3160: 3155: 3149: 3144: 3134: 3132: 3124:Sputnikmusic 3086: 3074: 3062: 3050: 3012: 2974: 2936: 2924: 2858: 2850: 2846: 2841: 2835: 2829: 2822: 2820: 2806:to works by 2803: 2800:Jules Siegel 2791: 2787: 2783: 2780: 2768: 2764: 2760: 2751: 2743: 2740: 2719: 2715: 2707: 2702:The Guardian 2700: 2695: 2687: 2675:Melody Maker 2674: 2670: 2666: 2664: 2645: 2639: 2635: 2627: 2623: 2621: 2616: 2606: 2602: 2600: 2587: 2583: 2568: 2564: 2558: 2551: 2548: 2535: 2531: 2527: 2521: 2517: 2510:Melody Maker 2509: 2505:Melody Maker 2503: 2499: 2486: 2484: 2474: 2462: 2452: 2450: 2445: 2436: 2426: 2421: 2415: 2409: 2407: 2403:novelty song 2394: 2387: 2381: 2375: 2367: 2355: 2351: 2347: 2343: 2339: 2333: 2325: 2322:Magic Circle 2321: 2317: 2313: 2311: 2306: 2303:McLuhanesque 2290: 2288: 2278: 2272: 2245: 2239: 2214: 2184: 2182: 2175:illustrator 2170: 2162: 2140: 2138: 2133: 2129: 2125: 2123: 2086:Indian music 2079: 2070: 2061:Colin Larkin 2026:malapropisms 2016: 2001: 1995: 1983: 1971: 1956:Georgie Fame 1948:Motown Sound 1941: 1931: 1928:Nick Bromell 1908: 1888: 1876: 1850: 1847:"For No One" 1834: 1816: 1807:Scott Joplin 1788: 1759: 1743: 1740:echo chamber 1732: 1721: 1711: 1703: 1686: 1683:Brian Wilson 1674: 1670: 1664: 1654: 1627: 1603: 1594: 1540: 1534: 1523:string octet 1519:Pete Shotton 1512: 1500:Conservative 1496:Edward Heath 1472: 1450: 1441: 1389: 1372: 1366: 1358: 1347: 1343: 1319: 1317: 1302: 1296: 1290: 1281: 1280:writes that 1278:Steve Turner 1275: 1260: 1256: 1250: 1233: 1227: 1201:varispeeding 1196: 1185: 1152: 1143: 1132:Ken Townsend 1119: 1117: 1111: 1107: 1084:horn section 1048: 1043: 1032: 1026: 1008: 983: 979: 975: 973: 964: 957: 956: 935: 927: 916: 914:on 16 June. 909: 899: 891: 885: 879: 872: 862: 855:Ravi Shankar 820: 807: 805: 795: 776: 758: 752: 742: 714: 681: 673: 669: 658: 651: 609: 598: 592: 584: 571: 568:1965 US tour 556: 550: 514: 508: 505:Colin Larkin 498: 494: 454: 453: 446: 439: 420: 412: 410: 390:string octet 345: 343: 336: 313:studio album 307: 306: 305: 269: 250: 242: 241: 232: 198: 190: 189: 180: 72:21 June 1966 39:Studio album 18: 16828:1966 albums 16805:Discography 16520:Los Beatles 16432:Live albums 16379:Nowhere Man 16214:Rubber Soul 16186:Beatles '65 16073:White Album 16068:The Beatles 16041:Rubber Soul 15961:The Beatles 15896:The Beatles 15868:Rubber Soul 15656:Love You To 15233:Savage, Jon 14824:Levy, Shawn 14764:Kruth, John 14623:Harry, Bill 14574:Graff, Gary 14378:Editors of 14140:The Beatles 13706:10 December 12875:Badman 2001 12701:Editors of 12567:Womack 2014 12526:Badman 2001 12462:Badman 2001 12205:Howard 2004 12193:Howard 2004 12169:Turner 2016 12157:Turner 2016 12145:Turner 2016 11840:Ingham 2006 11640:Larkin 2006 11464:Hit Parader 11450:Turner 2016 11276:Savage 2015 11264:Turner 2016 11160:Turner 2016 11145:Turner 2016 11071:uncut.co.uk 11000:Badman 2001 10836:Womack 2014 10626:11 February 10584:Sounes 2010 10505:Turner 2016 10493:Turner 2016 10454:Savage 2015 10438:Ingham 2006 10414:Ingham 2006 10219:Savage 2015 10192:Turner 2016 10180:Ingham 2006 10168:Turner 2016 10129:Turner 2016 10065:Turner 2016 10053:Turner 2016 10029:Turner 2016 9924:Turner 2016 9900:Turner 2016 9876:Turner 2016 9837:Womack 2014 9806:Womack 2014 9779:Savage 2015 9767:Turner 1999 9680:Turner 2016 9668:Larkin 2006 9620:Turner 2016 9596:Turner 2016 9545:Turner 2016 9533:Babiuk 2002 9379:Womack 2014 9331:Womack 2014 9273:Sounes 2010 9201:Turner 2016 8997:The Beatles 8953:Turner 2016 8885:Womack 2014 8834:Turner 2016 8786:Womack 2007 8654:Womack 2007 8595:Womack 2014 8454:Womack 2007 8391:Turner 2016 8379:Womack 2007 8367:Womack 2007 8275:Womack 2007 8263:Turner 2016 8210:Womack 2007 8162:Womack 2007 8126:Turner 2016 8066:Perone 2012 7963:Turner 2016 7942:The Quietus 7923:Turner 2016 7834:Perone 2012 7759:Ingham 2006 7590:Turner 1999 7542:Babiuk 2002 7530:Turner 2016 7518:Turner 2016 7506:Bishop 2010 7494:Howard 2004 7343:Babiuk 2002 7300:Ingham 2006 7285:Turner 2016 7249:Womack 2007 7090:Howard 2004 7054:Turner 2016 7011:Turner 2016 6925:Savage 2015 6913:Turner 2016 6874:Sounes 2010 6820:Turner 2016 6739:Turner 2016 6727:Ingham 2006 6712:Norman 1996 6664:Norman 1996 6623:Badman 2001 6606:Anthology 2 6565:Turner 2016 6553:Turner 2016 6495:Savage 2015 6483:Turner 2016 6459:Inglis 2010 6419:Turner 2016 6395:Savage 2015 6383:Turner 2016 6347:Sounes 2010 6320:16 February 6283:Sounes 2010 6028:Babiuk 2002 5942:Howard 2004 5828:Sgt. Pepper 5786:Small Faces 5687:Rubber Soul 5586:Rubber Soul 5490:Anthology 2 5452:Pattie Boyd 5444:Brian Jones 5360:Sgt. Pepper 5348:Love You To 5275:Empire Pool 5220:Rubber Soul 5199:Rubber Soul 5194:Rubber Soul 5008:Australia ( 4784:Portuguese 4672:ARIA Albums 4670:Australian 4491:Australian 4394:Pattie Boyd 4384:Brian Jones 4334:French horn 4302:Ringo Starr 4245:John Lennon 4239:The Beatles 4223:16:28 35:01 4084:Lead vocals 3990:Love You To 3923:Lead vocals 3825:James Joyce 3801:heavy metal 3744:. In 2013, 3671:The Beatles 3666:Sgt. Pepper 3629:Sgt. Pepper 3617:Sgt. Pepper 3598:Sgt. Pepper 3582:Sgt. Pepper 3570:Sgt. Pepper 3533:Sgt. Pepper 3480:modern jazz 3445:Rubber Soul 3427:world music 3415:electronica 3397:Rubber Soul 3315:questioning 3273:Rubber Soul 3269:Sgt. Pepper 3243:Rubber Soul 3143:wrote that 2859:Rubber Soul 2840:declared: " 2837:Hit Parader 2812:John Milton 2792:Rubber Soul 2765:Rubber Soul 2712:Peter Jones 2686:critic for 2671:Rubber Soul 2650:5× Platinum 2641:U.S. Albums 2613:Allen Klein 2442:Vietnam War 2314:Abracadabra 2291:Rubber Soul 2277:design for 2268:Hung on You 2262:shirt from 2221:sheet music 1972:Anthology 2 1895:amphetamine 1861:French horn 1843:he wants". 1766:Peter Fonda 1750:Spike Jones 1715:Ringo Starr 1687:Rubber Soul 1655:Sgt. Pepper 1630:Love You To 1608:describes " 1287:psychedelia 1253:Brian Kehew 1218:670 stereo 1164:Andy Babiuk 1102:Innovations 1036:compression 980:Rubber Soul 936:Rubber Soul 835:Roy Orbison 800:King's Road 788: 1966 754:Anthology 2 730:Jim Stewart 725:Stax Studio 639:Barry Miles 635:avant-garde 627:Ringo Starr 614:John Lennon 605:psychedelic 558:Rubber Soul 553:the Beatles 533:5× platinum 481:, combined 475:world music 467:electronica 431:John Lennon 394:Love You To 362:avant-garde 354:psychedelic 338:Rubber Soul 321:the Beatles 218:The Beatles 182:Rubber Soul 169:The Beatles 106:psychedelia 44:the Beatles 16822:Categories 16200:Beatles VI 16091:Abbey Road 15910:Abbey Road 15709:For No One 15188:Riley, Tim 14003:9 December 13978:9 December 13928:18 October 13875:7 November 13850:4 November 13825:8 November 13820:Promusicae 13776:4 November 13732:4 November 12936:18 October 12908:19 October 12891:Stereo Box 12656:Jones 2016 12582:Jones 2016 12550:Jones 2016 12502:Jones 2016 12383:PopMatters 12253:Riley 2002 11951:Miles 2006 11939:Miles 2006 11927:Philo 2015 11860:. Substack 11854:"Xgau Sez" 11745:PopMatters 11179:Gramophone 10874:Miles 2001 10819:Miles 2001 10756:Gould 2007 10717:8 November 10569:28 October 10529:Philo 2015 10466:Miles 2001 10426:Gould 2007 10366:Jones 2016 10248:Philo 2015 10141:Gould 2007 10077:Gould 2007 9912:Glynn 2013 9825:Gould 2007 9644:Miles 2006 9632:Harry 2004 9569:Miles 1997 9506:Riley 2002 9403:Riley 2002 9343:Miles 1997 9249:Gould 2007 9237:Riley 2002 9189:Riley 2002 9138:Riley 2002 8941:Riley 2002 8926:Gould 2007 8822:Gould 2007 8810:Gould 2007 8735:Riley 2002 8529:Gould 2007 8493:Miles 2001 8466:Riley 2002 8352:Riley 2002 8292:Riley 2002 8186:Philo 2015 8174:Riley 2002 8114:Philo 2015 7744:Brend 2005 7452:Brend 2005 7312:Jones 2016 7261:Riley 2002 7078:Kruth 2015 7042:Miles 2001 6784:Miles 2001 6751:Miles 2001 6700:Gould 2007 6688:Miles 2001 6577:Miles 2001 6359:Gould 2007 6055:Miles 2001 5954:Miles 2001 5915:28 October 5883:References 5824:PopMatters 5800:and Jay-Z. 5669:Ray Davies 5237:Shawn Levy 5131:5,000,000 4941:PROMUSICAE 4592:Musikmarkt 4538:Norwegian 4410:Sidney Sax 4330:Alan Civil 4278:clavichord 4261:tape loops 4133:For No One 3843:remastered 3787:. Beatles 3362:Pink Floyd 3341:Shawn Levy 3278:Abbey Road 3207:describes 3151:PopMatters 2821:Recalling 2808:John Donne 2802:, likened 2770:Crawdaddy! 2689:Gramophone 2536:Pet Sounds 2465:." Author 2114:Revolution 2105:Dalai Lama 2073:media help 2022:meditation 2008:syncopated 1958:'s group, 1915:dissonance 1865:Alan Civil 1857:Jane Asher 1853:For No One 1799:vaudeville 1736:brass band 1675:Pet Sounds 1597:media help 1444:media help 1362:love songs 1220:compressor 1189:backmasked 1168:tape loops 1140:multitrack 1067:tack piano 1063:vibraphone 1059:clavichord 989:four-track 864:Pet Sounds 721:Abbey Road 547:Background 539:(RIAA). A 531:(BPI) and 491:Parlophone 386:tape loops 223:chronology 171:chronology 143:Parlophone 58:1966-08-05 16645:Anthology 16556:1967–1970 16548:1962–1966 16372:Yesterday 16100:Let It Be 15917:Let It Be 15351:(2nd edn) 15190:(2002) . 15025:(1996) . 14848:(2005) . 14278:(2002) . 13700:Billboard 13299:Billboard 13216:Billboard 13063:2 October 12902:Pitchfork 12344:BBC Music 12022:4 October 11903:Levy 2002 11789:20 August 11364:KRLA Beat 11130:23 August 10892:Billboard 10807:Winn 2009 10677:Winn 2009 10324:26 August 10041:Winn 2009 9704:Winn 2009 9581:Winn 2009 9463:Reck 2009 9297:Winn 2009 8774:Winn 2009 7594:Case 2010 7586:Winn 2009 7428:Winn 2009 7273:Case 2010 6862:Winn 2009 6407:Levy 2002 6203:Bray 2014 6179:Case 2010 6093:Pitchfork 5838:is king." 5798:Lil Wayne 5711:A recent 5673:the Kinks 5654:category. 5562:tape echo 5528:Leadbelly 5460:Mal Evans 5340:Tim Riley 5098:Platinum 5015:Platinum 4884:position 4858:Billboard 4850:position 4754:Japanese 4681:Austrian 4665:Position 4642:Billboard 4613:Position 4578:Billboard 4566:LPs Chart 4514:Canadian 4502:Canadian 4486:position 4444:Ian Hamer 4434:conducted 4372:bass drum 4368:Mal Evans 4362:recording 4257:harmonium 4253:Mellotron 4231:Personnel 4192:McCartney 4138:McCartney 4102:McCartney 4013:McCartney 3959:McCartney 3820:Moby-Dick 3803:magazine 3761:In 1999, 3721:Hot Press 3699:In 2004, 3648:Channel 4 3419:punk rock 3389:Pitchfork 3233:Pitchfork 3181:Mark Kemp 3076:Pitchfork 2753:KRLA Beat 2733:) during 2731:Jim Stagg 2559:Billboard 2552:Billboard 2526:. In the 2471:World Cup 2384:Tony Hall 2335:Aftermath 2299:turntable 2148:Packaging 2101:Mellotron 1899:harmonium 1805:style of 1770:the Byrds 1581:backwards 1488:punk rock 1477:glissandi 1457:tax rates 1382:Tim Riley 1336:raga rock 1324:acid rock 1237:bass drum 1216:Fairchild 1075:Gibson SG 940:Sibylla's 847:Bob Dylan 701:McCartney 493:version, 447:Billboard 370:varispeed 270:Revolver 70:6 April – 16711:Box sets 16637:Archival 16618: / 16496:Selected 16449: / 16244:Hey Jude 16228:Revolver 16050:Revolver 15875:Revolver 15687:Side two 15627:Side one 15597:Revolver 15554:Revolver 15544:Archived 15539:Revolver 15516:Archived 15482:Revolver 15432:(2007). 15391:(2006). 15347:(1999). 15325:(2011). 15303:(2014). 15281:(2010). 15257:(1978). 15235:(2015). 14979:Revolver 14935:(1997). 14889:(2005). 14826:(2002). 14766:(2015). 14647:(1996). 14625:(2004). 14451:(1999). 14408:Harrison 14405:(2002). 14382:(2010). 14359:(2003). 14250:(2002). 14142:(2000). 14101:(2002). 14029:14 April 13674:Archived 13626:Archived 13578:Archived 13552:Archived 13526:Archived 13492:Archived 13466:Archived 13440:Archived 13326:Archived 13269:Archived 13243:Archived 13178:Archived 12818:Archived 12787:Revolver 12729:Archived 12611:18 April 12413:Archived 12389:11 April 12338:Revolver 12313:Archived 12124:Archived 12046:Archived 12042:AllMusic 12016:Archived 11864:18 March 11816:Archived 11679:Archived 11607:Revolver 11579:Archived 11543:Archived 11539:AllMusic 11533:Revolver 11505:Archived 11472:Archived 11374:Archived 11359:Revolver 11305:Archived 11290:Revolver 11236:Archived 11221:Revolver 11174:Revolver 11053:Archived 11049:BBC News 10942:18 April 10932:MuseWire 10899:11 April 10853:Archived 10620:Archived 10319:AllMusic 9955: / 9943:Archived 9103:AllMusic 8995:(book). 8034:AllMusic 7708:Archived 7368:Archived 6520:Archived 6314:Archived 6231:Archived 6098:Archived 6007:Archived 6002:Cuepoint 5902:Revolver 5874:Revolver 5861:Revolver 5836:Revolver 5811:Revolver 5774:Revolver 5758:Revolver 5730:Revolver 5717:Revolver 5683:Revolver 5635:Revolver 5599:Nembutal 5558:mandolin 5330:Revolver 5269:Held at 5245:Revolver 5216:Revolver 5203:The Word 5160:See also 5116:600,000 5093:Reissue 5059:100,000 5053:Germany 5048:200,000 5038:Canada ( 5033:100,000 5023:Brazil ( 4988:Revolver 4873:Revolver 4839:Revolver 4806:Swedish 4795:Spanish 4743:Italian 4703:Belgian 4692:Belgian 4550:Swedish 4540:VG-lista 4475:Revolver 4454: – 4370: – 4360: – 4344:producer 4342: – 4332: – 4174:Harrison 4071:Side two 3995:Harrison 3941:Harrison 3910:Side one 3870:Revolver 3847:Revolver 3837:Reissues 3811:Revolver 3806:Revolver 3793:Revolver 3763:Revolver 3756:Revolver 3736:Holy See 3732:Revolver 3701:Revolver 3690:Revolver 3640:Revolver 3625:Revolver 3621:Revolver 3606:Revolver 3602:Revolver 3594:Greg Kot 3578:Revolver 3574:Revolver 3568:Whereas 3546:Revolver 3525:Revolver 3517:Revolver 3501:sampling 3485:Revolver 3473:Revolver 3453:Revolver 3441:Revolver 3411:Revolver 3401:The Word 3393:Revolver 3384:Revolver 3378:'s book 3358:UFO Club 3349:Revolver 3333:Revolver 3302:Revolver 3283:Revolver 3265:Revolver 3238:Revolver 3213:Revolver 3209:Revolver 3205:AllMusic 3156:Revolver 3145:Revolver 2889:AllMusic 2847:Revolver 2842:Revolver 2823:Revolver 2804:Revolver 2788:Revolver 2761:Revolver 2744:Revolver 2720:Revolver 2667:Revolver 2646:Revolver 2636:Revolver 2628:Revolver 2624:Revolver 2617:MuseWire 2603:Revolver 2588:Revolver 2584:Revolver 2565:Revolver 2532:Revolver 2518:Revolver 2500:Revolver 2475:Revolver 2463:Revolver 2446:Revolver 2422:Revolver 2395:Revolver 2356:Revolver 2352:Pendulum 2307:Revolver 2185:Revolver 2163:Revolver 2141:Revolver 2134:Revolver 2126:Revolver 2096:♭ 2014:'s book 1932:Revolver 1841:anything 1780:Side two 1671:Revolver 1647:fuzztone 1541:Revolver 1473:Revolver 1401:"Taxman" 1396:Side one 1390:Revolver 1373:Revolver 1344:Revolver 1320:Revolver 1282:Revolver 1272:Overview 1261:Revolver 1257:Revolver 1241:drumhead 1228:Revolver 1197:Revolver 1144:Revolver 1120:Revolver 1044:Revolver 1027:Revolver 1009:Revolver 1005:Joe Meek 984:Revolver 976:Revolver 958:Revolver 928:Revolver 892:Revolver 796:Revolver 759:Revolver 697:Harrison 682:Revolver 674:Revolver 610:Revolver 564:overdubs 507:'s book 495:Revolver 455:Revolver 413:Revolver 346:Revolver 327:single " 308:Revolver 243:Revolver 191:Revolver 157:Producer 83:, London 66:Recorded 51:Released 41: by 24:Revolver 16679:Remixes 16143:Capitol 16118:Vee-Jay 15559:Discogs 15495:29 July 14091:Sources 13680:28 June 13654:28 June 13632:28 June 13606:28 June 13584:28 June 13558:28 June 13532:28 June 13498:28 June 13472:28 June 13446:28 June 13420:28 June 13398:28 June 13376:28 June 13354:28 June 13332:28 June 13275:28 June 13223:28 June 13187:25 June 13155:27 June 13133:28 June 12930:Variety 12895:In Mono 12824:24 June 12768:24 June 12735:24 June 12686:24 June 12641:24 June 12487:22 June 12447:25 June 12419:25 June 12349:24 June 12340:Review" 12319:24 June 12288:24 June 12130:24 June 12052:30 July 11822:24 June 11756:24 June 11720:24 June 11685:24 June 11625:24 June 11614:Blender 11585:24 June 11549:24 June 11511:24 June 11495:Esquire 11204:8 April 11076:24 June 11027:28 June 10973:23 June 10859:24 June 9108:24 June 8717:24 June 8689:24 June 8039:24 June 7948:24 June 7714:24 June 7374:25 June 7204:Tape Op 6969:24 June 6526:24 June 6104:24 June 6013:24 June 5782:ecstasy 5737:world". 5350:" and " 5271:Wembley 5226:album". 5222:their " 5201:track " 5101:15,000 5080:25,000 5064:Italy ( 5018:70,000 5003:/sales 4994:Region 4714:Danish 4542:Albums 4519:Top LPs 4448:trumpet 4414:violins 4388:ocarina 4306:cowbell 4296:maracas 4292:tambura 3830:Ulysses 3754:ranked 3688:ranked 3586:Britpop 3489:Genesis 3399:track " 3190:Blender 3069:100/100 2938:Blender 2851:Esquire 2563:chart, 2561:Top LPs 2554:Hot 100 2362:Release 2260:paisley 2252:Chelsea 2197:collage 2153:Artwork 2112:" and " 1923:melisma 1878:Darling 1836:Esquire 1803:ragtime 1728:Donovan 1677:track " 1614:fuzzbox 1604:Author 1332:R&B 1276:Author 1051:tambura 815:annual 765:" and " 535:by the 527:by the 449:Top LPs 266:Singles 256:(1967) 247:(1966) 238:(1966) 204:(1966) 195:(1966) 186:(1965) 148:Capitol 111:R&B 56: ( 16608:Themed 16258:Canada 15963:albums 15635:Taxman 15459: 15440: 15418: 15399: 15377: 15358: 15333: 15311: 15289: 15267: 15243: 15221: 15200: 15176: 15157: 15134: 15113: 15094: 15073: 15052: 15033: 15000: 14966: 14947: 14921: 14899: 14875: 14856: 14834: 14812: 14793: 14774: 14752: 14731: 14712: 14693: 14674: 14655: 14633: 14611: 14588: 14562: 14541: 14522: 14503: 14480: 14461: 14437: 14415: 14390: 14367: 14345: 14326: 14305: 14286: 14260: 14236: 14217: 14196: 14173: 14152: 14128: 14109: 13751:MAHASZ 13249:13 May 13194:Note: 13109: 13036: 7210:25 May 5832: 5778:heroin 5354:" to " 5346:" to " 5307:gaffer 4972: 4903:MAHASZ 4662:Chart 4618:Dutch 4610:Chart 4463:Charts 4426:cellos 4418:violas 4348:mixing 4310:shaker 4210:Lennon 4156:Lennon 4120:Lennon 4087:Length 4049:Lennon 3977:Lennon 3936:Taxman 3926:Length 3799:, the 3326:, 2000 3311: 3261: 3236:views 3195: 2883:Rating 2880:Source 2796: 2757:'s 2370: 1986: 1717:, 2000 1585:dubbed 1536:Psycho 1498:, the 1494:, and 1481:'s 1465:Labour 1453:Taxman 1434:sound. 1386: 1377:'s 1156:Leslie 1086:, on " 1071:Fender 1057:, and 932:mixing 874:Blowup 813:'s 738:Motown 705:Lennon 666:Surrey 587: 119:Length 77:Studio 16750:vol. 16207:Help! 16032:Help! 15861:Help! 15620:Songs 15511:Salon 13972:(PDF) 13894:(PDF) 13294:(PDF) 13181:(PDF) 13174:(PDF) 11674:Paste 6221:Uncut 5909:Slate 5761:' 5734:being 5574:idea. 5319:1963. 5177:Notes 5077:Gold 5030:Gold 4324:tabla 4288:sitar 4171:" (*) 4081:Title 4062:18:33 4031:Starr 3992:" (*) 3938:" (*) 3920:Title 3710:' 3509:Jay-Z 3176:Paste 3081:10/10 3064:Paste 3057:4.5/5 2826:' 2608:Help! 2572:' 2492:' 2372:... 2285:Title 1919:gamak 1651:metre 1349:Slate 1340:drone 1267:Songs 1205:tempo 1055:tabla 707:with 678:sitar 442:chart 382:drone 331:" / " 319:band 285:" / " 268:from 136:Label 89:Genre 16701:Love 16505:Hits 15972:bold 15766:Rain 15524:2020 15497:2020 15489:Time 15457:ISBN 15438:ISBN 15416:ISBN 15397:ISBN 15375:ISBN 15356:ISBN 15331:ISBN 15309:ISBN 15287:ISBN 15265:ISBN 15241:ISBN 15219:ISBN 15198:ISBN 15174:ISBN 15155:ISBN 15132:ISBN 15111:ISBN 15092:ISBN 15071:ISBN 15050:ISBN 15031:ISBN 14998:ISBN 14984:Mojo 14964:ISBN 14945:ISBN 14919:ISBN 14897:ISBN 14873:ISBN 14854:ISBN 14832:ISBN 14810:ISBN 14791:ISBN 14772:ISBN 14750:ISBN 14729:ISBN 14710:ISBN 14691:ISBN 14672:ISBN 14653:ISBN 14631:ISBN 14609:ISBN 14586:ISBN 14560:ISBN 14539:ISBN 14520:ISBN 14501:ISBN 14478:ISBN 14459:ISBN 14435:ISBN 14413:ISBN 14388:ISBN 14365:ISBN 14343:ISBN 14324:ISBN 14303:ISBN 14284:ISBN 14258:ISBN 14234:ISBN 14215:ISBN 14194:ISBN 14171:ISBN 14150:ISBN 14126:ISBN 14107:ISBN 14081:2013 14056:2013 14031:2020 14005:2019 13980:2023 13955:2013 13930:2019 13905:2013 13877:2022 13852:2022 13827:2022 13795:OLiS 13778:2022 13734:2022 13708:2021 13682:2017 13656:2017 13634:2017 13608:2017 13586:2017 13560:2017 13534:2017 13500:2017 13474:2017 13448:2017 13422:2017 13400:2017 13378:2017 13356:2017 13334:2017 13308:2020 13277:2017 13251:2016 13225:2017 13189:2017 13157:2018 13135:2017 13107:ISBN 13065:2022 13058:CHUM 13034:ISBN 12938:2022 12910:2022 12826:2017 12800:2020 12770:2017 12737:2017 12705:2010 12688:2017 12675:Time 12643:2017 12613:2020 12600:Jam! 12489:2020 12449:2020 12421:2020 12391:2022 12351:2017 12321:2017 12290:2017 12132:2017 12054:2020 12024:2018 11979:2002 11866:2020 11824:2017 11791:2020 11758:2017 11722:2017 11687:2017 11627:2017 11587:2017 11551:2017 11513:2017 11206:2020 11132:2020 11078:2017 11029:2017 10975:2017 10944:2020 10901:2022 10861:2017 10719:2019 10628:2017 10571:2021 10326:2019 10117:2002 10005:2002 9987:Mojo 9110:2017 8719:2017 8691:2017 8041:2017 7950:2017 7716:2017 7376:2017 7331:2002 7212:2017 6971:2017 6767:2002 6528:2017 6447:2002 6322:2017 6106:2017 6015:2017 5917:2022 5530:'s ' 5462:and 5409:MBEs 5123:RIAA 5087:RMNZ 5066:FIMI 5010:ARIA 4929:ZPAV 4891:ARIA 4882:Peak 4848:Peak 4504:CHUM 4484:Peak 4432:and 4213:3:00 4195:2:31 4177:2:30 4159:2:14 4141:2:03 4123:2:02 4105:2:08 4052:2:39 4034:2:40 4016:2:29 3998:3:00 3980:3:02 3962:2:11 3944:2:36 3855:and 3823:and 3784:Mojo 3715:Time 3668:and 3646:and 3495:and 3467:and 3465:Love 3425:and 3337:knew 3275:and 2814:and 2684:jazz 2682:, a 2534:and 2350:and 2238:for 1823:riff 1178:and 1065:and 1053:and 1038:and 853:and 822:Time 767:Rain 703:and 616:and 562:out 473:and 406:Rain 317:rock 96:Rock 15557:at 13087:RPM 12283:BBC 11176:". 5857:RPM 5671:of 5446:of 5273:'s 5224:pot 5108:BPI 4934:20 4908:34 4822:44 4812:13 4801:37 4790:21 4779:36 4771:20 4760:26 4749:28 4738:15 4728:81 4720:32 4709:35 4698:23 4687:48 4676:36 4639:US 4634:55 4624:57 4580:200 4575:US 4561:UK 4545:14 4523:18 4517:RPM 4077:No. 3916:No. 3880:'s 3868:of 3833:." 3827:'s 3817:'s 3682:VH1 3658:'s 3644:HMV 3590:BBC 3511:". 3507:to 3493:Yes 3364:'s 3281:to 3203:of 3127:5/5 2699:of 2528:NME 2498:), 2386:of 2116:". 1968:pot 1706:did 1533:'s 1463:'s 1224:660 1098:". 1021:'s 1019:EMI 809:NME 717:EMI 622:LSD 408:". 358:LSD 101:pop 81:EMI 16824:: 16396:US 16294:UK 16111:US 16075:") 16071:(" 15987:UK 15514:. 15508:. 15486:. 14274:; 14072:. 14047:. 14022:. 13946:. 13896:. 13868:. 13843:. 13818:. 13814:. 13797:. 13793:. 13766:. 13724:. 13698:. 13296:. 13213:. 13084:. 13073:^ 13056:. 13006:^ 12927:. 12899:. 12791:. 12754:. 12727:. 12721:. 12672:. 12629:. 12597:. 12574:^ 12557:^ 12478:. 12438:. 12407:. 12380:. 12342:. 12311:. 12307:. 12281:. 12118:. 12044:. 12040:. 12014:. 12010:. 11998:^ 11856:. 11832:^ 11814:. 11808:. 11775:. 11742:. 11730:^ 11671:. 11659:^ 11611:. 11595:^ 11577:. 11571:. 11541:. 11537:. 11521:^ 11503:. 11499:. 11497:)" 11197:. 11152:^ 11122:. 11086:^ 11069:. 11047:. 11037:^ 11020:. 11007:^ 10961:. 10930:. 10889:. 10826:^ 10763:^ 10705:. 10618:. 10614:. 10603:^ 10562:. 10548:^ 10473:^ 10346:^ 10317:. 10255:^ 10211:^ 10148:^ 9964:^ 9949:. 9931:^ 9844:^ 9813:^ 9786:^ 9759:^ 9588:^ 9525:^ 9482:^ 9323:^ 9304:^ 9169:^ 9130:^ 9101:. 9089:^ 8933:^ 8916:^ 8841:^ 8742:^ 8727:^ 8708:. 8682:. 8638:^ 8575:^ 8560:^ 8473:^ 8398:^ 8359:^ 8282:^ 8229:^ 8032:. 8006:^ 7939:. 7913:^ 7790:^ 7751:^ 7724:^ 7706:. 7700:. 7686:^ 7659:^ 7644:^ 7601:^ 7474:^ 7459:^ 7396:^ 7366:. 7362:. 7350:^ 7319:^ 7292:^ 7201:. 7163:^ 7136:^ 7121:^ 7018:^ 7003:^ 6960:. 6944:^ 6893:^ 6842:^ 6827:^ 6774:^ 6719:^ 6630:^ 6584:^ 6518:. 6514:. 6502:^ 6312:. 6306:. 6290:^ 6210:^ 6171:^ 6144:^ 6126:^ 6096:. 6090:. 6074:^ 6047:^ 6005:. 5999:. 5973:^ 5906:. 5890:^ 5796:, 5792:, 5788:, 5700:do 5450:, 5332:, 5125:) 5110:) 5056:— 5042:) 5027:) 5012:) 4966:2 4958:4 4955:) 4946:5 4943:) 4931:) 4922:4 4919:) 4905:) 4896:2 4893:) 4864:6 4861:) 4830:9 4648:3 4598:1 4584:1 4570:1 4556:1 4533:1 4509:1 4497:1 4442:, 4420:; 4346:; 4308:, 4290:, 4263:, 4259:; 4255:, 4251:, 4200:7. 4182:6. 4164:5. 4146:4. 4128:3. 4110:2. 4092:1. 4039:7. 4021:6. 4003:5. 3985:4. 3967:3. 3949:2. 3931:1. 3905:. 3886:EP 3861:. 3738:, 3553:– 3491:, 3421:, 3417:, 3271:, 3221:, 3179:, 3139:, 2931:A+ 2853:, 2810:, 2773:, 2598:. 2473:, 2457:, 2346:, 2342:, 2165:, 2028:. 1990:if 1881:. 1713:– 1505:. 1356:. 1334:, 1330:, 1326:, 1295:, 1214:A 1150:. 1061:, 861:' 845:, 841:, 837:, 833:, 794:, 785:c. 783:, 779:, 699:, 649:. 555:' 469:, 465:, 372:, 368:, 128:01 124:35 16757:2 16752:1 16661:3 16656:2 16651:1 16564:1 15974:. 15953:e 15946:t 15939:v 15828:: 15813:" 15809:" 15768:" 15764:" 15761:" 15757:" 15739:" 15735:" 15732:" 15728:" 15725:" 15721:" 15718:" 15714:" 15711:" 15707:" 15704:" 15700:" 15697:" 15693:" 15679:" 15675:" 15672:" 15668:" 15665:" 15661:" 15658:" 15654:" 15651:" 15647:" 15644:" 15640:" 15637:" 15633:" 15588:e 15581:t 15574:v 15526:. 15499:. 15465:. 15446:. 15424:. 15405:. 15383:. 15364:. 15339:. 15317:. 15295:. 15273:. 15249:. 15227:. 15206:. 15182:. 15163:. 15140:. 15119:. 15100:. 15079:. 15058:. 15039:. 15006:. 14972:. 14953:. 14927:. 14905:. 14881:. 14862:. 14840:. 14818:. 14799:. 14780:. 14758:. 14737:. 14718:. 14699:. 14680:. 14661:. 14639:. 14617:. 14594:. 14568:. 14547:. 14528:. 14509:. 14486:. 14467:. 14443:. 14421:. 14396:. 14373:. 14351:. 14332:. 14311:. 14292:. 14266:. 14242:. 14223:. 14202:. 14179:. 14158:. 14134:. 14115:. 14083:. 14058:. 14033:. 14007:. 13982:. 13957:. 13932:. 13907:. 13879:. 13854:. 13829:. 13780:. 13736:. 13710:. 13684:. 13658:. 13636:. 13610:. 13588:. 13562:. 13536:. 13502:. 13476:. 13450:. 13424:. 13402:. 13380:. 13358:. 13336:. 13310:. 13279:. 13253:. 13227:. 13191:. 13159:. 13137:. 13115:. 13042:. 12940:. 12912:. 12897:" 12893:/ 12828:. 12802:. 12789:" 12772:. 12739:. 12690:. 12645:. 12615:. 12491:. 12451:. 12423:. 12393:. 12353:. 12323:. 12292:. 12134:. 12056:. 12026:. 11868:. 11826:. 11793:. 11760:. 11724:. 11689:. 11629:. 11609:" 11589:. 11553:. 11535:" 11515:. 11298:. 11229:. 11208:. 11134:. 11080:. 11031:. 10977:. 10946:. 10903:. 10863:. 10721:. 10630:. 10573:. 10328:. 9112:. 8721:. 8693:. 8043:. 7952:. 7718:. 7378:. 7214:. 6973:. 6530:. 6324:. 6108:. 6017:. 5919:. 5876:. 5863:. 5689:. 5601:. 5588:. 5564:. 5535:' 5466:. 5433:. 5362:. 5089:) 5068:) 4207:" 4203:" 4189:" 4185:" 4167:" 4153:" 4149:" 4135:" 4131:" 4117:" 4113:" 4099:" 4095:" 4046:" 4042:" 4028:" 4024:" 4010:" 4006:" 3988:" 3974:" 3970:" 3956:" 3952:" 3934:" 3677:Q 3560:Q 3483:" 2242:. 2179:. 2093:B 2090:C 2075:. 1889:" 1851:" 1817:" 1789:" 1665:" 1628:" 1599:. 1446:. 918:" 289:" 281:" 126:: 60:)

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.