342:, not English. "The English ACK titles begin from number eleven because the first ten were in Kannada," clarifies Ananthram. To Ananthram's satisfaction, the 1965 Kannada ACK venture was a great commercial success which led to Mirchandani in the head office in Mumbai pursuing the Amar Chitra Katha idea in English diligently. "They brought in Anant Pai" says Ananthram. "And he built a wonderful team and a great brand." By the late 1970s, it was selling 5 million copies a year and had a peak circulation of about 700,000 a month. India Book House started to bring out at least one comic book a month by 1975, and sometimes as many as three. While Pai initially wrote the first few stories himself, he soon hired a core team of writers and editors, which included
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346:, Luis Fernandes and Kamala Chandrakant, who were responsible for the attempt at authenticity and balanced portrayal of history in comic books that became the hallmark of Amar Chitra Katha. Writers like Margie Sastry, Debrani Mitra and C.R Sharma also joined the creative team of Amar Chitra Katha, with
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The producers and writers did not initially respond to the criticisms. Later, they argued that a historical story ought to be presented without any factual distortion. They also pointed out that they had published innumerable issues focusing on personal community, and that these depictions were every
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The stories have often been in the past criticised as distorted depictions of history. Another criticism is that comic books, by their very nature, do not reflect the richness and complexity of the oral tradition of Indian mythology in which multiple versions of a story can co-exist simultaneously.
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The editors are now paying due effort in understanding different versions of the mythological stories and accommodating them into regional versions too. The new editions have been released featuring regional folktales and local heroes reflecting regional diversity of the country. The editors have
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American scholar Jeremy Stoll has noted that, "As the earliest indigenous comic books in India, the Amar Chitra Katha series set a strong precedent, one which has dictated comics content and style for decades since". On the other hand, he noted the series' promotion of "nationalism", and lamented
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The portrayals of light-browns, dark-brown skinned heroes like Ram, Krishna are among the most prominent titles covered in Amar Chitra Katha. Also, dark skinned servants and subservient women have been swapped for a more neutral skin tone and women who are active influencers in the stories like
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in an attempt to teach Indian children about their cultural heritage. He was shocked that Indian students could answer questions on Greek and Roman mythology, but were ignorant of their own history, mythology and folklore. It so happened that a quiz contest aired on
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that "as the most widely published and read Indian comics, books from this series are the ones that most scholars have focused upon, to the detriment of understanding the wider context of India's comics, storytelling, and visual cultures".
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magazine presents a contradicting view, stating that the idea and proposal for Amar Chitra Katha was made by a
Bangalore book salesman called G.K. Ananthram which led to the first Amar Chitra Katha comics being produced in 1965—in
765:
Rao, Aruna (2001). "From Self-Knowledge to Super Heroes: The Story of Indian Comics". In John A. Lent (ed.). Illustrating Asia: Comics, Humor
Magazines, and Picture Books. University of Hawaii Press. p. 37–63.
783:
For a short biography of Anant Pai, Kamala
Chandrakant, Subba Rao, Margie Sastry, Ram Waeerkar, Pratap Mulick, see Norbert Barth, "India Book House and Amar Chitra Katha (1970–2002)", Wuerzburg 2008, p.47-59.
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tried to pay close attention to the changing sensitivities of the people and trying to accommodate the diversity of story telling by giving equal importance to regional versions.
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and even rather obscure Muslim personalities like
Thanedar Hasan Askari. They also included foreign personalities with no direct connection to India, such as
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in
February 1967, in which participants could easily answer questions pertaining to Greek mythology, but were unable to reply to the question "In the
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bit as flattering and respectful as issues on other personalities. The Muslim personalities thus eulogized in Amar Chitra Katha include
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A Pandit Had A Dream ... Outlook India
Magazine, 21 March 2011. Retrieved 17 September 2011
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The following films were produced by Amar Chitra Katha under ACK Animation
Studios banner
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taking on the role of editor and co-writer on most scripts. The notable illustrators were
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Religion and
Identity in South Asia and Beyond: Essays in Honor of Patrick Olivelle
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among many others. Indeed, there is even an issue on the life and message of
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Jeremy Stoll, "A Creator's
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The above story is the version reported by ACK itself. However,
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Animated television series, aired on
Cartoon Network India.
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for a comprehensive listing of all titles released to date.
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Media and the Transformation of Religion in South Asia
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Media and the Transformation of Religion in South Asia
322:. The first Indian comic done and released in ACK was
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867:"The undying world of Amar Chitra Katha"
672:Now, Amar Chitra Katha gets even younger
46:Official logo of Amar Chitra Katha (ACK)
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695:, by Lawrence A Babb, Susan S. Wadley.
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244:. Most of its comics are based on
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891:David, Priti (16 December 2017).
1027:List of Amar Chitra Katha comics
865:Benegal, Gautam (10 June 2007).
652:List of Amar Chitra Katha comics
395:Sakhi Sarwar (Syed Ahmad Sultan)
272:The comic series was started by
161:List of Amar Chitra Katha comics
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841:. Anthem Press. p. 385.
806:John Stratton Hawley (1998).
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835:Steven E. Lindquist (2011).
723:"The serious side of comics"
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618:Santosh Palav, Kushal Ruia
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75:; 57 years ago
57:Amar Chitra Katha Pvt. Ltd.
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931:After a break of 4 years,
929:Love revives Indian comics
774:. Retrieved 17 April 2012.
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313:Jack and the Beanstalk
268:Creation and influence
264:and cultural stories.
1129:No. 1 Yaari with Rana
968:Grand Comics Database
601:Cartoon Network India
552:Cartoon Network India
328:(serial number #11).
131:(President & CEO)
108:Headquarters location
1136:Maya Bazaar For Sale
515:Films and television
495:and an issue on the
300:American fairy tales
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709:Chapt. 4, p. 76-86
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677:The Times of India
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547:Saptharishi Ghosh
463:Abdul Ghaffar Khan
311:and Seven Dwarfs,
254:historical figures
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35:(ACK Comics)
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1085:Filmography
591:Sons of Ram
482:Jim Corbett
453:Tipu Sultan
407:Bahman Shah
280:Doordarshan
258:biographies
232:, based in
129:Preeti Vyas
116:Maharashtra
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1121:Television
910:16 January
876:16 January
659:References
554:and later
443:Shah Jehan
368:Yusuf Lien
309:Snow White
287:, who was
223:ACK Comics
193:Literature
126:Key people
1102:Bommalata
1017:Anant Pai
964:ACK Media
905:0971-751X
897:The Hindu
740:1 October
735:0971-751X
727:The Hindu
531:Director
470:Salim Ali
447:Taj Mahal
439:Nur Jehan
374:Criticism
348:Anant Pai
344:Subba Rao
319:Pinocchio
274:Anant Pai
262:folktales
246:religious
242:Anant Pai
230:publisher
188:Folktales
178:Mythology
152:Magazines
92:Anant Pai
18:ACK Media
646:See also
578:TV movie
435:Jehangir
387:Response
302:such as
285:Ramayana
225:) is an
1146:Related
966:at the
568:Tripura
419:Humayun
356:Krishna
340:Kannada
334:Outlook
325:Krishna
183:History
88:Founder
78: (
70:Founded
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1105:(2004)
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534:Notes
528:Title
431:Tansen
403:Balban
234:Mumbai
147:Comics
112:Mumbai
65:Active
62:Status
626:2012
608:2012
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563:2011
539:2010
525:Year
427:Akbar
415:Babur
411:Kabir
250:epics
238:India
157:Books
120:India
102:India
912:2019
901:ISSN
878:2019
843:ISBN
816:ISBN
768:ISBN
742:2021
731:ISSN
701:ISBN
556:ZeeQ
490:and
450:and
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316:and
289:Rama
256:and
210:.com
80:1967
73:1967
871:DNA
206:www
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