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trade activities, well. The northern - largest - area of
Zurenborg, centered around Dageraadplaats, was mainly developed for the middle class, while the southern area, around Cogels Osylei, was mainly targeted to the well to do. The most eastern corner, which currently includes a bus yard of the public transport company and a power transfer station, was more devoted to industries and logistics, including a gas factory and a terminus station of a regional tram system. Engetrim, a development and construction company, had the lead in developing Zurenborg. Before, Zurenborg was an agricultural area dominated by an estate belonging to the Osy family.
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area into a business and office area similar to the one built at
Brussels North station. In the end, however, it was concluded that the area was not to be demolished. The area was listed as an item of urban landscape, to the disappointment of many owners who expected to sell their properties at a profit.
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Together with Zuid, the urban quarter around the Royal Museum of Fine Arts, Zurenborg is unique in
Antwerp in that it is among the few areas in the city developed according to an urban plan in the late 19th century. The new neighbourhood reflected Antwerp's growing wealth, linked to growing port and
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The area became popular with artists and entrepreneurs. Many houses became listed monuments. With the help of public subsidies, many owners succeeded in renovating their properties and
Zurenborg became a well-functioning urban neighborhood with a variety of people. Dageraadplaats ("Dawn Square") in
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With car ownership rising and upper middle class households moving to the suburbs, the status of
Zurenborg - especially Cogels Osylei - as a well-to-do residential area came down. The houses were regarded as too big and too energy consuming. A major plan was made in the 1960s to transform the whole
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244:(Night). Similarly, some of the structures "speak" to one another. Examples of such a grouping are on the four corners of the Waterloostraat and Generaal Merlenstraat intersection, where houses depicting the four seasons face one another:
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the northern part of
Zurenborg was transformed from a neighbourhood shopping area into one of the most popular dining areas in Antwerp, and the art nouveau mansions in Zurenborg draw high numbers of visitors and tourists.
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Groups of individual houses were sometimes combined to form a general theme and are intended to be experienced as co-ordinated designs rather than as individual units. The five adjoining houses collectively known as
170:, etc. Houses also referenced local history or the names of the streets upon which they stand. The Lion of Flanders prominently adorns Cogels-Osylei 2–4, while across the street an entire complex is devoted to
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The houses were often named and decorated with accompanying themes. The influence of organic and natural sources is particularly evident in the themes and names of the Art
Nouveau homes:
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113:(Cogels-Osylei, 17) in the foreground. This group, all designed by the architect Joseph Bascourt, reflects the diverse architectural trends that are found in Zurenborg.
26:("The Sunflower"; 1900) by architect Jules Hofman characteristically incorporates the "organic" nature so prevalent in Art Nouveau design both in theme and concept
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of the area. However, many other styles—mostly "revival styles"—that were popular at the time are also represented. These include
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174:. Some street names refer to the independence war of linguistic affinity, the Boer war in South Africa:
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Ensemble De
Morgend, Den Dag, Den Tijd, De Nacht en Den Avond, Waterloostraat 55-63, Zurenborg, Antwerp
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architectural styles throughout
Zurenborg, which straddles the boundary between Antwerp itself and the
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and in contrasting colours, is named for, and thematically represents, a time of the day:
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The development of
Zurenborg coincided with the peak of Art Nouveau popularity, and that
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largely developed between 1894 and 1906 that features a high concentration of
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Cogels-Osylei, Zurenborg, Antwerp, from Burgemeester E. Reyckaertsplein
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224:) on Waterloostraat make up such an ensemble. Each one, built in
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Antwerp : The Zurenborg District - from farmland to fantasy
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panels depicting scenes from that battle. The façade of no. 11,
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in his characteristic headgear, while another is decorated with
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Several architects worked in the neighbourhood. Among them was
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391:" house, Transvaalstraat 56. Architect: Joseph Bascourt
360:(Sunflower), Cogels Osylei 50. Architect: Jules Hofman
329:(detail), Cogels-Osylei 55. Architect: Joseph Bascourt
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375:, Waterloostraat 11. Architect: Frans Smet-Verhas
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109:A group of houses along the Cogels-Osylei, with
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276:Post World War II history
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33:is an area in south-east
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16:Area of Antwerp, Belgium
467:The Houses of Zurenborg
441:Oxford University Press
211:Co-ordination of houses
373:The Battle of Waterloo
205:The Battle of Waterloo
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502:Populated places in
188:. On Waterloostraat
70:mansions and other
57:Houses in Zurenborg
639:Art Nouveau houses
191:houses recall the
128:stylistic language
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43:Art Nouveau
628:Categories
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358:Zonnebloem
264:Architects
252:(Summer),
248:(Spring),
45:and other
39:townhouses
613:Zurenborg
603:Zandvliet
512:Districts
168:The Tulip
31:Zurenborg
197:Napoleon
164:The Rose
124:movement
76:district
72:eclectic
62:Location
49:styles.
588:Diamond
583:Den Dam
560:Wilrijk
555:Merksem
550:Hoboken
525:Berchem
520:Antwerp
504:Antwerp
289:Gallery
236:(Day),
230:Ochtend
218:De Tijd
80:Berchem
35:Antwerp
545:Ekeren
540:Deurne
389:Boreas
343:Winter
258:Winter
254:Herfst
154:Themes
118:Styles
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593:Lillo
250:Zomer
246:Lente
242:Nacht
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