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169:, writing on culture, and eventually became the art editor. He had been interested in art as a young child, but never formally studied or practiced it, instead having skill with words, thus leading to career as an art critic, in his own words, "by spontaneous combustion". However, the hectic life of a journalist and the pressure of trying to establish the
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art" in an attempt to denigrate the newcomers' rising status in the art world. (The term did not catch on.) He also detested modernists' tendency to be dismissive of the past and of those who disliked their work. This attitude, Cortissoz felt, would cause people to associate art with the irrational
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to be ugly and rejected modernism's idea that the work did not have to represent reality. In 1923, he drew a comparison between the surge of prominent
European modernists arriving on American shores with the hot button issue of immigration, coining the derisive term
217:. He considered art as a whole to be central to society's well-being. He also frequently remarked that beauty could be found anywhere. Cortissoz was so influential that his praise was eagerly sought by artists, and the organizers of the landmark 1913
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270:. In 1927, he wrote, "Sooner or later these silly egotists will go to the scrap heap. But in the meantime they are ruining the younger generation." He did, however, have praise for
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As a critic, Cortissoz saw his role to be one who fosters an appreciation of art in the common man, and not just paintings. He wrote extensively about
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in
Washington, D.C.: "In this temple, as in the hearts of the people for whom he saved the Union, the memory of Abraham Lincoln is enshrined forever."
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The Degree of Doctor of Humane
Letters was conferred on: Royal Cortissoz, New York City.
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and bizarre and thus lose interest. Over the years, Cortissoz criticized in this manner
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Cortissoz argued against modernism on both technical and cultural grounds. He found
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Morgan, Howard Wayne (1989). "Royal
Cortissoz, Traditionalist for Everyman".
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In 1897, Cortissoz married Ellen MacKay
Hutchinson, a literary editor at the
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as he was diagnosed. Although he soon recovered after a trip around
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741:. Vol. LXXXII. C. Scribner's sons. December 1927. p. 642c
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Medal for distinguished service in the field of fine arts (1931),
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106:'dud', with a difference, obviously, but a 'dud' just the same."
102:. Of the latter, he once wrote, "It will someday prove a kind of
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157:, starting at the age of 16, before joining the staff of the
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84:; February 10, 1869 – October 17, 1948) was an American
254:. He felt artists attached to these movements, such as
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American Academy of Arts and Letters
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109:Cortissoz wrote the inscription engraved above
839:The Bulletin of the Metropolitan Museum of Art
33:Cortissoz wrote the epitaph carved above the
153:, spending six years working at the firm of
16:19th and 20th-century American art historian
763:. The American Academy of Arts and Letters
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469:"Royal Cortissoz, Art Critic, 79, Dies".
274:who used traditional techniques, such as
903:. Kent State University Press. pp.
712:. Wesleyan University. 1927. p. 167
327:The American Academy of Arts and Letters
221:were worried about what he might think.
193:ailments for the remainder of his life.
145:descent, and Julia da Costa Mauri, from
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163:. In 1891, he joined the staff of the
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987:American people of Spanish descent
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877:– via Newspapers.com.
557:"Lincoln Memorial Builders"
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788:. American Academy in Rome
345:Metropolitan Museum of Art
783:"Historical Trustee List"
932:Works by Royal Cortissoz
638:. Bantam Books. p.
437:Works by Royal Cortissoz
333:American Academy in Rome
972:American art historians
880:(subscription required)
832:"Index to the Bulletin"
545:(subscription required)
510:(subscription required)
302:Honors and affiliations
95:New York Herald Tribune
941:Royal Cortissoz Papers
861:"Cortissoz Gets Medal"
374:: A Memoir and a Study
364:Augustus Saint-Gaudens
252:abstract expressionism
155:McKim, Mead, and White
129:Cortissoz was born in
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561:National Park Service
205:, rare book designs,
160:Commercial Advertiser
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25:Royal Cortissoz, 1920
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967:American art critics
534:on September 4, 2007
401:Personalities in Art
380:Art and Common Sense
357:Partial bibliography
240:German Expressionism
739:Scribner's Magazine
735:"Behind the Scenes"
522:"Sterile Modernism"
499:on November 2, 2012
475:. October 18, 1948.
407:The Painter's Craft
312:Wesleyan University
272:American modernists
185:, he suffered from
149:. He trained as an
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472:The New York Times
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487:"Milestones"
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683:Morgan 1989
671:Morgan 1989
617:Morgan 1989
605:Morgan 1989
593:Morgan 1989
581:Morgan 1989
219:Armory Show
951:Categories
873:January 9,
845:January 9,
816:January 9,
792:January 9,
767:January 9,
745:January 9,
716:January 9,
649:0553273795
630:Wolfe, Tom
446:References
248:Surrealism
147:Martinique
139:Englishman
125:Early life
111:the statue
90:art critic
451:Citations
331:Trustee,
317:Chevalier
211:furniture
183:Cape Horn
151:architect
104:Victorian
100:modernism
632:(1976).
566:March 9,
441:WorldCat
435:Source:
325:Member,
268:egotists
135:New York
131:Brooklyn
92:for the
889:Sources
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296:Tribune
203:jewelry
187:anxiety
171:Tribune
143:Spanish
117:in the
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907:–102.
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367:(1907)
308:D.H.L.
282:, and
262:, and
250:, and
236:Cubism
213:, and
835:(PDF)
786:(PDF)
266:were
177:, or
909:ISBN
875:2018
847:2018
818:2018
794:2018
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718:2018
654:OCLC
644:ISBN
568:2017
540:2008
527:Time
505:2008
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244:Dada
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