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Hans Bellmer

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176:, 1925). Bellmer's doll project is also said to have been catalysed by a series of events in his personal life. Hans Bellmer takes credit for provoking a physical crisis in his father and brings his own artistic creativity into association with childhood insubordination and resentment toward a severe and humorless paternal authority. Perhaps this is one reason for the nearly universal, unquestioning acceptance in the literature of Bellmer's promotion of his art as a struggle against his father, the police, and ultimately, fascism and the state. Events of his personal life also including meeting a beautiful teenage cousin in 1932 (and perhaps other unattainable beauties), attending a performance of Jacques Offenbach's 220:
flax fiber, glue, and plaster; a mask-like head of the same material with glass eyes and a long, unkempt wig; and a pair of legs made from broomsticks or dowel rods. One of these legs terminated in a wooden, club-like foot; the other was encased in a more naturalistic plaster shell, jointed at the knee and ankle. As the project progressed, Bellmer made a second set of hollow plaster legs, with wooden ball joints for the doll's hips and knees. There were no arms to the first sculpture, but Bellmer did fashion or find a single wooden hand, which appears among the assortment of doll parts the artist documented in an untitled photograph of 1934, as well as in several photographs of later work.
157: 1118: 274:, who became his companion until her suicide in 1970. He continued working into the 1960s. Of his own work, Bellmer said, "What is at stake here is a totally new unity of form, meaning and feeling: language-images that cannot simply be thought up or written up 
 They constitute new, multifaceted objects, resembling polyplanes made of mirrors 
 As if the illogical was relaxation, as if laughter was permitted while thinking, as if error was a way and chance, a proof of eternity.” 180:(in which a man falls tragically in love with an automaton), and receiving a box of his old toys. After these events, he began to actually construct his first dolls. In his works, Bellmer explicitly sexualized the doll as a young girl. The dolls incorporated the principle of "ball joint", which was inspired by a pair of sixteenth-century articulated wooden dolls in the 219:
Bellmer produced the first doll in Berlin in 1933. Long since lost, the assemblage can nevertheless be correctly described thanks to approximately two dozen photographs Bellmer took at the time of its construction. Standing about fifty-six inches tall, the doll consisted of a modeled torso made of
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by declaring that he would make no work that would support the new German state. Represented by mutated forms and unconventional poses, his dolls (according to this view) were directed specifically at the cult of the perfect body then prominent in Germany.
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After the war, Bellmer lived the rest of his life in Paris. Bellmer gave up doll-making and spent the following decades creating erotic drawings, etchings, sexually explicit photographs, paintings, and prints of pubescent girls. In 1954, he met
328:, the monster designer of the game, commented on this saying that they had no influence on his design of the Mannequin; instead his inspiration came from traditional Japanese folklore. 235:" (living pictures). The book was not credited to him, as he worked in isolation, and his photographs remained almost unknown in Germany. Yet Bellmer's work was eventually declared 168:
Bellmer is most famous for the creation of a series of dolls as well as photographs of them. He was influenced in his choice of art form in part by reading the published letters of
396: 868:, Hans Bellmer, Atlas Press, London, 2006, trans. Malcolm Green (first complete translation of Bellmer's suite of essays, poems and photos from the final German version) 420: 358: 779:
Brown, Steven T. 2010. "Machinic Desires: Hans Bellmer's Dolls and the Technological Uncanny in Ghost in the Shell 2: Innocence". Mechademia. 3, no. 1: 222–253.
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Fabrice Flahutez, « Bellmer illustrateur de Bataille. Des piĂšces inĂ©dites au dossier des gravures d’Histoire de l’Ɠil (1945–1947) Â», in
2099: 2024: 451: 2079: 231:), produced and published privately in Germany, contains 10 black-and-white photographs of Bellmer's first doll arranged in a series of " 1968: 1973: 793: 2089: 820: 115:(13 March 1902 – 24 February 1975) was a German artist, best known for his drawings, etchings that illustrates the 1940 edition of 2084: 1112: 2044: 2029: 1048: 632: 590:, translated and with an introduction by Malcolm Green in a facsimile of the 1962 German edition, London, Atlas Press, 2005, 1102: 1145: 462: 389: 2074: 2069: 595: 184:
Jonathan Hirschfeld has claimed (without further argumentation) that Bellmer initiated his doll project to oppose the
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Fabrice Flahutez, « Hans Bellmer et Georges Bataille, une collaboration Ă©ditoriale Â», cat. exhib. (French)
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by the Nazi Party, and he was forced to flee Germany to France in 1938, where Bellmer's work was welcomed by the
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1967: Kestner-Gesellschaft, Hannover; Kunst-Verein, Berlin; Galerie Wolfgang Ketterer, Munich; "Hans Bellmer”
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Fabrice Flahutez, « Hans Bellmer : l’anagramme poĂ©tique au service d’un rĂȘve surrĂ©aliste Â»,
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contains clear references to Bellmer's work, including the protagonist's obsessive relationship with a
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Hans Bellmer, die Spiele der Puppe. Zu den Puppendarstellungen in der bildenden Kunst von 1914–1938
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Der Garten der LĂŒste, Zur Deutung des Erotischen und Sexuellen bei KĂŒnstlern und ihren Interpreten
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He aided the French Resistance during the war by making fake passports. He was imprisoned in the
181: 1676: 1988: 1857: 1546: 1958: 1943: 1887: 1731: 1626: 1611: 1551: 629:"Hans Bellmer in The Art Institute of Chicago: The Wandering Libido and the Hysterical Body" 2019: 2014: 1938: 1892: 1258: 789: 576:"88, Impasse de l'Espérance," 1975. (Originally written in 1960 for an uncompleted book by 480: 1428: 8: 1826: 1263: 1131: 427: 406: 335:
used images of Bellmer's dolls for the front cover and liner notes of their final album,
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film, features elements of Bellmer's erotic and uncanny dolls. Additionally, director
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he produced in the mid-1930s. Historians of art and photography also consider him a
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Pars pro toto, Zum VerhĂ€ltnis von kĂŒnstlerischer Freiheit und sexueller IntegritĂ€t
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1983: Centre Georges Pompidou and Filipacchi, Paris; "Hans Bellmer, Photographe”
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Bellmer died 24 February 1975 of bladder cancer. He was buried beside ZĂŒrn at
209: 2008: 1902: 1897: 1816: 1756: 1701: 1686: 1666: 1606: 1591: 1566: 1513: 1393: 1378: 1353: 1313: 1248: 1203: 1088: 320: 142: 48: 1736: 1528: 271: 153:). Up until 1926, he worked as a draftsman for his own advertising company. 1917: 1912: 1831: 1811: 1771: 1656: 1651: 1636: 1556: 1388: 1253: 1223: 325: 312: 213: 1741: 1696: 1661: 1413: 1238: 1493: 1483: 1338: 1328: 1288: 1193: 1168: 519: 291: 240: 1847: 324:
named Mannequin bears a strong resemblance to Bellmer's dolls. However,
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in American public collections, on the French Sculpture Census website
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Die Puppe: Die Puppe, Die Spiele der Puppe, und Die Anatomie des Bildes
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and the use of Bellmer's name as a leading character, Lisa Bellmer.
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camp for German nationals, from September 1939 until the end of the
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has referred to Bellmer's dolls as an inspiration for the film.
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Death, Desire and the Doll: The Life and Art of Hans Bellmer.
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Death, Desire and the Doll: The Life and Art of Hans Bellmer
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Death, Desire and the Doll: The Life and Art of Hans Bellmer
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He visited Paris in 1935 and made contacts there, such as
927:, Anders Malmburg, Malmo and Timothy Baum, New York, 1993 876: 368:, London; Bellmer's de Sade Engravings (closed by police) 956:. In: Renate Berger, Daniela Hammer-Tugendhat (Hrsg.): 440:, Issoudun; "Hans Bellmer par son Graveur CĂ©cile Reims” 766: 764: 847:
Sous le signe de Bataille. Masson, Fautrier, Bellmer
917:, Paris, Nouvelles Éditions Doubleff, 1999.(French) 761: 790:"Ghost in the Shell 2:Innocence – The Inspiration" 1091:, showing the complete series of the first book, 1013:. University of California Press, New York 2001, 506:, 1936. (Translated to French by Robert Valançay) 2006: 910:, Paris, Jean-Pierre Faur Éditeur, 1999.(French) 458:, Berlin; "Photographs and Drawings for the 30s” 915:Catalogue raisonnĂ© des estampes de Hans Bellmer 856:, n°227–228, mars 2010, p. 27–32.(French) 561:, 1962. (Text by Bellmer with Poems by Eluard) 1139: 923:. "Hans Bellmer:The Infestation of Eros", in 908:Hans Bellmer : Le Principe de Perversion 884:Behind Closed Doors: The Art of Hans Bellmer, 1011:Behind Closed Doors. The Art of Hans Bellmer 896:, n° 52, Paris, 2001, p. 79–94.(French) 467:Behind Closed Doors: The Art of Hans Bellmer 75:Photography, sculpture, painting, and poetry 1974:London International Surrealist Exhibition 1146: 1132: 1116: 901:La fabrique de la poupĂ©e chez Hans Bellmer 660:It's a Doll's Life, Jonathan Hirschfeld, 409:, Hannover; "Hans Bellmer, Photographien” 1969:Exposition Internationale du SurrĂ©alisme 814: 736: 392:; "Hans Bellmer, Drawings and Sculpture. 195: 155: 1043:. Hatje Cantz Verlag, Ostfildern 2006, 972:Hans Bellmer. Le principe de perversion 903:, Paris, Ă©d. L'Harmattan, 2000.(French) 518:, 1944. (Text by Bellmer with Poems by 385:, Paris; "Hans Bellmer (retrospective)” 344:He was portrayed in the 2023 TV series 2007: 510:Trois Tableaux, Sept Dessins, Un Texte 1127: 1039:Michael Semff/Anthony Spira (Hrsg.): 823:from the original on 15 February 2015 447:, Paris; "Bellmer Graveur, 1902–1975” 284: 281:with a tomb marked "Bellmer – ZĂŒrn". 160:Bellmer and Zurn's gravestone at the 2100:Deaths from bladder cancer in France 2025:Artists from the Province of Silesia 1057:. MIT Press, Cambridge, Mass. 2002, 1055:Hans Bellmer. The Anatomy of Anxiety 949:(zugl. FU Dissertation, Berlin 2002) 873:Hans Bellmer: The Anatomy of Anxiety 739:"Bound: Hans Bellmer and Unica Zurn" 698:. Chicago: Solar Books. p. 81. 693: 689: 687: 618:. Gardena: Solar Books, 2006, 19–21. 331:The New York–based avant-garde band 318:A creature from the 2001 video game 792:. DreamWorks and Go Fish Pictures. 463:International Center of Photography 390:Museum of Contemporary Art, Chicago 13: 931: 749:from the original on 14 March 2013 14: 2111: 2080:Burials at PĂšre Lachaise Cemetery 1923:The Surrealist Group in Stockholm 1082: 960:. DuMont, Köln 1985, S. 150–199, 796:from the original on 17 July 2011 684: 582:L'Homme qui a Perdu son Squelette 486:Double Sexus: Bellmer – Bourgeois 2090:20th-century French male artists 986:Die Zeichnungen von Hans Bellmer 635:from the original on 26 May 2005 137:Bellmer was born in the city of 988:. PropylĂ€en-Verlag, Berlin 1969 860:Hans Bellmer: Anatomie du DĂ©sir 808: 782: 773: 614:Webb, Peter, and Robert Short. 491: 304:Ghost in the Shell 2: Innocence 223:Bellmer's 1934 anonymous book, 1153: 887:University of California Press 730: 721: 712: 675: 666: 647: 621: 608: 553:Friedrich Schröder-Sonnenstern 351: 16:German artist and photographer 1: 2085:20th-century French sculptors 1868:Bureau of Surrealist Research 737:Oisteanu, Valery (May 2012). 601: 2045:20th-century French painters 2030:20th-century German painters 1071:Quartet Books, New York 1985 397:Galerie AndrĂ© Francois Petit 132: 121:, and the life-sized female 7: 941:. VDG-Verlag, Weimar 2005, 378:, Amsterdam; "Hans Bellmer” 10: 2116: 1074:Peter Webb, Robert Short: 1067:Peter Webb, Robert Short: 854:Les Nouvelles de l’estampe 423:, New York; "Hans Bellmer” 2075:French surrealist artists 2070:German surrealist artists 1994:Paranoiac-critical method 1931: 1840: 1537: 1161: 925:A Hans Bellmer Miscellany 445:MusĂ©e-Galerie de la Seita 432:Hans Bellmer: Photographs 421:Isidore Ducasse Fine Arts 96: 79: 71: 55: 30: 23: 1878:Chicago Surrealist Group 1863:British Surrealist Group 1095:(in its French version, 839: 727:Webb and Short, 148, 180 416:, London; "Hans Bellmer” 2060:German modern sculptors 672:Webb and Short, 20, 31. 473:Centre Georges Pompidou 361:, Paris; "Hans Bellmer” 182:Kaiser Friedrich Museum 2055:German modern painters 1989:Abstract expressionism 1858:Birmingham Surrealists 1547:Maxime Moses Alexandre 1524:Radojica Ćœivanović Noe 1189:Jacques-AndrĂ© Boiffard 1009:Therese Lichtenstein: 882:Therese Lichtenstein, 817:"Twitter announcement" 525:"Post-scriptum," from 516:Les Jeux de la PoupĂ©e 359:Galerie Daniel Cordier 279:PĂšre Lachaise Cemetery 205: 165: 162:PĂšre-Lachaise cemetery 2095:French male sculptors 2040:German male sculptors 1959:Surrealist techniques 1944:Surrealist automatism 1888:Fighting Cock Society 1627:Roger Gilbert-Lecomte 1612:Vratislav Effenberger 1552:Guillaume Apollinaire 565:Oracles et Spectacles 549:, No. 4, Spring 1958. 533:L'Anatomie de l'Image 366:Robert Fraser Gallery 199: 159: 2065:People from Katowice 2050:French male painters 2035:German male painters 1939:Surrealist Manifesto 1893:The Firesign Theatre 1677:Comte de LautrĂ©amont 1108:MoMA Collection Page 1103:Tate Collection Page 1026:Den Puppen verfallen 984:Alex Grall (Hrsg.): 974:. 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1367: 1365: 1362: 1360: 1359:RenĂ© Magritte 1357: 1355: 1354:Conroy Maddox 1352: 1350: 1347: 1345: 1342: 1340: 1337: 1335: 1332: 1330: 1327: 1325: 1322: 1320: 1317: 1315: 1314:Jane Graverol 1312: 1310: 1307: 1305: 1302: 1300: 1297: 1295: 1292: 1290: 1287: 1285: 1282: 1280: 1277: 1275: 1272: 1270: 1267: 1265: 1262: 1260: 1257: 1255: 1252: 1250: 1249:Jean Dallaire 1247: 1245: 1244:Salvador DalĂ­ 1242: 1240: 1237: 1235: 1232: 1230: 1227: 1225: 1222: 1220: 1217: 1215: 1212: 1210: 1207: 1205: 1204:Fanny Brennan 1202: 1200: 1197: 1195: 1192: 1190: 1187: 1185: 1182: 1180: 1177: 1175: 1172: 1170: 1167: 1166: 1164: 1160: 1156: 1149: 1144: 1142: 1137: 1135: 1130: 1129: 1126: 1119: 1114: 1111: 1109: 1106: 1104: 1101: 1098: 1094: 1090: 1087: 1086: 1077: 1073: 1070: 1069:Hans Bellmer. 1066: 1064: 1063:0-262-20130-5 1060: 1056: 1052: 1050: 1046: 1042: 1038: 1036:, Nr. 19/1967 1035: 1034: 1029: 1027: 1022: 1020: 1019:0-520-20984-2 1016: 1012: 1008: 1006: 1005:1-900565-14-5 1002: 998: 994: 990: 987: 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275: 273: 267: 266:in May 1940. 265: 261: 257: 253: 248: 246: 242: 238: 234: 230: 226: 221: 217: 215: 211: 203: 198: 194: 191: 187: 183: 179: 175: 171: 163: 158: 154: 152: 148: 144: 143:German Empire 140: 130: 128: 124: 120: 119: 114: 106: 102: 99: 95: 91: 87: 84: 78: 74: 70: 66:Paris, France 58: 54: 50: 49:German Empire 46: 41:13 March 1902 33: 29: 22: 19: 1918:Refus Global 1913:Monty Python 1832:Roger Vitrac 1812:Dylan Thomas 1782:Marko Ristić 1772:Herbert Read 1657:Nelly Kaplan 1652:Alfred Jarry 1642:IrĂšne Hamoir 1637:Julien Gracq 1582:AndrĂ© Breton 1557:Louis Aragon 1464:AndrĂ© Souris 1389:Oscar Mellor 1374:AndrĂ© Masson 1254:Paul Delvaux 1224:Claude Cahun 1184:Hans Bellmer 1183: 1179:EugĂšne Atget 1113:Hans Bellmer 1096: 1092: 1089:SF MOMA page 1075: 1068: 1054: 1053:Sue Taylor: 1041:Hans Bellmer 1040: 1031: 1025: 1010: 996: 993:Introduction 992: 985: 971: 957: 953: 938: 924: 914: 907: 900: 893: 883: 872: 871:Sue Taylor. 865: 859: 853: 846: 825:. Retrieved 810: 798:. Retrieved 784: 775: 751:. Retrieved 742: 732: 723: 714: 695: 677: 668: 649: 637:. Retrieved 623: 615: 610: 587: 581: 570: 564: 558: 552: 546: 539: 532: 526: 515: 509: 503: 497: 492:Bibliography 485: 479: 466: 465:, New York; 454:, New York; 431: 343: 336: 330: 326:Masahiro Ito 319: 317: 313:Mamoru Oshii 302: 301: 290: 288: 276: 268: 249: 245:AndrĂ© Breton 237:"degenerate" 228: 224: 222: 218: 214:tuberculosis 207: 204:series, 1932 201: 173: 167: 136: 116: 113:Hans Bellmer 112: 111: 89: 85: 81:Notable work 61:(1975-02-24) 25:Hans Bellmer 18: 2020:1975 deaths 2015:1902 births 1707:DuĆĄan Matić 1617:Paul Éluard 1602:RenĂ© Daumal 1597:RenĂ© Crevel 1538:Writers and 1494:Karel Teige 1484:Yves Tanguy 1339:Wifredo Lam 1329:Frida Kahlo 1289:Leonor Fini 1219:Luis Buñuel 1194:Bill Brandt 1169:Eileen Agar 753:18 December 520:Paul Eluard 452:Ubu Gallery 352:Exhibitions 292:Love Object 241:Surrealists 210:Paul Éluard 174:Der Fetisch 105:Berlin Dada 2009:Categories 1903:Grup d'Elx 1883:Dau al Set 1737:Paul NougĂ© 1722:Max Morise 1717:RenĂ© MĂ©nil 1529:Unica ZĂŒrn 1404:Lee Miller 1155:Surrealism 602:References 527:Hexentexte 333:Naked City 272:Unica ZĂŒrn 264:Phoney War 260:brickworks 254:prison at 190:Nazi Party 127:Surrealist 101:Surrealism 37:1902-03-13 1898:The Goons 1742:Paul Păun 1697:LĂ©o Malet 1662:Petr KrĂĄl 1632:Yvan Goll 1540:Theorists 1414:Joan MirĂł 1349:Dora Maar 1284:Max Ernst 1239:Gala DalĂ­ 1097:La PoupĂ©e 1093:Die Puppe 800:21 August 580:entitled 504:La PoupĂ©e 498:Die Puppe 307:, a 2004 229:Die Puppe 202:Die Puppe 139:Kattowitz 133:Biography 90:La PoupĂ©e 86:Die Puppe 45:Kattowitz 1848:AcĂ©phale 1454:Kay Sage 1174:Jean Arp 1099:, 1936). 1033:Die Zeit 997:The Doll 866:The Doll 821:Archived 794:Archived 747:Archived 633:Archived 588:The Doll 484:Berlin; 338:Absinthe 297:sex doll 225:The Doll 147:Katowice 97:Movement 88:(1934), 1932:Related 1439:Man Ray 1162:Artists 889:, 2001. 879:Press). 875:(2002, 662:Haaretz 639:13 June 573:, 1967. 567:, 1965. 555:, 1959. 535:, 1957. 512:, 1944. 500:, 1934. 243:around 188:of the 186:fascism 1841:Groups 1061:  1047:  1017:  1003:  978:  964:  945:  827:5 June 702:  594:  478:2010: 471:2006: 461:2001: 450:1999: 443:1997: 436:1992: 426:1991: 419:1990: 412:1985: 405:1984: 395:1976: 388:1975: 381:1971: 374:1970: 364:1966: 357:1963: 151:Poland 92:(1935) 1504:Toyen 995:, in 840:Notes 309:anime 145:(now 123:dolls 1984:Dada 1059:ISBN 1045:ISBN 1030:In: 1015:ISBN 1001:ISBN 976:ISBN 962:ISBN 943:ISBN 829:2013 802:2011 755:2012 700:ISBN 641:2005 592:ISBN 258:, a 56:Died 31:Born 877:MIT 341:.. 2011:: 819:. 763:^ 745:. 741:. 686:^ 631:. 348:. 247:. 216:. 149:, 103:, 47:, 1147:e 1140:t 1133:v 1028:. 831:. 804:. 757:. 708:. 643:. 584:) 522:) 227:( 172:( 164:. 39:) 35:(

Index

Kattowitz
German Empire
Surrealism
Berlin Dada
Histoire de l’Ɠil
dolls
Surrealist
Kattowitz
German Empire
Katowice
Poland

PĂšre-Lachaise cemetery
Oskar Kokoschka
Tales of Hoffmann
Kaiser Friedrich Museum
fascism
Nazi Party

Paul Éluard
tuberculosis
tableaux vivants
"degenerate"
Surrealists
André Breton
Camp des Milles
Aix-en-Provence
brickworks
Phoney War
Unica ZĂŒrn

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