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Surrealism

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803: 998: 5904:"...the tendency to interpret Bosch's imagery in terms of modern Surrealism or Freudian psychology is anachronistic. We forget too often that Bosch never read Freud and that modern psychoanalysis would have been incomprehensible to the medieval mind... Modern psychology may explain the appeal Bosch's pictures have for us, but it cannot explain the meaning they had for Bosch and his contemporaries. Bosch did not intend to evoke the subconscious of the viewer, but to teach him certain moral and spiritual truths, and thus his images generally had a precise and premeditated significance." 2798:, who was also influenced by Beat fiction, experimented since the 1960s with the surrealist idea of startling juxtapositions; commenting on the "necessity of managing this procedure with some degree of care and skill", he added that "any old combination of details will not do. Spike Jones Jr., whose father's orchestral recordings had a deep and indelible effect on me as a child, said once in an interview, 'One of the things that people don't realize about Dad's kind of music is, when you replace a C-sharp with a gunshot, it has to be a C-sharp gunshot or it sounds awful.'" 2293:. However, it should not be easily forgotten that Abstract Expressionism itself grew directly out of the meeting of American (particularly New York) artists with European Surrealists self-exiled during World War II. In particular, Gorky and Paalen influenced the development of this American art form, which, as Surrealism did, celebrated the instantaneous human act as the well-spring of creativity. The early work of many Abstract Expressionists reveals a tight bond between the more superficial aspects of both movements, and the emergence (at a later date) of aspects of 2492:– New York – The Surrealists again called on Duchamp to design an exhibition. This time he wove a 3-dimensional web of string throughout the rooms of the space, in some cases making it almost impossible to see the works. He made a secret arrangement with an associate's son to bring his friends to the opening of the show, so that when the finely dressed patrons arrived, they found a dozen children in athletic clothes kicking and passing balls and skipping rope. His design for the show's catalog included "found", rather than posed, photographs of the artists. 1336:
toward a higher reality. But—as in Breton's case—much of what is presented as purely automatic is actually edited and very "thought out". Breton himself later admitted that automatic writing's centrality had been overstated, and other elements were introduced, especially as the growing involvement of visual artists in the movement forced the issue, since automatic painting required a rather more strenuous set of approaches. Thus, such elements as collage were introduced, arising partly from an ideal of startling juxtapositions as revealed in
1237: 1566:. Artaud rejected the majority of Western theatre as a perversion of its original intent, which he felt should be a mystical, metaphysical experience. Instead, he envisioned a theatre that would be immediate and direct, linking the unconscious minds of performers and spectators in a sort of ritual event, Artaud created in which emotions, feelings, and the metaphysical were expressed not through language but physically, creating a mythological, archetypal, allegorical vision, closely related to the world of dreams. 1340:'s poetry. And—as in Magritte's case (where there is no obvious recourse to either automatic techniques or collage)—the very notion of convulsive joining became a tool for revelation in and of itself. Surrealism was meant to be always in flux—to be more modern than modern—and so it was natural there should be a rapid shuffling of the philosophy as new challenges arose. Artists such as Max Ernst and his surrealist collages demonstrate this shift to a more modern art form that also comments on society. 3155:"The movement started in 1917, that year of war and revolution, when the term was coined by Guillaume Apollinaire and when three young intellectuals, AndrĂ© Breton, Philipp Soupault and Louis Aragon, met each other in Paris and found that they shared the same overriding artistic principle: any art, in future, was only possible if it denied the validity of bourgeois sense and morals."— page 11 In: Haslam, Malcolm. The Real World of the Surrealists. New York: Galley Press / W.H.Smith Publishers, 1978. 1118: 14632: 11536: 397: 15087: 464:, to a kind of surrealism, which I consider to be the point of departure for a whole series of manifestations of the New Spirit that is making itself felt today and that will certainly appeal to our best minds. We may expect it to bring about profound changes in our arts and manners through universal joyfulness, for it is only natural, after all, that they keep pace with scientific and industrial progress. (Apollinaire, 1917) 941: 38: 2777:", along with Apollinaire's "Zone", GarcĂ­a Lorca's "Ode to Walt Whitman", and Schwitters' "Priimiititiii". The structure of Breton's "Free Union" had a significant influence on Ginsberg's "Kaddish". In Paris, Ginsberg and Corso met their heroes Tristan Tzara, Marcel Duchamp, Man Ray, and Benjamin PĂ©ret, and to show their admiration Ginsberg kissed Duchamp's feet and Corso cut off Duchamp's tie. 2154: 2701:
revolutionary politics, both directly — as in some Surrealists joining or allying themselves with radical political groups, movements and parties — and indirectly — through the way in which Surrealists emphasize the intimate link between freeing imagination and the mind, and liberation from repressive and archaic social structures. This was especially visible in the
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Ganguly, while acknowledging the similarities, cite the many differences obscured by the direct comparison of Magic Realism and Surrealism such as an interest in psychology and the artefacts of European culture they claim is not present in Magic Realism. A prominent example of a Magic Realist writer who points to Surrealism as an early influence is
3178:. It was in fact Apollinaire who first introduced Breton to Philippe Soupault at his 125 Boulevard St. Germaine apartment, meeting-place for most of the significant avant-garde figures of the day." p. 39 in David Gascoyne's Translator's Introduction to "The Magnetic Fields," included with "The Immaculate Conception," in Breton, André. 1837:(including Breton, Aragon and Artaud, as well as some two dozen others) declared their affinity for revolutionary politics. While this was initially a somewhat vague formulation, by the 1930s many Surrealists had strongly identified themselves with communism. The foremost document of this tendency within Surrealism is the 345:" Breton speaks of in the first Surrealist Manifesto), with the works themselves being secondary, i.e., artifacts of surrealist experimentation. Leader Breton was explicit in his assertion that Surrealism was, above all, a revolutionary movement. At the time, the movement was associated with political causes such as 2238: 2416:, one of the first British Surrealists whose work in this genre dated from 1935, remained within the movement, and organized an exhibition of current Surrealist work in 1978 in response to an earlier show which infuriated him because it did not properly represent Surrealism. Maddox's exhibition, titled 903:
Goll and Breton clashed openly, at one point literally fighting, at the ComĂ©die des Champs-ÉlysĂ©es, over the rights to the term Surrealism. In the end, Breton won the battle through tactical and numerical superiority. Though the quarrel over the anteriority of Surrealism concluded with the victory of
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Though the war proved disruptive for Surrealism, the works continued. Many Surrealist artists continued to explore their vocabularies, including Magritte. Many members of the Surrealist movement continued to correspond and meet. While DalĂ­ may have been excommunicated by Breton, he neither abandoned
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Because Surrealist writers seldom, if ever, appear to organize their thoughts and the images they present, some people find much of their work difficult to parse. This notion however is a superficial comprehension, prompted no doubt by Breton's initial emphasis on automatic writing as the main route
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regime and painted Surrealist graffiti on spots covering up anti-regime slogans. Major himself was the author of a "Manifesto of Socialist Surrealism". In this manifesto, he stated that the socialist (communist) system had become so Surrealistic that it could be seen as an expression of art itself.
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in 1952. Breton's return to France after the War, began a new phase of Surrealist activity in Paris, and his critiques of rationalism and dualism found a new audience. Breton insisted that Surrealism was an ongoing revolt against the reduction of humanity to market relationships, religious gestures
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Surrealism. Philosophy. Surrealism is based on the belief in the superior reality of certain forms of previously neglected associations, in the omnipotence of dream, in the disinterested play of thought. It tends to ruin once and for all other psychic mechanisms and to substitute itself for them in
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Long after personal, political and professional tensions fragmented the Surrealist group, Magritte and DalĂ­ continued to define a visual program in the arts. This program reached beyond painting, to encompass photography as well, as can be seen from a Man Ray self-portrait, whose use of assemblage
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came to Breton, he did not want to sign the manifesto because he was not a Trotskyist. For Breton being a communist was not enough. Breton denied Van Moerkerken's pictures for a publication afterwards. This caused a split in surrealism. Others fought for complete liberty from political ideologies,
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The Second World War overshadowed, for a time, almost all intellectual and artistic production. In 1939 Wolfgang Paalen was the first to leave Paris for the New World as exile. After a long trip through the forests of British Columbia, he settled in Mexico and founded his influential art-magazine
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filled one side of the lobby with mannequins dressed by various Surrealists. Paalen and Duchamp designed the main hall to seem like cave with 1,200 coal bags suspended from the ceiling over a coal brazier with a single light bulb which provided the only lighting, as well as the floor covered with
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Beside the use of dream analysis, they emphasized that "one could combine inside the same frame, elements not normally found together to produce illogical and startling effects." Breton included the idea of the startling juxtapositions in his 1924 manifesto, taking it in turn from a 1918 essay by
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Surrealist individuals and groups have carried on with Surrealism after the death of André Breton in 1966. The original Paris Surrealist Group was disbanded by member Jean Schuster in 1969, but another Parisian surrealist group was later formed. The current Surrealist Group of Paris has recently
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We Surrealists pronounced ourselves in favour of changing the imperialist war, in its chronic and colonial form, into a civil war. Thus we placed our energies at the disposal of the revolution, of the proletariat and its struggles, and defined our attitude towards the colonial problem, and hence
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Surrealism as a political force developed unevenly around the world: in some places more emphasis was on artistic practices, in other places on political practices, and in other places still, Surrealist praxis looked to supersede both the arts and politics. During the 1930s, the Surrealist idea
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The group aimed to revolutionize human experience, in its personal, cultural, social, and political aspects. They wanted to free people from false rationality, and restrictive customs and structures. Breton proclaimed that the true aim of Surrealism was "long live the social revolution, and it
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was inspired by the revolutionary voice in Surrealist poetry and points to inspiration Breton and Artaud found in Fuentes' homeland, Mexico. Though Surrealism was a direct influence on Magic Realism in its early stages, many Magic Realist writers and critics, such as Amaryll Chanady and S. P.
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While Surrealism is typically associated with the arts, it has impacted many other fields. In this sense, Surrealism does not specifically refer only to self-identified "Surrealists", or those sanctioned by Breton, rather, it refers to a range of creative acts of revolt and efforts to liberate
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was held at the Beaux-arts Gallery, Paris, with more than 60 artists from different countries, and showed around 300 paintings, objects, collages, photographs and installations. The Surrealists wanted to create an exhibition which in itself would be a creative act and called on Marcel Duchamp,
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supporting Fontenis transformed the FA into the Fédération Communiste Libertaire. He was one of the few intellectuals who continued to offer his support to the FCL during the Algerian war when the FCL suffered severe repression and was forced underground. He sheltered Fontenis whilst he was in
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contained automatist works and accounts of dreams. The magazine and the portfolio both showed their disdain for literal meanings given to objects and focused rather on the undertones; the poetic undercurrents present. Not only did they give emphasis to the poetic undercurrents, but also to the
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Alice Farley is an American-born artist who became active during the 1970s in San Francisco after training in dance at the California Institute of the Arts. Farley uses vivid and elaborate costuming that she describes as "the vehicles of transformation capable of making a character's thoughts
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Surrealists believe that non-Western cultures also provide a continued source of inspiration for Surrealist activity because some may induce a better balance between instrumental reason and imagination in flight than Western culture. Surrealism has had an identifiable impact on radical and
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special issue on Duchamp was crucial for the public understanding of Surrealism in America. It stressed his connections to Surrealist methods, offered interpretations of his work by Breton, as well as Breton's view that Duchamp represented the bridge between early modern movements, such as
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Allen Ginsberg. "Howl: Original Draft Facsimile, Transcript & Variant Versions, Fully Annotated by Author, with Contemporaneous Correspondence, Account of First Public Reading, Legal Skirmishes, Precursor Texts & Bibliography." Ed. Barry Miles. Harper Perennial, 1995.
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continued publication into 1929 with most pages densely packed with columns of text, but which also included reproductions of art, among them works by de Chirico, Ernst, Masson, and Man Ray. Other works included books, poems, pamphlets, automatic texts and theoretical tracts.
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humid leaves and mud. The patrons were given flashlights with which to view the art. On the floor Wolfgang Paalen created a small lake with grasses and the aroma of roasting coffee filled the air. Much to the Surrealists' satisfaction the exhibition scandalized the viewers.
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his themes from the 1930s, including references to the "persistence of time" in a later painting, nor did he become a depictive pompier. His classic period did not represent so sharp a break with the past as some descriptions of his work might portray, and some, such as
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Breton, the history of surrealism from that moment would remain marked by fractures, resignations, and resounding excommunications, with each surrealist having their own view of the issue and goals, and accepting more or less the definitions laid out by André Breton.
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Surrealism, n. Pure psychic automatism, by which one proposes to express, either verbally, in writing, or by any other manner, the real functioning of thought. Dictation of thought in the absence of all control exercised by reason, outside of all aesthetic and moral
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World War II created havoc not only for the general population of Europe but especially for the European artists and writers that opposed Fascism and Nazism. Many important artists fled to North America and relative safety in the United States. The art community in
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By the end of World War II, the surrealist group led by André Breton decided to explicitly embrace anarchism. In 1952 Breton wrote "It was in the black mirror of anarchism that surrealism first recognised itself." Breton was consistent in his support for the
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Surrealism as a visual movement had found a method: to expose psychological truth; stripping ordinary objects of their normal significance, to create a compelling image that was beyond ordinary formal organization, in order to evoke empathy from the viewer.
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As they developed their philosophy, they believed that Surrealism would advocate the idea that ordinary and depictive expressions are vital and important, but that the sense of their arrangement must be open to the full range of imagination according to the
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had very little negative impact upon Surrealism as Breton saw it, since core figures such as Aragon, Crevel, Dalí and Buñuel remained true to the idea of group action, at least for the time being. The success (or the controversy) of Dalí and Buñuel's film
2223:(an old taxi rigged to produce a steady drizzle of water down the inside of the windows, and a shark-headed creature in the driver's seat and a blond mannequin crawling with live snails in the back) greeted the patrons who were in full evening dress. 1276:, would create a decorative form of Surrealism, and he would be an influence on the two artists who would be even more closely associated with Surrealism in the public mind: DalĂ­ and Magritte. He would, however, leave the Surrealist group in 1928. 1983:
excluded anyone reluctant to commit to collective action, a list which included Leiris, Limbour, Morise, Baron, Queneau, Prévert, Desnos, Masson and Boiffard. Excluded members launched a counterattack, sharply criticizing Breton in the pamphlet
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Yvan Goll's manifesto preceded Breton's by fourteen days, although Breton eventually succeeded in claiming the term for his group. See Matthew S. Witkovsky, "Surrealism in the Plural: Guillaume Apollinaire, Ivan Goll and Devětsil in the 1920s"
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struggle over radical creation such that their struggles with the Party made the late 1920s a turbulent time for both. Many individuals closely associated with Breton, notably Aragon, left his group to work more closely with the Communists.
769:, which said: "a juxtaposition of two more or less distant realities. The more the relationship between the two juxtaposed realities is distant and true, the stronger the image will be−the greater its emotional power and poetic reality." 2833:, a popular technique among novelists of the latter half of the 20th century especially among Latin American writers, has some obvious similarities to Surrealism with its juxtaposition of the normal and the dream-like, as in the work of 2272:
converged closely with the surrealist artists themselves, albeit with some suspicion and reservations. Ideas concerning the unconscious and dream imagery were quickly embraced. By the Second World War, the taste of the American
2305:, Surrealism can be seen to have been the single most important influence on the sudden growth in American arts, and even in Pop, some of the humor manifested in Surrealism can be found, often turned to a cultural criticism. 552:—spontaneously writing without censoring their thoughts—and published the writings, as well as accounts of dreams, in the magazine. Breton and Soupault continued writing evolving their techniques of automatism and published 1801:
but cannot be said to represent a trend in Surrealism in this respect; in fact, he was considered, by Breton and his associates, to have betrayed and left Surrealism. Benjamin PĂ©ret, Mary Low, Juan BreĂĄ, and Spanish-native
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Deleuze, Gilles. The Logic of Sense. (English translation of Logique du sens. Paris: Les Editions de Minuit, 1969.) Translated by Mark Lester with Charles Stivale; edited by Constantin V. Boundas. New York: Columbia UP,
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International Surrealist Exhibition – Galerie Maeght, Paris« L’espace d'exposition comme matrice signifiante: l'exemple de l'exposition internationale du surrĂ©alisme Ă  la galerie Maeght Ă  Paris en 1947 Â»,
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During the 1940s Surrealism's influence was also felt in England, America and the Netherlands where Gertrude Pape and her husband Theo van Baaren helped to popularize it in their publication The Clean Handkerchief.
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First Papers of Surrealism presented the fathers of surrealism in an exhibition that represented the leading monumental step of the avant-gardes towards installation art. Many writers from and associated with the
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online magazine "currently the only international magazine devoted exclusively to surrealist poetry." Such contemporary avantgardist poets as Sergey Buryukov, Anna Glazova, Tatyana Graus, Dmitry Grigoriev,
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The anticolonial revolutionary and proletarian politics of "Murderous Humanitarianism" (1932) which was drafted mainly by Crevel, signed by Breton, Éluard, PĂ©ret, Tanguy, and the Martiniquan Surrealists
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defines the purposes of Surrealism. He included citations of the influences on Surrealism, examples of Surrealist works, and discussion of Surrealist automatism. He provided the following definitions:
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DalĂ­ and Magritte created the most widely recognized images of the movement. DalĂ­ joined the group in 1929 and participated in the rapid establishment of the visual style between 1930 and 1935.
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Review "MĂ©lusine" in French by Center of surrealism studies directed by Henri Behar since 1979, edited by Editions l'Age d'Homme, Lausanne, Suisse. Download platform www.artelittera.com 14.00
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The movement in the mid-1920s was characterized by meetings in cafes where the Surrealists played collaborative drawing games, discussed the theories of Surrealism, and developed a variety of
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returned to Paris to continue creating his own word that had been transcended the surrealism. The preface to his first exhibition in the Furstenberg Gallery (1957) was written by Breton yet.
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GĂ©rard Durozoi, An excerpt from History of the Surrealist Movement, Chapter Two, 1924–1929, Salvation for Us Is Nowhere, translation by Alison Anderson, U of Chicago Press, pp. 63–74, 2002.
1291:, MirĂł, and others. The show confirmed that Surrealism had a component in the visual arts (though it had been initially debated whether this was possible), and techniques from Dada, such as 5403: 1272:
presents a series of dreamscapes with an unusual use of punctuation, syntax, and grammar designed to create an atmosphere and frame its images. His images, including set designs for the
4576: 2905:, Farley explores the role of improvisation in dance, bringing in an automatic aspect to the productions. Farley has performed in a number of surrealist collaborations including the 2443:(by his own description) "remained close to Surrealism". Frida Kahlo should be mentioned. She had a New York solo exhibition in 1938 with 25 paintings, encouraged by Breton himself. 2380:, who had experimented with surrealist themes in the 1930s, responded with a series of dark works reflecting the shocked state of the people of the city. These were exhibited at the 2073:, meanwhile, and was distinguished by its opposition to the London surrealists and preferences for surrealism's French heartland. The two groups would reconcile later in the decade. 2539: 1266:
has the figure turned away from the viewer, and the juxtaposition of a bust with glasses and a fish as a relief defies conventional explanation. He was also a writer whose novel
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Freud's work with free association, dream analysis, and the unconscious was of utmost importance to the Surrealists in developing methods to liberate imagination. They embraced
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was a better tactic for societal change than those of Dada, as led by Tzara, who was now among their rivals. Breton's group grew to include writers and artists from various
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in December 1930 had a regenerative effect, drawing a number of new recruits, and encouraging countless new artistic works the following year and throughout the 1930s.
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There were a number of reconciliations after this period of disunion, such as between Breton and Bataille, while Aragon left the group after committing himself to the
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is an example of this process, where three large spheres representing bells hang above a landscape. Another Surrealist landscape from this same year is Yves Tanguy's
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is visible with the use of fluid curving and intersecting lines and colour, whereas the first takes a directness that would later be influential in movements such as
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Hargrove, Nancy (1998). "The Great Parade: Cocteau, Picasso, Satie, Massine, Diaghilev—and T.S. Eliot". Journal for the Interdisciplinary Study of Literature 31 (1).
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The characteristics of this style—a combination of the depictive, the abstract, and the psychological—came to stand for the alienation which many people felt in the
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scattered the writers and artists who had been based in Paris, and in the interim, many became involved with Dada, believing that excessive rational thought and
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from 1970. Duchamp continued to produce sculpture in secret including an installation with the realistic depiction of a woman viewable only through a peephole.
1766:. The split from Dada has been characterised as a split between anarchists and communists, with the Surrealists as communist. Breton and his comrades supported 6410: 3453: 3085: 3239: 2530:
in France included a number of Surrealist ideas, and among the slogans the students spray-painted on the walls of the Sorbonne were familiar Surrealist ones.
1977:, was ostracized. Also in February, Breton asked Surrealists to assess their "degree of moral competence", and theoretical refinements included in the second 6584: 2753:
are often categorized as both Beat and Surrealist writers. Many other Beat writers show significant evidence of Surrealist influence. A few examples include
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in 1932. More members were ousted over the years for a variety of infractions, both political and personal, while others left in pursuit of their own style.
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Many significant literary movements in the later half of the 20th century were directly or indirectly influenced by Surrealism. This period is known as the
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Choucha, Nadia. Surrealism & the Occult: Shamanism, Alchemy and the Birth of an Artistic Movement. Rochester, Vermont: Destiny; Inner Traditions, 1992.
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Leading up to 1924, two rival surrealist groups had formed. Each group claimed to be successors of a revolution launched by Apollinaire. One group, led by
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Surrealist theatre and Artaud's "Theatre of Cruelty" were inspirational to many within the group of playwrights that the critic Martin Esslin called the "
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was also fond of Surrealists, even translating much of the poetry into English. Other notable playwrights whom Esslin groups under the term, for example
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regarded as a surrealist filmmaker being quoted, "David Lynch has once again risen to the spotlight as a champion of surrealism," in regard to his show
2372:, argued that there were works of his after this period that continued to have some relevance for the movement. When the war reached Ireland with the 761:, while rejecting the idea of an underlying madness. As DalĂ­ later proclaimed, "There is only one difference between a madman and me. I am not mad." 12061: 2608:
of the Czech-Slovak Surrealists continues to make films and experiment with objects. In Ireland, novelists and poets associated with Surrealism are
1890: 1555:(1928) are often considered the best examples of Surrealist theatre, despite his expulsion from the movement in 1926. The plays were staged at the 14907: 2172:, an important American art collector, married Max Ernst and began promoting work by other Surrealists such as Yves Tanguy and the British artist 1194:
of 1923 are often used as the point of the acceptance of visual arts and the break from Dada, since they reflect the influence of the idea of the
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hiding. He refused to take sides on the splits in the French anarchist movement and both he and Peret expressed solidarity as well with the new
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was drawn from a dream sequence. Souris in particular was associated with the movement: he had a long relationship with Magritte, and worked on
13976: 3553: 4460:. 1990. University of Edinburgh Press. A history of the uneasy relations between Surrealists and Communists from the 1920s through the 1950s. 13428: 3735: 4580: 276: 6290: 5800:
Farley, Alice; Threadgill, Henry; Field, Thalia; Morrow, Bradford (1997). "Erotec : An Interview with Alice Farley and Henry Threadgill".
4681: 14668: 13462: 7441: 5480:. Ed. Jean C. Stine and Bridget Broderick. Vol. 27. Detroit: Gale Research, 1984. Literature Resources from Gale. Web. 2 September 2010. 2214: 13969: 7446: 2925:, whom DalĂ­ called the "father of Surrealism." Apart from their followers, other artists who may be mentioned in this context include 2187: 2066: 1791:, who, after Trotsky's assassination in Mexico, prepared a schism between art and politics through his counter-surrealist art-magazine 2025:, whose anti-idealist materialism formed a hybrid Surrealism intending to expose the base instincts of humans. To the dismay of many, 2083:
1931 was a year when several Surrealist painters produced works which marked turning points in their stylistic evolution: Magritte's
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who also later criticized Surrealism's delineation between real and unreal as not representing the true South American experience.
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was a high-water mark of the period and became the model for international exhibitions. Another English Surrealist group developed
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The first is generally held to have a distance, and erotic subtext, whereas the second presents an erotic act openly and directly.
4881: 4858: 2561:. They used Surrealist symbolism and terminology in their large-scale happenings organized in the major Polish cities during the 5887: 1774:
for a while, though there was an openness to anarchism that manifested more fully after World War II. Some Surrealists, such as
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gatherings, performances, writings and art works. After the war, when they returned to Paris, the Dada activities continued.
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Demos, T. J. "Duchamp's Labyrinth: "First Papers of Surrealism", 1942." October 97 (2001): 91–119. Accessed March 16, 2021.
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Enragés and situationists in the occupation movement, France May '68. New York; London: Autonomedia; Rebel Press, 1992, p.21
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In the 1920s several composers were influenced by Surrealism, or by individuals in the Surrealist movement. Among them were
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This new alliance—I say new, because until now scenery and costumes were linked only by factitious bonds—has given rise, in
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in particular was fond of Surrealism, claiming at one point that Breton was one of the most important thinkers in history.
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Surrealist groups and literary publications have continued to be active up to the present day, with groups such as the
423:: "All things considered, I think in fact it is better to adopt surrealism than supernaturalism, which I first used" . 11926: 3334: 2106:
period, combined with the sense of reaching more deeply into the psyche, to be "made whole with one's individuality".
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perhaps makes it the original document of what is later called "black Surrealism", although it is the contact between
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and so prepared the ground for the abstract expressionists. DalĂ­ supported capitalism and the fascist dictatorship of
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However, a striking example of the line used to divide Dada and Surrealism among art experts is the pairing of 1925's
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In 1924, two Surrealist factions declared their philosophy in two separate Surrealist Manifestos. That same year the
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and courted them to join the movement, they remained peripheral. More writers also joined, including former Dadaist
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Collected prose: autobiographical writings, true stories, critical essays, prefaces and collaborations with artists
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from 1913 shows the stark colour contrasts and illustrative style later adopted by Surrealist painters. His 1914
4699: 4494:"Poetry and the Political Imagination: Aimé Césaire, Negritude, & the Applications of Surrealism". July 2001 3678: 3666: 2350:, to Surrealism. Wolfgang Paalen left the group in 1942 due to political/philosophical differences with Breton. 376:, who had published his own surrealist manifesto two weeks prior. The most important center of the movement was 13864: 13413: 13272: 13036: 12056: 11892: 11601: 11556: 11301: 11294: 11116: 3690: 3563: 1426: 1390: 951: 790: 729: 337: 10893: 1209:
Little Machine Constructed by Minimax Dadamax in Person (Von minimax dadamax selbst konstruiertes maschinchen)
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Sholl, Robert (2007). "Love, Mad Love and the "Point sublime": The Surrealist Poetics of Messiaen's Harawi".
3706:. Trans. Mary Ann Caws & Geoffrey T. Harris. London & Lincoln: U of Nebraska Press/Bison Books, 1990. 3182:. Translated by David Gascoyne, Antony Melville, & Jon Graham. (London and Geurnsey: Atlas Press, 1997). 2649: 1834: 1771: 1299:
in 1928 which summarized the movement to that point, though he continued to update the work until the 1960s.
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In 1925 an autonomous Surrealist group formed in Brussels. The group included the musician, poet, and artist
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in 1917. However, the Surrealist movement was not officially established until after October 1924, when the
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Everett, Yayoi Uno (2009). "Signification ofParody and the Grotesque in György Ligeti's Le Grand Macabre".
2805:, for example, has translated Surrealist poetry and said the Surrealists were "a real discovery" for him. 2570: 2538:
There were also groups who associated with both currents and were more attached to Surrealism, such as the
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Breton continued to write and espouse the importance of liberating the human mind, as with the publication
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of many countries and languages, as well as political thought and practice, philosophy, and social theory.
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Vaneigem, Raoul. A Cavalier History of Surrealism. Trans. Donald Nicholson-Smith. Oakland: AK Press, 2000.
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set up by the synthesist anarchists and worked in the Antifascist Committees of the 60s alongside the FA.
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Following his collaboration with Vitrac, Artaud would extend Surrealist thought through his theory of the
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Nouveau Monde et Nouveau Mythe. Mutations du surrĂ©alisme de l'exil amĂ©ricain Ă  l'Ă©cart absolu (1941–1965)
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Allmer, Patricia and Hilde Van Gelder (eds.) 'The Forgotten Surrealists: Belgian Surrealism Since 1924',
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Rosette C. Lamont. Ionesco's imperatives: the politics of culture. University of Michigan Press, 1993.
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Various much older artists are sometimes claimed as precursors of Surrealism. Foremost among these are
2855: 2549:, Surrealism again entered into politics with an underground artistic opposition movement known as the 2515: 2050: 2041: 1949:
to meet Trotsky (staying as the guest of Diego Rivera's former wife Guadalupe Marin), and there he met
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Erik Satie's ballet Parade: an arrangement for woodwind quintet and percussion with Historical Summary
1953:
and saw her paintings for the first time. Breton declared Kahlo to be an "innate" Surrealist painter.
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wrote several works which could be considered to be inspired by Surrealism, including the 1948 ballet
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Shannin Schroeder. Rediscovering magical realism in the Americas. Greenwood Publishing Group, 2004.
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Wolfgang Paalen, Man Ray and others to do so. At the exhibition's entrance Salvador DalĂ­ placed his
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Die Zauberlehrlinge. Soziologiegeschichte des CollĂšge de Sociologie. Konstanz: UVK 2006. About the
2737:, many themes and techniques commonly identified as Postmodern are nearly identical to Surrealism. 2601: 2257: 2062: 1308: 324:
It produced works of painting, writing, theatre, filmmaking, photography, and other media as well.
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Miles, Barry. Ginsberg: A Biography. London: Virgin Publishing Ltd. (2001), paperback, 628 pages,
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Surrealists have often sought to link their efforts with political ideals and activities. In the
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Even though Breton by 1946 responded rather negatively to the subject of music with his essay
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connotations and the overtones which "exist in ambiguous relationships to the visual images."
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La crĂ©ation artistique espagnole Ă  l'Ă©preuve de la modernitĂ© esthĂ©tique europĂ©enne, 1898–1931
2985: â€“ Art created outside the boundaries of official culture by those untrained in the arts 2878: 2766: 2353: 1966: 1202:, which marked his movement to simplified forms and inspiration from preclassical sculpture. 1024: 1016: 614: 549: 416: 361: 224: 145: 12594: 10621: 6452: 5833:"'Always for Pleasure': Chicago Surrealism and Fashion, An Interview with Penelope Rosemont" 2061:
Throughout the 1930s, Surrealism continued to become more visible to the public at large. A
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The term was taken up again by Apollinaire, both as subtitle and in the preface to his play
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McMurray, George R. "Gabriel GarcĂ­a MĂĄrquez." Gabriel GarcĂ­a MĂĄrquez. Ungar, 1977. Rpt. in
4831: 4788: 3287: 2780: 2632: 2617: 2613: 2199: 2017: 1979: 1678: 1587: 1581: 1556: 1512: 1125: 1009: 825: 743: 565:. Each claimed to be successors of a revolution launched by Appolinaire. One group, led by 562: 365: 240: 10607: 10059: 6901: 2951: 2317:. In 1941, Breton went to the United States, where he co-founded the short-lived magazine 1720:. Jazz and blues musicians have occasionally reciprocated this interest. For example, the 1279:
In 1924, MirĂł and Masson applied Surrealism to painting. The first Surrealist exhibition,
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In Wonderland: The Surrealist Adventures of Women Artists in Mexico and the United States
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Other figures from the Surrealist movement were expelled. Several of these artists, like
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The other group, led by Breton, included Aragon, Desnos, Éluard, Baron, Crevel, Malkine,
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Flahutez, Fabrice(ed.), Julia Drost (ed.), Anne Helmreich (ed.), Martin Schieder (ed.),
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containing the first, second and introduction to a possible third manifesto, the novel
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held an exhibition of Surrealist art that attracted over 170,000 visitors. In 2002 the
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values had brought the conflict of the war upon the world. The Dadaists protested with
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Allmer, Patricia and Donna Roberts (eds) '"Wonderful Things" – Surrealism and Egypt',
3579: 3503: 2809:, when called a Magical Realist, said he saw his work instead "allied to surrealism". 2428:. Magritte continued to produce works which have entered artistic vocabulary, such as 1923: 1236: 1079: 710: 122: 14992: 14887: 14882: 14832: 14822: 14281: 14234: 14204: 14064: 13934: 13849: 13839: 13504: 13487: 13361: 12980: 12943: 12914: 12867: 12730: 12676: 12666: 12656: 12547: 12225: 12137: 12127: 12114: 12103: 11766: 11695: 11670: 11626: 11273: 11176: 10913: 10865: 10837: 10744: 10705: 10670: 10500: 9968: 9940: 9800: 9493: 9409: 9311: 9276: 9043: 8823: 8789: 8283: 8268: 8106: 7905: 7890: 7848: 7828: 7778: 7608: 7546: 7451: 7421: 7269: 6568: 6382: 6364: 6346: 6322: 6316: 6275: 6244: 6223: 6205: 6190: 6165: 6143: 6129: 6115: 6091: 6021: 5984: 5970: 5956: 5921: 5911: 5844: 5832: 5805: 5780: 5747: 5726: 5702: 5678: 5657: 5636: 5619: 5598: 5590: 5569: 5548: 5540: 5523: 5515: 5494: 5460: 5452: 5386: 5378: 5357: 5336: 5257: 5239: 5222: 5214: 5193: 5185: 5164: 5156: 5135: 5127: 5097: 5089: 5068: 5060: 4944: 4835: 4792: 4649: 4639: 4633: 4402: 4371: 4342: 4180: 4040: 4019: 4007: 3966: 3925: 3884: 3853: 3830: 3818: 3779: 3769: 3651: 3604: 3559: 3301: 3183: 3136: 3115: 3065: 3023: 2961: 2710: 2290: 2269: 1931: 1898: 1811: 1575: 1404: 1165: 545: 380:, France. From the 1920s onward, the movement spread around the globe, impacting the 297: 250: 209: 12518: 11938: 10579: 8670: 7219: 7094: 6791: 4320:
Taruskin, Richard (1999). "A Surrealist Composer comes to the Rescue of Modernism".
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Many other postmodern fiction writers have been directly influenced by Surrealism.
2605: 1775: 1712:, have been interested in—and found parallels to—Surrealism in the improvisation of 958: 843: 626: 578: 452:. Cocteau described the ballet as "realistic". Apollinaire went further, describing 15062: 15017: 14972: 14947: 14617: 14563: 14521: 14224: 14017: 13655: 13562: 13440: 13153: 13136: 13094: 13089: 13084: 13002: 12948: 12671: 12616: 12513: 12481: 12452: 12331: 12324: 12319: 12292: 12154: 12149: 11826: 11587: 11506: 11499: 11238: 11018: 10927: 10920: 10851: 10753: 10663: 10516: 10426: 10318: 10212: 10205: 10038: 9863: 9821: 9640: 9556: 9451: 9360: 9220: 9192: 8807: 8677: 8642: 8635: 8600: 8515: 8408: 8278: 8187: 8131: 7982: 7977: 7960: 7953: 7948: 7868: 7583: 7426: 7345: 7325: 7264: 7179: 7044: 6961: 6921: 6816: 6806: 6751: 6706: 6541: 6055:, Rethinking Art's Histories series, Manchester, Manchester University Press, 2016. 6048:, 2:865–866, Pierre Caizergues and Michel DĂ©caudin, eds. Paris: Éditions Gallimard. 5039: 4969: 4264: 4168: 3999: 3958: 3917: 3810: 2966: 2918: 2902: 2894: 2843: 2820: 2784: 2714: 2673: 2554: 2462: 2458: 2282: 2260:
in particular was already grappling with Surrealist ideas and several artists like
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which offered Breton a channel for promoting Surrealism in the United States. The
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Back in Paris, Breton joined in Dada activities and started the literary journal
524: 436: 12422: 10135: 9954: 9730: 9234: 8586: 7114: 7054: 6936: 6846: 6651: 5941: 4391: 4364: 4064: 2783:, a core member of the Beat Generation and a postmodern novelist, developed the 1628: 1187: 1149: 1121: 698: 492: 369: 317: 98: 15067: 14932: 14922: 14862: 14797: 14737: 14702: 14692: 14600: 14568: 14516: 14464: 14447: 14437: 14365: 14027: 13904: 13874: 13771: 13759: 13633: 13567: 13499: 13366: 13262: 12965: 12661: 12601: 12542: 12406: 12336: 12043: 11965: 11882: 11735: 11450: 11380: 11373: 11315: 11259: 11229: 11092: 11004: 10934: 10879: 10858: 10781: 10774: 10767: 10628: 10586: 10572: 10558: 10509: 10254: 10247: 10226: 10219: 10170: 10149: 10142: 9905: 9716: 9709: 9688: 9672: 9605: 9591: 9479: 9318: 9297: 9290: 9213: 9199: 9185: 9067: 8935: 8816: 8796: 8775: 8712: 8572: 8342: 8263: 8248: 8221: 8216: 8121: 8116: 8044: 8009: 7798: 7793: 7748: 7743: 7738: 7551: 7436: 7259: 7249: 7199: 7154: 7119: 7059: 7034: 6951: 6931: 6906: 6881: 6796: 6746: 6741: 6671: 4638:. Rosemont, Penelope. (1st ed.). Austin: University of Texas Press. 1998. 3643: 3462: 3430: 2926: 2886: 2838: 2806: 2795: 2762: 2689: 2621: 2343: 2319: 1995: 1793: 1779: 1664: 1596: 1441: 1373: 1348: 1337: 1273: 1145: 1111: 1099: 1075: 1028: 867: 859: 766: 706: 690: 646: 602: 594: 520: 431: 219: 176: 14181: 12050: 10066: 9723: 9388: 8998: 8879: 7089: 7074: 7069: 6691: 4172: 4003: 3954:
A Companion to Dada and Surrealism: Hopkins/A Companion to Dada and Surrealism
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that really lead to the communication of what is known as "black Surrealism".
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Seeds of Gravity: An Anthology of Contemporary Surrealist Poetry from Ireland
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Surrealism and Theatre. On the Theatrical Aesthetics of the French Surrealism
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Seeds of Gravity: An Anthology of Contemporary Surrealist Poetry from Ireland
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imagination. In addition to Surrealist theory being grounded in the ideas of
2440: 2413: 2381: 2373: 2361: 2310: 2286: 2261: 2131: 1970: 1748: 1656: 1378: 1351:, two late 19th-century writers believed to be the precursors of Surrealism. 1283:, was held at Galerie Pierre in Paris in 1925. It displayed works by Masson, 1226: 1169: 1103: 1095: 1091: 863: 851: 682: 638: 634: 598: 586: 500: 332: 171: 15012: 15007: 13986: 13131: 12793: 9751: 8656: 8419: 8086: 7477: 7209: 7001: 6460: 5925: 4908: 4653: 3846:"Rare photographs by Dora Maar cast Picasso's tormented muse in a new light" 2557:(alias 'Major'), a graduate of history and art history at the University of 1994:. The pamphlet drew upon an earlier act of subversion by likening Breton to 1739: 1648: 1419: 1141: 14827: 14817: 14807: 14782: 14777: 14580: 14533: 14489: 14479: 14442: 14412: 14375: 14350: 14340: 14303: 14146: 13929: 13797: 13521: 13450: 13247: 13170: 12921: 12872: 12776: 12757: 12725: 12622: 12562: 12557: 12302: 12122: 11960: 11818: 11801: 11761: 11756: 11710: 11648: 11266: 11104: 10997: 10969: 10904: 10872: 10844: 10809: 10802: 10795: 10760: 10726: 10642: 10600: 10458: 10447: 10437: 10184: 10156: 10094: 10087: 10073: 10045: 10017: 9982: 9975: 9947: 9933: 9919: 9898: 9807: 9765: 9758: 9598: 9570: 9521: 9507: 9381: 9346: 9241: 9227: 9164: 9091: 8984: 8942: 8740: 8565: 8101: 7878: 7773: 7763: 7561: 7390: 7385: 7304: 7284: 7244: 7129: 7124: 7109: 7029: 6861: 6726: 6696: 6656: 6506: 6463:, BBC Radio 4 discussion with Dawn Adiss, Malcolm Bowie and Darien Leader ( 5864:"Why Bosch Is Used to Describe Everything from High Fashion to Heavy Metal" 5086:
Black, Brown, & Beige: Surrealist Writings from Africa and the Diaspora
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Les Six: The French Composers and Their Mentors Jean Cocteau and Erik Satie
3988:"The Theatre before Its Double: Artaud Directs in the Alfred Jarry Theatre" 3435: 3325: 2982: 2770: 2546: 2451: 2401: 2301:
sheds an even starker light upon the connection. Up until the emergence of
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Between 1930 and 1933, the Surrealist Group in Paris issued the periodical
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fizzled out in 1931, just as Surrealism seemed to be gathering more steam.
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Les structures inconscientes du signe pictural/Psychanalyse et surréalisme
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Networking Surrealism in the United States. Artists, Agents and the Market
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succeeded in claiming the term for his group over a rival faction led by
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message-door: An Anthology of Contemporary Surrealist Poetry from Russia
5817: 4880:. Nonville: Paul Vermont, 1977. Translated by Donald Nicholson-Smith as 4828:
message-door: An Anthology of Contemporary Surrealist Poetry from Russia
3360:. Ed. Hugh Brigstocke. Oxford University Press, 2001. Grove Art Online. 2384:
after its restoration in 1943, following near destruction in the blitz.
2099:, which features the image of watches that sag as if they were melting. 1343:
Surrealists revived interest in Isidore Ducasse, known by his pseudonym
14917: 14792: 14747: 14543: 14355: 14315: 14261: 14229: 14121: 13959: 13914: 13807: 13613: 13291: 13012: 12814: 12606: 12447: 12235: 12001: 11906: 11870: 11860: 11838: 11653: 11643: 11631: 11583: 11408: 10962: 10733: 10656: 10635: 10523: 10191: 10177: 9926: 9912: 9849: 9772: 9661: 9528: 9465: 9325: 9155: 8956: 8914: 8851: 8211: 8054: 7900: 7895: 7863: 7355: 7194: 6876: 5431: 4981: 3937: 3905: 2815: 2730: 2562: 2523: 2522:
was critical of and distanced himself from Surrealism, others, such as
2519: 2479:
and misery and to espouse the importance of liberating the human mind.
2220: 1986: 1974: 1913: 1902: 1755: 1709: 1632: 1268: 642: 449: 396: 4218: 4196:
Untwisting the Serpent: Modernism in Music, Literature, and Other Arts
2558: 1504: 14892: 14812: 14605: 14595: 14558: 14390: 14380: 14360: 14186: 14156: 13889: 13812: 13231: 13017: 12854: 12611: 12312: 12261: 12159: 11970: 11776: 11747: 11457: 11415: 11280: 10990: 10080: 9835: 9702: 9423: 9374: 9339: 8900: 8327: 8206: 8039: 8024: 7965: 7938: 7885: 7873: 7783: 7758: 7720: 7104: 6821: 6756: 2750: 2661: 2653: 2626: 2604:, the Leeds Surrealist Group, and the Surrealist Group of Stockholm. 2157: 2153: 2103: 1918: 1763: 1759: 1496: 1288: 1047: 831: 806: 778: 774: 718: 658: 566: 561:
By October 1924, two rival Surrealist groups had formed to publish a
496: 481: 400: 373: 350: 346: 313: 309: 110: 14646: 11578: 5404:"David Lynch and Surrealism: Deconstruction of the 'Lynchian' Label" 4973: 4616:
Patrick Murphy (31 December 1980). "Ireland's greatest surrealist".
4440:"Manifesto: Towards a Free Revolutionary Art – Breton/Trotsky(1938)" 3921: 3524:, transl. Richard Seaver and Helen R. Lane (Ann Arbor, 1971), p. 26. 1737:
spread from Europe to North America, South America (founding of the
969:. Statements consisting only of original research should be removed. 14962: 14927: 14585: 14506: 14454: 14385: 14298: 14219: 14171: 14037: 14022: 13879: 13817: 13749: 13643: 13628: 13302: 13216: 13206: 13194: 12938: 12401: 12098: 12038: 9304: 9171: 8529: 8490: 8474: 8460: 8351: 8226: 8201: 8182: 8096: 8091: 8059: 7928: 7803: 7705: 7658: 7633: 6926: 6646: 5043: 2721:-lutionary" theory and praxis of Breton's French Surrealist group. 2702: 2314: 1124:. Automatic Drawing. 1924. Ink on paper, 23.5 Ă— 20.6 cm. 1032: 1027:. This caution was overcome by the discovery of such techniques as 674: 485: 6315:
Sams, Jeremy (1997) . "Poulenc, Francis". In Amanda Holden (ed.).
6069:, London and Manchester: Prestel and Manchester Art Gallery, 2009. 4603:"Twelve Hundred Coal Bags Suspended from the Ceiling over a Stove" 2495:
1947 – International Surrealist Exhibition – Galerie Maeght, Paris
2360:
by Colin Middleton (1942), the Irish Surrealist's response to the
27:
International cultural movement active from the 1920s to the 1950s
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Translated by Alison Anderson University of Chicago Press. 2004.
5436:
The Avant-Garde and American Postmodernity: Small Incisive Shocks
3483:"SurrĂ©alisme 1 October 1924 — Princeton Blue Mountain collection" 2733:
era; though there is no widely agreed upon central definition of
2665: 2302: 2294: 2139: 1872: 1682: 1500: 1284: 1230: 670: 15086: 12843: 1859:
In 1925, the Paris Surrealist group and the extreme left of the
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alone!" To this goal, at various times Surrealists aligned with
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Surrealism, Occultism and Politics: In Search of the Marvellous
4157:"Reading the Musical Surreal through Poulenc's Fifth Relations" 2569:
Surrealistic art also remains popular with museum patrons. The
2347: 2135: 1946: 1606: 1573:, also experimented with surrealism, particularly in his plays 1161: 37: 3715:
BrĂȘton, AndrĂ©. Les Vases communicants. Paris: Gallimard, 1955.
1875:. In an open letter to writer and French ambassador to Japan, 14837: 12632: 6976: 6596: 6189:, Moscow, Russian State University for the Humanities, 2012, 5908:
Hieronymus Bosch, c. 1450–1516 : between heaven and hell
4866:. Translated by Nicholson-Smith, Donald. Edinburgh: AK Press. 2937:
rather than having a significant connection with Surrealism.
1717: 1083: 511:, Breton felt that Vaché was the spiritual son of writer and 377: 8296: 6291:"'Why Surrealism Matters' Review: Utopia of the Imagination" 5322:.Grove Press, 2000. 080213694X, 9780802136947. pg. 119, 254. 4964:
Bays, Gwendolyn M. (1964). "Rimbaud-Father of Surrealism?".
1094:, Vinicius Pradella and Denis Fabbri. Though Breton admired 14787: 14484: 13286: 8858: 8392: 8167: 7838: 7456: 5799: 3768:. Moerkerken, Bruno van, Vos, Minke. Zwolle: D'jonge Hond. 3365: 2526:, were explicitly using Surrealist techniques and methods. 2457:
Many new artists explicitly took up the Surrealist banner.
1713: 1317:; and the first work written and published by his group of 1313:
The first Surrealist work, according to leader BrĂȘton, was
1157: 613:, among others. The group led by André Breton claimed that 354: 150: 4128:
Theater of the Avant-Garde 1890–1950: A Critical Anthology
3693:
with reproduction of the painting and further information.
3681:
with reproduction of the painting and further information.
3669:
with reproduction of the painting and further information.
2514:
In the 1960s, the artists and writers associated with the
2412:
used or experimented with Surrealist techniques. However,
2313:. In 1940 Yves Tanguy married American Surrealist painter 1998:, whose unquestioned value Breton had challenged in 1924. 495:, who had trained in medicine and psychiatry, served in a 14475:
Art in the Protestant Reformation and Counter-Reformation
6236:
Edinburgh, Scotland: University of Edinburgh Press, 1990.
6112:
Mirror Images: Women, Surrealism, and Self-Representation
4419:"Modern History Sourcebook: A Surrealist Manifesto, 1925" 3736:"Digital Montage: On Collage and the Legacy of Modernism" 3384:
Sadoul, Georges (12–18 December 1951). "Mon ami Buñuel".
3080: 3078: 1941:
In 1938 André Breton traveled with his wife, the painter
1868: 474:, which was written in 1903 and first performed in 1917. 316:
scenes and ideas. Its intention was, according to leader
5983:(Gallimard 1952) (Paragon House English rev. ed. 1993). 5888:"Giuseppe Arcimboldo: The prince of produce portraiture" 5318:
William S. Burroughs, James Grauerholz, Ira Silverberg.
2709:, whose slogan "All power to the imagination" quoted by 2323:
with Max Ernst, Marcel Duchamp, and the American artist
1961:
In 1929 the satellite group associated with the journal
1731: 1527:
was first used by Apollinaire to describe his 1917 play
900:, published by Éditions du Sagittaire, 15 October 1924. 6556:
The course of English surrealist poetry since the 1930s
6343:
Contemporary Tangential Surrealist Poetry: An Anthology
6289:. Yale University Press, 2024. Review: Saler, Michael, 4365:
Tessel M. Bauduin, Victoria Ferentinou, Daniel Zamani,
3254:
Vassiliki Kolocotroni, Jane Goldman, and Olga Taxidou,
2232: 503:'s psychoanalytic methods with soldiers suffering from 308:
to express itself, often resulting in the depiction of
5967:
What is Surrealism?: Selected Writings of André Breton
3906:"Surrealism in the Theatre: The Plays of Roger Vitrac" 3504:"Durozoi, History of the Surrealist Movement, excerpt" 3172:, performed just before his death the following year, 3075: 2991: â€“ Visual art inspired by psychedelic experiences 2897:, were at some point members of the Surrealist group. 4556:"1919–1950: The politics of Surrealism by Nick Heath" 3377: 2933:
landscapes. Many critics feel these works belong to
2901:
visible". Often collaborating with musicians such as
5955:, and political aspects of the Surrealist movement. 5057:
California poetry: from the Gold Rush to the present
4550: 4548: 4505:"Frida Kahlo, Paintings, Chronology, Biography, Bio" 4299:"Thomas AdĂšs and the Dilemmas of Musical Surrealism" 3316: 3314: 2999:
Pages displaying wikidata descriptions as a fallback
2724: 1852:
However, in 1933 the Surrealists' assertion that a "
1254:
Giorgio de Chirico, and his previous development of
1042:
Soon more visual artists became involved, including
10295:
A Sunday Afternoon on the Island of La Grande Jatte
6345:. Ed. by Tony Kitt. Dublin: SurVision Books, 2023. 3426: 3424: 2957:
List of films influenced by the Surrealist movement
2044:and he continued to offer his solidarity after the 531:, but it is Jacques VachĂ© to whom I owe the most." 426:Apollinaire used the term in his program notes for 6053:Intersections – Women Artists/Surrealism/Modernism 4635:Surrealist women : an international anthology 3230:, A.T.P. & Le Seuil, ChamaliĂšres, p. 17, 1996. 2912: 2498:1959 – International Surrealist Exhibition – Paris 6274:. Cambridge, Massachusetts: Belknap Press, 1989. 4894: 4892: 4545: 3552:Robertson, Eric; Vilain, Robert (April 6, 1997). 3311: 1778:, Mary Low, and Juan BreĂĄ, aligned with forms of 1264:The Nostalgia of the Poet (La Nostalgie du poĂšte) 892:, 1 October 1924, in his first and only issue of 788:was established and began publishing the journal 15109: 6524:"The Theory and Techniques of Surrealist Poetry" 6220:Farewell to Surrealism: The Dyn Circle in Mexico 4936: 4360: 4358: 4356: 4354: 3421: 3256:Modernism: An Anthology of Sources and Documents 2861:published the first issue of their new journal, 2819:. For the work of other postmodernists, such as 2664:thought. Surrealist artists have also cited the 2553:. The Orange Alternative was created in 1981 by 2430:Castle in the Pyrenees (Le ChĂąteau des PyrĂ©nĂ©es) 2281:with the support of key taste makers, including 2015:Disgruntled surrealists moved to the periodical 1591:(1935). Other surrealist plays include Aragon's 817:, Volume 1, Number 1, October 1, 1924, cover by 6067:Angels of Anarchy: Women Artists and Surrealism 5905: 5775:. Austin, Texas: University of Texas. pp.  4208: 4130:. New Haven and London: Yale UP, 2001. 421–495. 3551: 2518:were closely associated with Surrealism. While 2465:continued to work, for example, with Tanning's 2436:from 1931, in its suspension over a landscape. 1990:, which featured a picture of Breton wearing a 1495:Famous Surrealist photographers are the French 1354:Examples of Surrealist literature are Artaud's 6202:Dada and Surrealism: A Very Short Introduction 5981:Conversations: The Autobiography of Surrealism 5027:The Situationist International: A User's Guide 4889: 4886:, Edinburgh: AK Press, 1999. pp. 49–51; 69–73. 4615: 3477: 3475: 3164:"Guillaume Apollinaire having coined the term 3086:"AndrĂ© Breton (1924), Manifesto of Surrealism" 3022:(Reprinted. ed.). London: Phaidon Press. 2827:, a broad comparison to Surrealism is common. 2503:Surrealist Intrusion in the Enchanters' Domain 1184:, and the so-called primitive and naive arts. 14662: 11564: 8312: 7506: 7482: 6612: 6199: 6072:Allmer, Patricia and Hilde van Gelder (eds.) 5616:Present past, past present: a personal memoir 4700:"Artist – Magritte – Empire of Light – Large" 4351: 4142:Erik Satie: a Parisian Composer and his World 3757: 3755: 3442: 2872: 2483:Major exhibitions of the 1940s, '50s and '60s 2162:L'Ange du Foyer ou le Triomphe du SurrĂ©alisme 1533:("The Breasts of Tiresias"), which was later 270: 11227: 11216: 8417: 8406: 8360: 8349: 6314: 6074:Collective Inventions: Surrealism in Belgium 6018:Surrealism in Latin America: Vivisimo Muerto 5772:Surrealist Women: An International Anthology 3356:Dawn Ades, with Matthew Gale: "Surrealism", 3258:, University of Chicago Press, 1998, p. 211. 2534:would commemorate this in a painting titled 2191:is organised in London by the art historian 52: 8488: 6105:Surrealist Painters and Poets: An Anthology 5320:Word Virus: The William S. Burroughs Reader 3957:. Hoboken, NJ: John Wiley & Sons, Inc. 3472: 2660:, to its advocates its inherent dynamic is 2001:The disunion of 1929–30 and the effects of 1922:, featuring the work of CĂ©saire along with 926:solving all the principal problems of life. 896:two weeks prior to the release of Breton's 471:Les Mamelles de TirĂ©sias: Drame surrĂ©aliste 391: 58: 14669: 14655: 11571: 11557: 8319: 8305: 7513: 7499: 7447:London International Surrealist Exhibition 6619: 6605: 6471: 6243:, City Light Books, Sans Francisco, 1979, 6178:Fort, Ilene Susan and Tere Arcq, editors. 6174:https://doi.org/10.11588/arthistoricum.485 6086:Brotchie, Alastair and Gooding, Mel, eds. 5701:. Knopf Doubleday Publishing. p. 89. 5654:Damned to Fame: The Life of Samuel Beckett 5587:The Columbia history of the American novel 5211:San Francisco beat: talking with the poets 4387: 4385: 4383: 3761: 3752: 3639: 3637: 3635: 3633: 3498: 3496: 3168:in the spring of 1917, subtitled his play 2635:, and others representative Surrealism in 2422:Personal Values (Les Valeurs Personnelles) 2188:London International Surrealist Exhibition 2112:Le SurrĂ©alisme au service de la rĂ©volution 2067:London International Surrealist Exhibition 1908:Anticolonial revolutionary writers in the 1841:, published under the names of Breton and 1833:, for example, members of the Paris-based 277: 263: 36: 7520: 6222:, Los Angeles: Getty Publications. 2012. 6126:Women Artists and the Surrealist Movement 6020:, Los Angeles: Getty Publications, 2012. 5568:Alicante: Universidad de Alicante. 1999. 4876:Vaneigem, Raoul (Dupuis Jules-François), 4851:Vaneigem, Raoul (Dupuis Jules-François), 4609: 4154: 3985: 3903: 3555:Yvan Goll—Claire Goll: Texts and Contexts 3064:, Oxford University Press, 2009, p. 611, 2509: 1938:and others, was first published in 1941. 1845:, but actually co-authored by Breton and 1782:. When the Dutch surrealist photographer 1490: 1152:. In 1927 they were joined by the writer 985:Learn how and when to remove this message 7442:Exposition Internationale du SurrĂ©alisme 6552: 6486: 6398: 6308:), L'Harmattan ed., Paris (France), 1999 6076:, Leuven: Leuven University Press, 2007. 5768: 4856: 4577:"Surrealism – Magritte – Voice of Space" 4522: 4319: 4193: 3843: 3596: 3465:'s comment was published in his journal 3352: 3350: 3348: 3346: 3285:Breton, "VachĂ© is surrealist in me", in 3114:(First. ed.). London: Atlas Press. 3088:. Tcf.ua.edu. 1924-06-08. Archived from 3061:The Oxford Dictionary of Art and Artists 2745:were influenced greatly by Surrealists. 2642: 2426:Empire of Light (L’Empire des lumiĂšres) 2352: 2236: 2215:Exposition Internationale du SurrĂ©alisme 2152: 1302: 1235: 1176:, also reached to older "bloodlines" or 1116: 996: 801: 797: 722: 395: 6499: 6480:"1919–1950: The politics of Surrealism" 6306:Unconscious structures of pictural sign 6266:, its members and sociological impacts. 6090:Berkeley, California: Shambhala, 1995. 5656:. London. Bloomsbury Publishing, 1997. 5356:. Manchester University Press ND, 1996. 5084:Franklin Rosemont, Robin D. G. Kelley. 5029:. London: Black Dog, 2005, pp. 112–130. 4579:. Guggenheim Collection. Archived from 4399:Studies in European cultural transition 4380: 4254: 4198:. Chicago: University of Chicago Press. 3950: 3880:Ludics in Surrealist Theatre and Beyond 3630: 3493: 2997: â€“ exhibition held in Havana, Cuba 2195:, with an introduction by AndrĂ© Breton. 2142:as new pictorial automatic techniques. 1871:uprising against French colonialism in 1460:by Luis Buñuel and Salvador DalĂ­ (1929) 1198:. Another example is Giacometti's 1925 14: 15110: 14252:Contemporary Indigenous Australian art 5837:Journal of Surrealism and the Americas 5764: 5762: 5760: 5694: 5451:. Univ of South Carolina Press, 2003. 5184:. University of Michigan Press, 1984. 4924:Hieronymus Bosch, The First Surrealist 4736: 4469: 4296: 4231: 4139: 4032: 3799:"Claude Cahun: an experimental biopic" 3796: 3383: 3109: 3017: 2869:, which now spans almost 100 volumes. 2090:Promontory Palace (Palais promontoire) 1839:Manifesto for a Free Revolutionary Art 360:The term "Surrealism" originated with 14676: 14650: 12272:Art of the late 16th century in Milan 11552: 11153:Six Characters in Search of an Author 8300: 7494: 7481: 6600: 5995:The Abridged Dictionary of Surrealism 5861: 5830: 5491:Carlos Fuentes, Mexico, and Modernity 4937:ChĂ©nieux-Gendron, Jacqueline (1990). 4702:. Guggenheim Collection. January 1953 4281: 4126:Bert Cardullo and Robert Knoff, eds. 3876: 3733: 3650:. Henry Holt and Company, Inc, 1996. 3343: 2327:. However, it was the American poet, 2277:in New York swung decisively towards 2134:joined the group. Paalen contributed 2065:and, according to Breton, their 1936 1732:Surrealism and international politics 1518: 523:, with Jarry, with Apollinaire, with 6548:A sample of French Surrealist poetry 6521: 6515: 6428: 5677:. Cambridge University Press, 2003. 5566:Musica y escrita en Alejo Carpentier 5493:. Vanderbilt University Press, 1999. 5377:. Univ. Press of Mississippi, 2000. 4963: 4719: 4507:. Fridakahlofans.com. Archived from 3134: 2849: 2382:Belfast Municipal Gallery and Museum 2233:World War II and the Post War period 2063:Surrealist group developed in London 1956: 1569:The Spanish playwright and director 1409:Early films by Surrealists include: 934: 368:published by French poet and critic 304:in which artists aimed to allow the 6218:Leddy, Annette and Conwell, Donna. 6157:, Les presses du rĂ©el, Dijon, 2007. 6004:, 1:328. Paris: Éditions Gallimard. 5757: 5589:. Columbia University Press, 1991. 5088:. University of Texas Press, 2009. 4898: 4755: 4600: 3358:The Oxford Companion to Western Art 3049:, BibliothĂšque nationale de France. 1817:Breton's followers, along with the 1612: 1444:, scenario by Antonin Artaud (1928) 1398: 1010:Museum of Modern Art, New York City 51:(1929), featuring the declaration " 24: 13607:Vienna School of Fantastic Realism 12458:Neoclassical architecture in Milan 10355:Nude Descending a Staircase, No. 2 6140:History of the Surrealist Movement 6034:London: Thames & Hudson, 1970. 5585:Emory Elliott, Cathy N. Davidson. 4878:Histoire dĂ©sinvolte du surrĂ©alisme 4853:Histoire dĂ©sinvolte du surrĂ©alisme 3951:Hopkins, David, ed. (2016-05-24). 2573:in New York City held an exhibit, 746:and the work of such theorists as 415:was first coined in March 1917 by 25: 15144: 13681:American Figurative Expressionism 12017:International Gothic art in Italy 7396:The Surrealist Group in Stockholm 6477: 6393: 6381:. Dublin: SurVision Books, 2020. 6363:. Dublin: SurVision Books, 2020. 6164:, T.1., Paris, DFK, 2019, 400p. ( 6062:, University of Iowa, 20:1, 2013. 5375:Conversations with Salman Rushdie 4834:, Dublin: SurVision Books, 2020, 4791:, Dublin: SurVision Books, 2020, 3597:Vigneron, Denis (April 6, 2009). 3364:, 2007. Accessed March 15, 2007, 2725:Postmodernism and popular culture 2202:in New York shows the exhibition 2085:Voice of Space (La Voix des airs) 1553:Victor, or The Children Take Over 15085: 14631: 14630: 13190:Neue KĂŒnstlervereinigung MĂŒnchen 11535: 11534: 6489:"Herbert Marcuse and Surrealism" 6423:Lecture by Breton, Brussels 1934 6000:Bonnet, Marguerite, ed. (1988). 5898: 5880: 5855: 5824: 5793: 5777:208, 292, 356–358, 383, 438, 439 5736: 5715: 5688: 5667: 5646: 5629: 5608: 5579: 5558: 5533: 5504: 5483: 5470: 5441: 5425: 5396: 5367: 5346: 5325: 5312: 5303: 5294: 5285: 5276: 5267: 5249: 5232: 5203: 5174: 5145: 4883:A Cavalier History of Surrealism 4860:A Cavalier History of Surrealism 4855:. Nonville: Paul Vermont, 1977. 4394:Surrealism, Politics and Culture 4392:Raymond Spiteri, Donald LaCoss, 4063:. Arts.gla.ac.uk. Archived from 3402: 3331:The Columbia World of Quotations 2974: â€“ Poetic style of painting 2616:, Afric McGlinchey, Tim Murphy, 2042:francophone Anarchist Federation 1722:1976 World Surrealist Exhibition 1697:(book by Philippe Soupault) and 1602:Doctor Faustus Lights the Lights 1090:and later after the second war: 939: 885:and Jean Carrive, among others. 548:. They began experimenting with 448:and was performed with music by 327:Works of Surrealism feature the 300:that developed in Europe in the 14112:Tunisian collaborative painting 13585:International Typographic Style 6182:, Munich: Prestel Verlag, 2012. 5935: 5478:Contemporary Literary Criticism 5373:Salman Rushdie, Michael Reder. 5182:On the poetry of Allen Ginsberg 5153:Gregory Corso: doubting Thomist 5116: 5107: 5078: 5049: 5032: 5019: 5007: 4997: 4988: 4957: 4930: 4915: 4870: 4845: 4821: 4802: 4778: 4764: 4749: 4713: 4692: 4674: 4626: 4594: 4569: 4497: 4485: 4463: 4450: 4432: 4411: 4341:London: Peter Owen, 2014. 467. 4328: 4313: 4290: 4275: 4248: 4225: 4202: 4187: 4148: 4133: 4120: 4103: 4088:. Holycross.edu. Archived from 4078: 4053: 4026: 3979: 3944: 3897: 3877:Rapti, Vassiliki (2016-05-13). 3870: 3837: 3790: 3727: 3718: 3709: 3696: 3684: 3672: 3660: 3617: 3590: 3572: 3545: 3527: 3514: 3396: 3294: 3279: 3270: 3261: 3248: 3233: 3220: 3211: 2913:Alleged precursors in older art 2705:of the 1960s and 1970s and the 1831:Declaration of January 27, 1925 1221:In the second the influence of 440:, which premiered 18 May 1917. 13865:The Caribbean Artists Movement 11302:Grosvenor School of Modern Art 11295:Fourth dimension in literature 6626: 6502:"How the surrealists sold out" 6456:audiobook (archive recordings) 5744:Avant garde theatre, 1892–1992 4475:"A Poetics of Anticolonialism" 3844:Ferguson, Donna (2024-06-16). 3762:Moerkerken, Emiel van (2011). 3197: 3158: 3149: 3128: 3103: 3052: 3036: 3011: 2585:in New York City held a show, 2540:Revolutionary Surrealist Group 2180:Major exhibitions in the 1930s 1427:The Seashell and the Clergyman 13: 1: 12221:Dutch and Flemish Renaissance 8326: 7341:Bureau of Surrealist Research 6040:1917, 1991. Program note for 5831:Susik, Abigail (2021-12-08). 4943:. Columbia University Press. 4901:"Surrealism:Two Private Eyes" 3797:Thynne, Lizzie (2002-01-01). 3691:Link to Guggenheim collection 3679:Link to Guggenheim collection 3667:Link to Guggenheim collection 3539:www.research.manchester.ac.uk 3005: 2717:from the originally Marxist " 2545:During the 1980s, behind the 2056: 1879:, the Paris group announced: 1835:Bureau of Surrealist Research 1772:International Left Opposition 1708:, later Surrealists, such as 1260:The Red Tower (La tour rouge) 1245:The Red Tower (La Tour Rouge) 786:Bureau of Surrealist Research 14336:Modern European ink painting 13708:Bay Area Figurative Movement 6500:Kennedy, Maev (2007-03-27). 5501:, 9780826513458. pg. 55, 90. 5410:. 2017-09-02. Archived from 5180:Allen Ginsberg, Lewis Hyde. 5126:. Coffee House Press, 1996. 4927:. Retrieved August 27, 2010. 3986:Jannarone, Kimberly (2005). 2448:Hungarian Revolution of 1956 1884:towards the colour question. 1754:Politically, Surrealism was 930: 727:Cover of the first issue of 7: 13997:Artificial intelligence art 11395:List of avant-garde artists 10379:The Cabinet of Dr. Caligari 6582:AimĂ© CĂ©saire and Surrealism 6487:Rosemont, Franklin (1989). 6204:. Oxford University Press. 5862:Cohen, Alina (2018-04-24). 5769:Rosemont, Penelope (1998). 5449:Understanding Robert Coover 5213:. City Lights Books, 2001. 4810:On the Waves of the Surreal 4542:. Retrieved March 20, 2007. 4234:"Pierre Boulez, Surrealist" 4215:American Symphony Orchestra 4061:"The Theatre Of The Absurd" 3228:Dictionnaire du surrĂ©alisme 3208:, 2, Summer 2004, pp. 1–14. 2947:Category:Surrealist artists 2940: 2907:World Surrealist Exhibition 1901:and Breton in the 1940s in 1643:, who stated that his work 1437:La Coquille et le clergyman 965:the claims made and adding 507:. Meeting the young writer 353:. It was influenced by the 10: 15149: 13910:Post-painterly abstraction 13733:Situationist International 13107:Pennsylvania Impressionism 11253:Classical Hollywood cinema 8259:Situationist International 6257:Thames & Hudson. 1991. 6088:A Book of Surrealist Games 6046:Oeuvres en prose complĂštes 4211:"Edgard VarĂ©se's "Arcana"" 4036:The Theater and Its Double 3904:Auslander, Philip (1980). 3487:bluemountain.princeton.edu 3142:Metropolitan Museum of Art 2873:Surrealism and the theatre 2856:Category:Surrealist groups 2853: 2516:Situationist International 2490:First Papers of Surrealism 2446:After the crushing of the 2164:(1937), private collection 1616: 1402: 1384:Sur la route de San Romano 1306: 823: 742:. They also looked to the 444:had a one-act scenario by 419:. He wrote in a letter to 15081: 15023:San Francisco Renaissance 14688: 14626: 14430: 14195: 14005: 13785: 13577: 13561: 13493:California Scene Painting 13372:California Scene Painting 13328:Figurative Constructivism 13240: 13045: 12824: 12813: 12643: 12580: 12473: 12389: 12379:Poussinists and Rubenists 12280: 12084: 11817: 11617: 11608: 11595: 11516: 11194: 11035: 10903: 10743: 10499: 10488: 10331:Les Demoiselles d'Avignon 10285: 10111: 9671: 9154: 9145: 9022: 8806: 8548: 8539: 8334: 8155: 8077: 7916: 7856: 7847: 7729: 7529: 7488: 7483:Links to related articles 7467:Paranoiac-critical method 7404: 7313: 7010: 6634: 6321:. London: Penguin Books. 6255:Paris and the Surrealists 5949:Manifestoes of Surrealism 5698:The Theatre of the Absurd 5695:Esslin (6 January 2004). 5343:, 9780312424688. pg. 457. 4758:"Sixteen Miles of String" 4421:. Fordham.edu. 1925-01-27 4232:Potter, Caroline (2018). 4194:Albright, Daniel (2000). 4173:10.1017/S147857222000002X 4155:Donaldson, James (2020). 4140:Potter, Caroline (2016). 4117:18.4 (Dec. 1974): 88–107. 4004:10.1017/S0040557405000153 3803:Journal of Media Practice 3613:– via Google Books. 3568:– via Google Books. 3522:Manifestoes of Surrealism 3190:& CIP available from 3020:The 20th-Century art book 2707:French revolt of May 1968 2695: 2595:La RĂ©volution surrĂ©aliste 2297:humor in such artists as 2249:Albright Knox Art Gallery 2117:La RĂ©volution surrĂ©aliste 2096:The Persistence of Memory 1863:came together to support 1804:Eugenio FernĂĄndez Granell 1743:group in Chile in 1938), 1724:included performances by 1468:by Buñuel and DalĂ­ (1930) 1391:La RĂ©volution surrĂ©aliste 1225:and the drawing style of 1006:Woman with Her Throat Cut 791:La RĂ©volution surrĂ©aliste 730:La RĂ©volution surrĂ©aliste 159: 128: 94: 86: 78: 35: 14591:Prehistoric European art 14240:Contemporary African art 13723:Gendai Bijutsu Kondankai 13651:GeneraciĂłn de la Ruptura 13278:Universal Constructivism 13070:California Impressionism 13025:American Barbizon school 9116:The Master and Margarita 7351:Chicago Surrealist Group 7336:British Surrealist Group 6128:. 1985, Bulfinch Press. 5906:Bosing, Walter. (2000). 5723:Makers of modern culture 5364:, 9780719044090. pg. 98. 4857:Vaneigem, Raoul (1999). 4722:"Castle in the Pyrenees" 4269:10.1525/mts.2009.31.1.26 4033:Artaud, Antonin (1958). 3045:Manifeste du surrĂ©alisme 2602:Chicago Surrealist Group 2396:figures, and in England 1980:manifeste du surrĂ©alisme 1726:David "Honeyboy" Edwards 1530:Les Mamelles de TirĂ©sias 1486:) by Jean Cocteau (1930) 1309:List of Surrealist poets 898:Manifeste du surrĂ©alisme 890:Manifeste du surrĂ©alisme 888:Yvan Goll published the 815:Manifeste du surrĂ©alisme 392:Founding of the movement 384:, literature, film, and 302:aftermath of World War I 14418:Walking Artists Network 13755:Letterist International 13595:Washington Color School 12509:Arts in the Philippines 11402:List of modernist poets 11288:Fourth dimension in art 10471:Meshes of the Afternoon 7769:Experimental literature 6472:Surrealism and politics 6406:Manifesto of Surrealism 6318:The Penguin Opera Guide 6295:The Wall Street Journal 6114:. The MIT Press, 1998. 6065:Allmer, Patricia (ed.) 6051:Allmer, Patricia (ed.) 5618:. Da Capo Press, 1998. 4744:Surrealism and Painting 4161:Twentieth-Century Music 3451:Manifesto of Surrealism 3362:Oxford University Press 3170:Le Mamelles de TirĂ©sias 3018:Barnes, Rachel (2001). 2787:with former surrealist 2593:in Paris a show called 2591:Centre Georges Pompidou 2577:, in 1999, and in 2001 2432:, which refers back to 2245:Indefinite Divisibility 2122:From 1936 through 1938 1503:, the French/Hungarian 1297:Surrealism and Painting 1281:La Peinture Surrealiste 1216:from 1927 by Max Ernst. 499:hospital where he used 357:movement of the 1910s. 54:Ceci n'est pas une pipe 44:The Treachery of Images 14853:Generation of the '30s 14728:British Poetry Revival 14529:Illuminated manuscript 14177:The Designers Republic 14127:Neue Slowenische Kunst 14050:Pattern and Decoration 13950:Institutional critique 13590:Abstract expressionism 12570:Latin American Baroque 12526:Colonial Asian Baroque 11486:Second Viennese School 11228: 11217: 9128:The Sound and the Fury 9032:In Search of Lost Time 8489: 8418: 8407: 8361: 8350: 8035:Second Viennese School 7666:Neue Slowenische Kunst 7537:Abstract expressionism 7462:Abstract expressionism 7331:Birmingham Surrealists 7020:Maxime Moses Alexandre 6997:Radojica Ćœivanović Noe 6662:Jacques-AndrĂ© Boiffard 6553:Jackaman, Rob (1989). 6435:Timeline of Surrealism 6408:by AndrĂ© Breton. 1924. 6300:Richard Jean-Tristan. 6287:Why Surrealism Matters 6200:David Hopkins (2004). 6038:Apollinaire, Guillaume 5675:Beckett and aesthetics 4815:Dublin Review of Books 4666:: CS1 maint: others ( 4303:Gli Spazi della Musica 4238:Gli Spazi della Musica 4086:"Artaud and Semiotics" 3603:. Editions Publibook. 3337:April 6, 2009, at the 3110:Breton, AndrĂ© (1997). 2835:Gabriel GarcĂ­a MĂĄrquez 2528:The events of May 1968 2510:Post-Breton Surrealism 2364: 2279:Abstract Expressionism 2252: 2165: 2034:French Communist Party 1973:and the Czech painter 1886: 1861:French Communist Party 1854:proletarian literature 1491:Surrealist photography 1482: 1436: 1324:Les Champs MagnĂ©tiques 1315:Les Chants de Maldoror 1251: 1129: 1012: 928: 883:Jacques-AndrĂ© Boiffard 821: 734: 466: 408: 246:Birmingham Surrealists 167:Abstract expressionism 53: 14903:Informationist poetry 14167:Artist-run initiative 14142:Young British Artists 14107:New European Painting 14043:Moscow Conceptualists 13965:Feminist art movement 13743:Ukrainian underground 13718:Gutai Art Association 13117:Ten American Painters 12621:Western influence in 11598:List of art movements 11465:Reactionary modernism 11388:List of art movements 8142:Theatre of the Absurd 8065:Twelve-tone technique 7944:Electroacoustic music 7432:Surrealist techniques 7417:Surrealist automatism 7361:Fighting Cock Society 7100:Roger Gilbert-Lecomte 7085:Vratislav Effenberger 7025:Guillaume Apollinaire 6399:AndrĂ© Breton writings 6272:History of Surrealism 6239:Low Mary, BreĂĄ Juan, 6030:Alexandrian, Sarane. 5113:Rosemont, pg. 222–226 4444:Generation-online.org 4297:Massey, Drew (2018). 4257:Music Theory Spectrum 4209:Bernard, Jonathan W. 4144:. Boydell and Brewer. 3963:10.1002/9781118476215 3704:Communicating Vessels 3180:The Automatic Message 3112:The Automatic Message 2879:Theatre of the Absurd 2767:Lawrence Ferlinghetti 2643:Impact and influences 2356: 2240: 2207:, Dada and Surrealism 2156: 2051:FĂ©dĂ©ration anarchiste 1967:Roger Gilbert-Lecomte 1881: 1571:Federico GarcĂ­a Lorca 1549:The Mysteries of Love 1535:adapted into an opera 1382:(1937), and Breton's 1303:Surrealist literature 1239: 1164:, the abstraction of 1136:, painter and writer 1120: 1000: 913: 805: 798:Surrealist Manifestos 726: 458: 417:Guillaume Apollinaire 399: 362:Guillaume Apollinaire 146:Metaphysical painting 15028:Scottish Renaissance 14723:Black Mountain poets 13977:Saqqakhaneh movement 13870:Chicano art movement 13738:Soviet Nonconformist 13544:Boston Expressionism 13527:Abstraction-CrĂ©ation 13345:Arbeitsrat fĂŒr Kunst 13338:Cologne Progressives 13058:Art Nouveau in Milan 12861:Anglo-Japanese style 12837:National romanticism 12267:Fontainebleau School 12177:Northern Renaissance 12012:International Gothic 11309:Hanshinkan Modernism 11165:The Threepenny Opera 11081:PellĂ©as et MĂ©lisande 8127:Postdramatic theatre 8112:Experimental theatre 7649:Multidimensional art 7412:Surrealist Manifesto 7366:The Firesign Theatre 7150:Comte de LautrĂ©amont 6542:Surrealism in Poetry 6379:Anatoly Kudryavitsky 6361:Anatoly Kudryavitsky 6359:. Ed. and trans. by 6297:, February 23, 2024. 6264:College of Sociology 6241:Red Spanish Notebook 5489:Maarten van Delden. 5059:.Heyday Books, 2004. 4832:Anatoly Kudryavitsky 4830:, ed. and trans. by 4789:Anatoly Kudryavitsky 3815:10.1386/jmpr.2.3.168 3765:Emiel van Moerkerken 3734:DANAE (2020-01-13). 3648:Duchamp: A Biography 3584:www.lettresvolees.fr 3288:Surrealist Manifesto 3206:Papers of Surrealism 2909:in Chicago in 1976. 2794:Postmodern novelist 2781:William S. Burroughs 2686:Comte de LautrĂ©amont 2633:Anatoly Kudryavitsky 2614:Anatoly Kudryavitsky 2418:Surrealism Unlimited 2392:took an interest in 2200:Museum of Modern Art 2115:as the successor of 1784:Emiel van Moerkerken 1681:of the French group 1679:Germaine Tailleferre 1588:Play Without a Title 1582:When Five Years Pass 1557:Theatre Alfred Jarry 1513:Emiel van Moerkerken 1345:Comte de LautrĂ©amont 1214:The Kiss (Le Baiser) 1126:Museum of Modern Art 1008:, 1932 (cast 1949), 909:Surrealist Manifesto 826:Surrealist Manifesto 563:Surrealist Manifesto 405:The Elephant Celebes 366:Surrealist Manifesto 241:Surrealist Manifesto 14968:New American Poetry 14718:Black Arts Movement 14698:Akhmatova's Orphans 14512:Hierarchy of genres 14077:Saint Soleil School 14013:Post-conceptual art 13982:The Stars Art Group 13860:Black Arts Movement 13823:Neo-Dada Organizers 13624:Lyrical abstraction 13357:Australian tonalism 13030:California Tonalism 12702:Hudson River School 12505:Colonial Asian art 12245:English Renaissance 12194:Ghent–Bruges school 12182:Early Netherlandish 12094:Italian Renaissance 12007:Gothic art in Milan 11367:International Style 11117:Afternoon of a Faun 10403:Battleship Potemkin 10307:Mont Sainte-Victoir 7629:Lyrical Abstraction 7300:Marianne Van Hirtum 7275:Simon Watson Taylor 6737:Christian Dotremont 6454:Surrealism Reviewed 6421:What is Surrealism? 6153:Flahutez, Fabrice, 6124:Chadwick, Whitney. 6110:Chadwick, Whitney. 5910:. London: Taschen. 5725:. Routledge, 2002. 5514:. Routledge, 2004. 5510:Maggie Ann Bowers. 5155:. SIU Press, 2002. 4966:Yale French Studies 4922:Anthony Christian, 4899:Horsley, Carter B. 4688:on October 1, 2008. 4492:Kelley, Robin D. G. 4471:Kelley, Robin D. G. 4370:, Routledge, 2017, 3226:Jean-Paul ClĂ©bert, 3192:The British Library 2923:Giuseppe Arcimboldo 2624:. The Dublin-based 2331:, and his magazine 2251:, Buffalo, New York 2148:Robert Rauschenberg 1473:The Blood of a Poet 1370:Mr. Knife Miss Fork 836:Pierre Albert-Birot 571:Pierre Albert-Birot 555:The Magnetic Fields 456:as "surrealistic": 329:element of surprise 190:Part of a series on 32: 15043:Southern Agrarians 14938:Metaphysical poets 14878:Harlem Renaissance 14554:Landscape painting 14162:New Leipzig School 14102:Neo-conceptual art 13850:Art & Language 13845:Capitalist realism 13767:Florida Highwaymen 13703:Hard-edge painting 13517:Streamline Moderne 13478:Harlem Renaissance 13321:Novecento Italiano 13149:Deutscher Werkbund 12976:Post-Impressionism 12538:Latin American art 12342:Guild of Romanists 12204:German Renaissance 12199:Northern Mannerism 11246:Buddhist modernism 11203:American modernism 11129:The Rite of Spring 9104:The Sun Also Rises 9080:The Magic Mountain 8242:Postmodernist film 8147:Theatre of Cruelty 8030:Rock in Opposition 7971:Free improvisation 7614:Post-Impressionism 7547:Art & Language 6777:Alberto Giacometti 6767:Gordon Onslow Ford 6702:Leonora Carrington 6587:2010-09-19 at the 6565:Edwin Mellen Press 6561:Lewiston, New York 6413:2010-02-09 at the 6285:Polizzotti, Mark. 6260:Moebius, Stephan. 5746:.Routledge, 1993. 5564:Navarro, Gabriel. 5335:. Macmillan, 2005 5291:Ginsberg, pg. 182. 4534:2012-09-18 at the 4322:The New York Times 3508:press.uchicago.edu 3456:2010-02-09 at the 3371:2008-05-16 at the 3047:, various editions 2978:Organic Surrealism 2637:Russian literature 2551:Orange Alternative 2475:The Tower of Light 2365: 2329:Charles Henri Ford 2253: 2166: 2150:'s collage boxes. 2128:Gordon Onslow Ford 1564:Theatre of Cruelty 1519:Surrealist theatre 1483:Le sang d'un poĂšte 1252: 1241:Giorgio de Chirico 1192:automatic drawings 1174:Post-Impressionism 1130: 1072:Alberto Giacometti 1044:Giorgio de Chirico 1013: 950:possibly contains 856:Giuseppe Ungaretti 822: 740:Hegelian Dialectic 735: 591:Giuseppe Ungaretti 409: 68:This is not a pipe 30: 15105: 15104: 15099: 15098: 15092:Poetry portal 14888:Hungry generation 14883:Harvard Aesthetes 14858:Generation of '98 14848:Generation of '27 14823:The poets of Elan 14644: 14643: 14426: 14425: 14282:Corporate Memphis 14235:Classical Realism 14205:Amazonian pop art 14097:Appropriation art 14065:Neo-expressionism 13935:Environmental art 13840:Nouvelle tendance 13557: 13556: 13505:Socialist realism 13362:Dresden Secession 12981:Neo-Impressionism 12944:Decadent movement 12915:Heidelberg School 12809: 12808: 12707:American luminism 12692:DĂŒsseldorf School 12687:Shoreham Ancients 12677:Nazarene movement 12667:Danish Golden Age 12548:Indochristian art 12226:Antwerp Mannerism 12115:Pittura infamante 12109:Florentine School 12104:Proto-Renaissance 11546: 11545: 11274:Experimental film 11190: 11189: 11177:Waiting for Godot 10484: 10483: 9141: 9140: 9044:The Metamorphosis 8294: 8293: 8284:Russian symbolism 8269:Socialist realism 8107:Experimental film 8073: 8072: 7779:Hungry generation 7754:Conceptual poetry 7609:Neo-Impressionism 7475: 7474: 7452:Women surrealists 7422:Surrealist cinema 7270:Philippe Soupault 6902:BenjamĂ­n Palencia 6574:978-0-88946-932-7 6516:Surrealist poetry 6429:Overview websites 6387:978-1-912963-18-8 6369:978-1-912963-17-1 6351:978-1-912963-44-7 6328:978-0-14-051385-1 6270:Nadeau, Maurice. 6228:978-1-60606-118-3 6211:978-0-19-280254-5 6195:978-5-7281-1146-7 6185:Galtsova, Elena. 6170:978-3-947449-50-7 6138:Durozoi, Gerard, 6134:978-0-8212-1599-9 6120:978-0-262-53157-3 6026:978-1-60606-117-6 6002:Oeuvres complĂštes 5786:978-0-292-77088-1 5673:Daniel Albright. 5603:978-0-231-07360-8 5553:978-0-275-98049-8 5528:978-0-415-26853-0 5512:Magic(al) realism 5465:978-1-57003-482-4 5391:978-1-57806-185-3 5352:Catherine Cundy. 5273:Ginsberg, pg. 180 5227:978-0-87286-379-8 5198:978-0-472-06353-6 5169:978-0-8093-2447-7 5140:978-1-56689-038-0 5102:978-0-292-71997-2 5073:978-1-890771-72-0 4950:978-0-231-06811-6 4905:thecityreview.com 4840:978-1-912963-17-1 4797:978-1-912963-18-8 4756:Duchamp, Marcel. 4645:978-0-292-77088-1 4601:Duchamp, Marcel. 4473:(November 1999). 4401:, Ashgate, 2003, 4347:978-0-7206-1774-0 4111:Backs to the Wall 4046:978-0-8021-5030-1 3972:978-1-118-47621-5 3890:978-1-317-10309-7 3775:978-90-8910-221-8 3386:L'Écran Française 3326:Diary of a Genius 3306:978-0-226-17411-2 3175:Drame surrĂ©aliste 3135:Voorhies, James. 3121:978-0-9477-5799-1 3029:978-0-7148-3542-6 2962:Women surrealists 2850:Surrealist groups 2711:The Situationists 2618:Ciaran O'Driscoll 2612:, Matthew Geden, 2571:Guggenheim Museum 2291:Clement Greenberg 2270:Robert Motherwell 2225:Surrealist Street 2168:During the 1930s 1957:Internal politics 1812:Spanish Civil War 1706:Silence is Golden 1593:Backs to the Wall 1452:by Man Ray (1928) 1405:Surrealist cinema 1368:(1929), Crevel's 1366:Death to the Pigs 1358:(1926), Aragon's 1327:(May–June 1919). 1249:Guggenheim Museum 1178:proto-surrealists 1166:Wassily Kandinsky 1021:automatic drawing 995: 994: 987: 952:original research 744:Marxist dialectic 550:automatic writing 546:Philippe Soupault 298:cultural movement 287: 286: 251:Women Surrealists 185: 184: 16:(Redirected from 15140: 15133:1910s neologisms 15090: 15089: 15003:Parnassian poets 14973:New Apocalyptics 14948:Modernist poetry 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11502: 11500:Underground film 11495: 11488: 11481: 11474: 11467: 11460: 11453: 11446: 11439: 11432: 11425: 11418: 11411: 11404: 11397: 11390: 11383: 11376: 11369: 11362: 11353: 11346: 11339: 11332: 11325: 11323:Hippie modernism 11318: 11311: 11304: 11297: 11290: 11283: 11276: 11269: 11262: 11255: 11248: 11241: 11239:Bloomsbury Group 11234: 11233: 11223: 11222: 11212: 11205: 11183: 11182: 11171: 11170: 11159: 11158: 11147: 11146: 11135: 11134: 11123: 11122: 11111: 11110: 11099: 11098: 11087: 11086: 11075: 11074: 11063: 11062: 11051: 11050: 11028: 11021: 11014: 11007: 11000: 10993: 10986: 10979: 10972: 10965: 10958: 10951: 10944: 10937: 10930: 10923: 10916: 10896: 10889: 10882: 10875: 10868: 10861: 10854: 10847: 10840: 10833: 10826: 10819: 10812: 10805: 10798: 10791: 10784: 10777: 10770: 10763: 10756: 10736: 10729: 10722: 10715: 10708: 10701: 10694: 10687: 10680: 10673: 10666: 10659: 10652: 10645: 10638: 10631: 10624: 10617: 10610: 10603: 10596: 10589: 10582: 10575: 10568: 10561: 10554: 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9566: 9559: 9552: 9545: 9538: 9531: 9524: 9517: 9510: 9503: 9496: 9489: 9482: 9475: 9468: 9461: 9454: 9447: 9440: 9433: 9426: 9419: 9412: 9405: 9398: 9391: 9384: 9377: 9370: 9363: 9356: 9349: 9342: 9335: 9328: 9321: 9314: 9307: 9300: 9293: 9286: 9279: 9272: 9265: 9258: 9251: 9244: 9237: 9230: 9223: 9216: 9209: 9202: 9195: 9188: 9181: 9174: 9167: 9152: 9151: 9134: 9133: 9122: 9121: 9110: 9109: 9098: 9097: 9086: 9085: 9074: 9073: 9062: 9061: 9050: 9049: 9038: 9037: 9015: 9008: 9001: 8994: 8987: 8980: 8973: 8966: 8959: 8952: 8945: 8938: 8931: 8924: 8917: 8910: 8903: 8896: 8889: 8882: 8875: 8868: 8861: 8854: 8847: 8840: 8833: 8826: 8819: 8799: 8792: 8785: 8778: 8771: 8764: 8757: 8750: 8743: 8736: 8729: 8722: 8715: 8708: 8701: 8694: 8687: 8680: 8673: 8666: 8659: 8652: 8645: 8638: 8631: 8624: 8617: 8610: 8603: 8596: 8589: 8582: 8575: 8568: 8561: 8546: 8545: 8532: 8525: 8518: 8511: 8504: 8495: 8494: 8484: 8477: 8470: 8463: 8454: 8447: 8440: 8431: 8424: 8423: 8413: 8412: 8409:Der Blaue Reiter 8402: 8395: 8388: 8381: 8374: 8367: 8366: 8356: 8355: 8345: 8321: 8314: 8307: 8298: 8297: 8188:Russian Futurism 8132:Remodernist film 8050:Stochastic music 8005:Musique concrĂšte 7983:Microtonal music 7961:Experimental pop 7954:Industrial music 7949:Electronic music 7854: 7853: 7676:Nouveau rĂ©alisme 7584:Grosvenor School 7515: 7508: 7501: 7492: 7491: 7479: 7478: 7427:Surrealist music 7346:Chicago Imagists 7326:Les Automatistes 7265:Louis Scutenaire 7205:VĂ­tězslav Nezval 7045:Georges Bataille 6962:Dorothea Tanning 6947:Jindƙich Ć tyrskĂœ 6922:Aminollah Rezaei 6817:Jacqueline Lamba 6807:Gerome Kamrowski 6752:Curt Echtermeyer 6707:Ithell Colquhoun 6621: 6614: 6607: 6598: 6597: 6593: 6578: 6538: 6536: 6535: 6526:. Archived from 6522:Gullette, Alan. 6511: 6496: 6483: 6467:, Nov. 15, 2001) 6449: 6332: 6232:Lewis, Helena. 6215: 6107:2001, MIT Press. 6081:Image Narrative 5997:, reprinted in: 5953:The Soluble Fish 5930: 5929: 5902: 5896: 5895: 5884: 5878: 5877: 5875: 5874: 5859: 5853: 5852: 5828: 5822: 5821: 5797: 5791: 5790: 5766: 5755: 5740: 5734: 5719: 5713: 5712: 5692: 5686: 5671: 5665: 5652:James Knowlson. 5650: 5644: 5633: 5627: 5614:EugĂšne Ionesco. 5612: 5606: 5583: 5577: 5562: 5556: 5537: 5531: 5508: 5502: 5487: 5481: 5474: 5468: 5445: 5439: 5429: 5423: 5422: 5420: 5419: 5400: 5394: 5371: 5365: 5350: 5344: 5329: 5323: 5316: 5310: 5307: 5301: 5298: 5292: 5289: 5283: 5280: 5274: 5271: 5265: 5253: 5247: 5236: 5230: 5207: 5201: 5178: 5172: 5149: 5143: 5120: 5114: 5111: 5105: 5082: 5076: 5053: 5047: 5036: 5030: 5023: 5017: 5011: 5005: 5001: 4995: 4992: 4986: 4985: 4961: 4955: 4954: 4934: 4928: 4919: 4913: 4912: 4911:on 15 June 2011. 4907:. Archived from 4896: 4887: 4874: 4868: 4867: 4865: 4849: 4843: 4825: 4819: 4806: 4800: 4782: 4776: 4768: 4762: 4761: 4753: 4747: 4740: 4734: 4733: 4732:on May 10, 2018. 4728:. Archived from 4726:Artacademieparis 4720:Magritte, Rene. 4717: 4711: 4710: 4708: 4707: 4696: 4690: 4689: 4684:. Archived from 4678: 4672: 4671: 4665: 4657: 4630: 4624: 4623: 4613: 4607: 4606: 4598: 4592: 4591: 4589: 4588: 4573: 4567: 4566: 4564: 4563: 4552: 4543: 4526: 4520: 4519: 4517: 4516: 4501: 4495: 4489: 4483: 4482: 4467: 4461: 4454: 4448: 4447: 4436: 4430: 4429: 4427: 4426: 4415: 4409: 4389: 4378: 4362: 4349: 4335:Robert Shapiro, 4332: 4326: 4325: 4317: 4311: 4310: 4294: 4288: 4287: 4284:Messiaen Studies 4279: 4273: 4272: 4252: 4246: 4245: 4229: 4223: 4222: 4217:. Archived from 4206: 4200: 4199: 4191: 4185: 4184: 4152: 4146: 4145: 4137: 4131: 4124: 4118: 4115:The Drama Review 4107: 4101: 4100: 4098: 4097: 4082: 4076: 4075: 4073: 4072: 4057: 4051: 4050: 4030: 4024: 4023: 3983: 3977: 3976: 3948: 3942: 3941: 3901: 3895: 3894: 3874: 3868: 3867: 3865: 3864: 3841: 3835: 3834: 3794: 3788: 3787: 3759: 3750: 3749: 3747: 3746: 3731: 3725: 3722: 3716: 3713: 3707: 3700: 3694: 3688: 3682: 3676: 3670: 3664: 3658: 3641: 3628: 3621: 3615: 3614: 3594: 3588: 3587: 3576: 3570: 3569: 3549: 3543: 3542: 3531: 3525: 3518: 3512: 3511: 3500: 3491: 3490: 3479: 3470: 3446: 3440: 3428: 3419: 3418: 3416: 3415: 3400: 3394: 3393: 3381: 3375: 3354: 3341: 3318: 3309: 3298: 3292: 3283: 3277: 3274: 3268: 3267:Gascoyne, p. 39. 3265: 3259: 3252: 3246: 3240:Tracy A. Doyle, 3237: 3231: 3224: 3218: 3215: 3209: 3201: 3195: 3162: 3156: 3153: 3147: 3146: 3132: 3126: 3125: 3107: 3101: 3100: 3098: 3097: 3082: 3073: 3056: 3050: 3040: 3034: 3033: 3015: 3000: 2967:Exquisite corpse 2919:Hieronymus Bosch 2903:Henry Threadgill 2895:Fernando Arrabal 2844:Alejo Carpentier 2821:Donald Barthelme 2785:cut-up technique 2674:Hieronymus Bosch 2575:Two Private Eyes 2555:Waldemar Fydrych 2467:Rainy Day Canape 2463:Louise Bourgeois 2459:Dorothea Tanning 2358:The Conspirators 2283:Peggy Guggenheim 2170:Peggy Guggenheim 2138:and Onslow Ford 2023:Georges Bataille 1943:Jacqueline Lamba 1867:, leader of the 1799:Francisco Franco 1695:La Petite SirĂšne 1669:Olivier Messiaen 1625:Bohuslav MartinĆŻ 1619:Surrealist music 1613:Surrealist music 1457:Un Chien Andalou 1399:Surrealist films 1364:(1927), PĂ©ret's 1256:metaphysical art 1220: 1217: 1196:unconscious mind 1182:Hieronymus Bosch 1154:Louis Scutenaire 1088:Kansuke Yamamoto 990: 983: 979: 976: 970: 967:inline citations 943: 942: 935: 878:, among others. 491:During the war, 428:Sergei Diaghilev 306:unconscious mind 279: 272: 265: 187: 186: 72: 69: 66: 63: 60: 56: 40: 33: 29: 21: 15148: 15147: 15143: 15142: 15141: 15139: 15138: 15137: 15108: 15107: 15106: 15101: 15100: 15095: 15084: 15077: 15048:Spasmodic poets 15033:Sicilian School 14983:New York School 14803:Dolce Stil Novo 14684: 14675: 14645: 14640: 14622: 14539:Interactive art 14422: 14396:SoFlo Superflat 14321:Kitsch movement 14245:Africanfuturism 14197: 14191: 14070:Transavantgarde 14001: 13955:Light and Space 13940:Performance art 13920:Psychedelic art 13803:Nueva Presencia 13793:Otra FiguraciĂłn 13781: 13713:Les Plasticiens 13698:New York School 13676:Action painting 13661:Metcalf Chateau 13570: 13565: 13553: 13473:Cercle et CarrĂ© 13409:New Objectivity 13316:Return to order 13258:School of Paris 13236: 13080:School of Paris 13041: 12927:Arts and Crafts 12832:Neo-romanticism 12817: 12805: 12801:Etching revival 12753:Barbizon school 12697:Pre-Raphaelites 12649: 12646: 12639: 12582: 12576: 12469: 12443:Louis XVI style 12385: 12374:Louis XIV style 12337:Animal painting 12298:Flemish Baroque 12276: 12187:World landscape 12138:Venetian School 12080: 12067:Majorcan school 12034:Novgorod School 12024:Lucchese School 11996:Opus Anglicanum 11988:Norman-Sicilian 11932:Italo-Byzantine 11832:Early Christian 11813: 11797:Pompeian Styles 11610: 11604: 11591: 11577: 11547: 11542: 11533: 11525: 11512: 11505: 11498: 11493:Structural film 11491: 11484: 11477: 11470: 11463: 11456: 11449: 11444:New Objectivity 11442: 11435: 11430:Neo-romanticism 11428: 11423:Neo-primitivism 11421: 11414: 11407: 11400: 11393: 11386: 11379: 11372: 11365: 11358: 11349: 11342: 11335: 11328: 11321: 11314: 11307: 11300: 11293: 11286: 11279: 11272: 11265: 11258: 11251: 11244: 11237: 11226: 11215: 11208: 11201: 11186: 11180: 11174: 11168: 11162: 11156: 11150: 11144: 11138: 11132: 11126: 11120: 11114: 11108: 11102: 11096: 11090: 11084: 11078: 11072: 11069:VerklĂ€rte Nacht 11066: 11060: 11054: 11048: 11042: 11031: 11024: 11017: 11010: 11003: 10996: 10989: 10982: 10975: 10968: 10961: 10954: 10947: 10940: 10933: 10926: 10919: 10912: 10899: 10892: 10885: 10878: 10871: 10864: 10857: 10850: 10843: 10836: 10829: 10822: 10815: 10808: 10801: 10794: 10787: 10780: 10773: 10766: 10759: 10752: 10739: 10732: 10725: 10718: 10711: 10704: 10697: 10690: 10683: 10676: 10669: 10662: 10655: 10648: 10641: 10634: 10627: 10620: 10613: 10606: 10599: 10592: 10585: 10578: 10571: 10564: 10557: 10550: 10543: 10536: 10529: 10522: 10515: 10508: 10491: 10480: 10474: 10468: 10462: 10456: 10450: 10446: 10440: 10436: 10430: 10424: 10418: 10412: 10406: 10400: 10394: 10388: 10382: 10376: 10370: 10364: 10358: 10352: 10346: 10340: 10334: 10328: 10322: 10316: 10310: 10304: 10298: 10292: 10281: 10274: 10267: 10260: 10253: 10246: 10239: 10232: 10225: 10218: 10211: 10204: 10197: 10190: 10183: 10176: 10169: 10162: 10155: 10148: 10141: 10134: 10127: 10120: 10107: 10100: 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8934: 8927: 8922:Lowell (Robert) 8920: 8913: 8906: 8899: 8892: 8885: 8878: 8871: 8864: 8857: 8850: 8843: 8836: 8829: 8822: 8815: 8802: 8795: 8788: 8781: 8774: 8767: 8760: 8753: 8746: 8739: 8732: 8725: 8718: 8711: 8704: 8697: 8690: 8683: 8676: 8669: 8662: 8655: 8648: 8641: 8634: 8627: 8620: 8613: 8606: 8599: 8592: 8585: 8578: 8571: 8564: 8557: 8535: 8528: 8521: 8514: 8507: 8500: 8487: 8480: 8473: 8466: 8459: 8450: 8443: 8436: 8427: 8416: 8405: 8398: 8391: 8384: 8377: 8370: 8359: 8348: 8341: 8330: 8325: 8295: 8290: 8151: 8137:Structural film 8079: 8069: 7924:Aleatoric music 7912: 7843: 7731: 7725: 7686:Performance art 7525: 7519: 7484: 7476: 7471: 7400: 7309: 7240:Raymond Queneau 7235:Jacques PrĂ©vert 7225:Rastko Petrović 7185:Robert Melville 7165:Georges Limbour 7145:Philip Lamantia 7050:Monny de Boully 7012: 7006: 6992:James F. Walker 6982:Albert Valentin 6972:Kristians Tonny 6942:Martin Stejskal 6917:Toni del Renzio 6897:Wolfgang Paalen 6892:MĂ©ret Oppenheim 6872:E. L. T. Mesens 6837:Georges Malkine 6772:Esteban FrancĂ©s 6732:Óscar DomĂ­nguez 6687:Jacques Brunius 6682:Emmy Bridgwater 6630: 6625: 6591: 6589:Wayback Machine 6575: 6544:Holcombe, C. J. 6533: 6531: 6518: 6474: 6447: 6439:Centre Pompidou 6431: 6415:Wayback Machine 6401: 6396: 6329: 6234:Dada Turns Red. 6212: 6083:, no. 13, 2005. 6060:Dada/Surrealism 5938: 5933: 5918: 5903: 5899: 5886: 5885: 5881: 5872: 5870: 5860: 5856: 5829: 5825: 5804:(28): 229–240. 5798: 5794: 5787: 5767: 5758: 5741: 5737: 5721:Justin Wintle. 5720: 5716: 5709: 5693: 5689: 5672: 5668: 5651: 5647: 5634: 5630: 5613: 5609: 5584: 5580: 5563: 5559: 5538: 5534: 5509: 5505: 5488: 5484: 5475: 5471: 5447:Brian Evenson. 5446: 5442: 5430: 5426: 5417: 5415: 5408:Facets Features 5402: 5401: 5397: 5372: 5368: 5351: 5347: 5330: 5326: 5317: 5313: 5309:Miles, pg. 242. 5308: 5304: 5300:Miles, pg. 233. 5299: 5295: 5290: 5286: 5281: 5277: 5272: 5268: 5254: 5250: 5237: 5233: 5208: 5204: 5179: 5175: 5150: 5146: 5121: 5117: 5112: 5108: 5083: 5079: 5054: 5050: 5037: 5033: 5024: 5020: 5012: 5008: 5002: 4998: 4993: 4989: 4974:10.2307/2929720 4962: 4958: 4951: 4935: 4931: 4920: 4916: 4897: 4890: 4875: 4871: 4863: 4850: 4846: 4826: 4822: 4818:, 1 April 2019. 4807: 4803: 4783: 4779: 4769: 4765: 4760:. Toutfait.com. 4754: 4750: 4742:Breton, AndrĂ©. 4741: 4737: 4718: 4714: 4705: 4703: 4698: 4697: 4693: 4680: 4679: 4675: 4659: 4658: 4646: 4632: 4631: 4627: 4619:The Irish Times 4614: 4610: 4605:. Toutfait.com. 4599: 4595: 4586: 4584: 4575: 4574: 4570: 4561: 4559: 4554: 4553: 4546: 4540:Centre Pompidou 4536:Wayback Machine 4527: 4523: 4514: 4512: 4503: 4502: 4498: 4490: 4486: 4468: 4464: 4456:Lewis, Helena. 4455: 4451: 4438: 4437: 4433: 4424: 4422: 4417: 4416: 4412: 4397:, Volume 16 of 4390: 4381: 4363: 4352: 4333: 4329: 4318: 4314: 4295: 4291: 4280: 4276: 4253: 4249: 4230: 4226: 4207: 4203: 4192: 4188: 4153: 4149: 4138: 4134: 4125: 4121: 4108: 4104: 4095: 4093: 4084: 4083: 4079: 4070: 4068: 4059: 4058: 4054: 4047: 4039:. Grove Press. 4031: 4027: 3984: 3980: 3973: 3949: 3945: 3922:10.2307/3206891 3910:Theatre Journal 3902: 3898: 3891: 3875: 3871: 3862: 3860: 3842: 3838: 3795: 3791: 3776: 3760: 3753: 3744: 3742: 3732: 3728: 3723: 3719: 3714: 3710: 3702:BrĂȘton, AndrĂ©. 3701: 3697: 3689: 3685: 3677: 3673: 3665: 3661: 3644:Tomkins, Calvin 3642: 3631: 3622: 3618: 3611: 3595: 3591: 3578: 3577: 3573: 3566: 3550: 3546: 3533: 3532: 3528: 3519: 3515: 3502: 3501: 3494: 3481: 3480: 3473: 3458:Wayback Machine 3447: 3443: 3429: 3422: 3413: 3411: 3401: 3397: 3382: 3378: 3373:Wayback Machine 3355: 3344: 3339:Wayback Machine 3319: 3312: 3299: 3295: 3284: 3280: 3275: 3271: 3266: 3262: 3253: 3249: 3238: 3234: 3225: 3221: 3216: 3212: 3202: 3198: 3163: 3159: 3154: 3150: 3133: 3129: 3122: 3108: 3104: 3095: 3093: 3084: 3083: 3076: 3057: 3053: 3041: 3037: 3030: 3016: 3012: 3008: 2998: 2989:Psychedelic art 2943: 2931:anthropomorphic 2915: 2875: 2858: 2852: 2747:Philip Lamantia 2743:Beat Generation 2727: 2698: 2692:as influences. 2682:Charles Fourier 2678:Marquis de Sade 2645: 2512: 2378:Colin Middleton 2266:Jackson Pollock 2235: 2124:Wolfgang Paalen 2059: 1992:crown of thorns 1959: 1936:Aristide MaugĂ©e 1924:Suzanne CĂ©saire 1819:Communist Party 1789:Wolfgang Paalen 1745:Central America 1734: 1651:'s publication 1637:Francis Poulenc 1621: 1615: 1539:Francis Poulenc 1521: 1499:, the American 1493: 1449:L'Étoile de mer 1407: 1401: 1311: 1305: 1218: 1205: 1134:E. L. T. Mesens 1080:MĂ©ret Oppenheim 1056:Francis Picabia 991: 980: 974: 971: 956: 944: 940: 933: 921: 920: 876:Robert Delaunay 848:Francis Picabia 834:, consisted of 828: 819:Robert Delaunay 800: 752:Herbert Marcuse 748:Walter Benjamin 733:, December 1924 711:Jacques PrĂ©vert 695:Raymond Queneau 687:Georges Limbour 679:Georges Malkine 611:Robert Delaunay 583:Francis Picabia 394: 283: 181: 155: 90:France, Belgium 74: 70: 67: 64: 61: 28: 23: 22: 15: 12: 11: 5: 15146: 15136: 15135: 15130: 15125: 15120: 15103: 15102: 15097: 15096: 15082: 15079: 15078: 15076: 15075: 15070: 15068:Uranian poetry 15065: 15060: 15055: 15050: 15045: 15040: 15035: 15030: 15025: 15020: 15015: 15010: 15005: 15000: 14995: 14990: 14985: 14980: 14975: 14970: 14965: 14960: 14955: 14950: 14945: 14940: 14935: 14933:Martian poetry 14930: 14925: 14923:Language poets 14920: 14915: 14910: 14905: 14900: 14895: 14890: 14885: 14880: 14875: 14870: 14865: 14863:Georgian poets 14860: 14855: 14850: 14845: 14840: 14835: 14830: 14825: 14820: 14815: 14810: 14805: 14800: 14798:Della Cruscans 14795: 14790: 14785: 14780: 14775: 14770: 14765: 14760: 14755: 14750: 14745: 14743:Cavalier poets 14740: 14738:Castalian Band 14735: 14730: 14725: 14720: 14715: 14710: 14705: 14703:Angry Penguins 14700: 14695: 14689: 14686: 14685: 14674: 14673: 14666: 14659: 14651: 14642: 14641: 14639: 14638: 14627: 14624: 14623: 14621: 14620: 14615: 14608: 14603: 14598: 14593: 14588: 14583: 14578: 14573: 14572: 14571: 14569:Late modernism 14566: 14556: 14551: 14546: 14541: 14536: 14531: 14526: 14525: 14524: 14519: 14517:Genre painting 14509: 14504: 14499: 14494: 14493: 14492: 14487: 14482: 14477: 14467: 14465:Ballets Russes 14462: 14457: 14452: 14451: 14450: 14448:Asemic writing 14440: 14438:History of art 14434: 14432: 14431:Related topics 14428: 14427: 14424: 14423: 14421: 14420: 14415: 14410: 14405: 14404: 14403: 14398: 14388: 14383: 14378: 14373: 14368: 14366:Relational art 14363: 14358: 14353: 14348: 14343: 14338: 14333: 14328: 14323: 14318: 14313: 14312: 14311: 14301: 14296: 14291: 14289:Hypermodernism 14286: 14285: 14284: 14274: 14269: 14264: 14259: 14254: 14249: 14248: 14247: 14237: 14232: 14227: 14222: 14217: 14212: 14207: 14201: 14199: 14193: 14192: 14190: 14189: 14184: 14179: 14174: 14169: 14164: 14159: 14154: 14149: 14144: 14139: 14134: 14129: 14124: 14119: 14114: 14109: 14104: 14099: 14094: 14089: 14084: 14079: 14074: 14073: 14072: 14062: 14057: 14052: 14047: 14046: 14045: 14035: 14030: 14028:Postminimalism 14025: 14020: 14015: 14009: 14007: 14003: 14002: 14000: 13999: 13994: 13989: 13984: 13979: 13974: 13973: 13972: 13962: 13957: 13952: 13947: 13942: 13937: 13932: 13927: 13922: 13917: 13912: 13907: 13905:Generative art 13902: 13897: 13892: 13887: 13882: 13877: 13875:Conceptual art 13872: 13867: 13862: 13857: 13852: 13847: 13842: 13837: 13832: 13827: 13826: 13825: 13815: 13810: 13805: 13800: 13795: 13789: 13787: 13783: 13782: 13780: 13779: 13774: 13772:Cybernetic art 13769: 13764: 13763: 13762: 13760:Ultra-Lettrist 13757: 13747: 13746: 13745: 13735: 13730: 13725: 13720: 13715: 13710: 13705: 13700: 13695: 13690: 13689: 13688: 13678: 13673: 13668: 13663: 13658: 13653: 13648: 13647: 13646: 13641: 13636: 13634:Arte Informale 13631: 13621: 13616: 13611: 13610: 13609: 13599: 13598: 13597: 13587: 13581: 13579: 13572: 13571:(1945–present) 13559: 13558: 13555: 13554: 13552: 13551: 13546: 13541: 13536: 13531: 13530: 13529: 13519: 13514: 13513: 13512: 13507: 13500:Heroic realism 13497: 13496: 13495: 13485: 13480: 13475: 13470: 13465: 13460: 13453: 13448: 13443: 13438: 13437: 13436: 13434:Latin American 13431: 13421: 13416: 13411: 13406: 13404:Group of Seven 13401: 13396: 13391: 13386: 13385: 13384: 13374: 13369: 13367:Social realism 13364: 13359: 13354: 13353: 13352: 13350:November Group 13342: 13341: 13340: 13335: 13325: 13324: 13323: 13313: 13308: 13307: 13306: 13294: 13289: 13284: 13283: 13282: 13281: 13280: 13273:Latin American 13268:Constructivism 13265: 13263:Crystal Cubism 13260: 13255: 13250: 13244: 13242: 13238: 13237: 13235: 13234: 13229: 13224: 13219: 13214: 13209: 13204: 13203: 13202: 13192: 13187: 13180: 13179: 13178: 13173: 13163: 13162: 13161: 13151: 13146: 13141: 13140: 13139: 13134: 13124: 13119: 13114: 13109: 13104: 13103: 13102: 13097: 13092: 13087: 13077: 13072: 13067: 13062: 13061: 13060: 13049: 13047: 13043: 13042: 13040: 13039: 13034: 13033: 13032: 13022: 13021: 13020: 13015: 13010: 13005: 13000: 12995: 12990: 12989: 12988: 12973: 12968: 12966:Volcano School 12963: 12962: 12961: 12956: 12946: 12941: 12936: 12935: 12934: 12924: 12919: 12918: 12917: 12912: 12907: 12902: 12901: 12900: 12895: 12880: 12875: 12870: 12865: 12864: 12863: 12851: 12846: 12841: 12840: 12839: 12828: 12826: 12819: 12811: 12810: 12807: 12806: 12804: 12803: 12798: 12797: 12796: 12791: 12790: 12789: 12774: 12773: 12772: 12771: 12770: 12760: 12755: 12745: 12740: 12739: 12738: 12728: 12723: 12721:Norwich School 12718: 12713: 12712: 12711: 12710: 12709: 12699: 12694: 12689: 12684: 12679: 12674: 12669: 12664: 12662:Fairy painting 12653: 12651: 12641: 12640: 12638: 12637: 12636: 12635: 12630: 12619: 12614: 12609: 12604: 12599: 12598: 12597: 12586: 12584: 12578: 12577: 12575: 12574: 12573: 12572: 12567: 12566: 12565: 12560: 12555: 12553:Chilote School 12545: 12543:Casta painting 12535: 12534: 12533: 12528: 12523: 12522: 12521: 12519:Tipos del PaĂ­s 12516: 12503: 12502: 12501: 12500: 12499: 12489: 12477: 12475: 12471: 12470: 12468: 12467: 12462: 12461: 12460: 12455: 12450: 12445: 12440: 12428: 12427: 12426: 12419: 12414: 12409: 12407:Louis XV style 12404: 12393: 12391: 12387: 12386: 12384: 12383: 12382: 12381: 12376: 12366: 12361: 12356: 12355: 12354: 12344: 12339: 12334: 12329: 12328: 12327: 12322: 12317: 12316: 12315: 12310: 12300: 12295: 12284: 12282: 12278: 12277: 12275: 12274: 12269: 12264: 12259: 12254: 12253: 12252: 12242: 12241: 12240: 12239: 12238: 12233: 12228: 12218: 12217: 12216: 12211: 12209:Cologne School 12201: 12196: 12191: 12190: 12189: 12174: 12173: 12172: 12171: 12170: 12162: 12157: 12152: 12142: 12141: 12140: 12135: 12130: 12120: 12119: 12118: 12111: 12106: 12090: 12088: 12082: 12081: 12079: 12078: 12077: 12076: 12069: 12064: 12062:Italian school 12053: 12048: 12047: 12046: 12044:Sienese School 12036: 12031: 12026: 12021: 12020: 12019: 12014: 12009: 11999: 11992: 11991: 11990: 11980: 11979: 11978: 11973: 11963: 11958: 11957: 11956: 11954:Pre-Romanesque 11951: 11946: 11936: 11935: 11934: 11929: 11924: 11919: 11909: 11904: 11903: 11902: 11890: 11885: 11883:Donor portrait 11880: 11879: 11878: 11873: 11868: 11863: 11858: 11848: 11847: 11846: 11836: 11835: 11834: 11823: 11821: 11815: 11814: 11812: 11811: 11810: 11809: 11804: 11799: 11794: 11792:Julio-Claudian 11789: 11784: 11774: 11769: 11764: 11759: 11754: 11753: 11752: 11751: 11750: 11745: 11744: 11743: 11741:Greco-Buddhist 11733: 11723: 11718: 11713: 11708: 11703: 11698: 11693: 11688: 11683: 11681:Protogeometric 11678: 11668: 11667: 11666: 11661: 11656: 11651: 11641: 11636: 11635: 11634: 11623: 11621: 11612: 11606: 11605: 11596: 11593: 11592: 11576: 11575: 11568: 11561: 11553: 11544: 11543: 11526: 11518: 11517: 11514: 11513: 11511: 11510: 11503: 11496: 11489: 11482: 11475: 11468: 11461: 11454: 11451:Poetic realism 11447: 11440: 11433: 11426: 11419: 11412: 11405: 11398: 11391: 11384: 11381:Late modernity 11377: 11374:Late modernism 11370: 11363: 11356: 11355: 11354: 11347: 11340: 11326: 11319: 11316:High modernism 11312: 11305: 11298: 11291: 11284: 11277: 11270: 11263: 11260:Degenerate art 11256: 11249: 11242: 11235: 11230:Ballets Russes 11224: 11213: 11206: 11198: 11196: 11192: 11191: 11188: 11187: 11185: 11184: 11172: 11160: 11148: 11136: 11124: 11112: 11100: 11088: 11076: 11064: 11052: 11039: 11037: 11033: 11032: 11030: 11029: 11022: 11015: 11008: 11001: 10994: 10987: 10980: 10973: 10966: 10959: 10952: 10945: 10938: 10931: 10924: 10917: 10909: 10907: 10901: 10900: 10898: 10897: 10890: 10883: 10876: 10869: 10862: 10855: 10848: 10841: 10834: 10827: 10820: 10813: 10806: 10799: 10792: 10785: 10778: 10771: 10764: 10757: 10749: 10747: 10741: 10740: 10738: 10737: 10730: 10723: 10716: 10709: 10702: 10695: 10688: 10681: 10674: 10667: 10660: 10653: 10646: 10639: 10632: 10625: 10618: 10611: 10604: 10597: 10590: 10583: 10576: 10569: 10562: 10555: 10548: 10541: 10534: 10527: 10520: 10513: 10505: 10503: 10494: 10486: 10485: 10482: 10481: 10479: 10478: 10466: 10454: 10444: 10434: 10422: 10410: 10398: 10386: 10374: 10362: 10350: 10338: 10326: 10314: 10302: 10289: 10287: 10283: 10282: 10280: 10279: 10272: 10265: 10258: 10251: 10244: 10237: 10230: 10223: 10216: 10209: 10202: 10195: 10188: 10181: 10174: 10167: 10160: 10153: 10146: 10139: 10132: 10125: 10117: 10115: 10109: 10108: 10106: 10105: 10098: 10091: 10084: 10077: 10070: 10063: 10056: 10049: 10042: 10035: 10028: 10021: 10014: 10007: 10000: 9993: 9986: 9983:Ray (Satyajit) 9979: 9976:Ray (Nicholas) 9972: 9965: 9958: 9951: 9944: 9937: 9930: 9923: 9916: 9909: 9902: 9895: 9888: 9881: 9874: 9867: 9860: 9853: 9846: 9839: 9832: 9825: 9818: 9811: 9804: 9797: 9790: 9783: 9776: 9769: 9762: 9755: 9748: 9741: 9734: 9727: 9720: 9713: 9706: 9699: 9692: 9685: 9677: 9675: 9669: 9668: 9666: 9665: 9658: 9651: 9644: 9637: 9630: 9623: 9616: 9609: 9602: 9595: 9588: 9581: 9574: 9567: 9560: 9553: 9546: 9539: 9532: 9525: 9518: 9511: 9504: 9497: 9490: 9483: 9476: 9469: 9462: 9455: 9448: 9441: 9434: 9427: 9420: 9413: 9406: 9399: 9392: 9385: 9378: 9371: 9364: 9357: 9350: 9343: 9336: 9329: 9322: 9315: 9308: 9301: 9294: 9287: 9280: 9273: 9266: 9259: 9252: 9245: 9238: 9231: 9224: 9217: 9210: 9203: 9196: 9189: 9182: 9175: 9168: 9160: 9158: 9149: 9143: 9142: 9139: 9138: 9136: 9135: 9123: 9111: 9099: 9087: 9075: 9068:The Waste Land 9063: 9051: 9039: 9026: 9024: 9020: 9019: 9017: 9016: 9009: 9002: 8995: 8988: 8981: 8974: 8967: 8960: 8953: 8946: 8939: 8932: 8925: 8918: 8911: 8904: 8897: 8890: 8883: 8876: 8869: 8862: 8855: 8848: 8841: 8834: 8827: 8820: 8812: 8810: 8804: 8803: 8801: 8800: 8793: 8786: 8779: 8772: 8765: 8758: 8751: 8744: 8737: 8730: 8723: 8716: 8709: 8702: 8695: 8688: 8681: 8674: 8667: 8660: 8653: 8646: 8639: 8632: 8625: 8618: 8611: 8604: 8597: 8590: 8583: 8576: 8569: 8562: 8554: 8552: 8543: 8537: 8536: 8534: 8533: 8526: 8519: 8512: 8505: 8498: 8497: 8496: 8478: 8471: 8464: 8457: 8456: 8455: 8441: 8434: 8433: 8432: 8425: 8414: 8396: 8389: 8382: 8379:Constructivism 8375: 8368: 8357: 8346: 8338: 8336: 8332: 8331: 8324: 8323: 8316: 8309: 8301: 8292: 8291: 8289: 8288: 8287: 8286: 8276: 8271: 8266: 8264:Social realism 8261: 8256: 8251: 8249:Late modernism 8246: 8245: 8244: 8234: 8229: 8224: 8222:Neo-minimalism 8219: 8217:Postminimalism 8214: 8209: 8204: 8199: 8198: 8197: 8196: 8195: 8180: 8175: 8170: 8165: 8163:Constructivism 8159: 8157: 8153: 8152: 8150: 8149: 8144: 8139: 8134: 8129: 8124: 8122:Poetic realism 8119: 8117:Modernist film 8114: 8109: 8104: 8099: 8094: 8089: 8083: 8081: 8075: 8074: 8071: 8070: 8068: 8067: 8062: 8057: 8055:Textural music 8052: 8047: 8045:Spectral music 8042: 8037: 8032: 8027: 8022: 8017: 8012: 8010:New Complexity 8007: 8002: 7997: 7996: 7995: 7985: 7980: 7975: 7974: 7973: 7963: 7958: 7957: 7956: 7946: 7941: 7936: 7931: 7926: 7920: 7918: 7914: 7913: 7911: 7910: 7909: 7908: 7903: 7898: 7888: 7883: 7882: 7881: 7876: 7866: 7860: 7858: 7851: 7845: 7844: 7842: 7841: 7836: 7831: 7826: 7821: 7816: 7811: 7806: 7801: 7799:Neoavanguardia 7796: 7794:Language poets 7791: 7786: 7781: 7776: 7771: 7766: 7761: 7756: 7751: 7749:Asemic writing 7746: 7744:Angry Penguins 7741: 7735: 7733: 7727: 7726: 7724: 7723: 7718: 7713: 7708: 7703: 7698: 7693: 7688: 7683: 7678: 7673: 7668: 7663: 7662: 7661: 7651: 7646: 7641: 7636: 7631: 7626: 7621: 7616: 7611: 7606: 7601: 7596: 7591: 7586: 7581: 7580: 7579: 7569: 7564: 7559: 7557:Constructivism 7554: 7552:Conceptual art 7549: 7544: 7539: 7533: 7531: 7527: 7526: 7518: 7517: 7510: 7503: 7495: 7489: 7486: 7485: 7473: 7472: 7470: 7469: 7464: 7459: 7454: 7449: 7444: 7439: 7437:Surreal humour 7434: 7429: 7424: 7419: 7414: 7408: 7406: 7402: 7401: 7399: 7398: 7393: 7388: 7383: 7378: 7373: 7368: 7363: 7358: 7353: 7348: 7343: 7338: 7333: 7328: 7323: 7317: 7315: 7311: 7310: 7308: 7307: 7302: 7297: 7292: 7287: 7282: 7277: 7272: 7267: 7262: 7260:Georges Sadoul 7257: 7252: 7250:Pierre Reverdy 7247: 7242: 7237: 7232: 7227: 7222: 7220:Benjamin PĂ©ret 7217: 7212: 7207: 7202: 7200:Pierre Naville 7197: 7192: 7187: 7182: 7177: 7172: 7167: 7162: 7157: 7155:Marcel Lecomte 7152: 7147: 7142: 7137: 7132: 7127: 7122: 7120:Georges Hugnet 7117: 7112: 7107: 7102: 7097: 7095:RenĂ©e Gauthier 7092: 7087: 7082: 7077: 7072: 7067: 7062: 7060:Roger Caillois 7057: 7052: 7047: 7042: 7037: 7035:Antonin Artaud 7032: 7027: 7022: 7016: 7014: 7008: 7007: 7005: 7004: 6999: 6994: 6989: 6984: 6979: 6974: 6969: 6964: 6959: 6954: 6952:Maurice Tabard 6949: 6944: 6939: 6934: 6932:Kurt Seligmann 6929: 6924: 6919: 6914: 6909: 6907:Roland Penrose 6904: 6899: 6894: 6889: 6884: 6882:Desmond Morris 6879: 6874: 6869: 6864: 6859: 6854: 6849: 6844: 6839: 6834: 6829: 6824: 6819: 6814: 6809: 6804: 6799: 6797:Valentine Hugo 6794: 6792:Jacques HĂ©rold 6789: 6784: 6782:Julio GonzĂĄlez 6779: 6774: 6769: 6764: 6759: 6754: 6749: 6747:Marcel Duhamel 6744: 6742:Marcel Duchamp 6739: 6734: 6729: 6724: 6719: 6714: 6709: 6704: 6699: 6694: 6689: 6684: 6679: 6674: 6672:Victor Brauner 6669: 6664: 6659: 6654: 6649: 6644: 6638: 6636: 6632: 6631: 6624: 6623: 6616: 6609: 6601: 6595: 6594: 6579: 6573: 6550: 6545: 6539: 6517: 6514: 6513: 6512: 6497: 6493:Arsenal vol. 4 6484: 6473: 6470: 6469: 6468: 6458: 6450: 6445:Le SurrĂ©alisme 6442: 6430: 6427: 6426: 6425: 6417: 6400: 6397: 6395: 6394:External links 6392: 6391: 6390: 6372: 6354: 6339: 6338: 6334: 6333: 6327: 6312: 6309: 6298: 6283: 6268: 6258: 6253:Melly, George 6251: 6237: 6230: 6216: 6210: 6197: 6183: 6176: 6158: 6151: 6136: 6122: 6108: 6102:Caws, Mary Ann 6099: 6084: 6077: 6070: 6063: 6056: 6049: 6035: 6032:Surrealist Art 6028: 6013: 6012: 6008: 6007: 6006: 6005: 5992: 5978: 5964: 5945: 5944: 5937: 5934: 5932: 5931: 5916: 5897: 5879: 5854: 5823: 5792: 5785: 5756: 5735: 5714: 5707: 5687: 5666: 5645: 5628: 5607: 5578: 5557: 5532: 5503: 5482: 5469: 5440: 5424: 5395: 5393:. pg. 111, 150 5366: 5354:Salman Rushdie 5345: 5324: 5311: 5302: 5293: 5284: 5275: 5266: 5248: 5231: 5209:Dave Meltzer. 5202: 5200:. pg. 277–278. 5173: 5144: 5124:Cranial Guitar 5115: 5106: 5104:. og. 219–222. 5077: 5048: 5044:10.2307/779088 5031: 5018: 5013:ViĂ©net, Rene. 5006: 4996: 4987: 4956: 4949: 4929: 4914: 4888: 4869: 4844: 4820: 4801: 4777: 4763: 4748: 4735: 4712: 4691: 4673: 4644: 4625: 4608: 4593: 4568: 4544: 4529:Surrealist Art 4521: 4496: 4484: 4479:Monthly Review 4462: 4458:Dada Turns Red 4449: 4431: 4410: 4379: 4350: 4327: 4312: 4289: 4274: 4247: 4224: 4221:on 2017-02-14. 4201: 4186: 4167:(2): 127–160. 4147: 4132: 4119: 4109:Louis Aragon, 4102: 4077: 4052: 4045: 4025: 3998:(2): 247–273. 3992:Theatre Survey 3978: 3971: 3943: 3916:(3): 357–369. 3896: 3889: 3869: 3836: 3809:(3): 168–174. 3789: 3774: 3751: 3726: 3717: 3708: 3695: 3683: 3671: 3659: 3629: 3616: 3609: 3589: 3571: 3564: 3544: 3526: 3520:AndrĂ© Breton, 3513: 3492: 3471: 3463:Pierre Reverdy 3448:Breton (1924) 3441: 3431:Thomas Pynchon 3420: 3395: 3376: 3342: 3321:DalĂ­, Salvador 3310: 3293: 3278: 3269: 3260: 3247: 3232: 3219: 3210: 3196: 3157: 3148: 3127: 3120: 3102: 3074: 3059:Ian Chilvers, 3051: 3043:AndrĂ© Breton, 3035: 3028: 3009: 3007: 3004: 3003: 3002: 2992: 2986: 2980: 2975: 2969: 2964: 2959: 2954: 2952:Bizarre Object 2949: 2942: 2939: 2927:Joos de Momper 2914: 2911: 2887:Samuel Beckett 2883:EugĂšne Ionesco 2874: 2871: 2851: 2848: 2839:Carlos Fuentes 2807:Salman Rushdie 2796:Thomas Pynchon 2763:Allen Ginsberg 2726: 2723: 2697: 2694: 2690:Arthur Rimbaud 2644: 2641: 2622:John W. Sexton 2606:Jan Ć vankmajer 2587:Desire Unbound 2511: 2508: 2507: 2506: 2499: 2496: 2493: 2234: 2231: 2230: 2229: 2210: 2196: 2058: 2055: 1996:Anatole France 1958: 1955: 1891:Pierre Yoyotte 1780:left communism 1776:Benjamin PĂ©ret 1733: 1730: 1693:), the operas 1665:Mauricio Kagel 1617:Main article: 1614: 1611: 1597:Gertrude Stein 1520: 1517: 1511:and the Dutch 1492: 1489: 1488: 1487: 1469: 1461: 1453: 1445: 1442:Germaine Dulac 1423: 1403:Main article: 1400: 1397: 1374:Sadegh Hedayat 1349:Arthur Rimbaud 1338:Pierre Reverdy 1304: 1301: 1274:Ballets Russes 1146:Marcel Lecomte 1112:Georges Sadoul 1100:Marcel Duchamp 1076:Valentine Hugo 993: 992: 947: 945: 938: 932: 929: 919:preoccupation. 907:Breton's 1924 868:Joseph Delteil 860:Pierre Reverdy 844:CĂ©line Arnauld 824:Main article: 799: 796: 767:Pierre Reverdy 707:Marcel Duchamp 691:Antonin Artaud 647:Pierre Naville 627:Benjamin PĂ©ret 603:Joseph Delteil 595:Pierre Reverdy 579:CĂ©line Arnauld 432:Ballets Russes 393: 390: 333:juxtapositions 285: 284: 282: 281: 274: 267: 259: 256: 255: 254: 253: 248: 243: 235: 234: 230: 229: 228: 227: 222: 217: 212: 204: 203: 199: 198: 192: 191: 183: 182: 180: 179: 177:Postmodern art 174: 169: 163: 161: 157: 156: 154: 153: 148: 143: 138: 132: 130: 126: 125: 96: 92: 91: 88: 84: 83: 80: 76: 75: 41: 26: 9: 6: 4: 3: 2: 15145: 15134: 15131: 15129: 15126: 15124: 15123:Art movements 15121: 15119: 15116: 15115: 15113: 15094: 15093: 15088: 15080: 15074: 15071: 15069: 15066: 15064: 15061: 15059: 15056: 15054: 15051: 15049: 15046: 15044: 15041: 15039: 15036: 15034: 15031: 15029: 15026: 15024: 15021: 15019: 15018:Rhymers' Club 15016: 15014: 15011: 15009: 15006: 15004: 15001: 14999: 14996: 14994: 14991: 14989: 14986: 14984: 14981: 14979: 14978:New Formalism 14976: 14974: 14971: 14969: 14966: 14964: 14961: 14959: 14956: 14954: 14951: 14949: 14946: 14944: 14941: 14939: 14936: 14934: 14931: 14929: 14926: 14924: 14921: 14919: 14916: 14914: 14913:Jindyworobaks 14911: 14909: 14906: 14904: 14901: 14899: 14896: 14894: 14891: 14889: 14886: 14884: 14881: 14879: 14876: 14874: 14871: 14869: 14866: 14864: 14861: 14859: 14856: 14854: 14851: 14849: 14846: 14844: 14841: 14839: 14836: 14834: 14831: 14829: 14826: 14824: 14821: 14819: 14816: 14814: 14811: 14809: 14806: 14804: 14801: 14799: 14796: 14794: 14791: 14789: 14786: 14784: 14781: 14779: 14776: 14774: 14773:Cubo-Futurism 14771: 14769: 14766: 14764: 14761: 14759: 14756: 14754: 14751: 14749: 14746: 14744: 14741: 14739: 14736: 14734: 14731: 14729: 14726: 14724: 14721: 14719: 14716: 14714: 14711: 14709: 14706: 14704: 14701: 14699: 14696: 14694: 14691: 14690: 14687: 14683: 14679: 14672: 14667: 14665: 14660: 14658: 14653: 14652: 14649: 14637: 14629: 14628: 14625: 14619: 14616: 14614: 14613: 14609: 14607: 14604: 14602: 14599: 14597: 14594: 14592: 14589: 14587: 14584: 14582: 14579: 14577: 14574: 14570: 14567: 14565: 14562: 14561: 14560: 14557: 14555: 14552: 14550: 14547: 14545: 14542: 14540: 14537: 14535: 14532: 14530: 14527: 14523: 14520: 14518: 14515: 14514: 14513: 14510: 14508: 14505: 14503: 14502:Fantastic art 14500: 14498: 14495: 14491: 14488: 14486: 14483: 14481: 14478: 14476: 14473: 14472: 14471: 14470:Christian art 14468: 14466: 14463: 14461: 14458: 14456: 14453: 14449: 14446: 14445: 14444: 14441: 14439: 14436: 14435: 14433: 14429: 14419: 14416: 14414: 14411: 14409: 14406: 14402: 14399: 14397: 14394: 14393: 14392: 14389: 14387: 14384: 14382: 14379: 14377: 14374: 14372: 14371:Skeuomorphism 14369: 14367: 14364: 14362: 14359: 14357: 14354: 14352: 14349: 14347: 14344: 14342: 14339: 14337: 14334: 14332: 14331:Massurrealism 14329: 14327: 14326:Lightpainting 14324: 14322: 14319: 14317: 14314: 14310: 14309:Post-Internet 14307: 14306: 14305: 14302: 14300: 14297: 14295: 14292: 14290: 14287: 14283: 14280: 14279: 14278: 14275: 14273: 14270: 14268: 14265: 14263: 14260: 14258: 14255: 14253: 14250: 14246: 14243: 14242: 14241: 14238: 14236: 14233: 14231: 14228: 14226: 14223: 14221: 14218: 14216: 14213: 14211: 14208: 14206: 14203: 14202: 14200: 14194: 14188: 14185: 14183: 14182:Grunge design 14180: 14178: 14175: 14173: 14170: 14168: 14165: 14163: 14160: 14158: 14155: 14153: 14150: 14148: 14145: 14143: 14140: 14138: 14137:Retrofuturism 14135: 14133: 14132:Scratch video 14130: 14128: 14125: 14123: 14120: 14118: 14117:Memphis Group 14115: 14113: 14110: 14108: 14105: 14103: 14100: 14098: 14095: 14093: 14092:Telematic art 14090: 14088: 14085: 14083: 14082:Guerrilla art 14080: 14078: 14075: 14071: 14068: 14067: 14066: 14063: 14061: 14058: 14056: 14053: 14051: 14048: 14044: 14041: 14040: 14039: 14036: 14034: 14033:Endurance art 14031: 14029: 14026: 14024: 14021: 14019: 14016: 14014: 14011: 14010: 14008: 14004: 13998: 13995: 13993: 13990: 13988: 13985: 13983: 13980: 13978: 13975: 13971: 13968: 13967: 13966: 13963: 13961: 13958: 13956: 13953: 13951: 13948: 13946: 13943: 13941: 13938: 13936: 13933: 13931: 13928: 13926: 13923: 13921: 13918: 13916: 13913: 13911: 13908: 13906: 13903: 13901: 13898: 13896: 13893: 13891: 13888: 13886: 13883: 13881: 13878: 13876: 13873: 13871: 13868: 13866: 13863: 13861: 13858: 13856: 13853: 13851: 13848: 13846: 13843: 13841: 13838: 13836: 13833: 13831: 13828: 13824: 13821: 13820: 13819: 13816: 13814: 13811: 13809: 13806: 13804: 13801: 13799: 13796: 13794: 13791: 13790: 13788: 13784: 13778: 13775: 13773: 13770: 13768: 13765: 13761: 13758: 13756: 13753: 13752: 13751: 13748: 13744: 13741: 13740: 13739: 13736: 13734: 13731: 13729: 13726: 13724: 13721: 13719: 13716: 13714: 13711: 13709: 13706: 13704: 13701: 13699: 13696: 13694: 13693:New media art 13691: 13687: 13684: 13683: 13682: 13679: 13677: 13674: 13672: 13671:Nanyang Style 13669: 13667: 13664: 13662: 13659: 13657: 13654: 13652: 13649: 13645: 13642: 13640: 13637: 13635: 13632: 13630: 13627: 13626: 13625: 13622: 13620: 13617: 13615: 13612: 13608: 13605: 13604: 13603: 13602:Visionary art 13600: 13596: 13593: 13592: 13591: 13588: 13586: 13583: 13582: 13580: 13576: 13573: 13569: 13564: 13560: 13550: 13547: 13545: 13542: 13540: 13537: 13535: 13532: 13528: 13525: 13524: 13523: 13520: 13518: 13515: 13511: 13508: 13506: 13503: 13502: 13501: 13498: 13494: 13491: 13490: 13489: 13486: 13484: 13481: 13479: 13476: 13474: 13471: 13469: 13468:Scuola Romana 13466: 13464: 13461: 13459: 13458: 13454: 13452: 13449: 13447: 13444: 13442: 13439: 13435: 13432: 13430: 13427: 13426: 13425: 13422: 13420: 13417: 13415: 13412: 13410: 13407: 13405: 13402: 13400: 13397: 13395: 13394:Anthropophagy 13392: 13390: 13387: 13383: 13380: 13379: 13378: 13377:Functionalism 13375: 13373: 13370: 13368: 13365: 13363: 13360: 13358: 13355: 13351: 13348: 13347: 13346: 13343: 13339: 13336: 13334: 13331: 13330: 13329: 13326: 13322: 13319: 13318: 13317: 13314: 13312: 13309: 13305: 13304: 13300: 13299: 13298: 13297:Neoplasticism 13295: 13293: 13290: 13288: 13285: 13279: 13276: 13275: 13274: 13271: 13270: 13269: 13266: 13264: 13261: 13259: 13256: 13254: 13251: 13249: 13246: 13245: 13243: 13239: 13233: 13230: 13228: 13225: 13223: 13220: 13218: 13215: 13213: 13210: 13208: 13205: 13201: 13200:Cubo-Futurism 13198: 13197: 13196: 13193: 13191: 13188: 13186: 13185: 13181: 13177: 13174: 13172: 13169: 13168: 13167: 13164: 13160: 13159:Ashcan School 13157: 13156: 13155: 13152: 13150: 13147: 13145: 13142: 13138: 13135: 13133: 13130: 13129: 13128: 13127:Expressionism 13125: 13123: 13120: 13118: 13115: 13113: 13112:Mir iskusstva 13110: 13108: 13105: 13101: 13098: 13096: 13093: 13091: 13088: 13086: 13083: 13082: 13081: 13078: 13076: 13073: 13071: 13068: 13066: 13063: 13059: 13056: 13055: 13054: 13051: 13050: 13048: 13044: 13038: 13035: 13031: 13028: 13027: 13026: 13023: 13019: 13016: 13014: 13011: 13009: 13006: 13004: 13001: 12999: 12996: 12994: 12991: 12987: 12984: 12983: 12982: 12979: 12978: 12977: 12974: 12972: 12969: 12967: 12964: 12960: 12957: 12955: 12952: 12951: 12950: 12947: 12945: 12942: 12940: 12937: 12933: 12930: 12929: 12928: 12925: 12923: 12920: 12916: 12913: 12911: 12908: 12906: 12903: 12899: 12898:Boston School 12896: 12894: 12893:Hoosier Group 12891: 12890: 12889: 12886: 12885: 12884: 12883:Impressionism 12881: 12879: 12878:Peredvizhniki 12876: 12874: 12871: 12869: 12868:Beuron School 12866: 12862: 12859: 12858: 12857: 12856: 12852: 12850: 12847: 12845: 12842: 12838: 12835: 12834: 12833: 12830: 12829: 12827: 12823: 12820: 12816: 12812: 12802: 12799: 12795: 12792: 12788: 12785: 12784: 12783: 12782:Munich School 12780: 12779: 12778: 12775: 12769: 12766: 12765: 12764: 12761: 12759: 12756: 12754: 12751: 12750: 12749: 12746: 12744: 12741: 12737: 12734: 12733: 12732: 12729: 12727: 12724: 12722: 12719: 12717: 12714: 12708: 12705: 12704: 12703: 12700: 12698: 12695: 12693: 12690: 12688: 12685: 12683: 12680: 12678: 12675: 12673: 12670: 12668: 12665: 12663: 12660: 12659: 12658: 12655: 12654: 12652: 12648: 12642: 12634: 12631: 12629: 12626: 12625: 12624: 12620: 12618: 12615: 12613: 12610: 12608: 12605: 12603: 12600: 12596: 12593: 12592: 12591: 12588: 12587: 12585: 12581:Art borrowing 12579: 12571: 12568: 12564: 12561: 12559: 12556: 12554: 12551: 12550: 12549: 12546: 12544: 12541: 12540: 12539: 12536: 12532: 12531:Company style 12529: 12527: 12524: 12520: 12517: 12515: 12512: 12511: 12510: 12507: 12506: 12504: 12498: 12495: 12494: 12493: 12490: 12488: 12485: 12484: 12483: 12479: 12478: 12476: 12472: 12466: 12463: 12459: 12456: 12454: 12451: 12449: 12446: 12444: 12441: 12439: 12438: 12434: 12433: 12432: 12431:Neoclassicism 12429: 12425: 12424: 12420: 12418: 12415: 12413: 12410: 12408: 12405: 12403: 12400: 12399: 12398: 12395: 12394: 12392: 12388: 12380: 12377: 12375: 12372: 12371: 12370: 12367: 12365: 12362: 12360: 12357: 12353: 12350: 12349: 12348: 12345: 12343: 12340: 12338: 12335: 12333: 12330: 12326: 12323: 12321: 12318: 12314: 12311: 12309: 12306: 12305: 12304: 12301: 12299: 12296: 12294: 12291: 12290: 12289: 12286: 12285: 12283: 12279: 12273: 12270: 12268: 12265: 12263: 12260: 12258: 12257:Cretan School 12255: 12251: 12248: 12247: 12246: 12243: 12237: 12234: 12232: 12229: 12227: 12224: 12223: 12222: 12219: 12215: 12214:Danube school 12212: 12210: 12207: 12206: 12205: 12202: 12200: 12197: 12195: 12192: 12188: 12185: 12184: 12183: 12180: 12179: 12178: 12175: 12169: 12168: 12163: 12161: 12158: 12156: 12153: 12151: 12148: 12147: 12146: 12143: 12139: 12136: 12134: 12131: 12129: 12126: 12125: 12124: 12121: 12117: 12116: 12112: 12110: 12107: 12105: 12102: 12101: 12100: 12097: 12096: 12095: 12092: 12091: 12089: 12087: 12083: 12075: 12074: 12070: 12068: 12065: 12063: 12060: 12059: 12058: 12054: 12052: 12049: 12045: 12042: 12041: 12040: 12037: 12035: 12032: 12030: 12027: 12025: 12022: 12018: 12015: 12013: 12010: 12008: 12005: 12004: 12003: 12000: 11998: 11997: 11993: 11989: 11986: 11985: 11984: 11981: 11977: 11974: 11972: 11969: 11968: 11967: 11964: 11962: 11959: 11955: 11952: 11950: 11947: 11945: 11942: 11941: 11940: 11937: 11933: 11930: 11928: 11925: 11923: 11920: 11918: 11915: 11914: 11913: 11910: 11908: 11905: 11901: 11900: 11896: 11895: 11894: 11891: 11889: 11886: 11884: 11881: 11877: 11874: 11872: 11869: 11867: 11864: 11862: 11859: 11857: 11854: 11853: 11852: 11849: 11845: 11842: 11841: 11840: 11837: 11833: 11830: 11829: 11828: 11825: 11824: 11822: 11820: 11816: 11808: 11805: 11803: 11800: 11798: 11795: 11793: 11790: 11788: 11785: 11783: 11780: 11779: 11778: 11775: 11773: 11770: 11768: 11765: 11763: 11760: 11758: 11755: 11749: 11746: 11742: 11739: 11738: 11737: 11734: 11732: 11729: 11728: 11727: 11724: 11722: 11719: 11717: 11714: 11712: 11709: 11707: 11704: 11702: 11699: 11697: 11694: 11692: 11691:Orientalizing 11689: 11687: 11684: 11682: 11679: 11677: 11676:Sub-Mycenaean 11674: 11673: 11672: 11669: 11665: 11662: 11660: 11657: 11655: 11652: 11650: 11647: 11646: 11645: 11642: 11640: 11637: 11633: 11630: 11629: 11628: 11625: 11624: 11622: 11620: 11616: 11613: 11607: 11603: 11599: 11594: 11590:art movements 11589: 11585: 11581: 11574: 11569: 11567: 11562: 11560: 11555: 11554: 11551: 11541: 11531: 11530: 11529:Postmodernism 11524: 11523: 11515: 11508: 11504: 11501: 11497: 11494: 11490: 11487: 11483: 11480: 11476: 11473: 11472:Metamodernism 11469: 11466: 11462: 11459: 11455: 11452: 11448: 11445: 11441: 11438: 11437:New Hollywood 11434: 11431: 11427: 11424: 11420: 11417: 11413: 11410: 11406: 11403: 11399: 11396: 11392: 11389: 11385: 11382: 11378: 11375: 11371: 11368: 11364: 11361: 11357: 11352: 11348: 11345: 11341: 11338: 11334: 11333: 11331: 11330:Impressionism 11327: 11324: 11320: 11317: 11313: 11310: 11306: 11303: 11299: 11296: 11292: 11289: 11285: 11282: 11278: 11275: 11271: 11268: 11264: 11261: 11257: 11254: 11250: 11247: 11243: 11240: 11236: 11232: 11231: 11225: 11221: 11220: 11214: 11211: 11207: 11204: 11200: 11199: 11197: 11193: 11179: 11178: 11173: 11167: 11166: 11161: 11155: 11154: 11149: 11143: 11142: 11137: 11131: 11130: 11125: 11119: 11118: 11113: 11107: 11106: 11101: 11095: 11094: 11089: 11083: 11082: 11077: 11071: 11070: 11065: 11059: 11058: 11053: 11047: 11046: 11041: 11040: 11038: 11034: 11027: 11023: 11020: 11016: 11013: 11009: 11006: 11002: 10999: 10995: 10992: 10988: 10985: 10981: 10978: 10974: 10971: 10967: 10964: 10960: 10957: 10953: 10950: 10946: 10943: 10939: 10936: 10932: 10929: 10925: 10922: 10918: 10915: 10911: 10910: 10908: 10906: 10902: 10895: 10891: 10888: 10884: 10881: 10877: 10874: 10870: 10867: 10863: 10860: 10856: 10853: 10849: 10846: 10842: 10839: 10835: 10832: 10828: 10825: 10821: 10818: 10814: 10811: 10807: 10804: 10800: 10797: 10793: 10790: 10786: 10783: 10779: 10776: 10772: 10769: 10765: 10762: 10758: 10755: 10751: 10750: 10748: 10746: 10742: 10735: 10731: 10728: 10724: 10721: 10717: 10714: 10710: 10707: 10703: 10700: 10696: 10693: 10689: 10686: 10682: 10679: 10675: 10672: 10668: 10665: 10661: 10658: 10654: 10651: 10647: 10644: 10640: 10637: 10633: 10630: 10626: 10623: 10619: 10616: 10612: 10609: 10605: 10602: 10598: 10595: 10591: 10588: 10584: 10581: 10577: 10574: 10570: 10567: 10563: 10560: 10556: 10553: 10549: 10546: 10542: 10539: 10535: 10532: 10528: 10525: 10521: 10518: 10514: 10511: 10507: 10506: 10504: 10502: 10498: 10495: 10493: 10487: 10473: 10472: 10467: 10461: 10460: 10455: 10449: 10445: 10439: 10435: 10429: 10428: 10423: 10417: 10416: 10411: 10405: 10404: 10399: 10393: 10392: 10387: 10381: 10380: 10375: 10369: 10368: 10363: 10357: 10356: 10351: 10345: 10344: 10339: 10333: 10332: 10327: 10321: 10320: 10315: 10309: 10308: 10303: 10297: 10296: 10291: 10290: 10288: 10284: 10277: 10273: 10270: 10266: 10263: 10259: 10256: 10252: 10249: 10245: 10242: 10238: 10235: 10231: 10228: 10224: 10221: 10217: 10214: 10210: 10207: 10203: 10200: 10196: 10193: 10189: 10186: 10182: 10179: 10175: 10172: 10168: 10165: 10164:Hundertwasser 10161: 10158: 10154: 10151: 10147: 10144: 10140: 10137: 10133: 10130: 10126: 10123: 10119: 10118: 10116: 10114: 10110: 10103: 10099: 10096: 10092: 10089: 10085: 10082: 10078: 10075: 10071: 10068: 10064: 10061: 10057: 10054: 10050: 10047: 10043: 10040: 10036: 10033: 10029: 10026: 10022: 10019: 10015: 10012: 10008: 10005: 10001: 9998: 9994: 9991: 9987: 9984: 9980: 9977: 9973: 9970: 9966: 9963: 9959: 9956: 9952: 9949: 9945: 9942: 9938: 9935: 9931: 9928: 9924: 9921: 9917: 9914: 9910: 9907: 9903: 9900: 9896: 9893: 9889: 9886: 9882: 9879: 9875: 9872: 9868: 9865: 9861: 9858: 9854: 9851: 9847: 9844: 9840: 9837: 9833: 9830: 9826: 9823: 9819: 9816: 9812: 9809: 9805: 9802: 9798: 9795: 9791: 9788: 9784: 9781: 9777: 9774: 9770: 9767: 9763: 9760: 9756: 9753: 9749: 9746: 9742: 9739: 9735: 9732: 9728: 9725: 9721: 9718: 9714: 9711: 9707: 9704: 9700: 9697: 9693: 9690: 9686: 9683: 9679: 9678: 9676: 9674: 9670: 9663: 9659: 9656: 9652: 9649: 9645: 9642: 9638: 9635: 9631: 9628: 9624: 9621: 9617: 9614: 9610: 9607: 9603: 9600: 9596: 9593: 9589: 9586: 9582: 9579: 9575: 9572: 9568: 9565: 9561: 9558: 9554: 9551: 9547: 9544: 9540: 9537: 9533: 9530: 9526: 9523: 9519: 9516: 9512: 9509: 9505: 9502: 9498: 9495: 9491: 9488: 9484: 9481: 9477: 9474: 9470: 9467: 9463: 9460: 9456: 9453: 9449: 9446: 9442: 9439: 9435: 9432: 9428: 9425: 9421: 9418: 9414: 9411: 9407: 9404: 9400: 9397: 9393: 9390: 9386: 9383: 9379: 9376: 9372: 9369: 9365: 9362: 9358: 9355: 9351: 9348: 9344: 9341: 9337: 9334: 9330: 9327: 9323: 9320: 9316: 9313: 9309: 9306: 9302: 9299: 9295: 9292: 9288: 9285: 9281: 9278: 9274: 9271: 9267: 9264: 9260: 9257: 9253: 9250: 9246: 9243: 9239: 9236: 9232: 9229: 9225: 9222: 9218: 9215: 9211: 9208: 9204: 9201: 9197: 9194: 9190: 9187: 9183: 9180: 9176: 9173: 9169: 9166: 9162: 9161: 9159: 9157: 9153: 9150: 9148: 9144: 9130: 9129: 9124: 9118: 9117: 9112: 9106: 9105: 9100: 9094: 9093: 9088: 9082: 9081: 9076: 9070: 9069: 9064: 9058: 9057: 9052: 9046: 9045: 9040: 9034: 9033: 9028: 9027: 9025: 9021: 9014: 9010: 9007: 9003: 9000: 8996: 8993: 8989: 8986: 8982: 8979: 8975: 8972: 8968: 8965: 8961: 8958: 8954: 8951: 8947: 8944: 8940: 8937: 8933: 8930: 8926: 8923: 8919: 8916: 8912: 8909: 8905: 8902: 8898: 8895: 8891: 8888: 8884: 8881: 8877: 8874: 8870: 8867: 8863: 8860: 8856: 8853: 8849: 8846: 8842: 8839: 8835: 8832: 8828: 8825: 8821: 8818: 8814: 8813: 8811: 8809: 8805: 8798: 8794: 8791: 8787: 8784: 8780: 8777: 8773: 8770: 8766: 8763: 8759: 8756: 8752: 8749: 8745: 8742: 8738: 8735: 8731: 8728: 8724: 8721: 8717: 8714: 8710: 8707: 8703: 8700: 8696: 8693: 8689: 8686: 8682: 8679: 8675: 8672: 8668: 8665: 8661: 8658: 8654: 8651: 8647: 8644: 8640: 8637: 8633: 8630: 8626: 8623: 8619: 8616: 8612: 8609: 8605: 8602: 8598: 8595: 8591: 8588: 8584: 8581: 8577: 8574: 8570: 8567: 8563: 8560: 8556: 8555: 8553: 8551: 8547: 8544: 8542: 8541:Literary arts 8538: 8531: 8527: 8524: 8520: 8517: 8513: 8510: 8506: 8503: 8499: 8493: 8492: 8486: 8485: 8483: 8482:Neoplasticism 8479: 8476: 8472: 8469: 8465: 8462: 8458: 8453: 8449: 8448: 8446: 8445:Functionalism 8442: 8439: 8435: 8430: 8426: 8422: 8421: 8415: 8411: 8410: 8404: 8403: 8401: 8400:Expressionism 8397: 8394: 8390: 8387: 8383: 8380: 8376: 8373: 8372:Ashcan School 8369: 8365: 8364: 8358: 8354: 8353: 8347: 8344: 8340: 8339: 8337: 8333: 8329: 8322: 8317: 8315: 8310: 8308: 8303: 8302: 8299: 8285: 8282: 8281: 8280: 8277: 8275: 8272: 8270: 8267: 8265: 8262: 8260: 8257: 8255: 8252: 8250: 8247: 8243: 8240: 8239: 8238: 8237:Postmodernism 8235: 8233: 8230: 8228: 8225: 8223: 8220: 8218: 8215: 8213: 8210: 8208: 8205: 8203: 8200: 8194: 8193:Cubo-Futurism 8191: 8190: 8189: 8186: 8185: 8184: 8181: 8179: 8176: 8174: 8173:Expressionism 8171: 8169: 8166: 8164: 8161: 8160: 8158: 8154: 8148: 8145: 8143: 8140: 8138: 8135: 8133: 8130: 8128: 8125: 8123: 8120: 8118: 8115: 8113: 8110: 8108: 8105: 8103: 8100: 8098: 8095: 8093: 8090: 8088: 8085: 8084: 8082: 8076: 8066: 8063: 8061: 8058: 8056: 8053: 8051: 8048: 8046: 8043: 8041: 8038: 8036: 8033: 8031: 8028: 8026: 8023: 8021: 8018: 8016: 8013: 8011: 8008: 8006: 8003: 8001: 8000:Music theatre 7998: 7994: 7991: 7990: 7989: 7988:Minimal music 7986: 7984: 7981: 7979: 7976: 7972: 7969: 7968: 7967: 7964: 7962: 7959: 7955: 7952: 7951: 7950: 7947: 7945: 7942: 7940: 7937: 7935: 7934:Ars subtilior 7932: 7930: 7927: 7925: 7922: 7921: 7919: 7915: 7907: 7904: 7902: 7899: 7897: 7894: 7893: 7892: 7889: 7887: 7884: 7880: 7877: 7875: 7872: 7871: 7870: 7867: 7865: 7862: 7861: 7859: 7855: 7852: 7850: 7846: 7840: 7837: 7835: 7834:Visual poetry 7832: 7830: 7827: 7825: 7822: 7820: 7817: 7815: 7812: 7810: 7809:Nouveau roman 7807: 7805: 7802: 7800: 7797: 7795: 7792: 7790: 7787: 7785: 7782: 7780: 7777: 7775: 7772: 7770: 7767: 7765: 7762: 7760: 7757: 7755: 7752: 7750: 7747: 7745: 7742: 7740: 7737: 7736: 7734: 7728: 7722: 7719: 7717: 7716:Temporary art 7714: 7712: 7709: 7707: 7704: 7702: 7699: 7697: 7694: 7692: 7689: 7687: 7684: 7682: 7679: 7677: 7674: 7672: 7671:Nonconformism 7669: 7667: 7664: 7660: 7657: 7656: 7655: 7654:Neoplasticism 7652: 7650: 7647: 7645: 7644:Mir iskusstva 7642: 7640: 7637: 7635: 7632: 7630: 7627: 7625: 7622: 7620: 7617: 7615: 7612: 7610: 7607: 7605: 7604:Impressionism 7602: 7600: 7597: 7595: 7592: 7590: 7587: 7585: 7582: 7578: 7575: 7574: 7573: 7572:Functionalism 7570: 7568: 7565: 7563: 7560: 7558: 7555: 7553: 7550: 7548: 7545: 7543: 7540: 7538: 7535: 7534: 7532: 7528: 7523: 7516: 7511: 7509: 7504: 7502: 7497: 7496: 7493: 7487: 7480: 7468: 7465: 7463: 7460: 7458: 7455: 7453: 7450: 7448: 7445: 7443: 7440: 7438: 7435: 7433: 7430: 7428: 7425: 7423: 7420: 7418: 7415: 7413: 7410: 7409: 7407: 7403: 7397: 7394: 7392: 7389: 7387: 7384: 7382: 7381:La MandrĂĄgora 7379: 7377: 7374: 7372: 7369: 7367: 7364: 7362: 7359: 7357: 7354: 7352: 7349: 7347: 7344: 7342: 7339: 7337: 7334: 7332: 7329: 7327: 7324: 7322: 7319: 7318: 7316: 7312: 7306: 7303: 7301: 7298: 7296: 7295:Jacques VachĂ© 7293: 7291: 7290:Tristan Tzara 7288: 7286: 7283: 7281: 7280:AndrĂ© Thirion 7278: 7276: 7273: 7271: 7268: 7266: 7263: 7261: 7258: 7256: 7253: 7251: 7248: 7246: 7243: 7241: 7238: 7236: 7233: 7231: 7230:Francis Ponge 7228: 7226: 7223: 7221: 7218: 7216: 7213: 7211: 7208: 7206: 7203: 7201: 7198: 7196: 7193: 7191: 7188: 7186: 7183: 7181: 7178: 7176: 7175:Joyce Mansour 7173: 7171: 7168: 7166: 7163: 7161: 7160:Michel Leiris 7158: 7156: 7153: 7151: 7148: 7146: 7143: 7141: 7140:Jacques Lacan 7138: 7136: 7133: 7131: 7128: 7126: 7123: 7121: 7118: 7116: 7113: 7111: 7108: 7106: 7103: 7101: 7098: 7096: 7093: 7091: 7088: 7086: 7083: 7081: 7080:Robert Desnos 7078: 7076: 7073: 7071: 7068: 7066: 7065:Nicolas Calas 7063: 7061: 7058: 7056: 7053: 7051: 7048: 7046: 7043: 7041: 7040:Jacques Baron 7038: 7036: 7033: 7031: 7028: 7026: 7023: 7021: 7018: 7017: 7015: 7009: 7003: 7000: 6998: 6995: 6993: 6990: 6988: 6987:Remedios Varo 6985: 6983: 6980: 6978: 6975: 6973: 6970: 6968: 6965: 6963: 6960: 6958: 6955: 6953: 6950: 6948: 6945: 6943: 6940: 6938: 6935: 6933: 6930: 6928: 6925: 6923: 6920: 6918: 6915: 6913: 6910: 6908: 6905: 6903: 6900: 6898: 6895: 6893: 6890: 6888: 6885: 6883: 6880: 6878: 6875: 6873: 6870: 6868: 6867:John Melville 6865: 6863: 6860: 6858: 6857:MikulĂĄĆĄ Medek 6855: 6853: 6852:Roberto Matta 6850: 6848: 6845: 6843: 6842:Marcel MariĂ«n 6840: 6838: 6835: 6833: 6832:RenĂ© Magritte 6830: 6828: 6827:Conroy Maddox 6825: 6823: 6820: 6818: 6815: 6813: 6810: 6808: 6805: 6803: 6800: 6798: 6795: 6793: 6790: 6788: 6787:Jane Graverol 6785: 6783: 6780: 6778: 6775: 6773: 6770: 6768: 6765: 6763: 6760: 6758: 6755: 6753: 6750: 6748: 6745: 6743: 6740: 6738: 6735: 6733: 6730: 6728: 6725: 6723: 6722:Jean Dallaire 6720: 6718: 6717:Salvador DalĂ­ 6715: 6713: 6710: 6708: 6705: 6703: 6700: 6698: 6695: 6693: 6690: 6688: 6685: 6683: 6680: 6678: 6677:Fanny Brennan 6675: 6673: 6670: 6668: 6665: 6663: 6660: 6658: 6655: 6653: 6650: 6648: 6645: 6643: 6640: 6639: 6637: 6633: 6629: 6622: 6617: 6615: 6610: 6608: 6603: 6602: 6599: 6590: 6586: 6583: 6580: 6576: 6570: 6566: 6562: 6558: 6557: 6551: 6549: 6546: 6543: 6540: 6530:on 2011-07-18 6529: 6525: 6520: 6519: 6509: 6508: 6503: 6498: 6494: 6490: 6485: 6482:. Libcom.org. 6481: 6478:Heath, Nick. 6476: 6475: 6466: 6462: 6459: 6457: 6455: 6451: 6446: 6443: 6440: 6436: 6433: 6432: 6424: 6422: 6418: 6416: 6412: 6409: 6407: 6403: 6402: 6388: 6384: 6380: 6376: 6373: 6370: 6366: 6362: 6358: 6355: 6352: 6348: 6344: 6341: 6340: 6336: 6335: 6330: 6324: 6320: 6319: 6313: 6310: 6307: 6303: 6299: 6296: 6292: 6288: 6284: 6281: 6280:0-674-40345-2 6277: 6273: 6269: 6267: 6265: 6259: 6256: 6252: 6250: 6249:0-87286-132-5 6246: 6242: 6238: 6235: 6231: 6229: 6225: 6221: 6217: 6213: 6207: 6203: 6198: 6196: 6192: 6188: 6184: 6181: 6177: 6175: 6171: 6167: 6163: 6159: 6156: 6152: 6149: 6148:0-226-17411-5 6145: 6141: 6137: 6135: 6131: 6127: 6123: 6121: 6117: 6113: 6109: 6106: 6103: 6100: 6097: 6096:1-57062-084-9 6093: 6089: 6085: 6082: 6078: 6075: 6071: 6068: 6064: 6061: 6057: 6054: 6050: 6047: 6044:, printed in 6043: 6039: 6036: 6033: 6029: 6027: 6023: 6019: 6015: 6014: 6011:Other sources 6010: 6009: 6003: 5999: 5998: 5996: 5993: 5990: 5989:1-56924-970-9 5986: 5982: 5979: 5976: 5975:0-87348-822-9 5972: 5968: 5965: 5962: 5961:0-472-17900-4 5958: 5954: 5950: 5947: 5946: 5943: 5940: 5939: 5927: 5923: 5919: 5917:3-8228-5856-0 5913: 5909: 5901: 5893: 5889: 5883: 5869: 5865: 5858: 5850: 5846: 5842: 5838: 5834: 5827: 5819: 5815: 5811: 5807: 5803: 5796: 5788: 5782: 5778: 5774: 5773: 5765: 5763: 5761: 5753: 5752:0-415-06518-6 5749: 5745: 5742:C. D. Innes. 5739: 5732: 5731:0-415-26583-5 5728: 5724: 5718: 5710: 5708:9781400075232 5704: 5700: 5699: 5691: 5684: 5683:0-521-82908-9 5680: 5676: 5670: 5663: 5662:0-7475-3169-2 5659: 5655: 5649: 5642: 5641:0-472-10310-5 5638: 5632: 5625: 5624:0-306-80835-8 5621: 5617: 5611: 5604: 5600: 5596: 5595:0-231-07360-7 5592: 5588: 5582: 5575: 5574:84-7908-476-6 5571: 5567: 5561: 5554: 5550: 5546: 5545:0-275-98049-9 5542: 5536: 5529: 5525: 5521: 5520:0-415-26853-2 5517: 5513: 5507: 5500: 5499:0-8265-1345-X 5496: 5492: 5486: 5479: 5473: 5466: 5462: 5458: 5457:1-57003-482-6 5454: 5450: 5444: 5437: 5433: 5428: 5414:on 2020-03-22 5413: 5409: 5405: 5399: 5392: 5388: 5384: 5383:1-57806-185-7 5380: 5376: 5370: 5363: 5362:0-7190-4409-X 5359: 5355: 5349: 5342: 5341:0-312-42468-X 5338: 5334: 5331:Paul Auster. 5328: 5321: 5315: 5306: 5297: 5288: 5279: 5270: 5263: 5262:0-06-092611-2 5259: 5252: 5246:. pg. 12, 239 5245: 5244:0-7535-0486-3 5241: 5235: 5228: 5224: 5220: 5219:0-87286-379-4 5216: 5212: 5206: 5199: 5195: 5191: 5190:0-472-06353-7 5187: 5183: 5177: 5170: 5166: 5162: 5161:0-8093-2447-4 5158: 5154: 5151:Kirby Olson. 5148: 5141: 5137: 5133: 5132:1-56689-038-1 5129: 5125: 5122:Bob Kaufman. 5119: 5110: 5103: 5099: 5095: 5094:0-292-71997-3 5091: 5087: 5081: 5074: 5070: 5066: 5065:1-890771-72-4 5062: 5058: 5052: 5045: 5041: 5035: 5028: 5025:Ford, Simon. 5022: 5016: 5010: 5000: 4991: 4983: 4979: 4975: 4971: 4968:(31): 45–51. 4967: 4960: 4952: 4946: 4942: 4941: 4933: 4926: 4925: 4918: 4910: 4906: 4902: 4895: 4893: 4885: 4884: 4879: 4873: 4862: 4861: 4854: 4848: 4841: 4837: 4833: 4829: 4824: 4817: 4816: 4811: 4805: 4798: 4794: 4790: 4786: 4781: 4774: 4767: 4759: 4752: 4745: 4739: 4731: 4727: 4723: 4716: 4701: 4695: 4687: 4683: 4677: 4669: 4663: 4655: 4651: 4647: 4641: 4637: 4636: 4629: 4621: 4620: 4612: 4604: 4597: 4583:on 2015-03-19 4582: 4578: 4572: 4557: 4551: 4549: 4541: 4537: 4533: 4530: 4525: 4511:on 2010-04-02 4510: 4506: 4500: 4493: 4488: 4480: 4476: 4472: 4466: 4459: 4453: 4445: 4441: 4435: 4420: 4414: 4408: 4407:0-7546-0989-8 4404: 4400: 4396: 4395: 4388: 4386: 4384: 4377: 4376:1-351-37902-X 4373: 4369: 4368: 4361: 4359: 4357: 4355: 4348: 4344: 4340: 4338: 4331: 4323: 4316: 4308: 4304: 4300: 4293: 4285: 4278: 4270: 4266: 4262: 4258: 4251: 4243: 4239: 4235: 4228: 4220: 4216: 4212: 4205: 4197: 4190: 4182: 4178: 4174: 4170: 4166: 4162: 4158: 4151: 4143: 4136: 4129: 4123: 4116: 4112: 4106: 4092:on 2008-09-06 4091: 4087: 4081: 4067:on 2009-08-23 4066: 4062: 4056: 4048: 4042: 4038: 4037: 4029: 4021: 4017: 4013: 4009: 4005: 4001: 3997: 3993: 3989: 3982: 3974: 3968: 3964: 3960: 3956: 3955: 3947: 3939: 3935: 3931: 3927: 3923: 3919: 3915: 3911: 3907: 3900: 3892: 3886: 3883:. Routledge. 3882: 3881: 3873: 3859: 3855: 3851: 3847: 3840: 3832: 3828: 3824: 3820: 3816: 3812: 3808: 3804: 3800: 3793: 3785: 3781: 3777: 3771: 3767: 3766: 3758: 3756: 3741: 3737: 3730: 3721: 3712: 3705: 3699: 3692: 3687: 3680: 3675: 3668: 3663: 3657: 3656:0-8050-5789-7 3653: 3649: 3645: 3640: 3638: 3636: 3634: 3627:, Heron, 1970 3626: 3623:JosĂ© Pierre, 3620: 3612: 3610:9782748348347 3606: 3602: 3601: 3593: 3585: 3581: 3575: 3567: 3561: 3557: 3556: 3548: 3540: 3536: 3530: 3523: 3517: 3509: 3505: 3499: 3497: 3488: 3484: 3478: 3476: 3468: 3464: 3461: 3459: 3455: 3452: 3445: 3438: 3437: 3432: 3427: 3425: 3410: 3406: 3399: 3391: 3387: 3380: 3374: 3370: 3367: 3363: 3359: 3353: 3351: 3349: 3347: 3340: 3336: 3332: 3328: 3327: 3322: 3317: 3315: 3307: 3303: 3297: 3290: 3289: 3282: 3276:Sams, p. 282. 3273: 3264: 3257: 3251: 3244: 3243: 3236: 3229: 3223: 3214: 3207: 3200: 3193: 3189: 3188:1-900565-01-3 3185: 3181: 3177: 3176: 3171: 3167: 3161: 3152: 3144: 3143: 3138: 3131: 3123: 3117: 3113: 3106: 3092:on 2010-02-09 3091: 3087: 3081: 3079: 3071: 3070:0-19-953294-X 3067: 3063: 3062: 3055: 3048: 3046: 3039: 3031: 3025: 3021: 3014: 3010: 2996: 2995:SalĂłn de Mayo 2993: 2990: 2987: 2984: 2981: 2979: 2976: 2973: 2970: 2968: 2965: 2963: 2960: 2958: 2955: 2953: 2950: 2948: 2945: 2944: 2938: 2936: 2935:fantastic art 2932: 2928: 2924: 2920: 2910: 2908: 2904: 2898: 2896: 2892: 2891:Arthur Adamov 2888: 2884: 2880: 2870: 2868: 2864: 2857: 2847: 2845: 2840: 2836: 2832: 2831:Magic realism 2828: 2826: 2825:Robert Coover 2822: 2818: 2817: 2812: 2808: 2804: 2799: 2797: 2792: 2790: 2786: 2782: 2778: 2776: 2772: 2768: 2764: 2760: 2759:Gregory Corso 2756: 2752: 2748: 2744: 2738: 2736: 2735:Postmodernism 2732: 2722: 2720: 2716: 2712: 2708: 2704: 2693: 2691: 2687: 2683: 2679: 2675: 2671: 2667: 2663: 2659: 2655: 2651: 2640: 2638: 2634: 2629: 2628: 2623: 2619: 2615: 2611: 2607: 2603: 2598: 2596: 2592: 2588: 2584: 2580: 2576: 2572: 2567: 2564: 2560: 2556: 2552: 2548: 2543: 2541: 2537: 2533: 2529: 2525: 2521: 2517: 2504: 2500: 2497: 2494: 2491: 2487: 2486: 2485: 2484: 2480: 2477: 2476: 2470: 2468: 2464: 2460: 2455: 2453: 2449: 2444: 2442: 2441:Roberto Matta 2437: 2435: 2431: 2427: 2423: 2419: 2415: 2414:Conroy Maddox 2411: 2407: 2406:Francis Bacon 2403: 2399: 2395: 2391: 2385: 2383: 2379: 2376:in May 1941, 2375: 2374:Belfast Blitz 2371: 2370:AndrĂ© Thirion 2363: 2362:Belfast Blitz 2359: 2355: 2351: 2349: 2345: 2340: 2336: 2335: 2330: 2326: 2322: 2321: 2316: 2312: 2306: 2304: 2300: 2296: 2292: 2288: 2287:Leo Steinberg 2284: 2280: 2276: 2271: 2267: 2263: 2262:Arshile Gorky 2259: 2258:New York City 2250: 2246: 2243: 2239: 2226: 2222: 2217: 2216: 2212:1938 – A new 2211: 2208: 2206: 2205:Fantastic Art 2201: 2197: 2194: 2190: 2189: 2184: 2183: 2182: 2181: 2177: 2175: 2171: 2163: 2159: 2155: 2151: 2149: 2143: 2141: 2137: 2133: 2132:Roberto Matta 2129: 2125: 2120: 2118: 2114: 2113: 2107: 2105: 2100: 2098: 2097: 2092: 2091: 2086: 2081: 2077: 2074: 2072: 2071:in Birmingham 2068: 2064: 2054: 2052: 2047: 2043: 2037: 2035: 2030: 2028: 2024: 2020: 2019: 2013: 2011: 2010: 2004: 1999: 1997: 1993: 1989: 1988: 1982: 1981: 1976: 1972: 1971:Maurice Henry 1968: 1964: 1954: 1952: 1948: 1944: 1939: 1937: 1933: 1929: 1925: 1921: 1920: 1915: 1911: 1906: 1904: 1900: 1896: 1895:J.M. Monnerot 1892: 1885: 1880: 1878: 1874: 1870: 1866: 1862: 1857: 1855: 1850: 1848: 1844: 1840: 1836: 1832: 1827: 1824: 1820: 1815: 1813: 1809: 1805: 1800: 1796: 1795: 1790: 1785: 1781: 1777: 1773: 1769: 1765: 1761: 1757: 1752: 1750: 1749:the Caribbean 1746: 1742: 1741: 1729: 1727: 1723: 1719: 1715: 1711: 1707: 1702: 1700: 1696: 1692: 1689:(scenario by 1688: 1684: 1680: 1676: 1674: 1670: 1666: 1662: 1661:György Ligeti 1658: 1657:Pierre Boulez 1654: 1650: 1646: 1642: 1641:Edgard VarĂšse 1638: 1634: 1630: 1626: 1620: 1610: 1608: 1604: 1603: 1598: 1594: 1590: 1589: 1584: 1583: 1578: 1577: 1572: 1567: 1565: 1560: 1558: 1554: 1550: 1546: 1542: 1540: 1536: 1532: 1531: 1526: 1516: 1514: 1510: 1506: 1502: 1498: 1485: 1484: 1480: 1475: 1474: 1470: 1467: 1466: 1462: 1459: 1458: 1454: 1451: 1450: 1446: 1443: 1439: 1438: 1434: 1429: 1428: 1424: 1421: 1417: 1416: 1412: 1411: 1410: 1406: 1396: 1393: 1392: 1387: 1385: 1381: 1380: 1379:the Blind Owl 1375: 1371: 1367: 1363: 1362: 1357: 1356:Le PĂšse-Nerfs 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Breton 7030:Louis Aragon 6937:AndrĂ© Souris 6862:Oscar Mellor 6847:AndrĂ© Masson 6727:Paul Delvaux 6697:Claude Cahun 6657:Hans Bellmer 6652:EugĂšne Atget 6627: 6555: 6532:. 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Breton 289: 288: 195: 141:Abstract art 79:Years active 42: 15053:Sung poetry 15038:Sons of Ben 14963:Neotericism 14943:Misty Poets 14908:Ä°kinci Yeni 14758:Conceptismo 14733:Cairo poets 14708:Auden Group 14497:Digital art 14460:Avant-garde 14401:Superstroke 14277:Flat design 14272:Fictive art 14267:Excessivism 14215:Art for art 14210:Altermodern 14152:Taring Padi 14087:Lowbrow art 14055:Pliontanism 13992:Yoru no Kai 13945:Process art 13885:Systems art 13855:Arte Povera 13777:Antipodeans 13686:in New York 13656:Jikken Kƍbƍ 13619:Color field 13488:Regionalism 13457:Aeropittura 13446:Neo-Fauvism 13419:Neues Sehen 13389:Kinetic art 13253:Suprematism 13227:Synchromism 13144:Noucentisme 13065:Primitivism 13053:Art Nouveau 13008:Cloisonnism 12998:Pointillism 12993:Divisionism 12971:Incoherents 12932:Art pottery 12818:(1863–1944) 12768:Macchiaioli 12743:Biedermeier 12731:Historicism 12716:Orientalism 12657:Romanticism 12628:Akita ranga 12480:Art of the 12465:Picturesque 12417:Chinoiserie 12412:Frederician 12250:Tudor court 12145:Cinquecento 12086:Renaissance 12073:Mappa mundi 12057:cartography 11949:Carolingian 11944:Merovingian 11927:Palaeologan 11899:RepoblaciĂłn 11856:Anglo-Saxon 11787:Gallo-Roman 11726:Hellenistic 11721:Kerch style 11659:Minyan ware 11522:Romanticism 11479:Remodernism 11360:Incoherents 11219:Avant-garde 11210:Armory Show 10817:Maeterlinck 10720:Villa-Lobos 10706:Szymanowski 10685:Stockhausen 10622:LutosƂawski 10347:(1909–1910) 9147:Visual arts 9120:(1928–1940) 9036:(1913–1927) 8559:Apollinaire 8523:Synchromism 8363:Art Nouveau 8254:Primitivism 8080:and theatre 8020:Noise music 7993:Drone music 7824:Slam poetry 7711:Suprematism 7696:Process art 7624:Incoherents 7619:Color Field 7594:Divisionism 7542:Art Nouveau 7522:Avant-garde 7180:DuĆĄan Matić 7090:Paul Éluard 7075:RenĂ© Daumal 7070:RenĂ© Crevel 7011:Writers and 6967:Karel Teige 6957:Yves Tanguy 6812:Wifredo Lam 6802:Frida Kahlo 6762:Leonor Fini 6692:Luis Buñuel 6667:Bill Brandt 6642:Eileen Agar 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PlĂ©iade 14918:Lake Poets 14793:Deep image 14748:Chhayavaad 14544:Jewish art 14356:Passionism 14316:iPhone art 14262:Cyborg art 14257:Crypto art 14230:Brandalism 14122:Cyberdelic 13987:TropicĂĄlia 13960:Street art 13915:Intermedia 13895:Minimalism 13614:Spatialism 13568:Postmodern 13424:Surrealism 13292:Shin-hanga 13132:Die BrĂŒcke 13100:Sonderbund 13013:Synthetism 12736:Revivalism 12645:Transition 12602:Manichaean 12448:Adam style 12369:Classicism 12308:in Utrecht 12236:Still life 11966:Romanesque 11922:Macedonian 11917:Iconoclast 11876:Visigothic 11782:Republican 11736:Indo-Greek 11706:Red-figure 11409:Maximalism 11344:Literature 11019:Wiesenthal 10921:Cunningham 10914:Balanchine 10894:Witkiewicz 10866:Strindberg 10852:Pirandello 10824:Mayakovsky 10699:Stravinsky 10671:Schoenberg 10490:Performing 10415:Metropolis 10206:Mendelsohn 10011:Rossellini 10004:Richardson 9815:Fassbinder 9801:Eisenstein 9738:Cassavetes 9494:Modigliani 9368:Goncharova 9354:Giacometti 8748:Dos Passos 8550:Literature 8509:Surrealism 8420:Die BrĂŒcke 8274:Surrealism 8212:Minimalism 8087:CinĂ©ma pur 7732:and poetry 7730:Literature 7639:Minimalism 7530:Visual art 7376:Grup d'Elx 7356:Dau al Set 7210:Paul NougĂ© 7195:Max Morise 7190:RenĂ© MĂ©nil 7002:Unica ZĂŒrn 6877:Lee Miller 6628:Surrealism 6534:2009-05-17 5873:2019-04-23 5754:. pg. 118. 5626:. pg. 148. 5605:. pg. 524. 5432:Philip Nel 5418:2020-03-22 5264:. pg. 184. 5075:. pg. 154. 4940:Surrealism 4706:2009-12-26 4587:2009-12-26 4562:2009-12-26 4515:2009-12-26 4425:2009-12-26 4096:2009-12-26 4071:2009-12-26 3863:2024-06-24 3745:2021-02-24 3625:Surrealism 3565:0854571833 3558:. Rodopi. 3414:2024-06-24 3329:quoted in 3096:2012-12-06 3006:References 2863:Alcheringa 2854:See also: 2816:Twin Peaks 2731:Postmodern 2666:alchemists 2589:, and the 2563:Jaruzelski 2524:Asger Jorn 2520:Guy Debord 2505:– New York 2394:biomorphic 2325:David Hare 2221:Rainy Taxi 2057:Golden age 2009:L'Age d'Or 2003:Un Cadavre 1987:Un Cadavre 1975:Josef Sima 1928:RenĂ© MĂ©nil 1914:Martinique 1903:Martinique 1756:Trotskyist 1740:MandrĂĄgora 1710:Paul Garon 1649:Paul NougĂ© 1633:Erik Satie 1576:The Public 1525:surrealist 1465:L'Âge d'Or 1420:RenĂ© Clair 1307:See also: 1269:Hebdomeros 1142:Paul NougĂ© 1025:automatism 1017:techniques 1002:Giacometti 975:April 2021 959:improve it 643:Max Morise 615:automatism 450:Erik Satie 413:surrealism 343:automatism 290:Surrealism 225:Techniques 196:Surrealism 160:Influenced 129:Influences 103:Carrington 31:Surrealism 18:Surrealist 15128:Modernism 15063:Symbolism 14958:NĂ©gritude 14893:Imaginism 14873:The Group 14843:Gay Saber 14833:Fugitives 14813:Ecopoetry 14713:The Beats 14606:Shock art 14596:Queer art 14576:NaĂŻve art 14559:Modernism 14391:Superflat 14381:Sound art 14361:Post-YBAs 14346:Neomodern 14187:Verdadism 14157:Superflat 14006:1970–1999 13970:in the US 13890:Video art 13813:Happening 13786:1960–1969 13578:1945–1959 13241:1915–1944 13232:Vorticism 13184:A Nyolcak 13046:1900–1914 13018:Les Nabis 12949:Symbolism 12905:Amsterdam 12855:Japonisme 12825:1863–1899 12787:in Greece 12647:to modern 12492:Caribbean 12437:GoĂ»t grec 12359:Capriccio 12313:Tenebrism 12262:Turquerie 12160:Mannerism 12055:Medieval 11912:Byzantine 11893:Mozarabic 11844:Ethiopian 11748:Neo-Attic 11731:"Baroque" 11716:Classical 11686:Geometric 11664:Mycenaean 11611:(Western) 11609:Premodern 11580:Premodern 11458:Pulp noir 11416:Modernity 11281:Film noir 11005:St. Denis 10928:Diaghilev 10664:Schaeffer 10587:Hindemith 10566:Dutilleux 10538:Boulanger 10343:The Dance 10039:Tarkovsky 10032:Sternberg 9864:Hitchcock 9780:Dovzhenko 9696:Antonioni 9641:Stieglitz 9480:Metzinger 9431:Kokoschka 9410:Kandinsky 8824:Aldington 8817:Akhmatova 8734:Marinetti 8727:Mansfield 8678:Hemingway 8516:Symbolism 8335:Movements 8328:Modernism 8279:Symbolism 8207:Modernism 8040:Serialism 8025:Post-rock 7966:Free jazz 7874:Free funk 7829:UltraĂ­smo 7784:Imaginism 7759:Cyberpunk 7721:Vorticism 7524:movements 7371:The Goons 7215:Paul Păun 7170:LĂ©o Malet 7135:Petr KrĂĄl 7105:Yvan Goll 7013:Theorists 6887:Joan MirĂł 6822:Dora Maar 6757:Max Ernst 6712:Gala DalĂ­ 6377:. 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14172:Artivism 14060:Punk art 14038:Sots Art 14023:Artscene 13880:Land art 13818:Neo-Dada 13750:Lettrism 13644:Nuagisme 13629:Tachisme 13510:Nazi art 13303:De Stijl 13217:Rayonism 13207:Art Deco 13195:Futurism 12986:Luminism 12954:Romanian 12939:Tonalism 12910:Canadian 12888:American 12794:Neo-Grec 12402:Rocaille 12231:Romanism 12165:Counter- 12099:Trecento 12039:Duecento 12029:Crusades 11961:Ottonian 11939:Frankish 11819:Medieval 11802:Trajanic 11762:Scythian 11757:Etruscan 11649:Cycladic 11627:Thracian 11540:Category 11141:Fountain 11045:Don Juan 10984:Nijinsky 10880:Wedekind 10859:Piscator 10754:Anderson 10678:Scriabin 10594:Honegger 10255:Sullivan 10241:Saarinen 10234:Rietveld 10227:Niemeyer 10199:Melnikov 10129:Bunshaft 10060:Truffaut 10025:Sjöström 9969:Pudovkin 9941:Minnelli 9906:Kurosawa 9899:Kuleshov 9829:Flaherty 9655:Vuillard 9634:Steichen 9592:Rousseau 9557:Pissarro 9536:O'Keeffe 9501:Mondrian 9452:Malevich 9445:Magritte 9417:Kirchner 9361:van Gogh 9312:Doesburg 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Index

Surrealist
The Treachery of Images, by René Magritte (1929)
The Treachery of Images
René Magritte
Breton
Carrington
DalĂ­
Ernst
Fini
Magritte
Oppenheim
Symbolism
Abstract art
Metaphysical painting
Dada
Abstract expressionism
Fantastic art
Postmodern art
Surrealism
Cinema
Music
Humour
Techniques
Surrealist Manifesto
Birmingham Surrealists
Women Surrealists
v
t
e
art

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